#how to deal with toxic work culture
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creatingfromchaos · 3 months ago
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When HR Fails: Navigating a Toxic Work Environment
In today’s corporate jungle, toxic workplaces are unfortunately all too common. If you’ve found yourself trapped in a hostile work environment, you’re not alone. This guide will arm you with practical strategies to navigate, document, and ultimately escape a toxic workplace. The Reality of Workplace Toxicity: You’re Not Alone Before we dive into survival tactics, let’s look at some sobering…
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oncillabrigade · 8 months ago
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Consider:
The Bats all have personalized ring tones for one another, but everyone has both a civilian and a Bat ring tone. The civilian ones are chaos, with everyone choosing whatever they want for their various family members and friends. BUT! Everyone has a single Bat tone that all other team members use for them.
The catch? Bruce forbid them from choosing their own Bat ring tones because he proposed this plan back in Dick's Robin days and he IMMEDIATELY picked "Toxic." The choice was not well received.
Bruce: Dick, I will not be alerted to the fact that you're in danger by some Britney Spears song.
Dick: First of all, it is not some Britney song, it is the Britney song. That song finally won her a Grammy.
Bruce: *sighs*
Dick: Second of all, it won't tell you when I'm in danger... it'll tell you when Robin is.
Bruce:
Bruce: I'm taking the Walkman out of the Robin kit.
Dick: *offended gasp*
(Yes, Dick is old enough for a Walkman. No, you will not change my mind. Yes, the Tim-and-on siblings all find that hilarious. Yes, Jason has to be VERY careful not to mention that he borrowed that Walkman for years because he was uncomfortable taking expensive electronics out and about with him.)
Anyway!
Dick then proposes a slew of other songs for the whole team to use, all of which are pop culture references, e.g. the Scrubs theme because they're not Superman and also they're a dysfunctional family of coworkers; the theme from the Godfather because "let's be honest, B, we are basically our own mafia"; "Where is My Mind" by the Pixies because lol identity shenanigans, etc. The list is endless. Bruce spends weeks groaning every time his son texts him.
Eventually, they compromise on the version of "The Entertainer" from The Sting because they're hiding in plain sight to enact a mission defending good people in a hard world. Bruce, Dick, and Alfred are all so pleased with this that they each take a different section of the song as their ring tone.
Then Barbara becomes Batgirl, so she gets a section... and then Jason becomes Robin and gets one, too... and then Tim, then Steph, and then Cass is taken in, and... uh oh. That's a lot of people for one song.
But it's family tradition! They can't stop now. That would be so unfair to the new kids, B!
So they start using alternate arrangements of the song. Bruce has mellowed slightly on the "no choosing your own" thing. As long as it's a version of "The Entertainer" (within reason) he'll allow it.
Tim retroactively changes his ring tone to a weird groove-ska arrangement Bart randomly sent him on YouTube because have you met Tim Drake? Of course he went for hilarious obscurity. (Bruce grits his teeth and approves it after lots of prompting from Dick and Alfred). Steph makes it her mission to find a weirder one (Bruce agrees because he's too tired to deal with accusations of favoritism).
Cass creates her own arrangement on theremin because apparently she knows how to play the theremin. No one is sure why. Upon inquiry, she just says, "spooky noises are fun," but does not elaborate further even when she's asked to do so. A Batgirl's gotta have her secrets—Babs taught her that.
When Jason starts working with his family again, he pays an aspiring music producer within Red Hood's ranks to create a minor key remix of the original Robin II ring tone. His siblings (minus Cass) are VERY jealous he has his own personalized arrangement. Dick, Tim, and Steph end up paying this goon who owns Garage Band to do ones for them, too. Duke does the same when he joins the team.
Meanwhile, in a fit of little brotherly pique, Damian steals Tim's original ring tone. He hopes to rub salt in the Robin replacement wounds. He fails! Tim finds it beyond funny that Damian's ring tone is groove-ska. So Damian quietly pays the amateur producer to make him one that's cooler than Tim's. He pays a ludicrous amount, though, because Steph paid for one cooler than Jason's and Tim paid for one cooler than Steph's.
(Dick wanted one cooler than Jason's too, but he had $63.02 in his bank account at the time and Bruce flat out refused to use the Batbudget on "a super cool ring tone that's better than Jay's." Eventually, Dick just paid himself for an averagely cool one. In installments.)
At this point, the Bats have single-handedly given this fledgling producer enough money to quit being a goon and start an indie music studio. His first customers are mostly superheroes from out of town who like what the Bats have going on and want their own team ring tones. Harley and Ivy get in on that action, too.
Then, as word spreads, every local crook/henchperson with a side band (there are many) flocks to the studio to have their stuff produced by one of their own. Gotham rogues suddenly have an unemployment problem, while the city finds itself with a flourishing indie music scene that puts Metropolis' to shame. The entire state of New Jersey is celebrating the dual victory.
Dick has never been so glad someone doesn't like Britney Spears' magnum opus.
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cyberclouddream · 2 months ago
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Where You Feel Protective & Nostalgic
Cancer/Moon in the First House
your nurturing persona is often a shield to protect your sensitive self from getting hurt
tend to cling to a specific image of yourself, idealizing your past to avoid confronting who you are now
quick to build walls around your heart because you fear vulnerability
take criticism personally, reacting to any perceived threat defensively
Cancer/Moon in the Second House
place unrealistic value on family or sentimental items, which can lead to hoarding
hold onto old values and traditions that provide comfort
panic at the thought of losing what you have, whether it's possessions or relationships
you resist reassessing your values or beliefs about worth
you can fear taking risks with your money
Cancer/Moon in the Third House
often bring up memories that make you or others emotional
guard your ideas fiercely, reacting defensively when others challenge your opinions or beliefs
romanticize past conversations, often wishing to relive them
get too wrapped up in other people's drama, using it as shield against dealing with your own issues
Cancer/Moon in the Fourth House
prioritize family above all, which can make you blind to toxic dynamics that need to change
smother loved ones because of your desire to shield them, which can lead to resentment instead of gratitude
carry the weight of family issues, letting them define your present relationships and home life
protective instincts can turn your home (house, town, country) into a prison where you're afraid to leave
Cancer/Moon in the Fifth House
fiercely guard your hobbies and passions, fearing others may not appreciate them as much as you do
clingy in relationships when you get attached quickly, which can come from idealizing love or relationships
fear rejection which can hold you back from genuine connections
hold onto hobbies or interests that evoke fond memories, even if they no longer bring you joy
overprotective over children, suffocating their independence in your quest to keep them safe
Cancer/Moon in the Sixth House
take on the emotional baggage of your coworkers
cling to outdated health habits because they feel familiar and safe
romanticize or long for past work experiences
fear any change in your work life, no matter how stale it gets
Cancer/Moon in the Seventh House
smother partners with loyalty in a way that comes off as needy and desperate
lose yourself in the issues of your partner
obsess over the fear of abandonment
get stuck thinking about exes
outdated idea of what commitment means
Cancer/Moon in the Eighth House
get paranoid about betrayal that you won't share anything real with anyone, isolating yourself
cling to old wounds, letting them dictate your emotional landscape instead of healing
scared of new intimate connections
obsess over past loves
Cancer/Moon in the Ninth House
defensive over beliefs, shutting out criticism or new ideas that challenge you
daydream or romanticize about past adventures, in a way that can make current experiences feel disappointing in comparison
resist exploring different cultures
idealize schooling or past lessons, letting them cloud your judgment about current learning opportunities
Cancer/Moon in the Tenth House
overly concerned with others see you (reputation), letting it dictate your actions and decisions
dwell on former career successes
let family legacies dictate career choices
idolize past mentors or authority figures
Cancer/Moon in the Eleventh House
treat your friendships like possessions, suffocating them with your need for closeness
hard to let go of past friendships, yearning for times that are long gone
romanticize past group experiences
defensive when anyone challenges your views on causes you're passionate about
Cancer/Moon in the Twelfth House
hide your feelings or true self from the world
wallow in your emotional scars, protecting them like trophies
idealize solitude, thinking it's safer than connecting with others
retreat into daydreams and fantasies to avoid dealing with real issues
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burntoutdaydreamer · 1 year ago
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To Write Better Antagonists, Have Them Embody the Protagonist's Struggles
(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).
Writing antagonists and villains can be hard, especially if you don't know how to do so.
I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.
Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).
What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.
To show what I mean, here's four examples of the thematic roles an antagonist can serve:
1. A Dark Reflection of the Protagonist
The Devil Wears Prada
Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.
The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.
In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.
2. An Obstacle to the Protagonist's Ideals
Avatar: The Last Airbender
Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.
Why?
Because his very existence is a threat to Aang's values of nonviolence and forgiveness.
Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.
In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.
3. A Symbol of the Protagonist's Inner Struggle
Kung Fu Panda 2
Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.
Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.
Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.
Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.
4. A Representative of a Harsh Reality or a Bigger System
The Hunger Games
We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.
President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.
Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.
Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.
In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.
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bulbabutt · 5 months ago
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okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.
this post is going to go over so well and not controversially at all.
precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.
and 2012 has a very interesting tone to its story.
lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.
hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.
im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.
its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.
but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.
anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.
yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.
so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?
ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.
2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.
(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)
we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.
most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.
in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.
splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.
im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.
speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?
when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.
he comes around later. notably by being on his own, away from the hamatos.
again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.
there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?
there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.
this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.
one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?
the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.
when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.
again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.
so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.
specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!
however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people
its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.
maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.
i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.
i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.
which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.
so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!
for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.
i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:
guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?
if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"
doctor feelings ass response.
look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.
these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!
and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.
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allforthegayphase · 5 months ago
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TW: rape
Something I really appreciated about The Sunshine Court was its nauseatingly realistic depiction of rape culture.
Jean’s (repeated, violent) sexual assault isn’t treated as something horrific; in the toxic environment of The Nest, it’s normalized. The real story — Riko ordering 5 male players to rape Jean as a sadistic way to ‘break him in’ — is quickly twisted by his abusers; Jean is seen as a calculating vixen who slept his way to the top, for a Perfect Court number:
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They continuously mock and taunt Jean with senseless jokes about it. There is an element of jealousy at play; Jean is a prodigy player, and, as he says himself at some point in the book, his older teammates didn’t enjoy being shown up by a child. They certainly enjoyed knocking him down a peg, though, by humiliating him and creating an illusion that he only got his spot on the team for sleeping around, not his talent:
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Even one of his rapists, Grayson, continues this false narrative despite knowing the truth (or maybe he even convinced himself this narrative is the truth; that Jean ‘seduced’ him for a spot on the starting lineup):
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Other ravens who don’t know the truth seem to quickly believe the narrative that a 16 yo chose to sleep with a bunch of his superiors for a personal gain; that is certainly easier than entertaining the thought that your teammates (friends?) are capable of something this horrific. Or maybe they simply don’t question it too hard; after all, Jean can’t tell his side of the story.
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The rumors eventually spread outside the Nest. Jean’s reputation is tarnished to the point that this is one of the first things strangers on the internet learn about him:
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The most heartbreaking detail about it all is Jean’s age. He was a 16 boy on the college team, the youngest player on the lineup; a foreigner who couldn’t even speak English when he arrived; an outsider. Despite the fact that his young age is something that even the ravens find particularly scandalous about the whole situation, Jean’s agency is never questioned. He’s not seen as a minor who was taken advantage of by older, superior men — and most of them are quite significantly older, having already graduated by the time Jean’s 19; Grayson seems to be the youngest of them and he’s at least three years older than Jean.
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As many victims of SA, Jean had no choice but to continue living with his abusers side by side, pretending like nothing happened. Knowing there’s absolutely nothing he can do.
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The first time someone voices concern over the questionable circumstances surrounding the whole situation happens in this conversation with Jeremy (to be fair, it seems like Jean's age isn't public knowledge but the ravens obviously know):
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And as many victims, Jean internalized his experience as something he deserved on some level:
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TLDR: Sexual assault is, unfortunately, a very big part of our culture; it’s not just something that happens in the dark alleys; rapists aren't just scary strangers. They're also your friends, peers, teammates. The way the Nest (and the general public as a whole) turns a blind eye at best and mocks and humiliates the victim at worst is a microcosm of how SA is largely treated in real life. It was genuinely fascinating to see it depicted so realistically, even though it made for a heavy read at several points. I hope Nora keeps up the good work, and we'll see further exploration of the topic and Jean dealing with his trauma in the next book.
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tealvenetianmask · 18 days ago
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Is there stigma about mental illness in Hell?
Personal bit: I've had chronic depression and anxiety for my entire adult life, and I used to guard it as this big secret, but now I have friends and coworkers who are understanding and have their own issues. And I work in a helping profession where I see that dealing with this stuff is just really fucking common. But recently I've had a bit of culture shock hanging out with my family, and realizing that... oh wait, we still treat our mental health issues like deep dark secrets and refuse to talk about them and/or seek help. And that's the only acceptable way to act. Okay. Thanks guys.
Personal ramble aside, yes, mental health stigma is still an issue in America, 2024 (obviously). And thanks to Sinsmas, I'm convinced that it's an issue in Vivzie's Hell too, in a way that's pretty reflective of how real contemporary society treats it.
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Stolas chooses not to tell Blitz about his happy pills. We find out as the episode progresses that he never told Via either.
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And plenty of arguments could be made about Stolas just not wanting to burden the people he cares most for. Not wanting Via to worry about him. Not wanting Blitz to be put out financially by tracking down the pills. But I think there's a level of embarrassment here too, and here's why.
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Stolas has spent his life being told to bottle up his emotions, and we have evidence of this. We've also seen him struggling to hide his emotions from Blitz before, turning his back in The Full Moon, and straining when forcing himself to stop crying in Apology Tour.
Is the cultural aversion to displays of emotion just an upper class thing in Hell? I think the answer is "sort of." There are ways in which a Goetia is expected to behave, and lower-class demons have more freedom.
BUT
It's not really that simple. We saw toxic masculinity coming from Millie's parents and from Crimson, and that kind of attitude sort of goes hand in hand with mental health stigma. We also saw Verosika say this-
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Which shows a certain attitude toward seeking treatment . . .
And Blitz ALSO has a preoccupation with acting like he's fine and can handle things without help that seems very grounded in sort of a working class, "pull yourself up by your bootstraps" attitude. (Bye to all that by Ghostfuckers..)
This has all been a very long way of saying that yes, mental health stigma in Hell is significant and affects our characters.
So what role does discovering Stolas's pills play for Via?
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She takes them as confirmation of her fear (one she already had a lot of evidence for, to be fair...) that Stolas stayed in a miserable marriage for 17 years just for her. And more- that she was "never enough" to make him happy.
And she's right but. She's oversimplifying it. She did make her dad happy. When someone's suffering, from abuse, from mental illness, from . . . literal society . . . one wonderful relationship is still not going to make their life a happy one.
Beyond Stolas's specific situation, people with great lives sometimes need happy pills. People's lives are multifaceted, and that's a lot for a young person to understand sometimes.
So if Octavia had grown up in a situation where people . . . idk, talked about mental health and didn't stigmatize emotions . . .?
Yeah, I think she'd react differently to the happy pills. But more importantly, the level of secrecy wouldn't be the same. Stolas would have been more open about his range of emotions and about needing pills, and in countless other ways this situation would have played out differently.
And now I'm tying myself in knots trying to imagine Goetia culture WITHOUT mental health stigma. I don't think it would exist in the same way at all. Quick, someone get an army of excellent mental health professionals and assign them to every single member of Hell's aristocracy.
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houseofbrat · 2 months ago
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Bernie Would Have Won
By Krystal Ball
There are a million surface-level reasons for Kamala Harris’s loss and systematic underperformance in pretty much every county and among nearly every demographic group. She is part of a deeply unpopular administration. Voters believe the economy is bad and that the country is on the wrong track. She is a woman and we still have some work to do as a nation to overcome long-held biases. 
But the real problems for the Democrats go much deeper and require a dramatic course correction of a sort that, I suspect, Democrats are unlikely to embark upon. The bottom line is this: Democrats are still trying to run a neoliberal campaign in a post-neoliberal era. In other words, 2016 Bernie was right.
Let’s think a little bit about how we got here. The combination of the Iraq War and the housing collapse exposed the failures and rot that were the inevitable result of letting the needs of capital predominate over the needs of human beings. The neoliberal ideology which was haltingly introduced by Jimmy Carter, embraced fully by Ronald Reagan, and solidified across both parties with Bill Clinton embraced a laissez-faire market logic that would supplant market will for national will or human rights, but also raise incomes enough overall and create enough dynamism that the other problems were in theory, worth the trade off. Clinton after all ran with Reagan era tax cutting, social safety net slashing and free trade radicalism with NAFTA being the most prominent example. 
Ultimately, of course, this strategy fueled extreme wealth inequality. But for a while this logic seemed to be working out. The Soviet Union collapsed and the Cold War ended. Incomes did indeed rise and the internet fueled tech advances contributing to a sense of cosmopolitan dynamism. America had a swaggering confidence that these events really did represent a sort of end of history. We believed that our brand of privatization, capitalism, and liberal democracy would take over the world. We confidently wielded institutions like the World Bank, IMF, and WTO to realize this global vision. We gave China most-favored nation trade status.
Underneath the surface, the unchecked market forces we had unleashed were devastating communities in the industrial Midwest and across the country. By the neoliberal definition NAFTA was a roaring success contributing to GDP growth. But if your job was shipped overseas and your town was shoved into economic oblivion, the tradeoff didn’t seem like such a great deal.
The underlying forces of destruction came to a head with two major catastrophes, the Iraq War and the housing collapse/Great Recession. The lie that fueled the Iraq war destroyed confidence in the institutions that were the bedrock of this neoliberal order and in the idea that the U.S. could or should remake the world in our image. Even more devastating, the financial crisis left home owners destitute while banks were bailed out, revealing that there was something deeply unjust in a system that placed capital over people. How could it be that the greedy villains who triggered a global economic calamity were made whole while regular people were left to wither on the vine?
These events sparked social movements on both the right and the left. The Tea Party churned out populist-sounding politicians like Sarah Palin and birtherist conspiracies about Barack Obama, paving the way for the rise of Donald Trump. The Tea Party and Trumpism are not identical, of course, but they share a cast of villains: The corrupt bureaucrats or deep state. The immigrants supposedly changing your community. The cultural elites telling you your beliefs are toxic. Trump’s version of this program is also explicitly authoritarian. This authoritarianism is a feature not a bug for some portion of the Trump coalition which has been persuaded that democracy left to its own devices could pose an existential threat to their way of life. 
On the left, the organic response to the financial crisis was Occupy Wall Street, which directly fueled the Bernie Sanders movement. Here, too, the villains were clear. In the language of Occupy it was the 1% or as Bernie put it the millionaires and billionaires. It was the economic elite and unfettered capitalism that had made it so hard to get by. Turning homes into assets of financial speculation. Wildly profiteering off of every element of our healthcare system. Busting unions so that working people had no collective power. This movement was, in contrast to the right, was explicitly pro-democracy, with a foundational view that in a contest between the 99% and the 1%, the 99% would prevail. And that a win would lead to universal programs like Medicare for All, free college, workplace democracy, and a significant hike in the minimum wage.  
These two movements traveled on separate tracks within their respective party alliances and met wildly different fates. On the Republican side, Donald Trump emerged as a political juggernaut at a time when the party was devastated and rudderless, having lost to Obama twice in a row. This weakened state—and the fact that the Trump alternatives were uncharismatic drips like Jeb Bush—created a path for Trump to successfully execute a hostile takeover of the party.
Plus, right-wing populism embraces capital, and so it posed no real threat to the monied interests that are so influential within the party structures. The uber-rich are not among the villains of the populist right (see: Elon Musk, Bill Ackman, and so on), except in so much as they overlap with cultural leftism. The Republican donor class was not thrilled with Trump’s chaos and lack of decorum but they did not view him as an existential threat to their class interests. This comfort with him was affirmed after he cut their taxes and prioritized union busting and deregulation in his first term in office.
Meanwhile, the Democratic Party put its thumb on the scales and marshaled every bit of power they could, legitimate and illegitimate, to block Bernie Sanders from a similar party takeover. The difference was that Bernie’s party takeover did pose an existential threat—both to party elites who he openly antagonized and to the party’s big money backers. The bottom line of the Wall Street financiers and corporate titans was explicitly threatened. His rise would simply not be allowed. Not in 2016 and not in 2020.
What’s more, Hillary Clinton and her allies launched a propaganda campaign to posture as if they were actually to the left of Bernie by labeling him and his supporters sexist and racist for centering class politics over identity politics. This in turn spawned a hell cycle of woke word-policing and demographic slicing and dicing and antagonism towards working class whites that only made the Democratic party more repugnant to basically everyone.
This identity politics sword has also been wielded within the Democratic Party to crush any possibility of a Bernie-inspired class focused movement in Congress attempted by the Justice Democrats and the Squad in 2018. My colleague Ryan Grim has written an entire book on this subject so I won’t belabor the point here. But suffice it to say, the threat of the Squad to the Democratic Party’s ideology and order has been thoroughly neutralized. The Squad members themselves, perhaps out of ideology and perhaps out of fear of being smeared as racist, leaned into identitarian politics which rendered them non-threatening in terms of national popular appeal. They were also relentlessly attacked from within the party, predominately by pro-Israel groups that an unprecedented tens of millions of dollars in House primaries, which has led to the defeat of several members and has served as a warning and threat to the rest.
That brings us to today where the Democratic Party stands in the ashes of a Republican landslide which will sweep Donald Trumpback into the White House. The path not taken in 2016 looms larger than ever. Bernie’s coalition was filled with the exact type of voters who are now flocking to Donald Trump: Working class voters of all races, young people, and, critically, the much-derided bros. The top contributors to Bernie’s campaign often held jobs at places like Amazon and Walmart. The unions loved him. And—never forget—he earned the coveted Joe Rogan endorsement that Trump also received the day before the election this year. It turns out, the Bernie-to-Trump pipeline is real! While that has always been used as an epithet to smear Bernie and his movement, with the implication that social democracy is just a cover for or gateway drug to right wing authoritarianism, the truth is that this pipeline speaks to the power and appeal of Bernie’s vision as an effective antidote to Trumpism. When these voters had a choice between Trump and Bernie, they chose Bernie. For many of them now that the choice is between Trump and the dried out husk of neoliberalism, they’re going Trump.
I have always believed that Bernie would have defeated Trump in 2016, though of course there is no way to know for sure. What we can say for sure is that the brand of class-first social democracy Bernie ran on in 2016 has proven successful in other countries because of course the crisis of neoliberalism is a global phenomenon. Most notably, Bernie’s basic political ideology was wildly successful electorally with Andrés Manuel López Obrador and now his successor Claudia Sheinbaum in Mexico, Lula Da Silva in Brazil, and Evo Morales in Bolivia. AMLO, in fact, was one of the most popular leaders in the entire world and dramatically improved the livelihoods of a majority of his countrymen. Bernie’s basic ideology was also successful in our own history.
In the end, I got this election dead wrong. I thought between January 6th and the roll back of human rights for women, it would be enough. I thought that the overtly fascist tendencies of Donald Trump and the spectacle of the world’s richest man bankrolling him would be enough strikes against him to overcome the problems of the Democratic Party which I have spoken out about for years now–problems Kamala Harris decided to lean into rather than confront. Elevating Liz Cheney as a top surrogate was not just a slap in the face to all the victims of American imperialism—past and ongoing; it was a broad signal to voters that Democrats were the party of elites, playing directly into right-wing populist tropes. While the media talked about it as a “tack to the center,” author and organizer Jonathan Smucker more aptly described it as “a tack to the top.” And as I write this now, I have zero hope or expectation that Democrats will look at the Bernie bro coalition and realize why they screwed up. Cable news pundits are already blaming the left once again for the failures of a party that has little to do with the actual left and certainly not the populist left. 
Instead, Trump’s victory represents a defeat of social democratic class-first politics in America—not quite final, but not temporary either. The Democrats have successfully smothered the movement, blocked the entranceways, salted the earth. Instead they will, as Bill Clinton did in the ‘90s, embrace the fundamental tenets of the Trumpist worldview. 
They already are, in fact. Democrats have dropped their resistance to Trump’s mass deportation policies and immigrant scapegoating. The most ambitious politician in the Democratic coalition, Gavin Newsom, is making a big show of being tough-on-crime and dehumanizing the homeless. Democrat-leaning billionaires like Jeff Bezos who not only owns Amazon but the Washington Post have already abandoned their resistance.
Maybe I will be just as wrong as I was about the election but it is my sense that with this Trump victory, authoritarian right politics have won the ideological battle for what will replace the neoliberal order in America. And yes, I think it will be ugly, mean, and harmful—because it already is.
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youremyheaven · 8 months ago
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The Strictness of Saturn: Giga Chads, Scammers & Spiritual Gurus
Lately, I have been contemplating the energies of Saturn and how it manifests in men and it brought me to the realization that Saturnian men are the type of men that other men idolize and look up to. There are always certain male celebrities that other men fawn over but women dgaf about and they usually tend to be Saturnian as well. Why do men worship Saturnian men? For starters, the world we live is a deeply Saturnian one, with law and order, systems and regulations and structure. The general narrative is that in order to be successful in life, you have to "hustle and grind" and work hard and that you'll be rewarded for it. This is essentially the theme of Saturn. Saturn is also a masculine planet and a malefic. We live in a capitalist society where the working culture is designed with men in mind. Be it the 9 to 5 or the culture of conquest and domination (in business, politics, colonization etc) are all aggressively yang. You do all of it to make more profit to buy/accumulate more stuff, this is a deeply patriarchal worldview because yang energy is one that is fixated on "accumulation". Therefore to thrive in this world, its important to have a strong Saturn and the kind of people who thrive in this set up, aka men, look up to and admire other men who exemplify such Saturnian qualities.
I'm going to start with the most notorious example of this Saturn worship by men
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Andrew Tate, Anuradha Sun & Moon
Tate's brand of hyper-toxic masculinity and his "hustler university" is so wildly misogynistic it's insane. Yet it appeals to many men.
In one video, Tate describes how he would deal with a woman who accused him of cheating: ���It’s bang out the machete, boom in her face and grip her by the neck. Shut up bitch.” He’s argued that women are a man’s property, shouldn’t drive, and shouldn’t leave the home if they’re in a relationship. He claims only to date 18 and 19 year olds as it’s easier to “imprint” on them, and in a now deleted YouTube video, Tate claimed that “about 40 per cent” of the reason he moved to Romania is that he believed police in Eastern Europe would be less likely to pursue rape allegations.
Tate seems to represent the lifestyle that most men dream of (wealthy) and he presents himself as ultra masculine/alpha like which is every man's dream but the thing is extreme behaviour of any sort comes across like that person is overcompensating for something.
Machoism and machismo are what men use to signal to other men that they're not to be messed with. Its a very primitive display of behaviour that probably goes back to the cave men era where men had to rely on physical strength and brute force to survive. But no man who is actually secure in himself will feel the need to aggressively display his "masculinity" by spewing absolutely vile hateful nonsense against women or other people. Toxic masculinity is rooted in narcissism and self centeredness; these men want to be the best among men (more rich, more powerful, get more girls etc). Its a gross by product of male insecurity because truth be told men grossly overestimate the standards women have for their romantic partners.
they seem to have a scarcity mindset about how no women would want to be with a deadbeat ugly loser (i mean, duh) but believing that every single woman would only date 6’4” dudes with 12 abs and rolexes isn't true either. majority of heterosexual relationships feature a gorgeous girl with a guy who looks like a gnome. many women date absolutely hideous men who are broke just because they have sweet personalities and are nice to be around.
but male insecurity leads to incel behaviour because they believe that the reason women dont go for them is because they're ugly or broke when usually the reason women dont go for them is because theyre an asshole. by blaming women for not sleeping with them or dating them, they get to conveniently shift attention from the fact that they have absolutely nothing to offer and also, women dont owe charity sex to lame, rude, broke, ugly men?
men underestimate just how much personality matters. and by pretending that being the "alpha" will get them women, they're feeding their own masculine egos because women literally just want a guy who is sweet, texts them back regularly, listens to them and isn't a complete asshole. you never hear a woman talk about being into "alphas". its literally just a male fantasy that is completely severed from what real people are like or what real people want. its like how men believe the "Cool Girl" exists, they write female characters to be quirky, nerdy but above all hot and constantly feeding their male ego, they also write male characters to be macho, alpha, dominating other men and women because they want to be like these men.
anyways lol went off on a tangent (me with every post)
Saturn is considered a malefic not because of how it represents "karma" or "discipline" its because Saturn overdoes the strictness, commitment and discipline and "hard work" associated with it. You may work hard but you can't always tell if you're working hard enough or why your hard work isn't translating to results/rewards. That is the energy of Saturn. You overdo things and go beyond the extra mile. This may sound like a good thing because we live in a world that values these traits but it can manifest in many unpleasant ways bc pushing yourself that hard means risking burnout out and it's actually unhealthy to swing into such extremes? You can live a good life without living like a monk or a soldier which is what a lot of hustle/self-improvement coaches advocate for. This is a negative manifestation of Saturn; believing that deprivation, scarcity and harshness are the only way to get things done or that "tough love" is the answer.
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Hunter Moore has a Saturn stellium (Mercury & Venus in UBP and Saturn in Anuradha)
He was a predecessor to Andrew Tate who posted intimate photos (some acquired through hacking, and many nonconsensually submitted) of women with their Facebook details on IsAnyoneUp.com (he's a convicted criminal)
He's an early example of a toxic masculine internet influencer who spewed misogyny and was worshiped by many dudebros.
Solar men may be Chads who just want to hang out with other men but they are NOT like these Saturnians. If we're going to think of Sun as the most masculine or "yang" planet, it also means they're masculine to the point of being almost feminine, if that makes sense? The qualities of preferring other male company, valuing male friendships and wishing to keep women at an arm's length (under the guise of "independence" or "non-attachment") are similar to behaviours shown by women described as a "girls girl". Solar people of either gender have a very welcoming, positive energy but they're often virtually sexless. (there are exceptions to everything ofc) but these are not people known for being highly sexually desirable. They're likable and have qualities/traits that make them "wanted" but Solar energy is too self-centered to be sexually appealing. Sun is the centre of our solar system, it's used to being the source of light and does not have the same need to achieve things the way Saturnians do for whom accomplishment has its origins in insecurity and the desire to overcompensate for what they lack. Solar ambition is rooted in their belief that they're the best and deserve to be at the top of the world and refusal to settle for anything less. Those are two very different approaches.
Tom Hardy, Uttaraphalguni Sun, Chitra Moon once said:
“A lot of people say I seem masculine, but I don’t feel it,” Hardy confessed. “I feel intrinsically feminine. I’d love to be one of the boys but I always felt a bit on the outside. Maybe my masculine qualities come from overcompensating because I’m not one of the boys.”
Tbh this could be a generalization but I feel like I have seldom seen Solar men present themselves as mega alpha hypermasculine figures. They are often perceived that way but they're not personally like that. They're more boyish, more youthful than aggressively "manly". They actually represent a more indulgent "frat boy" type of masculinity than the alpha male ideal presented by many Saturn men.
I'll cite some examples of famous men who are popular among men and not so much among women
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Jason Momoa- Pushya Stellium (Sun, Mercury & Venus)
Men love to talk about him like he's a God or something because he represents the kind of masculinity that other men want to embody. 6'5 bulky beefcake build and has this uber-masculine personality.
Like all Saturnian men, he's also known for making crass, tasteless remarks like the time he said at ComicCon:
“But as far as sci-fi and fantasy, I love that genre because there are so many things you can do, like rip someone’s tongue out of their throat and get away with it and rape beautiful women"
In 2011 during an interview he said:
"Yeah, I’m raping Emilia [Clarke]” he said. “I love her, but I’m hurting her and she’s crying. We could have made it longer, but you get the idea. I’m not a rapist. I prefer my women to enjoy sex.”
All of these statements reek of the smug asshole Saturn alpha-chad vibes like he really thought he did something by saying it. You just know that he was saying it for other men to laugh to🤢🤮🤮
Saturnian men lack social grace and manners and are literal troglodytes
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Sam Levinson- Pushya Moon
everything he has ever made is SO male gaze-y, be it Euphoria or The Idol. he literally makes torture porn and all his female characters are treated like shit with absolute shitheads written as the male protagonist
The Idol portrays an absolutely vile toxic relationship where the woman is literally treated like scum. He sidelined his female collaborator on The Idol and reworked the show to suit his shitty male gaze. The show Euphoria was also stolen from photographer Petra Collins' aesthetic. Here's what she said:
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he's also just known for being an asshole in general. several female cast members on euphoria asked Sam if they could cut down on the nudity (first of all, i think making a highschool drama, casting grown adults and getting away with depicting gratuitous sex scenes is fucked up on its own)
Sydney Sweeney had said:
“There are moments where Cassie was supposed to be shirtless and I would tell Sam, ‘I don't really think that's necessary here,’” she told the Independent. “He was like, ‘OK, we don't need it.’”
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Jason Statham- Pushya Sun, UBP Moon
Jason is another example of a man who is idolized by men. He's known for playing menacing tough guys in action movies who are sometimes complete psychopaths and has the brooding toxic violent masculinity that men get off to.
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Tom Brady, UBP Moon
He is another male celebrity whom men fawn over.
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Chris Evans, Anuradha Rising
Chris is arguably more popular among men than he is among women. He's too plain and boring to appeal to the female gaze truth be told.
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DJ Khaled, Anuradha Sun conjunct Mercury (and Saturn in Pushya)
DJ Khaled is in general known for being an obnoxious, egotistical, pompous asshole further confirming the rumours about how self-obsessed, vain, downright delusional and mannerless Saturnian men are.
In 2014, DJ Khaled revealed in an interview that he never performs oral sex on women. The full quote goes like this:
"It's certain things I just don't do. I believe a woman should praise the man, the King." "If you holding it down for your woman, I feel like the woman should praise and the man should praise the Queen," he continued. "But, you know, my way of praising is called, 'How was dinner? You like the house you living in? You like all them clothes you getting? I'm taking care of your family, I'm taking care of my family"
When host Angela Yee asked Khaled if he "goes down" on his longtime girlfriend, he replied, "Nah, never. Nah, I can't do that. Hell nah...I can't do that. I don't do that."
Yee asked Khaled if he would be okay with his girlfriend not giving him oral sex, to which he said, "Nah, it's not okay. You gotta understand I'm the Don, I'm the King."
She told Khaled she doesn't think the double standard is fair. Khaled said, "It's different rules for men. You gotta understand, we the King. There are some things that you guys might not wanna do or wanna do. It gotta get done. I just can't do what you want me to do. I just can't," he added.
This literally sums up how Saturnian men see themselves versus how they see women.
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Logan Paul, UBP Sun & Mercury
In 2017 Paul was accused of sexist behaviour with the release of his song "No Handlebars." The track, which samples 2008's "Handlebars" by Flobots, changes the original song's lyrics from "I can ride my bike with no handlebars," to "I can ride your girl with no handlebars." The video shows Paul mounting three women who have positioned themselves to act as a bicycle. This wasn't the first time Paul was accused of sexist behavior, famously releasing a now-deleted Vine with controversial Vine star Sam Pepper in which the pair lassoed women as a way of courting them.
In 2018, in one of the first videos back from his infamous post-Suicide Forest hiatus, Paul can be seen lifting a live koi fish out of water and moving it like a toy boat, as well as tasing dead rats. 
In January 2023, fans were outraged when Paul's former pet pig, Pearl, was found abandoned and injured in a field by the nonprofit The Gentle Barn. In the past, he had put his Pomeranian in seemingly stressful situations for YouTube videos, like introducing him to an actual tiger and putting him in a bucket to zipline him off the roof.
In fact, animal abuse/cruelty seems to be a recurring theme with many Saturnians, both men and women. I think so many Saturnians are notorious for abusing animals because their desire for domination and control manifests most through people who cannot fight back. Obviously being abusive to women and expressing desire to subjugate them is another extension of this Saturnian tendency but it is very telling how a Saturnian can and will dominate, control and abuse absolutely every living being they come across.
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many years ago, Kim Kardashian, UBP Moon went viral for holding a cat like a toy and many people said it was abusive behaviour
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Kristi Noem, Anuradha Sun, Ketu in Pushya
She recently came under fire for revealing in her memoir how she shot and killed her dog who was difficult to train along with her goat who she hated? Idk how callous you have to be to describe in detail (her exact words and excerpts from the book are available online, I dont feel like repeating it here) how you murdered your pets?? idk how insane you have to be to even publicly admit something like that??
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Paris Hilton- Pushya Moon conjunct Rahu
Paris is notorious for how she prefers teacup sized dogs and for anybody who does not know, when animals are specially bred to be an unnaturally small size (bc people think small dogs are "cute") they really struggle with their health a lot bc their bodies are too small to hold all their organs and they struggle with respiratory issues along with being more susceptible to diseases and having weaker immunity. Breeding dogs is absolutely inhumane and cruel. imagine saying you want a cute tiny dog when being that small means that dog lives a much shorter life and a much more arduous one as well?
But Paris isn't just guilty of this but is notorious for neglecting her pets. Los Angeles Animal Services finally interfered after rumours that staff had found a dead puppy in one of Paris’ closets. This was one of Paris’ ways of handling dogs when she got annoyed: lock them away in a different area of the house and then forget about them.
After her documentary came about, many have also accused Paris of being a neglectful mother. Her own sister, Nicky Hilton once said that Paris was too selfish to be a mother and unfortunately 😬it sort of looks like its true? Paris basically left her newborn baby with his nannies and complained about having to "work a lot" when the truth is she's a multimillionaire who can afford to take time off to bond with her newborn?? she treats her babies like props to pose with. if you watch the show you'll know what I mean. her whole attitude and demeanour made it seem like she did not gaf about her kid. She also very callously said she was doing egg retrieval over and over because she wanted a girl and kept getting boys?? idk what happened to the other embryos but its a bit icky to admit that you kind of have a designer baby? On the show, her son was supposed to get circumcised and she says she doesn’t want to be there because it’s too painful for her. How painful is it going to be for your baby?!
On the same show, she also said casually that five of her dogs got ate by coyotes on different occasions? and she cloned two of her deceased dogs??
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Shane Dawson, Pushya Sun, Mars in UBP
Shane is a sociopathic asshole in general but in 2015 on a podcast, he, in very graphic detail, explained how he inserted his penis into his cat and then ejaculated onto it as well. His exact words were, "One time I laid my cat down on her back...I moved her little chicken legs spread open or whatever," "I came all over the cat. It was like my first sexual experience...I was also like 19." After this was brought back up in March 2019, he then tweeted saying “I didn’t fuck my cat. I didn’t cum on my cat. I didn’t put my dick anywhere near my cat. I’ve never done anything weird with my cats.” 🤮🤢🤮🤢
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Mitt Romney, Anuradha Moon, Jupiter & Ketu
He infamously tied his pet dog in a kennel to the roof of his car for a cross-country trip.
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Ted Bundy, Anuradha Sun
Serial killers usually abuse animals as children and there have been studies that link animal cruelty to future psychopathic behaviour. Ted used to abuse the neighbourhood dogs. He shot one neighbour's dog because according to him, the dog was an "evil force" that compelled him to kill. Bundy used to watch as his own father tortured animals.
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Angelina Jolie, Pushya Rising
I used to suspect her of being Punarvasu Rising but I came across a 90s interview where she admits to abusing her pets which makes me think she is indeed Pushya Rising lol
"I had a dog and I ended up beating him, and he got sick and... I've hurt so many—I am just not a good animal person... I had a rabbit that died, too... a cage fell on him..."That happened when she was six. But then I had a hamster... I took him in the shower. He died of pneumonia. I had a bunch of little lizards. My friend left them in the sun, and I came back and they were just... my snake, I tried to kill."
Another thing I've noticed with Saturnian men is how they usually scam their way to the top? Deceit, duplicity, being a con artist and a scammer are also common among Saturnian men (Andrew Tate included). They have vv right wing views, especially regarding women and they're also entirely dishonest?
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Lance Armstrong, Jupiter in Anuradha in 1h
He was stripped of his tour de france titles after it was revealed that he used performance-enhancing drugs and cheated on his doping tests??
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Emily Ratajkowski, UBP Moon & Pushya Stellium (Venus, Mars & Jupiter)
Her bikini wear brand Inamorata has come under fire for not shipping any of their orders?? last year lol. Her brand has also been criticized for selling poor quality bikinis that are tacky and garish
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Jennifer Lopez, Pushya Sun, Mercury & Rising
Apart from the fact that J Lo does not sing her own songs and has essentially scammed her way to the top, her numerous business ventures over the years including her Sephora skincare line, Kohl's clothing line etc have all been absolutely horrible, even her perfumes are apparently terrible lol
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Anna Delvey has Jupiter & Ketu in Pushya
She is an infamous con artist and fraudster who posed as a wealthy heiress to access upper-class New York social and art scenes from 2013 to 2017. 
Back to the theme of Saturnians being abusive, here are some more examples:
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Colleen Ballinger, Anuradha Sun
She was accused of grooming her underage fans and being creepy to them and she responded to that with a ukulele song? Her ex-husband reacted to the weird apology saying "This behaviour was my reality anytime I spoke up & disagreed with her actions & rhetoric during 2009-2016. I was gaslit too. I was made to feel like I was always the problem. Any pain I felt was an inconvenience and was belittled. Every ounce of what you’re feeling, I understand."
As someone who used to watch them in the early 2010s (I feel super old) I know for a fact that Colleen was a major asshole to Josh (her ex husband) and always acted like, since she was more successful than him, she had the "upper hand". She's a toxic narcissist and I hated the way she treated all the people in her life like they're all her glorified assistants or something ugh
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David Dobrik, Pushya Sun, Saturn in UBP
If you've watched any of his content, you do know that he uses people around him for "vlog content" and often does really crass, distasteful, offensive, weird, inappropriate shit to his friends for clout? he was rightfully accused of setting up the stage for one of his friends to sexually abuse a minor
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Russell Brand, UBP Moon
He has been accused or rape, sexual assault and emotional abuse by 4 women
He's like the spiritual hippie avatar of a toxic alpha chad and he used to be heavily involved in the Ra Ma Yoga place that was essentially a cult
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Haile Selassie, Anuradha Moon
This is a more extreme example of men (and women) worshipping a Saturn man, in this case quite literally. Haile Selassie was the emperor of Ethiopia. In the 1930s when he initially became emperor, Rastafarianism emerged in Jamaica and Rastafaris believed that Haile was the second coming of Christ and is perceived as a prophet.
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Sri Sathya Sai Baba, Anuradha Stellium (Sun, Mercury, Venus & Saturn)
Sai Baba was a guru who was revered by his followers and literally thought of as God. however, he was embroiled in several scandals in his lifetime including child molestation. Its really hard to dig up info about Indian gurus because they started doing their stuff in the pre-internet era and because its really easy to get away with virtually any kind of abuse under the guise of religion and spirituality in India.
Another guru with major Saturnian energy was Anandamayi Ma who had UBP Rising.
There will be a part 2, where I'll explore more about Saturnian energies and how it manifests in women etc<3 But I hope this post was interesting <3
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allaboutthemoonlight · 8 months ago
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Understanding the Difference Between Hard Work and Workaholism, and Self-Care Strategies for Avoiding Burnout
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Hi friends,
In today’s post, I want to talk about the idea of hard-work vs workaholism and the resulting consequence of burnout. It’s a longer post today because I believe this is something that many people are dealing with, especially in this space.
In the self-improvement and personal development bubble, there’s a constant culture of ambition and striving for improvement. While the intention behind this can be rewarding, it can sometimes fall into toxic territory with constant encouragement of and sentiments such as “just work harder” or “you‘re not disciplined enough”, often leading people to exhaust and overwork themselves.
Due to this, I'd like to discuss the significance of distinguishing between hard work and workaholism — both for productivity and well-being. While hard work can indeed lead to success and fulfillment, workaholism can result in burnout and physical and mental health issues. Recognizing the distinction between these two and equipping oneself with self-care strategies is essential for leading a balanced, healthy life.
What is hard work?
Hard work can vary from person to person, and it’s the same for everyone. Generally, hard work can be described as dedicated and focused effort towards achieving a specific goal. This can mean anything from daily runs to train for a marathon to watching numerous youtube tutorials to learn how to code.
The point here is that, although hard work involves a certain level of persistence, discipline, and strong work ethic, there’s often rewarding outcomes as you know you’re making progress towards something you want to achieve.
Understanding if you’re a hard worker or someone suffering from workaholism dictates a high level of self-reflection and introspection. In my experience, hard workers are those who:
Have a clear understanding of what they want to achieve
Are action oriented and know the purpose behind their efforts
Have the ability to achieve a work/life balance
Are either intrinsically motivated and have a high level of identified motivation
Maintain an internal locus of control
Know when to take breaks
Being a hard worker is a significant skill, one that can lead to personal development, growth, and multiple career opportunities, these are facts that can’t be denied. However, in our current environment where an individuals worth is often determined by their accomplishments and successes, the line between working hard and being a workaholic has been blurred.
Understanding workaholism
Now that we’ve talked about what exactly makes a hard-worker, I want to uncover the other reality: workaholism.
Workaholism is an uncontrollable and compulsive need to work constantly. It comes from feelings of from anxiety, perfectionism, or a desire to escape personal issues. This includes:
Obsessively thinking about work
Struggling to relax or unwind outside of work
Ignoring personal relationships and self-care
Feeling physically drained with fatigue and insomnia
Multiple studies have explored the mental and physical impacts of workaholism, revealing impacts such as high levels of chronic stress, anxiety, depression, fatigue, cardiovascular issues, among others. It’s truly an exhaustive list of consequences, all of which can lead to burnout and emotional exhaustion. Beyond mental and physical health risks, the effects of workaholism can include professional issues. It’s ironic that overworking oneself can have a negative impact on your career, yet there’s a higher likelihood of decreased job performance and strained professional relationships as a result.
I think Jordan Peterson said it best: “You don’t want to do so much work that the amount of you do interferes with the amount of work you could still do”.
Here are some of the key differences between hard work and workaholism to keep in mind:
Purpose and Motivation: Hard work is driven by intentional goals and motivation, while workaholism tends to be more compulsive.
Work-Life Balance: Hard workers manage to balance their professional and personal lives, while workaholics often neglect their personal life and self-care.
Sustainability: Hard work is sustainable over time with breaks for rest and recovery, whereas workaholism leads to burnout due to its unsustainable nature.
Control Over Work: Hard workers can regulate their work habits and take breaks when needed, while workaholics often feel out of control and struggle to stop working.
Stress Levels: Hard work can be stressful but usually within healthy limits, while workaholism leads to chronic stress and health problems.
What is burnout and how can we prevent it
With all that being said, I want to move on to clearly defining burnout and how we can avoid it. Burnout is a work-related state of exhaustion where you feel extreme fatigue, have a hard time concentrating, suffer from emotional dysregulation and poor cognitive function, and mentally distance yourself from the people around you.
Burnout doesn't happen all at once; it's a gradual process that builds up over time, often linked to workaholism. When you’re constantly in a mental state of go-go-go or feel the need to work excessively, you’ll start feeling stressed out from trying to meet all these demands. Over time, if you don’t find ways to take breaks and rest to recharge, you’ll lose energy and find yourself in a state of burnout.
This all happens because burnout leads to emotional exhaustion, detachment from work and others in your life, and a decreased sense of personal accomplishment and motivation.
So how can we prevent this?
There are 5 domains in our lives that we can pay more attention to for preventing burnout: physical, mental/emotional, social, work, and personal/leisure.
Physical Well-being:
Find a form of physical activity you enjoy and do it regularly
Take short breaks during work sessions to stretch and move around
Maintain a balanced diet to sustain energy levels
Get enough each night to support brain function during the day
Mental and Emotional Well-being:
Practice mindfulness techniques and meditation to reduce stress
Practice gratitude daily to adopt a positive mindset
Use deep breathing exercises to calm your mind and body.
Social Support and Relationships:
Seek help when needed through therapy, counseling, or support groups
Make time to connect with family and friends outside of work
Set boundaries for maintaining balance by defining working hours and learn to say no
Workplace Strategies:
Try to opt for projects or tasks in your work that align with personal goals and preferences
Try to schedule meetings to obtain feedback from your higher ups so that you have clear measures on your performance can identity areas for improvement
Find ways to make your work fun to sustain motivation and satisfaction in your work
Leisure and Relaxation:
Schedule leisure activities throughout your day to recharge
Dedicate time to hobbies and interests outside of work
Spend time in nature to connect with the environment and reduce mental fatigue
Thank’s for tuning in.
As always,
L <3
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easays · 11 months ago
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To Ragh; or, On Fatness
Hi! Below is an actual play mini-essay. These are written as part of a personal writing practice of thinking critically about actual play. I hope you find this reading engaging and know that all I write reflects my own interpretations rather than as an official representation/canonization of these shows. Keep reading for my interpretation of Ragh Barkrock's fatness as part of queer representation in Dimension20.
Ragh Barkrock may be one of the most beloved NPCs in Dimension20. It would be easy for Ragh, a bloodrush player good enough to potentially play professionally, to be presented as hypermasculine. In fact, the freshmen year art for Ragh, when he was antagonist rather than beloved ally, showed him in a muscular, inverted Dorito shaped body typical of a jock.
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He's, obviously, built, and his cut jaw and cheekbones only bolster that image. As Ragh comes to terms with being gay at the end of Fantasy High, his countenance changes. When we see him again, the new art reflects a chubbier, happier Ragh.
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The show aligning weight gain with acceptance and happiness already works against prevailing stereotypes that use weight loss as a quick metaphor for improving yourself and being the "real you." Moreover, connecting Ragh's acceptance of his sexuality with what seems like a larger comfort in his own body is a strong indictment of hypermasculine gay culture. As Gabriel Arana writes, gay men "must reconcile their sense of masculinity with their failure to conform to its heterosexuality." Not doing so has negative mental health outcomes, as Arana points out, and contributes to a culture that devalues fat queer people (see the popular "no fats, no femmes, no Asians" that often is touted in masculine gay subculture).
All of this, I think, is why Ragh's art for Junior Year was particularly impactful for me as a fat queer person. If being a gay man (or half-Orc, in Ragh's case) means having to situate your life in relationship to failing compulsory masculinity, then it seems there is an inherent queer aspect to embracing, celebrating, and showcasing a beloved NPC in an explicitly fat and happy body.
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FHJY Ragh art by @caitmayart
Ragh is still strong and he is still fat. His body radiates a commitment to the power of fat bodies to exist in spaces they are often violently unwelcome in, such as gyms. Existing in gyms and sports spaces as fat people means dealing the "impossible standard that rejects nearly all of us" and upholds a diet culture rooted in impossible, Eurocentric and colonial body standards. In TTRPGS or actual plays, there is a unique opportunity to think about how bodies might exist in worlds different from ours, to imagine bodyminds as otherwise. However, as queer critics like Paul Preciado have noted, sci-fi and fantasy representations of cyborgs and other transformative bodies often lean into "fixing" disabled people or moving gender nonconforming bodies more easily towards technologies upholding a normative standard rather than questioning the standard all together.
Spyre is a world that deals with similar issues to ours, even without direct one-to-one correlations, so it, too, is a place where the narrative and artistic choices should be examined in how it helps us interpolate the world the audience resides in. From the Applebees cultish adherence to a deity-based nationalism to the various representations of parental neglect and abuse and every side story in-between, Dimension20's flagship show does not shy away from difficult realities even when recasting them through fantasy. Ragh, as a half-orc gay son of a disabled single mother, then, I see the arc his fat body goes through as meaningful and intertwined with his self-acceptance and queerness. He moves away from the toxic masculinity engineered into his blood rush team to instead pursue coalition comraderie with his friends to the point that he and his mother end up joining a communal living situation with those friends and their parents. Ragh's body expands as his family does, as his ties to community do, and to me, the gift of his fatness is the invitation to expansion that it holds out to us as viewers.
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thesoftuglywrites · 3 months ago
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Coke in the Midas Touch
UPDATED: 10/1/24
This is my first ever attempt at writing for the JJK fandom, specifically for my favorite 7:3 ratio sorcerer, Nanami. So, I hope I did the character justice. (This is also my first attempt at writing smut after having many years of reading it, so please be nice).
Summary description: Nanami Kento, after having left the Jujutsu society in exchange for a normal job as a salaryman, encounters the new hire at work who slowly becomes the object of his affections the more that she becomes the office scapegoat; Villain!Nanami.
Disclaimer: Please keep in mind that I am not Japanese, nor am I an expert in Japanese work culture. So, if there are some things wrong, or inaccurately portrayed, I do apologize.
Content warning: use of Y/N, reader insert is afab and referred to as such, sexual themes, sex between characters, violence between characters, adults being overgrown children and should behave better at their grown ages but they don't, toxic work culture, pawa-hara culture.
WC: 12.7 K (it's a novel, I'm sorry)
Minors Do Not Interact
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When Nanami Kento first laid eyes on her, he thought that she was unassuming. 
On her very first day of work, he remembers that she was stood at the front of the office with the associate manager of the sales department, making the standard introduction of any new hire.
“Hello! It’s a pleasure to meet you all! My name is Y/N! I will try to do my best! Please take care of me!” Which was then followed by a full 45 degree bow at the waist. 
He noted that her eyes were bright and filled with some semblance of hope. Nanami also cynically wondered how quick it would be for the corporate overlords, demanding deadlines, and lack of work-life balance to crush her spirit. 
He had only been at this company for the past two, almost three, years, but he was already jaded to begin with. 
She was assigned to be under his supervision for the training period, which Nanami found to be somewhat irritating. It wasn’t anything against her, he just knew that he wasn’t exactly the nicest person in the office, nor did he have the patience to deal with new hires. Somehow, they always ended up under his direct supervision for training purposes. Maybe it was his superior’s way of tormenting him given the fact that he refused to engage in the locker room talk that the male employees would have about the female staff or that he didn’t partake in the after work get-togethers at the local bars where they would all drink themselves silly. Or maybe it was his superior's way of letting him know that he was doing a “great job” by giving him more tasks, because they knew that they could count on Nanami to do proper work. 
Nanami would like to think that it was the latter. However, he knew better than that. 
“Your desk is located over here, by Nanami-san. He’ll be the one that will assist you with your orientation period.” She’s led over by the associate manager to the empty desk that sits beside Nanami. “If you have any questions, refer to him. He’s been at the company for the past several years and has done a fine job of it.”
Nanami gets up from his desk to greet them as they approach. “You speak too highly of me, Akiyama-buchou,” Nanami rebukes, attempting to remain humble. His eyes fall from associate manager Akiyama to the new hire. “Nanami Kento. Pleased to meet you.” He bows. 
She bows, holding a box of items. “Pleased to meet you!” her voice chipper.
“Now, before I leave, do you have any questions for me?” Akiyama asks her.
She shakes her head. “No, sir.”
“Alright, well, I’ll leave you to it, then.” He promptly turns away, heading to his desk that was sectioned off in his own private office, leaving both Nanami and the new hire.
Alone. Somewhat.
Together.
She turns to face Nanami, placing the box of personal belongings on her desk, a small smile still on her face. “So…what should we get started on first?” 
And thus, began a somewhat tentatively professional relationship between Nanami and the new hire. Every time she saw him first thing in the morning when the both of them were coming into the office, she would be quick to greet him with a cheerful: “Good morning, senpai!” that would be followed with vigorous waving. She always attempted to make conversation with him whenever she could, included him in small talk with other coworkers around the office, got him coffee whenever it was her turn to do the coffee runs even when he didn’t request anything or want anything in particular (and she wouldn’t allow him to pay her back for going out of her way). When the days would end, if she were to cross paths with Nanami while on they’re way out, she would give him that same vigorous wave while saying: “Have a good night, senpai! Get home safely!” 
Nanami wasn’t entirely too sure if she wanted something out of him or if she was just this nice all the time. Given, however, his previous experience with seeing the worst out of humanity and in the dealings of curses and cursed energy by proxy as a jujutsu sorcerer, could one really blame him? 
Then again. Would it be too terrible for him to consider that maybe, just maybe… that out of all the shitty people in this world… that there was at least one good person that existed to make up for it? 
Maybe he was getting ahead of himself.
~
“Good morning, senpai!” Nanami was greeted by her in the break room while he was getting a cup of coffee from the communal coffee machine. 
Nanami glances over his shoulder to look at her. “Good morning.” He keeps his responses short. 
There’s a small silence that follows between the two of them, the only sounds being the steady drip of the coffee machine and the whirring of the employee communal refrigerator. For Nanami, the silence wasn’t uncomfortable. It was actually welcome. 
“Nanami-senpai.”
He turns to face her, holding the cup of coffee in his hand, staring at her quizzically. 
“There was talk…about wanting to go out after work for drinks, and I was wondering if-”
“No, thank you. I’m not interested.” Nanami’s response is immediate, as if he doesn’t have to think twice about it. He’s beyond accustomed to rejecting the offers to spend time with his co-workers outside of work. 
The next words die in her throat as soon as she hears Nanami’s dismissal. A sinking feeling of dejection fills her chest as Nanami rejects her offer, but she’s quick to push the feelings aside, trying to not let them deter her mood.  
“May I ask you something?” Nanami can sense the hesitancy in the question, almost as if she were afraid to ask it. 
“Sure.” 
“Forgive me if this is too forward, but why is it that you never care to partake in festivities outside of the professional setting? I mean, I’ve seen you reject offers from other colleagues around the office, higher-ups like Akiyama-buchou, and even offers from Fumiko-senpai! And she’s one of the prettiest women in the office!”
Nanami squints his eyes in confusion. “Wait, how did you hear about that?”
“She talked about it one morning while she was at the copier with Aiko-senpai. I was within earshot of their conversation. She seemed pretty upset by it.” 
I would have thought that she would have taken the hint by now, given the fact that this is the fourth time that she’s asked me out, and it’s my fourth time rejecting her, Nanami thought sullenly to himself. Nonetheless, he answers her question. “Listen to me, Y/N-chan, I’m not here to mix my personal life with my professional life. I’m simply here to clock in, do what’s expected of me for my role in this company, and clock out so I can earn enough money to make at least a decent living in this hellscape of a society. Nothing more, nothing less.”
She shrinks back just a tiny bit as he speaks, fearing that she may have crossed an unspoken boundary that he had set for himself.  She continues with her questioning. “And… What about what the superiors think? Doesn’t their opinion of you matter in the long run of your employment here? I mean… don’t you want to move up in the ranks?” 
“To be frank, I could care less about what they think. They already take up enough of my time here, they don’t need to take up anymore outside of my working hours. I hate overtime.” He turns to leave the break room, realizing how much time he’s wasted there in the breakroom, talking to her. He needs to get back to his desk.
“Nanami-senpai,” she says, almost bewildered. There was a hint of admiration behind it though. To her, he had a backbone that she could only dream of. 
He pauses at the door, his hand on the knob. He glances up at her over his shoulder, a somewhat cynical glint to his eyes. “To put it lightly, Y/N-chan, there are worse things out there than upset higher-ups simply because you told them ‘no’.” His mind flashes back to seeing the bodies of his dead friends on cold metal examination tables in the morgue room of Jujutsu Tech. The wails of curses and dying humans echo in his ears as he reminisces on his times as an up and coming Jujutsu sorcerer, but he doesn’t dare falter. 
She nods, her gaze landing on her hands that were intertwined together, digesting what he had to say. “I understand, senpai.”
There’s a pregnant pause before he faces the door again, his hand turning the knob on the door. 
“No… no, I don’t think you do, Y/N-chan.”
He opens the door to see Fumiko outside. He gives her a small polite smile and a nod before making his way around her to get back to his desk.  
Fumiko watches as he leaves, a look of longing on her face. She turns to look at Y/N and a surly look crosses her face. She enters the breakroom, heading to the coffee machine with an empty mug in her hands. 
The tension in the air was thick enough that either one of them could cut it with a knife. 
Fumiko didn’t say a word to her, but Y/N knew that in her heart of hearts that she’s done something terribly wrong to grossly piss one of her seniors off. 
~
At first, it started off small. 
Her orders were conveniently forgotten when the coffee runs or lunch runs were being made. Other office workers started to hand off their assignments to her, making her workload three times what it originally was supposed to be, making late nights a near constant for her. Anytime something went wrong in the office, to miniscule things like if if the copier ran out of ink and it wasn’t replaced as quickly as possible, to major things like if certain papers or documents weren’t delivered to another department in a timely manner, then she would be a scapegoat for the blame. 
She didn’t say a word about it to anyone, however. It’s not like she was in a position to be complaining about it. She knew that if she were to say anything, then she would be called “ungrateful”, “lazy”, and that “she should be lucky that any job decided to hire her on”.
Nanami noticed fairly quickly what was going on and found himself to be disgusted by the behavior of his co-workers. This wasn’t the first time that a stunt like this was pulled on the new hires. There was an old mentality that still existed of newcomers needing to “prove themselves” or “earn their place amongst their peers”. He honestly thought that this kind of stuff would have ended the moment that he graduated from secondary school and entered into the workforce, thinking that full fledged adults would learn how to properly behave and conduct themselves in a mature manner.
Needless to say, he was dead wrong about that. Some of them get even worse with old age. 
Though he's learned to separate his professional feelings from his personal feelings, it would be untruthful to say that the current behavior towards Y/N-chan didn’t bother him in the slightest. 
He minded. He minded a great deal, actually.
She was good. She was kind to others. She certainly didn’t deserve this kind of treatment. Frankly, no one ever deserved that kind of treatment no matter who they were. 
Nanami strolls into work bright and early one morning to find her hunched forward on her desk, completely passed out. He notes that there were papers that were scattered across the surface and that there was a pen still lodged in her hand. She must have spent the night here. 
He set his stuff down on his desk before turning to her and placing a hand on her shoulder to gently rock her awake. 
“Y/N-chan, you need to wake up,” he says softly. 
He goes to stand behind her chair and places his other hand on her forehead to help sit her up, hoping that the motion and change in position will help stir her awake. 
“Y/N-chan, Akiyama-buchou will be in shortly, you need to wake up so you don’t end up in trouble.”
There’s a solid minute that passes before Nanami hears a groggy: “Mmm… senpai?” 
He lets out a chuckle before stepping back to sit at his desk. “Did you spend the night here last night?”  
“Mmhmm,” she yawns as she stretches out her arms well above her head and leans up against her chair. “I had to finish up the final reports for the department quarterly review. They’re due at the end of this week.”
Nanami pauses, then his eyes narrow. “I thought that was Kakuta-san’s responsibility to take care of that,” he says, his voice a tad stern.
“Yeah, well… he asked me to do it.”
“He shouldn’t have.”
Y/N is silent for a moment before she starts to organize the papers on her desk into a more orderly fashion. The next words that come out are small and downtrodden. “It’s not like I can say no to my superiors, Nanami-senpai.”
“Kakuta-san is not your superior, he’s your co-worker. He shouldn’t be passing off his assigned work tasks onto you. Matter of fact, none of these people in this office should be passing off their assigned tasks onto you.” He had a much more choice word to use for his colleagues but he bit his tongue. 
At this point, Nanami felt like he was scolding his own child rather than his junior.
You try telling them that, Y/N thought snidely to herself. She let his comments roll off her back. “Look, I’m almost finished with the report, senpai. It’s really not that big of a deal.” 
His gaze is hard. “You’re sure?” 
Y/N matches his demeanor, getting a little annoyed with his constant chastising. Her eyebrows slightly furrow as she sits up a tad taller, looking Nanami square in the eye. “I’m fine. You don’t need to worry about me. I can handle it,” Y/N snaps. “Now, if you’ll excuse me, I need to get back to work. I’ve already wasted enough time here.”
He watches as she busies herself with the paperwork on her desk, a sour taste remaining in his mouth, making him purse his lips together into a tight line. Nanami briskly turns away, not wanting to add further dissension to their discourse. 
~
Things went from bad to worse.
On the days that she was supposed to have off, she would be called into the office to work grueling hours, usually from seven in the morning until midnight, leaving her with little to no free time. Interactions with her co-workers and her superiors became more and more hostile. The shift of blame became a near constant everytime that she was in office, the accusations becoming increased in severity, some of which would have Akiyama-buchou screaming at her in front of the entire office staff which, at times, would reduce her to tears. 
The mental and emotional stress was starting to take a physical toll on Y/N. The bags underneath her eyes were becoming darker, she had no appetite to eat anything, thus making some of her clothes start to fit a little looser. Her hair was starting to slowly come out in clumps and sleepless nights were starting to become the norm.
The anxiety and fear was starting to eat her alive, and Y/N was exhausted.
Nanami was silently noticing the events unfolding before him, and found the actions of his colleagues to be reprehensible. He’s grown to care for Y/N-chan. More than he would like to admit, but somehow she’s managed to worm her way into his heart. 
He tried finding little ways to combat the workplace harassment that Y/N-chan was facing. Tiny things, nothing too grand or extravagant that would draw attention. 
When Y/N-chan found herself swamped with work (realistically speaking, the work of others that they, continuously, passed onto her) and unable to leave her desk, not even to take a lunch break, Nanami would stop by the vending machines, leaving extra snacks on her desk when she wasn’t paying attention to the world around her. The mornings that he would find her passed out cold on her desk from pulling an all-nighter at the office, he would visit the little coffee shop across the street and “accidentally” order two cups of coffee instead of one. Just like the vending machine snacks, he would leave the cup at the corner of Y/N-chan’s desk for her to wake up to. When she would ask him about it, noticing that they were both from the same place, he would always say the same thing to her: “They accidentally gave me two. Rather than waste the extra on me, I figured that you would need it a bit more than I do.” which was then quickly followed by a “no, you don’t need to pay me back”. The times that Y/N would find herself alone in the office during the lunch breaks that the staff would take, Nanami would stay behind at his desk beside hers and silently eat his lunch. The days that he noticed she hadn’t brought any food with her, he would offer part of his lunch. It was second nature at this point, but she would always refuse, saying that she wasn’t hungry.
Whenever Y/N felt her emotions get the better of her, she would hide in the supply closet and take a moment to try and recollect herself. As a grounding point, she would try to think that her family and friends (what little she had of them) love and care about her, and other times, she would think of the small acts of kindness that Nanami would show towards her. 
She would be forever grateful for him. Even if she wouldn’t verbally say it out loud to him. 
At some point, though, the tension reached a head, and Nanami couldn’t idly stand by anymore. 
 One afternoon, Nanami was leaving a meeting room with the other department leaders when he heard a loud cry ring out in the office, ripping him out of his reverie. He whips his head up to see Y/N barge out of the staff break room and rush past him, tears welling up in her eyes, and a large brown stain covered the front of her white blouse that she was wearing. Alarmed, he watches as she runs to the women's restroom, the door slamming behind her. 
What caught his attention next was the sound of laughter that came from the break room. A sinking feeling of dread sat in his chest, before the subtle burn of anger began to ignite in his heart. 
His eyes narrow as he saunters towards the breakroom, finding both Fumiko and Aiko standing there, giddy as school girls. They became deers in the headlights as soon as they saw Nanami. 
He noticed that Fumiko was holding an empty mug with coffee dribbling down the side of it.
“I saw Y/N-chan run out of here. She seemed upset,” he muses. “What happened?” 
The two women stare at him like gaping fish, neither one of them saying a word. 
A beat of silence passes before he speaks again, his eyes locked onto them. “Something clearly happened.” 
The sound of the coffee machine brewing in the corner of the room catches his attention. Nanami glances at Fumiko and Aiko from the corner of his eyes, his gaze disapproving, before walking over to the coffee machine. The smell of a freshly brewed pot assaults his senses as he approaches. He raises a hand and gently presses two fingers to the side of the pot. 
It’s hot. Scalding hot, actually. 
“Judging by the behavior of you two, I’m going to assume that you intentionally spilled hot coffee on Y/N-chan’s front,” Nanami muses, as if he were speaking to himself. He turns to face them, leaning up against the counter. “Am I wrong?”
Silence. 
Nanami knows that neither Aiko or Fumiko don’t have to say anything to explain themselves. 
He lets out a loud sigh and raises a hand to pinch at the bridge of his nose. “That’s what I thought.” 
After finally getting the answers that he needed, Nanami pushes off the counter, wasting no time to grab the first-aid kit as he exits the breakroom, heading towards the women's restroom.
Y/N is sitting on the toilet, her blouse pulled open as she applies wet tissues of toilet paper to the large burn on her chest in order to find some relief from the pain. 
She’s stopped crying, but now the feelings of embarrassment and shame are starting to set in.  
Leaning forward to hold her head in her hands with her elbows resting on her knees, all of the emotions that Y/N has been holding in for the past several months begins to boil over and comes to the forefront of her mind. The mistreatment from her colleagues and her superiors, the sleepless nights, the constant overtime (overtime that she was not adequately paid for, by the way), the endless workloads, etc. was laid out in front of her. 
Y/N never considered herself to be a downtrodden person, but having since been in this job, it was as if every single day she woke up with dread filling her chest. She tried to be a good sport about it, by trying to give herself some grace and the people that she worked with the benefit of doubt, and tried to rationalize their behaviors towards her. However, it was difficult to ignore the persistent hostility and how quick she was to be sold down the river whenever things went horribly wrong.
A lump rose in the back of her throat and tears began to well up in her eyes again. Her mind was beginning to create a snowball effect of everything that has happened ever since she started at this job. Her face crumbled, and the tears spilled over. 
A knock at the door brings her out of her mental turmoil. “Y/N-chan?” 
Nanami. 
“I have some burn ointment for you. I know it’s not much… but I hope that it will help with the pain.” 
Y/N grabs some extra toilet paper to wipe away at her face, and throws away the wet toilet paper that was stuck to her chest, before buttoning her blouse back up. She stands up and looks into the mirror, making sure that she was… somewhat presentable to her senpai. 
She cracks open the door and pokes her head out to see Nanami standing there with several packets of burn ointment presented in an open palm. 
“Thank you,” Y/N murmurs, reaching out to take the packets from him. 
“I’ll talk to Akiyama-buchou to see if you can get the rest of the day off,” Nanami says, letting his hand fall back to his side. “You clearly need it.” 
She looks up at him in worry. “N-no! That’s not-!” 
“Y/N-chan. You’re injured. You’re overworked. You need rest. I assure you that the office will not burn to the ground because you’re not in. I promise.” There was a tone of finality to his words. It was clear that there was no room for argument with him as Nanami had clearly made up his mind. 
A passive look forms on Y/N’s features before she nods once and disappears back into the restroom. 
What follows next are tense interactions and conversations had with others around the office as Nanami forcibly returned work assignments to those that had pawned off their work to Y/N. Those that protested were quickly met with an icy glare that shut them up immediately. 
The conversation with Akiyama left Nanami in a rather foul mood than he already was.
He straight up laughed in Nanami’s face when he said that Y/N would be taking the rest of the day off. 
“You can’t be serious! Since when do you actually give a shit about that little brat?” he guffaws. He looks like he’s about to start crying from laughing as if he’s been told the funniest joke in his life. 
Nanami doesn’t falter. His gaze is as hard as stone as he stoically answers, “The same way in which you fail to do your due diligence as a member of upper level management to ensure that the work environment that you create isn’t a hostile one. You’ve got the vindictiveness of a fourteen year old child. You’re pathetic, really.” 
Akiyama’s smug look quickly fades as Nanami speaks his piece, his face turning into a shade of dark red from being flustered and embarassed. 
Nanami has held in his emotions for the entirety of his professional career, but now he could give a damn. The floodgates have opened and now he’s speaking his mind. 
“Now, listen here-”
“Frankly, I don’t care what you have to say. You’re the most incompetent man that I’ve ever encountered and I’ve seen a fair amount of them. The immaturity, the lack of consideration on both a professional and personal level, the harassment that you feed your employees if they don’t meet your standards by even the most minute level. It’s despicable.”
“Nanami Kento-!”
“You’ve lost my respect… though, I never really had that much respect to give you in the first place.” 
The weight lifts off of his shoulders as he finishes speaking, though, the responsibility of getting you home safe and sound is still on his mind. 
“I’ll be escorting her home. Don’t expect to see me the rest of the day.”
“Nanami-!”
He briskly turns away before Akiyama can say anything to him, leaving the office and letting the door slam behind him. He stops by Y/N’s desk, gathering all of her belongings and putting them in her bag that hung on the back of her chair. 
“Y/N-chan? Are you ready?” Nanami asks, standing outside of the women's restroom.
“Um… I don’t think I’m really…presentable to leave the restroom…”
She poked her head out again, Nanami catching some glimpses of her white blouse with the large coffee stain on it. She looks a bit more put together, the puffiness in her face has somewhat dwindled.
Nanami pauses, before setting down both his and her items and shrugging out of his suit jacket. He gently nudges the door open a bit wider with his foot so they’re both face to face with each other as he tenderly places his suit jacket over Y/N’s shoulders, giving her a bit more coverage and allowing her to pull the sides of the jacket over the gigantic brown stain. 
A blush began to creep over her cheeks as she dropped her gaze from his, suddenly feeling bashful. 
“Thank you.” 
The two of them left, feeling all the eyes of the office workers on them as they departed. Akiyama came barging out of his office, screaming at the top of his lungs at their backsides.
Y/N startles, going to look over her shoulder at him, but Nanami stops her by putting an arm around her shoulders, forcing her to look forward. 
For the remainder of their trip back to Y/N’s apartment, he doesn’t remove his arm from around her shoulders. Nanami doesn’t know why he didn’t want to remove it from around her. Not a word is spoken between them… but for the both of them, it wasn’t uncomfortable. 
They were given strange looks by onlookers on the streets of Tokyo, but the pair were somewhat comfortable in their own little world. 
“You didn’t… have to do this, you know?” Y/N shyly says, risking a glance at him from the corner of her eyes. They’re now on the train, moving from the district of Shinjuku to Koto, where Y/N’s apartment was located. 
“I know I didn’t,” Nanami responds, looking down to meet her gaze. “I wanted to.” 
After some time, they eventually reach their desired train station in Koto. From there on, it’s a twenty minute walk to the apartment. 
“Will you come inside? I feel like I should make you a cup of tea or something…” Y/N says, shrugging off Nanami’s suit jacket to give back to him as they stand in front of the entrance to Y/N’s apartment.  
“That’s not necessary, Y/N-chan-”
“Please? It’s the least I can do. Especially after everything that you’ve done for me.” 
He ponders on it, before giving her a single nod with a small smile starting to grace his features. “If you insist, I suppose it wouldn’t do any harm. A cup of tea made by you sounds lovely.” 
She gives him a wide smile as she fishes into her purse to find her keys to let them into the apartment.
It was tiny, but that was to be expected. Slightly messy with various items strewn around the den and the kitchen areas, but nothing too egregious that Nanami couldn’t overlook. 
“I’ll put the kettle on if you’d like to have a seat. I’ll just be a moment,” Y/N says as she shuffles out of her high heels in the entryway. Trying to be sly, she immediately picks up the discarded clothes so that Nanami wouldn’t notice as she retreats into her bedroom so she can change out of the stained blouse and into a clean shirt. In a quick glance in a mirror that she has in her bedroom, she sees a rather large, angry red patch mark her chest where the coffee branded her. 
A flash of humiliation strikes through her core, but Y/N does her best to not dwell on it. Even if her chest is still throbbing from her injury, regardless of the ointment that Nanami was so kind to give to her. 
Nanami silently makes his way to the den and sits at the kotatsu table in the center of the room, letting the futon cover his lap, waiting patiently for Y/N to exit her room. 
She comes out of the bedroom, changed into a fresh set of casual clothes, and wastes no time getting started on the tea that she promised Nanami.
“I hope you don’t mind my appearance,” Y/N calls out, glancing over her shoulder to look at him. “I don’t think I could stand to be in that stained blouse another minute.” 
“Please don’t think I’m offended, Y/N-chan, I’m a guest in your home. I’d rather you be comfortable.”
Y/N gives him a toothy smile as she fills up the electric kettle with water. 
“I have sencha tea. Is that okay with you?” 
A singular nod. “Yes, that sounds lovely.”
To Y/N, it felt strange to have her senpai in her home, sitting at her little kotatsu table that he seemed rather too large for. She stole a look at him while he wasn’t paying attention and fought back a giggle, thinking of him as a bull in a china shop in her microscopic apartment. 
From the corner of his eye, Nanami noticed a pile of vinyl records leaned up against a record player. 
“Do you listen to vinyl, Y/N-chan?”
“I do, actually. I enjoy collecting records whenever I can.”
“Any particular genre?” 
“Hmm…my father was always big on music from the 50’s and the 60’s. I remember listening to a lot of cassette tapes and vinyls from those eras. He said that there was a certain romantic aspect that just couldn’t be replicated in today’s music.” Y/N comes into the den with two steaming mugs of tea, setting them both down onto the kotatsu. “However, he could be just a bit biased because that’s the music that he grew up on.” 
Nanami chuckles. “Just a bit. Thank you for the tea and hospitality, by the way, Y/N-chan. You didn’t have to do this.” He gently grips the handle of the mug and brings it to his lips, taking in a small sip. 
Y/N softly sighs, letting her shoulders slump the tiniest degree. “I felt like I needed to.” 
“Y/N-chan-”
“Senpai, I just…” She starts to wring her hands in front of her, suddenly nervous. “I just wanted to show my appreciation for all that you did for me when I was struggling. The snacks and coffees that you would leave at my desk, offering to share part of your lunch with me… All sorts of things that you went out of your way to do for me, when you really had nothing to gain from it. I don’t know why you did it to begin with, but… I’ll be forever thankful to you that you did.” 
Seeing her be so open and candid with everything that had happened within the past several months, made Nanami reminisce on his old secondary school classmate, Yu Haibara. Perhaps that’s why he had such a fondness for Y/N. She shared a lot of characteristics that Haibara had.
Happiness. Genuine kindness. A fondness for life and living. 
Maybe that’s why Nanami was doing his damndest to try and help her.
Protect her. 
In a way that he wasn’t able to do for Haibara. 
Y/N notices Nanami’s silent reverie. “What are you thinking about?” 
“Hm? Oh… nothing in particular.”
Unconvinced, she prods a tiny bit more. “Are you sure? You look like you’re deep in thought about something.”
Nanami quickly changes the subject. “How’s your burn doing? It’s not hurting you too much, is it?”
At the mention of her injury, a flare of a dull ache makes its way to the front of her mind. She brings a hand up to her chest to rub at it. 
“It’s manageable.” 
He gives her a knowing look before getting up from the kotatsu and goes into the kitchen, grabbing a handful of paper towels and running them under cold water.
“Here, this should help.” He offers her the wet paper towels, but she simply stares at his hand. 
Y/N glances at his hand and back up to his face, before she reaches out to grip his wrist and uses his arm as leverage to pull herself up into a standing position. She doesn’t let go of his wrist.
“I hope… that you’ll allow me to thank you. Properly,” Y/N says, peering up at Nanami, a certain… emotion displayed that he wasn’t able to place his finger on. She takes a step closer to him, decreasing the distance between them. 
All Nanami could focus on in that moment was the sound of his own heartbeat in his ears and the sudden warmth that flushed into his cheeks, all of which led to one question in his mind: Where was she going with this?
“Seeing as how we’re being personal and open with one another, would it be silly of me to admit I sort of… developed a little bit of a crush on you?” Her eyes drift down from his for a moment, maybe due to embarrassment, before raising her eyes to meet his, a slight blush starting to color her cheeks. “I didn’t want to say anything at first, especially considering how you always preached about how you always separated your personal life with your professional life… but now feels like a good time to come clean.” She reaches up and gently places a hand on his cheek, feeling the warmth that his skin offered as her thumb tenderly stroked his cheekbone. 
Nanami’s heart feels like it's in his throat, unintentionally tensing up at the feeling of her hand on the side of his face. “Y/N-chan.” 
Why was he so nervous all of a sudden? This wasn’t the first time that a woman tried to be physically close to him, and all those other times he was able to gently reject their advances with ease. 
Why was she suddenly the exception to this rule? 
“Are you… uncomfortable with this?” she asks, unable to gauge his current state of mind due to his stunned silence. The last thing that Y/N wanted to do was encroach on his boundaries. 
Nanami remains silent, his eyes still locked onto her face. 
Y/N takes that as a sign to halt her advances. She begins to pull away.
“I’m sorry. I didn’t mean to make things awkward-” she begins to apologize, but finds herself cut short by the feeling of another mouth covering hers. 
Nanami, finally snapping out of his trance, allows himself to feel something for the first time in a long time. Gripping both sides of her face, he bends down and pulls her into a rather heated kiss, their teeth accidentally clacking against each other from the force of impact. 
Y/N, startled at first, melts into the kiss, reaching up to wrap her arms around his neck to try and pull him closer to her, his hands sliding from her cheeks to thread his fingers through her hair, allowing him just a bit more grip on her. Y/N’s chest aches at her burn site at the friction of Nanami’s body against hers, but she could care less about it in the current moment. 
With her lungs screaming for oxygen, she pulls away, gasping. “Nanami-senpai!”
“I’m sorry. I don’t know what came over me,” he gasps out, trying to catch his breath. 
“Don’t be.”
They remain still for a moment, just taking in their presence. 
Nanami leans down to press his forehead against Y/N’s, closing his eyes. “It’s no secret that I’ve come to care for you, Y/N-chan. Perhaps, a bit more than I initially let on.” 
A breathy chuckle escapes from her. “Is that so?” 
He gives a small nod, a gentle smile forming on his face. “Yes.”
One of his hands, still entangled in her hair, falls from her head to softly grip the side of her neck, his thumb gently rubbing alongside her jawline. 
“I should have asked you this properly, before I got physical with you,” Nanami whispers. “Is this something that you would want to pursue, Y/N-chan? A relationship… with me?” 
A slight pause as Y/N digests his proposal, before she smiles and nods. “If you’ll have me.”
“I’ll always have you, so long as you put up with me and my broody behavior.” 
“You’re not broody.” She reaches up to softly push back several strands of hair that had fallen in his eyes. “Matter of fact, I find you to be very kind and considerate. I have all of the ‘extra coffees’ and vending machine snacks to thank you for.”
Y/N grabs at the hand that’s on the side of her neck and guides it down so that Nanami is now cupping one of her breasts through her shirt. She glances up at him, sucking in her bottom lip between her teeth, waiting to see what his next move will be. 
Filled with new found lust, and a rush of heat down to his groin, Nanami closes the gap between the two of them, pressing his lips to hers once more, allowing his tongue to slip past his lips and into her mouth, massaging hers with his own. There’s urgency to their motions now, their exhaled breaths coming out much harsher and heavier than before. 
Nanami’s hands slip underneath her shirt to fully cup her breasts, allowing him to roll her nipples between his fingers and thumbs. 
Y/N lets out a little squeak at the sensation, but takes it all in stride. She grabs at his clothes, attempting to undo his tie and the buttons to his shirt, but struggles at the Windsor knot on his tie, unsure how to loosen it. Nanami, lost in the moment, comes to at the sensation of her prying hands and quickly undoes his two piece suit at a much faster rate than Y/N ever could, stripping down to be completely bare and vulnerable in front of her. 
Y/N truly began to appreciate what a fine specimen Nanami was. He’s toned. He’s muscular. He’s built like a Greek god, if she was being totally honest with herself. 
She looks down at Nanami’s cock, sucking in a sharp breath when she notices how girthy it was. It wasn’t fully erect, but Y/N remembers some of her old friends from university going on about how some men are “growers”. Their words, not hers. 
“Can…can I?” she stutters out, her eyes locked onto his growing erection. 
“God, yes, please.”
She sinks to her knees in front of him, coming face to face with his cock. The sight alone makes Nanami’s respiration become labored. 
With gentle hands, she reaches out and grasps him at the base and points him upright. Her eyes glance up at him, trying to gauge his reaction, before pressing a kiss to the head. One hand goes to stroke the length as the other falls to massage his testicles. With a deep breath, and a whole lot of fraudulent courage, she sinks her head onto him, trying to take him in as much as she could without activating her gag reflex. 
“Y/N-chan…” Nanami gasps out, the warm, wet sensation of her mouth sending shockwaves through his core. His hands twitch by his sides, wanting to bury his fingers into the crown of her head, but he restrains himself, not wanting to rush her into things. 
Slowly, Y/N finds her rhythm. She begins to bob her head up and down his length with added vigor, her hand stroking the parts that her mouth cannot reach. Saliva begins to dribble from her mouth and down her chin, the more that she bobs her head. The sound of squelching fills the room as Y/N continues her assault on Nanami. 
Nanami’s head had fallen back and his eyes were closed in ecstasy. “Fuck, Y/N-chan,” he gasps out, foregoing his original plan of self control and reaching one of his hands to grasp at the back of Y/N’s head, desperate to try and hold onto something. He begins to move his hips, just enough to thrust forward to meet her mouth. Through heavy-lidded eyes, he tilts head forward to look down at Y/N to see her eyes locked onto his face as she persisted with her movements. She pulls off his length, but with the tip still in her mouth, she wraps her tongue around the tip and simply sucks. 
Nanami’s vision goes white for just a moment, and he swears that he had died and gone to heaven in that second. 
Y/N pops off his member, strings of saliva attaching from her mouth to Nanami, gasping for breath. He stands fully erect now, his cock now slapping against his abdomen the moment that Y/N lets go of him, and the tip begins to ooze with pre-ejaculate. She offers him a cheeky smile, meeting his wanton gaze with playfulness. “Is this to your liking, Nanami Kento?”
She leans forward and suckles one of his testicles into her mouth, her eyes never leaving his face. Something inside Nanami snaps, and he can no longer hold himself back anymore. 
“You little minx,” he rasps out, reaching down to push her shoulders back, putting some distance between the two of them. He pulls her up into a standing position, before reaching down to grasp at her hips. He pulls her into a feverish kiss, his lips entangling with hers. He lifts her up into the air, allowing her to wrap her legs around his waist, giving him the freedom to blindly make his way from her living room to her bedroom. He gently sets her down on the edge of the bed, pulling away from the kiss. 
“Can I take your clothes off, Y/N-chan?” His hands grab at the hem of her shirt, waiting for her approval to do so. 
She nods, lifting her arms up over her head, making it easier for Nanami to pull her shirt off, leaving her bare-chested in front of him. The cool air hits her skin, making goosebumps start to rise throughout her trunk. 
Nanami takes in everything that she has to offer. Every curve, contour, stretch mark, including the large burn on her chest. A flash of anger flares up in his chest at the sight of it, but he does his best to extinguish it. He doesn’t want to sour the mood with a foul mood. 
Feeling his eyes on her, Y/N can’t help but become self conscious in his observant gaze as she instinctively raises her arms to cover her chest to make herself as small as possible. Nanami, however, notices her attempts to cover herself up and catches both of her wrists in his large hands, stopping her from doing so.
��Stop. You don’t need to hide yourself in front of me,” he says, nearly chastising her as he forces her arms back down to their sides. “I want to see all of you, as you have seen all of me.” He sinks to his knees in front of her and leans forward to press gentle kisses to her chest, making sure to linger his lips on her injury. “Will you allow me to make you feel good, Y/N-chan?” he asks, peering up at her with tender eyes. 
Y/N gives him a soft smile, threading her fingers through his hair. “I’d like that.” 
He returns the smile, before he presses his lips to hers once again, only this time it’s not as rushed and frenzied as before. It’s slow and reposeful, as if they don’t want to rush the moment to its end. 
Nanami, still on his knees, reaches up with both hands to cup her jaw, his thumbs smoothing at her cheek bones as he continues to kiss her. He begins to gently guide her back further onto the mattress, allowing her to lay down and for him more room to explore her body. He lets his hands trail from the sides of her face down to the hems of both the bottoms that she was wearing and her underwear. He pulls away just a fraction of an inch from her lips, looking into her eyes as he gets more of a hold on the clothing, silently asking her permission to remove the rest of her clothes.
Y/N instinctually lifts her hips up, giving Nanami the freedom to remove the rest of the barriers, leaving her totally bare in front of him. 
He sits between her legs, his eyes narrowing down on her center, before glancing back up to meet her gaze. “May I taste you?”
She nods, watching with heavy anticipation as he changes position so that he’s now flat on his stomach, now faced with the most intimate part of Y/N. It wasn’t an understatement to say that she was incredibly nervous. It had been some time since she last had sex with another man. 
Noting her silence and her tense position, Nanami asks her, “Are you alright?” 
His question pulls her out of her silent dilemma, realizing that he was locked in on her face.
She nods, not trusting her voice right now.
His eyes are quizzical, but he doesn’t push it any further. “You’ll tell me if you’re uncomfortable, yeah?” 
She nods again.
“I think I’m gonna need a little more confirmation than that, Y/N-chan. I need you to actually say something.” 
A flush of heat makes its way towards her core at his command, arousing her a bit more than she would like to admit. “I… yes. I promise I’ll say something,” she says, her voice barely above a whisper. 
He gives her a smirk. “Good girl.”
He hooks his arms around her thighs, pulling her closer to him, his face now just mere nanometers away from her center. Maintaining eye contact with her, he flattens his tongue on her clit, massaging it with smooth, languid strokes. 
Y/N lets out a gasp at the sensation of his tongue on her, her head falling backwards on the pillow, letting the pleasure build from her core and flow throughout her body. 
Nanami starts out slow, letting her adjust to the stimulation before he begins to flick her clit at a rapid pace, trying to build on her satisfaction. His eyes never leave her face as he continues with his movements. Reaching further around, he uses his hands to spread her lips wide open and sucks her clit between his lips.
“My god, Nana-mi-senpai,” she moans, her toes curling at the feeling of him sucking her in. Unable to make sense of what to do with herself, her hands fly to her chest grabbing at her breasts. She begins to pant now, the pleasure beginning to build upon itself as Nanami’s tongue continues to ravish her. The waves are crashing over each other now, and the familiar coil within Y/N’s abdomen starts to tighten, alerting her of her impending orgasm. 
Switching tactics, Nanami diverts his attention to her opening. Replacing his tongue with this thumb on her clit, he gently prods his tongue through, thrusting it in and out.
“Nanami!” Y/N cries out, jerking at the sensation. She squirms and twists at his ministrations, unable to maintain her composure anymore, before he uses his other hand to flatten it on her abdomen, in an effort to hold her still. She glances down at him to see his eyebrows furrowed in concentration, his fingers splayed out on her abdomen, a warning look in his eyes, as if to say don’t move. He brings his mouth back up to her clit and presses a single kiss to the sensitive nub before, for lack of a better word, devouring her. He engulfs her entire clit into his mouth before suckling on it and his tongue furiously stroking her, trying to fully push her over the edge and bring her to orgasm. 
The coil within Y/N tightens further and further the more Nanami’s mouth works her, the pressure within herself mounting to an almost uncomfortable point. Her hands fly down to grab at Nanami’s hair, desperately trying to anchor herself to something, but she’s quickly getting swept up into shockwaves of ecstasy. 
With one final suck, the coil snaps and Y/N is rendered completely helpless as her orgasm comes crashing over her in waves. She lets out a loud cry as her abdomen clamps down on itself, her body shaking with each pulse of her core, her hands becoming a vice grip in his hair. 
Nanami’s moans at the feeling of her hands in his hair, releasing her core free from the confines of his lips, panting out several breaths before going in with his tongue again to lap at her release. Y/N jerks at the sensation, slowly becoming overwhelmed with the constant stimulation.
As Y/N comes down from her high, she looks down to Nanami giving him a weak, breathy chuckle, gently untangling her fingers from his hair. “I didn’t hurt you, did I?” 
He leans away from her, flashing her a relaxed grin. He kisses his way up her abdomen, gently pressing his lips to her skin as he makes his way to her face. Once he reaches his intended destination, he captures her lips into an all-consuming kiss, wrapping his arms around her waist in an effort to pull her as close to him as humanly possible. In response, her legs go to encircle his hips, pressing her lubricated center to his leaking cock. 
Nanami lets out a hiss at the contact, a flash of pleasure striking through him, making him almost recoil from Y/N’s body. 
She looks at him, concerned. “Are you alright?” 
“Yes, I just… I’m a little more sensitive than I initially thought,” he reassures, leaning up to press a kiss to her forehead. 
“Well… I’m yours for the taking.” She spreads her legs open, sending the message to him wide and clear. 
A sinking realization dawns on Nanami as he looks down at his bare self, now just coming to terms that he’s missing a very key component to this whole encounter. “Y/N-chan, I… I’m sorry, but I don’t have any protection on me,” he whispers. “I don’t want to end this moment with you… but I don’t want to risk you getting pregnant for my own selfish desires, either.” 
Y/N props herself up on her elbows, leaning over to the nightstand beside the bed and opens the drawer, pulling out several packages of condoms, making Nanami do a double-take. “An old friend of mine from university gave them to me as a gag gift for my birthday before I started to work at the office. I really haven’t had the opportunity to use them… well, up until now at least,” she explains, a bit of a sheepish grin gracing her face as she hands them to Nanami.
“Some friends you have,” he says, ripping a package open, grabbing the plastic wrapping before placing it on his tip and rolling it down his length. He doesn’t question it, he’s just thankful that he doesn’t have to stop. He positions himself between Y/N’s legs, sitting back on his haunches, as he grabs hold of his length and guides his tip to her slit. “Are you ready for me, Y/N-chan?” 
She inhales a deep breath. “Yes. I’m ready, Nanami-senpai.”
He lets out a chuckle. “Kento.” 
“Hmm?” She looks at him, confused.
“I think we’re way beyond the point of just acknowledging each other by our surnames, Y/N-chan. All things considered.” 
“I suppose you’re right… Kento.” 
With one hand, grabs hold of her hip, while with the other, he slowly guides his tip into her entrance. When he has the assurance that it won’t slip out, he pauses his motions. “You’ll tell me if it gets to be too much, yeah?” 
She nods. “Yes.” 
“Good.” 
He softly guides his hips forward, pushing his cock past her opening and letting him be enveloped by her warm, wet walls. He almost has to stop himself from getting ahead of himself and snapping his hips in. A thin layer of perspiration begins to form on his forehead as he concentrates all of his will power into not burying her into the mattress and pounding into her in that moment. Nanami looks to her, trying to gauge where she was at in terms of comfort after fully sheathing himself in her. 
Y/N was in a bit of pain, to say the least. With the stretch of Nanami as he penetrated into her, came the uncomfortable burning sensation of almost being split open. She lets out a hiss and closes her eyes, immediately tensing herself up. Nanami was not small, by any means necessary. Matter of fact, he was much more well endowed than any of Y/N’s previous partners or one night stands, leaving her uncomfortably full with areas that Nanami was touching that had initially been left undisturbed. She could feel the tip of his member twitch inside of her, causing her to unintentionally clamp down on him. 
Nanami stutters out a groan, nearly throwing his head back in pure, unadulterated pleasure, but he forces himself to hold steadfast. He knows that she needs to adjust to him, and he would not move until she gave him the say so. 
The seconds that pass feel like years to Nanami as he remains stagnant. His selfish desire is eating away at his restraint, but he deliberately ignores it, instead focusing all of his attention on her. Gritting his teeth, he gently squeezes her hips, trying to draw her back into the current moment. “Are you alright, Y/N-chan?” 
With her eyes still closed, she nods her head. She reaches down and grabs at one of his hands on her hips, relocating it to her center, with his thumb just barely brushing up against her clit. He slowly begins to swipe at it, hopeful that the stimulation of it would overcome the pain. She repositions herself now, letting her legs interlock around his hips with her ankles linking together, giving him the nonverbal permission that he so desperately required.
Slowly, with careful precision, he begins to roll his hips forward, each time burying himself to the hilt of her. Her warm, velvet walls encasing his cock made his vision nearly go white every time that she clamped around him, whether if it was intentional or not.
Y/N goes slack jawed, the motions painful at first, but the more he pistoned his hips against her, the constant pulsing of his cock within her, the warmth that he offered her, and the haphazard stroking of her clit with his fingers, the more she began to enjoy herself. Her arousal slicked her walls, further lubricating her, loosening her up as Nanami continued with his assault on her. Some of it began to seep out and dampen his pelvis where it met hers, with strings of her connecting them to each other in more ways than one. 
He could have cried right there, if he wanted to.
Nanami’s hips pick up the pace, now slapping against her, filling the room with body parts colliding with one another and uneven breathing and soft moans, and the aroma of sex beginning to flood the enclosed space. Wisps of his hair fall into his eyes, somewhat blocking his view on her as she falls apart underneath him, slowly becoming a pile of jelly and limbs. 
“Y/N-chan, Y/N-channn…” he cries out, his hips now slamming against her, his hands gripping her in a vice grip as he chases the high that he so desperately craves. The motions cause the bed frame to shake and rattle with the headboard starting to bash against the wall. His eyes are locked on her, watching her as she is completely lost to the pleasure that he’s feeding her. Her eyes are closed with her eyebrows furrowed as if she were concentrating on something, her body jerking with each thrust that he plows into her, her breasts even more so, and her hands are white-knuckling the bedsheets. 
It’s a sight truly to behold in his eyes. 
The tension in his abdomen is building to an uncomfortable tightness, the coil close to snapping as his orgasm nears. His hips start to buck into now, the pace almost inhuman. 
“Y/N-chan…I’m close. I’m so close, I can’t…ha…I can’t hold back anymore…Y/N-chan!” 
“On me…I want it on me…” she moans out, looking at him through heavy-lidded eyes in a lustful gaze. The corner of her mouth turned upward into a small smirk. 
His brain nearly short-circuits at the thought of his seed painting her abdomen and chest and face. 
It takes everything within Nanami to stop what he’s doing and pull his cock out of her. He rips the condom off, replacing it with his hand as he starts to vigorously stroke his hand up and down his length, a piss poor replacement for her warmth. He leans over her, putting his free hand by her head, locking eyes with her as he continued to masturbate, the sound of her wetness filling the room as he rapidly stroked up and down his length. She, in a heated second, wraps her arms around his neck and pulls him down to press her lips to his, eager to feel his mouth on her again. He doesn’t stop his movements, as he slips his tongue into her mouth, eager to explore her mouth once again. 
The coil in his abdomen snaps, causing warmth to flood through him in waves throughout his entire core, with his seed finally spurting out of his red, angry tip. He has to stop, pulling away for just a moment as a gasping moan slips out of his mouth.
Y/N startles at the feeling of his heated droplets as they spray onto her abdomen and chest, some of them going as far onto her neck, but quickly relishes in the feeling of it. The majority of it pooling onto her abdomen as it flows from his tip. Nanami stutters out a groan as he slows his hand down, sitting back on his haunches, looking at the canvas that he painted on Y/N’s body, his slowly deflating cock twitching at the sight of it. 
Feeling mischievous, Y/N props herself up on her elbows as scoops up a glob of his seed off of her body. In her post-coital gaze, she maintains eye contact with him as she sticks her tongue out of her mouth, bringing the dollop of seed up to her mouth and places it onto her tongue. Nanami’s eyes nearly dilate to the size of quarters as she pulls her tongue back into her mouth, as this may be one of the most erotic things he’s ever encountered in all of his years. 
Y/N lets out a squeak as Nanami grabs hold of her hips and roughly pulls her down the mattress, fully placing her core against his length.
“If I remember correctly, I don’t think you came around me as we fucked, did you Y/N-chan?” 
Stunned at the sudden motion, all Y/N can really say is: “I, it’s fine Kento, I-”
“Bullshit.” 
“You made me come with your mouth, it’s fine-”
He shoots her a glare. “Let me do this for you. I want to make sure you feel good.”
He reaches up past her to grab a pillow at the head of the bed. “Lift your hips up for me,” he instructs. She follows his command wordlessly and he stuffs the pillow underneath her, placing her pelvis at a bit of an upward angle.
He leans forward over her, placing his hands on either side of her, and places his cock straight onto her clit, and begins to thrust upward, using the external stimulation of his member to rub on her, trying to get her to orgasm once more for him. 
Y/N lets out a soft moan at the feeling of him on her, the filthy sound of her slickness filling the room as Nanami thrusts up on her. She grabs onto her breasts and squeezes them against her chest, desperately trying to ground herself in the moment, but with Nanami’s relentless assault, she finds herself drifting further and further away into the pleasure of it all. 
“I want you to come for me, Y/N-chan,” he growls out, his eyes animalistic and unflinching. “I want you to come undone on my cock. I want you. In every sense. In every way.”
Y/N, once again rendered to a helpless pile of mush, finds herself unable to respond. The feeling of Nanami’s cock on her clit begins to tighten her abdomen once again, causing white hot sensations to build within her. Her toes curl, she grasps onto Nanami’s forearms with her nails digging into his skin. He lets out a hiss, but he doesn’t stop. He doesn’t dare. 
“Come for me, darling. I want you to come for me. Can you do that for me? Be my good girl and come for me?” 
His words send her into overdrive with flushes of heat making their way directly to her core, more slickness slowly oozing out of her and dampening Nanami’s cock the more he moved against her. He can feel himself hardening again, but he couldn’t care less. 
The more the heat and tension built within Y/N, the more that she squirmed and thrashed into the mattress. All of it mounting up to the point that Nanami was desperately trying to get her towards. He maintained his pace, but he leaned down onto her, smearing his seed on his chest, his lips right at her ear now. “You’re almost there, aren’t you?”
“Kento, I… Oh my fucking… Christ!” Y/N cries out, wrapping both her arms and legs around Nanami’s trunk. “Please! Please, god! I can’t take it anymore!” 
He teasingly licks the outer shell of her ear. “No one’s stopping you, Y/N-chan. Come for me.” 
As if her body were waiting for verbal permission from him, even though he had given it to her several times before, her abdomen collapses on itself, making her vision go white and her ears ring. She loudly cries out, her body jerking with each pulse of her orgasm. He can feel it on his length, and he swears he could have orgasmed once again just as he was. 
He pulls away from her ear and looks at her blissed out face, her eyes closed as she tries to regain control of her breathing. He reaches up and gently cups the side of her face, tenderly brushing the sweat-dampened strands of hairs from her face behind her ears. “Are you okay?” he quietly asks. 
She nods, her eyes still closed. 
“Look at me, Y/N-chan.” 
She tiredly opens her eyes, looking at him blearily. 
He offers a warm smile, before pressing a kiss to the center of her forehead before kissing his way down to her mouth, carefully tender pecks to where he could place his lips. He leans his forehead down, resting it upon hers. “I want you to stay home from work tomorrow.”
She looks at him in confusion, her eyebrows furrowing. “What? Why?”
“There are some things that I need to take care of in the office. I would rather you not be there to witness them. I’m not asking you, I’m telling you, Y/N-chan.” His eyes are unfaltering, his tone absolute. There was no room for argument with him.
She hesitates, trying to digest what he’s telling her, a sinking feeling of unease starting to fill her abdomen. She trusts him, though. 
And against her better judgment, she nods, a frown forming on her face. 
“Will I see you later then, after work?” she asks, almost timidly. 
He leans down and presses another kiss to her lips. “I’ll do my best to see you, that is, if Akiyama doesn’t have my head on a silver platter,” he jokes, trying to lighten the mood. 
There were people that still needed to be dealt with. 
~
He left her apartment early in the morning, while Y/N was dead asleep to the world. A sense of longing fills him as he looks upon her sleeping form, not wanting to leave her only for her to wake up alone, however, there was urgent business that needed attending to. 
On the elevator ride to the floor where the office was located, his briefcase weighed a bit heavier than it normally did. As soon as he stepped into the common area where all of the other employees were, the majority of them did double-takes at him, all their gazes locked on him as he slowly stalked his way to Akiyama’s office. He didn’t bother to knock on the door or wait for any notion that it was okay for him to enter into the enclosed space, he simply barged in, catching Akiyama off guard as he sat at his desk, tapping away at his computer.
“Nanami-san!” He jumps, startled at the sudden intrusion, before a rather sour look crosses over his face as the memories of the day prior begin to flash through his mind. He regains control of himself, and puts on a rather tight expression on his face. “Have a seat. We need to have a discussion about your petulant behavior yesterday.” 
“I don’t think I will. I’ll remain standing for the rest of this conversation,” Nanami cooly responds. He knows that it’s not going to last long.
“Fine. Stand for all I care.” 
Akiyama then goes on a tirade about how Nanami’s behavior yesterday was inexcusable, how it’s totally unprofessional for him to speak to his superior in the manner that he did, and how he has grounds to fire Nanami and Y/N for abandoning their work duties with unexcused work absences, and so on, so forth. 
The more Akiyama ranted, the more Nanami’s hearing started to drown out due to a loud whistling sound in his ears. Red, hot anger was flooding in his chest, making both his heart rate and respiration rate increase in rhythm. 
Though Akiyama can’t see it, the blue glow of cursed energy started to fully envelope Nanami’s body the more that his anger grew. He wasn’t on overtime, but his emotions were getting the better of him, not allowing him to think clearly and making him tap into his excess cursed energy that he stored within himself. 
Akiyama, clearly not paying attention, continues on, now going on about something that Nanami can’t hear due to the whistling in his ears. His eyes analytically looked at Akiyama’s face, the invisible ratio line starting to form on his center, beginning from the base of his jaw to the tip of his receding widow’s peak. The increment markings began to form, and the seventh ratio line formed at his glabella, the point in between his eyebrows and just above his nasal bone. 
Nanami sets his briefcase down on one of the chairs. 
Akiyama can’t make it to another point as Nanami’s fist connects to the glabella and smashes his face and skull inward. 
The impact of the blow is fatal. 
Incident Log # 207
Multiple casualties were reported on the seventh floor of the Fujimoto Office Complex in the ward of Shinjuku, in the prefecture of Tokyo. Thirty two bodies were accounted for out of thirty four employees. Seventeen men, and fifteen women. The nature of injuries closely correlate to that of a sorcerer instead of a cursed entity. Residuals of cursed energy left behind strongly indicate that of former Tokyo Metropolitan Curse Technical College student and graduate Nanami Kento. Nanami Kento is an employee at the Fujimoto office and has been missing since the attack occurred. The only other survivor is Y/L Y/N, as she had not been reported to be at the location when the incident transpired. 
Special Grade Sorcerer Gojo Satoru is assigned to the case.
The natures and causes of death are reported as followed: 
Akiyama Hinata, aged fifty seven, nature of injuries: concave trauma to the frontal lobe of cranium. Cause of death: blunt force trauma to the head.
Fumiko Asami, aged thirty one, nature of injuries: body sliced in half at the anterior inferior iliac spine of pelvis, causing bilateral femoral arteries to be cut open and massive blood loss to occur. Cause of death: blood loss and hypovolemic shock.
Aiko Marina, aged thirty, nature of injuries…
Y/N can’t even stomach her way through the rest of the report and she throws it onto the table in front of her. She’s sitting in an interrogation room with a silver haired man that sports a blindfold over his eyes. He’s introduced himself as Gojo Satoru, the main investigator on this case and she’s been presented with pictures of the crime scene and surveillance footage of the office as the attack went down. She watched as Nanami, for lack of a better word, butchered the entire office as he wielded a giant blunt knife that was wrapped in a white cloth with black spots all over it that was secretly concealed within his briefcase that he brought in that morning. 
She wants to vomit. 
“Is there anything else that you might be able to tell me involving this incident?” Gojo pries, as he leans back into the chair, placing his feet on the edge of the table. “It was reported that Nanami Kento did have a bit of a soft spot for you leading up to the attack. Is there any chance that he might have mentioned something to you about it?”
Y/N shakes her head, her eyes locked onto two pictures of Nanami that lay on the table. One of him when he was a student, with his long, sandy blonde hair that swooped over both of his eyes to one side, and the other looking as if it had been taken yesterday, with his hair in a professional side part, dressed in his regular two piece attire. “He didn’t mention anything like this. To be frank, I didn’t even know that he contained such power within himself.” Which, to be fair, wasn’t a total lie. Y/N didn’ know that he was a jujutsu sorcerer to begin with. “He was very big on keeping his personal life separate from his professional life.” 
She doesn’t dare tell them of the intimate moments that she shared with him the night before. She doesn’t tell them of the note that Nanami left her in her apartment that morning that sits in the back pocket of her pants. To her, in that moment, it feels as if it weighs over a thousand pounds.
It’s the last thing that she has of Nanami. She won’t give it up. Not now, not ever. 
Gojo sighs, before taking his feet off the edge of the table, letting his chair lean forward back into its normal position. He digs into one of his pockets and offers her a contact card. “If you remember anything at all, please don’t hesitate to reach out to me. I’d be more than happy to meet you in a different place than this dreary old place.” 
He tries to make her laugh, but it’s futile. 
“Am I free to leave?” 
He nods. “You were never imprisoned here to begin with.” 
She gets up, does a 45 degree bow at the waist, and quickly takes her leave, eager to be off the campus of the Jujutsu Technical College campus. There’s a sense of unease that fills her the more time that she spends there. 
On the train ride back to her apartment, she pulls the note out of her pocket and reads it through, like it’s the first time. His handwriting is scribbled onto the paper, his characters completely lacking the neat and orderly fashion that she’s so accustomed to seeing from him. 
Dearest Y/N,
By the time that you’re reading this, I have no doubt in my mind that the news stations will be reporting on what I’ve done to our co-workers. Or should I say “former”. 
I’m sorry that it took me so long to stand up to the rest of them, especially for the sake of what they were doing to you on a daily basis. You didn’t deserve to be treated like you were nothing. You didn’t deserve to be humiliated and bullied by them. I will always be forever regretful that I allowed it to continue on for such a long period of time. I wanted to make things better for you, Y/N. 
I’m sorry that this is the way things have to end between the two of us, even though our relationship had only just barely begun. You are the first woman that I’ve encountered in my life that made me want to better myself. Be kinder. More tender with my actions and how I interacted with the world and the people in it.  
It’s a shame that I’m reduced to such callous actions on my part. 
I’m a coward for running away. I know I am. I know that they’ll be looking for me. They most likely will try to interrogate you, coerce information out of you. I won’t begrudge you if you did. You would be doing the right thing, of course. With the actions I’m about to commit, it surely would be the only way. 
I love you. 
I should be saying this directly to you, and softly caressing your face while I do so, but this is the next best option. I love you. Granted, we only spent so much time together, but as I’ve said previously before, I’ve grown to care for you. Much more than I initially let on. 
I can only hope to see you in the near future, but I don’t know if that will ever come to fruition or not. 
Please take care of yourself, Y/N-chan.
-Nanami Kento
Thank you for reading 💕
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AITA for telling my wife to be more chill about the name we gave our daughter?
Our daughter is soon going to be 3 years old. I picked her first name, from my culture, and it means a lot to me. My wife agreed to it at the time.
However, sometimes she starts obsessing over things, and right now what she obsesses over is that we made a "Bad Choice" with the name, that it will make our daughter's life SO HARD because no one will know how to spell it and everyone will ask where the name is coming from and thus find out we're a mixed family and ALL the other kids have "normal" names like "Lisa" and "Mary" and we RUINED our daughter's life we made her a pariah, etc. And it's the husband's fault for Insisting on something so dangerous and stupid. And how could she have allowed me to do that she was blinded by how happy I was and how pretty the name was and didn't think it through. And my wife does that on a loop.
And I try to be patient with her and listen to that a couple of rounds, and ask her about her anxieties. But then I also say look, we are not gonna change her name now, are we. And she is like No of course not, and then the loop starts AGAIN. And then I say okay so you are mad at me, and at yourself for not insisting on a "normal" name back then, totally valid, and you are scared about standing out, that's okay, then just express that. And if you think it's such a bad mistake then if we ever have another child we name them something you find "normal", promise. And she protests There is no use talking to you you don't understand that this is a Problem not about my feelings or some future kid but about our daughter's NAME and Right Now it's a Problem it's a Problem it's a Problem it's Bad it's Bad it's Bad
For the record, we live in a small rural area with a reputation of being racist and so far ALL of our neighbours have been chill and the 1 or 2 who had trouble with our kid's name only took like a second to learn it (Five letters. It. Is. Not. That. Hard).
And last night I had enough and was like Okay, obviously this is something we have to work through. But for the sake of our DAUGHTER, I beg you, NEVER say any of this in front of her. She has a right to feel good about herself and proud of her heritage. As far as I am concerned the REAL Problem is that if my wife keeps going like this one day she will say it in front of the kid and scare and upset her about something she should be allowed to feel happy about. And frankly, for my wife's own sake, she should try to take a step back and look at the good instead of the bad because it looks like this is making her sick. And if there ever is trouble we'll deal with it as it comes.
And then my wife snapped at me and said talking to me is USELESS and that I am TA because I don't care about The Problem and I'm not taking her worries seriously enough. And she said this was Toxic Positivity.
AITA?
What are these acronyms?
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witchesofvaliant · 1 month ago
Text
My Take on Worshipping & Working with Ares
(Disclaimer: "My take" means my personal opinion and deriving heavily from my own experience.)
I work with Ares primarily in Shadow Work, and worship/work with him heavily in my practice.
1: The Misconceptions
I see a lot of "I work with Ares, so I work out all the time for him", and while exercise is wonderful for the body, and I myself love to get in a good walk, I have never devoted that to Ares. I am not saying you shouldn't, but the reason I mention it at all is the fact that many people equate working with Ares or those who do as muscle-headed gym bros who are always having to exercise or have to prove their masculinity. As a computer nerd who doesn't have exercise in their daily life and has chronic disabilities/illness that make that harder, I just don't do that. If I can, I take a good long walk for an hour or two about twice or once a week (if I can), that's mostly as far as it goes. In terms of proving my masculinity? Why? Let's dispense with the antiquated gender roles that say we have to assign the tough masculine aura to the cis guys. I am a trans male who has no issue looking feminine and being both a Queen and a King, that's just how it is. Ares can tell me himself if he has an issue with it, but he never has. And after getting to know him for some time, personally, he's not the type to give a fuck about your gender presentation. That also means, you don't have to be a guy to work with him, as I have also seen before.
Now, if we're trying to be true to the ancient Greek times, he was the primary deity worshipped in Sparta, and once the Romans adopted (which is putting it nicely) the Greek deities into their belief system, Mars was used as the primary deity equivalent to Zeus (Jupiter as he was called), with the common epithet to represent him being Mars Ultor, basically a title of greatness and power for him. He was used to inspire and push young men in those times toward a great strength and motivation in terms of military service as that was a greater focus in their culture than it was in the Greek culture (Not that the Greeks couldn't fight of course, they had their war deities, and Ares was one of them, but there IS a massive shift in the Greek and Roman mindsets when involving war, too much to get into). Now, here's where I stop, as I'm not an expert on Greco-Roman history and the two cultures, but it should demonstrate the point well at least on where these ideas so many people are spreading come from and why many think they're valid for everyone.
2: Worship
I tend to worship him by simple prayer. I take the knife I have and meditate with it, praying to him or simply talking. Sometimes, I don't even take the knife Lol. He's honestly a very simple person to deal with in my experience. You don't need to do fancy shit for him as devotional acts, he values respect and honor above all, so if you are giving that and offering this to him, he's a very pleased guy. I can't and don't use candles or fire in my practice, but my fire element/offering is going into a game and killing some bad guys. Is it semi-stereotypical in terms of the aggression? Kind of. Is it more focused on lessening my own stress and self-control so I'm taking my stress and anger out in a game than on people? Yes, and usually this isn't done FOR Ares, this is done more in terms of working on myself as agreed upon with Ares. Which goes into our next subject.
3: Work
Working with Ares is a huge part of my relationship with him (don't get me wrong, I love to just exist with him and listen to Fallout Boy too) but it's here where I have much more to say as I have always focused on Shadow Work in my life, and that only increased when I started my practice and my move away from the toxic Christianity I was raised with. Ares was not the first to work with me on this, and I had to work on some stuff myself just to be open to the idea of working with other deities. But in terms of Ares, he has been someone that I feel a strong connection to because of the heart, not my masculinity, not fighting others and exercising, but more because of the internal struggles and survival for my life I have had throughout my entire life. Be it with illness, my heart and trauma, or defending others, mainly my little brother, but all these thins took an internal struggle, not am external one. I find I work with him purely in terms of internal survival (either against physical or mental illness) and Shadow Work, which means understanding my heart, my will, and how to overcome the pain that has broken those things in my past. THIS part of him, is the part I rarely see anyone say anything about. Or everyone pairs him with Aphrodite and says this is their thing. I don't understand why it can't be him alone, I have hardly ever worked or dealt with Aphrodite, and while I give her respect and have given her my prayer, she is rarely there as my path just doesn't flow that way.
And also.. Why does no one talk about the fact that Ares can connect to illness too? In my opinion, he connects to illness through the issue of having to fight through it or even fight to keep someone alive.
I love embracing him as someone that doesn't require you to be a cis man with a six pack, or fight a literal war or fight other people just to work with him, and I really want to stress that you don't have to be these things, or change who you are as a person or fit into any requirement to work with him, and you don't have to do this with any deity either. You bring yourself first, that's all you truly need to bring to them, yourself and an open mind and ears to listen.
(Damn, this was long, hope people actually read this rant lmao)
If you got to the end, congratulations! And thank you for reading, I deeply appreciate that and you! 💖
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decepti-thots · 1 month ago
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☕ ~ trans woman whirl?
I love trans Whirl headcanons but I think I love them for totally different reasons than I usually see, tbh? That is- I think a lot of the time the fandom just goes 'oh! Girl Holoform Spotted! now this character is girl, and we can say character is trans girl because in the comic they are called he/him' and tbh I find that attitude as fandom often implements it annoying for a couple reasons; one, it often feels like a kind of 'if character Looks Like Girl, well, character Is Girl' deal which tbh feels kinda shallow to me ngl, and two, it (and similar under-expanded upon headcanons) not infrequently seems to be a way for the fandom as a whole to justify the general lack of content for the very explicitly canon trans characters by instead being like 'all the material we make for these characters not treated as such in canon proves that we definitely love trans characters. don't think about how lug or anode or arcee don't get that same attention, or that this content only offhandedly actually deals with transness 90% of the time', you know? Bit mean, but I can't help but feel that's a repeated tendency in the fandom, tbh. I would feel less like this if the fanon trans headcanons did not just vaguely go 'oh. also ig they are trans, how nice' with no follow up and instead actually treated these characters as having opinions about being trans, but in too many cases they unfortunately... don't. (And no, them being robots is not an excuse. Anode has opinions on this. Arcee has opinions on this, a lot of them!) But we're here to talk about Whirl, and I want to talk about why I do love trans Whirl, so.
I love trans Whirl for reasons far outside of that, and I think taking that approach to the idea does it a disservice tbqh. Specifically I like trans Whirl for the same reason I like reading Verity as trans, because it adds to Whirl's character arc about being denied agency over identity and clawing it back on purpose in a way where the trans reading feels especially resonant and like it genuinely adds to the overall subtext of her arc. Whirl's entire character is one where the violent removal of agency in her life is so much a focus it changes the course of history; Whirl refusing to let the functionists that ruined her life win is why Elegant Chaos plays out as it does. Whirl is a character whose entire sense of self as a person with the ability to make any choices at all was viciously ripped away from her, and in turn a character whose response to that is to make her ability to choose exactly what she does so utterly undeniable that even if you hate her, even if you think she's repulsive, even if you want to throttle her, you cannot pretend she is not in control. In that specific context, adding in the idea that she would choose her own gender, in defiance of a Cybertronian culture that implicitly treats gender as an alien unwelcome influence, so she can have what she wants- that rules. There's also such a line to be drawn there between Arcee's arc and Whirl, I think, that is so great. That's where I see why it is so good. Being seen as just a gun to be aimed that everyone professes distaste for but still wants to stick around and do dirty work, but you insist upon your interiority being seen as just that; your interiority. And all the things the people who want to do to you which you hate being what you embrace. It's fantastic. I simply prefer that as an angle through which to view the ideas than like... haha well Whirl's holoform is Girl With Guns how funny. You know?
And one of her most "humanising" moments is when she extends that to someone else. I'm thinking of when she tells Tailgate that Cyclonus was lying about his injuries; that part where Cyclonus is trying to protect Tailgate in a way that is ultimately toxic for them both. Sure, everyone else agrees that the best way to handle this is to lie for your own good so you don't make a decision people don't want you to. But that's not fucking fair, and who gets to decide what's "your own good"? Viewing that in light of a Whirl who is not just vaguely a woman but specifically linking that to the way Whirl's rigidly defined role under a functionist heel ruined her sense of identity, because they know what's best for you whether you like it or not- damn, that is COMPELLING. And I find that just. So much more compelling than what fandom so often does with the idea. Whirl, above all else, knows how important demanding agency is. I think that makes Whirl a character ripe for a reading as trans, and I love that for her so much. she'll grab you by the throat and make you acknowledge her. and she's right every step of the way, no matter how much you want to look away. i love her.
tl;dr WHIRL TRANS WOMAN GOOD. LOVE IT. no really i just, it's so good.
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ayaisokay · 6 months ago
Text
The Kids Aren't Alright
* ~ I'm sorry for making this ~ *
Doomers & Fatalism
Regardless of your age, you need a reason to move forward. You need hope. Yet, it's hard to find hope for teens and young adults.
Not a year goes by without an update on the planet's decline (at our hand), wealth is only feeling more unstable and unequally distributed, a pandemic destroyed any hope of sociability for some, and social media does more harm than good when it "connects" people.
There's no true community, nothing to take pride in, there's hardly motivation for ambition or wealth. Hell, we grow up being told we'll be a generation of renters, because it's a statistical improbability than any of us will EVER afford a home without working 3 jobs into our grave.
I can't speak for America, but I know my government haven't made any real effort to prevent renter's from taking that news and slowly inflating rent costs each month.
I'm a part of the generation that is thought to deal with the broadest range of mental health concerns; however, I'm also part of the generation that's most likely to be told to "deal with it," or "grow up," by the people perpetuating our suffering, or the peers that fell victim to toxic hustle culture— enabling the shitty circumstances.
When you start adulthood with so many problems that directly impact your life, most of which come at no fault of your own, you'd hope for help in addressing those matters, but it never comes.
We're told we're lazy, we don't try hard enough, and we've got it easy (which is a demonstrable lie). How is it any surprise we became hopeless doomers? At some point you just get the idea that we were destined to fail.
Threats of War
Now we're told to be ready for World War 3 and I'm struggling to understand why. What values am I defending? Why should I die for a country that doesn't care about me?
Sure, Ukraine and Palestine are in shitty situations, but saying that doesn't require me to do anything. Though they demonstrate something: the government will risk our lives for money, and turn a blind eye to genocide if it suits them.
All that matters is that we're made to feel like our interests align. They don't represent us. They represent themselves.
Don't get me wrong, I don't support either conflict, and I sympathise with the aforementioned nations; however, I am not willing to die for them— I don't think you are. So is it even fair for us to bother complaining? It's not like diplomacy has done a thing so far.
Whether we're roped into a war or not, it doesn't feel like we'd have a choice.
Hobbies and Corporations
Normally I'd propose finding an outlet for everything. I'm not sure that's ideal anymore. Commonplace hobbies like gaming, sports, martial arts, reading, and art, they require 3 things: time, motivation, and effort.
Thanks to hustle culture, holding 3 jobs, running a drop shipping business, and abandoning any meaningful social life is considered just enough and reasonable. That doesn't leave time for personal hobbies, entertainment, or time to actually live. A life like that is no life at all. You're an animal operating on the exclusive goal of survival. You're alive, but you're not living.
Among those of us too physically or mentally scarred to work like our peers, we compassionately took to pen and paper, or software and devices, writing stories, drawing and animating worlds, or making music.
I fear that pocket of joy is getting smaller. AI image generation has already impacted artists, AI voice recreations are already being used in place of some voice actors, and we've all seen the AI voice covers for songs— claiming "you don't need to learn to sing." It didn't take long for me to see "generative AI" being proposed as a source for track samples and stems in music production.
Considering such things, it's hard to motivate yourself to put your work out there. You struggle to justify spending time creating anything, and you're probably not ready to put the effort into producing enough algorithm optimised works per day. After all, no one will see it. No one cares.
That's how it feels.
Social Media
Maybe we still have digital spaces? Really. Are cespools like Twitter spaces you can enjoy? Even Tumblr is quite detached, with small accounts struggling to get so much as a couple likes— nevermind a reblog, and god forbid you get a comment or DM.
That's minor though, it's the relationships that bother me. The ability to lock someone out of your life, within 5 seconds, for the slightest of perceived infractions. You're sensitive and a snowflake if you need boundaries, and you're "rude" and "mean" when you're pushed too far for not establishing them.
You can join a fandom or community and run into those issues, but do you really need more trouble? Ive hung around with furries since I was 13 or 14. It wasn't a furry that SA'd me, and I've never been groomed. But as a child online, I was labelled as a dog fucking groomer (at 15), because I was in a furry community discord server. I don't like to think about how that made the young adult owner of the server feel.
Social media is good for "satirical trolls," who take pleasure in hurting as many people as they can, and then claiming it's OK because they're joking, and you should've known. Is it really worth the effort for anyone else? You know, us "normal people," not bogged down by million strong fanbases, actively managing parasocial relationships and morally questionable stalking.
Closing Statements
I'm not entirely sure why I wrote this post. I guess I'm just another girl crying on the internet when I should save it for the therapy I can't actually afford.
I want to be hopeful, to feel like there's something attainable to desire, or even just things to look forward to. It's been a long time since I woke up and felt there was a good reason to be awake or even alive.
Thanks,
- The Girl That Doesn't Exist
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