#how to change a paradigm

[butchnavi]

me when i default to a dramatically different handwriting for every separate subject i have but have my notes for all of them unseparated and encroaching into each other in the same notebook

[peachzin]

i found my ps3.. and rush ordered a copy of ff13

[thegeminisage]

i feel. SO much better. it is unreal how much better i feel. you truly don't realize in the throes of insomnia how bad it is until it breaks

[solradguy]

I'm so glad to be done with those dang Overture stories lol If I have to translate dense paragraphs of Backyard mechanics ever again I'm going to explode

Anyway.

Lightning the Argent.

I also want to make a JP manuscript of the Dengeki PS mag Missing Link article soon and get the Missing Link manga scans cleaned, but I'm starting LtA as soon as I can. For LtA, unlike with Begin, I'm going to work on it in smaller chunks by translating a chapter and then finely editing it before moving on. Begin I did an entire rough translation for then had to comb through it like a million times. Agonizing. I don't know why I did it like that.

But I think I'm going to wait until the whole thing is finished before I post chapters because editing chapters after posting them on here is an absolute nightmare, for one, and also my brain gets silly when I get feedback on projects that aren't done yet and then I lose motivation. Hopefully working on it this new way will mean it will either take less time than Begin did (6 months) or at least those 6 months will be much easier.

Guess we'll find out soon enough.

[conkreetmonkey]

Red Dead Redemption 2 was so real for creating the most in-depth, realistic clothing system I've ever seen in any game, and exclusively using it on burly, unhygienic men.

You choose every layer, every accessory, with dozens to hundreds of each to choose from. You can go in and fine-tune minute details like whether or not to roll up the shirt sleeves, or button the collar, or whether to wear your pants under your boots. These clothes get dirty in real time depending on what you do in the game. Mud, dust and blood linger unless washed off. Every garment has a warmth rating based on its material, and the game calculates what temperatures an outfit is suitable for based on the combined total. Dressing too cold or warm for the weather causes health debuffs.

You can choose which way he parts his hair, and whether he gels it. If you eat too much he gets bulkier and gains a double chin, and if you eat too little he can go underweight and get all bony and sallow. Both of these states come with stat changes. His hair and beard grow in real game time, and you need to routinely style and shave his facial hair if you want any style other than a full Santa. You need to bathe him regularly or people will start commenting on his BO, and he'll start visibly appearing filthy long before that. He sunburns in the sun, and in the heat he becomes slick and glossy with sweat.

This shit is IN DEPTH. It blows the customization systems of actual fashion-centric games like tf2, Monster Hunter and Splatoon out of the water in every regard. They honestly look basic in comparison. It's a paradigm shift for sure once you experience RDR2's level of customization. Everything else starts to feel smaller.

The player character all this customization is applied to, and I simply cannot stress this enough, is a 36 year old, 6'3" smoker weighing well over 200 pounds, with facial hair thicker than a sheepdogs, forearms like gnarled tree trunks and a dark, dense forest of body hair covering every reasonable surface. His skin is pocked and marred with scars from a rugged, nomadic lifestyle, and his teeth are the colour of cornbread. He has a thick southern accent, is a known mean drunk and knows how to skin pretty much any North American animal. He has never worn deodorant, flossed or moisturized. He eats canned beans, fruit and the like by simply pouring them into his mouth and gulping, often while walking or riding a horse at full gallop.

I can think of NO better use case for such customization. Not some fresh-faced little twink, not some busty anime babe. Just a gross, hairy, unwashed homeless dude with crippling self esteem issues and a chest broader than a barrel laid lengthwise. A non fashion-centric game, certainly a non-fashion centric character, but for some reason the best clothing and customization system ever concieved, bar none. What the fuck.

[nickyysharmi]

Bridging Horizons: The Digital Journey Of India's Heartland

In today’s rapidly evolving digital landscape, the empowerment of citizens from small towns in India stands out as a compelling narrative. Spearheaded by initiatives like Digital India and fueled by the visionary leadership of individuals like Abhay Bhutada, Poonawalla Fincorp’s Managing Director, digitalization has emerged as the catalyst for transformation, unlocking new avenues of growth and opportunity for millions across the heartland of India.

The Digital Revolution Unleashed

The journey towards digital empowerment in India has been remarkable, marked by a surge in internet connectivity and smartphone usage. This surge has effectively broken down barriers to accessing and adopting digital technologies. Individuals like Abhay Bhutada from Latur, Maharashtra, epitomize this transformative shift, emphasizing how digitalization has empowered people in small towns, instilling in them a sense of confidence and belief in their ability to contribute to nation-building. This digital revolution has also reshaped the banking landscape, blending traditional banks with innovative fintech startups. Amitabh Chaudhry, Managing Director and CEO of Axis Bank, highlights this evolution, noting how digitalization has fundamentally changed how financial institutions engage with customers.

Also Read: MD Abhay Bhutada Provides Glimpse of Poonawalla’s Co-Branded Card Strategy in Q4

A Paradigm Shift In Banking

Central to this narrative of empowerment is the revolution unfolding within the banking sector. The advent of digital banking has revolutionized the way financial services are accessed and utilized. Mobile applications, online payments, and digital wallets have become ubiquitous, offering individuals seamless and secure channels to manage their finances. This shift has been particularly significant for citizens in small towns, where traditional banking infrastructure may have been limited.

Leading The Global Charge

India's prowess in digital payments is exemplified by its leadership in real-time transactions through the Unified Payments Interface (UPI). With over 600 million smartphone users, the country boasts a vibrant digital payments ecosystem, recording billions of transactions each month. Abhay Bhutada's insights resonate strongly here, showcasing how digitalization has transcended geographical barriers, empowering individuals from small towns to participate actively in the digital economy.

Also Read: Abhay Bhutada Shares Insights on Poonawalla Fincorp’s Long-Term Objectives

Empowering Entrepreneurs And Innovators

The democratization of access to financial services has also catalyzed entrepreneurial endeavors across small towns in India. Fintech startups, in particular, have emerged as key enablers of financial inclusion, leveraging technology to address the unique needs of underserved communities. Through innovative solutions and agile business models, these startups are driving economic growth and fostering innovation at the grassroots level.

Navigating The Digital Divide

Despite the remarkable progress, challenges persist in bridging the digital divide. Connectivity issues, digital literacy, and infrastructural constraints remain hurdles that need to be addressed to ensure equitable access to digital services. Abhay Bhutada's vision for an inclusive digital future underscores the importance of concerted efforts to overcome these challenges and extend the benefits of digitalization to every corner of the country.

Also Read: Abhay Bhutada wins a Special Recognition at Lokmat Maharashtrian of the Year

Charting A Path Forward

As India continues its journey towards digital empowerment, collaboration and innovation will be key drivers of progress. By harnessing the transformative power of technology and fostering an ecosystem of inclusivity and accessibility, we can unlock the full potential of India's heartland. Abhay Bhutada's leadership serves as a guiding light, inspiring individuals and institutions alike to embrace the opportunities presented by the digital revolution and contribute towards building a brighter, more prosperous future for all.

In conclusion, the digitalization of India's heartland represents a watershed moment in the country's socio-economic trajectory. Empowered by technology and driven by a spirit of resilience and innovation, citizens from small towns are rewriting the narrative of progress and prosperity. With visionary leaders like Abhay Bhutada at the forefront, the digital renaissance unfolding across India's heartland holds the promise of a more inclusive, equitable, and dynamic future for all.

[stellawembley]

How to unleash YOUR POWER! Watch NOW on Youtube!

How to unleash YOUR POWER! WATCH NOW on Youtube! How to unleash YOUR POWER! WATCH NOW on Youtube! Leave a COMMENT, SHARE and LIKE (On Youtube) CLICK BELOW ⬇️ Do you know what’s your POWER and how to UNLEASH IT?✨ In this video, I help you to understand how to unleash your power, understanding what is power, how to know YOUR power, and how to awaken the power within, giving you 6 WAYS that will…

[postmariannizm]

what made u guys pick ur url's !

[literaryvein-reblogs]

4 Strategies to Avoid Wordiness

Wordiness is when a sentence contains words that, if removed (or replaced with a shorter alternative), convey the same message and remain grammatically correct. It may happen when you use more words than necessary within a sentence, especially short, vague words that do not add much meaning.

Omit unnecessary words by using a "who does what" construction (Take out: it is, there is, there are, which, that, this, and self-references such as in my opinion, I think, it seems to me.)

Wordy: It was a night that was dark and freezing when the ship Titanic was struck by an iceberg.

Better: An iceberg struck the Titanic on a dark and freezing night.

Avoid too many abstract and difficult words

Wordy: “Conservatism is the paradigm of essences toward which the phenomenology of the world is in continuing approximation” (William Buckley, Jr.).

Better: Conservativism is the belief in absolute values whose expression change with the times.

Shorten sentences by rearranging ideas

Wordy: The president of the school board that presides over Dade County schools is accepting of the participation of students in alternative classes of their choice.

Better: The Dade County School Board president allows student to choose electives.

Omit repetitious words and ideas

Wordy: The cookies are baking in the oven. The cookies are chocolate chip.

Concise: The chocolate chip cookies are baking in the oven.

Notice how the wordy phrases below can be reduced to one or two words:

along the lines of = like

as a matter of fact = in fact

at all times = always

at the present time = now, currently

at this point in time = now, currently

because of the fact that = because

by means of = by

due to the fact that = because

for the purpose of = for

for the reason that = because

have the ability to = be able to

in the nature of = like

in order to = to

in spite of the fact that = although, though

in the event that = if

in the final analysis = finally

in the neighborhood of = about

until such time as = until

[art]

Creator Spotlight: @camberdraws

Hello! My name is Camber (any pronouns), and I’m a mixed media illustrator located in the southwestern United States. I love drawing everything, but I have a special interest in depicting strange creatures and environments, often accompanied by abstract imagery and mark-making. Professionally, I’ve worked creating concept art and 2D assets for museum exhibits, but currently, I am engaged full-time as a software developer and make standalone illustrations in my free time. I’ve been posting art on Tumblr since I was a teenager, and the site has been very welcoming towards my work to this very day!

Check out Camber’s interview below!

Did you originally have a background in art? If not, how did you start?

I’ve had an interest in drawing since I was barely sentient, but at thirteen years old I decided to become “serious” about art. I was all about reading tutorials and doing a ton of studies. I would tote my heavy instructional art books to school every single day (my poor back!) Despite all this, I decided to forgo art school in favor of a bachelor’s degree in Computer Science at my local college. Alongside my major, I received a minor in Art Studio with a specialization in fine art, which totally changed my views on creating artwork and drastically changed my style.

How has your style developed over the years?

As mentioned previously, my style did a 180 after I studied under some very skilled fine art professors! As a kid, my drawings were very realism-heavy and inspired by video game concept art. I mostly worked digitally, too. During college, I was thrown for a loop when we were instructed to do strange things like, for example, make a bunch of marks on paper using pastel, WITHOUT looking, and then turn said marks into a finished piece of art! I quickly and deeply fell in love with abstract work, and especially appreciated images that are not easily parsed by the viewer. Since then, I’ve made it my goal to combine abstract mark-making with more representational subject matter.

What is one habit you find yourself doing a lot as an artist?

Hmmm, one habit I really enjoy as an artist is strictly tracking the amount of time I spend drawing! I currently work a full-time job wholly unrelated to art, so I have to be careful with my time if I want to spend enough hours drawing each week. I created a spreadsheet that allows you to enter the amount of minutes you’ve drawn each day and calculate how much drawing time you still need to reach your weekly goal (I aim for 20 hours a week.) Having such a clear, numbers-based objective keeps me motivated to work like nothing else!

Over the years as an artist, what were your biggest inspirations behind your creativity?

I know this is a common inspiration, but Hayao Miyazaki’s work has been rewiring my neurons since I was a child. Seemingly all of my artistic interests can be summed up by the movie Princess Mononoke: it has strange/abstract creature designs, a strong focus on nature and environmental storytelling, and a mix of dark and hopeful themes. Additionally, I’ve been deeply inspired by video game series such as Zelda, Okami, Pikmin, and Dark Souls. But arguably, none of these have influenced me more than Pokemon! I’ve been drawing Pokemon since I could barely hold a pencil, and I haven’t stopped since! I believe my love of designing creatures originated with my endless deluge of Pokemon fanart during my childhood.

What is a medium that you have always been intrigued by but would never use yourself?

I’ve always been fascinated by 3D mediums and am so tempted to try them out! Whether that’s 3D models created digitally or sculptures made from clay, I profoundly admire artists who have this skill. Oftentimes, it feels like I don’t have time to delve into a totally different artistic paradigm. However, I feel very strongly that learning new skills can enrich your current work. I should take that advice and someday give 3D mediums a shot!

What is a recent creative project that you are proud of?

I am in the process of creating an art book (a dream of mine!) and have been executing smaller drawings of concepts I find interesting from both a visual and storytelling standpoint. A recent drawing for said book is that of a snail made of ink with an ink bottle as a shell, and it went absolutely viral! I’ve never had an experience like this as an artist before and it has been spectacular! I was able to open a shop using my newly acquired art printer and sell many prints of my snail. Creating something original, directly stemming from my interests, and having that resonate with so many people has been unreal. I couldn’t ask for more as an artist!

What advice would you give to younger you about making art that’s personal or truthful to your own experiences?

I would tell my younger self to chill out and experiment more! I was so caught up in the idea that I needed to have a realistic style to be considered “good.” I also believed that technical skill was the only measure of how worthy my art was. That’s not to say technical skill doesn’t matter, but I now firmly believe the creativity and voice of your ideas far outweigh the skill of execution in terms of importance. Technical skills should elevate ideas, not the other way around. Once I began to revel in strange ideas and stories for my work, depicted oftentimes in odd styles or mediums, I truly found my voice as an artist.

Who on Tumblr inspires you and why?

My peers here on Tumblr inspire me more than anything! Sharing my work with contemporaries and giving each other support brings me joy like no other, and keeps me motivated to continue creating. I wouldn’t be where I am today without them! @beetlestench, @theogm-art, @trustyalt, @ratwednesday, @phantom-nisnow, @svltart, @mintsdraws, @mothhh-hh, @jupiterweathers, @thesewispsofsmoke, @picoffee, @fetchiko, @kaisei-ink, and @pine-niidles just to name only a few!

Thanks for stopping by, Camber! If you haven’t seen their Meet the Artist piece, check it out here. For more of Camber’s work, follow their Tumblr, @camberdraws!

[youraveragemushroom]

♡

[kimberlychapman]

I'm desperately, desperately hoping that La'an has too much unresolved trauma to get killed off by the Gorn in the forthcoming season. So many of the others have plot armour but she has none so I need her to have TRAUMARMOUR.

STRANGE NEW WORLDS

2x03 Tomorrow and Tomorrow and Tomorrrow

[orlesianhennin]

I really feel like so many people who hate Vivienne for being power hungry do not fully grasp and appreciate the desperation that Vivienne feels because she conceals it so well… as little content as she got, she honestly is expertly written and presented and it’s why it disappoints me so much when people hate her for surface level reasons… her writer deserves so much more appreciation.

I think it is subtle because she hides it and you really have to care about the character to seek out these threads and understand her motivations… she is in danger of total irrelevance, being cast aside by society (and history), and she is forced to ride the coattails of some upstart organization because all of the institutions she is invested in have either totally failed her or cast her aside.

She is clearly a prideful person who does not readily admit this… but her true talent is how clearly she can evaluate this and understand her own position. She suffers no delusions. She knows the Circle’s standing in society is diminished to nothing if it doesn’t house and account for the majority of mages, and she is left with just meek Chantry loyalists and sycophants who are lost without her guiding hand, as even otherwise pro-Circle mages with any sense have abandoned ship and left both rebels and loyalists at this point to see where the chips fall (Ellandra) - and the Chantry itself has been all but decimated in terms of military and political power. The one lifeline she has is the Imperial Court, and the fickle nobility have moved on from her - the mages are now a threat that she cannot control or offer any meaningful opposition to, and Celene’s favor has turned to Morrigan, and Vivienne does not know if she will ever have it again. She knows Bastien is dying, and that all that she has left at court will be those who hold kind feelings towards her such as his family, and that is a position she can never accept - being at the mercy of others.

We meet Vivienne, this impressive, powerful mage, who has made a life for herself by maneuvering brilliantly, all to improve her own standing, at a point where she is in danger of losing everything she has. And she doesn’t let on, at least not explicitly, but she joins the Inquisition out of desperation - it’s obvious she sees it as an opportunity, but the gravity of the situation for her isn’t clear from the start. She refuses to lay down and fade away. Vivienne would never had joined this fledgling upstart organization if she was in a better position at Court or there wasn’t a vacuum of power. She is very close to having nothing left, and starting over - and so she does. Before the rug can be pulled from under her, she gets out and sets off for herself again.

Vivienne, often accused of pride, privilege, and self importance, comes to the Inquisitor out of pure humility. She knows she is reduced. And her gamble ultimately pays off, and the Inquisition becomes the political juggernaut that it does, and she becomes more powerful and important than ever just by association. And I like to think, especially with an Inquisitor who respects and befriends her, that she plays no small part in shaping the organization.

I think this is also why, potentially, she plays it so cool at the Winter Palace. She doesn’t get involved… she doesn’t need to. Simply being present is a statement to the court, and she truly doesn’t care about who wins; it’s not just the Game, it’s personal, despite what she claims. That they cast her aside, and now they are interested again… not necessarily in her, but still, she sees the paradigm shifting again. She is now a part of the organization who gets to change Orlais, and favor with the Inquisition is quickly becoming just as important as favor with Celene.

The whole arc is a subtle one as she really doesn’t get much attention, but if you pay close attention, it shows how expertly Vivienne plays politics. We already know she came from nothing and maneuvered into a powerful position. But I think not everyone realizes she is nearly back to nothing when we first meet her… and through the course of the game’s events, by allying with the right people, she plays the game well enough to become an advisor to the most influential person in southern Thedas… and potentially even Divine. But her initial plea to the Inquisitor, for all the great lengths she goes to keep up the appearance of strength and invulnerability, comes from a place of utter desperation.

[cattcc01]

How To Prepare For Climate Change?

The climate is changing and it's time to prepare.

With rising sea levels, droughts, heat waves, floods, and more extreme weather conditions, it's time to take climate change seriously. Whether you're a business leader, politician, or regular person, it's important to understand and prepare for the effects of climate change.

Learn how to prepare for climate change and protect your home, family & community from the impacts of climate change with this comprehensive guide. Get the tips you need to be prepared for whatever comes your way.

Don't wait until it's too late!

[swampjawn]

God I love animation. I love it for the way it can bring anything to life beyond the constraints of boring ol' reality, but also the ways that it's inextricably linked to, and draws on the conventions of live-action film-making.

So fuck it, let's look at how Hayao Miyazaki straight up copies some camera framing techniques from his predecessor and the other most influential Japanese filmmaker of all time, Akira Kurosawa! (Kurosawa really was the master of framing scenes around his characters, so he's a great source of inspiration)

(btw, this is a screenshot from this TV special where the two met for the first time just after the release of Kurosawa's final film. It's pretty interesting, and also very cute how nervous Miyazaki seems to be to meet one of his idols.)

Specifically, how the two each choose to break the 180 degree rule (well, not technically 'break' in the case of Kurosawa) to show their protagonists' changing destiny in "Throne of Blood" and "Princess Mononoke".

For anyone who doesn't know, the 180 degree rule is a basic film-making rule of thumb which states that in any scene where two characters interact, you should draw an imaginary line between them and the camera should always stay on one side of that line.

("In the Mood for Love" - Wong Kar-wai)

This way, one character is always looking to the right of the camera, the other is always looking to the left, and the audience doesn't get confused by the geography of the scene. Crossing this line can be disorienting, but when done intentionally, it can convey a paradigm shift of some kind in the scene.

In this scene from "Throne of Blood," (a feudal Japanese retelling of Macbeth) Washizu's wife Asaji discusses tactics with him and tries to convince him to aspire to the throne and to assassinate his lord Tsuzuki while he sleeps.

As two servants appear to notify them that Washizu's sleeping quarters are prepared, the camera dollies left and around the characters' backs. This camera movement is motivated by the motion of the servants' torches outside the room, but it also signifies a change in Washizu's outlook.

Washizu is completely silent for most of this scene, contemplating his wife's advice. But as the camera slides behind his back and across the line of action, the scene is now re-framed, illustrating his change in perspective.

He's been convinced and the trajectory of his life is about to change - and now, facing away from the camera, is the time for action.

Because the camera slides smoothly across the line, Kurosawa isn't technically breaking the 180 degree rule. Miyazaki on the other hand, takes it a little further.

The complimentary scene in Princess Mononoke comes near the start when the wise woman of the village reads Prince Ashitaka's fortune after he's cursed by the wild boar spirit. She tells him that it is his fate to leave the village and travel to the west, where he may be able to lift the curse on his arm. The trajectory of Ashitaka's life changes in this moment too. As he accepts his fate, the change is symbolized by him cutting off his hair, but also by the camera jumping the line.

Throughout this dialogue scene and even as he cuts his hair, the simulated camera sits just slightly to the side of Ashitaka's left shoulder.

But once it's done, for the final shot, the scene is reframed and we jump to the other side, where Ashitaka is now looking to the right of the camera instead of the left.

Making the camera dolly across a scene like Kurosawa's version in 2D animation is no simple task, so this transition with a simple cut is in a way subtler, in another way a bit more jarring, but it conveys the same meaning.

This is the moment when our protagonists make the choice to embark on a new destiny and re-frame their lives.

This has been an excerpt from a short video essay I made a while back, which not many people watched. I think this is at least in part due to my failure to package it well, and it seems you tumblheads like this animation/cinematography analysis stuff, so this is an experiment to see if, with the help of y'all, and a new title and thumbnail, it's at all possible to give this video a second wind in the eyes of the Youtube Gods!

So if you found this interesting, I'd appreciate if you checked it out! Thanks for reading!

[molinaskies]

What We Get Wrong About Dark Sonic

I find Dark Sonic incredibly interesting.

I’ve said this before, but Dark Sonic represents an overflow of Sonic’s negative emotions, the ones he usually suppresses: anger, sadness, and fear.

However, many people believe that Dark Sonic is somehow a betrayal of Sonic as a character (even Ian Flynn, reportedly, but I’ve yet to see an official source). Sonic is meant to be a beacon of optimism. Sonic is meant to be the pillar of hope when all else fails. Sonic is meant to be the last one standing, no matter what.

In this sense, sure, Dark Sonic contradicts the notion that Sonic is “uncorruptable,” but I think that depends on how we define corruption.

I see it two ways:

1) Corruption by way of losing faith, through dishonesty and fraud. 2) Corruption by way of a forceful shift from one state of being to another.

In the first sense, corruption occurs when someone’s paradigm is shifted through lies, cheating, or manipulation. It’s a conscious mental shift. In the second sense, corruption occurs when something (or someone) is co-opted and changed without its will or influence, like data corruption, or a shift in the meaning of a word or image. It’s a literal, physical and/or metaphysical shift.

There’s a saying that floats around the fandom that says, “Shadow is just ‘Sonic, if Sonic had one really bad day’,” and I think that makes sense. Shadow is jaded and cynical because of how the world has hurt him, but he still wants to do right by people—just like Sonic. What separates Sonic from Shadow, however, is Sonic’s tenant optimism and positive paradigm. Without those differences, Sonic has endless reasons to be as cynical as Shadow, or even more so.

So, Sonic doesn’t let himself feel those feelings for very long, and especially not when other people are around. He pours everything into a clean, neat bottle, with a tight screw-on cap, right?

What happens when something tampers with that bottle?

Dark Sonic is a forceful corruption of body but not of mind. Let’s talk about it.

How Dark Sonic Works

What I think people misunderstand most about Dark Sonic is that it’s not an intentional state of being. It never was.

Dark Sonic is the polar opposite to Super Sonic, which is achieved when Sonic harnesses the positive energy of the Chaos Emeralds. If Sonic wanted to harness the power of the emeralds for the wrong reasons and his heart accessed the negative energy rather than the positive, he could possibly bring about Dark Sonic willingly. This, however, would likely never happen because that is the betrayal of Sonic’s character that everyone worries about.

That said, the only reason Dark Sonic ever appears is because of a mix of Sonic’s pure rage over Black Narcissist physically assaulting Chris and Cosmo and the presence of hundreds of the Metarex’s fake Chaos Emeralds, which possess an aura clearly shown to impact Sonic and make him ill.

Sonic’s first interaction with negative Chaos energy from the fake emeralds is filled with discomfort and even disgust. Sonic reacting to the negative Chaos energy poorly is critical, as it showcases that it’s seeking him out, not vice versa.

When Sonic was as triggered as he was, the negative energy from the fakes harnessed his emotions and corrupted him. It was a complete, freak accident.

This situation is very similar to Darkspine Sonic, the in-game equivalent to Dark Sonic from Sonic and the Secret Rings. Darkspine Sonic only surfaces when Sonic is severely triggered after Shahra starts to betray him, Erazor Djinn murders her (she sacrifices herself for Sonic), and he sees Erazor Djinn’s final form about to destroy the storybook world. In his shock and anger, the Secret Rings of Sadness, Rage, and Hate target him, painfully turning him into Darkspine Sonic. Once again, external energies corrupt him at the height of his emotional vulnerability.

Sonic never seeks out the negative energy of the Chaos Emeralds because his heart is good. When the negative energy seeks him out in such overwhelming waves, it corrupts his abilities, alters them, and pulls them out to play.

But—

If it’s simply a matter of fake Chaos Emeralds, then why can Sonic use Tails’ fake Chaos Emerald in Sonic Adventure 2 without any problems? I posit this to the fact that Tails might have a better understanding of the balanced nature of the Chaos Emeralds (in that they are powered by both good and evil), while Eggman and Dark Oak have only ever used (or desired to use) the Chaos Emeralds for evil.

Recall Eggman’s laser at the beginning of Sonic Unleashed and Perfect Chaos in Sonic Adventure. Both uses of the chaos emeralds drained them of their power—their negative power, that is. (Albeit through different means based on the lore of each game), Sonic is still able to restore and harness the emeralds’ power because he relies on the positive energy of the emeralds. As intelligent as he is, I imagine that Eggman (as well as the Metarex) has a hard time replicating the intricate nature and balance of the Chaos Emeralds because their hearts are filled with hatred and turmoil, so unwilling to heed the perspectives of others. The power is there, sure, but not the heart.

~Chaos is power. Power is enriched by the heart~

Tikal's Prayer

I think the difference between Tails’ fake emerald and every other fake emerald we’ve seen in canon is marked by the fact that both Eggman’s and the Metarex’s fakes disintegrate after excessive use (i.e., Chaos Control), but Tails’ fake remains intact.

The Metarex's emerald disintegrates upon excessive use

Eggman's fake emeralds can't hold their form upon excessive use

Tails' fake emerald is intact and ultimately used to stop the Eclipse Canon from firing

In short, Tails’ emerald is simply a better fake, more accurate to the originals.

also, I refuse to talk about how dumb it is that Sonic was able to use a fake Chaos Emerald to do Chaos Control for the first time. However, it is canon, and therefore relevant to my point.

Another key problem cited in Sonic X is just how many fake emeralds there are. One emerald pales in comparison to hundreds. Sonic feels all the latent negative energy consume him because that energy is a corruption, itself.

It’s not that Sonic gets so angry that he just gives in to darkness, it’s that darkness captures him when he’s in extreme emotional distress and his guard is down. Dark Sonic is the result of negative, unstable, potent Chaos energy clinging to him, using his latent Chaos powers as a vessel when he least expects it and, thus, is powerless against it.

I think I can best prove this by contrasting Dark Sonic with Sonic’s other intimate encounter with darkness…

Sonic Unleashed, Dark Gaia, and the Werehog

I’ve spoken at length about this game and this specific scene, already, so kindly forgive my hyper-brief summary this time around!

When Dark Gaia’s “weight issues” cause its essence to disperse around the globe, many people fall influence to Dark Gaia’s despair, losing faith and hope in the world. Nothing like the influences of Chaos energy, but enough of an influence that much of the world feels it. A core aspect of the game’s plot is that Sonic, distinctly, does not. In the cutscene No Reason, Sonic asks Chip why he stays the same despite the darkness inside his heart while so many others change at night. Chip answers simply, saying that Sonic’s too strong to lose himself and that part of his good will is because he never doubts himself, even when he’s on his own.

The difference is that while Sonic undergoes a physical transformation, he never loses faith or gives up hope—made especially clear by the fact that Professor Pickle, once as hopeful as Sonic, eventually does lose hope.

Also key to note that Amy also never loses hope.

Unleashed is just another fun, high-stakes adventure for Sonic; there’s never a moment where he’s aggressively triggered by something or when his personal morals are ever tainted. Irritated, maybe. Flustered, even. Never at a loss. The closest we see Sonic come to this is when he loses the werehog form to Dark Gaia before the final battle. He falls to his knees, worn and exhausted, and tells Chip to run because he doesn’t want him to get caught up in the mess. Yet even then he’s not giving up.

That’s why Sonic’s heightened emotional state is so important to the conversation. When Sonic’s will is intact, he’s much stronger, but when he’s triggered by something and his defences are down, it’s much easier for corrupting forces around him to take hold.

Mind over Matter

Even with the parameters for Dark Sonic’s appearance established, something that stands out to me about Sonic’s encounters with dark energies, and something I see as additional evidence that Dark Sonic is only a literal, physical corruption and not a corruption of his paradigm, is that Sonic is still in control of himself—to an extent.

Even as he seethes in his amplified rage, Dark Sonic never inflicts harm on the innocent. After Gold and Silver are destroyed, it’s not expressly clear if Sonic intends to stop or fight Black Narcissist, but Eggman implies that Sonic was fighting Gold and Silver until there was quite literally nothing left. Sonic was given a target to attack, and he kept his focus there, even when other enemies presented themselves.

This also goes for the Werehog and Darkspine Sonic.

He also has the mind to listen to reason—from Eggman, of all people—and stop when it’s clear that he’s finished what he set out to do. Sonic channels his anger to where it needs to be, and it’s clear that Sonic’s moral code and paradigm on life are thoroughly intact.

The only thing that changes is that he’s no longer imposing his usual limits. Sonic is stupidly powerful, even without any power ups. If he ever wanted to kill Eggman, he would have by now. If he ever wanted to kill anyone, he would have by now (and technically, he has).

Sonic throws Erazor Djinn's lamp into a pit, never to resurface, effectively trapping him and ending his livelihood indefinitely.

However, Sonic holds back because he doesn’t want to be an arbiter of justice—he doesn’t want to deprive someone’s chance to be good unless it’s been clear that they cannot be redeemed.

Why I Care About This

It is no secret that I believe that Sonic is a highly emotional character—far more emotional than many give him credit for. It bears repeating that Sonic’s emotions are very big and can be cataclysmic when left unchecked…

…but that’s just part of growing up—growing up as a hero and, damn it, even just a kid.

Dark Sonic isn’t a case of Sonic giving himself to darkness, nor is it a perversion of Sonic’s character. It’s an energetic, chaotically-charged version of Sonic when he is at his angriest—and even then it’s not enough to change his morals or make him lash out unjustly.

Dark Sonic is cathartic, in a way, and I definitely think it deserves its place in canon.