#how to change a paradigm

[butchnavi]

me when i default to a dramatically different handwriting for every separate subject i have but have my notes for all of them unseparated and encroaching into each other in the same notebook

[peachzin]

i found my ps3.. and rush ordered a copy of ff13

[thegeminisage]

i feel. SO much better. it is unreal how much better i feel. you truly don't realize in the throes of insomnia how bad it is until it breaks

[conkreetmonkey]

Red Dead Redemption 2 was so real for creating the most in-depth, realistic clothing system I've ever seen in any game, and exclusively using it on burly, unhygienic men.

You choose every layer, every accessory, with dozens to hundreds of each to choose from. You can go in and fine-tune minute details like whether or not to roll up the shirt sleeves, or button the collar, or whether to wear your pants under your boots. These clothes get dirty in real time depending on what you do in the game. Mud, dust and blood linger unless washed off. Every garment has a warmth rating based on its material, and the game calculates what temperatures an outfit is suitable for based on the combined total. Dressing too cold or warm for the weather causes health debuffs.

You can choose which way he parts his hair, and whether he gels it. If you eat too much he gets bulkier and gains a double chin, and if you eat too little he can go underweight and get all bony and sallow. Both of these states come with stat changes. His hair and beard grow in real game time, and you need to routinely style and shave his facial hair if you want any style other than a full Santa. You need to bathe him regularly or people will start commenting on his BO, and he'll start visibly appearing filthy long before that. He sunburns in the sun, and in the heat he becomes slick and glossy with sweat.

This shit is IN DEPTH. It blows the customization systems of actual fashion-centric games like tf2, Monster Hunter and Splatoon out of the water in every regard. They honestly look basic in comparison. It's a paradigm shift for sure once you experience RDR2's level of customization. Everything else starts to feel smaller.

The player character all this customization is applied to, and I simply cannot stress this enough, is a 36 year old, 6'3" smoker weighing well over 200 pounds, with facial hair thicker than a sheepdogs, forearms like gnarled tree trunks and a dark, dense forest of body hair covering every reasonable surface. His skin is pocked and marred with scars from a rugged, nomadic lifestyle, and his teeth are the colour of cornbread. He has a thick southern accent, is a known mean drunk and knows how to skin pretty much any North American animal. He has never worn deodorant, flossed or moisturized. He eats canned beans, fruit and the like by simply pouring them into his mouth and gulping, often while walking or riding a horse at full gallop.

I can think of NO better use case for such customization. Not some fresh-faced little twink, not some busty anime babe. Just a gross, hairy, unwashed homeless dude with crippling self esteem issues and a chest broader than a barrel laid lengthwise. A non fashion-centric game, certainly a non-fashion centric character, but for some reason the best clothing and customization system ever concieved, bar none. What the fuck.

[stellawembley]

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[mikkeneko]

Sci Fi Author: Here is a hypothetical society whose structure and function is radically different from our own. Their values and paradigms are drastically orthogonal from our modern life, and as a result their perspectives on things are radically shifted from how we would view it. Through the lens this story, I explore how that might change a character's worldview and behavior

The Reader, Very Smart: Wow... looking at the characters in this story... they don't view social categories and activities exactly the same way I, the modern reader, do...

The Reader, Very Smart: Wait, I understand what's going on here!

The Reader, Very Smart: The author is stupid and fails to understand The Objectively Correct Way Things Work.

[postmariannizm]

what made u guys pick ur url's !

[literaryvein-reblogs]

4 Strategies to Avoid Wordiness

Wordiness is when a sentence contains words that, if removed (or replaced with a shorter alternative), convey the same message and remain grammatically correct. It may happen when you use more words than necessary within a sentence, especially short, vague words that do not add much meaning.

Omit unnecessary words by using a "who does what" construction (Take out: it is, there is, there are, which, that, this, and self-references such as in my opinion, I think, it seems to me.)

Wordy: It was a night that was dark and freezing when the ship Titanic was struck by an iceberg.

Better: An iceberg struck the Titanic on a dark and freezing night.

Avoid too many abstract and difficult words

Wordy: “Conservatism is the paradigm of essences toward which the phenomenology of the world is in continuing approximation” (William Buckley, Jr.).

Better: Conservativism is the belief in absolute values whose expression change with the times.

Shorten sentences by rearranging ideas

Wordy: The president of the school board that presides over Dade County schools is accepting of the participation of students in alternative classes of their choice.

Better: The Dade County School Board president allows student to choose electives.

Omit repetitious words and ideas

Wordy: The cookies are baking in the oven. The cookies are chocolate chip.

Concise: The chocolate chip cookies are baking in the oven.

Notice how the wordy phrases below can be reduced to one or two words:

along the lines of = like

as a matter of fact = in fact

at all times = always

at the present time = now, currently

at this point in time = now, currently

because of the fact that = because

by means of = by

due to the fact that = because

for the purpose of = for

for the reason that = because

have the ability to = be able to

in the nature of = like

in order to = to

in spite of the fact that = although, though

in the event that = if

in the final analysis = finally

in the neighborhood of = about

until such time as = until

More: Notes & References ⚜ Writing Resources PDFs

[art]

Creator Spotlight: @camberdraws

Hello! My name is Camber (any pronouns), and I’m a mixed media illustrator located in the southwestern United States. I love drawing everything, but I have a special interest in depicting strange creatures and environments, often accompanied by abstract imagery and mark-making. Professionally, I’ve worked creating concept art and 2D assets for museum exhibits, but currently, I am engaged full-time as a software developer and make standalone illustrations in my free time. I’ve been posting art on Tumblr since I was a teenager, and the site has been very welcoming towards my work to this very day!

Check out Camber’s interview below!

Did you originally have a background in art? If not, how did you start?

I’ve had an interest in drawing since I was barely sentient, but at thirteen years old I decided to become “serious” about art. I was all about reading tutorials and doing a ton of studies. I would tote my heavy instructional art books to school every single day (my poor back!) Despite all this, I decided to forgo art school in favor of a bachelor’s degree in Computer Science at my local college. Alongside my major, I received a minor in Art Studio with a specialization in fine art, which totally changed my views on creating artwork and drastically changed my style.

How has your style developed over the years?

As mentioned previously, my style did a 180 after I studied under some very skilled fine art professors! As a kid, my drawings were very realism-heavy and inspired by video game concept art. I mostly worked digitally, too. During college, I was thrown for a loop when we were instructed to do strange things like, for example, make a bunch of marks on paper using pastel, WITHOUT looking, and then turn said marks into a finished piece of art! I quickly and deeply fell in love with abstract work, and especially appreciated images that are not easily parsed by the viewer. Since then, I’ve made it my goal to combine abstract mark-making with more representational subject matter.

What is one habit you find yourself doing a lot as an artist?

Hmmm, one habit I really enjoy as an artist is strictly tracking the amount of time I spend drawing! I currently work a full-time job wholly unrelated to art, so I have to be careful with my time if I want to spend enough hours drawing each week. I created a spreadsheet that allows you to enter the amount of minutes you’ve drawn each day and calculate how much drawing time you still need to reach your weekly goal (I aim for 20 hours a week.) Having such a clear, numbers-based objective keeps me motivated to work like nothing else!

Over the years as an artist, what were your biggest inspirations behind your creativity?

I know this is a common inspiration, but Hayao Miyazaki’s work has been rewiring my neurons since I was a child. Seemingly all of my artistic interests can be summed up by the movie Princess Mononoke: it has strange/abstract creature designs, a strong focus on nature and environmental storytelling, and a mix of dark and hopeful themes. Additionally, I’ve been deeply inspired by video game series such as Zelda, Okami, Pikmin, and Dark Souls. But arguably, none of these have influenced me more than Pokemon! I’ve been drawing Pokemon since I could barely hold a pencil, and I haven’t stopped since! I believe my love of designing creatures originated with my endless deluge of Pokemon fanart during my childhood.

What is a medium that you have always been intrigued by but would never use yourself?

I’ve always been fascinated by 3D mediums and am so tempted to try them out! Whether that’s 3D models created digitally or sculptures made from clay, I profoundly admire artists who have this skill. Oftentimes, it feels like I don’t have time to delve into a totally different artistic paradigm. However, I feel very strongly that learning new skills can enrich your current work. I should take that advice and someday give 3D mediums a shot!

What is a recent creative project that you are proud of?

I am in the process of creating an art book (a dream of mine!) and have been executing smaller drawings of concepts I find interesting from both a visual and storytelling standpoint. A recent drawing for said book is that of a snail made of ink with an ink bottle as a shell, and it went absolutely viral! I’ve never had an experience like this as an artist before and it has been spectacular! I was able to open a shop using my newly acquired art printer and sell many prints of my snail. Creating something original, directly stemming from my interests, and having that resonate with so many people has been unreal. I couldn’t ask for more as an artist!

What advice would you give to younger you about making art that’s personal or truthful to your own experiences?

I would tell my younger self to chill out and experiment more! I was so caught up in the idea that I needed to have a realistic style to be considered “good.” I also believed that technical skill was the only measure of how worthy my art was. That’s not to say technical skill doesn’t matter, but I now firmly believe the creativity and voice of your ideas far outweigh the skill of execution in terms of importance. Technical skills should elevate ideas, not the other way around. Once I began to revel in strange ideas and stories for my work, depicted oftentimes in odd styles or mediums, I truly found my voice as an artist.

Who on Tumblr inspires you and why?

My peers here on Tumblr inspire me more than anything! Sharing my work with contemporaries and giving each other support brings me joy like no other, and keeps me motivated to continue creating. I wouldn’t be where I am today without them! @beetlestench, @theogm-art, @trustyalt, @ratwednesday, @phantom-nisnow, @svltart, @mintsdraws, @mothhh-hh, @jupiterweathers, @thesewispsofsmoke, @picoffee, @fetchiko, @kaisei-ink, and @pine-niidles just to name only a few!

Thanks for stopping by, Camber! If you haven’t seen their Meet the Artist piece, check it out here. For more of Camber’s work, follow their Tumblr, @camberdraws!

[theonion]

Saying it would mark a significant change in the company’s direction, Paradigm Marketing CEO Paul Dannon announced Monday a bold new plan that was evidently intended to undo the havoc caused by last year’s bold new plan. “It’s time to make some major shifts in how we do things [in reaction to the disastrous major shifts I implemented last year],” said Dannon of the sweeping new initiative that amounted to a point-by-point retraction of his sweeping initiative from almost exactly one year ago. Full Story

[kimberlychapman]

I'm desperately, desperately hoping that La'an has too much unresolved trauma to get killed off by the Gorn in the forthcoming season. So many of the others have plot armour but she has none so I need her to have TRAUMARMOUR.

STRANGE NEW WORLDS

2x03 Tomorrow and Tomorrow and Tomorrrow

[youraveragemushroom]

♡

[orlesianhennin]

I really feel like so many people who hate Vivienne for being power hungry do not fully grasp and appreciate the desperation that Vivienne feels because she conceals it so well… as little content as she got, she honestly is expertly written and presented and it’s why it disappoints me so much when people hate her for surface level reasons… her writer deserves so much more appreciation.

I think it is subtle because she hides it and you really have to care about the character to seek out these threads and understand her motivations… she is in danger of total irrelevance, being cast aside by society (and history), and she is forced to ride the coattails of some upstart organization because all of the institutions she is invested in have either totally failed her or cast her aside.

She is clearly a prideful person who does not readily admit this… but her true talent is how clearly she can evaluate this and understand her own position. She suffers no delusions. She knows the Circle’s standing in society is diminished to nothing if it doesn’t house and account for the majority of mages, and she is left with just meek Chantry loyalists and sycophants who are lost without her guiding hand, as even otherwise pro-Circle mages with any sense have abandoned ship and left both rebels and loyalists at this point to see where the chips fall (Ellandra) - and the Chantry itself has been all but decimated in terms of military and political power. The one lifeline she has is the Imperial Court, and the fickle nobility have moved on from her - the mages are now a threat that she cannot control or offer any meaningful opposition to, and Celene’s favor has turned to Morrigan, and Vivienne does not know if she will ever have it again. She knows Bastien is dying, and that all that she has left at court will be those who hold kind feelings towards her such as his family, and that is a position she can never accept - being at the mercy of others.

We meet Vivienne, this impressive, powerful mage, who has made a life for herself by maneuvering brilliantly, all to improve her own standing, at a point where she is in danger of losing everything she has. And she doesn’t let on, at least not explicitly, but she joins the Inquisition out of desperation - it’s obvious she sees it as an opportunity, but the gravity of the situation for her isn’t clear from the start. She refuses to lay down and fade away. Vivienne would never had joined this fledgling upstart organization if she was in a better position at Court or there wasn’t a vacuum of power. She is very close to having nothing left, and starting over - and so she does. Before the rug can be pulled from under her, she gets out and sets off for herself again.

Vivienne, often accused of pride, privilege, and self importance, comes to the Inquisitor out of pure humility. She knows she is reduced. And her gamble ultimately pays off, and the Inquisition becomes the political juggernaut that it does, and she becomes more powerful and important than ever just by association. And I like to think, especially with an Inquisitor who respects and befriends her, that she plays no small part in shaping the organization.

I think this is also why, potentially, she plays it so cool at the Winter Palace. She doesn’t get involved… she doesn’t need to. Simply being present is a statement to the court, and she truly doesn’t care about who wins; it’s not just the Game, it’s personal, despite what she claims. That they cast her aside, and now they are interested again… not necessarily in her, but still, she sees the paradigm shifting again. She is now a part of the organization who gets to change Orlais, and favor with the Inquisition is quickly becoming just as important as favor with Celene.

The whole arc is a subtle one as she really doesn’t get much attention, but if you pay close attention, it shows how expertly Vivienne plays politics. We already know she came from nothing and maneuvered into a powerful position. But I think not everyone realizes she is nearly back to nothing when we first meet her… and through the course of the game’s events, by allying with the right people, she plays the game well enough to become an advisor to the most influential person in southern Thedas… and potentially even Divine. But her initial plea to the Inquisitor, for all the great lengths she goes to keep up the appearance of strength and invulnerability, comes from a place of utter desperation.

[cattcc01]

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[swampjawn]

God I love animation. I love it for the way it can bring anything to life beyond the constraints of boring ol' reality, but also the ways that it's inextricably linked to, and draws on the conventions of live-action film-making.

So fuck it, let's look at how Hayao Miyazaki straight up copies some camera framing techniques from his predecessor and the other most influential Japanese filmmaker of all time, Akira Kurosawa! (Kurosawa really was the master of framing scenes around his characters, so he's a great source of inspiration)

(btw, this is a screenshot from this TV special where the two met for the first time just after the release of Kurosawa's final film. It's pretty interesting, and also very cute how nervous Miyazaki seems to be to meet one of his idols.)

Specifically, how the two each choose to break the 180 degree rule (well, not technically 'break' in the case of Kurosawa) to show their protagonists' changing destiny in "Throne of Blood" and "Princess Mononoke".

For anyone who doesn't know, the 180 degree rule is a basic film-making rule of thumb which states that in any scene where two characters interact, you should draw an imaginary line between them and the camera should always stay on one side of that line.

("In the Mood for Love" - Wong Kar-wai)

This way, one character is always looking to the right of the camera, the other is always looking to the left, and the audience doesn't get confused by the geography of the scene. Crossing this line can be disorienting, but when done intentionally, it can convey a paradigm shift of some kind in the scene.

In this scene from "Throne of Blood," (a feudal Japanese retelling of Macbeth) Washizu's wife Asaji discusses tactics with him and tries to convince him to aspire to the throne and to assassinate his lord Tsuzuki while he sleeps.

As two servants appear to notify them that Washizu's sleeping quarters are prepared, the camera dollies left and around the characters' backs. This camera movement is motivated by the motion of the servants' torches outside the room, but it also signifies a change in Washizu's outlook.

Washizu is completely silent for most of this scene, contemplating his wife's advice. But as the camera slides behind his back and across the line of action, the scene is now re-framed, illustrating his change in perspective.

He's been convinced and the trajectory of his life is about to change - and now, facing away from the camera, is the time for action.

Because the camera slides smoothly across the line, Kurosawa isn't technically breaking the 180 degree rule. Miyazaki on the other hand, takes it a little further.

The complimentary scene in Princess Mononoke comes near the start when the wise woman of the village reads Prince Ashitaka's fortune after he's cursed by the wild boar spirit. She tells him that it is his fate to leave the village and travel to the west, where he may be able to lift the curse on his arm. The trajectory of Ashitaka's life changes in this moment too. As he accepts his fate, the change is symbolized by him cutting off his hair, but also by the camera jumping the line.

Throughout this dialogue scene and even as he cuts his hair, the simulated camera sits just slightly to the side of Ashitaka's left shoulder.

But once it's done, for the final shot, the scene is reframed and we jump to the other side, where Ashitaka is now looking to the right of the camera instead of the left.

Making the camera dolly across a scene like Kurosawa's version in 2D animation is no simple task, so this transition with a simple cut is in a way subtler, in another way a bit more jarring, but it conveys the same meaning.

This is the moment when our protagonists make the choice to embark on a new destiny and re-frame their lives.

This has been an excerpt from a short video essay I made a while back, which not many people watched. I think this is at least in part due to my failure to package it well, and it seems you tumblheads like this animation/cinematography analysis stuff, so this is an experiment to see if, with the help of y'all, and a new title and thumbnail, it's at all possible to give this video a second wind in the eyes of the Youtube Gods!

So if you found this interesting, I'd appreciate if you checked it out! Thanks for reading!

[sha-brytols]

someone: do you think anders is a good person

the part of my brain that engages in genuine critical media analysis: i think it's disingenuous to label him through the lens of a binary good/evil paradigm because what makes him such an interesting and engaging character is his status inbetween a human with complex emotions and desires and flaws that will never fully align with each other, and the singleminded focus and purpose of a supernatural entity that is literally justice incarnate and has no capacity for nuance and whose very nature is fundamentally incompatible with humanity but the two of them are so deeply connected that they make up a single identity that's constantly at odds with itself and this struggle causes him to act in ways that aren't always clean and often land him and those around him in impossible positions. i think he was morally justified in doing what he did to the chantry but i also believe he understood the magnitude of what he was doing which is why i inherently disagree with the notion that characters like varric or sebastian were wrong in their reactions because that's the very nature of violent revolution—people get caught in the crossfire and are harmed despite their innocence and regardless of the righteousness of the action at large. if someone killed your mom to protect a hundred orphans you probably wouldn't come out of the experience full of love and admiration for the person who killed your mother because regardless of the outcome they still fucking killed your mother. anders destroyed people's homes and lives and there's a conversation to be had about how he gaslit and exploited hawke, his own potential lover, into being an unwitting accomplice even though we know through meta knowledge that he was perfectly capable of doing it on his own and very likely only wanted hawke's involvement because he needed a powerful figure to become the rallying symbol for his cause. the reality is his very nature would have never allowed him to choose hawke and his friends over his goal because to do so would have been fundamentally selfish and antithetical to his newfound identity as one who champions the needs of the many at the expense of the individual. it's a beautifully tragic story about the lengths a person would have to go to in order to enact any sort of meaningful change while constrained in a system that benefits from their powerlessness, and how that process cannot exist without suffering and pain on both the individual and collective level. i also feel like if anders was written by a person with a degree of compassion and awareness for not only the character they were writing but just what living as a vulnerable and targeted minority is like then the narrative and message would have been vastly different than what ended up on screen because, ultimately, the game wants you to look at the stark injustice of a child being ripped away from their family to spend a life locked away in cold isolation where they're at constant risk of exploitation, abuse, death, and even a complete removal of their personhood, and think that there's room for compromise. it's a narrative that perpetuates the myth that passivity and tolerance in the face of oppression is more virtuous than burdening the masses with the discomfort of seeing their own culpability in sustaining it. a better game would have challenged varric and sebastian while also affirming their anger instead of just the latter. a better game would have explored hawke's reaction in a deeper manner that examined their relationship with the system, their own internal biases, and how anders affected their worldview.

the part of my brain that was on tumblr in 2014 and is still extremely petty and spiteful: he should have blown up the conclave while he was at it