#how they show it and how they receive it

[thatrandomblogsays]

Annabeth: I, a child, had to earn Thalia’s love, that’s how the world works! I have to earn my moms love. Love is transactional, you gotta be worthy of it first silly :)

Percy, listening to this on the train

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[vintage-bentley]

I do not feel comfortable being openly homosexual in the company of “queer” people. Even hinting that I experience absolutely no attraction to the male sex is stressful, because often this results in a bunch of questions that equally feel like bafflement and interrogation. “What about THESE men?” No, not them either. No men. “But this man identifies as a woman!” I am not wired to be attracted to pronouns. “What about this man? He’s femme!” He is still a man, and I am still a lesbian. “So just no men at all?” YES. What is so hard to understand about that? Why can’t you just accept that female homosexuality exists, that it isn’t an evil ideology, and that it’s just how I and many other women are born? Why can you accept and understand so many things, but draw the line at a woman having no interest in the male sex?

[noecoded]

hey asmo fans

[gunsatthaphan]

I‘m????? normal?????

[sapphoscreature]

I’ll see analysis on here of characters which is so interesting and insightful, engaging with the show. I’ll see interviews with writers which work in tandem with these analyses and think, yes, what a rich piece of work to engage with and digest.

And then I’ll come across a post completely misunderstanding a character based on a one-note reading of them which has thousands of likes and feel a despair so bitter and an anger so hot it really makes me question how people watch shows these days.

[divineandmajesticinone]

MY BEAUTIFUL MAN (2021) I 1.04

"I never thought me and Kiyoi would go anywhere."

[sukibenders]

I'll never forget how, during the release of s3 of Bridgerton and people talking about how poorly handled Kate and Anthony felt (as characters within the plot because certain writing choices made no sense), along with how some fans felt like they were being sidelined the responses were "Oh, it's not that deep" or "You're reading too much into things", followed with dismissal after dismissal (along with undertones of racism from a certain group, but for another time). Now, with this article (which was edited after the fact mind you) from Shondaland specifically Shonda's weird passive aggressiveness toward Jonathan, fan speculating them having issues with Jonathan and Simone, both of them making it clear how they want Kathony's story to continue even when some producers of the show were giving the opposite vibes....hmm. Doesn't seem like too much reading into the situation but I digress.

[worstloki]

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these

[benevolenterrancy]

@mymusehowls I actually drew Nie Mingjue braiding Meng Yao's hair a couple months ago, so I decided to switch it up and let Meng Yao braid Nie Mingjue's this time!

Dealing with all that hair must take forever, so they may as well go over morning reports while fussing around with it u.u

[echo-and-dust]

now that my brain has somewhat unscrambled itself i have gotten most of my thoughts in order about season 3.

and the first thing i will say is: i loved it.

while it was gutwrenching and polarizing in some ways and i feel that i am entitled to financial compensation for what its done to my mental health, i loved this season for pretty much almost everything it did.

i cannot fault people for having issues with much of the characterization and plot choices made—that’s been the trend during the entire run of the show after all, and imo it’s a testament to the phenomenal way it generates nuance—but i wanted to share my feelings on the recurring opinions i’ve seen about some of these things.

first, i do not blame simon at all for the things he said in the final scene. he’s a child who has been receiving endless verbal and physical harassment on top of all the trauma he is still trying to heal from. he just watched his boyfriend lash out in anger and hurt—while not at him, but it must’ve been a close resemblance of how he might’ve seen micke act. at least, that's what i thought, though i've seen others say otherwise.

and yes, wille is not micke, but just because wille’s source of outbursts is different from micke’s doesn’t mean simon is wrong in drawing similarities. at least he's finally getting a true glimpse into what wille has had to deal with. i've honestly grown to like that they didn't have simon immediately comfort him though; wille's mental illness is not his fault, but it is his responsibility, and instead of pushing a message of unhealthy co-dependence, the show has simon be honest: "but i see that everything hurts you and that hurts me too." and to me, that's so important.

plus, it doesn't make their love any less genuine. wille is a victim of the circumstances; he is not evil, and he is not undeserving of simon. he just has a lot of growing and healing to do, a lot of unlearning and exposure therapy because he's still blinded by privilege even when he tries not to be.

speaking of, i have so many thoughts about wille that i feel like i need to save for its own separate post, but to sum them up: i'll still defend him with my life, and he needs to get the fuck away from that institution.

also, the fact that the responsibility of controlling simon's media decisions was placed solely on wille confused me at first like—why wouldn't they get a professional to give him proper media training?

then i realized, this could be the royal court's way of sabotaging their relationship. they knew that making wille the one to tell simon what he can and cannot say or post would create distance and animosity between them. despite the ramifications of simon's behavior on social media, it seems they still thought it best to have his boyfriend be the one to try to mold him into the system. because they knew that's how they could get rid of him. in conclusion, fuck the royal court (we been knew but still).

one of the standouts this season was their transparency regarding the show's politics. it not only works well with the show's arc (wilmon is public, everything's out in the open now and there's nothing to hide), but also it felt necessary at a time where censorship has been rapidly gaining momentum. it felt so refreshing for these characters to talk so openly about racial discrimination and queerphobia and class disparities, forcing both character and viewer to acknowledge that they exist and you should feel uncomfortable about it.

i don't think i can add much more to what was already said about it—most of the fandom is more eloquent and observant than i am anyway—i just wanted to reinforce how important this season is to myself and the story even with how controversial it is to fans right now. a lot of people may disagree with me and that's fine.

[vaguely-concerned]

walking through lucanis' mind prison. the tam lin of it all

[thoughtfulchaos773]

Since upbringing shapes romantic relationships and influences how someone expresses and receives love. Sydney telling carmy she needs his focus is also the love language she's always known from her father. Undivided attention and before Carmy and Emmanuel meet...Carmy has to live up to the challenge of being the next person to give Sydney that kind of love.

Carmy has shown that he is capable of giving love, attention, and devotion to Sydney, but he needs to rebuild her trust. Because that's the one thing her father is unsure of when it comes to Carmy and Sydney's relationship. Can he trust carmy enough to be the man she relies on since she's entering a new phase in her life? Can she depend on him for emotional support?

This is why all this talk between Sydney and Emmanuel sounds like a concerned father-in-law wary of his daughter's chosen love.

[realtapiocafan]

ja'marr didn't even dance before he met justin

Toeleah is quiet and reserved, qualities that became a large part of Ja'Marr's personality. That's why she was so surprised to see her son dancing in the end zone after touchdowns this season, often celebrating in dance-offs with fellow receiver Justin Jefferson. Jimmy said they'd never seen Ja'Marr dance before. Not at family functions. Weddings. Nothing. Not even at his own high school graduation party. "I laugh when I see the videos," Toeleah said. "So, I'm just happy he's happy. You know what I mean? And I always told him, 'Enjoy it while you can, baby.'"

article here (warning: paywall)

[iwritenarrativesandstuff]

literally the easiest way to make someone care about a character and make them feel well-rounded beyond basic traits like personality, sexuality, ethnicity, etc, is to give them an actual character arc, and it’s shocking how many people do not seem to fully realize this

you cannot just cram a bunch of tropes. tropes are not the main event, they are tools to tell the story you wish to tell. emotional impact comes from the lead up, so you can’t just jump ahead and expect the payoff to work. “I want this character to just ___ already!” but they’re not there yet. that’s where the arc comes in - how do they get there?

and! most importantly, and this is something I really want people to think about when writing - the most important relationship your character should have, always, is with the world and society around them. defining your character purely through their interactions with other characters are, I find, how a lot of female characters end up feeling flat or not engaging with the themes as much as the male characters, and also how queer and non-white characters wind up as devices for other characters’ development instead of being more fleshed out

[fusionfanatic]

Research for an au fic I’m working on: how would Azula act and behave in a modern setting? And I don’t mean re-imagine her character within a modern context and stories. This isn’t Azula, but she’s an overachieving American high schooler with strict and overbearing parents, or Azula, but she’s the soon-to-be CEO of her father’s multinational conglomerate based in Japan or something. No, I mean how would Azula as she is in canon, Fire nation princess and all, act and behave if you simply just took her from her world and plopped her into [insert current year you’re reading this]?