#how people feel about this in-depth that is

[chronicdelusionistsart]

So I have been watching Danny Phantom for the first time ever with my friends and I'd kind of previously known about its reputation as a show whose fanbase dives a lot more into the lore than the show is willing to. And I guess I hadn't really understood why until now (I just finished Season 2!). Here's my sort of rambling thoughts on it.

Danny Phantom isn't a show about the horror of ghosts and the dead coexisting in the human realm. It's a show about dropping the most out of pocket lore implications you can imagine on people who in turn say things that would kill a therapist dead equally out of pocket, and then neither are addressed but the watcher has to live with the ghost of the plot that is right behind them but they can't turn around.

DP is a little hit and miss in places, but the very thing that drives people nuts about it is actually I think maybe its greatest strength: it really pulls off show, don't tell effectively. How much of that is intentional is up for debate, but the best episodes kinda leave you wondering, or sputtering like "UH, HEY, BACK UP - HEY BACK UP AND UNPACK THAT -" Is Danny's human body technically alive somehow, or is he a walking corpse? Does Danny have a door in the Ghost Zone? Were Vlad's clones feeling and sentient as they melted into ectoplasm, despite Danny's guess that they weren't? What does it say about Danny that he still erased his parents' memories after finding out they'd accept him as he is?

I think the genius of not answering these questions directly is that it's both funnier AND scarier not to. We can laugh about how fucked up it is and kinda hold our heads like "bro.... did they really just imply that, holy shiiiiiit", and that's really consistent with the emotional core of the show as this knife's-edge dance between teen comedy and horror superhero. Fully explaining the lore or being more direct about how the information is conveyed by and to the characters tips that balance and changes the show into something else, for better or for worse. And I really earnestly like it as it is, even if it's very of its time (sexism.......)! It's a really fun show with some depth to it.

Anyway, I can't wait to watch season 3! I sure hope all these wonderful qualities I like about it hold up!

[birdantlers]

Hey, you.

Are you also upset and angry about the election? Are you concerned about the likely election tampering and collusion that won* Trump this election?

EVERY SINGLE AMERICAN who voted blue in this election needs to do this. Don't lie down and let fascism take hold of this nation even more than it already has.

Call (202) 456-1111 Tuesday—Thursday 11:00AM—3:00PM and demand an investigation.

Check the status of your ballot at vote.org. Report any issues to the DOJ voter fraud hotline: 1-800-253-3931 for those whose ballot isn’t being counted.

Here are some state-specific hotlines as well:

Here is an in-depth guide to effectively contact your representatives (lik is different from pictures below).

Here is the submission form to submit concerns the the White House as well as instructions and sample text ideas below (not pasting the actual text as incentive for people to write their own—if you submit a message or multiple messages, make sure there are differences so that nothing gets flagged as spam).

Lastly, I'd like to say that for the record I'm not advocating for her as some kind of savior; she's a politician with flaws and dirty laundry, but I also would urge you to consider donating to the Harris-Walz campaign fund, which has been updated to include funding for a ballot recount.

I think this is a very important thing to support and to spread, as it has appeared quietly in the fund's footnotes. I would like to think that the admin wouldn't go down without swinging before January, but unless they get some money thrown at them I'm not sure the odds of us finding out will be as good—sad as that is. Remember, even if it's just a dollar, or less—if everyone who ran across this on their dash donated, it would still generate thousands.

I'm not saying all this to be a shill for a politician who's still a basically-centrist politician at the end of the day. I'm doing this because I'm pissed off and desperate to not see my home become a totalitarian dystopia.

I know that as more time passes, as more government positions are announced by the charlatan-elect, as people clap their hands in celebration of an anti-constitutional takeover, it can feel hopeless to fight. It isn't. January 20th is still months away.

This is not the time to submit to despair. This is the time to put our dukes up. The bystander effect is how a movement dies, and when affirmative action has to be taken remotely, it's an even bigger threat. Don't assume. Don't be these guys:

Call your reps. Track your ballots. Defend and report those ballots if missing, and regardless of that, submit those White House comments.

Even if you can't do all of these, try to do any little bit you can. Doing a small something is ALWAYS better than doing nothing, and for my fellow disabled, adhd, exhausted, etc. bitches I know that's the difference between making any progress or not.

This should go without saying, but please reblog this post. Send it to people, even people outside of Tumblr. Spread it regardless of whether you live in the US. I would also advise sharing more than once so followers who are AFK the first time(s) can see it during downtime.

And if anyone turns their nose up at you and says what you're doing is pointless—even if that voice comes from inside—shut that shit down. There's no perfect third trolley track that's going to hand down action free of conflict or flaws, but there's also a raging, stupid fascist in line for the presidency.

This is no time for half measures.

Don't give up. Don't shut up. Don't hand over your rights without a fight.

*hoe cheated

[imastoryteller]

Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real

Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.

So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.

1. Understand What Fuels Your Character’s Anger

To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.

When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.

2. Show, Don’t Tell—But Don’t Overdo It

“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.

That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.

3. Use Dialogue to Reveal Hidden Layers

People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.

Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.

4. Control the Pacing of the Scene

The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.

You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.

5. Avoid Clichéd Expressions and Overused Reactions

When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.

Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.

6. Let the Setting Reflect the Emotion

The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.

For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.

7. Let Consequences Speak for Themselves

An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.

Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.

8. Let the Emotion Simmer After the Scene Ends

Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?

Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.

[rwrbficrecs]

Our September & October recs ❤️

make lemonade by @smc-27 (book-verse)

@dot524: This author consistently posts stellar works but I often finish wanting more of that world. This one is nice and long — yay! I loved this meet-cute where Alex’s daughter Claudia has a lemonade stand and Henry is one of their favorite customers. This was a bit of an exploration of divorced dad (single dad) Alex. His mixed feelings about coparenting and starting a new relationship were nicely developed. Such a great warm fuzzy fic, with a nice bit of angst and character development mixed in to make things interesting. And I loved the kid character, Claudia!

falling in love (in the cruelest way) by @coffeecatsme (book-verse)

@suseagull04: This road trip AU is so fun, partly because of how soft our favorite boys are, but also just because of Alex's bright personality throughout the whole thing, and the faith and hope that's a critical part of the book!

we should get married by @smc-27 (book-verse)

@suseagull04: I had heard people talking about this green card marriage AU for months, and the hype was definitely warranted (as with all of this author's writing)! Little details from the book used in a new way, instant attraction, both of them being exactly what the other needs, exploration of other relationship dynamics within the book... this fic has so much depth in its 4 chapters, and it's fantastic!

Cleansing Downpour by @sprigsofviolets (book-verse)

@na-dineee: It often seems like things between June and Nora were always easy, like they were just meant to be. But what if it wasn't that simple? Feeling stuck in life, June is caught between writing a book she’s starting to hate, and navigating her growing feelings for her best friend. A beautifully written story of change, friendship and love, and figuring out who you really are.

runaway now and forever more by tonystarked (book-verse)

@na-dineee: Aged Alex and Henry, a US Senator and an English Prince, have been pining for each other for what feels like forever. Could tonight, at a glamorous charity event, finally be the night they open up to one another? This beautifully heart-wrenching and incredibly poetic fic has been stuck in my head ever since I read it!

The Candy Tax by @hgejfmw-hgejhsf (book-verse)

@suseagull04: This fic is absolutely adorable! It's the perfect nostalgia trip for anyone who went trick or treating, and it incorporates some of the pop culture references from the book in the best ways that just add to what make this fic so cute!

Heart enough by @hgejfmw-hgejhsf (book-verse)

@suseagull04: What if Henry's the one who has to travel for the apology tour and instead of celebrating New Year's, they have a Halloween party? This fic adds so many layers and soft moments to the original, but still includes the heart and references we all love!

Halloween at Kensington by @hgejfmw-hgejhsf (book-verse)

@suseagull04: This is the Arthur POV of Halloween when his kids are little I didn't know I needed until I read it- this is so adorable, and Henry and Phillip's characterization in it is perfect!

I was cold as a stone (but I found what I'm lookin' for) by @miharaikko (book-verse)

@na-dineee: Author Henry has retreated to a small, secluded cabin in the mountains, hoping it will spark some writing inspiration. That's where he meets Alex, the owner of the cabin... The mountain and campfire vibes are absolutely wonderful. It's such a fluffy and heartfelt one-shot – just as recommendable as the other fics in the Flufftober: A Red Umbrella Collection.

Red, White and Royal Switcheroo by @xthelastknownsurvivorx (book-verse)

@suseagull04: This body swap AU left me wondering how everything would have been different in the rest of the story- it's that good! It has the heart and content of the original, plus moments that are brand new- and watching the boys pretend to be each other is fantastic!

Oblivion by @milowren29 (book-verse)

@dot524: This story has been on my reading list for a while and wow, did it live up to expectations! Alex and Henry are kidnapped during their visit to the hospital, and they trauma-bond during their experience. But what will happen afterward? How will this change things between them? The action, angst, and longing in here is spot-on and the storytelling is so well-done.

Sounds of Someday by dazedandconfused (book/movie-verse)

@na-dineee: USA 1972, three weeks on a road trip on the 'road to nowhere' heading toward Texas: writer Henry and farm boy Alex. This fic is so layered and full of hurt and emotions. The ending completely knocked the wind out of me. An absolute masterpiece, please everyone, read it – it's phenomenally good in terms of language, storytelling, and capturing the spirit of the time !!

blizzards and broken boundaries by @gayhoediaz (book-verse)

@na-dineee: Age gap – I love this trope with Henry and Alex. Here, it’s a 20+ year difference: Alex is a student, Henry his professor. Alex makes the move, Henry is very amenable. The alternating POV is so cleverly done, the tags say PWP, but I definitely felt all the feelings. Absolutely delicious!

These violent delights by @lizzie-bennetdarcy (book-verse)

@suseagull04: Henry as a vampire hunter in this fic is such an intriguing concept and the backstory of it and the fic's conflict is so well done!

With magic soakin' my spine, can you read my mind? by @hgejfmw-hgejhsf (book-verse)

@suseagull04: Pining and magic and revelations abound in this fic that's written so well, it gave me chills. This fic is definitely a must-read if you want a canon divergent fic that has just a hint of magic!

to belong to a family (even beyond this world) by @read-and-write- (book-verse)

@suseagull04: The Mexican part of Alex's heritage absolutely shines through in this- and this is definitely a fic you want to read if you want Día de los Muertos fic and all the Arthur feels! I also love all the neurodiversity in this fic!

A Beautiful Reality by @tinyarmedtrex (book-verse)

@na-dineee: Priest!Henry is back. The second part of The Only Heaven I'll Be Sent To Is When I'm Alone With You is out!! And – surprise: He’s not a priest anymore. But it’s not that easy to shake off those deeply rooted beliefs and Catholic guilt. Luckily, Alex is so patient and totally in love.

The Brightest Star by @aforgottennymph (book-verse)

@dot524: Single dad Alex meets children’s book author Henry, and they connect immediately. The obstacle in this story is Alex’s sense of duty to his daughter, Bia. She’s quick and creative, and she’s brimming with opinions. I’m a bit picky about OC’s and kids in fics, but this one was so well done. It’s full of fun dialogue and well-realized feelings and angst. Definitely check it out!

A Love That Haunts the Land by @14carrotghoul (book-verse)

@suseagull04: Once again, this author has blended Mexican culture and RWRB in a way that's so authentic- plus there's magic! This is one you won't want to miss!

check out our past Monthly Faves here ❤️

[nausicaaandhermouth]

The Healer

masterlist

viktor x anhedonic!reader [1.4k][AO3]

cw: implied/referenced depression, suicide, suicidal ideation, self harm

summary: Anhedonia set in and the idea of exiting life's stage became all the more appealing. But you've heard about The Healer and perhaps he can save you.

tags: gn reader, S2 Viktor, post-Act 1, anhedonia, angst, depression, suicide, SI, SH, viktor gardening?, reader's just admiring him atp, not betad, not encouraging anybody to join any cult

a/n: idk if vik's abilities extends to making plants appear but for this pretend it does

if you're unfamiliar with what anhedonia is, it's a symptom of a larger condition (can be depression, bipolar, schizophrenia, more), characterised by the inability to experience physical and/or social pleasure. makes existing difficult, like you're dragging so much pointless weight and everything feels high effort, so what's the point.

just a brief description (based on what i've learnt from it in research and experience), so i encourage learning more to get it more in depth if it interests you or sounds too familiar.

You prayed for an easy coax out of the darkness.

The little home of scrap fabric and heartbroken brick you built throughout the years was becoming more and more dilapidated, though its original state had never been of full health to begin with. And like it, your body’s ridges became prominent, visited by unexplained bruises, warmed by the thickened hair on your skin, and yet living on had always been the only option you saw—no, the only option you allowed.

You’d breathed long enough to outlive many of those around you. Whether it was becoming grey-lunged corpses, enforcer punching bags, or a Promenade diver, everybody knew somebody who, sooner rather than later, knelt to kiss Death’s feet. Surrendered. Be it by their own or another’s will.

Then it fell upon you: the swole blanket of indifference, of apathy. It cloaked your mind, buried your defences that was defiance, which had been the only source of survival you’d had left. But snuffed out now.

And how easy it is to think of self-inflicted inexistence when it seems nothing else matters.

Oblivion would whisper in the corner, a demented, deformed dog snarling yet begging your hand’s comfort. Come to me. And you can’t find good reason as to why you shouldn’t.

This… healer—a man whose touch could gild any man’s sick and bestow him a new life, a new body, a new mind—you’re not sure when he arrived. But the whispers morphed to murmurs which morphed to rumours and unfolded itself into your side of the city’s underbelly.

Was he the answer to your prayer?

You made journey to the place you’d heard he’d made camp, and it unfurled before you and stole all expectation and put them to rest. Because for once, the Sumps had colour, had life.

At the centre stood a strange, globular… building? Just like stained glass, its surface was of mute Spring colours, translucent, swirling lattice-work reminiscent of butterfly wing patterns.

He’s a tall thing. A beautiful thing. His metal body cloaked, careful, and coded with grace. Each movement was deliberate, no gaze shared unintentional. How had he come to exist? How had this world birthed your people’s suffering but, as well, him?

You want to laugh at the sick irony. Whoever’s dealing the cards need their hands cut off.

“What ails you?” he asks, giving you such soft regarding you can’t help but be rendered speechless.

In truth, you’re not sure. Physically, you know you’re lacking, but so was everyone so why are you different? In your head there sits a temptress, attempting to lure you to the edge of buildings or blades, but she had no name. No one speaks of her.

The healer tilts his head, seeming to take a better look at you. He looks so kind. Such eyes, opalescent, have seen suffering, and you know it.

“Life,” you give a one-shouldered shrug, smiling. “I… I’m not actually… uh, I don’t know what I’m doing here,” you take a step back.

What had been the point of this? Attempt what? Healing? What’s this man to do?

“No,” he steps closer, his voice swathed in a strange mechanical whir. “Stay,”

You’re sure that by the furrowed desperation on you, it convinces something inside him, as he turns and beckons you with a nudge of his head. So you follow.

Each step he makes creates a heavy thunk beneath him, and though you don’t feel its impact, merely by sound you feel the weight of him. How had he acquired such a body? Modded fingers, let alone limbs, cost years of your wages—you can’t imagine how much his entire body might have cost.

“I can feel something plaguing you,” he begins, shifting slightly to catch a look of you.

You scoff but it doesn’t quite match your face.

“Then what brought you to me?” he shrugs and looks away, leading you to the side of the Sumps where a clear plain rolled out.

You watch as he kneels and reaches for the soil, taking it between metal fingers.

“I’m not sure,” you kneel beside him, shoulders bunching up. “What are you doing?”

He hums, smoothing the ground and creating indents, “I’m assessing,”

You lean forward, folding your arms and hanging your head to look at him.

The metal frames his face, just barely hidden by chestnut waves, curling beneath the jaw and around the ear.

He’s got a rather angular beauty to him, something belonging to scrutiny and studiosity. Even his strong brows follow theme, arched forward in a focused furrow, over narrowed eyes homing iridescent irises. You’re not sure if he’s from this world. Or if the world was gifted him.

Your attention trails back to his hand, and he digs his fingers beneath the soil. Then, hand glowing beneath the metallic muscles, the ground is imbued with a light, where then verdant stems spring alive.

You choke back a gasp, glancing about as the spindly bodies uncurl and reveal yellow petals. Roses?

Whipping back to him, you take note of the glow leaving his eyes, shock threading through your system.

When you glance back at the flowers, now surrounding the both of you, you can’t help but think: logically, how you might have reacted would be with pleasant surprise, glee, even.

Such occurrences, the arcane or a mere flower field, was a coveted sight, and without a doubt you would have felt the surge of optimism. But instead nothing happens. Instead it’s unmet anticipation and expectation sitting at your belly, pooling into grey disappointment.

It’s when you look back to the healer that you realise this disappointment must have shown on your face. He inclines his head so slightly, blinks, as if saying I understand. And he smiles. He smiles and it’s the gentlest thing ever given to you to hold and witness.

You want to crumple, to lay graves for your limbs and disassemble each part that ever dared to exist only to suffer. There used to be anger, and at the very least there was indignation. At topside for their neglect, your parents or finding each other, for finding something beyond the misery and creating you. Where had all such righteous resentment gone?

“Viktor,”

You look up to see the healer’s hand stretched out, asking for yours in return. And you oblige, shaking it gently, before pulling away only to be held with soft restraint.

“You are welcome to stay,” his voice becomes tender, becomes more human almost, aimed purely for your audience. “Even if what torments is not outright seen. I welcome all,”

Your breath comes out long, carrying with it the tired days in the dark. The healer… Viktor makes no acknowledgement of this but just another observant blink, the corners of his mouth slightly tightening.

“Wasn’t gonna die or anything,” you joke, flattening your lips and hoping it registers as a smile, however trying it may appear.

“Eh,” Viktor shrugs, turning his attention to your hand and turning it about as if trying to see new angles. “A slow death is still a death,”

This makes you frown. Why has he assumed? But why is he right?

“The slower it is, the more painful, I think,” he remarks, but he seems almost far away. “As you watch what is left of you wither, and all you can do is… hm, watch,”

Then you understand. Something in your chest tightens as you take in once again all this stranger is. “You’re well-acquainted,” you note, coming out barely as breath and observation, spoken clearer by the narrowing of your eyes than your own voice.

He looks at you again, and something’s changed. His eyes? It seems. There’s something more amber about them, more grounded in this singular hue. “My longest companion,”

You hum, nodding.

There’s a safety in knowing you’re understood, even if they’re not able to fix you. It cloaks you warmer than summer, than any consolation offered in pity—he understands. And perhaps not the very same that brandishes you, but in some aspect he knows.

Which is what makes you ask, “Can you fix me?”

His eyes resume that pearl sheen once again and you’re mesmerised, gaze flitting between each eye in deep investigation—tell me who you are, how you are; tell me how you’ll fix me. Like the field around, the sweet sunshine hues of the roses, to make your land more than just barren.

And he does. He raises his other hand, uncurling, coming to hover by your face. “May I?”

You breath sweeps back in and you nod, leaning forward and connecting his cold fingers to your cheek.

He notes you for a moment, saying nothing, doing nothing. It’s his gaze that makes you feel naked, removed of any pretence crafted carefully. But he shifts his attention and his fingers connected with your forehead, eyes overtaken by a white glow.

Your vision drowns in the white.

a/n anhedonia's been hitting me and this is the only thing i could muster to make so here we gooo. not my favourite, feel like i could've done it better but oh well, least i made something wahooyaaa writing is coping after all 🫵🏼😃🗣️

requests + taglist open!

[this is a reupload, i have no idea why the original post disappeared :''')]

[bishmanfishboy]

Something that Jacob Geller does well I find when he reaches into the depths of isolated male media and pulls out feeling and compassion buried within it and he’s made the point that if he doesn’t use certain words people don’t even realise what he’s doing. People will be like ‘I love how this wasn’t about politics!’ And it’s a video essay analysing the inherent impotence of weapons of mass destruction.

I know this sounds irrelevant but I’ve seen people have their hearts changed by being made to realise what they do is hurting someone they love far more than like being told ‘that belief is fascist’. Like both are true. But repeating jargon at someone won’t make them understand it

posts about the alt-right pipeline being compassionate towards young men while radical leftists shun and shame them are not fucking saying "the men are becoming violent because feminists are too mean!" and if that is your takeaway you need to get off tumblr until you've better honed your critical thinking skills.

those posts are talking about how effective the language and approach you take in your activism can be. this is literally cult deprogramming 101. if someone is being taken in by a violent or dangerous group, that violent or dangerous group is usually offering them compassion and solace while working hard to convince them everyone else in the world is their enemy. you are under no obligation to coddle or act compassionate toward these men and their violent ideologies, but if you have the means to try, it is something that you can do to make a tangible difference.

radicalized people are often only one loving friend or family member or external voice away from being de-radicalized. of course that is not always the case, but it very often is. a lot of y'all rightfully understand that you do not carry the burden of being that voice, but a lot of y'all also have a lot of internalized ideas about morals and punitive justice and have simply written off these people as deserving of only the worst and not worth saving.

ten years ago, my grandmother was a fox news watching republican who voted red in every election and very well could have fallen down the qanon rabbit hole if not for me and her daughter challenging her compassionately, walking her through hypotheticals that validated her feelings & proving why they were false, & being patient with her despite our extreme division in political ideology. it was frustrating fucking work! but i decided i wanted to do it, because i could see the horizon and i could see me making a difference!

"misogynists have been saying feminists are too mean for years, get new material" that is not the fucking POINT. the point is that you, feminist, can be the compassionate voice that guides your brother, your father, your cousin, your grandfather away from fucking becoming or staying a nazi. you can show them compassion and companionship. you can be the woman they think of when their alt-right bros try to convince them that women are the enemy. and you can choose to crystallize that image of yourself so wholly in their mind's eye as worth protecting that they may very well choose to reject those harmful ideas.

it's not saying you HAVE to do it! it's saying you CAN do it! don't you 'firebomb a walmart' people all love taking change into your own hands? where the fuck is that energy right now, huh?

[tourettesdog]

Beta Reading and Fanfiction

I’ve been writing for a long time myself, but it’s only been very recently that I’ve immersed myself in communities online for it. I’ve been having so much fun really diving into Danny Phantom and DPxDC fanfic, and I’ve met so many great friends doing so.

I mostly do my own writing, but I’ve really enjoyed doing some beta reading as well, especially for friends! There’s something so fun about getting to dive into a work in progress and help where you can.

But I do feel like some people might really struggle to understand how to beta read, or what makes a good beta reader— especially where fanfiction is concerned. I’ve been extremely fortunate to have wonderful beta readers, but I’ve had some friends frustrated with the beta reading they’ve in turn received, or otherwise feeling uncomfortable in asking for a beta reader since they don’t know what to expect.

So, how should beta reading work? How do you do a good job?

Above all, the most important thing about beta reading is communication with your author. You are not in their WIP to prove how good of a writer you are, or to hammer their work into what you would personally be proud to present online. You are there to help, in whatever way the author has asked or communicated they're comfortable with.

Before you beta read anything it is vital to ask what the author is looking for in a beta reader. There are a number of things you can ask in particular, including:

What are you looking for help with?

Do you just want me to look for typos or confusing sentences?

Do you want suggestions for things to add?

Do you want suggestions on grammar, or other more in-depth writing suggestions?

Do you need help with characterization, or even the plot?

Depending on who you are beta reading for, you might have someone who only wants a very light beta touch. They might just want you to look for glaring mistakes, or for confirmation that a plot beat makes sense. 

Other authors might want something much more involved! They might be trying to improve their grammar, or perhaps they're not very familiar with writing a new character and they would like suggestions for how to better capture their voice.

Regardless of what an author wants in a beta reader, you won't know unless you ask them! It's possible that you simply might not be compatible as beta reader and author, depending on their answer, and there's nothing wrong with that. It's okay to step back and say "I personally like to beta read things more in depth than this, so I might not be the best person to give it a look."

Otherwise, getting an answer about your author's preferences can help you figure out how to help them. Perhaps you would normally make more suggestions, but if an author has specified that they're not comfortable with that, then it's not your job as their beta reader to do so. If you are capable of sticking to the help they've asked for, then you will ultimately be fulfilling your role as their beta reader admirably.

"But I'm just trying to help. Their work has a lot of places it could improve!"

Again, beta reading is not about shaping a story into something you would personally present as your writing. It is about helping the author produce a story they're comfortable with and proud of.

It's not about being right, or heavily criticizing their writing and grammar abilities (unless this is what the author has explicitly requested!)

Especially while writing fanfiction, the work presented is not something that will ever see publishing, or that needs to have flawless grammar and syntax. This is work done for free, and it is done for fun.

And that's something very vital to beta reading—

A beta reader needs to preserve the fun.

It's very daunting, putting your work out there for others. It's especially daunting putting your work up for analysis of any kind. You're accepting that people might not understand your vision, or may judge you for what you've written.

It's all too easy to compare yourself to other creatives online, and to overthink and overanalyze your talents. Too often, it’s easy to get discouraged and feel like your work isn’t good enough.

Beta reading should never be done in a way that will discourage writing. Even if an author has asked for a lot of help, it’s important to pick your battles with what you choose to analyze, and to check in with them if you feel like you might be crossing boundaries or covering their work in too much metaphorical red ink.

When people are trying to improve their writing, you don’t always have to mark every little suggestion you think of. Unless the author is a friend you know well, or has explicitly asked for Extreme measures of help, it might be best to ignore some smaller writing issues and focus instead on bigger things. 

If you’ve already marked a lot of issues in one paragraph, but have more things you could say, consider if the additional suggestions are vital or if it might be better to leave them be. After all, if your author is looking to improve, and if you are planning to beta read for them again in the future, then helping them with more glaring issues now will help them in a way that is not overwhelming, and will open the door for other kinds of suggestions to be better understood and absorbed. 

You can always check in with your author if you’re unsure, too. Ask them if they appreciate the amount of suggestions you’ve given them, or if it’s been too much. Your author might be uncomfortable with telling you that they’re overwhelmed, and checking in is a good way to ensure that you’re both on the same page.

All that being said, though, it is also important to not always focus on things to fix and improve. You’re not just editing the story, you’re reading it. Part of keeping beta reading fun is engaging in that story as any reader would. It both helps morale, and helps let the author know what they’re doing right, when you take the time to tell them what you enjoy about the work you’re beta reading!

There are so many ways you can express positive things about an author’s writing. Consider:

“I love how you phrased this sentence here.”

“This body language feels natural and very in character!”

“I love this word choice here.”

“This part was really funny and had me laughing.”

“I’m excited to see where this goes!”

You’re reading a story, and you must have thoughts and feelings on it outside of suggestions. Let your author know! People thrive on positive feedback, and there’s just as much to be gained in marking Positive attributes to a story as there is in noting places to improve.

The last major thing I feel is vital to beta reading is respecting that it is your author’s work, and that your suggestions (however clever or helpful you feel they are) may be rejected. And that that is okay. 

Suggestions are just that— suggestions.

What you might like in creative writing might not necessarily be what your author wants to express. You might love to use ellipses, or lots of different dialogue tags, while your author might prefer dashes and more standard dialogue tags. You might like to use more colorful descriptions of scenery and atmosphere, while your author might want to focus much more on the character body language and dialogue. You might like to use a lot of exclamation points and next to no italics, while your author might like a lot of italics and very little exclamation points. 

You’re ultimately two different people, with two different ideas of what is an ideal way to tell a story. And while you can give many different suggestions on just about anything the author might add, remove, or change, it’s ultimately the author’s choice whether or not they accept those changes.

It’s not your job as a beta reader to double down and insist that they accept a specific suggestion. It’s not your job to make a case for why you think they need to change something. If an author has denied a suggestion— it’s best to let it go. Especially if you don’t know them well, and don’t have a very good rapport with them, pushing the issue will only serve to make you both uncomfortable.

It’s not just about picking your battles, but also about mutual respect. You’re not a teacher, nor an editor looking to make their work prime for publishing. You have to respect their decisions for their own story, even if that means they decide not to take a suggestion you felt would be impactful. 

It’s also always important to keep in mind that writing style, particularly where creative writing is concerned, can vary wildly. The strict rules that you learn in school were made to be broken. You learn them to figure out how to break them and, particularly when writing for fun, it doesn’t even matter if you’re breaking those rules in a perfect way. It’s fanfiction. It’s freeform, it’s fun. If someone wants to make a habit out of going buckwild with their writing style, there’s really no reason to try and corral their writing into a box labeled “High School English 101”. 

You can’t force someone to write their fanfiction like it’s going to go to a letter grade, nor should you try to unless they’re looking for that level of editing. 

Be willing to listen, and pay attention to what is and isn’t working. It’s good to take note of suggestions that your author has already commented on. Have they thanked you for pointing out something in particular? Have they expressed they feel weak with something in their writing?

Is there a type of suggestion that you keep making that they have rejected multiple times?

Work with their strengths and with their style. Focus on suggestions that have been received well, and consider letting go of ones that the author clearly has no interest in, or that might conflict with their style.

Communicate and respect each other, above all else.

Beta reading is such a helpful and wonderful thing someone can do for an author. I’ve been so thankful to have it done for my own work, and I try my best to be helpful and considerate when I’ve beta read myself. 

Having my work beta read has really helped me find things to improve upon in my writing, and has helped me feel more confident in the stories I’ve posted, just having another eye look over them before they hit the internet. I don’t always take all of their suggestions, and might disagree from time to time with the direction they want something to go in, but I’ve been thankful to have understanding, kind betas that work with me well. 

And that’s one more point I want to touch on too, is that I hope that, as a beta reader, you find yourself with authors that show you mutual respect in turn. That they thank you for the work you’ve put in to help them succeed, and have made the experience positive for you as well.

It always makes me happy to see beta readers credited on posted works. It’s a kind thing for writers to show appreciation, and to acknowledge that someone helped shape the words you see on the page. 

This got much longer than I intended it to, but I just hope that this post might help some people in some way. Either to understand beta reading and the purpose of it, or how to potentially go about it themselves. 

I really recommend giving beta reading a try if you’re comfortable with it, especially if you have friends that write fanfiction! Even just an extra pair of eyes looking for typos can be a godsend for someone who has spent hours upon hours staring at a long fic and editing it.

[qqueenofhades]

so I've been watching a lot of videos abt food that's uniquely Hong Kong and y'know with all the changes happening there I had a thought like hm is this preservation and documentation of cultural foods that are at risk of being lost?

and then I thought gosh this sounds familiar likkke everywhere we see violent colonization occur not only are lives and freedom lost but also language culture food

and then I wanted to ask you as a historian: has this always been the case? have people always had low key anxiety about culture "loss" or did they think of it a diff way? is this framing of colonization and cultural loss a recent one?

I'm realizing this is a big question and we are all le tired from les recent events, so pls view this as a no pressure ask, I just uh figured you're the only historian I have real access to haha

This is an important question that I don't currently have the mental wherewithal to answer in great depth, but I think it's important to speak to briefly. And I'll put it this way: yes, human beings have always felt that their culture, their way of life, their present existence, their friends and family, and the forces at work against them are tenuous, uncontrollable, and prone to sudden and violent destruction. I'd say it's one of the key themes of being human. I'll cite the famous example of the 8th-century Old English elegy The Ruin of the Empire, known usually as The Ruin:

This is what many of us would consider the dark and distant past, wherein an unknown person in Anglo-Saxon England is observing the ruins of the Roman Empire in Britain and reflecting on how fragile and frightening the present day feels, as if all the glory has faded into the past, as if things will not be "great" anymore, and the present is just moving inexorably toward darkness:

Bright were the castle buildings, many the bathing-halls, high the abundance of gables, great the noise of the multitude, many a meadhall full of festivity, until Fate the mighty changed that. Far and wide the slain perished, days of pestilence came, death took all the brave men away; their places of war became deserted places, the city decayed. The rebuilders perished, the armies to earth.

And yet... that was the 8th century. That was a very long time ago. A lot of history has happened since then, and despite everything, it's still here. People have always looked at the danger and fragility of their present situation and yearned for the perceived stability of the past. Indeed, the reason we have the myth of the "Dark Ages" is largely thanks to the 14th-century Italian humanist Petrarch, who looked at the (also objectively very, very crappy) 14th century, which is similar to now in a lot of ways, and built the shining myth of the Greco-Roman era as a bygone golden age that society needed to reinstate if it was going to save itself from self-inflicted destruction. This in turn gave rise to the Renaissance, which was intensely a cultural project to reclaim and re-instate a seemingly "better" past in the face of present-day chaos and uncertainty. This included a strict reifying of gender roles (etc. etc. Was There a Renaissance For Women?) and turn toward "purer" social ideals.

Anyway: these concepts have been shaped and articulated differently in various historical periods. But yes, the basic feeling that we are losing ourselves somehow, that the past was better and more stable, that the present challenges can be solved by insular reactionary politics, and so forth, is a very, very common human experience. For better or worse: both tangible and intangible artifacts have always been lost, destroyed, subject to violent sociopolitical conquest attempts, written out of history, and used for oppressive political and cultural processes. Part of the reason the right wing is doing so well worldwide right now is because they are tapping into a very, very old "put the strongman in charge and everything will go back to how [good] it used to be" mythology that is also as old as dirt and time, and which humans just keep doing when things feel existentially scary. This "weaponized nostalgia" is even more of an issue in the age of rampant disinformation, AI, and fake-news bubbles which can totally create what is accepted as reality, very often to the benefit of illiberal, right-wing, authoritarian forces. That is very hard to deal with and overcome, and I don't think we're anywhere near doing it.

That, therefore, is the bad news. The good (as it were) news is that at least these cultural processes and human instincts are not new, and indeed have continued for a long, long time. And even when these old things are destroyed, new ones emerge as well. So yeah.

[bouquetface]

Navamsa Notes D9 6

Accuracy is influenced by the ENTIRE natal and navamsa. A FEW indicators does not promise one outcome especially when we have not taken into consideration the aspects.

☀️ Venus in Capricorn or Aqua is one indicator for a long-lasting marriage in d9. This is because this gives a Saturn ruled Venus. Venus & Saturn are friendly planets to one another. Saturn will generally support Venus in the pursuit of love. When paired with a chart that has many divorce indicators, this will indicate a long marriage before separating.

☀️ Moon trine Saturn is another indicator of a long-lasting marriage. This shows the spouse is unlikely to be moody and unstable. They are mature, they are patient, they make careful choices with a balance between logic and emotions. Stronger placements in the navamsa could indicate otherwise. This is only one aspect.

☀️ Saturn 8 away from Venus indicates troubles in sex life at some point in your marriage.

☀️ Venus square Saturn is another indicator of a dissatisfying romantic and/or intimate life being an issue. This aspect indicates it is likely due to the wife. She can be/become moody. At times, she will be cold, uncommunicative and distant. This will create frustrations and misunderstandings in the marriage at some point.

☀️ Mars sqaure Saturn is another indicator for troubles in intimate life. You or the spouse will feel dissatisfied with sex life at some point. These aren't breakup or cheating indicator. How this situation is resolved and if it is resolved depends on the entire chart.

☀️ Earth asc in natal to Pisces asc in navamsa:

If you have an earth rising in natal, your mindset is changing from logical and analytical to emotional over time. You are still a virgo asc but after marriage/later in life, you begin to lean toward thinking with your heart instead of your mind.

After marriage/later in life, you ease up on the rules and expectations you have for yourself and others. You become more compassionate. You can become a very generous and kind person.

A lot of this will be influenced based on aspects and where mercury and jupiter are in both charts.

☀️ General info on Pisces asc:

If your natal and d9 do not have many or major malefic placements in regard to marriage, this shows a harmonious marriage. A deep bond between the person and the spouse. Mutual love and respect for what the other does for the marriage/family. Effective communication - listening before speaking, thoughtful responses - unless other placed indicate otherwise.

This asc brings you to the depth of your emotions. You can feel the spouse is so perfect and that you are unworthy. You may have to deal with these types of inner issues, figure out the root - did it begin in childhood? is it because of how you view yourself? - A person with pisces D9 can heal themselves through marriage/later in life. Now if you have divorce indicators in natal and D9, the breakdown of the marriage can lead you to heal yourself.

Pisces ASC can have others view their married life as ideal. Specifically, you can shock your family in a nice way through the partner. The marriage can boost or restore your reputation among people.

In certain incidents, other's being surprised is because they feel you are unworthy or incapable of being in a happy lasting marriage. When it is your family feeling this way, a common thing with pisces asc in D9 is that their family made the native as kid feel like they're not enough/there is something wrong or bad about them/they're not loveable.

Your social network can become very formal and professional - mainly coworkers or people to help boost your career/status. Formal interactions rather than genuine jokes and conversation. You can have limited contact with close/true friends or simply you don't have close/true friends later in life.

☀️ Earth rising in natal to Aries asc in navamsa

You and/or the spouse marry because they seek a new beginning. They want a new start in life with a foundation that can count on. They want to feel secure and comfortable with this foundation.

☀️ General info on Aries asc

This is one indicator for marrying quickly. Either you marry within 1-3 years of meeting or you marry soon after proposal - not much planning goes into the wedding. Mars conjunct Venus in natal or navamsa is another indicator. However, accuracy still depends on the entire chart - other aspects & placements can slow this down.

☀️ Venus in Cap 10th House

This indicates an older spouse. This shows married life will bring unexpected responsibilities. The marriage makes you or the spouse feel lonely. This can manifest in various ways depending on the entire chart. for ex: the spouse is much older, they die much sooner than you do, you are literally left alone for years. OR if you have many malefic placements, the marriage becomes emotionally lonely and dissatisfying, the spouse leaves, you are lonely.

This shows the spouse will have leadership traits. They will be hardworking and career/status-driven.

Your relationship with your father will be distant. He may die early on, or you simply have never been close with him.

This can indicate a delayed/late marriage - however we must check the entire chart. for ex: if conjunct mars, this can change.

☀️ Mars in Cap 10th House

This is mars exaltation, it is more likely to block the negatives of mars in 10th. Instead, it gives a strong, lasting marriage. You are competent when it comes to taking care of your family. You can make career advancements after marrying - this doesn't have to be directly related to the spouse/marriage, simply marriage activates career/status advancements for you.

You or the spouse can be motivated to be better than your/their own father. Once the first child has been born, you and/or the spouse really locks tf in when it comes to making money. This usually happens when the child is still an infant or toddler. The parent(s) desire more money and become concerned with legacy for their children. They may look for ways to advance at their current job, they may consider going back to school to advance, they may look for a new company that will pay more for their experience.

If negatively aspected or saturn is negatively placed, the above can change. You and/or the spouse can become demanding of one another. You and/or the spouse can have high expectations for one another and for their own life but fail or do nothing to succeed. You can develop anger issues that you must get a control over. This is believed to be due to past life karmas.

☀️ Jupiter in 11th House

This is one indicator for male children. You can find success easily if malefic planets don’t conjunct or aspect this planet.

☀️ A planet debilitated in D1 and D9

You should stay cautious of this planet and it's houses. This will continue to test you throughout your life. It is nothing you can't handle. In certain cases, it can put you through many tests that help build maturity. I have read the chart of a millionaire with a debilitated Moon in 11th - which some would wrongfully consider a doomed placement.

For full accuracy the chart must be read as a while alongside natal. I offer paid readings if you are interested in finding out more about spouse and married life.

[catgoesboom]

Oh no, I completely agree laziness isn't the issue (if an issue at all imo), is more of a quick way to get the inital point across and get the person thinking, because they obviously don't see themselves as lazy (and most, if not all the time, they're not), but will encourage them to put into question why they feel is so convenient and just because something is "modern" not necessarily means good or progress. Most people who are pro-ai'ing everything are clearly not at an level to: -Question the very deep implications and most than likely future results of it; -Have the extent of empathy to care about someone else's labour that are not their own; -Nor have the time or patience to read/hear and mentaly process a long in-depth explanation; (I do love your post and how on point it is tho, it's a great concise way to put it all on the table for someone who doesn't know the full extent and valid worries but is willing to learn, just wanted to give a more pratical answer for the ones that aren't) So if we want to have a communication with these people to at least make them exercise some critical thinking and not default to "It is what it is and you just have to take it", we just gotta do a Paulo Freire and use their language and mentality back at them.

no, spotify, i don't want to use ai to "turn my ideas into playlists". i already fucking do that with my brain and hands and i do it for fun. what, should i get ai to pet my cat for me? to play my silly games for me? to spend time with my beautiful wife for me? how about i rend you asunder

[felassan]

Article from Bloomberg by Jason Schreier, under a cut due to length.

"New ‘Dragon Age’ Game Faced Turbulent Development The studio head of EA’s BioWare says ‘Dragon Age: The Veilguard’ received nothing but support from EA throughout its lengthy production cycle EA’s BioWare label hopes to find redemption with the release of Dragon Age: The Veilguard Today we’re getting in-depth on the new Dragon Age game A new age for dragons In late 2020, when Gary McKay took over as studio head of BioWare, the Electronic Arts Inc. subsidiary best known for making big roleplaying games, the climate was dire. BioWare, which is headquartered in Edmonton, Alberta, had released two critically panned games and was facing turbulent development on a new one — while trying to cope with a worldwide pandemic. “We needed to shift how we were thinking about building our games,” McKay told me in a recent interview. BioWare, founded in 1995 and purchased by EA in 2007, had won over millions of fans with hit single-player RPG franchises such as Dragon Age and Mass Effect. But a 2017 entry called Mass Effect: Andromeda was widely panned, and the studio’s next game, the 2019 multiplayer shooter Anthem, flopped both critically and commercially. Both games had also gone through brutal development cycles that drove many BioWare veterans to exit the studio. At the end of 2020, studio boss Casey Hudson was planning to step down and called McKay to ask if he would take over. “We had a few conversations over the course of the next month around the people and the culture,” McKay said. BioWare’s next big project would be a new game in the popular fantasy Dragon Age franchise. But the game, which had been in development for years, was facing turmoil and had been rebooted from a single-player game into a live-service game with a heavy multiplayer component, which EA had been pushing across many of its subsidiaries in the late 2010s. Hudson, too, was interested in multiplayer games and had been the lead visionary on Anthem. Some employees jeeringly referred to the next Dragon Age as “Anthem with dragons,” which worried fans after I reported on the game at Kotaku. Enthusiasts of the series wanted another single-player game, not a repeat of BioWare’s biggest mistake. When he took over, McKay began to feel similarly. “We were thinking, ‘Does this make sense, does this play into our strengths, or is this going to be another challenge we have to face?’” McKay said. “No, we need to get back to what we’re really great at.” In the months that followed, McKay met with leadership across BioWare and EA and ultimately decided to reboot the next Dragon Age a second time, pivoting back to single-player."

The choice was obvious in many ways. Anthem had flopped while EA’s Star Wars Jedi: Fallen Order, a single-player action-adventure game, had sold more than 10 million copies, helping prove to the publisher that not all of its games needed to be online. BioWare games were popular because of their focus on character dialogue and player-driven narrative decisions, which did not mesh with multiplayer gaming. “Once we made that decision, a lot of things started to fall into place,” McKay said. In the years that followed, he would go on to consolidate more of the studio’s projects, shutting down an attempt to reboot Anthem and selling off the rights to the online game Star Wars: The Old Republic to a separate studio. The goal, McKay said, was “focus.” BioWare then spent the next three-and-a-half years developing what would become Dragon Age: The Veilguard, the fourth game in the franchise. Out this week, the game has received mostly positive reviews and so far topped charts, although EA has not yet revealed sales numbers. Some things went right during development. McKay said they “had the game end-to-end playable” earlier than any previous BioWare product, allowing them to spend extra time iterating. A reorganization at EA, which split the company into divisions called EA Games and EA Sports, allowed Dragon Age: The Veilguard to receive more support from internal teams that might otherwise be stretched thin, such as research and data insights groups. “That gave us an extra boost in terms of the support and focus from the company,” McKay said. But the development of Dragon Age: The Veilguard still faced plenty of obstacles. The pandemic led BioWare to shift to hiring remotely, which McKay said made for cultural challenges. The game slipped past its original target date, although McKay wouldn’t say how much extra time it needed. “I’m never going to call it a slip,” he said. And it went through significant scope changes over the course of development. Then, last summer, BioWare laid off 50 people, including veterans with decades of experience. McKay told me the reduction, which arrived during a period of widespread layoffs across the video-game industry, “was all about focus at that time.” “When you have a really large team, you’re always compelled to keep everybody busy all the time,” he said. “When you have a smaller team, you have the right people in the right roles at the right time, some incredible momentum is gained at that point.” The stakes are high for the release of Dragon Age: The Veilguard. Fans and pundits have worried that a third failure in a row might have devastating results for BioWare. McKay wouldn’t comment on the specifics of what would make the game a hit in their eyes. But said he has felt supported by EA Entertainment & Technology President Laura Miele. The game is so important to BioWare’s future that the company brought in its second team, which has been incubating a new Mass Effect, to help out during the final stretch of development. The Mass Effect team played a major role in finishing and polishing Dragon Age: The Veilguard. Other companies across EA, such as its Motive studio in Montreal, also supported the game. Now, the company will look to see how players react to the next Dragon Age — and, McKay hopes, “bring BioWare back into the conversation as a top game studio.”

[source]

[zvhiux34]

Touch starved Toji x Reader

•••••••••••••••••••••••••••••••

Since he can remember, Toji never had anyone who really cared about him, the closest thing he had related to attention or some physical contact growing up were when his "relatives" used him as a mean to relieve their anger, giving him punches and slaps most of the time.

But upon becoming a man ended up believing it was the best.

Because helped him grow strong and relentless, he would never need those stupid things that stupid people -as he called them- longed for, limiting himself to the wild life of this profession he had chosen and the brief physical exchange of one night stands with some ramdon chiks he met from time to time.

Toji's eyelids slowly opened while night still reigned, only to find himself lying on your soft chest, he draws a mischievous smile on his face when he remembered the intense session that led you both to end up in this position on the bed the two of you've shared for months, in a room that has witnessed countless of similar scenes between you and him.

Because since he met you, he needed to feel your closeness to fall asleep, seeing himself totally deprived the nights he had to spend away from you for his damn job.

Toji didn't know how empty he was until your presence filled this place.

Being half sleepy, he recalled the first hug you gave him, your body was so close to his he could feel how your body heat soaked into the depths of his being, and he wanted more, much more... And suddenly, he became addicted to the way your hands ran over every part of his body, how you covered his scars with kisses and how after the ecstasy he was still hungry enough to claim more of your kisses and the touch of your skin, and you were always happy to give him what he craved, he diligently rewarded you with the intensity his body could give you, until you two were completely exhausted.

And there came moments like these where calm dominated the atmosphere of the room, and you would draw Toji to rest on your chest while you caressed his hair with the tips of your fingers.

Sometimes, you would kiss his cheeks while praising his performance in whispers, and not necessarily that performance, sometimes you would tell him how a good partner he was to you, and you thanked him for making you feel loved and protected.

And he could not stop being surprised or not believing those words, because he had always imagined himself as a murderer or a destroyer... never as a loving man, but that facet was his natural response to you.

He still wasn't able to admit out loud, but...being in this position... made him feel like a totally defenseless creature under your touch, a being vulnerable to your displays of physical affection.

Ha! He would never have imagined being in this scenario, Toji would have roundly mocked anyone who told him that he would one day find himself in this position.

In the meantime... he could enjoy you in this intimacy that the two of you had built.

He didn't give a damn what the rest of the world might think. It was the last thing he thought as he surrounded you with his strong arms, and gave himself over to sleep again.

•••••••••••••••••••••••••••••••

2024.11.11. Masterlist.

[yongility]

NEO TV # I LIKE ME BETTER WHEN I'M WITH YOU. (jaehyun x reader) 6/?

genre: angst, suggestive, gang au, rich kid au, enemies to lovers (kinda), a lil of fluffy stuff. slowburn, series.

warnings: drug use mentions, gangs, fights, use of weapons, adult language, illegal activities, cheating (not on the main couple), toxic family environment, addictions, manipulation, insecurities, illegal street racing, death mentions. jeno is jaehyun's younger brother, angst, smut and if I slip something my bad haha.

word count: +10k?

a/n: im the worst I KNOW! It's just i kept trying to write this chapter like a million times and it never ended like I wanted to and seeing as I have a language barrier (cuz English isn't my first language if u didn't know haha) I was just being unsatisfied with the chapter, but I force my ass to sit down and write this down so i hope u like it!

Sigh...

Overthinking.

(Y/N) had never been good at not thinking too much. Ever since she was little, she always found herself trapped in her own mind, unraveling every last detail of any situation. Perhaps it came from her mother, who had an almost supernatural ability to turn the smallest into the biggest, the most trivial into something monumental. Her mother sowed doubts where there were none, and every little imperfection became a tragedy in her house. That had marked her way of being, of perceiving the world and, especially, the people around her.

She hated it. But, despite everything, she couldn't help it.

Lying on the bed, her eyes fixed on the white ceiling, she felt how the silence enveloped her, how it pressed on her shoulders, on her chest. A heavy, unbearable silence, like a blanket that drowned her. The thoughts did not cease, on the contrary, they intensified as time progressed, dragging her more and more towards the storm raging inside her.

Five days. Five long and exasperating days.

Since the last time she saw Jaehyun. The last time he'd been at her house at one in the morning, when everything had been so... strange. So full of heavy silences, elusive looks, and something on his face, something she couldn't explain. A look she had never seen before. As if it was charged with something, with a desperation so great that he didn't know how to share it. Something that was far beyond the tension of her argument with Mark Lee. Something dark, hidden in the depths of Jaehyun, that she couldn't quite grasp.

Worst of all, now, five days later, she knew nothing about him. The unanswered calls, the messages delivered but not read. She had tried to contact him so many times, but the frustration was just overflowing her.

What was going on? The uncertainty was worse than any answer she could receive. In her mind, questions swirled like a whirlwind. Was she the cause? Had she done something that had driven him away from her? Why had he left so abruptly after their encounter?

She remembered that night. That last shared moment. It had been so... intense. So close, so intimate. An instant of shared vulnerability that had allowed her to feel that, at last, she was connecting with him in a deeper way. But then he was gone. Without a word. Without a word, without a gesture to indicate that something else might be behind his departure.

Jaehyun's words kept echoing in her mind, over and over again. "You're the one that can keep me on track."

Those words stuck to her skin like an invisible mark. What did they really mean? Was it true what he had said? Was she the one who could keep him focused? She wanted to believe it, wanted to be that person for him. But deep down, a fear was creeping in. Was she just being a distraction for him? Was she simply the release valve, the temporary relief for the anguish he was feeling, only so that later he could lose himself in his own pain again?

Knock. Knock. Knock.

She was confused, she didn't know what to do or what not to do. Should she go find him at Neo Zone? Or just wait for him to decide to show up? But, if Jaehyun decided not to... then what would she do?

Knock. Knock. Knock.

The sound of knocking on the door brought her out of her whirlwind of thoughts. She looked toward the door without moving a muscle, throat tight, stomach twisting. The last thing she wanted was to confront her mother, but the knock was persistent, as if someone had decided to break the silence of her room and force an interaction she didn't want.

But, despite the heaviness she felt inside, she got up. A slow, weary movement, as if she were walking through thick water. When she opened the door, she did not find what she expected, neither her mother, nor the inevitable argument. Instead, there he was.

"Daeho..." she murmured, her voice muffled, as if somehow his presence gave her back something she had lost in those days of constant overthinking.

It really had been a long time since they had last met face to face and to say it wasn't a surprise to her would be a total lie.

"Hey," he said, with a smile that didn't quite light up his face. "Can we just... hang?" he asked, scratching the back of his head as if it were weighing on him.

She nodded without another word, stepping aside for him to pass. As soon as he was through the door, Daeho plopped down on his bed unceremoniously, and (Y/N) mimicked him, lying down next to him quietly. They both stared at the ceiling, engulfed in the same silence that had filled their room before his arrival, though it felt somewhat less empty now.

It had been so long since they had shared a moment like this, a moment of simple companionship. She remembered the years when he had been her best friend, her inseparable companion, the only person she truly trusted within the family. But now, lying next to him, she felt as if she had a stranger by her side, someone who, despite all the shared memories, had fallen into a darkness from which she could no longer rescue him.

Daeho broke the silence, his voice soft but laden with an almost tangible weight. "How have you been?"

"I could be better," she replied, with a sincerity he understood without the need for details. He nodded, without looking at her, and went back to losing himself in the ceiling.

(Y/N) gaze strayed to him, and for the first time in a long time, she looked at him closely. His face seemed to have aged years in just a few months. His skin, paler than usual, was dotted with small imperfections that he once cared for with care. The dark circles under her eyes were deep, and her expression had an air of resignation that hurt to see. He sighed, swallowing the lump he felt in his throat.

It was ironic. The person she had grown up with, with whom she had shared so much, now felt like a stranger. She couldn't remember the exact moment when their friendship had changed, or how they got to this point. It had all happened so subtly, as if the words and gestures that had once bound them together had now lost their power. Perhaps time had eroded all that. Or maybe they simply didn't understand each other in the same way anymore.

A pang of pain shot through her. It wasn't just sadness she felt at seeing him like this, but also a pent-up rage, a helplessness that made her want to scream, to wonder at what point he had reached this point. How had he fallen so low?

Perhaps that moment had been from two years ago, when things had become a little darker in her family environment. When her aunt and uncle seemed unable to stop hurting his self-esteem again and again and again. Maybe it was since that gala when all eyes were on him, judging him, laughing at him, stalking him, waiting for him to make a simple mistake so they could point at him.

So they could tell him that he was not worthy of everything he had around him.

That he couldn't be as good as his father was.

That he was a mere spoiled child who deserved nothing.

Perhaps that was when it dawned on Daeho that he could never live up to the expectations he had to fill.

"Daeho..." she whispered, unable to keep the thought to herself alone. There was something heartbreaking about seeing how her cousin was losing himself, something that reached straight to her heart.

He closed his eyes, as if he knew what was coming, and remained silent, as if everything was in order.

"Why did we end up like this?" the question left his lips without meaning to. And as she uttered it, she felt a surge of pain run through her, as if that simple phrase was a reminder of how far away they were from each other.

Daeho closed his eyes for a few moments, as if trying to find an answer. Finally, he spoke, his voice muffled and distant.

"It's the only time I forget," he said, staring at the ceiling, not daring to look her in the eye. "When I do it, it's like I can stop thinking about everything."

"You're not forgetting," she asserted, "you're destroying yourself."

He let out a bitter laugh. "I don't think I'm doing it any more than they're destroying me," he said, his words hitting her with the force of a fist.

Silence filled the room again. She wanted to react, to scream at him, to convince him that he couldn't go on like this, but the words stuck in her throat. How to tell him that she could see him falling and could do nothing to stop it? How to make him understand that he was killing a part of himself?

"I can't keep watching you destroy yourself," he said at last, his voice trembling.

Daeho fell silent, and she felt a tide of memories rise up inside her. She remembered the years they had shared, the times when he was her refuge and she his, the days when nothing could separate them. Daeho had been more than a cousin; he had been her confidant, her best friend. To see him like this, consumed by something she could neither understand nor control, broke her heart.

"You don't have to," he replied softly, but the intensity of his words hit her hard.

(Y/N) wanted to laugh, a bitter, hurt laugh, but instead, she felt the lump in her throat grow larger.

"You said you'd quit it," she reminded him, almost in a sob.

Daeho turned his head toward her, and their eyes met for the first time that night. The look on his face was so devastated that she (Y/N) wished he hadn't looked at her.

"I can't," he admitted, his voice tinged with desperate honesty. "I've tried so many times, and each time...each time I realize I don't want to give it up. I know it's not what you want to hear, but...I'm in too deep. I don't know how to get out, even if I wanted to."

(Y/N) felt the pain in her chest become almost tangible. Seeing him like this, hearing those words, hurt in a way she could never have imagined.

"Why do things have to be like this?" she asked, feeling a lone tear fall down her cheek.

Daeho sighed, a long, exhausted sigh, and hid answer was so raw it seemed ripped from deep within him. "It's what I chose," he murmured. "It may not have been the best decision, but at least it was mine. It's the only thing I really decided for myself...without someone else telling me what to do, who to be. Even if it was for the worse."

She wanted to understand, wanted to see in his words something that would give her comfort, but she couldn't. She couldn't accept that someone who had once been so important to her had been lost like that.

"Don't let it drag you down," he said suddenly, his voice becoming firm. "I made my choices, (Y/N). But you...you have a life you can still build. I'm already too deep, but you...you have a lot ahead of you."

(Y/N) felt a mixture of anger and pain. She couldn't believe he was capable of telling her that, after all.

"You shouldn't keep seeing Jung Jaehyun," he added, in such a serious tone that it took her by surprise.

She looked at him, incredulous, the pain transforming into icy fury. "Get out of my room," he said, pointing to the door.

Daeho nodded, though not without a final sigh of resignation. "I just needed to tell you."

"Just go," she murmured, turning away from him.

He walked out quietly, leaving her in that loneliness that now seemed so much deeper, with the echo of his words echoing in the empty room.

Jaehyun knew it had been a chain of bad decisions and circumstances that had pushed him this far, but facing it was like tearing his skin off. He couldn't deny the truth: he hated everything around him, and he hated himself more than anyone else. His life, a maelstrom of regrets, had dragged him to this point, and try as he might, he could not escape that bitter mix of rage and hopelessness. Sometimes, in his darkest nights, he wished that everything would vanish into emptiness, that the weight of existing would finally disappear.

He wanted, with every fiber of his being, to close that circle.

"Ah, Jaehyun, always a pleasure to see you," Sooman said, leaning back in his chair with an icy, calculating smile, interlocking his hands with the false familiarity of one who controls the board.

Jaehyun felt the poison burn inside him. Disgust twisted his stomach, and that sneering smile of Sooman's only made his insides boil even more. He loathed the man with an intensity he could almost taste on his tongue. He faked a strained smile.

"I could say the same."

Fake it till you make it.

The thought passed fleetingly, and he tried to cling to it, but the hatred ate him.

"The last time we saw each other wasn't very pleasant," Sooman commented, dropping even more comfortably into his chair, as if enjoying the memory. Jaehyun's jaw immediately tensed. The memories of the beatings were still etched on his skin, and in his memory. Pain. Anger. Shame. All jumbled into a poisonous tangle. "That's why I want to make it up to you with a job."

Jaehyun could barely process that he was sitting there, across from Lee Sooman, listening to his offer, swallowing his disgust. He had heard everything Mark Lee had confessed, every word about the dark side of his boss that seemed to have no end. Deep down, all Jaehyun wanted was to make him pay, to see him suffer as he had seen his father, his Uncle Dong, Winwin suffer. Each of them had felt Sooman's merciless fist in their lives, and he was the last piece to fall.

Everything in him screamed to break the balance, to let the anger out. He wanted peace, but at the same time, he wanted to destroy everything.

The tension in Jaehyun's body increased. Make it up to him? The word felt like a taunt, but his voice was controlled, cold.

"What's this about?" asked Jaehyun, exhaling a sigh, as if by releasing the air he could release some of the weight in his chest.

Sooman smiled, with twisted satisfaction, and pulled his chair closer to the desk. "You see, in three weeks I have a trade. Trouble is, I don't want to, nor do I plan to, do it alone. I could take Cheol Uk with me, but I'd rather have him stay here, on this side of the pond...in case things get complicated," he explained, crossing his arms with the arrogant assurance of one who knows he controls all the strings. "And I think you'd be perfect company."

"What kind of exchange?" asked Jaehyun, though deep down he already sensed the answer.

"Weapons."

The shock of that word fell on him like a brick, a weight he couldn't shake. Jaehyun felt his body stiffen. He'd been in dangerous situations before, he'd played with fire and survived, he was a dealer in Neo Zone. But he knew that accepting that would mean crossing an invisible and final line. He would be transformed into someone even more embroiled in the chaos of the gang, with his hands stained with something he could never wash off.

It was hard to resist, but it was just as hard to accept.

"It'll be quick," Sooman continued, studying Jaehyun's every gesture like a predator watching its prey. "Just outside the city. If all goes well, it won't take more than an hour." he noticed the tension in Jaehyun's gaze, the hesitation he was struggling to keep hidden, and leaned toward him slightly. "I'm asking you because I trust you."

The words fell like a taunt. Jaehyun felt his blood boil, how his skin almost throbbed from pent up rage. His right hand clenched into a fist on his leg, trying to restrain the urge to get up and smash something, anything that would allow him to release what was burning inside him. How dare Sooman speak of trust, to pretend there was anything sincere between them? After all the damage he had sown around him?

But what choice did he have left? Deep down, Sooman's control was absolute.

"What's the pay?"

"Enough to cover six months of your friend's rehab," Sooman replied, his eyes locking on Jaehyun's, pressing right where he knew it hurt.

The mention of rehab was the final piece that fell, sealing his fate. Above all else, he needed the money. Above all else, there was someone else needing to get out of hell, and he couldn't let it drop. He closed his eyes for a moment, swallowing the pain that mingled with anger and despair.

"I'll do it."

"I knew you wouldn't fail me," Sooman replied, satisfied, with a smile that seemed tainted with venom. "You are just like your father. My trust is in you, Jaehyun."

Jaehyun nodded, feeling the knot in his chest tighten, choking him.

Fake it till you make it.

Roll on, light it up, inhale, exhale.

Roll on, inhale, exhale.

Inhale... exhale.

Inhale.

One, two... three.

Exhale.

Jaehyun coughed loudly as he passed the joint to Lucas, who with shrunken, red eyes took it in his hands without hesitation, taking a puff to hold the smoke in his lungs for a few seconds and slowly draw it out.

In front of them was the panoramic view of SM City, the prominent lights of the northern area made the southern area look small, even though from a distance they didn't seem to be so far apart... so different.

If only that were the case.

"You know you don't have to do it," Lucas muttered, exhaling one last puff of smoke before dropping the cigarette to the ground and crushing it with the toe of his shoe. His gaze, fixed on the ground, hid the trace of worry in his eyes.

Jaehyun continued to stare at the lights of the city, each bright spot fading into the distance, like the possibilities he once had and now seemed to be extinguished. His voice came out almost as a whisper, broken and strained. "It's six months of treatment, Lucas. "Winwin... Winwin has started to move his hand. It's a little acomplishment, I know. But it's a step, and I can't... I can't let that stop now." Each word was an effort, a confession that, deep down, that small breakthrough gave him a hope that felt forbidden in his life.

Lucas was silent for a few seconds, watching Jaehyun's profile, his rigid posture and the shadow of weariness in his gaze. "I thought you didn't want to do anything related to Sooman."

Jaehyun swallowed saliva. He thought so too. He had tried to escape Sooman's influence, that world that brought only destruction, but reality always caught up with him. He shoved his hands into his jacket pockets and sketched a bitter smile, one that barely disguised the lump forming in his throat.

"I thought so too, but you and Mark have said so, haven't you? If I try to do anything about it, not a week goes by before I'm found with a bullet in my head." His voice cracked in bitterness. "Tell me, what other choice do I have?"

Lucas let out a deep sigh, as if searching for the words amidst a cloud of dark thoughts. Then his voice was firm and determined. "I'll do it."

Jaehyun turned his head in surprise and looked directly at him. His eyes, reddened with fatigue and smoke, met his friend's. Then he let out a dry laugh, without a hint of mirth, and patted him on the back.

"Jaehyun." The name left Lucas' lips grimly, stopping him in his tracks. "I know we've said all our lives that the only one who had a chance of getting out of this shit was Winwin...but we know he's not the only one. Maybe I'm not smart enough, but I know you are. You could go to college, get away from all this. You're good at math, you're good at sports... You've got something out there, something worth more than I could ever have." Lucas looked at him with almost desperate seriousness. "Let me make the trade for you. You've got a lot more to lose."

His friend's words hit him like a truth he had tried to ignore. He pondered them silently, letting each one settle in his mind. He appreciated Lucas' attempt, his desperate proposal to sacrifice his own life to protect him, but he knew he could not allow it.

With an effort, he kept his voice steady, even though he felt each word plunging him deeper into his own emptiness. "I appreciate your... nobility, dude. But I will not let you risk your life to save mine. That's not something I can accept."

Lucas exhaled sharply, frustrated. His words came out cutting, in a last-ditch attempt to talk some sense into him. "Do you want to end up like your father, like Uncle Dong?" The mention of both names made Jaehyun tense, his fists clenching tightly until his knuckles turned white.

Jaehyun didn't respond. He turned around and started walking towards his car, trying to stifle the anger and pain boiling inside him. He could hear Luke's footsteps following him, the echoes of his words echoing in his head.

"We know I'll end up like that someday..." he muttered, without turning around. The resignation in his voice was a shock to both him and his friend.

But then, Lucas said something that forced him to stop, "What about (Y/N)?"

The name made his whole body freeze, (Y/N). He could see her in his mind, feel the warmth of her laughter, the twinkle in her eyes. She was the only light in the midst of his darkness, the only memory he dared to cherish in his loneliest moments. Inside him, where no one else could see him, was where he allowed her to exist, a longing he would never dare to confess.

"There is nothing with her." His voice was a harsh whisper, as if in saying it he was tearing out a piece of himself. He didn't even turn, just let it escape into the wind. "There can't be."

"I thought you were having something," Lucas confessed, stepping closer to stand in front of him, forcing him to look at him. "Maybe you can't see it, but anyone would notice. You don't have to say it, Jaehyun. It shows in your eyes every time you talk about her. You want something with her, anything. You're going to risk that by getting more into this shit?" Lucas waved his hand, almost unable to control himself. "We were doing relatively well selling those packages. At least we could pay for Winwin's treatment. But now... Weapons? What will they ask you to do next? Assaults? Robberies?" his voice deepened, and Jaehyun noticed the fear in his eyes. "Kills? Do you think (Y/N) would want to see you in that hell?"

Jaehyun closed his eyes and took a breath. Lucas' words drilled into him, burned inside him, but he couldn't accept them. He couldn't accept a possibility that he knew would end up hurting (Y/N).

Finally, he opened his eyes and looked at Lucas directly, with a forced coldness that tried to hide the storm inside him. "And what do you want me to do, Lucas? She doesn't deserve a life like mine. She needs to be away from all this...away from me. I could only drag her into this hole from which there is no way out." The words came out fast, almost angrily, but at the end his voice cracked. "I can't offer her anything, do you understand? Nothing worthwhile."

Lucas lowered his gaze, but his voice still reflected desperation to save him. "But you have something to offer, Jaehyun. Your life. A life that can still go somewhere, that can be something different." She looked at him pleadingly. "Don't make the trade. Don't get yourself into this anymore. You have a way out, even if you don't want to see it."

Jaehyun's decision was like a stone inside him, a sinking certainty, but it was the only thing that gave him stability at the moment. He averted his gaze to the city lights and quietly sealed his fate.

"I have to do it." The determination in his voice was unwavering. "It's already decided."

Lucas watched him silently, with a sadness so deep it was almost palpable. He knew, deep inside him, that he was losing another friend. The night closed in around them and under the stars, as the lights of the city shone in the distance, he knew that, in some sense, he had already lost his friend.

When (Y/N) got out of Jungwoo's car, the roars of the engines echoed in her ears, but despite the noise, her mind was somewhere else, anchored in a memory. The first time she set foot in Neo Zone, it had been a curiosity, an adventure she didn't fully understand. Now, that same place seemed just as intimidating, but different. This time she was not an outsider spectator. This time, she was there for him.

People's gazes were instantly fixed on her. Some with curiosity, others with disdain. The gleam in her eyes was not the same as those of the "normals" around her in her world. No, here the gazes were sharper, like knives, trying to strip her of her essence, her privilege. She felt out of place, and though in some corner of her mind she knew she would never be part of this world, at that moment all she cared about was finding him. Jaehyun.

The lights of the cars reflected the tense and charged atmosphere of the race track, where the local gangs came to show off their cars and gamble more than they should. She knew what she was up against, and if she had learned anything over the past few months, it was that, in that place, the rules were few, but fierce.

So she wasn't surprised when a familiar and unpleasant face emerged from the crowd. Chris, with that sly grin, who always seemed to have a second purpose behind every word.

"Well, look what we have here," he said, his voice laden with derision. "After Johnny's party, I didn't expect you to be one od Jaehyun's toys."

( Y/N) tried to keep her cool, her body rigid and her gaze steady. There was something about that guy that always made her feel small, as if his words were thorns thrown on purpose. But she had no time for games now. She wasn't here to confront Chris, only to find Jaehyun. "Let me through, Chris," she said, her voice cold, firm.

But he didn't let her go so easily. He stepped between her and the pass, and his hand brazenly strayed to her waist. A touch she didn't ask for, a brush she didn't want.

"Oh no, baby," he said, his tone low, like a challenge. "I think you owe me a debt for that punch you gave me, remember?"

( Y/N) she felt irritation bubbling inside her, but she wasn't going to lose her composure. Not here, not now. But she wasn't going to give in either. "Let go of me, or I swear I'll hit you again," she retorted, pushing lightly against his chest, hands firm. It wasn't what she wanted, but it was what she had to do. She wasn't going to let Chris touch her.

Chris laughed, but it wasn't a genuine laugh. It was mocking, calculating, as if he enjoyed the power he thought he had over her. "Can you imagine what Jaehyun will think when he sees me with one of his toys?" The malice in his voice left no room for doubt. He knew what he was doing, and he knew he had something he could use against her.

( Y/N) didn't answer right away. Her gaze wandered, searching through the crowd, and there, like a magnet, she found him. Jaehyun. He was far away, but she could feel the intensity of his gaze, the weight of his presence. And it wasn't just any glimpse, no. She knew she had seen him. His posture was rigid, his face annoyed, his eyes burning with a silent fire.

"Turn around to find out for yourself," Jaehyun said, his deep voice cutting through the air. It was not a suggestion. It was an order, firm, authoritative. At that moment, the threat was clear. "Let her go and get the fuck out of herr if you don't want that fucking smile wiped off your face. Remember, you're in my zone."

Chris hesitated for a second, then let go of (Y/N), as if Jaehyun's presence was a steel wall repelling him. Looking at Jaehyun as if he would challenge him, but knowing that this was not his territory. Jaehyun's area, yes, but not his.

Before walking away, however, he couldn't help but throw one last malice-laden glance towards (Y/N). "Call me when you get tired of him, gorgeous," he said venomously, not caring that his words were only empty provocation.

When Chris finally disappeared into the crowd, (Y/N) didn't hesitate for a second. He walked straight towards Jaehyun, until she was right behind him, the sound of his footsteps drowned out by the bustle of the arena. Feeling his presence so close gave her a strange sense of calm, but also aroused an uneasiness she didn't know how to handle.

Jaehyun turned slowly toward her. His expression was hard to read, but the frustration was evident. As always, he was trying to maintain control, but he couldn't hide the annoyance. In one swift movement, he grabbed her wrist, holding it firmly, forcing her to look him in the eye.

"What the fuck are you doing here?" he asked, anger tinged with palpable discomfort. His tone was low, dangerous. He wasn't saying it out loud for all to hear, but it was as if his words cut through the air between them.

( Y/N) felt a knot in her stomach. The worry, the confusion, the need to explain herself, but also the frustration of knowing that she had no right to be there, that this world was not hers. However, she could not lie. "I was looking for you," she said, without thinking, without fear of what that might mean.

"You weren't answering my calls. I wanted to know how you were..." she confessed, feeling Jaehyun pull her gently through the crowd to get her away from the people.

Finally, after pushing through the sea of people, they found themselves in a quieter corner. Jaehyun let go of her hand and turned to face her.

It was at that moment that he saw the pain reflected in her eyes. The girl, her gaze fixed on him, fiddled nervously with her fingers, as if trying to calm her anxiety.

"(Y/N), I'm fine. You didn't have to come and get into this," he told her in a low voice.

"You could have answered my calls," she demanded, her voice strained. "I didn't know how you were after what happened at my house almost a week ago."

Jaehyun looked her straight in the eye and slowly denied.

"That night I shouldn't have gone to your house."

What...?

"What are you talking about, Jaehyun?" she asked, almost in a whisper, surprised by those words.

Because deep down he knew he was right. That night he shouldn't have crossed that line, shouldn't have sought comfort from her, shouldn't have allowed the girl to sneak into his head and heart like that. He should not have allowed the closeness between them to make him vulnerable.

He shouldn't have thought he deserved something like that.

Because he didn't. He never would.

"Why is it that every time we seem to be moving forward, you decide to pull back?" she asked him, her voice breaking.

"Because there shouldn't be an us, (Y/N)," Jaehyun replied, serious, as if the words hurt him as much as they hurt her. "And you know it."

She tried to process what she had just heard, but her mind was still spinning, entwined with thoughts that wouldn't leave her alone. Coming here, meeting him...it had all been a whirlwind. Her cousin's words that morning still echoed in her mind.

That was not what she had expected to hear from Jaehyun.

"No, Jaehyun. I don't know," she said, frustrated, her eyes flashing with a mixture of confusion and anger. "All I know is that there's something inside me that binds me to you. I always end up looking for something in you, something I don't understand. And the least I understand is that you somehow get close and then walk away like it's nothing."

She moved closer to him and, with a trembling finger, pressed it against his chest, accusingly.

"If I walk away it's because you don't need this life, (Y/N)," he told her, with a painful tenderness in his voice. "I can't give you the life you want."

"I'm not asking you for anything extraordinary, Jaehyun," she replied, almost begging for him to understand. "I'm not asking you for more than what we already are."

Jaehyun looked at her, searching her eyes as if he wanted her to understand something beyond words. With the distance between them so short that their breaths were intertwined, he continued with a sigh.

"But look at me, (Y/N), look at us," he said softly. "I'll never be able to offer you the life you're used to. And I don't want you to get used to mine, because it's not something you deserve." Her voice deepened. "You don't know what it's like to live with necessities, without luxuries. It's not something I can ask you to change or sacrifice for me."

She bit her lower lip, trying to take in what she had just heard.

She was silent for a few seconds, biting her lower lip as her mind tried to process every word Jaehyun had just said. Her chest felt tight, as if his words were a weight on her, an uncomfortable truth that hurt, but one she knew she couldn't ignore.

Jaehyun closed his eyes.

"No, I don't," she finally admitted, looking down at the floor. "I don't know what it's like to live with those hardships..."

Silence fell between them again. The distant murmur of people seemed to grow farther and farther away, as if the world around them was fading away.

"(Y/N), you deserve better than this. Something more... something more stable. I can't be that something for you," Jaehyun said, his voice trembling for an instant.

She realized what he meant. She knew it wasn't just about the material. She knew that what Jaehyun was telling her went beyond external difficulties. He didn't want to be a risk to her, didn't want her life to be dragged down by the uncertainty, by the confusion he himself felt.

"And yet... I can't stop looking for you," she murmured, with a sad, almost defeated smile. "I don't understand what's wrong with me, Jaehyun. I don't understand why everything seems clearer when I'm around you, but then it blurs, it becomes all so confusing."

Jaehyun watched her, unable to find the right words. All he knew was that there was an undeniable connection between them, something even he couldn't explain. But, at the same time, he couldn't deny the fear he felt that this connection would drag them into something neither of them could control.

"I'm sorry," he finally said, his words sounding almost like an apology to himself. "I really am sorry."

She stared at him, as if she expected him to say something else, something that might make sense of everything she felt. But he didn't. Instead, the air between them was filled with a quiet awkwardness.

"So what do we do now?" she asked, voice cracking, but determined not to give up.

Jaehyun took a deep breath, staring ahead as if searching for some answer in the void. "I don't know. But I need you to understand that I don't want to hurt you. I don't want you to end up trapped in my world..."

She denied slowly, not looking away. "So is that it, then, we're just going to keep taking a step forward and then step back? Is that what you want?"

"It's not that," Jaehyun replied, somewhat at a loss. "It's just that I can't offer you what you deserve."

"What about what I want?" she said, on an impulse that surprised her. "Because all I want...is to be with you."

Her words hit him hard. Jaehyun couldn't say he felt the same way, not in the same way. But he couldn't help but think that, maybe, if they both allowed themselves to take that leap... maybe things could be different.

"I'm telling you that I can't give you what you want," he repeated, now with a slight desperation in his tone. "And yet, I feel like I can't walk away from you."

She looked at him silently for a few seconds, trying to find some answer that wouldn't leave her more confused. Finally, she took a step back, letting the air between them grow colder.

"So... what do we do, Jaehyun?" she asked, her voice barely a whisper. "Because I don't know if I can keep waiting for something I don't know if it's coming."

Jaehyun looked at her, his heart pounding. He could see the pain in her eyes, and it broke him inside. But at the same time, he knew he couldn't drag her down with him, couldn't ask her to settle for something he couldn't offer.

"The only thing I can do now...is tell you the truth," he said, almost breathlessly. "I'm not going to drag you into my life without you knowing what you're getting into."

She stood still, staring at the floor, as if processing every word. An invisible weight seemed to fall on her shoulders, and though her thoughts were chaotic, a small part of her knew she had to make a decision.

"So, you decide for me?" she asked, raising her head, her eyes filled with a mixture of frustration and sadness.

Jaehyun said nothing. His silence was answer enough.

Finally, Jaehyun, his throat tightening, slowly pulled away, knowing that any further attempts to get closer would only cause more pain. "I'm sorry," he said one last time, almost as a whisper, and took a step back.

And (Y/N) watched him walk away, her heart heavy, knowing there was nothing more to do. She stood alone in that dark corner of Neo Zone, with the noise of the engines rumbling around her, like a distant echo of the emotional storm she had just experienced.

a/n: I hope you liked even though in took me weeeeeeks to post hahaha, love y'all! NOT PROOFREAD! I’ve been sitting down like 4 hours trying to come with the chapter so now I’ll go to sleep 😴.

taglist is open! if you want to be added just lemme know;)

taglist: @spicyryujin @daegalismybiasinnct @peachfulnight @gojoscumslut @bluedbliss @dear-97 @girlwholovespreppyattire @hana-off-icial @cigarettesafterjae @beomgyusonlywife @bts-iris @doejaejung @methneo @kriizztin @mrsuhnshine @pieddpiperr (idk why some of the tags just don’t work out!)

If you want to ask me something, feel free to send them!

[vidavalor]

<<In the book, it was the other way around. It was Adam who gave THEM a speech. The only difference their presence made was for their own personal growth.>>

In the series, the rationale behind this is still kind of there, even if they gave Crowley & Aziraphale more to do in stopping Armageddon. Adam in S1 remains the one who gets it by the S1 finale. His "I've got all the world I need" is the entire ballgame of the series. They have Adam say it more directly to Gabriel and Beez, instead, though, because that's how the story is able to continue past S1 and go more in depths with its themes. It's Gabriel and Beez who ultimately realize that Adam was right and that sets up a S2 of them rebelling against Heaven that leads into The Finale.

<<that personal growth was actually all about accepting that the fate of the Earth is not theirs to shape.>>

If you mean this in terms of they don't have to deal with the whole world themselves because they are just individual people then I agree with you but I feel like it's more like their growth is accepting that we all contribute to the fate of the Earth everyday by accepting that what is within our control is our own, individual worlds. The whole planet isn't our individual responsibilities-- and therein lies madness because you cannot control what happens-- but we can control ourselves and we can help those around us and live as best as we can to reflect the world we want to live in.

If enough of us avoid our own personal armageddons, we stop Armageddon.

<<Any ending to the story that can feel true to me - official or not, I honestly don't care - should lead them to that place, the same one they were at the end of the book, but where the S1 finale indeed failed to take them.>>

It will. The end of S1 was designed to have enough of an ending that it'd work if they didn't end up making a S2 but also only as the first third of a longer story as well. Even if Adam had given that speech from the book to Crowley and Aziraphale more directly in S1, they wouldn't have been in a place for it, especially Aziraphale. That's the whole rest of the story so they pulled back from it in the S1 finale but it's all heading there in The Finale because everything since has been building towards it, imho.

I find it really funny that people think that Crowley and Aziraphale have to personally stop Armageddon: Round Two in The Finale and have this really long and involved plot to do so. Armageddon: Round One was stopped in about eight minutes by a quartet of eleven year olds. Crowley and Aziraphale were also there, I suppose...

Crowley and Aziraphale's entire contribution was to roll in out of nowhere with four seconds to spare and be like "You, Antichrist Kid! Your bio-dad is literally The Devil and he's coming soon so think quick!" and then cheer Adam on. They both made it to Tadfield separately on a wing and a prayer at the last possible minute and their role was basically GO TEAM!!! while The Them actually saved the day. Newt did more to stop Armageddon: Round One than Crowley and Aziraphale did.

Yeah, that could be different in The Finale but I'd still wager that it's more likely that Crowley and Aziraphale are more the motivation that inspires the supporting characters to take more direct action than that they're the ones who take out Satan and The Metatron and save the world directly themselves. Their role is inspiring the other characters to see that a different world is possible and supporting them as they do. They've actually done a lot of that work already.

S2 seemed like it was setting up for this a bit. Uriel's refusal to kill Maggie and Nina and support of Gabriel in 2.06 indicates she's on our main characters' sides now. Jim + Team vs. Satan seems likely after the suggestion in S2 that Gabriel is the only one who Satan is afraid of, since they have equal power. And you know who I bet is going be the one who deals some extreme sanctions to The Metatron? Michael. I don't think she's going to take finding out that it's all been a sham very well. Plus? She is the duty officer. 😂

There's going to be plenty of time for Crowley and Aziraphale to reunite because the story really works out in spite of--and kind of because of-- the stuff they've fucked up, not because of the stuff they do particularly well. I think this will be true in The Finale, too:

[jamiepaige]

Constant Companions Closeup #2: NOT QUITE THERE

(also on spotify!)

b-b-back once again

Round two of the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was track one, Dyad - today is track two, Not Quite There, featuring the incomparable telebasher!

This one's a bit of a dark horse relative to the rest of the album, but it may very well be my personal favorite song on the entire thing so dammit let's Yap

---

For the uninitiated, this song pulls heavily from a song off my previous album called Gummyworm, both in vibe and by very directly quoting its synth motif.

Both of these songs deal with two sides of the same emotional coin. I actually don't want to go into too much detail about it - I feel like the lyrics spell things out clearly enough - but I will say this:

When it's all you know, it's easy to believe that a love that isolates you, a love that doesn't respect you, a love that hurts is better than no love at all.

You deserve better. There are always people who genuinely want what's best for you, who want you to feel truly loved. It certainly isn't always easy - it's genuinely good if your interpersonal relationships have a little friction sometimes - but love should make your life brighter.

You deserve a love that's fair.

---

The original version of this song was actually intended to be on Bittersweet alongside Gummyworm. The original concept for that album had a whole heady concept involving duality, songs reflecting each other, the two halves basically being reprisals of each other... Ultimately, I'm glad I scrapped that idea, because it was waaaaaay too much for me to manage after a couple years of barely making music. Maybe I'll revisit it someday though?

The drums on this song are sampled from an Instagram post by Louis Cole, where he's doing this crazy one-handed hi-hat blast by holding a drumstick sideways. I'm a drummer and that shit genuinely scares me a little like i dont know how he does half the things he does its fucked BUT. I bring this up because he's one of my biggest inspirations as a musician! I'm really big on jazz in general, in case my love for spicy chords wasn't enough of an indication, but his specific brand of freaky hyperactive bullshit just does it for me.

Seriously, go watch his band KNOWER play their song Overtime. Absolutely insane performances across the board. also Clown Core

This whole song is really just my attempt at matching some of that hectic jazzy energy with my own style of music, so I figured it only made sense to make it another collab with another musician making delightfully frantic jazz bullshit - the legend herself, telebasher! I really am such a massive fan of her work, and I struggle to think of anyone who plays guitar quite like she does. We previously worked together on another Bittersweet track, Asemic Speech, and her guitar work is a major reason why that song is still one of my favorite I've ever released!! She's just built different like listen to this oh my god!!!!

Lastly, since this song was one of the first written for this entire project... it is admittedly a case of me shoehorning the album's leitmotif in after the fact. It's a little forced when it shows up in the backing vocals! But, the choir of vocal synths during the guitar solo served an additional purpose - my own voice doesn't show up on the album again for another four entire songs, and this would've otherwise been the only song on the entire album that didn't feature any vocal synths. Thus did I attempt to bridge the gap, as it were. Hopefully it makes the final product feel more natural!!

Either way, that's all for today's post.... i think.... which means that tomorrow.... we're gonna rot.... for clout

[disaster-j]

The interesting thing that I'm sure the show itself won't explore is how deeply Buck's comfort in his newfound sexuality was rooted in Tommy

From the get-go his crises about it were subdued bc of how distracted he was by the sheer depth of his attraction to this man. And having Tommy at his side, so confident and so comfortable in his queerness made Buck feel so good about his own. He didn't think about the fact that he likes men in general bc he was too busy relishing in The Guy He Likes Liking Him Back.

And now that's gone.

He can't distract himself with his feelings for Tommy. The warmth of that relationship can no longer ward away the cold reality of coming to grips with the idea that your sense of self has shifted so drastically, of facing the fact that too many people in this world don't think you have the right to exist.

We caught a glimpse of that apprehension and fear that Buck didn't even know he had living inside him during that first date. And this whole time Buck has been able to suppress it bc he had this incredible man next to him who had gone through hell and back in order to be so secure in his sexuality and Buck could shroud himself in the glow of his bf's confidence and the sense of safety he brought on and be comfortable.

But now?

Now he has to actually look inwards and discover himself in light of his bisexuality and he has to do it all alone and gods it would be so interesting to see him explore it but alas...