#how long is this ah man

[astronicht]

Hi I hope this isn't presumptuous, but so, that post you made about Tolkien making the lads leave their weapons outside the hall and CS Lewis thinking the hall was gonna get burned down by a lady who also wanted to kill herself... what's the historical precedent for that? Is there a trope in medieval lit where people like... do that? I ask because uh. I am obsessed with Children of Hurin and there's a scene where that like, happens. And I'm obsessed with that scene, and would love to know if there's like, cultural/mythic context that would enrich my knowledge!

OH BOY, sorry I'm getting to this late, it's been uhhh a summer, but one, this is a very good question!! And two, yes there is absolutely precedent, particularly in early medieval literature, and high medieval literature set in the early medieval (circa 500-1100 AD) past. I'll let someone else debate how often people actually historically locked their enemies into a hall and burned them, but especially in Old Norse literature (and if Fellowship felt like it leaned a little more on Old English literature, Two Towers, where Eowyn appears, felt a little more Old Norse) this is common. Off the top of my head, you've got many Icelandic family feuds ending in burning the whole family in their hall, like Njal's Saga (Old Norse), Attila the Hun dramas (yeah he's a big guy in the burning halls circuit, but actually not in the way you might expect) like his cameos in Volsung Saga (Old Norse) and Nibelungelied (Middle High German), and my vague recollection of a few Irish and Welsh versions that no search engine is giving up for me right now.

This, predictably, got long and slightly off topic.

Disclaimer: As usual, I should say I come from an Old English-centric background, and Old English literature is actually notable among all its neighbors for not burning down too many halls. Second disclaimer, all links are not proper citations, they just go to wiki.

Hall-burning in literature is, to my understanding, part of the concerns of a few early medieval cultures in which revenge is not only expected but in many cases legally reinforced and codified, and one in which conflicts could spiral to engulf -- figuratively, or literally and in flames -- entire families. Many medieval Icelandic sagas are focused on this exact type of destruction of whole families or friendship/community units. Most relevant of these to Eowyn, Two Towers, and the vibes of Edoras (since alas I am only partway into RotK and can't speak to Children of Hurin yet!) is Volsung Saga, which is set on the Continent, not Iceland, and actually has to do with Attila the Hun. As mentioned before, an incredible amount of stuff turns out to have to do with Attila. We will come back to him!

So, on the particular post you're talking about, a few people iirc have replied pointing out that the hall in TT is clearly supposed to be based on a hall from Old English literature, namely the hall in Beowulf, which famously did not actually get burnt down. And that's all true! I was not posting with much nuance; I was mostly having a joke at the expense of CS Lewis. However, I was also referencing a very very common trope in Old Norse/early medieval stories, and I personally think JRR was as well (AND I think Beowulf was also very consciously referencing the exact same motif anyway) (no one has to agree with me, a tumblr blog, on any of these points).

The thing about the hall when our heroes approach is that the scariest damn thing in that hall is Eowyn. Certainly not every hall-burning story requires a woman with no other recourse to set the fire (in fact, the "warrior band approaches unknown hall which might have a grudge against them" is a trope that can get you killed in a pretty homosocial environment, as I guess Aragorn at least was aware, being a big reader). Still, the presence of a woman who is swiftly running out of options does fit what I'd consider one of the or perhaps The best known version of the early medieval burning hall trope: Gudrun, who shows up in at least a dozen different texts in both the Scandinavian and the German language traditions, including Volsung Saga, a text which itself often gets paraded around as the basis of lotr (which I'm sure it is, in that JRR appears to have simply and very fairly based lotr on every piece of early medieval vernacular literature I can think of).

In a portion of Gudrun's story (which of course changes a bit in each retelling), after her first marriage she is unhappily married to Atli, who is none other than our main man Attila the Hun. After Attila kills her brothers for reasons (in one version, her father), seeing no other way to take the necessary revenge and no other way out, she kills the two sons she had by him, serves them to Attila for dinner, has Attila killed, and then sets fire to the hall with everyone in it. After this, she attempts to drown herself.

The self-destruction of this act is a really important beat, and has only gotten more-so as a comparison to Eowyn the further I've read into RotK (currently, I'm at the houses of healing after merry and eowyn take on the witch king). It's a lot clearer in the book than the films, for me, that Eowyn going off to battle was not so a straightforward empowering and/or freeing move, despite allowing her some agency, but more the one path she saw as available to her with which to die with honor (which was pretty much exactly what Gudrun was facing as well). Like Gudrun, whose first husband was a great hero but has died, Eowyn's romantic choice is a hero who is presumed dead (sorry Aragorn they did Not believe in your ghost skills). In fact, in some versions Gudrun does put on armor and fight with her brothers before they're killed. She kills Attila with her own hand, with the help of another man who needs to avenge a blood feud against Attila.

So while Eowyn didn't get forced into marriage to Attila Wormtongue (with apologies to both historical Attila and that one historical skald also called Wormtongue who was reportedly hot) and burn the whole place down, she's still trapped, and like Gudrun chooses destruction alongside her household.

Reading her arc feels so much like watching Tolkien write a fix-it for Gudrun. What if she got this one little chance, and this one other little chance, and this one more -- tiny little shifts in the narrative that allow her to get out, and not through fire, and not through death.

Anyway, this got away from me. I hope it added some context to the Children of Hurin arson case! Thanks for the ask

[powdermelonkeg]

Personal headcanons for Gale's tower layout:

5F: An astronomical observatory with an orrery in it. The stardome is enchanted to reflect whatever sky and weather Gale wishes; if he wants to see the stars in Kythorn, that's what it shows him. If he wants rainy weather to read to, guess what. The stars reflect whatever position the orrery's been set to. There's a walkable ledge around the exterior of the roof for Tara's pigeon-hunting.

4F: A portal room, surrounded by three guest bedrooms and a bathroom. The bedrooms are themed: one smells like a sea breeze and faces the harbor, colored with sunset shades with gold accents, one smells like rose potpourri and fresh grass, mostly pastel purple with brass, one smells faintly spiced, deep maroon and bronze. Morena prefers the rose one. Each one comes equipped with a vanity that has three (magic) mirrors, a wardrobe that removes wrinkles and stains of anything hung in it and repairs minor stitches, a set of candles that never burn down their wicks, and curtains that, when drawn, enact a silent barrier around the room. The floors are polished hardwood with plush, patterned carpets. The bathroom is self-cleaning, has running water on command, whatever temp you want it, warms towels for you, and has a magic mirror (magic mirrors in my headcanon show hairstyles and things you WANT to try before you actually try them out).

3F: Gale's floor. His bedroom, a walk-in closet, a room for Tara, and a personal bathroom. Gale's bedroom has silence-spelled drapes, glowing crystal sconces he can dim with a wave, a desk, a large canopy bed (the one he summons during his last night in Act II), a small bookshelf for whatever he's currently reading that doubles as his nightstand, and a plush window seat. The walk-in closet is neatly sorted, with everything from travel robes to finery to wear to the annual Blackstaff Ball, and has the same enchantments in it as the guest room wardrobes, with the added effect of making anything put in it inexplicably smell like a library. His bathroom is just like the guest ones, but larger. The bathtub inside, when activated, always assumes he wants his bath piping hot and lavender-scented. Tara's room is smaller, but fully designed for her little cat body. Scratching posts, cat-sized perches and comfy cat towers, and a little bookcase and window seat of her own. She keeps her space VERY neat, in contrast to Gale's "organized chaos" sort of living.

2F: This is the floor we see in Gale's Act II illusion. The packed library, the messy desk, the private study, the balcony... He sorts his books by topic, then by date rather than author. Tara is appalled by it. The balcony has a minor enchantment to keep weather, pigeons, and seagulls off of it. Tara is upset at the lack of birds; it's SUCH a cozy napping spot, and you're going to take away her free breakfast, too? Gale's compromise was the 5th floor's walkable ledge, which is a prime pigeon-hunting perch.

1F: The entry floor. It's got a sitting room to entertain guests with, and a large, well-kitted kitchen. The dishwashing basin does the washing for Gale. On the wall in the sitting room, there are two notable paintings: one is of young, 10-year-old Gale in a cape, standing proudly with both his parents and holding his first-ever proper wizard staff. He's TRYING to have Tara on his shoulders, he insisted, but she's just too big, so he's wound up leaning forward where she awkwardly perches on his back. He has a snaggle tooth. The other painting is of a much older Gale, dressed finely and standing with his mother, smiling. It was made before he got the beard, so he looks a decent bit younger than he is. Tara is wrapped around Morena's shoulders like one of those feather boas, but she's headbutting Gale's shoulder affectionately.

B1: Gale's wine cellar and well-stocked pantry. He collects all kinds of wines from all over Faerûn, usually getting them from merchants that pass through Waterdeep, but he's not opposed to cracking open an expensive vintage with the right company. There's a locked cabinet labeled "in case of Elminster" that contains some cheeses and wine to offer the older wizard, that way Elminster doesn't raid Gale's pantry when he's not looking. If you don't feed Elminster, he WILL feed himself at your expense.

B2: Gale's spell workshop, scroll storage, alchemy lab, and vault. Gale's not especially well-versed in alchemy (I think Wyll's got dibs on that, personally), but he DOES mix himself up some Arcane Cultivation elixirs from time to time. And if a potion recipe intrigues him enough, he likes to have a place on hand to try things out. The vault is well-guarded with spells, but, sadly, pretty empty; it just has his savings there now, where once it held all sorts of enchanted items he'd picked up through his studies and younger adventuring days.

An additional note: Tara has perches all throughout the house, on every floor, basically anywhere Gale spends a lot of time doing things. The cushions that are hers are magically heated and smell like tea and mint.

[askthestans]

Ford, are you aware your brother has 10 guns hidden around the shack?

Stanley: Shh, don't let Poindexter overhear ya! He's gonna kill me if he finds out-

Stanford: *Walking into the room, preoccupied with a demonic owl chick of some sort that's currently sleeping in his hair.* Ah, Stan, I see you're answering another ask from our blog. What's this one about?

Stanley: N-nothin'! *Switches to another internet tab quick.* Nothin' at all, don't worry about it, it's a question for me. Totally boring.

Stanford: Oh, really? *Raises brow.* Then why did the question start with 'Ford'? You know, my name?

Stanley: Uh...

*Stan glances around and starts to sweat bullets. How best to distract Ford? Then Stan grins. He knows just the trick.*

Stanley: Ya know... a more important question to ask, is... is the Patterson-Gimlin film legit?

Stanford: *A very intense, serious expression carves through his face. It's the face of a man with a strong opinion and just the right amount of ire to defend it, perhaps fueled by years of arguments over this very same exact question; a look akin to what someone on Twitter pulls right before they decide compassion and humanity is overrated, and being right is more important as they begin to rage-smash their keyboard.* Stan, I'm glad you asked. Because I think you're smart enough - and spent enough years as a conman - to know the difference between something real and something faked. The Patterson film is real, and I, Dr. Stanford Filbrick Pines, the world's greatest paranormal scientist and cryptozoologist, will die on this hill.

Stanley: Yes, exactly! *Stan looks relieved that the distraction worked.* Of course I agree. I mean, why wouldn't I? You tell 'em, Ford! Tell the world how legit the Patterson film is. Preferably in a different room than this one with your, uh... *Stan looks at the demonic owl chick sleeping in Ford's hair.* Whatever that is.

Stanford: *Smugly petting said demonic owl chick.* Hm, a better idea would be to utilize our ask blog to educate the populace on supernatural concepts such as this. I always wanted a platform to extend my knowledge to the world. I mean, teaching math to a whale was impressive enough, but imagine the paranormal knowledge I could spread with the power of the internet! *He chuckles.* Bill Nye and Neil DeGrasse Tyson better watch out, because a new popular scientist in media is in town. Stan, for the sake of knowledge, I'm going to need you to let me borrow our blog laptop for the afternoon.

Stanley: *Sweating bullets again.* W-what!? Not right now, Ford! You can have it later when I'm done with this one question. Just... gimme a little bit longer-

Stanford: Science cannot wait, Stanley. Hand it over.

Stanley: Alright, fine! Just lemme type somethin' quick and- h-hey!

Stanford: *Ford takes the laptop away from Stan and starts walking off with it.* Great, you already have the ask blog up. Time to...

*Ford sees the question about the ten guns in the Shack. He pauses.*

Stanley: Ford! Ford, I can explain... just let me... just hand the laptop back over and we can forget-

Stanford: *His voice cold.* Ten guns, Stan? Ten of them?

Stanley: It's... it's not what you think!

Stanford: Stan, you do know Dipper and Mabel live here in the summers, right? And you're telling me that you have ten guns around the Shack?

Stanley: Ford, just... *His expression turns defiant and mad.* Yeah, you know what? I've got ten guns! What of it!? Go ahead and judge me, Poindexter! You've always been good at that, haven't ya!?

Stanford: *Eyes narrowing.* Oh, I'm judging you, all right. Stan, I'm sorry, but I have no choice other than to host an emergency family meeting. We need to discuss this with Dipper and Mabel immediately. They must know about this. And then we can rectify this dangerous matter.

Stanley: Ford, really, it's fine, we don't need-

Stanford: *His voice ringing through the whole Shack.* Family meeting! Family meeting!

Three hours later...

*Stan, Ford, Dipper, Mabel are in the living room of the Shack at the dining table, where they usually host their family meetings. Stan looks more pissed than he has all day, Dipper looks nervous and confused, Mabel looks excited, and Ford is standing up by a chalkboard on wheels, multiple rules written on it, and he looks quite pleased.*

Stanford: Now, one final time, let's repeat the Pines family gun rules before this meeting comes to an end.

Stanley: Sweet Moses, Ford, isn't this overkill?

Mabel: Don't listen to Grunkle Stan! I am 1000% on board with all of these rules. *She pets the demonic owl chick that was sleeping in Ford's hair earlier and gives it a cheese flavored chip to eat.* Nice job, Grunkle Ford!

Dipper: I think Grunkle Stan has a point, though. Grunkle Ford, no offense, but-

Stanford: No buts! Now, repeat the rules, everyone!

Dipper, Mabel, and Stanley: *Stan and Dipper looking both annoyed, and Mabel looking very amused, they repeat the rules aloud in unison.*

Rule one, whenever a cryptid, government agent, evil being, or any kind of potential enemy of the Pines family comes to the door, carry a gun.

Rule two, everyone living in the Shack shall keep a gun or similar weapon by their bed at night in the case of a nighttime supernatural emergency.

Rule three, do not be afraid to brandish a gun whenever anyone asks too many questions about Stan's criminal past, Ford's research and/or interdimensional criminal past, or threatens to hurt Dipper or Mabel, either their feelings or physically.

Rule four, all members of the Pines family and their employees must be trained to use at least three different kinds of weapons.

Rule five, there must never be less than thirty guns hidden in the Shack at all times, preferably two per room and three per bedroom. Ten is not enough, no matter what Stan claims.

Rule six, when in doubt, Ford has the last say on anything related to weaponry and defense related matters in the Shack. Or else.

Stanford: Very good. Does anyone have any objections? Wait. *He chuckles deeply.* No, of course you don't, because these rules are forged from hard-earned lessons from the three decades I spent in the Multiverse, and they make perfect logical, ethical sense and are foolproof from accidents. Don't worry, I'll make sure all of these guns are kept in protective, cheap plastic cases.

Dipper: And here I thought living in the Shack every summer was crazy enough already. *He sighs and lets his head drop to the table.* Seriously, this is dumb.

Mabel: Grunkle Ford, why are you so badass and cool!? Grunkle Stan never let us use any guns last summer!

Stanley: Gee, I wonder why? *He sighs, then goes back to typing on Stan and Ford's shared laptop they use to answer blog questions.* Thanks, asker, for askin' about the ten guns I had around the Shack. I'll have you know that all of this is your fault.

[sysig]

Moomin. Moomin in Minecraft. please?

Day 16 - Are you new to the valley?

[mllenugget]

I have only one word and one word only : CRI CRI CRI CRI CRI CRI CRI CRI CRI

"I intended to skip Purgatory 2 to catch up faster on VODs since I was told they were unrelated lore-wise But my biggest mistake was to vibe check all the new players - I was not expecting to completely fall head over heels for Team Capybara, hot damn I love them all so much ????" - Me, February 2024

────────────────────────────────────────── Support all the admins that spoke out (& do your daily click) ──────────────────────────────────────────

I took @sunshinetomioka's werewolf Guill headcanon and ran with it btw, credit to it

[glove23]

i got a sewing machine! it took me forever to find the stupid foot lever thing! I had the tension wrong for so long! but I have a sewing machine!

[hollowsart]

Misc. screenshots of Insomniac's Mysterio/Quentin Beck

for reference use, but also just to look at and admire 🔮💖

[carnivalcarriondiscarded]

the high prices of fucking Everything is so exhausting i stg

[fightzaynfight]

poor little meowmeow. sopping wet. born in a cardboard box all alone. [source / ID under cut]

[ID: Two gifs, featuring close-up shots of Kevin Owens at the 2023 Royal Rumble event. He's received a post-match beating from The Bloodline, and is handcuffed to the top rope. Offscreen (and unpictured in the gifs), Roman Reigns is demanding Sami Zayn strike Kevin with a steel chair to finish him off and prove his loyalty. In the first gif, Kevin's expression is sad, dazed, and vulnerable, as he stares wide-eyed at Roman and Sami arguing above him. In the second gif, Kevin somehow looks even sadder, taking a heaving breath as he continues watching Sami, waiting for his former friend to swing. End ID.]

[softquietsteadylove]

Hiii!!

Can I request another part for the human Thena/eternal Gil Au but this time Thena sees Gil’s in action? You described his powers briefly yet so beautifully in the last part!

Thank you so much and please keep going I love to read your work!

The walk was quiet.

They had gathered at Sersi's flat to discuss what would have to happen from this point forward. Sersi and Gil - the Eternals - had whispered between themselves in the kitchen. Occasionally, they would glance out at their humans--herself and Mister Whitman.

Dane was still there, talking with Sersi. He lived close, and would also return when the rest of their plan was in motion. For now, all they could do was wait for the rest of the Eternals to arrive, and aside from one, that would take very real time to make happen.

Apparently, the only one who could fly was Ikaris.

Thena looked beside her. Gil had insisted that if she wasn't going to stay safely inside at Sersi's for an indeterminate amount of time, then he had to walk her home personally. And probably escort her back, now that she thought of it.

Gil's hand was warm around hers.

The first time he'd held her hand was after he had helped her out of a taxi she had taken to get to their second dinner date after work. In all her eagerness not to be late she had opted not to walk instead of just letting Gil know she would have to be ten minutes late at most. Because those ten minutes had seemed irrevocably important, at the time.

He had stood outside the restaurant, waiting for her like a gentleman. He paid her fare before she could protest and by the time she had the door open he was grasping her hand and helping her out. She had worn somewhat less comfortable shoes to work to have ones for their date. Gil had kissed her hand and complimented her.

He'd held her hand the rest of the way to their table, too. They talked all through dinner, then through the multiple desserts Gil had ordered so as to try as many as possible. They talked through coffee and then it eventually became clear that the restaurant was attempting to close, and they were the last patrons taking up their space. He'd held her hand when they walked home, too.

Gil felt her staring at him and turned his head. "You okay?"

It was a loaded question. She had survived her first real Deviant attack. It was possibly the first of many, if she intended on sticking around. Even if she didn't, that thing had known her name. It was doubtful she could be rid of the experience even if she did decide to abandon ship and try to forget she ever knew Gilgamesh.

And how could she do that? It would be simply impossible for her to forget the whirlwind love she had met not even a few months ago.

"Thena?"

She managed a smile for him, although it didn't seem to comfort him any. It was an unconvincing as she thought it was. She gave his hand a squeeze though, "I should be asking you that."

He scoffed, waving his other hand in front of him dismissively. "We've been fighting these things for ages."

She looked towards the river on the other side of the street. She might never look at it the same way again, she realised. "Not that one, though."

She heard Gil sigh through his nose before looking at him again. "No, I guess not."

Thena slowed their pace until they were stopped. It was late enough, plus all the chaos downtown left them the street to themselves. She faced Gil head on, taking both his hands in hers. "I realise you can't get nearly as hurt as I can. But I don't think anyone would be unaffected by facing a monster like that."

Gil's face turned somber. Melancholy didn't suit his cheerful features, but he stroked her hand with his thumb again. "I really am sorry, Thena."

"It's not your fault."

"But-" he argued and nearly tripped over his words to do so. "That-that...thing!--it knew you because of me. If I had known-"

"Gil-"

"I never would have let it live." His tone grew dark, and she really believed the anger behind it. She hadn't seen him mad much either, but his words were fierce as he grasped her hands. "I would have hunted it down and made sure it was dead."

"Gil," she attempted to soothe him. The concern was for her, but all she could think was that it didn't suit him to seem so unhappy. She liked seeing him smile and hearing him laugh more. She raised her hand to his cheek, "you may not get that luxury, you realise."

He put his hand over hers, turning his head so he could kiss her palm. "I've got nothing but time, Thena."

Her stomach twisted as the massive - truly infinite - gap between them was brought to the forefront of her mind again. It felt almost trivial; she had no business fretting over the status of her relationship while that beast still walked the earth. But she leaned closer. "Well, I don't."

Gil looked startled by what she said, but he leaned down to accept her kiss. She had seen his strength earlier tonight, but he was so incredibly gentle with her.

She tilted her head at him, his fingertips in her hair from holding her cheeks. "I want more time with you, Gil. So, we'll figure out a way to make that happen."

His eyes flickered for a moment, and she could almost swear she could see those little glowing specs of gold within his eyes. He leaned in and kissed her again. "I want eternity with you, Thena."

It was the most romantic thing anyone had ever said to her, and on probably the worst night of her life, too. But she grasped the edges of his brown leather jacket as they parted. If golden energy lived in his eyes then surely a painfully obvious love lived in hers. "Gil-"

"Thena!"

Gil pulled her behind him instantly. The spray from the river didn't quite reach them, but that thing landed heavily. Gil raised his fist. That funny compression of air happened, her ears felt the change and a sound like the air caving in on itself fell over them.

Gil didn't wait for that creature to come over to them. He didn't leave it room to escape, either. He held the vines emerging from its neck and landed his hit. It was like canon fire--if not by sound, then by impact.

Thena looked away, wind rushing purely from the force being exerted and traded through kinetic energy. Those gold flecks that looked like sparks floated by her again. She forced herself to look as Gil landed another two hits. "Gil!"

"You're not getting away this time!" he roared at his enemy, holding it with one hand. He didn't need both to do the damage he could. Sometimes his fist would raise and hold for just a second before coming down again, heavier than before.

Thena watched, seeing lines of gold tracing through the air as Gil moved. It was like a constellation moving, it was mesmerising, in a terrifying way. His fist would fly, sometimes double and triple layered with that energy. Then it would come down and that vacuum of sound would pop again.

The creature wrestled itself free from him, holding its disgusting claw hand over its own injuries.

Gil held his ground, not pursuing too far away from her but not retreating either. "I see what you are."

"Ay...jack...A-Jax...Ajak..." it was haunting to hear the thing speak. It sounded out words like it was learning them in real time. The maw of teeth it had shuffled around as it adapted to speech instead of primitive growls. "Ajak...pow...er...Ajak's...power!"

"Move!"

Gil could move quickly if he propelled himself with his own powers. He destroyed the cobblestones under his feet again as he launched himself at her. He scooped her up, narrowly avoiding the thing launching itself at them.

Thena shuddered, although it was Gil's body that made impact with the side of the building. She heard a crack, and she hoped it was the concrete and plaster instead of anything in Gil's body.

Gil held up his arm, keeping the thing at bay like a dog that was latching onto his forearm. He held it out as far as he could, but the thing's teeth were right there, its breath rustling her hair while she was tucked between Gil's defending arm and the safety of burying herself in his chest.

There wasn't much that he could do in this position. He was doing his best to protect her, but he couldn't make any advancement either.

Thena forced herself to look. That nightmare was right there, gnashing its teeth around the illusion of Gil's arm. His powers were absorbing the blow, but she had to wonder if there was a limit to his stamina.

"Thena?" Gil blinked as her hands moved.

She didn't know what she was doing. Maybe she was just making things harder for him. But she pushed Gil's arm with everything she had in her. Gil was the strong one, but maybe even he could use what little support her human arms could offer.

It was fascinating. It really felt like Gil's arm, but she could see the outline of his powers layered around him. It was humbling to witness something so powerful - so ageless - so close.

Gil wrapped his other arm around her waist. He leaned his shoulders forward and dug his feet in. "Hold onto me, sweetheart."

She squeezed her eyes shut as Gil spun them all. He had the strength, and it didn't take much to build momentum. They all moved as one, and on the second turn he threw the thing away.

Its massive, wiry body demolished the car it hit, sounding the alarm.

"Shit," he cursed, although his hold on her remained. "Are you okay?"

She nodded, although already upstairs lights in flats were being turned on. People would be out here and on their phones any second. "Gil, we should go."

"But that thing is-"

"You can kill it later," she hissed at him, already trying to usher him away from the street and down a darker alley. "You'll get another chance. But not if people see you and plaster your face everywhere!"

"I'm not letting that thing live," he growled through his teeth. But ultimately, he let her lead him away and into the shadows. "I can't let it find you again."

"Gil-"

Maybe all Eternals' powers had a sound to them. A high pitched rumbling sounded as a beam of light fired directly into the thing. Whichever Eternal that was, they certainly had no problems being found out by the modern age.

"Gil," Thena attempted to urge him away again, tugging at his jacket. But she also looked as the laser cut straight through the thing's neck. She moved closer to Gil as a figure floated down directly in view of their alley. It turned towards them.

"I'm surprised Gil," the man chuckled, "thought that thing would be easy pickin's for you."

"I was distracted," Gil scowled in his direction, keeping his hold on her all the while. "What are you doing here?"

"I came to help."

"I doubt that."

Thena looked between the two of them. She could only guess, but by context clues alone, she already knew the man was an Eternal, could fly, had laser eyes like some sort of comic book hero, and the accent was more anecdotal than anything. But still, she felt reasonably confident when she asked, "Ikaris?"

[lesbianfakir]

I could write a three hour video essay on tutu and gender but I really love how a show in a genre that’s primarily targeted towards girls explores how expectations of masculinity can traumatize young boys.

This is shown with Fakir especially. While the text never explicitly attributes his behavior to his gender, his arc over the course of the show is quintessentially informed by toxic gender roles. This got long and I have a lot of thoughts so I'm gonna put it under a readmore:

Fakir has one unchanging goal for the duration of the show: he wants to keep the people he loves safe. But outside elements twist this motivation into an identity. He is suffocating under the weight of a person he has never been and can never be no matter how hard he tries to mold himself.

Much of his personality is likely a direct result of circumstance. We are shown multiple times that when he feels in his element he’s inclined to a gentle disposition (ie how he acts with Duck as a duck or with Raetsel). As a young child especially he appears earnest and naive, his already innate desire to protect blinding him to the cruelty of the world. However, this sweeter side is near overwritten by the cold, domineering personality that characterizes his early appearances in the show.

We can infer that without the trauma inflicted on him by the story Fakir would have retained much more of this gentler personality as he grew up. Instead, his desire to protect others is twisted and warped by fear, becoming a desire to control.

Even before having his life upended, Fakir wanted to to take the weight of protecting the entire town all upon himself. He sees a true hero as someone who stands on his own without help.

So how does this tie into gender? Fakir deliberately crushes his "weaker" side--the earnest, sensitive young boy in the favor of a tough persona. He particularly views emotions as a weakness. It's notable that in one of the most iconic scenes in the show, Fakir has a breakdown over someone seeing him crying. This simple display of human emotion is enough to completely shatter the image he has constructed for himself. Fakir's harsh, impossible standards for himself are rooted in toxic masculinity, in the idea that men--real men--are never visibly sad or scared.

Immediately after losing everything as a child, Fakir was given a new source of hope and pride: the role of the Knight. He, of course, built his whole identity around this role. The Knight, like the Prince is expected to protect others without fear. This can be read as analogous to how men struggle under the expectation to be the protectors and the breadwinners, expected to take pain and hardship upon themselves so those under their care may live a comfortable life. However, the story's knight is doomed from the start: a failed protector. Fakir is growing up under literal impossible standards. He's meant to give everything and crumble under that weight without achieving anything.

It's worth noting that the Princesses' roles are meant to revolve seeking affection from men while the men's roles are colored by violence. Contrast the Knight and Princess Tutu who are both destined to accomplish nothing and be forgotten: while Tutu gracefully dissolves into a speck of light, the Knight is gruesomely torn apart. Here, masculinity becomes inextricably linked to violence in Drosselmeyer's world.

For as long as Fakir tries to be a knight worthy of the story he is confined by a toxic gender role. A protector relies on the idea of a weaker subset of person--the protected. Even without malicious intent, this strips agency. Fakir ignores Mytho's wishes all for the sake of "keeping him safe." Likewise Duck doesn't' want Fakir's protection. In several episodes she begs him to give up on fighting and search for peaceable solutions.

Even though neither Duck nor Mytho ask for Fakir to fight for them he feels personally responsible for their safety to the point his entire self esteem rests on his ability to protect them. Despite his guarded exterior, two of the three times he breaks down crying are because Duck got hurt --due to his own incompetence in his eyes.

Fakir can only grow as a person when he stops placing everything on his own shoulders. For all he clings to the sword his real strengths are found outside of battle. He only saves Duck by opening up to her in his first display of willing vulnerability.

By the end of the series he has entered a genuine partnership with Duck. Rather than a one-sided relationship where he sees himself as her protector, he writes her story and trusts her to guide herself through it. This is in direct opposition to the masculine ideals he clung so hard to. The knight and the prince --his role models--are both meant to be self-sufficient in the original fairytale. Instead, Fakir is able to be a vulnerable boy who gets scared and hurt--and doesn't need to hide it--but has friends he can rely on when times are tough.

Fakir's arc doesn't involve him becoming more feminine, necessarily, but it does show him breaking free of the standards placed on his shoulders by toxic masculinity. He was never meant to be a fighter; that was an unfair role he was forced into. At the end of the show Fakir was achieved his freedom. He isn't a knight. He isn't a protector. He isn't personally responsible for the lives of those he loves. He's just Fakir.

[revvethasmythh]

My Dark Urge when Morena Dekarios inevitably asks for grandchildren but I've already promised Jaheira there will be no Bhaalspawn blood matches with duelists who call her 'auntie'

[seventh-district]

i’ve just finished season one of TMA, and being someone who’s okay with spoilers is fun because it means i can peruse the wiki and scroll through the tag and i get to become privy to all sorts of weird, wonderful, halfway-out-of-context information that i get to look forward to understanding in the future

like. what do you mean Leitner’s in the tunnels?

what do you mean Jon eats the extinguished sun??

what do you mean it’s spelled Gerard Keay???

[sysig]

Time Loops are they/them culture (Patreon)

Bonus of my little guy in ISaT style:

[inky-toons]

The comically sappy urge to randomly reach out to him and ask to fall asleep on call again cos even tho that stuff scares me it's soothing when it's with him

Idk I used to have a very specific way of seeing things until he pranced along omfg..HE MADE ME LIKE CHRISTMAS he already knows I kinda like Christmas but I liked it even more after last Christmas. I was making a gingerbread house and he INSISTED on seeing it but I wanted it to be just right and at that time I wos with my mum and she bought SOME SHITTY BRAND AND IT ALL FELL APART SO I THREW IT OUT AND HE STILL WONT LET IT GO?? He also used to make daily hot chocolates and he'd show me like. That's now a holiday I look forward to. Wtf. It's also foreign for me to like certain things about myself but he makes me genuinely like myself and love myself onfg. I sent him a picture of the day I got my bass and I was holding it AND ACCORDING TO HIM HE FOUND IT CUTE HOW I "Stood there like I wasn't trying to look proud but I definetly was" HOW DO YOU TELL THAT FROM A PICTURE I NEED HIM DEAD. I was proud though that bass is my life

Idk we've had our ups and downs and I can tell it's all true love cos we always come back with a strong I love you.

Shakes my head..only thing is im not actually dating him, not rn anyway cos my mental health is wavered with where I'm living so now I have to wait for college and really jump in and woo him. I'm gonna adjust to college, figure out some life stuff then try and ask him out TWHEHEH 😝‼️ He'll say yes cos we're both in love so I'm just...heh...that good..

[ratatatastic]

the struggles of a man whos bad at holding heavy thing who passes it to man whos also bad at holding heavy thing part 999...but also mikksy passing the cup off to erod... im supposed to be normal about that?

look at those chicken wings flex oh hes struggling so bad but he has to show off his cup its a need 😭😭😭

"[incoherent shouts x3] f-*remembers there are multiple children onstage*" *pushes the cup onto his head even more*

ladies and gentlemen we've got the first official cat to fall victim to mikksys cup bonking terrorising and unsurprisingly its erod

man who flirts predominantly by bullying strikes again or so the tale goes

[in this instance we know mikksy already struggles holding the cup (ofc as we know most people tend to do but some definitely struggle more than others lol) because of 1. the way forsy had to steady him before he faceplanted off a couch trying to hold that roughly 35 lbs tincan over his head while also possibly on the way to being smashed (x) and then not even seconds later proceeds to bonk someone in the head with the cup (x) so you can imagine the logistics of mikksy trying to pass this thing off to someone whos much shorter than him and who also struggles with holding it. a true logistical nightmare that he has to bend down farther than he can really handle without tipping forward to try and guide lordo into roddys hand but also erod has a head. and its in the way. and it can also be used as a stand if you think about. its why mikksy basically like chucks the thing over he was not prepared to have to give the cup over to someone wayyyyy shorter than him lmao.]

and erod struggles with it A LOT and i didnt notice it at the time because i was so consumed with hootin n hollerin but erods so smooth with it as he turns towards his kids and it looks like hes showing it off to them instead and while that might be true to some extent he also REALLY needed to put it down to get a proper grip and push up because mikksy did not help at all like girl where tf are you going come back help your secret spouse teammate out man what is this 😭😭😭

Panthers Championship Parade | 6.30.24