#how is this still not only the same show

[crehador]

DOES IT THOUGH?!

like man don't get me wrong i am loving the developments in this second arc of yatagarasu especially in this week's episode (ep18) everything in this arc is coming together beautifully, compelling worldbuilding, fascinating mystery to me

NONE OF WHICH EXPLAINS WHY THE FIRST ARC WAS THE BACHELOR WITH CROWS (screamed affectionately)

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots

[gilear-core]

the percy jackson racial discourse will never not be insane to me because rick has said several times that he was pressured to make pjo a very white and heteronormative series but as soon as he had power he made every other book as diverse and queer as he wanted.

how were you guys surprised that when given the opportunity, he diversified his story the way he had originally wanted to???

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[oceanwithouthermoon]

saikis powers are a vital part of him so it makes sense that people who dont know about them cant truly understand his whole self, but its also very silly to me when people act like its the ONLY important part of him... people act like his friends that arent in the know are completely blind to who saiki is, but i feel like that kinda means you missed some major points... he cant keep his powers a secret forever and it DOES matter, but he can still be loved and KNOWN without knowing about them... hes still human, he still has a personality, he still has regular likes and dislikes, etcetc

his friends perspectives on him may have been wrong at first, but they CHANGED... they know him and love him, and theyll KEEP loving him the SAME once they know of his powers...

​some people cough cough cough in this fandom like to reduce saiki to JUST his powers and its so obvious that you just. missed everything. you didnt absorb anything from the show, you just saw it and went "ha, everyone thinks hes just a guy when hes actually super cool and powerful" no no no, he IS cool and powerful but look a little closer and at his core he is still LITERALLY JUST A GUY 😭😭😭

hes such a guy.....

[littledemo0n]

Excuse me im just gonna spam all of these over here...(part 1 [yes there's more])

[sukibenders]

Hear me out: you can ship JayVik without falling into or using rhetoric that fits the disposable black girlfriend trope. You can ship JayVik without using Mel as some conceived ploy or antagonistic plot device that makes her out of character. You can ship JayVik without falling into misogynistic rhetoric (eg. viewing female characters as disposable or stepping tools, amongst other things). You can ship JayVik without erasing the impact Mel has had on Jayce and their relationship because, whether you shipped it or not or even gave it the time of day, Mel and Jayce did care for each other, and to deny that or say Viktor held more importance/impact than her in Jayce's life to where she's viewed as "unnecessary" just to further your ship is so wrong and, whether you intended for it or not, does carry undertones where black characters, especially black female characters, emotional impact on others is ignored or downplayed even though there's context to support just how important it is/they are. Lastly, you can ship JayVik without using anti-black and misogynoir type rhetoric because the amount that has flooded this fandom, but especially from some fans of this ship, is atrocious. Ship what you like, but be respectful and careful with certain things you say, is all I'm saying.

[justabiteofspite]

I honestly don't get the spawn vs ascended debate when we really should all be coming together to shame those who think it's "unrealistic" that Astarion could fall in love with default dragonborn Durge on account of that Durge "not being attractive."

Like, I'm sorry, but are you fucking high? In what world is Default Durge not peak sex appeal? Big, tall, muscley thicc ass man who can barely run because he's so caked up with a deep, haunted voice struggling to overcome the darkness within himself all while looking like he could bite Cazador's head off in one satisfying crunch? You're telling me Astarion wouldn't be speed running that romance arc to climb him like a tree? Like that wet pathetic cat man looking for protection and attention wouldn't be the president, vice president, and treasurer of the "Top That Nice But Kind of Disturbed Hot Lizard" club?

Get fucking real.

[puppppppppy]

you are umasou

[starry-bi-sky]

Blood Blossom Au: before the nightingale sings

---------

for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons

TW: Major Character Death Warning

-------

Not all deaths are created equal.

That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite. 

He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go. 

He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids. 

They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum. 

They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.

Not all deaths are created equal.  

Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.

Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy. 

But most are just… unremarkable. Unintentional. Clumsy. 

Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens. 

It happens like this: 

Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.  

Something had to give. 

Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later. 

He stops what he’s doing to fix it.  

It wasn’t supposed to be permanent. 

Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer. 

He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them. 

So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for —  a sheet of metal for his wife to melt down — and disappears back downstairs. 

He does not make that call; it slips from his mind. 

It is not his fault. 

One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.  

Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half. 

He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new. 

This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident. 

It’ll never happen again. 

His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab. 

The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention. 

She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes. 

When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.” 

Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away. 

That is the last conversation she ever has with her brother. 

Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost. 

Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console. 

Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed. 

Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed. 

Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms. 

Danny’s family die in their sleep; painless and unaware. 

It’s not Jack Fenton’s fault. He didn’t mean to.  

Nobody wakes up with their alarms. 

Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm. 

There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers. 

To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork. 

He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks. 

At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of. 

Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off. 

He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.

‘Where are you?’ 

He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried. 

The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”

A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent. 

He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;

“Mom? Dad?” 

Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him. 

Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in;  he simply lets muscle memory guide him. It’s been the same since he was little. 

The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal. 

“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down. 

It was four in the afternoon, they should still be down here. 

Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked. 

He checks the garage, the car is still there. 

“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!” 

Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong. 

He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off. 

He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?” 

There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house. 

Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”

Not all deaths are created equal. 

But many of them are accidental. Unmeditated. Shocking.

Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home. 

He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill. 

Not all deaths are created equal

But all of them are unforgettable. 

[yarrow-leaf]

A kindling of a swordless bloodshed,

The creaking of a voiceless door —

Another piece inspired by something @mincemeat-the-warforged said that absolutely altered my brain chemistry (the same 1 am conversation that sparked this in fact!)

[raiiny-bay]

alien emoji

[cent-scratchnsniff]

something bad did indeed happen to that man. spent abt 25 minutes trying to find a better picture of that one (1) offical piece with his eyes open that wasnt compressed or tiny

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[acornsinmypocket]

The Iranian missile attack on Israel last week consisted of about 200 missiles. Each of those cost about a million dollars to produce. This means that the Iranian government thinks **200 million dollars** would do more good exploding over the sky somewhere else than being used for welfare, education and infrastructure inside Iran. I wonder how many Iranian lives that is in car accidents and cancer medicine. Every rocket shot by Hamas costs about 800$ to produce. By a very conservative estimate they averaged spending about 700,000$ a year between 2001-2021 just on rockets. They also spend about 300 thousand dollars for a kilometer of underground tunnels. They likely have about 800km. That's 240 million dollars. I'm not even counting other war spendings right now. I wonder how many parents wouldn't have had to wait for permits getting their children heart surgeries in israeli hospitals. I wonder how many impoverished young people could have received scholarships to become engineers and musicians and climate leaders and architects. I wonder what relations of mutual growth a thriving Gaza could have built with both Israel and Egypt. I also wonder how many disabled people won't receive financial aid, how many schools would go underfunded, how many people will die in understaffed hospital wards in israel this year because some rabid militarist decided this money is better spent killing people abroad to perpetuate the pointless cycle of retaliations. I'm also furious at all of this. And so fucking tired.

[horrorshow]

i love when people point out the 'family is hell' theme in spn and then go like 'do not romanticise this!!! this post is not for you' as if spn itself didn’t end up with the family is hell brothers being soulmates happily meeting up in heaven after 15 seasons of dark romance tropes thrown upon them.

no one romanticizes 'family is hell' more than supernatural itself.