#how eerie is that

[demigods-posts]

it's heart breaking knowing that there is a strong parallel between percy and luke's upbringing. both had distant fathers. both had loving mothers who would do anything to protect them. both grew resentful of the gods even as they embodied the roles of pawns in their game of chess. and yet. luke's story is what blends into the wallpaper. lurks in the background like a descending melody in a thundering chorus. something we aren't made aware of until it's too late.

[hiruseki]

god i seriously am never getting over That Scene in orv. kim dokja has so little compassion for himself that the only thing he can think to do upon being confronted with the most powerless, frightened, vulnerable version of himself is to try and murder it with his own hands. even when everyone is sobbing and begging him to stop, even when everyone has already forgiven him without reservation, even when yoo motherfucking pilgrim of the apocalypse joonghyuk cannot muster any animosity, kdj will not stop trying to convince them this trembling little boy needs to die. it had been well established by that point that kdj is self destructive and self loathing, but he was good at maintaining some emotional distance from his actions. but the moment he steps off that train, recognizes his own drawings, realizes what's happened, that impassive veneer shatters and he becomes desperate and vicious. this man hates himself so much. seriously, can you imagine how it must have felt to be oldest dream? you're an abused, lonely, depressed child. profoundly alone in this world, betrayed by everyone you've ever loved. you are so frightened of everything you can't bear to live in reality. you meet yourself from the future, but even he has no sympathy for you. no, he hates you. he hates you so much he wants to kill you. he would point a broken sword at his own throat if it meant he could erase you. you don't know what you did wrong. you never do. all you can do is cower from the monster and hope he doesn't get you.

like it's so fucked up. orv is so fucked up.

[anzuhan]

[aquanutart]

[mrs-gauche]

Alas, so long as the music plays, we dance.

(Cole's cryptic comments + The Song)

[tiredsurvivoronmain]

I don't know what to say

[maomango-doodle]

A totally normal talk between siblings

[yarmiko-art]

First base is mutual threats

A redraw of this thing I made two year ago. Still love the dynamic

Engaging in verbal passive-aggressive conversations with each other is actually very entertaining passtime. This is why their post-Robobot\pre-Star Allies interactions are so fun to me: this is a very shaky ground, riddled with mutual loathing. Susie, who really isn't doing very well after Max dying (technically her fault) and getting the CEO's status to pressure her. Also not actually processing her trauma in AD, but repressing it along with most of her emotions. And MK with his wounded pride, who is frustrated with himself first and foremost. And genuinely not trusting the new CEO of intergalactic corporation, which is kinda valid

I guess I just love the trope of "this evil\annoying person you preserve them as, turns out to be not so evil/annoying"

[gummi-ships]

Kingdom Hearts Dream Drop Distance - The World That Never Was

[swan2swan]

The same three faces, united on one screen...

[uncanny-tranny]

The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.

I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.

[sunugf]

NINGNING | ARMAGEDDON MV TEASER IMAGES

[mediumsizedpidegon]

As a way to double down on my Make Amity Park More Bizarre agenda, I think there should be buildings that do not exist.

to elaborate: there's a library down the street. the bookcases reach to the towering ceiling. The basement might as well be a maze of archived newspaper and posters plastered over posters. It was built in 1963. The doors are larger than anything and everyone. It was never built.

FentonWorks has a basement that goes down impossibly far– how hasn't it hit the water pipes? The community college has balconies that were never made: you have to crawl out of a window to get to them. Restaurants that were demolished for office buildings exist simultaneously: you use the same door for both and the one you want to arrive in is the one that greets you on the other side. Some shortcuts through town don't make sense.

Amity Park is the most haunted city in the U.S. And so too is it haunted by what it was once, and what it never was.

[yourdeepestfathoms]

The you have any headcanon about Perrine and The Croon?

Perrine has an affinity for skulls because of The Croon, and they’re mainly the reason why she likes to collect them

The Croon refers to her as “calf”

Perrine sometimes catches glimpses of a tall figure out of her window at night, standing among the distant trees, hidden by just enough shadow to make her wonder if she’s just seeing things

The Croon gifts her skulls, bones, and small dead animals

When people say The Croon is evil, she’s the first to jump to its defense

However, Perrine does have a healthy dose of fear for The Croon

She doesn’t know why this is

But there’s always a level of wariness she feels towards it

There was this one night…

It was cold. The wind was blowing. Branches brushing against the cottage were like clawing fingers on the walls, desperate to get inside.

Perrine woke up.

Or maybe she had never fallen asleep in the first place.

She couldn’t remember.

It didn’t matter.

She got up from her bed.

All around her, the moonlight bleeding in through her window pooled ghoulishly into the empty black eyes of her animal skulls.

It felt like they were all watching her.

At first, she had gotten up to get a glass of water. Her mouth was dry, and the space behind her eyes was uncomfortably warm. But at the same time, she was covered in goosebumps.

But then, she found herself drawn outside.

Grass crunched under bare feet.

She didn’t even flinch from the cold.

Like she was in some kind of trance, she found herself delving into the woods.

And then, she saw it.

The towering beast of feathers and bone. It stood among the trees, nearly obscured by darkness.

The Croon.

She was scared.

She wasn’t sure why she was scared. She based her whole image around this beast, after all. She wore the moose mask because of it.

And yet…she trembled.

And then, she spoke.

“What’s the point of you?”

She asked it without thinking. It was a question that had been brewing in her head for ages.

“I mean…you embody and represent chaos…”

The Croon tilted their head for a moment, as if considering the question. The quiet night air was tense.

“Chaos…is beautiful and destructive. It’s everywhere, and it’s all-consuming. It doesn’t need any apparent purpose. It merely is. It destroys and makes and changes…over and over again. That is what I represent. Change is necessary. Everything must die, and from the destruction, something new is born. After a wildfire, flowers will bloom from the ashes.”

“But people like the flowers. Not the fire.”

“Perhaps. But they need the fire. They need the chaos and the change. Even if it destroys them. There is no new life without death, and there is no death without chaos.”

“But, you still destroy things. Why can’t you have something new without destruction? Why change?”

“Destruction..is just part of the cycle. It’s a part of change. There is beauty in decay. Death and destruction can be…art. The changing of the seasons, the wilting of flowers, the withering fall leaves… Even the most positive change is destruction for something else. Destruction and chaos are required for rebirth, for evolution. Because of change, everything is different, and everything is unique. There are no two things that are exactly the same, down to the last detail.”

“My friend, Cole, lost their parents in a horrible way. Is that supposed to be beautiful? Or necessary?”

“…Perhaps not. Not all destruction is beautiful or necessary. But not all death is cruel or senseless either. After all…without death, would you appreciate life at all? When an animal dies, and it decomposes, the earth gains the nutrients it gives to grow new flowers and new grass. New life. Even a death as horrible and cruel as that can still give new life to the plants and earth around it. It is the same with humans. A death, even a cruel and horrible one, can lead to new life for the remaining family or loved ones…or to the end of a destructive, hurtful cycle.”

“Cole has suffered since their parents’ death. There was no hurtful cycle to break! It’s not fair!”

“Death isn’t fair.”

Its voice had dropped to a low, almost guttural growl that shook her to the bones. But its empty eye sockets still held an eerie sense of calm.

“Life…isn’t fair. People die. Families are torn apart, homes and villages are destroyed. It’s the nature of the world. It’s a necessary evil.”

“…I don’t want to be a necessary evil.”

[garygoldenbignaturals]

windows to the soul

and now for something sorta spooky. happy october!!

[beastieclub]

in every video that's been coming out lately about stalls and changes in the U.S. economy, there's this incredibly charged silence in all of them.

for example, i was watching a video on what happened to cause the decline of 'mid-budget films'. all sorts of factors were discussed, from the streaming wars, to corporate consolidation, to low attendance in theaters. all true, yet... low attendance in theaters is attributed to streaming, market pressures, and big names not pulling people in- also true.

but not once was the fact that 1,140,278 people in the U.S. alone have died since 2023 mentioned.

there are 1,140,278 less people to fill those theater seats than there were in 2019. That is 1,140,278 less people making, shipping, and selling our goods. that is 1,140,278 less people taking their earnings home and spending what little they have left on those goods, the only thing keeping our manchild-ran economy from crumbling into recession.

our workforce decreased by 1,140,278 less people because you KNOW it was the working class, out there dying for everyone else. our workforce decreased by 1,140,278 less people due to one cause alone.

but no one says it. no one factors it in. countless thinkpieces, videos, news segments, conversations overheard in packed restaurants full of maskless, spitting faces about how our economy is crumbling under its own weight because of the internet, because of countless natural disasters battering our country from all sides, because of global trade, because of anything but the factor that we lost 1,140,278 people to preventable causes.

this 1,140,278 people, gone from our lives, and this doesn't even begin to touch the number of people permanently disabled, unable to work. but that number is far bigger than we can reliably calculate. more than we could begin to process.

this, by the way, is the number for the U.S. only. the country i live in, who ranks second worldwide in deaths per million due to this one cause.

and after three years of this constant, ongoing mass dying, we don't say its name. there's an eerie silence around it, a gaping hole we dare not touch. lest we violate some sort of social rule, heaven forbid. we spit on the deaths of those 1,140,278 people every time we forget, and every time we let our government get away with not protecting or caring about its people.

tell me, when was the last time you acknowledged COVID?