#how did he do this lmfao

[dirhwangdaseul-archived]

18/3/22 | @holland_vvv: i'm a number boy for you

2023.03.30 6PM (KST) / 2AM (PT)

#NUMBERBOY #HOLLAND #HOLLAND_NUMBERBOY #COMEBACK #230330 #홀랜드

[allyriadayne]

Hook, line and sinker: Larys and Alicent // Larys and Aegon

[deoidesign]

Ray of sunshine

(pre-launch page for their comic)

[mercurymacaroons]

arrives 15 min late with a latte

......sup

[ask-the-colony-tree-siblings]

Gourmand: Any minute now.

Hunter: …I-

Arti: I’m sorry!

Hunter: Huh?

Arti: I-I’m so sorry. For attacking you, and for- for everything. 

Arti: I’ve been such an asshole to you.

Hunter: …Yeah you have been an asshole. But I fucked up too, I didn’t know what I was saying. I thought… 

Hunter: …it doesn’t matter what I thought. I shouldn’t have said that. I, uh… I-I heard about your k-

Arti: Don’t. It’s in the past now.

Gourmand: Is it? 

Gourmand: You attacked him over saying something that triggered you, so no, it doesn’t seem to be all in the past. 

Gourmand: It isn’t fair to hurt someone for not knowing something that you never told them. 

PART ONE IS DONE!!!!!!!!! Part two will probably come in about, uh, seven years, give or take. /j

(It isn’t perfect, but it’s been too long and I needed to get the first part of this comic out. I’m honestly super happy I finished, because it was unnecessarily hard lmao. Anyways I’m gonna ramble in the tags now)

[disposal-blueeee]

VARGASTOBER - day 11 : yarn

" do you remember . . . when i took one of those skeins of yarn that gran keeps lying around , and i decided to make our entire room a huge spider web ? so i looped all this yarn everywhere , all over the chairs and beds and tables and doorknobs until you couldn't go anywhere unless you were crawling ? " a smile and edgar wondered for a moment that if scriabin did have a creative streak in him , how could that be expressed ? how else could he express it when he had no body of his own ? work to create a past , a life that he never and would never have , maybe even this whole time . . .

uncropped ver under the cut X3

[vampire-brainrot]

I don't just want to see them "hook up", I want to see them try to make a romantic relationship work and I want you to write the comedy of a vampire killer and a vampire dating. What's not clicking!!!

"he's his boss" GUILLERMO COULD KILL HIM ANY TIME HE WANTED and the narrative has asserted that he simply chooses not to. Next fucking question!!

[theloveinc]

I feel like, yall and Katsuki have a kid, it's going good, first day of school is tomorrow hell yeah right?

You spend hours convincing Katsuki that it's gonna be okay, nothing is gonna happen to baby, it's fine.

Then baby cries as soon as you both go to leave and Katsuki breaks hard.

He spends the day parked outside the kindergarten some days making sure his baby is okay 😭

You know how sometimes the parent has to stay for a little bit once class time actually starts just because the kid won't calm down? There's Kat with your weepy baby in his lap during opening ceremony, see; days of the week song and counting to ten, red faced n trying to hold back his own tears LMFAO because he honestly doesn't want to leave either.

(You ask him about it later, and he's defending himself with: what if something goes wrong? They don't like the lunch that's provided, or trip and fall in the unfamiliar hallways? Or god forbid, the teacher's an asshole and takes it out on the students???

Not that he hadn't already went overboard when you were looking at schools, vetting the program and reaching out to all the teachers to make sure they were exactly what he was looking for before even thinking about enrolling baby)

It's only when activity time actually starts that baby finally, finally pulls away from him when some kids ask yours to play with them, giving dad one last hug before shyly joining their circle and picking up a block.

AND there Bakugo is, crying on the way to the car and then low? high? key sobbing once you're in because your kid chose some "lil extras" to play with instead of continuing to cling onto him, which you have to remind him is actually a good thing, that other kids wanted to play with your child LMFAO.

He's such a freak LMFAO and it absolutely gets worse with your next baby, too jsdkafjkasdfjk BYE (he absolutely does hang out outside the kindergarten, sometimes even "forgetting" to give them their lunch ON PURPOSE, just so he has an excuse to drop it off and see them in the middle of the day).

[deedala]

Colorwheel Timestamp Roulette ⇆ 07x12: Requiem for a Slut ↳Gold + 12 for @sickness-health-all-that-shit

[demigod-of-the-agni]

This is what happens when you complete the "Remembering the Past" quests immediately after you're accused of murder

[rapidhighway]

i made my first ever full character model in blender and i had no idea what i was doing but i made this hiiiii based on this drawing of mine :)

[mcytegg]

you can love a character and still admit when they're wrong. i love roshambogames but can acknowledge his flaws (he has none) & can hold him accountable for his wrongdoings (he’s never done anything wrong in his life) & call him out for his actions (which are always correct)

[ardentpoop]

samchuck propaganda

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[petrichal]

In retrospect, Sabo making a vivre card for Luffy in the midst of/towards the end of Dressrosa is kinda unhinged, like wdym he took Luffy's nail clippings to a shop after all the chaos that happened on that island