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weirdly-specific-but-ok · 9 months ago

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for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

#good omens #neil gaiman #sir terry pratchett #good omens show #good omens fandom #good omens mascot #weirdly specific but ok #asmi

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master-of-junk · 2 months ago

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Pregnant with a Ghost

Mr. Crawling/Mr. Scarletella/Mr Silver x MC

I remember a webtoon where this happened and thought it’d be fun!

Enjoy~

(not proof read)

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🏮Mr. Crawling:

-You had noticed the change in your cycle but initially thought nothing of it. It wasn’t until you woke up one morning and threw up a few times that it dawned on you.

-Of course Mr. Crawling has noticed you acting a bit odd. He was worried that you kept waking up and getting sick. He almost brought the nurse to look at you! But every time he asked, you would just kiss his forehead and smile telling him you were fine.

-It wasn’t until you started showing that you couldn’t brush him off. That’s when you sat him down and explained the best you could what was happening. It took a while but eventually he understood that the both of you had made one being.

-He was unsure of how it would play out but he did his best to reassure you! Every time you looked worried, got sick, or had troubles, he would poop up beside you to reminded you “Together.” He would even disappear to find things you mentioned you had been craving! He was actually really good at finding things.

-He noticed the things you began gathering and did some collecting of his own! He’d find small toys and soft items like blankets that he thought you’d like. He’d also try his best to help you assemble things and prepare.

-When it came time for the actual birth he was almost sent into a panic. Watching you scream and struggle to push worried him. He held onto tightly and did his best to soothe you. Combing his fingers through your hair, peppering you with kisses, and holding your hand.

-You half expected him to not even care about the baby but once the baby was born he seemed oddly fixated on it! To your relief the baby looked to be alive, healthy, and mostly human? Skin glowing healthy and a detachable heart beat. Though you could immediately see the resemblance between the baby and its father.

-Mr. Crawling was in love for the second time! Adoring your child and always keeping an eye on them. How could he not love them? As you explained it- this creature was half of him and half of you! They were amazing by all accounts and Mr.crawling sent chills down your back when he came to you at one point asking “Another?”

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🩸Mr. Scarletella

- Of course he knows what’s gonna happen before it happens. He doesn’t tell you on purpose he also has been hooked on creampies since being introduced.

-To be fair though, he didn’t think he it was possible either, he had some knowledge of human reproduction. Nonetheless, when he found you sobbing in the bathroom, he was overjoyed to find out there would soon exist a child that would tether you to him forever!

-During the pregnancy he was overwhelmingly clingy but oddly attentive. Anything you need, just snap your fingers and he’d get it for you in a heartbeat!

-Though he barely let you do anything. You wanted to assemble the baby furniture? Don’t blink because he’ll have it all built and taken care of before you can even dare to lift a finger.

-You also weren’t allow to leave his sight. He had you constantly in arms reach. Whatever you needed, you could have it and enjoying while still sitting in his lap.

-You were scared to death that you would give birth to the antichrist given Mr. Scarletella’s background but to your surprised you where given a healthy human- appearing baby. The only real surprise was that the baby came out with bright red hair. It almost made you giggle seeing the likeness he resembled to his dad.

-Mr. Scarletella would do anything to protect you and his baby. You can be he’ll always be there- on the first day of school, sporting events, graduation- it’s just overwhelming creepy when people see him standing in the background of your pictures!

__________________________________________

🩶Mr. Silver

-He did it in the name of science.

-He wanted to conduct research to see whether or not you could get pregnant.

-When you came to him with the pregnancy test and explained your symptoms, he was overjoyed and excited that it was a success!

-Of course he had grown fond of you- which was why he was afforded this opportunity- he would do everything in his power to make sure your pregnancy went as smoothly as he could manage.

-He insists on doing all your check ups and tests. He will bribe you with snacks you had been craving (He trades body parts with Mr. Gap to secure the treasures that seem to make you so happy)

-When you go into labor all hands are on deck! He’s the one helping you deliver the baby. Being dead- he finds the making of life absolutely fascinating, he views you in a more special light after open his world to such feats.

-He spends a lot of time with the child, running tests and taking notes, and occasionally trying to teach them from what you’ve observed. It was cute to see him trying to teach the kid about his research though you had to keep an eye on him or he’d get too ahead of himself.

-He considers your child together one of his greatest achievements. He feels a deeper connection with the kid when he sees his own likeness and your likeness in them.

#mr scarletella x reader #mr scarletella #mr crawling x reader #mr crawling #mr silver #homicipher x reader #homicipher

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inafever · 1 year ago

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On how much Aziraphale has learned since season one:

This is about character development. Inside of a story, everything that happens, happens for a reason. It's meant to tell you something, to teach you or the character of your story, something.

So if the story continues and your character repeats the same mistakes again you know that they are bound to be doomed this time, and even worse the audience is going to certainly lose respect for them, cause they have made the same mistake twice, they haven't learned anything, they're gonna do it again another time, they don't deserve a happy ending. (yes I'm talking about good omens here) So you don't do that to a character that matters to you and you respect even the tiniest bit.

A Lot of us here are thinking that this is what has happened to Aziraphale's character at the end of season two, that he has done it again, repeated the same mistake again and has left Crowley to join heaven and it's been because of reasons like wanting to change Crowley (not true, see this post), still believing in heaven's goodness (not true at all), not being on the same page with Crowley (I'm gonna talk about this one especially in this post) and such likes. But these are the things he should've known better about after 6000 years and all the events that we've learnt about especially throughout season two. (It seems to be rather the whole point doesn't it?)

But we all seem to rather believe that he's made that mistake again nonetheless. so what we're doing here is trying to find reasons to justify the mistake and somehow make the reason behind the wrong actions something relatable to ourselves so we can forgive him when the time comes.

In fact I don't believe that he's made a mistake. for Aziraphale's character to be redeemable, what he has done, must be the only option that he's had for saving them both. I don't care what kind of situation could have resulted in him making this decision, but the only reason, the one and only reason, must be his love for Crowley. Otherwise it'll prove that he hasn't learnt his lessons or doesn't love Crowley enough to make a compromise, and in both cases, he's not worthy of love. He won't earn his happy ending by being tortured and feeling sorry and doing the apology dance for Crowley if he's hurt Crowley out of selfishness and stupidity again

But I'm sure he'll earn his happy ending and I'm sure he's learnt his lessons and it's too late for him to have unlearned them all in a matter of a few seconds. (He is an idiot but he's not stupid) and it's mostly because of this, that I believe the reason why he made that decision, must be very different from what it appears to be on the surface.

Anyway, this post is about what Aziraphale has learned and how he's changed.

I have made a post about their moments of conflict from both season one and two, it's here and you can look it up. This is where you begin to understand how Aziraphale has changed since season one because these are his dialogues after he's had a fight with Crowley in the bandstand, season one:

"even if I did know where the antichrist was I wouldn't tell you we're on opposite sides"

"friends? We're not friends. We are an angel and a demon. We have nothing whatsoever in common. I don't even like you"

"there is no our side Crowley. Not anymore. It's over"

And then there's season two, when they disagree on what to do with Gabriel, Aziraphale is the one to point out that they both rely on the life they've built together

He's asking him to help him take care of Gabriel together and in response Crowley leaves

In the final scene he asks Crowley to come back to heaven

"work with me" "We can be together as Angels, Doing good" "I need you."

He says anything he can think of literally to convince him to stay with him and it doesn't work

We start from "we're not friends" and arrive at "work with me. we can be together"

Even if we don't know the reason why he's insisting on taking Crowley back to heaven with him, this is an Angel that has picked up the pace. That wants them to be an us. No matter what.

But these are only a few dialogues. I think there's more than that. I think the show in five and a half episodes (out of six) has tried its hardest to make the point quite clear about how Aziraphale feels about Crowley (or how strongly he feels those emotions). all through the way he looks at him and through his gestures and soft touches from time to time

I'm gonna make another post of those moments separately and I'm gonna link it to this when I do.

update: (here's the post. not just average moments of Aziraphale looking cute, it's something about the way he looks at him)

And I'd like to even compare those wishful glances to some of those from season one, but I can't, cause they are nonexistent in there.

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amuseoffyre · 2 years ago

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I’m emotionally ruined by the fact that Aziraphale hasn’t broken out of his heavenly conditioning. He still loves doing good. He gets happy when people tell him he’s an angel and says “it’s nice to tell people about the good things you’ve done now that I’m not reporting to Heaven”. He will literally put himself in harm’s way to make sure he does the Good and Right thing.

It can’t be understated how much Heaven’s influence still impacts on him. Aziraphale has been created, ordained and conditioned to believe it and he can’t just switch it off or walk away. Crowley didn’t get the choice. He was Fallen. He was kicked out and - as per the rules of toxic and terrifying cults - Aziraphale was always told for centuries and millennia, Falling was the worst thing that could happen. If you’re bad, you’ll be forced out. If you’re bad, you’re not one of Us. You’re one of Them.

When he did something he perceived as Right (ie. saving innocent children from death), but knew it wasn’t what Heaven intended, he broke down. Crowley found him a crying, shaking wreck afterwards because he was so convinced he was Evil. He was so convinced he was going to be dragged to Hell and that he was now a demon because he did one thing that saved some children but because it wasn’t a specific directive, it was Bad.

It shapes so much about him and it’s why the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it. He’s happy and excited and he’s doing his human-life things and having a lovely time, but he’s also constantly stressed because of the Need To Do Good. From the moment Gabriel turns up, he’s a nervous wreck and is trying to hide it by Doing Good, by Solving the Problem, by Fixing Things, by being so active and reactive rather than letting himself think about it. It’s a sign of exactly how frantic he is that he starts giving away his books and letting humans touch them.

Watch his face when the Archangels show up unexpectedly: that isn’t joy. That’s blind terror. He’s so afraid of doing the wrong thing in Heaven’s eyes, even though he made the active choice to do so because it was the Right thing to do. He’s a Guardian and he will protect, but he is so very afraid of the repercussions, even now.

At the end of S1, Crowley said “they’re gearing up for the big one” so Aziraphale’s not oblivious. He knows a big one is coming. He knows something worse than the Antichrist will be on its way. And he’s trying so hard to pretend that everything is normal and fine and if he ignores all the looming bad stuff, it won’t happen. If we don’t say anything about it, nothing has to change.

But then the changes come knocking at his door holding a box and the choice is gone. He can keep trying to blinker himself to it, but then there are angels and demons in the bookshop and he’s had to use his halo and everything is falling apart.

So when he realises that he can get himself into a position where he can guarantee those repercussions won’t happen to Crowley? He will absolutely take it. He says himself “I don’t want to go back to Heaven”, but the instant the Metatron offers him a free pass for Crowley, to take Crowley out of both Heaven and Hell’s sightlines, to keep him safe (Another bee inside the hive, if you will), no wonder he grabs it with both hands.

The tragedy is that Crowley thinks that when they saved the world together, that was the end of Heaven’s influence in Aziraphale. When he was cast out the split between him and Heaven was sharp and clean. He doesn’t - he can’t - understand how deeply it has tangled around Aziraphale. It’s built into Aziraphale’s entire being and unravelling it isn’t that simple. Aziraphale’s trauma is a horrible, terrible Gordian knot and Crowley can’t understand that he couldn’t simply cut through it, because that’s just not how Aziraphale works.

#good omens s2 #good omens season 2 #good omens #good omens spoilers #gos2 #go s2

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voxslays · 1 month ago

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LUCIFER MASTERLIST

Making Cookies! | You are happily making cookies in the grand kitchen of the hotel, only to be joined by a very excited Lucifer. But is he there for you or the frosting?

Decorating the Christmas Tree | During the stressful holiday season, Lucifer steps up to help you decorate the Christmas tree in the hotel lobby.

Can we build a Snowman? | Reader takes it upon themselves to pull Luci out of his depression and into the cool winter snow.

Wrapping Presents | Lucifer forces you to take a break from the menial task of the hotels paperwork—and forces you to help him wrap presents.

Making a Gingerbread House | Lucifer and the Reader are struggling to make the perfect gingerbread house…but at least you’re struggling together.

Mistletoe | In which; you kiss him under the mistletoe.

Secret Santa | What you get him for Charlie’s secret Santa.

Hazbin Men as Dads | How the Hazbin Men would raise their children.

Hazbin on Ice | What it would be like to go Ice skating with the devil.

Snowball Fight(s) | How the king of hell would react to you throwing a snowball an and getting into a snowball fight with him.

Lucifer’s Daughter Headcannons | What I think it would be like if Lucifer had a second daughter with reader.

Five Stages of Grief Headcannons | Various Hazbin Men and the stages of grief they will be stuck in.

My Resolution is You | What spending the new year with him would be like.

Sly Fox | Lucifer with a Fennec Fox!Reader.

Little Flirt | when you flirt a little too hard and pay the price...later.

New Years Kiss | Minutes before the annual new years countdown, which, Lucifer finds you quietly lounging on one of the upper balconies and decides to grant your new years wish.

HIS SECOND CHOICE [DISCONTINUED]

⤷ Lucifer selfishly chooses Lillith over the reader. Choosing that he’d rather fall into the depths of hell and be with Lillith than reciprocate the love the two of you once shared. (Angsty, Unfinished)

Nav. One Two APPLE OF MY EYE [ONGOING]

⤷ An attempt by heaven to kill baby Charlie—the antichrist—goes south when Reader sacrifices herself to save her newborn daughter. (fem!reader)

One Two Three Four Five Six

#hazbin hotel x reader #hazbin x reader #hazbin hotel fanfiction #hazbin hotel headcanon #hazbin hotel x you #hazbin x you #hazbin hotel imagine #lucifer x reader #lucifer morningstar #hazbin hotel lucifer #lucifer morningstar x reader #hazbin lucifer #obey me lucifer #alastor x lucifer #lucifer magne #lucifer hazbin hotel #hazbin hotel #masterlist

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ineffable-suffering · 1 year ago

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The meaning of "I forgive you"

Alright, hello again, I involuntarily dipped for a bit because real life outside of this lovely Tumblr Good Omens bubble got a little bit stressful, but! I'm back for a quick little post to say that I'm currently reading the script book for Season 1 and seeing this line again, spelled out on paper, just shone some more light on the whole „I forgive you“-scene of Season 2 for me again.

Because really, this first time Az says it to Crowley in front of the bookshop tells us exactly what the second time during the Final Fifteen means.

Aziraphale is not forgiving Crowley for kissing him. Or for using this moment to confess and make things explicit between them.

No, Aziraphale is forgiving Crowley for not trusting and believing (in) him.

Let's shove the Final Fifteen to the side for a second and look at this scene from Season 1 under the cut.

The situation at hand: The World is ending, with utmost certainty. In addition, Crowley is absolutely f*cked and Hell is out to get him. He tries to apologise for their Bandstand fallout and explain the other two things to Az (poorly, but he tries). Because to Crowley, Armageddon is a done deal already. Wherever the actual Antichrist is, he's gonna come into his power and the World will be wiped out for Heaven and Hell to wage their war on. Also, Hastur is coming to kick his demon ass. Time to dip!

And yet, Aziraphale doesn't want to come with him. He is adamant that he will be able to reach the Almighty, talk to Her and turn this around. Because if Aziraphale, Guardian of the Eastern Gate, thinks there's even the slightest, tiniest morsel of a chance that he can turn things around the right way, he will do it. Even if it sounds ridiculous. Even if it's a lost cause to everyone else. Even if all the other angels gang up on him and (literally) beat him up.

Even if Crowley calls him stupid.

Aziraphale decides not to be offended by this.

Because this is what he does. This is what a Guardian does. He stays and protects to ward off the intrusion, until the very last second.

Now listen, I'm the last person to blame Crowley for intrinsically wanting to choose Flight over Fight in this very situation, because Lord knows (literally) what happened to him back when he chose Fight and lost.

But at the same time we have to keep in mind that despite his last name, Aziraphale never Fell. He never made the horrible experience of being chucked away by the one who made you to love Her because you chose to question her ways. And yes, in so many ways this choice of his, to still believe that he can change something by questioning and suggesting (both here and in S2), is utterly maddening and hurtful to Crowley. Because it's a mirror of what Crowley himself did and a reminder of just how big the price he had to pay was. Aziraphale seemingly not realizing or understanding this stings. It does.

And yet.

Yet Aziraphale's choice to not take no for an answer, to not let a punch to the gut derail him from his plan, to not let even the most definitive thing such as Armageddon keep him from fighting back, is the one thing that ends up saving the World.

Because even when it all seems impossible and completely hopeless and bloody Satan himself is erupting from the pits of Hell, ...

... Aziraphale picks up his sword and fights back.

And he wins.

Not without help, of course. But might I remind you of what got Crowley to cooperate and not simply surrender like he'd almost done that second?

You might not see it at first, but tucked in between all the posh hedonism, hidden away underneath that tightly buttoned waistcoat of his, Aziraphale is a fighter. And a good one at that. I mean, for Someone's sake, he got discorporated, beamed himself down back to Earth, found Crowley somehow, possessed a psychic prostitute (love you, Madame Tracy), rode a scooter all the way to Taddfield and fought off Lucifer with sheer willpower (and a bit of emotional coercion).

Aziraphale can fight. Smart and hard. And not only that: He can win, too. And he knows it. Because he believes, truly, firmly and wholly, that he can make things right. It's the only thing he will settle for. This, ladies and gents, this is how he ends up saving the World, together with Crowley, Adam and the rest.

Because he didn't accept no as an answer. He didn't look at the impossible and accept it as such. Even when Crowley thought him to be an idiot for trying and even after his initial attempt at talking to God had failed, Aziraphale still found a way to stop The Big Bad Thing from happening.

Which is exactly what his plan is when he ends up being forced to come back to Heaven by the Metatron. (If you still believe this was a voluntary choice, read here). And which is exactly why he is so hurt and still ends up forgiving Crowley for the fact that Crowley doesn't end up coming with him. Doesn't end up understanding, trusting and believing (in) him, just like all the way back at the end of the World in Season 1.

Aziraphale decides not to be offended by this.

#good omens #good omens season 2 #crowley #aziraphale #ineffable husbands #good omens meta #gos2 #good omens 2 #i forgive you #*saunters onto your feed* i'm BACK #the final fifteen #aziraphale is a fighter #and he will always win #my own meta

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zeroducks-2 · 5 months ago

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What's up with batman and the erasing of queer history? Sry I try to interact with fanon as little as possible

There is no simple or short answer to this but to try and not make it a wall of text - Batman/Robin has always been a staple of the queer community, so much so that to this day there are "brudick" graffiti in big cities and lots of older gay couples have been using them as a reference for solid partnership which endures in spite of adversity.

Originally there was no indication anywhere that Bruce and Dick were in the roles of father and son, rather they were partners against crime, one the shadow of the other, and they would share everything both when it came to crime fighting and in their everyday lives. They're shown sleeping together, going on lake trips together, finishing each other's sentences and Dick being viciously jealous every time Bruce would "replace" him with any of the women he used to have flings with such as Talia or Selina.

Did DC mean for them to be read as a queer couple? No, of course not. Bob Kane and others wrote a partnership, an unbreakable bond which would allow these two men to overcome any obstacle together, and queer people read into it as queer people always do.

Someone else read into it though: Frederick Wertham, who called Batman a pederast and used Batman and Robin as an example of how the evil comics would corrupt young minds to send them on the way of perdition and sin. He wrote all of this and many more infuriating shit in his book Seduction of the Innocents, which was then the major influence in creating the Hayes Code, which is the reason why we never had queer characters in comicbooks and movies and anything really for decades (and we're still struggling today).

Wertham and the Hayes Code did not stop the queer community from loving Batman and Robin though, therefore what started happening was the more subtle shift towards Bruce and Dick having a father and son relationship rather than a partnership. You can see this clearly with Jason Todd for the first time: Bruce takes Jason in and treats him as his own son, the narrative calls them father and son, and there is no doubt in the mind of who's reading that Bruce perceives Jason as his child. It all went steadily downhill from there.

Nowadays, writers have Dick say character assassinating things like "I love you dad" to Bruce, Tim saying "we will save our dad" to Damian, and everyone in the fandom acting like this has always been the case and actually you're weird and you should be sent death threats for shipping Brudick, because "UMMM that is literally his son?!??!?!?". DC has been pushing the idea that these folks are a nuclear family for a while now, but whoever has actually read the comics knows it's not the case, and it used to be very different before.

Brudick, among queer people, used to be entirely uncontroversial. While Wertham raged about how it corrupted the minds of young men and the Hayes Code prevented queerness to be anything but vaguely hinted and coded in the text, queer folks didn't care and kept having matching Batman and Robin shirts.

Today queer people will call you a pedophile and a groomer and try to doxx you for posting Brudick art because apparently they're doing the fascists' job for them, either because they are genuinely misguided or because they think that if they're enough morally pure they will have a spot among the chosen ones, hell if I know. What I know is that they'd suck Wertham's cock and balls if he wrote Seduction of the Innocents today, and it's DC's fault too with their erasure of every found family dynamic among the batclan, and the way they've been pushing the idea of a "batfamily" instead, in which everyone has a strict role of son or brother or father, and shipping them makes you the antichrist.

#I personally don't even ship brudick #and the ships between bats and birds don't do much for me in general #but I see the devastation caused by how queer people police and censor (and abuse) each other #on the basis of preserving the sanctity of a family that doesn't exist and is not even a family #my asks #my meta #dick grayson #bruce wayne #brudick

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regainingparadise · 5 months ago

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Relistening to TMA Season 5, I am again struck by how goddam badly Martin and Jon need couples counseling.

I love them both. I ship them very much. But oh lord they have issues

Like, these are two individuals who, under the very best of circumstances, would really need therapy both individually and together. They are both people with plentiful quantities of relational trauma from childhood that neither of them have worked through even the slightest bit.

And then you throw them into the apocalypse. And you add a metric fuck ton of guilt, helplessness, and the dynamics of being "The Antichrist and +1"?

On a surface level--Jon is in a perpetual state of information overload. Martin is in a perpetual state of "can you please just explain the basics of what's' going on in a given situation and not just say "it's complicated" or launch into a gruesome monologue"

But on a deeper level, their childhood relational traumas have left them each with opposing avoidant tendencies: Jon is unwilling to broach a difficult conversation, which leads him to hide information until he's confronted. Martin, on the other hand, has a finely honed ability to ignore information that he doesn't like until he no longer can hide from it.

Biggest example of their avoidance tendencies: Martin's Domain

Way early on, when we barely understand any of how the hellscape works, Jon mentions it, Martin shuts it down hard and deflects quickly with a bid for affection from Jon

Martin is in deliberate denial, but Jon admittedly wasn't particularly clear to start with.

"We all have a domain."

Jon means it, presumably, as "Me, You, and other 'Avatars.'" Jon is used to being grouped with those empowered by the Entities. Martin isn't. (see also: MAG185: Martin" Is that how these creatures see us now? As one of them?") But that's not what Jon says. And this is MAG167--they've only been through four domains, at least that we've seen. Jon is speaking from a place of knowledge, and assuming his listener has that same knowledge.

And when this issue comes up much later in MAG183, Martin has spent 17 episodes ignoring or forgetting that he has a domain, not letting that information in so that he has never processed it. (See also: Mag170: "Sometimes I wonder if I forget things on purpose. Easier not to think about them, I guess. Easier to just let them… slip away. They can’t hurt you if you don’t think about them.").

Martin confronts Jon on his avoidance (because while Martin may be good at ignoring things he doesn't like, he's far better at bringing up challenging topics), Jon is able to manage some A+ communication on his feelings and the genuine challenging of figuring out how to share upsetting information when he has All The Information, Martin accepts that. I just desperately want a therapist to be there and make them continue this conversation and practice ongoing good communication skills!

Though they resolve this, even though Jon has an explanation that makes sense...he was really leaving this conversation to the last minute. Would he have "[brought] it up at the crossroads" as he claims to Helen? Or would he have avoided it entirely, as she accuses, or waited till they were at the threshold, as he does with The Desolation and the Hunt, leaving Martin to confront terrifying situations without forewarning or planning or explanation.

Again, Jon kind of tried to bring up some of the potential issues with Basira and Daisy before entering the Hunt domain, but kept it Vague and Ominous ("Things aren't...good"). Martin took that vagueness as an opening to avoid engaging with potential bad news. The teensiest bit of therapy for either of them about their communication issues could have let Jon add "I know you're exited but FYI here are some specifics that you should know" and/or Martin go "I'm excited to see them but given that nothing is good right now, can you be more specific?"

Instead, Jon approaches difficult conversations by being Vague and Ominous, Martin gets snarky or passive-aggressive at the vagueness, upset or aggressively avoidant at the Ominousness, Jon closes back up like a turtle into his shell, and the conversation only comes back up when the situation has drastically escalated, leaving them both more upset.

Jon wants Martin to trust him, because explaining what he knows implicitly is an ordeal for him, and because his upbringing by his grandmother has suggested that communicating is generally unwanted and burdensome (See: MAG081 A Guest for Mr. Spider).

Martin wants to know what is going on, because he's in an awful hellscape of shifting rules about what can and cannot hurt them, completely dependent on a brand-new romantic partner for his survival and purpose, and also because his upbringing and coping mechanisms as a caretaker rely on him knowing enough to help, and his time as an archival assistant has given him some not-inconsiderable trauma about being left in the dark (See: MAG118 The Masquerade) (There's also another post in my head about how MAG118 primed Martin for both the Lonely and his development as a more confrontational character in S5)

All that to say.

Martin needs therapy to deal with the way he chooses not to absorb information he doesn't like. Jon needs therapy to understand that sometimes it's ok to bring up important topics even if the other person will be upset. They both need therapy to cope with all the guilt and helplessness around the apocalypse so they stop taking it out on each other. They need therapy together to learn how to work through their conflicting coping mechanisms.

#Look I love them #But they need so much therapy #Even in the most no powers fluffy AU fanfic #They really would need therapy #Jmart #teaholding #Jon Sims #Jonathan Sims #Martin Blackwood #Martin K Blackwood #the magnus archives #tma podcast #tma #tma meta #tma spoilers #making my english professor proud #Marfisa Thinks Things

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fuckyeahgoodomens · 1 year ago

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The Radio Times magazine from the 29 July-04 August 2023 :)

THE SECOND COMING

How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?

For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.

This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.

Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.

Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).

It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.

A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.

There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.

In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.

"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."

Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.

Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."

He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.

And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.

After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."

While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS

DIVINE DUO

An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise

Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."

Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.

It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."

Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.

Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?

David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!

Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.

There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.

David: Nothing's explicit.

Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.

There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?

David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.

Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?

Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.

David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?

David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.

Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!

David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"

How do you feel about your US peers going on strike?

David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.

Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible

Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?

David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!

Michael: I don't think we were thinking beyond three, were we?

So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?

David: Oh, never say never, will we?

Michael: And it's more Hinge and Bracket.

David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN

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bellisima-writes · 19 days ago

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Fluff or Smut or...Plot!?

So, we hear so much in the GO fandom about whether you're a fluff writer or a smut writer. And we are SO well fed, amazingly fluffy and unbelievably sexy works (sometimes at the same time) being published to Ao3 every day that leave us not for wanting.

But there is another type of fic that doesn't get as much attention - the middle child in our little fandom that actually tends to be my personal favorite - and that's the plot based fic.

They can contain it all: emotionally healing moments; fluffy domestic moments, scorchingly sexy moments, but they're not defined by any one of them because - behind it all - is an ongoing plot that drives the entire thing. They tend to be longer and, sometimes, will receive a lot less attention than their flashier siblings.

SO, in celebration of these types of fics, here are some recs of plot based stories by smaller authors (we all know the Icarus's, the Factory Settings, the Demonologies of the world, plot based fandom staples that don't need mentioning) that could fill that void if you're in the mood for something a little meatier to read:

My Heart Was Always Yours by @addledmongoose - M 144K - A plotty and fully flushed out "let's save the world" story without all the angst and weight of the Final 15? Yes please.

This one is a what if they never met story: Aziraphale and Crowley are their usual selves but have no knowledge of the other on Earth. They are both individually tasked, by their respective sides, with stealing Raphael's trumpet from an auction in NY in order to kick off Armageddon. They form an arrangement to pretend to be a married couple in order to steal the trumpet, all the while believing the other to be human. If you've not read an addledmongoose fic then you're missing out. Their clear and crisp prose are a delight to read, vividly visual and painting the action so dynamically you'll feel like you're actually there.

Undone by @itsscottiesstark - T 122K - What if Aziraphale and Crowley discovered that they botched the baby swap right after Warlock and Adam were born and tried to influence the actual Antichrist from the beginning? This is a clever, sweeping and gorgeously written story that spans across the 11 years leading up to and through the Apocalypse. This story shines because of the author's unique ability to weave canon into an original story, tilting it slightly and breathing new life into every reference.

Wrong Turn by anticyclone and art by D20Owlbear - T 37K - If you know me, and you've read anything I've written, you know I love playing with time. Stopping time, going forward, backward, sideways with time; I love it all. And then, right behind that, I love a multi-versal story. And this one is really special.

This story (which was written before season 2 and is void of all final 15 angst) follows Crowley being pulled into an alternate dimension where the other versions of Aziraphale and Crowley have yet to confront Armageddon and are actually enemies. I never ever tire of seeing the different takes on who these two would be without the other, nor how their love, no matter what, is always there right below the surface, ready to burst forth.

All of the other ones I've read that fall into this category are extremely popular, so I am going to stop there and ask you all to reblog and self-rec or share your favorite plot based fics with all of us!

#good omens #good omens fanfiction #bellisimas fanfic roundup #i guess these are themed now?#shrugs i'm just running with it #good omens fandom

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mochinomnoms · 1 year ago

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I love all your stuff, it fuels my Octatrio brain rot!

After reading your post on the Azul explaining that marriage contract post, I couldn't help but think of how the tweels would react to seeing people tease yuu about their "engagement" (I'm sure octavinelle students complained to their friends I the other dorm about the very loud mating happening) and some who don't believe it and are stupid enough to flirt with/bully Yuu.

Like Ace would tease them and say "should we call you Mx. Leech from now on?~" while Deuce is "WHAT ARE YOU THINKING?! BLINK TWICE IF THIS IS AGAINST YOUR WILL" and Grim wondering how they can use this to get more tuna

Meanwhile an idiot from Savannahclaw or Diasmonia approaches you and says something like "So your whoring yourself out to non-humans? When's my turn with the magicless bi-" then his body is found at the bottom of a lake somewhere the next day.

Thank you for being a place for us octasimps to gather and spill our thoughts!

(yessss octasimps take residence with meeeee~)

Oh, word gets around soooo quick, no matter how much the twins scare the dorm, Octavinelle students like to gossip. Besides, it's not like the tweels care, they want everyone to know that you're taken! Must be a merfolk thing, because you're trying to hide from the embarrassment of being known as the one who fucked not one, but both Leech twins.

You spend the entire first period ignoring Ace's jests and prodding, while Deuce continuously checked in. He wasn't convinced that you weren't swindled into a contract, please help calm him down, he looks like he's going to cry. Grim is actually disgusted, until he receives a platter of fancy tuna at lunch from an “anonymous” benefactor. Now he's down for anything as long as Jade and Floyd provide him with the most decedent seafood.

You eventually have to run an errand for Crowley during your study period, so you leave Grim with Jack to run it faster without the familiar's interruptions. That's when the scenario above happens:

You're cornered in a hallway by a small group of students, one from each dorm minus Octavinelle. They may gossip, but they certainly know better than the others. The group is jeering and whistling, a Scarabia and Diasomnia student reaching to pinch at your arms and thighs, while a Pomefiore cat beastman croons.

“Aw what's wrong? I thought you liked nonhumans? Huh, no? Well, then maybe you shouldn't have been such a whore for merman dick!”

A few more hands move to grab and push you, intending to take out their long festering anger with the twins on you instead. Intended is the key word here; two towering shadows cover you and the group when two pairs of hands reach for the group leader, the cat from Pomefiore. He screamed before being cut off by a crunch, collapsing on the ground as he groaned and clutched his ribs.

Floyd terrifying when angry, but it's not an unfamiliar sight. But Jade's always had a polite, soft expression. So seeing him with a blank face, but fury filled eyes was like looking into the eyes of the devil himself. Combined that with each other, the twins were like the antichrist given form in the shape of 6'2” sharped tooth mermen. Your mates made quick work of the group, growling insults and promising them that they're being much more merciful than they deserved.

After the whole ordeal, you find yourself being accompanied by Floyd draping his arm around your shoulders as you finish your task. Jade walked off, letting you know that he needed to make sure he reported back the students' behavior to their housewardens. Omitting their latest “scuffle” of course. They should consider themselves lucky that they only walked away with bruised ribs, black eyes, and only one hand and nose were broken! They really went easy!

Everyone knows not to mess with you after that. Everyone should know how protective nonhumans get over their humans, especially moray eels. The sharp teeth aren't for show, you know.

#mochi asks #twst #twisted wonderland #jade leech #floyd leech #twisted wonderland x reader #twst x reader #jade leech x reader #floyd leech x reader

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shini--chan · 5 months ago

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Yandere Character Sheet II - 1p England / Arthur Kirkland

My depiction of Arthur here is harsh. I'll freely admit that it is due to a bias I have against the British due growing up in one of the Empire's late colonies and family history. Blazes, some of my relatives refuse to speak English because they regard it as "the language of the Antichrist".

Trigger warnings: colonialism, controlling behaviour, manipulation, mental break, trauma, physical torture, emotional/verbal abuse, victim blaming

Blend in - Are the red flags obvious? Are they even aware that their behaviour is wrong? Do they even care?

Arthur is generally a cantankerous, cynical and proud man, so it would be more difficult to tell which of his actions are relationship red flags as opposed to personality red flags. Of course, this is also a gross oversimplification of the situation since he is complicated. When he wants to be, he can be genuinely kind, polite and caring. It is simply that the closer you are to him emotionally, the higher his expectations are of you. With you being the apple of his eye, you'd have the honour of finding out that being the subject of his affections is worse than having to bear his apathy or even ire.

One of the reasons for this is that he'd have a fixed ideal of what constitutes as good and proper, and he would require you to conform to that image. Depending on your character and disposition, this could be painful for you. But surely you'll embrace your cruel fate, for isn't love the sweetest form of suffering. Pragmatic and cynical as he would be and would claim to be, Arthur would still be a romantic at heart. To him, meeting you would be fate, and you would do well to likewise recognise that your fate lies with him. Generally he wouldn't accept any words or actions that would go against this perceived destiny - he wouldn't take them seriously.

Overall, he would see you as lesser than him, and therefore not as deserving of respect and regard. Much of the politeness and charm he would display to you wouldn't stem from seeing you as an equal or from thinking highly of your thoughts and emotions, but rather from the sort of charity given to the invalid and the naive.

This flows nicely into the next red flag, in that he can be unbelievably paternalistic and conceited. You acting out, trying to defend your boundaries, or even just not fitting into what he deems appropriate would be deemed as you being unreasonable or having a phase. All in all, it would be very difficult to criticise him since he would first have to view you as a person worth listening to, and that wouldn't be a given. Even if your relationship has reached that level of respect, he would be quick to deliver some sharp retorts. Also, he would simply not care that some of the things he does are reprehensible. Either the end would justify the means, or the other people are inferior and conventional morals can't be applied to them.

Additionally, he would be prone to making decisions for you, without your input. Mind you, he would allow you to place your orders by yourself when you go out to wine and dine. Though, he would decide what you wear, when you go to sleep, what you eat and drink at home, and the media you consume. This would start way before he would manage to fully isolate/kidnap you. Arthur regards himself as more apt when it comes to making choices about your life than you are.

Related to that above, he would manage to make you go along with all that (at least in the beginning) by acclimating you to his controlling nature. He wouldn't dominate your life all at once and the more he'd enter your life, the more he'd determine how you'd live your own life. He'd demand that you tell him of all your movements and errands, make you let him look through your letters and bills and have you give him the passwords to all your accounts. On top of that, he would micromanage you at times.

Another warning sign would be how unpredictable he would be. When it comes to social interactions, what happens is very dependent on Arthur's. He is far from emotionless, and is very passionate indeed. However, he isn't one to wear his heart on his sleeve or display his emotions openly, which would make it difficult to assess the situation at times. A bad time on the way home from work can decide if you receive affection or are pushed away with sharp remarks. Additionally, it would be the little things that would set him off the most, while he would remain stoic and calm in the face of large calamities.

Compatriot - Who aids them? Who condemns them? Are there ways you can convince their friends/colleges/underlings to help you?

Part of Arthur's magic is convincing others of his superiority. There would be many that would aid him simply because they'd falsely believe he is all-powerful and that moving against him is futile. These sorts would be the worst - you'd have their sympathy and pity and they would likely believe you fully if you'd recount the lived horror and they'd still resolutely refuse to help you. On the contrary, they would even encourage you to give in to him, to simply weather the storm instead of fighting against it. These people would also be the hardest to persuade and the fastest to betray you, since they would fully buy into the illusion of Arthur's invulnerability and seek to gain small favours from their "Lord and Saviour".

Then there would be those that would be on his side because they'd agree with his world views and morality. Best not to bank on their support, because Arthur would always be grander in their minds than you. Unless … there is nothing more feverant than a disillusioned devotee, eh? There, you could get their support, you would just have to teach them successfully that their angel is a demon.

Naturally, England would also have many enemies. So some of them, all that would matter would be to land a blow on Arthur, so they would have no qualms or second thoughts of helping you. They might even "be on your side" before you'd catch on to Kirkland's true colours. Perhaps they would even be the ones to shine light on his less appealing traits. One thing that you should keep in mind though, that they wouldn't care about what would happen to you, as long as they could hurt Arthur.

Aside from the obvious category of people that hate Arthur and who would also be sympathetic to your cause, there would also be the normal people that just want to go about their day-to-day lives. Those that might work for Arthur; they might trip you up if they like him, they might ignore your forged documents and stolen money if they hate him. Generally, many people downplay the power and the influence of the ordinary, working man. Arthur would be no exception to this rule, and could use this against him.

Dominion - What actions are especially pleasing to them?

Above all else - you defer to him. He wants to be your guiding light in the darkness. He is supposed to be your teacher and protector and provider, and he wouldn't settle for anything less. For you to recognise and accept your role in the dynamic between the two of you would be a boon. It would be a relief that he wouldn't have to chastise and punish you like a wayward child. It would give him a bit of hope.

Interestingly enough, he would still desire for you to be resolute. Silk hiding steel comes to mind and if you're the sort to faint at the slightest sign of trouble, he would deem you a product of bad breeding. You are to be a rose, and your thorns should be sharp. Of course, this shouldn't come at his expense, for he doesn't want somebody that would constantly stand against him. You should be the sort that is a fun conquest, and a steadfast companion that doesn't cause more trouble than you solve. The deep irony here is that he wishes that you aren't a child, all while being continuously paternalistic.

Appeal to his finer sensibilities - have etiquette down pat, be educated in that you know the classics and poetry and the BBC nature documentaries. Be easy on the eye and balm for the soul to him, make him feel respected and allow him to rant about god and the world without always throwing in your two cents. Be attentive to his needs, whether it be a shoulder massage, a bottle of port or tickets for the nearest rugby match. Communication without many words necessary would be prefered. On your side, such a skill would even be needed if you want to survive him.

Tied into that - he would want the little things taken care of by you. Have a meal ready when he comes home, and the bathroom scrubbed and the washing done. Still he would require the dichotomy of a homebody and an adventurer, at least to some extent (and you thought he was going to leave you alone at home). Everywhere though, you'd be expected to put his well being above your own. After all, if he is out cold, then who will take care of you. No matter how strong and capable you are, he will forever regard himself as your superior.

Conform to the values of the time. If there is something that irks Arthur beyond measure, it would be not understanding something. He wouldn't understand you if your mind runs on models of the world he is not familiar with. Of course, if you don't see things his way yet then it is no issue - diamonds commonly need polishing and cutting before they are perfect. It would be a re-edition of the white man's burden.

Flight - What do you have to do in order to escape them?

It would be easier than you'd expect. Arthur's main spiel to make you stay by him would be to make you think that escape is futile, and that he is all-powerful and all-knowing when it comes to you. He would aim at "demonstrating" this by stalking you or also letting you escape only to capture you again. This wouldn't be his only failsafe. Perhaps he'll socially isolate you, so that you believe he is the only person in the world that you can trust, or he'll convince you that you're a horrible person, and he is only doing on to you what you deserve (he might even believe the latter himself). So what you have to do, is break the mental fetters, and then matters already become easier.

Two pathways are recommended: Either do something completely haywire that he wouldn't expect. Send yourself abroad per post, join a travelling circus troupe or become a nun. There are only so many avenues of escape that he can close down, and the most obvious would be the first to go. Or you could elect to hide in plain sight and slip away. Lose him in a shopping mall or in a crowded street. A concert would be even better. Afterwards, it would be advisable to act normal - because he would be looking for a harried person.

And have some tranquillisers/sleeping pills at hand. You'll need them to cope with the fallout.

Hospitality - What is your life like with them? How much does it deviate from your former life?

You'd basically have to adopt an Arthur-approved lifestyle and discard everything that came for. He would dictate the tempo and direction, with you having precious little say in the matter. You'd only have your way if your interests coincide with England's or you plant the ideas in his head and let him think it was his idea in the first place.

You'd become another fixture in his environment and thus everything that is his would become yours as well. The living space would be his and he would share it with you. Whether you like it or not, you would start orienting yourself around his routines and ideas. A side effect of this would be that he would control what you would read, watch and listen to. When locked up and subject to his tender mercies, you would be powerless to obtain any information other than what he allows.

Aside from that, there are too many restrictions and rules to count, and you would only be able to have some comfort once you learn to navigate the minefield. In total, your life would be more akin to life in an old girls boarding school, or even a prison. The food would be just as bland, unless you'd take matters into your own hands.

With him, your opinion would matter very little and his would be everything. Every criticism of your person would have to be acted on immediately, and every wish treated as an order. Of course, he would detest it if you'd simply allow him to walk all over you, but he would equally loath it if you would stubbornly resist it. It would be a balancing act that you would have to learn to master.

In the beginning you might be inclined to point out how his treatment of you would contradict his own morals. Arthur wouldn't care - this is a point that can't be stressed enough. Conventional morals wouldn't apply to you, in his eyes. Besides, you would be his plaything, something with which he can engage in all his base desires and dark urges without any repercussions. Somebody at his station would have to punish him for him to genuinely become better towards you.

There are few holds barred for him when it comes to you, and that makes him all the more dangerous. Should the mood strike him due to your bad behaviour, then he would bring out the thumb screws and the brands and the water torture. He probably wouldn't want to mar you, or at least not too much. You should still be prepared for burns of all sorts and being twisted into various uncomfortable positions and restrained. Here, the menu would be a lengthy one.

Of course, there would be the social aspect. One of the first things Arthur would do would be to chip away at your social circle. This could be either through slander and manipulation, or more criminal methods like framing, drugging and murder. Eitherway, soon he'll be the only one you'll have, and since he is a jealous man, you would either only be able to interact with a carefully curated group of people, or not at all.

Order - What are the rules you have to adhere to?

There are too many rules to count when it comes to Arthur Kirkland. He wouldn't spell out all of them for you anyway, since a lot of them are self-evident in his eyes. Besides, he'd want you to live according to the spirit of the rules, rather than him having to lay out an exact wording only for you to engage in loophole abuse. Regardless, here are some of mentioned rules:

If you don't have anything nice to say, don't say it at all. Mind you, this is only towards him - other people are fair game. Although, you'd have to be smart about it and avoid causing second hand embarrassment. This would be easier said than done when you're in company, since your actions would automatically reflect on Arthur, once a certain point in your relationship has been reached. If you'd curse and chew out the world with him, he would be delighted. If you would turn your insults on him, he would burn with rage at the insolence and the impertinence. How dare you undermine his authority! Verbal sparring would be occasionally welcomed, though you'd have to have the sensitivity to tell when the ice is too thin to stand on.

Behave yourself when we are in mixed company. Even when we are in company in general. To him, you are a pet project, living evidence that he can fashion perfection out of flesh and bone and a willful spirit. Totting you out to other people would come with the expectation that you be a living exhibit of his talents. As such, he wouldn't take it well if you misbehave. Mind you, he wouldn't be above humiliating you in mixed company just to save his own reputation.

Keep up with the etiquette, will you? Belonging to him would mean you'd have to comply with a whole host of rules and rituals and mannerisms. This can vary depending on his social standing and the time period. The main point would be that you wouldn't stick out like a sore thumb. The irony here is that he would desire you to have the skills and aptitude to get along well with your peers all while wanting you all to himself.

Don't make me repeat myself, pet. There are some phrases Arthur would repeat around you over and over again, like an especially devout priest. He would want you to internalise some truths after all. On the flip side, he would loathe to have to repeat himself when he talks with you, or to have to lay out his instructions a second time. Should he be peeved, and then be forced to repeat himself just because you weren't paying attention, then you would have a punishment awaiting you. Above all, don't talk back when he orders or chastises you - he wouldn't hold back with the yelling and the insults and the condensation if you do.

Be honest with me, savvy? I can't smell what you are thinking, after all. For somebody as cunning and devious as Arthur Kirkland, he gets extraordinarily upset when he is given a taste of his own medicine. He would demand you be forthright and honest with him, something that would be very difficult if you don't want to be with him and don't want to anger him at the same time. The reason behind this would be that he would want to trust you, and he wouldn't be able to trust you if he'd have to cut through your lies and half truths and word games. Or if he would only receive your complaints from around five corners, or something of the sort. Asides, if you're the sort to voice your displeasure and be open about your thoughts and feelings (to him, it should be said) then he wouldn't be in for any nasty surprises.

Rehabilitation - How much will they change you? Will they break you? How much therapy would you need in the event that you get rid of them?

Arthur Kirkland is the sort of man that would leave scars. He'd want you to be unable to live without him and he'd strive to condition you to dissolve into hysterics should you be separated from him. In the case he should succeed, you'd be fine for a few days and then descend into such emotional turmoil. This would be because he'd have your behavioural structures tailored to him, and without him to act as your focal point, you would grow anxious. Be careful not to go crawling back to him then - each escape would be more mentally challenging then the one before.

Even when you'd be away from him, his rules would be so ingrained in you that you'd follow them on a subconscious level. You'd find yourself fixing your posture all the time, and weighing each word up against gold before uttering it. Out of reflex you'd discreetly check your surroundings to see where Arthur is and no matter how much you'd police your thoughts, his cynical attitude towards other human beings would have rubbed off on you and infected your mental processes. Arthur would continue to accompany you as the devil on your shoulder, as the voice of your inner critic, as a demon that would haunt your dreams, even if he would no longer be physically present. You'd have to be self-aware and self-conscious to rid yourself of those fetters.

Aside from that, he wouldn't hesitate to break you to achieve his goals. There would be regrets on his behalf, yes. However, he'd never regret breaking you to the point that he would strive to make amends and see the errors of his ways. Instead, he would blame you for being too rebellious, for having such a brittle character that you broke instead of bending to his will, for being of ill stock and bad breeding. Admitting wrongdoing would be akin to weakness for him, something he would never allow himself to display in front of you.

Perhaps you would retain enough sanity and energy even when broken to flee him, perhaps you would develop a secondary or even tertiary personality to deal with the trauma. Either way, a life without Arthur would be even more cumbersome and hard than when you'd have been whole. It would take years until you'd be able to function normally again, and that is only if the best case scenario of you having a stable life without Arthur hunting you, occurs.

Zeal - Do they fall fast or slow? What is their reaction to their own feelings?

Ever the romantic at heart, passion would grip him quickly, yet he would be very slow to act on it. It wouldn't be the first case of limerence on his side, and he would want to be sure of his feelings and their longevity before committing to you. Ironically, the more he'd try to wrestle his emotions into control and bottle them, the more potent and out of control they would become. Finally, they would overwhelm him and he would find himself rationalising the most heinous actions.

The same justifications he would use towards himself would be applied towards other people, maybe even towards you. As time passes, the self-justifications and such would come ever easier, and also more extreme. It would finally reach a point where morality would be flung out the window. Why should he heed boundaries, if there is no punishment for overstepping? Maybe you find some countermeasure within your power that you can exercise to keep him in line. Just don't harbour the illusion that it'll work forever.

Art doesn't belong to me, nor does the character!

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