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#hope you are well OP!
abigailspinach · 2 months
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INCOMING SEROTONIN: how are you today! Hope you are well 🥰
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I am good!
I have too much going on at work so instead of being diligent I am sneaking reading of Lois McMaster Bujold here and there throughout the day. # good choices
Reading "Masquerade in Lodi" today
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thebaratie · 1 year
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thinking of him always
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r0semultiverse · 30 days
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Small indie artists in need of support for moving out by September!
💜 These lovely folks [@QuinsCurse (they/them) & @sswitchblade03 (xe/xem and he/him)] are part of a small queer-owned Youtube community I'm in. 💖
💖 If you could lend a helping hand by reblogging & queueing this post up until the start of September, I'd greatly appreciate it & I'm sure these fine folks would too! 💜
⚠️ Do not tag as d*nations or anything like that! ⚠️
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"Hi everyone! Requests are officially closed as I am opening emergency commissions! Please consider supporting me as we are getting kicked out and have managed to find a place that’s affordable but need to save up 5k by the end of the month! Anything helps! I also have a dontations page if you are willing to help do that! All the money received from commissions will be going to the deposit! https://ko-fi.com/quinscurse/commissions https://ko-fi.com/quinscurse/goal?g=32"
⚠️ Do not tag as d*nations or anything like that! ⚠️
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"https://ko-fi.com/sswitchblade03/commissions https://ko-fi.com/sswitchblade03/goal?g=0 EMERGENCY COMMISSIONS!! My roommate ‪@QuinsCurse‬and I are needing about $5000CAD for a down payment on a new place as we need to be out of our current place by September! Every bit counts! My goal is to be set to $3000CAD. I will draw anything (coloured and rendered) for $5 CAD each! If you are willing to give more it will be appreciated. Examples of my work below!"
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⚠️ Do not tag as d*nations or anything like that! ⚠️
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shroommush · 1 month
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So i drew some fanart of @pompadorbz sorry boys "still wakes the deep" au ! I had fun with the more action filled drawings, and definetly wanna do more >:P
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While drawing, i got to brainstorming about what character roles the boys might take in the story. Like, charlies probably caz, and maybe phil is caz's friend whos a cook (i forgot his name) but then i thought about if characters like Rennick had a coresponding cc, and i immediately thought about schlatt. So, i have ideas about what expanding the au might look like, but this isnt MY au, so for now ill hold off on yapping my ideas and just share what ive drawn for now
But either way, i REALLY enjoy this au and love all the ansgt potential it has. Like i was thinking, who out of the boys would end up being the last one? (Aka, taking caz's place at the end of the story with the lighter) and thought that, out of the boys, it would just make the most sense to be tommy. And thats HORRIBLE, AUGH ITS SO SAD but i LOVE IT
Anyways, sorry for the rambling, i hope you guys enjoy the art :] i still have to draw that other scene with charlie on the elevator, tho, so i might come back with more later
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wiltkingart · 1 year
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as part of my trans agenda (transgenda, if you will) i’m offering a special round of commissions focused on transing your favorite characters. as trans bodies come in all kinds of forms, if there are any visual traits you want me to include / highlight / focus on please let me know! i'll always make adjustments to sketches before coloring, so don’t be shy about asking for changes if needed.
for these comms references are especially encouraged. if you like a trans piece i’ve made in the past you’re more than welcome to include that as a reference. otherwise this is a fanart only round. i’d like to do a separate batch focused on trans ocs at a later date. this one is all about being visible and celebrating characters that have been important to our trans journeys!
for all the usual terms, slots, and examples please go to my [comm page].
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booasaur · 1 year
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Special Ops: Lioness - 1x08
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smimon · 3 days
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silly comic about Mr. Bodyguard's first days at work, inspired by classic Carl Barks story "Trouble Indemnity"
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mishy-mashy · 4 months
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Shh.. Do not disturb.. they are sleeping....
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hyakunana · 1 month
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Interrupting all my chores for a very important event
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spaceistheplaceart · 8 months
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In which Gordon finally realizes all his friends died long before he met them
Previous
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sableeira · 11 months
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moongothic · 7 months
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This is gonna turn into some Crocodad Propaganda eventually but putting the man aside for a little bit
Let's be real for a moment. Regardless of who Luffy's other biological parent is, regardless of if they're relevant to the story or not, no matter what has become of that person, if they're dead or somewhere out there alive, etc-- I believe Oda "knows the truth".
Although it took One Piece until post-Enies Lobby to reveal some of Luffy's blood relatives to us, Oda had technically introduced both Garp and Dragon to us all the way back in the East Blue saga. And Ace was introduced not too long after in the Baroque Works saga, along with his tattoo which held that secret tribute to Sabo all along. (Also he was introduced as "Portgaz D. Ace" meaning Oda must've intended to make the two non-blood brothers from the get-go.) All this means that Luffy's family, both adopted and blood relatives, have been in Oda's mind from the very begining of the story. And so if Oda had figured out Luffy's grandfather, father and at least one brother (if not both) from the begining, then why would he not have decided what became of the person who gave birth to the idiot as well? Like considdering how detail-oriented and meticulous Oda can be, would it not be unusual for him to essentially forget about a character that important (in the sense that Luffy literally would not exist without them) and just handwave them away without much thought? Would that not be out of character for Oda? As such, I don't think it is not unreasonable for us to believe that Oda would know what happened to Luffy's other bio-parent. Mind you, it really could be just something like "Luffy's mother died of The Disease when Luffy was a baby", or "the mom fell down the stairs" or "was eaten by a bear in the woods" or something, anything, whatever. Even if it truly does not matter to the story one bit, I'm sure Oda knows the truth of what happened and why that character wasn't a part of Luffy's life.
But at the same time, if the identity and the fate of Luffy's birthing parent truly did not matter to the story at all, then why wouldn't Oda just tell us who that was and what happened to them? In an SBS or an interview? It's not like people haven't been asking about it, because fans and staff alike have been asking about it for years. If the information really would not change anything, be it the direction the story will take or how we view the characters, if it really is just worthless trivia, then why keep it away from us?
Now of course, I'm sure you'd want to point out that one time Oda told Mayumi Tanaka that "A young boy's adventure begins after he leaves his mother's arms. I want to tell this young boy's adventure story, so his mom is not part of it." And Oda isn't known for lying, we do kind of want to take what he told Mayumi Tanaka at face value. At the same time though. If Luffy's other parent did become a plot relevant character in like the final 200 chapters of the story, after a 1100 chapters, they and their potential connection to Luffy would not have mattered to the story for 90% of its run. For an overwhealming majority of Luffy's adventure, that person would not have been a part of it. So if that character did become relevant, and Oda was lying, then it'd be a white lie at worst. But also, if Oda did intend to reveal that other parent eventually, when the time was right, then surely he wouldn't want to get people hyped up about it way ahead of time. If it did turn out to be a big plot twist or an otherwise important plot point, Oda would want to keep it under the wraps and a secret until the right time, you don't want to spoil something like that. Not to mention it could end up working like a distraction and make people not focus on the more important things happening in the story currently. So really, I think we'd all forgive him for a white lie there. Not to mention, technically speaking, if Luffy doesn't even have a mom but two dads, then Oda wouldn't really be lying either.
But that does bring up an important thing to considder.
If Crocodile does turn out to be Luffy's other dad, when did Oda get that idea, and when would he have committed to it?
Because, keep in mind, One Piece began back in 1997. Twenty seven whole years ago. Which means there's two things to considder; the evolution of queer rights over the past near three decades, as well as the fact that One Piece has more than surpassed Oda's original plans for the series. We must not forget how for a manga to remain serialized in Weekly Shounen JUMP, you need to perform well in the popularity polls consistently; if your manga starts dropping in popularity, JUMP can cancel it and force you end it prematurely. Of course, Oda arguably does not have to worry about those polls anymore after all these decades, there's no way in hell JUMP would ever cancel fucking One Piece in this day and age. But that might not have been the case 15 years ago, that was not the case 20 years ago, and that was absolutely not the fucking case 25 years ago. Like we all famously know that Oda originally planned One Piece to maybe run for like a year, then five years, then ten etc etc. That really is because at the begining of his career he had no quarantee he'd be able to tell the full story he was slow cooking at the back of his mind. Back in the early days, One Piece could've been canceled and ended prematurely, so Oda smartly chose to write it focusing very specifically on what mattered to the story at that moment, in the short term. Yes, he did start laying out the groundwork for things to come, but he did it so subtly that had OP been forced to end early, the series wouldn't have been left with too many massive, gaping plotholes or unresolved sidestories. Another thing to keep in mind is how comic artists for JUMP do have editors etc who can have a say in what goes into the manga (famously, Sasuke only existed because Matashi Kishimoto's editor suggested it). So again, while Oda might be able to do whatever the hell he pleases in One Piece at this point, that wouldn't have been the case 20+ years ago. He would have been more or less at the whims of his editors back in the day.
So would Oda have thought about giving Luffy, the main character of the series, a transgender father back in the year 2000? Could that really have been the secret plan from the start? And would Oda's editor(s) at JUMP have allowed that? Or, did Oda maybe come up with the idea later?
Now just so we're clear, I am NOT suggesting Crocodad was Oda's original intent and that his editors didn't let him do it or anything like that, my tinfoil hat isn't on that fucking tight. What I do want to suggest, is that it is plausible Crocodile being Luffy's other dad was an idea Oda was playing around with at the back of his mind from the begining, but wasn't sure he'd ever get to, mainly due to the uncertainty of series' future and partially because he could've been unsure if his editors would even allow him to write that story. And IF this was the case, Oda may not have even started committing to to the idea until around the CP9 saga. Or, it's possible Oda only got the idea sometime after the completion of the Alabasta arc/during Skypiea saga, and started laying down the groundwork for during Summit War so that, if he ever got around to it, he'd be able to commit and tell that story.
Regardless, let's be real.
It is interesting and kind of suspicious how Crocodile does just happen to be introduced around the same time the rest of Luffy's family was first shown to us, even if we didn't know Garp and Dragon were Luffy's family yet (this was also the same time the first canon queer character was introduced; Oda was playing around with queer characters during Crocodile's introduction, possibly testing the waters to see what he could get away with?) During the CP9 Saga we got the Miss Goldenweek cover story, where we see what's become of Crocodile after the fall of Baroque Works. This is of course adding to the world building of the CP9 Saga (where we're told the criminals who go through Enies Lobby are either sent to Impel Down or to Marineford; so us finding out Crocodile's gone to ID is playing off of what we knew would become of Robin and Franky and the Strawhats not come to rescue them. AND it's foreshadowing for the Summit War Saga), but also, soon after we were reminded of Crocodile and told where he's been sent off to, we were finally formally introduced to Garp and Dragon (Garp having already been mentioned by Aokiji at the begining of the Saga). And we close off the Saga watching Ace and Blackbeard have their fateful match. So again, Crocodile was on Oda's mind around the same time the rest of Luffy's family was. And indeed, after Thriller Bark we then move onto Summit War proper, where Oda does all The Things we would considder The Groundwork for Crocodad, most important being the introduction of Ivankov and their Devil Fruit. But again, just like before, Crocodile just happens to be there at the same time as this saga, which really heavily focuses on Luffy's family, plays out. While we learn about Dragon's secretive nature and connection to Iva-chan, Garp's feelings for the boys, Ace's struggle with his heritage and Luffy's love for him, Sabo and Garp... Yeah, Crocodile's just... Also there.
Whenever Oda starts dwelling into Luffy's family, Crocodile is always there. It's a bizarre coincidence if nothing else.
(And oh won't you look at that, Crocodile has once again become a plot relevant character, just in time for The Final Saga where Dragon has also started becoming actually plot relevant as well)
All of this to say, again.
The fact that Oda has refused to tell us anything about Luffy's other parent is sus, and to me indicates that either although unusual for him Oda genuinely just doesn't give a damn about Luffy's other parent, or he's been trying to play it safe for years so that if he ever got the opportunity, he could give Luffy two dads. (Or maybe there's some other twist that has nothing to do with Crocodile, that is possible too, I just feel like if that was the case then why hide it for 27 years?)
Whatever the case, I'm sure Oda knows the truth.
And I'm sure we will find out the truth eventually, be it on the pages of the comic or in the SBS.
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marrarts · 2 months
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Here is my entry for @magicmooshka 's DTIYS challenge!!
I looked forward to reading the new GO GIRL GO! panels every day, it is such a funny, sweet, cute comic 💗 so I really loved participating in this challenge.
CHECK OUT THE ORIGINAL COMIC HERE !!
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ariadne-mouse · 1 year
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Here's some cover art for @saturdaysky's dark and compelling character study, poisoning the well, in which Caleb receives a Sending from Trent Ikithon while the travelling through Aeor with Essek and the rest of the Mighty Nein. If you enjoyed their other works Rare Gift or fulcrum, check this out! As always, mind the tags.
A few stills below the cut; I like the middle one as a nice visually balanced cover:
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blixxkixx · 11 months
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I thought of scene luffy and then my hand started moving
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valiantstarlights · 1 year
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[Enlightenment] Chapter 2: Boundaries
Chapter 1: Realizations
Dream goes to The New Inn in 2022 and is met with a polite but distant Hob.
CW: angst
In the wake of The White Horse Tavern closing not even after a year after his and his Stranger's centennial meeting, Hob decides that he should just stop trying.
It has been made clear to him that no one wants to be his friend just for the sake of being friends, and so he does the sensible thing and stops inserting himself needlessly into other people's lives.
He starts to categorize people based on how he knows them: co-workers, bosses, students, small business owners he buys his food from...
But never friends.
It's freeing.
He doesn't have to be anything to anyone anymore. He can fulfill his duties without expecting something foolish like friendship in return. It's a somewhat lonely existence, but it's a better one compared to the way he did things before.
And besides, he has been alone for as long as he can remember. Even before he became immortal, and even before his entire family died of the plague, he has always been alone.
Why didn't he see it before?
Hob as a child wanted to have friends too. But he was too him, and so his playmates always 'forget' to look for him every time he plays hide and seek with them.
It's funny, looking back on it now. He thought he was just so good at hiding that no one found him.
And so he stayed hidden. Past sunset, past curfew, past midnight, and until the sun rises again, child Hob sits alone in his hiding place, waiting for someone to find him.
No one does. And no one comes looking for him either.
His parents had far more important worries than wondering where one of their many children is, like actually finding enough food to feed them all.
For all Hob knew, they were thankful when he doesn't go home. One less mouth to feed and all. For all he knew, they had been the ones to tell his playmates not to go looking for him.
Six hundred year old Hob pities himself as a child. He should not have tried so hard. All he did was waste his time.
--
Winter of 1991 is when Hob realizes that he does not blame his Stranger for leaving as he did at all.
He must have been at the end of his patience with Hob, and Hob callously telling him that he thinks he's lonely would have been the straw that broke the camel's back.
Looking back on it, he deserved his Stranger's angry reaction.
What does Hob know about his life? For all he knows, his Stranger could have friends and family waiting for him to arrive as soon as he concludes his centennial meetings with Hob.
In fact, they were probably the ones who dared him into making Hob immortal, so they would get endless entertainment out of him.
Hob waxing poetic about chimneys? Amazing. He's such a hilarious little fool. Venison pasties being the best thing ever? Classic peasant Hob, only now he's masquerading as a lord.
It's fine. Hob knows he can be unintentionally funny sometimes.
But now that his Stranger has obviously and very definitively moved on, Hob hopes that wherever he is right now, he has already gotten himself another Shaxberd.
If he has, and Hob is certain that he has, then he is happy for him. For them.
He hopes that whoever his Stranger's new immortal is, they'll take care of him as he deserves, and tell him better stories that would survive through the ages, like Shaxberd's did.
He hopes he meets them someday. Not to be friends, of course. But just to thank them for taking care of his Stranger when Hob had been too incompetent to even have a meaningful conversation with him.
--
The old barkeep from 1989 builds the New Inn in the year 2000, just a stone throw's away from the White Horse Tavern, and Hob invests in it.
He has too much money now. And while he's adamant in keeping himself apart from other people, he still likes helping those in need.
He gives to charities, supports worthwhile endeavors, and funds the schooling of the kids who have aged out of orphanages. Sometimes he even helps them get their first jobs if they need it. Those he helps occasionally end up taking part-time jobs in The New Inn, and they never know that they were serving the person who funded their college education.
It's fine. Hob doesn't mind being anonymous. He would rather be anonymous nowadays, anyway. Just plain old Mr. Gadling with his plain looks and his plain life, studying to become a professor of history.
Maybe one day, far off into the future, he would manage to atone for what he has done during his years as a slaver.
He knows he never would, but he tries his best anyway.
--
The old barkeep dies in 2016 and wills Hob (who has remained anonymous) The New Inn.
Hob has no wish to deal with the minutiae of running an inn, however, and so he promotes a couple of folks to run the Inn for him, and gets them to hire more helpers if they need it.
He doesn't know whose idea it was to spray paint the sign in front of The White Horse Tavern pointing to the New Inn, or who keeps repainting it, but he lets it slide. Business is business, after all, and if it gets the inn more customers, then who is Hob to complain?
Most of the regular customers are locals who have been getting pints from the old tavern, but tourists also come by, and students from the nearby university where Hob teaches frequent the Inn as well. The tourists come for the good food, the students come for the free wifi, and Hob welcomes them all.
He arranges all of the customers neatly into their own categories (student here for the wifi, office worker here for lunch, food blogger, artist looking for a quiet spot, Thursday Game Night LARPers) and ignores the numbers occasionally slipped his way with free drinks.
He has no need for one night stands, and would rather not create a new category for them. He's found, over the years, that he likes having his own space, with no one bothering him, and he will not let anyone disrupt the peaceful home he has managed to build for himself.
If he wants to be pleasured, then he has his own hands, and online shopping sites to buy sex toys from.
He likes it better, he thinks. Being the master of his own pleasure and not needing to make the effort of pleasing anyone else. If he wants to go to sleep right after cumming, then he can. No more need for pillow talk or immediate clean up. And if he wakes in the middle of the night and wants to pleasure himself more, then who is there to stop him?
He might miss the words of praise given by his past bedmates, but he can easily conjure up similar words in his mind, in a variety of voices, making themselves repeat the same words over and over again without feeling guilty or needy, and he does not feel bereft.
He's already had enough of people. And no good ever comes from having lovers, especially if it's only him that loves and his feelings are never requited.
--
In 2022, when Hob sees his Old Stranger again, he smiles.
It's nice to see a familiar face once in a while. Just last week, he saw his neighbors from the 1960s selecting vegetables in the farmers' market. They are still together and looking as in love as they had been when they were younger. Hob avoided them because he doesn't want to be recognized and asked uncomfortable questions, but he's happy that the two of them could legally get married now.
"You're early," Hob tells his Stranger. Were he still hoping that the two of them could be friends, he would have said something stupid like, 'You're late,' and then his Stranger would get pissed off all over again, and it would just make Hob tired in the long run.
"Early?" His Stranger asks. He takes his seat in front of Hob. He looks skinnier than usual. Hob raises his hand so one of the waitresses would come over.
"Yeah, for 2089," Hob says. To the waitress, he says, "Hey, Dani, can I get a fry up, please? And a glass of fruit juice."
Hob is ordering for his Stranger not because they're friends, but because he looks like he needs it. He would have done the same for any homeless person he saw on the street.
And if his Stranger doesn't eat it before leaving, then Hob will. Hob doesn't order two plates because what would be the use of that? He knows his Stranger would be turned off at the sight of him eating. He has before, in 1589, so Hob knows not to do it again.
Dani the waitress, one of the kids he put through college, nods and goes to tell the cook to prepare the meal.
When Hob looks back at his Stranger, he is looking at Hob oddly.
"What?"
"I am not early for 2089, Hob," he says. "I am late for 1989. I meant to come, but was unable to." A pause, and the tiniest bowing of his head. "I apologize."
Were Hob still thinking they could be friends, he would have asked about what happened to make him miss their meeting. But he knows it's not any of his business, and he'd hate for his Stranger to leave without eating.
"Oh, it's fine," Hob says. He has already put his Stranger into the 'old customer from the old tavern' category, and it's never any of his business to ask about the customers' personal lives. He would help, if they ask, but he won't go out of his way to be an irritating person and pester them to let him help them. "Water under the bridge and all. How have you been?"
There, see? Hob can be polite without being friendly.
"I'm fine," his Stranger says. There was a brief pause before he answered. Hob noticed, but he ignores it. Hob from before would have obsessed about that tiny pause, but not this Hob. This one has learned his lesson.
"That's good," Hob says, smiling. "Listen, I ordered for you, but it's alright if you don't eat it. I'll just take it to-go and eat it for dinner. No pressure at all."
"I will eat it," his Stranger says.
Hob smiles wider. "Wonderful. It will take about 5 to 10 minutes before the food arrives."
Niceties out of the way, Hob resumes checking his students' papers. It's so nice to not make an effort at conversation. It had opened up his time for other more important matters. He wishes his Stranger had taught him that. Or maybe he was meant to learn by observation.
Ah, well. Hob has always been slow on the uptake.
"Hob."
He marks where he is on his student's essay with a finger and looks up. "Yes, Stranger?"
His Stranger visibly hesitates for a moment before he says, "My name is Dream. Dream of the Endless."
Dream of the Endless.
After 600 years, Hob finally gets a name.
He thought he'd be ecstatic. So over the moon with joy that he would jump to his feet and let out an exuberant laugh at finally knowing.
Instead he feels nothing.
He doesn't know what an Endless is, but it sounds pretty important and very much none of his business. He takes the information his Stranger provides him, and says with a smile reserved for new acquaintances, "Hello, Dream of the Endless. Pleasure to put a name to the face."
Hob asks nothing else, and says nothing else. He waits a couple of seconds for his Stranger, Dream, to say something else if he wants, but when nothing comes, Hob goes back to checking his students' papers.
Midway through reading another essay, Dream asks, "Have you been well this past century?"
"Hm?" Hob marks a student's wrong answer. "Oh, well enough, I suppose. Two world wars, moon landing, the internet...but otherwise it's the same old life. And yes, before you ask, I still wish to live."
His 1489 self would have been so excited to talk about the moon landing and the internet. He would have made powerpoint presentations, bought memorabilia to show off, and be such a nuisance that he'd get kicked out of the Inn.
This Hob knows better than to make all that effort, however, and so he doesn't elaborate. It's just like seeing someone reading a newspaper on the Tube, reading the headlines, and exclaiming, 'Did that really happen?' And the person reading the newspaper saying, 'Yeah. World's fucked nowadays,' and the conversation would end there.
"The moon landing?"
"Yeah," Hob says. "Americans went to the moon and planted their county's flag there in 1969. You can read all about it on the internet if you want. Too much history for me to summarize."
"I am not familiar with the internet."
Hob blinks at that. "Oh." He doesn't ask where Dream has been to not be familiar with the internet. For all he knows, Dream's new storyteller friend is from another planet. "Well..."
Then, quite unexpectedly, Dream says, "Will you explain it to me?"
Hob scratches his neck and looks at the dozen or so papers he has yet to check. "I suppose?" It wasn't in his plans to explain the internet to a supernatural entity, but for the sake of their centuries old deal, Hob supposes he can spare the time. "If you're sure?"
Dream nods, and so Hob starts talking.
--
Dream eats his food as promised, and when he polished that one off and still looked hungry, Hob orders another dish. And then another. And then another. He always waits for Dream to finish his meal before ordering again, in case he gets full midway through a plate.
Dream does not volunteer information about his sudden hunger for mortal food, and so Hob does not press him. Dani, thankfully, is the quiet sort who just does her job well and doesn't stick her nose where it doesn't belong.
For this reason, she is one of Hob's favorite employees, being smarter than Hob himself when he was her age.
As Dream eats, Hob explains the internet to him like how he would explain the internet to a time traveler from the 1800s.
Dream listens to him raptly. It's a little unnerving how focused he was. 1589 Hob would have loved to have him as his audience. 2022 Hob is just a bit weirded out, especially when he notices Dream's shoulders relax against the seat's backrest, like he's listening to his favorite radio station, at ease in his own home.
When Hob finishes explaining, Dream (surprisingly) has follow-up questions, and so Hob answers them too.
(He had to ask for water so he could soothe his throat after a lot of talking.)
If Dream doesn't ask, then Hob doesn't explain. It's that simple. He volunteers no information about his life, and certainly no personal anecdotes to accompany his explanations, because they're not close enough for that.
--
More than a couple of hours pass, and Hob starts gathering his things and packing up. It will be a while before The New Inn closes, but Hob still has laundry to do, papers to check, and plants to water. He tells Dream that it has been good seeing him and walks out of the Inn.
Dream follows him.
"Hob."
"Yeah?"
"I wish to bid you good night."
Dream...has been weird today. He has never bid good night to Hob before. Not even a goodbye, come to think of it. "Oh," Hob says, feeling wrong-footed. "Sure. Good night. Take care going back home."
He doesn't ask if their next meeting will be in 2089 or in 2122. Dream will show up whenever he wants to show up. Hob isn't going to wait for him. It's even only a coincidence that Hob went to the Inn on this date.
In fact, he hadn't even known that today was June 7th. He only saw the date when he looked something up on his phone for clarification.
"I was hoping we could meet again," Dream says, when Hob says nothing else and was turning to leave. "Perhaps same time next week?"
Hob mentally reviews his calendar. "Sorry, I have a whole day of lectures and a practical exam to conduct then."
Dream is not deterred. "May I ask when you will be free, then?"
Hob scratches his cheek. "I mean, I guess I'll be free on Friday, just after 5 PM?"
"Then I will see you," Dream says. "Here. On our table."
His statement makes Hob laugh. "There's no our table, Dream. But sure, I'll see you." He turns away and walks the short distance to his house.
He is sure that Dream will not show. But it doesn't matter, because Hob is gonna go to the Inn on that date and time to buy dinner anyway. Dream could decide to surprise him and show up outside of their centennial meetings, but it wouldn't affect his schedule at all.
--
Dream watches Hob walk away, and his heart breaks.
Is this what Hob felt when Dream walked away from him in 1889?
No. He must have felt worse.
Dream had walked away in anger, after saying words that he has regretted ever since they left his lips, leaving Hob uncertain if they'll ever meet again.
Hob had walked away just now after agreeing to meet with him.
But his manner is distant. Has been distant, throughout the day. He doesn't care if he sees Dream again. If Dream does not show up at the appointed time next week, he would stay and have dinner on his own. But he would not question Dream's absence. He would just put it down as yet another instant of Dream blowing him off again, like he did last time.
Dream should be pleased.
This is what he wanted, isnt it? For the two of them to be no closer than casual acquaintances? Because Dream had been too prideful to consider being friends with a mortal.
And now Hob is granting him his wish. He had taken Dream's words to heart and is now holding himself distant from him.
Just as Dream realizes too late that he doesn't want that after all.
After his stupid pride hurt Hob in 1889, after his lonely imprisonment when his most constant thought, the only one that gave him hope, is the memory of Hob's beautiful smile, and of seeing it again once he gets free...
He wants Hob to look at him how he has always looked at him before today. With friendship, and perhaps with something more. Except that might not be possible anymore.
Dream doesn't know what to do. He fucked up the one good thing in his life, and made Hob believe that he is nothing, when all along, he has been everything to Dream.
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