#honorable mentions goes to Ba Sing Se

[hersterical]

You guys are right. Here’s a link to a second poll for second place. Feel free to vote on this one as well if you want. Mayor Tyler Cutebiker will be awarding the Mayor/main character of the runner up town with a flower crown and sash which will then be immediately incinerated and then forgotten about.

Link

Edit: Nevermind, you guys telling me it was going to be a Gravity Falls sweep were wrong!

Still, as coiner of the phrase Mayor Tyler Cutebiker will still award the winner with a flower crown and a sash which will then be immediately incinerated and forgotten about even if he has to give it to himself

[sokkastyles]

Hi, I really like your blog and your metas; they're so well-worded. One of my favorite ones is this one, talking about Zuko and his privileges vs how he's victimized by the Fire Nation. I have one question, though. Do you think that Mai, also, in the Boiling Rock Prison arc, treated Zuko as a race traitor? Her reunion with Zuko and some things that she said rubbed me the wrong way. And if you could, would you mind expanding a little bit on how Zuko is treated as a race traitor by Fire Nation characters?

Zuko is actually treated as a potential race traitor from the beginning of the series, even when he's loyal to the Fire Nation and desperate to restore his honor according to their values. We see this as early as episode three in book one. And I believe that in the meta you mention, I also spoke about how that's tied in with his abuse, both on a political and personal level.

Because the thing about fascism (and yeah, we could argue whether the Fire Nation is truly a fascist nation because the writers used a conglomeration of tropes and real world influences for their fantasy world, but they definitely draw on fascist imagery heavily for their Fire Nation influences, so it still is present in the narrative) is that it's dehumanizing, and everyone is a potential traitor to the regime. It's where the idea of "thought crime" comes from.

We see this as early as the third episode of the series, when Zuko encounters Zhao, who treats him like a potential enemy even before learning that Zuko has been keeping the Avatar's discovery from him. Some of this is Zuko's backstory. Zhao looks down on Zuko because he knows the story of his disgrace and banishment, and this is used both to downgrade Zuko and to keep him loyal to the regime. It's similar to how Ozai treated him, both giving him a sense of what he is "owed," the greatness he can hope to achieve by remaining loyal, while also feeding the idea that he has to constantly make up for his own shortcomings. It's an entirely manipulative social order, like a cult but on a wider scale.

Under that system, questioning the regime gets you labeled as a potential traitor. Even though Zuko was acting in advance of the regime by keeping the secret of the Avatar's return so that he can capture Aang himself, he acted as an individual, and that's dangerous to the group think.

As for Mai, we see her act similarly towards Zuko from the moment they are together in book three. Her reaction to hearing him voice his concerns about going back home is to sarcastically tell him that he should not be worrying. On some level, I think Mai's emotionally closed-off personality is part of the reason she can't handle Zuko's uncomfortable emotional reaction. But she's also a product of the same regime, where questioning things is frowned upon.

Think of the way Zhao and Azula react to Zuko. Both mention his banishment, Zhao to emphasize his dishonor, and Azula to imply that he's become "uncivilized" due to living in exile for three years. Mai expresses similar prejudices towards people living outside the Fire Nation in her comments on the people of Omashu and the comic that takes place before the beginning of book three where she criticizes the food in Ba Sing Se, in front of Zuko who has actually been living there while in exile. So I think Mai is, on one level, very uninterested in any aspect of Zuko's life outside of the Fire Nation, and may subconsciously look down on Zuko because of it, the way she looks down on the people of the earth kingdom that Zuko has lived among, the way she looks down on servants (which Zuko is shown to be uncomfortable with).

Another part goes back to what I said about not questioning the regime. Zuko expressing doubts about going home challenges the very idea of Fire Nation superiority. Mai can't understand why Zuko wouldn't want to go home or why he would have doubts.

On another level, though, expressing doubt is literally dangerous, and Mai knows what happened to Zuko the first time he openly questioned the regime. On some level, she might associate Zuko worrying with him not being safe. The reality is that he is not safe either way, which is exactly why he should be worrying.

So Mai probably had those thoughts about Zuko even before he outright became a traitor. This is actually one of the ways fascism encourages people to turn against each other. If nobody is an individual, then individuals cannot be trusted.

All this is backdrop to Mai outright telling Zuko that he's betraying his country in "The Boiling Rock." And in between Zuko leaving and their reunion, there was also a propaganda play publicized that portrayed Zuko as not only a political traitor, but his romantic interest in Katara in the play is used to make him look like a joke, using racist tropes like the pale skinned man being "dominated" by a seductive, aggressive dark-skinned woman, and deferring to a man (Aang) who is considered to be from a "lesser" race. The gay jokes about Aang and Zuko are also typical of that sort of attempt to paint someone considered a race traitor as sexually deviant.

(You know what would be interesting to think about? If Mai saw that play. Did it fuel her feelings that Zuko had betrayed her, personally?)

What I think is actually pretty surprising is Zuko's ability to distinguish that no, I'm not betraying my country, I'm saving it, which is what he tells Mai. That idea doesn't seem to have originated anywhere else. Zuko could have just washed his hands of the Fire Nation altogether and embraced an identity as an expat, but he doesn't. Because he's always been someone who cared about his country.

[atlabeth]

everything happens for a reason part 11 - zuko x fem!reader

Memories, where'd you go?

part 10 | masterlist | part 12

a/n: alternative name for this fic: y/n gets a crush on every pretty girl she meets. yue, katara, and now suki. she can't help it (and she questions why they're all connected to sokka in some way lmaoo)

anyways, this is kind of filler but it establishes some more with relationships and finallyyy gets us into ba sing se at the end. i know it's a lil annoying because there's a lot of episode-to-text writing, but i promise it'll get more freeform as it goes on

also i know that i just posted something yesterday but i have literally zero patience. like i cant hold chapters i have to post them as soon as i write them loll

wc: 5.3k

warning(s): some feels over zuko as per usual, but overall a pretty tame chapter

chapter title comes from memories by panic! at the disco!

Zuko could barely sleep anymore.

He didn’t know when his life became so complicated, but he wasn’t a fan of it.

Back when it was just him, his crew, and the open sea — it was simple. He had a job, a straightforward mission. Find the Avatar, capture him, return home to the Fire Nation and regain his honor.

Now, the waters were more muddied than ever. Now on the run from the Fire Nation just like the boy he was chasing, all he really felt nowadays was anger.

Angry at the world for setting him on this path, angry at the Avatar for refusing to see what was necessary, his sister and her friends for turning against him, angry at the waterbender for making things so damn hard.

He didn’t want to hurt her. A part of him wished that she had never come back into his life, if it meant he wouldn’t have to constantly be fighting against her. He hated himself for the thought, but maybe it would have been easier for her to remain a memory of a lover than his active enemy.

Late at night, when he was reaching fruitlessly for sleep that would never come, he saw her face. The carefree energy from their childhood morphed into the shock and disappointment from both the North and their fight with Azula, and…

It made him wonder what in Agni had happened to them.

He—

He didn’t know. The way he felt about her, it was different than anything he had experienced before. Zuko didn’t know what it was, but he understood that it was special. And now… it felt like he had just thrown it all away.

Zuko couldn’t stop thinking about what had happened with her in that town — what he had done to her.

He had burned her to try and get to the Avatar, and he hadn’t even allowed a glance back at the damage he had done. He had heard her cry out in pain, pain he had caused, and he didn’t even look back.

What had happened to them? What had happened to him?

He kept telling himself that the mission was the only thing that mattered. And it was, wasn’t it? Capture the Avatar, regain his honor, get his old life back and finally be enough for his father. He didn’t have time for friends, or for these feelings he had, or— or for anything but capturing the Avatar. Because the Avatar was the key to everything, to his honor, and that was all that mattered.

But now…

Now, he didn’t know what he was supposed to do. He didn’t know what was right, or what was wrong, or what path was the one he had to take.

Zuko just wished things could be like they used to be.

~~~~~~~~~~

She didn’t really know when everything had become a mess again.

It all started out fine, like it usually did. Toph had become fully integrated into the group, any past squabbles put to rest in the name of a stronger friendship emerging between all five of them. Katara continued to work on Aang’s waterbending (oftentimes Y/N joining them in their sessions) while Toph slowly but steadily beat earthbending into him — literally.

They had all been working hard for so long that, by decree of Aang, it was ‘vacation time’. They would all get to pick out places they wanted to spend as a break, and after it was over they would get back to work.

Aang had chosen some sort of field with musical groundhogs, and Y/N had opted to revisit an Earth Kingdom village that she had passed through on her journey to the North. Sokka had complained the whole time about how they were ‘wasting valuable planning time’, but had finally conceded after the promise of ‘all the planning his heart could desire’ from Katara after their mini-vacations were over.

Y/N was actually feeling somewhat relaxed for once, but she had forgotten the golden rule — never let your guard down. Everytime she let her guard down, something bad happened without fail. So it shouldn’t have been any surprise with what happened in the desert.

Because after one trip to the Misty Palms Oasis and a journey into the desert with a professor to a long lost library, Appa had been taken by desert raiders.

It was… less than favourable. During their escape from the library, Professor Zei had insisted on staying behind, and now the five of them were stuck in the middle of the desert with no way out and zero guidance. Add some brewing tensions between Aang and Toph because of her being there when Appa was taken, and they had a recipe for a huge disaster.

And a disaster they had. Multiple disasters, actually.

There was only so much she and Katara could do to hold the group together, but by some miracle, they made it out of the desert with only one Avatar State mishap.

(And an incident with cactus juice, but… she didn’t really want to talk about that.)

....at least they had the information about the Eclipse. That was about the only thing keeping her together at the moment.

They had to get the information to the Earth King so they could formulate an attack with his warriors, but without Appa, they had to resort to more traditional methods of travel. Add in one passport problem, and that was how Y/N found herself braving the Serpent’s Pass alongside a refugee family with a baby on the way.

It was… intimidating, to say the least. Despite being surrounded by her element, Y/N didn’t feel any safer from the challenge that faced them. She took a deep breath, trying to tamp down on her fear the way her mother had taught her, as she followed the group, but her thoughts were soon interrupted.

“Hey.” She turned to see who the voice belonged to and was greeted by the girl that had teased Sokka early — Suki, if she remembered correctly. “I haven’t seen you around; are you with the Avatar or that family?”

“I’m with Aang,” Y/N explained. “I’m from the North, and they offered me a spot with them after they helped us defend our tribe against the Fire Nation. I’ve been with them ever since.” Suki nodded as they settled into a comfortable stride.

“That’s cool. Are you a waterbender?”

She gestured to her waterskin and smiled. “Yeah. I’ve been training with Aang and Katara ever since I left.” Y/N then turned her gaze back to Suki, raising an inquisitive brow. “Your makeup — what’s it for? I heard you talking about the Kyoshi Warriors back there; is that some kind of thing with Avatar Kyoshi?”

Suki grinned, her every expression heightened by the sharp reds and blacks above her eyes. “We’re a group of all-female warriors that use the teachings of Avatar Kyoshi and her partner Rangi to defend our home and the place she founded, Kyoshi Island. I’m the leader of our village section.”

“Wow,” she murmured, her eyes falling to the ground for a moment before finding their way back up to the warrior. “That’s really cool. You’re really cool.”

She laughed and shrugged. “Thanks. I’ve been training as a warrior for almost my whole life, so it just comes naturally. I like being able to protect people, and there’s no better way to pay back my home for all it’s done for me like protecting the whole village.”

“Wow,” she repeated with a small laugh of her own. “That’s really brave. I gotta say, I’m kinda jealous — I would love to see what would happen if Master Pakku met you all. Katara literally had to beat the sexism out of him in order to train to be a master.”

Suki chuckled. “Sounds like what I had to do with Sokka. Guess it’s a thing with Water Tribe guys, huh?”

At the mention of Sokka, she internally laughed. There had to be some kind of connection between the two of them, the way their interests kept aligning. “Sokka… he’s had it hard. I can’t blame him that much for any kind of attitude he had before he met you. Pakku, on the other hand? He had to have had something better to do than fight teenage girls.”

“You would think so, right?” Suki agreed. “And Sokka… I know. He’s got a heart of gold underneath all that, he just needed a little push to get it out.” As Y/N glanced over at the girl, noticing a slight pink tint under the white makeup, she gasped.

“La’s fins, are you two a thing?” she exclaimed with a grin.

Suki flushed even harder as she suddenly became very interested in the ocean around her, but she couldn’t help the smile on her lips. “No! I mean— yes— but… but—” she stopped to gather her thoughts before making eye contact again with a sheepish smile. “We’re not… really a thing, but… I do like him a lot. I didn’t really think I was going to see him again after they left the island, so this is really nice.”

“Then what are you waiting for?” Y/N asked. “I can already tell that he cares about you — have you seen how careful he’s being with you?”

“Well—” Whatever kind of excuse Suki would’ve made up was interrupted by a rock falling out just under Than, one of the refugees they were with, saved in the nick of time with Toph’s earthbending.

“I’m okay!” he reassured, but no sooner had the words left his mouth before the Fire Nation ship in the distance started firing.

“They’ve spotted us!” Sokka yelled. “Let’s go, let’s go!”

Aang flicked his glider open and deflected the blast, and Katara grabbed Y/N’s hand as they all began to run. Another blast rocked the mountain, causing several boulders to fall just above Suki. Y/N didn’t even have time to shout out a warning before Sokka tackled her out of the way, but it was ultimately more of Toph’s quick earthbending that saved him.

“Suki, are you okay?” Sokka brushed dust and pebbles off of her uniform as he examined her, and once he was satisfied he grabbed her hand and helped her up. “You have to be more careful! Come on!”

As the two of them caught up to Y/N and Katara, she gave Suki a knowing look. The warrior only blushed once again and glanced away.

After hours of navigating the pass, they were only about halfway through. Sokka made the executive decision to set up camp for the night to give everyone time to rest, and then they would get up at the crack of dawn to finish their trip. It only took a few minutes for Y/N to get a fire going, and soon everyone had settled in with their sleeping bags. Sokka got up from his spot as Suki wandered closer to the edge, and Katara nudged Y/N with her shoulder.

“Hey. How are your hands doing?”

“They’re fine,” she answered with a small smile, flipping her hands over as proof. Where there were once red burn scars on her palms only tiny white marks remained — one benefit to healing via waterbending was that most injuries were able to fade away completely after enough sessions. Her burns weren’t very serious and she was able to heal them almost immediately, so both her and Katara were sure that the marks would be completely gone soon.

The mental scars wouldn’t fade as easily.

“That’s good. And you’re taking care of them, right? Like, you’re not beating up people while we’re not looking?”

Y/N grinned. “No. I think I’ll leave that to Toph.”

Katara chuckled and nodded, turning her hands over in a final examination before nodding. “Good,” she repeated. The silence between them, although comfortable, stretched out for a little too long before she spoke again, this time much quieter. “He did this to you.”

“Katara…”

“I know,” she said. “I know you probably don’t want to hear this from me, or really at all, but… I’m worried about you. Zuko isn’t good for you. Every time we’ve run into him, he’s hurt you. And you deserve so much more than that.”

“You don’t understand,” she countered. “You don’t know Zuko like I do. You weren’t there when I was. I know you think I’m insane for still believing in him, but I— I can’t let go of him, Katara. I know the Zuko I love is still in there somewhere, and I have to try and find it. For me and for him.”

Katara’s eyes were full of nothing but sympathy as she sighed — it was obvious she didn’t believe her words, but in true fashion she was still trying her best to be supportive.

“Okay. I don’t understand it, but… I don’t think I can change your mind.” Y/N chuckled sadly and nodded, Katara’s piercing gaze meeting her own once more. “It’s just… Why are you playing with fire when you know you’re going to get burned?”

And for once, Y/N didn’t have an answer for her friend.

~~~~~~~~~

The night went by quickly, which Y/N was thankful for. It meant that the nightmares didn’t last as long.

After a quick headcount to make sure no one had fallen off the pass overnight and an even quicker gathering of their things, they set off to finish their journey.

It went just as well as she had expected — a giant serpent, the namesake of the pass, had attacked them while crossing through an underwater section. Thankfully, she was able to aid Katara and Aang in defeating it with waterbending with no casualties

But in the wake of one disaster there was always another, and before Y/N knew it a baby had been born. She was mostly there for moral support — Katara had it all handled, and Y/N didn’t expect anything less.

But finally, they had made it across the pass, and they were so close to Ba Sing Se that she could almost smell the city air. Sadly, though, that meant it was time for them to part ways — Aang to find Appa, and Suki back to her warriors. After some sad but hopeful goodbyes with Aang, it was time to bid farewell to Suki.

“Are you sure you can’t travel a little longer with us?” Y/N questioned, apparently not above pleading to try and get the girl to stay. “You’re— you’re amazing, and we’d really love to have you with us.”

“I can’t even imagine what travelling with the Avatar would be like,” she smiled, causing Y/N to get her hopes up for just a moment before they fell back down. “But I can’t stay. I have to get back to the Kyoshi Warriors.”

Y/N sighed, her gaze falling slightly downcast. “I get that. I just really wish you could stay. Or that I could meet your warriors. You seriously don’t know how cool you are, Suki.”

“Well, if you’re ever in town on Kyoshi Island, find us. I’m sure we’ll be able to work something out and do you one better than just meeting them all,” she said with a grin. “I think it’d be pretty cool to have the first waterbending Kyoshi Warrior.”

Y/N was unable to prevent the heat rushing to her cheeks as she smiled shyly, once again averting eye contact. “That would be amazing. I’ll have to find my way back there after the war.”

Suki bumped shoulders with her, causing a startled laugh to spill from her lips. “We’d love to have you.”

“Wait, why does it sound like you’re saying goodbye to her?” Sokka questioned as he walked up to the two of them. Y/N winked at Suki and gestured at him with her head, walking off before Suki could protest to find Katara.

The conversation the two girls were sharing was an extremely thinly veiled excuse to eavesdrop on the lovebirds, and when they kissed Y/N actually had to hold back a scream.

Sokka deserved this. She knew how much he beat himself up over every little thing that went wrong, and it was about time he got to relax even for a moment. She only hoped that Suki would be in their corner of the world sooner rather than later.

What could she say? She was already fantasizing about life as a Kyoshi Warrior.

~~~~~~~~~

Although they had parted ways, they soon found themselves reunited with Aang to stop yet another Fire Nation threat.

“For the love of Kuruk,” Y/N murmured as she stared into the distance, her eyes wide at the sight of a large mechanical drill. “That was Ty Lee who just took down all those soldiers. And if she’s here, Mai and Azula are with her too. Guys, It’s one thing to stop this drill, it’s another thing to take those three down with it.”

“The question is, how do we do it?” Aang questioned.

“Why can nothing ever be easy?” Sokka lamented. His gaze remained trained on the drill for a moment before he realized theirs were on him. “Why are you all looking at me?”

“You’re the idea guy,” Aang said.

“Wait, so I’m the only one who can ever come up with a plan?” he protested. “That’s a lot of pressure!”

“And also the complaining guy,” Katara muttered, drawing a chuckle out from Y/N.

“Now that part I don’t mind,” Sokka admitted.

“Well, Sokka— you were a huge help in the North, and you figured out a way to defeat the Fire Nation during that eclipse at the library! Plus, there’s all that stuff that Katara told me you did before I joined.” She patted him on the back. “If anyone can figure out how to take that thing down, it’s you.”

He shrugged nonchalantly, his ego only slightly bolstered. “...okay. I think I can do it.”

“That’s the spirit!” she said with a smile.

Unfortunately, that smile faded as a young guard came running up to the wall. “Excuse me, Avatar and friends — I’ve heard that you’ve dealt with that… that pink girl down there before.” They nodded and he continued. “It would do us a great deal of help if you could come down and look at our injured soldiers, then.”

Y/N and Katara nodded in unison and started to follow the guard, the remaining three trailing after them. They ended up inside the wall, in what looked like an infirmary of sorts with all the cots and soldiers lying around, and the two waterbenders exchanged looks.

“You know what to do?” Katara asked.

Y/N hummed in acknowledgment, and they both knelt down next to separate cots. “This definitely looks like Ty Lee’s work,” she murmured as she bent water up from the pot and molded it over the man’s arm.

“What’s wrong with him?” the general questioned. “He doesn’t look injured.”

“His chi is blocked,” Katara explained. “Who did this to you?”

“Two girls ambushed us,” the soldier said, moving his arm as he regained feeling. “One of them hit me with a bunch of quick jabs and suddenly I couldn't earthbend anymore and I could barely move. Then she cartwheeled away.”

Katara sighed as she bent the water back into the pot. “You were right, Y/N. That was Ty Lee — she doesn’t look dangerous, but she knows the human body and its weak point. It’s like she takes you down from the inside.”

As if struck by lightning, Sokka lit up. “Oh, oh, oh! What you just said — that’s how we’re going to take down the drill; the same way Ty Lee took down all those earthbenders!”

“By hitting its pressure points!” Toph exclaimed with a grin.

The breakthrough brought a steely determination to Aang’s features as he looked out into the distance. “We’ll take it down from the inside.”

~~~~~~~~~

Like everything they did, it seemed so simple on paper. But now that she was actually inside the drill, it felt a lot more nerve wracking. Toph opted to stay outside where she could see and try to slow down the drill with the earth at her disposal, which left the four of them to somehow take it down from the inside.

Sokka led them through a hallway with a myriad of valves and pipes as he thought out loud. “I need a plan of this machine — some schematics that show what the inside looks like. Then we can find its weak points.”

“Where are we gonna get something like that?” Aang asked.

Sokka thought for a moment before he took his machete out and hacked a valve off a pipe. Y/N instinctively took a step back and shielded her face from the hot steam. “What are you doing?” she cried. “Someone’s gonna hear us!”

“That’s the point!” he exclaimed. “A machine this big needs engineers to run it, and when something breaks—”

“Someone will come down to fix it!” Katara finished with a smile at Aang, a sentiment the boy returned happily.

It was surprisingly easy to take down the engineer once he arrived — with a little bit of frozen mist on Katara’s end, they had the plans they needed. Sokka’s expertise combined with the blueprints got them to the beginning of the outer shell.

“Wow,” Sokka muttered. “It looks a lot thicker than it does in the plans. We’re gonna have to work pretty hard to cut through that.”

Katara crossed her arms. “What’s this ‘we’ stuff? The three of us are gonna have to do all the work.”

“Look, I’m the plan guy!” Sokka explained with a gesture to himself. “You three are the ‘cut up stuff with waterbending’ guys. Together, we’re Team Avatar!”

Katara and Aang looked wholly unamused while Y/N chuckled. “Team Avatar. I like it.”

“Thank you,” he smiled. “At least someone appreciates my genius.”

“Tui’s gills, why do you have to keep boosting his ego?” Katara complained. “Let’s just get this done before it gets worse.”

The three of them got in position — Katara and Aang on opposite sides so they could pass the stream of water between them, and Y/N making the point of the triangle to work on the other side on her own. They were hoping it would be more efficient being able to cut through both sides at the same time, but it was proving to be much more difficult than they had imagined — halfway through the three of them were already exhausted.

By some feat of strength they were able to completely cut through the brace, but their hard work didn’t pay off in quite the way they had imagined — when the beam only shifted a few inches she groaned.

“Oh, you have got to be kidding me,” she breathed as she wiped sweat off of her forehead.

“At this rate,” Katara paused to inhale deeply, “we won’t do enough damage before the drill reaches the wall.”

“I don’t know how many more of those I have in me,” Aang said sadly.

A large creak suddenly rang throughout the large chamber, and they all looked up for the source.

“Did you hear that?” Sokka asked, already backing up to make an exit. “We took it down! We gotta get out of here, fast!”

Just as they reached the door on the other side, a crackle followed by the sound of a man’s voice dashed their hopes. “Congratulations, crew. The drill has made contact with the wall of Ba Sing Se. Start the countdown to victory!”

A collective silence hung in the air between them, the threat now even more imminent as their situation sunk in. Mai and Ty Lee had proven effective in taking down any Earth Kingdom threat posed at them, and despite Toph’s skill they knew she couldn’t take down something like this on their own.

They either had to figure out a way to destroy this drill, or the Fire Nation was going to make it into the city.

Sokka ran back over to the brace and pushed against it, putting all his strength into the feat but to no avail. “Come…. on! Move!”

Katara started pacing around in a small circle, crossing her arms again as she tried to think of something. “This is bad. This is really bad.”

“Sokka, that’s not going to work!” Y/N didn’t mean to snap, but the grinding of metal on metal combined with her nervousness got to her. She sighed and ran her hand over her face. “I— I’m sorry. But it’s still not going to work.”

He groaned as he leaned against the brace. “We’re putting everything we have into busting these things, but it’s taking too long!”

Suddenly, Aang jumped up from the ground with stars in his eyes. “Maybe we don’t need to cut all the way through! Toph — she’s been teaching me that you shouldn’t put a hundred percent of your energy in any one strike. Sokka, get in a fighting stance.”

Sokka complied and as Aang talked through his points, he demonstrated it on Sokka. “You've got to be quick and accurate. Hit a series of points and break your opponent's stance. And when he's reeling back, you deliver the final blow. His own weight becomes his downfall, literally.”

As Sokka fell over from the attack, Katara lit up. “So we just need to weaken the braces instead of cutting all the way through—”

“—then I can go to the top of this thing and deliver the final blow!” Aang finished.

Y/N helped Sokka up from the ground, his spirits not dampened at all. “Then boom! This whole thing goes down!”

“Then what are we waiting for?” Y/N asked, flexing her fingers to refresh them for all the bending she was going to have to do. “Aang, Katara and I can handle the braces. Focus on getting up to the top before anyone sees you.”

He nodded and they all met each other with determined eyes. “Everyone inside that wall, the whole world — they’re all counting on us.”

“Here, take this. You need this more than I do. ” Katara took her waterskin off and handed it to Aang. “Good luck. And be careful.”

Y/N noticed a slight blush on her cheeks and she had to hold back her smile. That was definitely something she was going to tease her friend about later — when they weren’t trying to stop the Fire Nation from breaking into Ba Sing Se.

“I will,” he assured. Aang slung the strap of the waterskin around his shoulder and took off, and Y/N and Katara got to work breaking through the rest of the braces.

With the knowledge that they only had to cut through half of each column and the revitalization that came from having a plan, their work went by much quicker. Just when they finished the final brace, it all went wrong.

“Good work, Team Avatar!” Sokka cheered. “Now we— Y/N, duck!”

She didn’t question Sokka as she immediately dropped to the ground, something she was immensely thankful for as a blast of blue fire seared past her. Her eyes snapped up to the source of the attack and narrowed in recognition.

“Of course they’re here,” she growled as she pulled herself back up. “We gotta go, now!”

Katara and Sokka nodded and they all started running. Bringing up the rear, Y/N was able to hear Azula’s words right before they split off into an intersection:

“Follow them! I’m going to find the Avatar.”

Sure enough, when she allowed a glance back, Mai and Ty Lee were closing in on them. She flicked open the cap of her waterskin and bent some out, managing to freeze it at just the right moment to block the incoming daggers from Mai. Still running, she melted it quickly and let it fall to the ground before freezing it again, creating some ice on the ground that would hopefully give them a few more seconds of leeway.

“That should give us some time!” she yelled as they turned a corner, finally turning her attention back to the path in front of them. “Any idea how we’re gonna get out of this thing?”

“Maybe!” Sokka yelled back, slowing to a stop as they came to a dead end, a large hatch the only thing at their disposal. He started tugging on the wheel in an attempt to open it, and when Y/N joined in they were able to wrench it open.

“Slurry pipeline?” Katara frowned as she read the sign on the wall and looked at Sokka. “What does that mean?”

“It’s rock and water mixed together,” he explained as they looked into the rushing liquid underneath the hatch. “It means it’s our way out!”

Katara nodded and climbed in, Sokka following close after. The sound of metal footsteps got closer and closer, and Y/N ducked inside just as Mai’s knives clanked against the hatch. Never before had she been so happy to be floating in a stream of slurry.

The rest of their mission went by surprisingly easy — at least, on their end. All it took was some waterbending — earthbending, when Toph joined them — and encouragement from Sokka (though unappreciated by Katara). Whatever magic Aang was working at the top of the drill had done its job, because soon enough the drill had collapsed in on itself.

And now, they had reunited on the top of the wall overlooking the sunset. After the chaos that had been their day, it was nice to just relax for even a moment. And there was no better way to do so than with her friends.

“I just want to say, good effort out there, Team Avatar!” Sokka exclaimed as he threw an arm around Y/N’s shoulder.

“Enough with the ‘Team Avatar’ stuff,” Katara said dryly. “No matter how many times you say it, it’s not going to catch on.”

“I like it, Sokka,” Y/N smiled. “I’ve liked it this whole time.”

“You always appreciate my genius, Y/N,” he mused. “That’s why I appreciate you.” She laughed and leaned her head against his shoulder as he continued to list off names.

“How about… the Boomeraang squad! Eh? See, it’s good because it’s boomerang, and it has Aang in it—”

“Yeah Sokka,” Toph interrupted. “We got it.”

Aang grinned and scratched his head. “I kinda like that one.”

“The Aang Gang. Ooh, the Fearsome Fivesome!”

“You’re crazy,” Toph muttered as she walked away.

“Wait, Sokka—” Y/N pulled away from him and held up her pointer finger. “Aang Gang — what if we combine it, so it’s just the Gaang? But still with Aang’s name?”

And at that moment, Sokka looked more proud than ever. “Oh, you— you are a genius.”

“Oh, spirits,” Katara groaned. “Why do you insist on encouraging him?”

“You’re just jealous of our name-making abilities,” Sokka said haughtily.

She rolled her eyes but couldn’t stop herself from laughing. “You two are completely ridiculous, you know that? Let’s just get into the city before the trains stop running.”

Y/N and Sokka winked at each other as they all started walking, unable to keep the smile off of her face. She always thought it was amazing — they went through insane things every day, but at the end of it all she was always able to smile because of them. And as her gaze drifted towards the city in the distance, she hoped it would hold true.

She had no idea what Ba Sing Se had in store for her.

-

shit is gonna happen next chapter so i hope you all are READY bc im not

perm tags: @dv0412 @siriuslyslyslytherin @maruchan77

atla tags: @marianne1806 @brown-eyed-thang @akiris

ehfar tags: @chandies-sideblog @zacatecanaaaa @anzanity @randomthingssss @escapingthoughtsandsecrets @shanksfav @shephard17895 @ilovespideyyy @carisi-sonny @selfship-mishaps @i-belong-in-fandoms @ilistentotayswifttocope @i-make-questionable-choices @3leni

[whentheynameyoujoy]

Yup, Sure Was a Finale

I had an epiphany. The reason why I never re-watched the final two parts of Sozin’s Comet even though I’ve popped in episodes at random many times over the years isn’t that I can’t bear the sadness of seeing one of the best, most engaging narratives out there come to an end.

It’s simply that the finale isn’t all that good.

Some honorable mentions of what was enjoyable.

(+) This

Just this.

(+) The Church of Zutara has another convert

“Are you sure they don’t get together?” Hubster, 2020

(+) The tragedy of Azula

And the fact that it’s acknowledged as such. I hope Zuko will do his best to get her help and have a relationship with her…

(+) Sokka being a big bro

And the whole airship sequence in general. It’s wonderfully paced and plotted, with moments of humor, real stakes, Toph being both badass and a scared crying kid, Sokka strategizing and protecting, Suki saving the day, and non-benders being instrumental in thwarting the bad guy firebender’s plans. Would be shame if Bryke never portrayed them this capable ever again…

And now for the main course.

(-) Blink and its over

The wrap-up feels too quick (hashtag Needs More ROtK-style False Endings). A part of this is due to how fast the story goes from the thick of the action to hastily tying up a bunch of loose ends, but the larger issue is how Book 3’s uneven pacing comes home to roost. After spending half a season on filler episodes that at best subtly flesh out established characters while dancing around a huge lionturtle-shaped hole, and at worst contradict the theme of “no one is born bad” with “you’re a hot mess because your great-grandfathers didn’t get along too well”, the frantic “go go go” rush of the second half screeches to a halt with “they won and everyone was happy because now the right people have power and it will be all good from now on yup nothing more to deal with baiiiii”.

Yes, I know, it’s a kids’ show. But goddamn, this particular kids’ show has proven so many times it can do better than the expected tropiness. Showing the characters in their roles as builders of a new world was the least that could have been done.

Oh well!

(-) Ursa

We’ll never know. There will never be a story that delves into this. Yup. Shall forever remain but an intriguing mystery. Is good, though. Mystery is better than a story where Ursa shares her son’s penchant for forgetfulness. Imagine how embarrassing that would be. Speaking of which…

(-) What does Mai see in this jerkbender?

Look, I like to harp a lot on the mess of inconsistent writing that’s Mai but let’s unpack this scene from her perspective, shall we?

Zuko forgot about her! It totally slipped his mind that the one person who prioritized the safety of his dumb ass was rotting in the worst prison in the Fire Nation—because of him! And she was rotting there long enough after the final Agni Kai for the news of Zuko’s upcoming coronation to spread and her uncle to feel sufficiently secure to release her. But then the coronation scene is attended by every single member of Gaang & Friends that was imprisoned?

So what this tells me is that either a) the invasion force had the ability to break themselves out the whole time and for some reason decided not to exercise it until after the war was over, b) Zuko forgot about them as well and no one thought to remind him there were prisons full of POWs until Mai arrived, or, and that’s even better, c) Zuko took care to free every single resistance fighter while making sure Mai would be the one to stay behind bars.

Never thought I’d say this but Mai? Honey? You deserve so much better.

(-) “What does Katara want?”

Asked no one in the writers’ room ever, apparently.

This is not so much anti Cataang as anti romance stories that pay attention to the needs, opinions, and wants of only one partner in general. Over the previous 60 episodes, Katara actively expressed romantic interest in Aang exactly, wait for it,

Once.

And it got retconned out of relevance by the following two interactions where the possibility of a romantic relationship came up, making the Headband dance pretty easy to reclassify as just one of those examples where Aang “teaches” Katara to have fun (as if one of the main obstacles to her having fun wasn’t him constantly fooling around and offloading his duties). And because the writers not only didn’t succeed in portraying Katara’s internal state of mind, but also failed to root her reluctance to pursue a relationship in outside circumstances that could change, her sudden state of unconfused once Aang steps into the spotlight has a single canonical explanation that as much as approaches coherency.

The fact is, though, that trying to interpret canon Cataang from a Watsonian perspective is an exercise in foolishness. Because there is no Watsonian justification for the ship and never has been. Bryke simply conceived of Katara as nothing but a tropey prize for Aang, never saw her as anything beyond that, and were perfectly happy to go on and immortalize her as a passive broodmare for the rest of her life.

And I fully intend to die mad about it.

(-) Iroh dips

OK, it’s been long apparent that the show doesn’t intend to do anything about Iroh’s complicity in AzulOzai’s regime in any meaningful way, and that his sole motivation for doing anything whatsoever is Zuko whom he views as a replacement son which is supposed to be good for some reason. But the finale has him abandon even that, and instead turns him full-on YOLO, idgaf anymore. It really throws Iroh’s supposed love for Zuko into doubt when his last act in the entire show is to take a half-educated 16-year old with no political savvy or an heir to secure a dynastic continuity and plomp him on the throne of a war-mongering imperialist regime where the entirety of the militarist and ruling class is guaranteed to fight him tooth and nail for power.

(I sure hope Mai’s ready to start popping out babies by tea-time otherwise the whole country is fukd in about a week)

Christ, how hard would it be to have Iroh keep the throne warm for a few years while Zuko is getting ready to succeed him? Not only would it make the whole FN reformation bit quite likelier to occur, it would require Iroh’s hedonistic ass to actually sacrifice something for once. And not having Zuko ascend to power, instead spending some time bettering and educating himself first, would be a wonderful message that no matter what you endured and overcame, you never stop growing. A kids’ show, remember?

(-) The conquering of Ba Sing Se

Gee, I feel so blessed to have my attention diverted from battlefields which actually matter to an old dude vanity project I would have been perfectly happy to assume resolved itself off-screen.

The White Lotus in general just bugs me. I was fine with the individual characters and their overall passivity when they were portrayed as lone dissenters living under circumstances where it wasn’t really possible for any single person to mount a meaningful resistance. But as members of a far-reaching shadowy organization that’s left the real fight to a bunch of kids for 59 episodes straight and didn’t turn up until a perfect opportunity presented itself to take control of the largest city in the world and bask in the spotlight?

Yeah, no.

Similarly to the lionturtle-ex-machina, the White Lotus represents a huge missed opportunity for a season-long storytelling. Here’s just a brief list of what they could have been doing throughout Book 3:

orchestrating a Fire Nation uprising;

gathering those directly persecuted by AzulOzai’s regime to help Zuko keep his hold on power once he’s crowned;

establishing themselves as a viable alternative to Ozai;

sabotaging Fire Nation’s war efforts from the inside;

countering Fire Nation propaganda (Asha Greyjoy’s pinecones, anyone?);

running a supply network to alleviate the suffering of Earth Kingdom citizens.

Instead, they sit on their asses until the time comes to claim personal glory.

You know what, good on Bryke for making me conclude that in comparison, the Freedom Fighters were perfectly unproblematic, actually.

(-) Fire Lord Dead-by-Dawn

Yes, a kids’ show, I know! But ffs, this is the same kids’ show that came up with Long Feng and portrayed courtly intrigue, kingly puppets, secret police, spy networks, and information wars. Was it really too much of me to expect something other than “enlightened despot solves everything”? Especially if said enlightened despot has persisting anger issues, no personal support system, no base of followers, and no political experience whatsoever?

If Zuko’s actually serious about regaining the Fire Nation’s honor (i.e. by dismantling the country’s military machine, decolonizing the Earth Kingdom, paying reparations to everyone and their lemur, and funding any and all cultural restoration projects Aang and the SWT come up with), then there is no way, no way in the universe that he doesn’t face a civil war, deposing, and execution within a month.

One reason why his future as a Fire Lord seems rather bleak is that little’s been shown about the actual subjects of AzulOzai’s regime. While we get a vague reassurance that “no Toph, they’re not born bad” (le shockings), they largely remain a voiceless uniform mass of brainwashed clapping seals. What is their view on the Fire Nation’s crimes? Do they associate their condition with their country’s war-mongering? How will they react when Zuko starts dismantling the country piece by piece to rebuild it, bringing it to economic ruin? What will they do when noble Ozai loyalists come out of the woodwork and begin rounding them up under the banner of “Make the Fire Nation Great Again?”

I have no idea, and Zuko doesn’t either because he’s unironically more qualified to rule the Earth Kingdom than his own people.

You know what would have been better? Fire Lord Iroh, White Lotus pulling the strings to maintain the regime, and Crown Prince/People’s Champion Zuko travelling the Fire Nation with Aang and an army of tutors to promote the new boss, only to realize that absolute monarchy is kinda crap for the people he’s one day supposed to rule and gaining their support by ceding some power to them.

I’d laser holes into my TV due to how much I’d enjoy watching that.

(-) All hail Avatar Rock

Literally and metaphorically. Aang doesn’t sacrifice anything, gets everything, and the clever solution of going about getting said everything is handed to him on a silver platter, requiring no active participation on his part whatsoever.

He doesn’t work to unblock his chakras, spiritually or physically.

He only speaks to his past lives to get a pat on the back and a bow-tied solution he could mindlessly follow.

Energy-bending doesn’t require any sacrifice from him, leaves no lasting marks, and only serves for the narrative to praise him as the rare individual that’s unbendable and thus so very very special.

The most infuriating thing is, however, that Aang is clearly shown as being able to beat Ozai without either the Avatar state, or energy-bending.

And he chooses not to. From this moment on, Aang no longer fights to save the world. He fights to preserve his beliefs, going directly against the instructions of his past lives and effectively reneging on his duties as the Avatar.

Again.

It’s not like you can’t portray Aang’s faithfulness to his spiritual beliefs as the key to beating Ozai and saving the world. But that’s not what the show did. There is no link between Aang sparing Ozai and securing a better future, quite to the contrary—Ozai’s survival ends up being a massive problem for the continuation of Zuko’s rule, and consequently a threat to the world at large. His survival benefits Aang and no one else.

Aang’s spiritual purity and his status as a savior of the world are allowed to coexist only due to a deliberate stroke of a writer’s pen.

And I hate it.

Welp, nothing to do about it now except to bury myself up to my tits in fix-it fics I guess.

[firelxdykatara]

Re: your excellent recent metas on stanning Mako and semi-comparing/contrasting him with Katara, do you think Mako should have ever gotten his own TSR-style arc of seeking revenge on his parents’ killer? It’s something I’ve been thinking about ever since re-entering the ATLA/LOK fandom last year. Just, UGH, the wasted potential to use such an arc to really dig into Mako’s psyche and all the hardship he’s endured, and also make said hardship more front-and-center to his audience of antis who unfairly reduce him to a standoffish, philandering asshole. I understand not wanting to re-do TSR in LOK, but Mako deserved SOMETHING of that calibur for a character arc. What are your thoughts?

Oooooh this is a really good question, and it's something I hadn't really thought of before--which, I think, is part of the issue with LoK as a whole. If you'll forgive a bit of a tangent--in atla, we are constantly reminded about the losses that Sokka and Katara have suffered--not in any kind of heavy-handed way (no matter how much the Katara haters will whine about her mentioning their mother, even though they usually won't say boo about Sokka despite him mentioning their father at least as often)--because the narrative makes it very clear that it's something on their minds through everything else that happens. It shapes who they are, and informs a lot of the decisions they make. You can see this with Zuko, too, and the abuse he suffered from his father--even before it is revealed in The Storm, you know that something happened, and that maybe it's not such a great thing that he is desperate to 'regain' his honor and return home. And even Aang, though he only rarely is shown to actually grapple with it on screen, is a constant reminder to the world, as well as to the audience, of the consequences of the war, simply by virtue of being an airbender and the last living remnant of the Air Nomads.

By contrast, LoK doesn't do much with the traumas any of the main cast suffered, particularly not anything that happened prior to the start of the series. Mako has a deeply emotional conversation early on in the show about what happened to his parents, and what he witnessed as a small child, but nothing is ever made of this information. It provides a bit of context, and it allows fans like me who are dissatisfied with the way the show and fandom proceeded to treat him to dig deep and realize just how much he suffered and how much better he deserved--but as far as the show itself is concerned, that conversation was essentially flavortext. It doesn't mean much, the show doesn't seem interested in having Mako or Bolin reflect on their lives or even be shown to visibly mourn their parents (who never show up in so much as a single flashback). Even when they meet their paternal grandmother in book 3, nothing much is made of the connection (and when Bolin has to forcibly evacuate Yin from Ba Sing Se, she makes him wait for her to grab..... the picture of the dead Earth Queen, rather than the picture of her son and his family), other than Yin telling them why their father severed connection with his family and Mako choosing to give her his one memento of his parents.

And like... I get that was meant to be an emotional moment, but... his father chose to cut off all contact with his family. Whatever the reasons might have been, whether he might have changed his mind had he lived, the fact was that what he wanted from his life was to look to the future--to his wife (who he never bothered taking home to meet his parents) and to his children. I really don't think he would have wanted his mother to have his scarf instead of his son--especially not when she had memories of his entire life (adult memories!) to hold onto, while Mako only had the hazy memories of childhood and one physical token to cling to when those might not be enough.

Bolin is glad to suddenly have a huge family, when they meet their grandmother, but again... nothing really comes of this. At some point Bolin mentions that he used to dig through literal garbage for food, and this is played for laughs rather than taken as any kind of serious examination of his life before things changed. The show just doesn't care about the krew as individual characters, not really--they are moved about as needed for the Plot, jokes are occasionally made about their backgrounds, sometimes something is pulled out for an emotional tearjerker moment before never being referenced again (I mean, really, Grandma Yin is around for multiple episodes in book 3 and book 4, and neither Mako nor Bolin spend an episode just begging to hear about their father's childhood?), and... that's about it.

All of which is a very long-winded way of saying yes, I absolutely think that Mako should've gotten his own TSR-like episode. Obviously it shouldn't have been just a carbon-copy, or even necessarily occupy a similar niche in the show--while TSR is very much a Katara episode, it is also a Zuko and Katara episode, because whether you ship them or not, the episode is explicitly about not only Katara gaining closure for here mother's murder, but also about Katara working through her feelings regarding Zuko and choosing to forgive him. However, I absolutely believe that Mako should have been given a chance to confront his parents' murderer, and I think it's a crying shame that this never actually happened.

And the thing is, they wouldn't have even had to 'redo' TSR, any more than you consider Mako as a character to be a 'redo' of Katara just because they have similar childhood traumas--but what they very easily could have done is shown how that trauma lingers. Show Mako's complicated relationship with firebending (he really has no thoughts about his own element, when it is what killed his parents???) and with the Triads that he had to do work for to make ends meet as a teenager so that he could keep Bolin fed. Maybe he knows exactly which of the Triads was responsible for his parents' death--maybe the man's face is burned into his mind, appearing in his own nightmares so frequently he couldn't forget it if he tried.

Maybe he had to do a job for the man who killed his parents, and only the thought of Bolin going hungry or worse if Mako never came home kept him from attacking. Maybe that night, when he got home, after he made sure Bolin had something to eat and went to sleep, he threw up until there was nothing left in his stomach and then he kept retching, throat raw and eyes stinging, because every time he closed his eyes he saw that man's face and felt the hand that killed his parents clapping him on the back for a job well done.

Maybe the man who killed his parents is one of Amon's Triad victims, loses his bending and is pathetic and weak, and Mako struggles against the urge to roast him alive without a second thought. Maybe Korra is there, slowly putting the pieces together, wanting to speak up but knowing that this is Mako's pain and it's something she could never fully understand, believing with all her heart that he'll make the right choice... but still sighing with relief when Mako's shoulders slump, the fire goes out of his hands, and the man who killed his parents runs away.

Maybe, at the end of the book when she is restoring everyone's powers, the man who killed Mako's parents gets to the head of the line... and she refuses. Maybe that's ultimately his punishment. And maybe Mako is standing there, fists clenched against the still-simmering rage in his gut, teeth clenched against the urge to vomit, relaxing only when the man leaves--dejected, rejected and powerless--and smiling, because he can finally begin to heal and move on from the scars left behind by his parents' deaths, but the man who killed them will have to remember every single day for the rest of his life exactly why he's powerless.

Idk, I just think... it would really be neat if Mako had been allowed to get closure for what happened to his parents. It would be... neat. I'm not crying at all shut up.

[theotherace]

Fic Recs: Taang

I’ve made two or three rec lists over the past few months, but I thought I’d make a proper, comprehensive one that’s easy to add to in the future. Not all of these are exclusively Taang, but they all feature the ship to some degree. I will only recommend one or two stories per author, but some profiles are definitely worth checking out further. So! Here goes.

Multi-Chapter, Complete

Whisper Into the Sky by damagectrl – Toph has two choices: Go home and get married or have the family fortune and her inheritance given to a stranger. Her problem: She wants to keep her ties to her family, but is quite content traveling with Aang. Her solution: Fight her way through suitors for her freedom. Literally. | General 

The Slow Path by Tazmainian Devil – Eight years after the fall of Ozai, Aang returns to the friends he left behind. | T

A Matter of Honor by Adridere – Almost 4 years after the war. Aang is engaged to Katara and is up to Zuko to teach him the facts of life. Yep, the bees and the birds. Crazy kings, bananas and the ultimate contest for the hand of a reluctant maiden. | M

Roommates by breeeliss – An unlikely tale of two unlikely people being forced to live together under unlikely circumstances.| Modern AU | T

Fall of the White Lotus by Boo-82 – Three years after the war Zuko is living a life of duty while Katara reluctantly travels the world with Aang. So, when General Iroh orders them to find Zuko’s mother and save his Order they seize the opportunity with both hands. It’s the beginning of an adventurous journey of discovery, but as time runs out a rising threat puts their bond to the test. | T

Half Asleep by The Crushinator – Five years after the Hundred-Year War, Fire Lord Zuko is hit with an assassin’s dart, and falls into a coma from which he cannot wake. A week passes, and his prognosis is grim. But Katara could swear she hears him in her dreams… | T

Yaaburnee by aviatordame – Avatars aren't meant to belong – that's as much as Aang can fathom. | M

Getting Lucky by roca-dos – Crazy things happen in college every day. | Modern AU | T 

All Fall Down by DJNS  – Aang copes with a tragic loss and finds renewed hope in an unexpected place. | M | Warning for Major Character Death

The Princess & the Badger-Cat by panaili – In a land never torn apart by the Hundred Year War, the sixteen-year-old Avatar Aang is trying his best to keep the balance between the four nations, including the increasingly antagonistic Fire Nation, which, despite his friendship with the Crown Prince Zuko, refuses to acknowledge him. Elsewhere, Sokka and Katara have been separated on their quest to find their missing father, and Sokka, pursued by the same bandits who kidnapped his sister, finds himself on the balcony of some rich girl’s house in Gaoling. Oh, and a sorcerer has turned him into a badger-cat. It’s just one of those days. | Teen and Up

Reborn by Jakia – Life. Death. Rebirth. This is the cycle that all spirits must abide to, even the Avatar. Aang and Toph face death and the reincarnation cycle. | T

New Girl by tiffaniesblews – After coming home early from a business trip, all Katara wanted to do was surprise her boyfriend, Jet. Imagine her surprise when she got home and Jet was in bed with another woman. Not wanting to live with her ex, and unable to live with her best friend, Suki, Katara takes her brother Sokka's offer to move into his loft with his two roommates. Aang is perky and sweet, the owner of a st. Bernard and a cat, who's often confused about his direction in life. Zuko, on the other hand, is a closed-off bartender, who takes some time opening up to others.The four could not be more different, and yet? They work out perfectly. Even if Katara's feelings for Zuko get a bit more complicated as time goes on. | Modern AU | Mature 

The Ties That Bind series by LdyKirin – An exploration of the ties that bind for good and ill. Toph and Zuko are both shaped by the family they were born to and the family they choose. Lots of found family feels. | T

What Happens In Kyoshi by BlackVelvetBand – Prince Zuko, and the GAang take a vacation on Kyoshi Island. Flirting, fighting, and embarrasment ensue as Sokka takes it upon himself to defend Katara's virtue...in a dress? A short,chaptered fic featuring Zutara, Sokki, and Taang. | T

Under the Night Sky by mycomfortblanket – Aang hears the chattering of teeth during a cold night. Was an AU that I found on tumblr that I made fit into this story. Orginal prompt: "We have to go camping together and share a sleeping bag even though we are complete strangers | General

On The Precipice by JoyDragon – They’re just best friends. Or maybe they’re teetering on the edge of being something more. | General

Oneshots, Complete

Air and Stone by Wolvenfire86 – A few Taang stories munched together. My first submissions. I hope everyone likes them. Please review, it makes me feel special. | K+

Taang Week 2020 series by teabagginses | Teen and Up & Mature

Our Little Secret by IrisPlumeria – Toph and Aang, sat next to one another dressed in their finest under paper lanterns and surrounded by copious amounts of food and friends, cringed at the disgusting noises coming out of Sokka’s nostrils as he blew his nose into Suki’s handkerchief. “I can’t believe two of my best friends are finally married!” Sokka sobbed, earning a supportive pat on the back from Suki, who didn’t flinch at the snot coming out of his nose. “I’m so happy for you guys!” Toph and Aang's family are happy for their nuptials, but will they be able to survive their wedding party without letting slip a big secret?Written for Taang Week 2020 - Tradition. | General 

All Roads Lead To Ba Sing Se by irisbleufic – "I was thinking," [Mai] said, tucking her last remaining dagger into her belt as she strode to meet him, "that it's about time I let Fire Lord Zuko know that I quit." When Kuei smiled at her, she could see the sunshine at which she once cringed."Notice that's six years overdue is better than none at all." "Indeed," said the Earth Queen, and grinned at him. | Teen And Up

Lady Fu’s Fortune Telling by Lady Cleo – Katara and Toph visit the local fortuneteller to get their fortunes told. Added a part two with Zuko and Aang. | T

The Perfect Companion by Morna – Aang seeks comfort outside of the arms of his wife, Katara. Taang, slightly lemony. | T

Box by JoeMerl – Written for Taang Week, one-shot. Toph ticks off Bumi, but Aang is willing to fight his old friend tooth and nail to get her out of trouble. Humor, light romance. | K+

2 am by shmulia – Whoever set off the fire alarm at 2 in the morning is on Katara's shit list. Even if he is hot and shirtless. | Modern AU | K

And its sequel, 11:45 – House parties aren't Katara's thing. Sokka's drunk, Suki's on a mission to set her up, and Toph is... well, Toph. But for every cloud there's a silver lining, and for Katara it comes in the form of a second chance with her neighbour... | Modern AU | T 

Treat by PsychEmpress – She felt the corners of her own lips quirk as he sheepishly rubbed the back of his neck. “Consider this my treat,” he said and Toph allowed a smile to break out. OR In which Toph is a stressed architecture student who gets a free cup of coffee from the handsome waiter after she helps his friend. Taang. Mentions of Sukka. | Modern AU | T

Sawaru by metacognitive – This love is simple. Non-Korra compliant. | K+

Newlyweds (and basically everything else) by PandaCookie – Everyone’s a bit hopeless right after they’ve been married. | K+

Rhythms by xcgirl08– For now, though, her child’s heartbeat was hers to contemplate. | K 

Tenderness by Adridere – He wanted to keep her, even though he was not supposed to. He promised her freedom, and she promised him sanity in his own household. She kept her part of the bargain, but he found a way not to keep his. | M

Holy Matrimony by Loopy – After their marriage, Zuko and Katara deal with conflicting religious beliefs, and look to the friends for advice. Between the Zutara and the religious satire, every single person who reads this should feel offended. | General

Blind Maiden’s Grace by Adara_Rose – You can learn a lot of things from a flower… | Not Rated (I’d say General) 

Etched in the Earth by Dance_Elle_Dance – She knows the feel of Aang’s footprints better than her own, and that reality scares her. | Teen and Up

No One Asks About The Scars by voleuse – Write about how you learned to curse in order not to be cursed. | General

When in Rome by dtmars – She wasn’t stupid. She knew what she was doing and what she was getting herself into. They both did. | Modern AU. | Explicit

Like Real People Do by DerAndere – The moon is full and bright when he falls out of bed, awake, asleep, inside a dream, and starts walking, driven by the feeling he does not understand, tugging on him relentlessly, and he is Aang, and he is not, and the world is cold. | General | Full Disclosure: This is my story.

Meet Me Under The Table by avatarfan16 – A story of how Toph and Aang find love, in the most unusual of places. TAANG | K+

Aftermath by Zaram'delar – In any celebration, there's always one or two people with a habit of disappearing. Taang drabbleish series. | T

I Choose Dare by for_darkness_shows_the_stars – An ode to how Aang, under the power of a mighty temptress, was forced to grow a beard. Oh, and the birth of his first child, too, he supposes. | General Audiences

Multi-Chapter, In Progress

Heartbeat by AngelicBee – Avatar Aang's soulmate probably died 100 years before, but he can't help but feel she's closer than he thinks. | Teen and Up

a mighty ocean (or a gentle kiss) by poweradequeen – no, the title doesn’t make sense but i don’t care. i couldn’t think of one so now you’re stuck with a cheesy line from two by sleeping at last.it’s a taang fine arts university au. because i said so. | Teen and Up

Neither is Love a Cage by cali-chan – Love is the freedom of flying accompanied. It is letting be without possessing. PG-13 (possibly M later on), drama/romance/angst, Zuko/Katara + Aang/Toph, post-finale but diverges before LoK canon.

Operation: Zutara (REVAMPED) by dtmars – Everyone could see that those two were in love with each other. Everyone except for them. So Toph takes the initiative and fills in for Cupid to give them a little push, while Aang just tags along for the ride. | Teen and Up

Taang One Shots by stitch1830 – A collection of short stories about Toph and Aang that I've had saved in my notes for a few months. Stories are in the ATLA/LOK universe (not canon compliant), and typically revolve around their relationship and family. | Teen and Up

[crashingmeteorz]

the ba sing se bimbos (jinjetsongko): in which ba sing se is a city of secrets and jin knows ALL OF THEM

credit for this amazing au goes to @azenkii

jin knows that the avatar is in ba sing se before anyone else. a friend of a friend of a friend mentioned something about it, and she casually asks the others what they know about aang and his friends.

“they’re goofy but pretty badass,” jet says at the same time that zuko says “they’re so ANNOYING,” and everyone goes kinda quiet.

“you’ve met them?” jet asks zuko curiously. “YOUVE met the them?” zuko asks jet, absolutely flabbergasted.

“yeah,” jet says, and then addressing jin and song, “aang - he’s, like, a kid. but also the avatar, so, you know. him and his waterbender friend katara kicked my ass.”

“why’d they kick your ass?” jin asks with a shit-eating grin. song is lowkey freaking out because the avatar and his friends are legendary and everyone’s acting like it’s normal.

“cause i tried to destroy a village,” jet says casually. zuko nods, because yeah, shit happens. jin has long ago decided that thinking too hard about anything any of these people say will cause her to lose her mind so she just rolls her eyes, because, yeah, of course he did.

“you tried to do WHAT?” song whisper-yells, because WHAT THE FUCK, JET

“why don’t you like the avatar?” jin asks zuko, while song and jet argue (“well, technically i did destroy it, but everyone evacuated because of stupid sokka. probably for the best.” “WHY would you DO that? now the avatar probably HATES you!” “people make mistakes, song! do i have to remind you what happened the first night i met you?” “WE SWORE NEVER TO SPEAK OF THAT.”)

zuko, meanwhile, is panicking searching for an answer and finally just blurts out “he sucks on frogs and it’s weird”

“like...for the flavor?” jin asks at the same time that jet says “i thought he was a vegetarian” and song says “oh, did he have mountain fever?”

“i didn’t ask!” zuko says, crossing his arms and pouting. but mountain fever would explain why he visited that herbalist...

“well, you should,” jin says. “and you,” she says, pointing at jet, “can ask for a rematch. the avatar’s in ba sing se.”

“where???” they all ask in unison. song looks giddy, jet looks uncomfortable, and zuko looks downright murderous.

“how am i supposed to know?” jin says innocently, and then grins. “oh, right, i’m a genius. he’s somewhere in the upper ring. he and his friends are looking for the avatar’s bison. big taboo, apparently.”

“i have to go,” zuko says dramatically, and he quickly gets up to leave the tea shop. his friends give him about a three second head start before running after him.

“what’s your deal?” jet asks. “you’re break’s about to end!” song says. “is it because of the frogs?” jin says.

“i can’t explain it, but i need to find the avatar’s bison,” zuko says seriously. “and i need to do it alone.”

“here we go,” jet says. jin puts on a mock-deep voice and says “look at me, i’m lee, i think i’m a cool loner and i have to find a bison for honor or something,”

“i never took you for the kind to steal livestock, lee,” song says icily, and her stare roots him to the spot.

“okay, look, okay, it’s just,” zuko flounders. “i just need the bison, okay?”

“to do what, exactly?” jet asks. “what are you gonna do, chop it up and eat it?” jin asks. song smacks her. “don’t talk about the bison that way!” she says.

“what are you four talking about?” says iroh, interrupting their brewing argument. he looks very serious, which was not something they knew iroh was capable of doing.

“oh, hi mushi!” jin says nervously. “we were just saying - the avatar’s in ba sing se! isn’t that interesting?”

iroh nods. “it is, jin,” he says gently. and then, more seriously. “i hope you don’t mind, but i need to speak with my nephew.”

they do not need to be told twice.

“it’s getting late! mother’s probably worried about us, jin,” song says. “right!” jin says. “we’re supposed to help with dinner!”

“you know what, it’s dark, let me walk you girls home,” says jet, inching away.

zuko is glaring at jet, because if anyone in ba sing se needs protection, it’s definitely not jin and song, but jet just shrugs.

“oh, we’ll be alright,” song says, still mad about the destroying-a-village thing.

“i insist,” jet says through his teeth, and they leave zuko to whatever weird conversation he’s about to have.

when they get back to jin’s and song’s, they sit around wondering what the heck that whole thing was about.

“i bet the dai li have appa,” jet says. “i bet that’s why lee wants him, to free him.”

“maybe he wants to expose the dai li to the avatar?” song says. “so that he knows he can’t trust them.”

they sit there, thinking.

“i bet i could find out where he’s hidden, if he’s in the city,” jin says oh-so-casually.

“if i could get my hands on some of their uniforms, i bet lee and i could sneak into their base of operations,” jet says.

“if i can get close enough, drugging them shouldn’t be a problem. we could question them, and they probably wouldn’t even remember what happened,” song says.

they look at one another and nod in silent agreement.

“lee’s lucky to have us. otherwise, he’d probably do something stupid.” they all think sagely, as they prepare to take on the ba sing se secret police with some crappy weapons and some funky juice, which is definitely not stupid at all.

thank you to everyone who has liked and reblogged these posts. i’m new to contributing to the fandom (unless you include an abandoned self-insert/zuko fanfic from when i was 12 lol), so support from you all mean a lot! also, hello to my new followers and thanks for the follow! i hope you enjoy my stuff/reblogs!

1  2  3  4  5  6  7  masterpost

[hello-nichya-here]

Zucest - Is It Really Flirting?

(Originally posted on AO3 as chapter 43 of Defending and Analysing Zucest)

@azdaema-does-art asked: So I think a big stumbling block for me with this ship is that I very much adhere to the reading of the show that holds:

Quasi-Seducer!Azula (as seen virtually anytime) and Quasi-Seducer!Zuko (as seen in "The Waterbending Scroll") are not actually expressions of desire from them. Rather, this is Zuko and Azula trying to be intimidating by modeling their behavior off their father (circling, personal-space-invading, low seductive tones, etc)

When actually trying to flirt neither Zuko nor Azula acts anything like that. When Zuko goes on that date with a girl in the Earth Kingdom, or Azula flirting with that guy on Ember Island, they're both awkward disasters.

I'd be curious to hear you address this. (Or point me to some awkward disaster!zucest fanfic.)

***

That is a really good point and I'm glad you brought it up. While I understand that reading of the show, I disagree with it slightly for a few reasons (beyond my own bias).

Need to be in control: No one can argue against the fact that neither Zuko nor Azula know how to have "normal", healthy relationships with others, mainly due to how unequal 99% of the relationships in the Fire Nation are since imposing your own will over someone else's has become part of their culture. Both Zuko and Azula accepted being treated like mere tools/punching bags by their father, Zuko was constantly insulting Iroh over the smallest things and Azula full on threatened Ty Lee's life to make her join her on her chase after her brother and the Avatar - both were scenarios where desire wasn't a factor at all (thought I know many fans that would like to think otherwise XD)

However, during The Beach, we saw how both of them try (and fail) to deal with romance. Zuko was extremelly paranoid that Mai was interested in another guy, for no real reason, and was constantly trying to intimidate her into either admiting to it or into saying she disliked the guy, even though she had clearly said she was completely indifferent to him. And Azula, after her kiss with Chan, decided, on her own and not giving a damn about his feelings on the matter, that not only would they be officially a couple, but that they'd dominate the earth together. Control is, more often than not, a major factor in all of their actions and relationships, so Azula wanting to intimidate Zuko in the bedroom scene (which she very much tried to do and succeeded at) doesn't automatically rule out the possibility of atraction.

Mixed feelings: While "I wanna fight/kill my sibling" is sort of these two default state, there are moments that show that they do have at least some positive feelings for each other. Zuko doesn't give a shit that Aang is going to kill Ozai, but seeing Azula falling "to her death" and then chained up and defeated after their Agni Kai quite clearly made him emotional, even if he tried to control himself. Azula's positive feelings for Zuko are so obvious I had to do an in length discussion of it in chapter 12 "Is Zucest just about sex?" Combine all of the conflicting emotions they have for each other with their need to control the other, and some scenes end up getting some connotations the writers weren't planning them to have... supposedly (I'll get into that in a bit)

Awareness and familiarity: Don't get me wrong, Zuko and Azula are two extremelly traumatized, socially awkward teenagers who have no idea how to flirt (or how to fit in with people their age) but we also need to take context into consideration, especiall when it comes to Zuko's date with Jin and Azula's interactions with Chan.

In Ba Sing Se, Zuko was outside of his comfort zone, away from home, in enemy territory, and so paranoid that he assumed Jin came into the tea shop so often because she knew they were Fire Nation, not because she had a crush on him or simply enjoyed their tea. And while he liked her and the date was nice, Zuko was very "stiff" and even looked a bit uncomfortable (not to say very uncomfortable) at some points - which is oddly simmilar to how he was acting during the bedroom scene (hell, Azula was quite clearly looking at him just like Jin did, as I pointed out in "The most important parallel in Avatar"). Finally, we cannot forget that, even though he was awkward as fuck during 90% of the night, Zuko did manage to do something kinda romantic by lighting up the place, meaning he isn't completely oblivious to the concept of flirting (which is proved by his relationship with Mai).

Now, when it comes to Azula, the poor girl has almost no idea how to flirt. Almost. Talking about Chan's sharp outfit shows she's got some of the basis down, like "say something nice" - the problem is that her concept of "nice" is very different than that of most people. She did sort of know what to do once Ty Lee gave her some tips... but she quickly reversed back to her regular ways - which once again shows that flirting/seduction has an element of control and intimidation for her. She probably doesn't always mean to act in ways that could be considered flirty, but that doesn't mean she is completely oblivious to the implications of, let's say, invading her brother's personal space and talking to him in a low tone while wearing nothing but a robe.

And since I mentioned Azula going back to what she knows, that leads us to another thing to take into account: the fact that Zuko and Azula quite literally knew each other their whole lives - meaning if they were to ever flirt with each other, it would probably look at least somewhat different than when they were out of their element. Azula was the one in control, so she was far more comfortable and confident than she had been with Chan, and Zuko was the one being intimidated, which explains why he kept his guard up. Once again, that "theory" is sort of confirmed if we compare how Zuko acted while flirting with Mai on The Headband versus how he tried to interact with her in The Beach - when he used a non-traditional, but very Mai-esque "You're so beautiful when you hate the world" he got her equivalent of an "I love you" when she told him she didn't hate him, but he tried to do more "normal" things like getting her a pretty shell it blew up on his face. He knows Mai since they were both kids, meaning he usually knows how to deal with her, just like Azula usually knows how to deal with him.  

Intensity: While a lot of Azula's behavior can be explained by her copying Ozai, we need to remember that there's only so much he could affect, especially since her way of "intimidating" Zuko was far more touchy and incestuous than his, and lasted a lot longer. Azula gets close to people when she's intimidating them (see how she toyed with Aang in The Drill), but not as close as she did with her brother. The sole exception to that being Sokka on The Day Of Black Sun - but that is on somewhat shaky ground despite the accidental sexual tension since the first time she got close to him she was being launched by the Dai Li and he just happened to be standing a little bellow the direction she was launched at, and the second time had him pinning her to the wall (which is in character since Sokka usually goes straight at his foes to intimidate them while fighting), and as soon as she had her firebending back she pushed him away. On top of that, she was trying to distract him, Aang and Toph, meaning he wasn't her focus at all, and she ignored him on all the other times their groups were facing each other.

With Zuko on the other hand, she was going full force, like I said on my analysis of the bedroom scene. She played coy, stared at him in a very intense, weird way, circled the pillar on her bed, stretched in front of him, got on his personal space touching his shoulder and chest, and bit her lip while talking basically purring her words. That is all a bit too much for me to believe it was just about intimidation. And the touching gets even more suspicious when you notice Azula does enjoy and is willing to give physical affection - she hugged both Mai and Ty Lee after seeing them again, pulled Ty Lee close while conforting her and apologizing for her harsh words at The Beach... and put her hand on Zuko's shoulder while saying he restored his own honor to reassure him after he was feeling bad for betraying his uncle.

Intention of the actors/writers/animators: Avatar is no stranger to parallels. It also isn't a stranger to adult themes/jokes, fanservice, and ship teasing. For instance, even thought they didn't end up together and were never canonically interested in each other, there was A LOT of hints/teases of Zutara - dude fucking took lightining to the heart for her.

Just like the writers and producers were aware of Zutara, Tokka and many, many other ships, they were also aware of Zucest and even jokingly shipped Azula and The Blue Spirit at a panel. The animators habit of sexualizing the characters speaks for itself, so I won't even go into that. Finally, Grey Delisle, Azula's voice actress is a Zucest shiper, has brought it up many times, asked people to send her fanart and fanfic of it, created the phrase "Zucest is best cest", and has full on said she voiced the scene as if Azula was trying to seduce Zuko,  - which regardless of whether or not the writers intended for the character to be doing, means that there is a very strong incest subtext to the scene and that, in a weird way, "Azula" herself confirmed her motives to act the way she did.

[hesther-mcg]

wishful thinking

request: Anonymous said:Hi! I saw your mai x reader and it was amazinf!! so could I request a Mai x waterbender!reader hc/ one shot (whichever you wanna do!!) The way you write her is amazing!!☺️

pairing: mai x waterbender!reader

warnings: idk how to feel abt this :/// if it’s not what u were wanting i’m sorry i can always do another part 

a/n: super long! maybe not good, who knows! i tried my best, but maybe this could be continued? waterbender!reader goes to the boiling rock prison break party?? some more pining, maybe some words exchanged between reader and mai?? 

creds to owner, i couldn't find them :(

“Aang and Sokka, I wish you a good journey,” Earth King Kui bid farewell. “Ba Sing Se owes you it’s thanks, and we look forward to your safe return.” 

Your group of friends bowed to him, small smiles on all of your faces. You had finally managed to get to him and tell him about the war, and expose Long Feng, and now each of you had specific tasks to complete. It made you slightly uncomfortable to split up, but things were never easy in times of war. 

You had decided to stay behind in the city with Katara so she wouldn’t be alone. Sokka deserved to see his father, so she had so kindly opted out of the journey, and upon realizing you had no business at the Eastern Temple with Aang you chose to stay with her. 

“Your Majesty,” a guard came up, alerting everyone. “There are three female warriors here to see you. They’re from the island of Kyoshi.” 

“That’s Suki!” Sokka yelled as he fell to the ground from Appa’s side. He groaned dramatically as he squirmed around, and you reached a hand out to help him. 

“You know these warriors?” The Earth King questioned, taking a few steps forward. 

“Oh yeah,” Sokka replied as he stood up straight. “The Kyoshi Warriors are a skilled group of fighters. Trustworthy, too.” He smiled. “They’re good friends of ours.”

The Earth King nodded his head. “Then we shall welcome them as honored guests.”

--------------------

The sun was high in they sky as the Kyoshi Warriors made their way down the path before them, lined with Earth Kingdom guards on either side. The three girls, in matching makeup and uniform, wore stoic expressions as they inched closer to the King. 

“In our hour of need, it is with the highest honor that I welcome our esteemed allies,” he extended his hands, and the girls kneeled before him, resting their painted foreheads against their hands. “The Kyoshi Warriors.” 

Slowly, they rose back up, revealing their faces to the very man they were there to overthrow. “We are the Earth King’s humble servants,” the girl in front mused, eyes sharp. 

--------------------

You sighed. You knew that this was what you’d signed up for when you stayed behind with Katara, but that didn’t mean you enjoyed the things you had to do. You sat on the ground beside your friend, Momo resting on your shoulder, and a large map of the four nations separated the both you from the row of Generals you were speaking with. They were so far away you couldn't even make out their features, and you were sure that the both of you looked like two specks of blue rather than kids. 

“General Fong’s base will serve as the launching point for the attack. In exactly two months, the Army and Navy will invade the Fire Nation on The Day of Black Sun,” he moved his arms about, and the clay pieces on the map that represented Earth King forces moved. They glided towards the Fire Nation Capital, and Momo flew from your shoulder and landed with a small crash, and all the pieces fell over. 

“Or we could send in Momo to do some damage,” Katara joked with a laughed as the lemur moved around and knocked more things over. “Cause the...” when she was met with a stern silence, you nudged her with your elbow. “Sorry,” she quietened down and you rubbed her arm a few times.

General How closed his fist and all the pieces erected themselves, causing Momo to jump with a screech and retreat to the comfort of your shoulder. “All we need is the Earth King’s seal in order to execute the plan,” he placed down a scroll, and it glided towards the pair of you on a block of stone. 

Katara picked up the scroll as you both rose up from the ground. “We’ll get these scrolls to him right away. Thank you, General How.” You bowed and turned away from the men, and together you and Katara took off down the corridor. 

The walk through the Upper Ring was nice, Ba Sing Se truly was a beautiful place. It was nothing like what you and Katara were used to, which was snow, ice, and water. The North and the South had their differences but one thing rang true for both places; it was cold and wet and blue, but it was home. The city was different, hues of green and yellow filling the streets, gold trinkets lining the windows of some shops, expensive clothes on racks in others. 

But the nice tea shop that caught your eye was probably the nicest thing you’d seen. It was beautiful and shiny, and evidently very popular. “Hey, Katara, let’s get some tea!” You pointed towards the building. “Come on, it’ll be nice,” you smiled and batted your eyelashes, giving her your best pleading expression. 

“Hmm, alright,” she agreed. “What do you say, Momo? A cup of tea before we get back to the  Earth King?” She asked the lemur on your shoulder. He chattered in response, looking between the both of you with his large eyes. It was all you needed to start heading towards the shop. 

You were greeted at the entrance after trekking up the steps. “Table for three, please.” Katara spoke to the pretty woman while your eyes scanned the surrounding area. 

“Uncle!” A familiar voice shouted. “I need two jasmine, one green, and one lychee.” None other than Prince Zuko of the Fire Nation, the very boy who’d been hunting you and your friends for so long, wore a uniform and flitted around the shop. You nudged the girl beside you, and she gasped. 

“I’m brewing as fast as I can,” the old man you recognized as Zuko’s uncle assured with a small smile, standing in the kitchen area of the tea shop. It was as if time had stopped, and everything in the world went out of whack. Nothing made sense, this didn’t make sense. 

Nothing needed to be said, no look needed to be shared; you and Katara had the same thought in mind. 

We need to tell the Earth King. 

The both of you bolted down the stairs and ran away, flashes of blue heading towards to King. You were panting by the time you got there, but the relief of seeing Suki resting on the ground in front of the throne, her gold headband and oil makeup familiar and comforting, was sweet. 

“Thank goodness you’re here, Suki,” Katara rushed. “Something terrible is going on. The Fire Nation has infiltrated the city. I just saw Prince Zuko and his uncle!” 

Suki’s eyes widened a fraction before a sly grin grew on her lips. It was then you realized that this wasn’t your friend, and the two girls resting behind her weren’t Kyoshi Warriors either. You don’t know why it had taken you so long to figure out, or why Katara still hadn’t figured it out herself. This girl was acting nothing like Suki, and it was so painfully obvious now. 

“We have to tell the Earth King right away!” Katara urged, and your eyes cut to her. Something was wrong, and when the girl wearing your friend’s headband, and your friend’s uniform stood up, the female waterbender finally figured it out. 

“Oh don’t worry.” The mystery girl assured, slowly stepping forward into the light, and her golden eyes shined. “I’ll be sure to let him know.”

Momo screeched and flew from your shoulder, fleeing to who knows where; but you didn’t mind, he was safer elsewhere. Suddenly, the Chi blocker you’d fought on several occasions leapt forward, a flurry of flips and handstands and acrobatics. Her hand landed on Katara’s shoulder as she flew over her, and the your friend dropped to the floor. The water she had pulled from her pouch sloshed to the ground, and you pulled it up and combined it with your own water. 

Before you could do anything, however, the girl grabbed you in the same spot she ahd grabbed your friend, and she pulled you backwards. You lost the sensation in your limbs, and you dropped and landed in a puddle of water. 

“So, Zu Zu’s in the city, too.” Azula mused, walking closer to the both of you. You could only see above you, and the girl with the knives you’d been thinking about since Omashu entered your line of sight. The edges were blurry, and steadily growing more fuzzy, but you’d recognize her any day-- even with the makeup. 

“I think it’s time for a family reunion.” 

--------------------

“How’d you learn that?” You asked, and the girl beside you chuckled. You were sitting so close together that your’re arms brushed every so often. 

“I was bored in my room, so I taught myself a trick,” she shrugged, throwing another knife at the wall. It stuck an inch away from the one she’d thrown just before, not any higher or lower. 

“Well, you’re really good,” you complimented, and your cheeks reddened. “You think you could teach me?”

She looked at you, her dark hair shining in the light. She grinned at you, small but sweet nonetheless. “Sure,” she drawled. “Someday.” 

You couldn’t take your eyes off of her. She was so pretty, and she looked so cool and collected. She was a complete mystery, one you wanted so desperately to solve. 

--------------------

That was wishful thinking. 

You wouldn’t get to see her that close, or brush your arm against hers, or have her smile at you. She was on Azula’s side, and you were on Aang’s. It was as simple as that. None of the other factors needed to be mentioned; like how you didn’t know her name, or her age, or how she got mixed up in the schemes of the Royal family. 

You wouldn’t get to learn how to throw knives, or just what to do to make the Fire Nation girl smile like she did whenever you dreamt of her. That’s all you would ever have, dreams and wishful thinking. 

[zalrb]

i’ve been rewatching atla as my emotional support show lately, and i just got to the first episode of the third season. i’m so floored by the ways in which aang and zuko’s character arcs ebb and flow together?? like having aang fresh from the shitshow of ba sing se and literally saying he needs to get his honor back takes it all the way back to the first season with zuko. and then zuko comes back to palace after three years and sees how everything has changed and it’s exactly like aang realizing he had been gone for 100 years. then, at the end of the episode aang throws his gilder into the volcano (which is just foreshadowing to the big sozin/roku plot) as like a direct parallel between the moment and in season two when zuko and iroh have to cut their hair to conceal their identities. i mean aang literally wakes up on a fire nation ship which is where aang and zuko had their first confrontation. like?? how can zuko be anything but a co-protagonist? he’s not even really a foil because he reflects the same existential/moral/interpersonal character arcs that aang goes through rather than acting as a contrast. (this isn’t about zuko and aang, but i also love the parallel of aang running away from the ship and getting stuck in the storm like before he froze but choosing to stand his ground instead and face his demons bc we love character development)

this is so beautifully and aptly written and i agree! not to mention, that even though it’s in season 3 that aang mentions his need to regain his honour, that had been a theme for him since the first season considering that he had to grapple with the fact that he left the temple once he found out he was the avatar and in the 100 years he was away, a war had started so he has to set out to make it right and find his place in the world whereas, as we all know, zuko’s mission from day one was reclaiming his honour and his place in the world, which at the time he thought meant capturing the avatar; furthermore, both zuko and aang are forced to face harsh realities they’re too young to face, with aang, it was being told too soon that he was the avatar and the monks chastising gyatso for treating him like a child and shielding his innocence whereas ozai took zuko’s innocence by forcing him to do agni kai and the fact that both of these backstories were written in the same episode thereby furthering the idea that they are both protagonists of their own stories and at that time, not foils but antagonists in each other’s. it’s honestly just so wonderfully crafted.

[fatesdeepdive]

Entry 11: Archduke Silly Bot

I built a new Mess Hall and Accessory Shop, but before I could play with them, my castle was attacked! By spooky ghost men from the Astral Plane I mean, I summoned them, but still, the castle is in danger. Fifteen enemies showed up to try and seize the fort. Lilith was supposed to help me fight, but just stayed in her pond and did nothing. Dumb fish.

The invaders were tough, but focused more on smashing stuff than killing my Units. Unfortunately, there was a casualty. Kenshi, our valiant POW who we force to serve as cannon fodder, was slain in battle. I mean, not really, because I’m playing Casual mode. Still, I renamed the castle Fort Kenshi in his honor.

The invasion gave me the points needed to build two new structures: the Rod Shop and the Smithy. The Mess Hall can be used to slightly boost unit stats for one battle. The Rod Shop can be used to buy various consumable items. Smithy can be used to reforge Weapons; for instance, I gave Kenshi a new bronze club called Kenshi’s Whacker. The Accessory shop can be used to buy and equip fun accessories, like the bath towel that is all Kenshi is allowed to wear.

Support: Jakob/Mozu

C: Jakob finds Mozu crying, because she had a nightmare about the death of her family, and comforts her.

B: Jakob tells Mozu that she is fortunate to have had something to lose; he explains his abusive childhood that ended with him being sold into servitude of the royal family and tells Mozu to hold onto her memories of her village.

A: Mozu begins training so she can be strong enough to protect everyone and thanks Jakob for looking out for her.

S: Jakob proposes to Mozu, asking her to help him create memories worth cherishing.

Review: This one was short, but good. It could have very easily just been a throwaway conversation about Jakob’s fanciness contrasting Mozu’s lack of sophistication. Instead, it was a genuinely touching conversation that expanded both characters and made me love Jakob even more.

Support: Orochi/Saizo

C: Orochi tells Saizo to stop being mean, because it’s ruining his reputation with the ladies, and threatens to take matters into her own hands.

B: Orochi reveals that when they first met, when Saizo was a child and she was...whatever age she was, she predicted misfortune in his future, which scared Saizo so much he wet his pants. She then reveals that she’s told everyone. Saizo runs away to salvage his reputation.

A: Saizo comes back, furious. Apparently, Orochi lied about telling everyone and Saizo, in his attempts to explain that he only peed his pants because he was a child, ended up spreading the story for her.

S: Saizo has turned over a new leaf and is trying to be nicer thanks to Orochi’s mind games. Orochi confesses that, when she fortolled misfortune in Saizo’s future, she must have actually been talking about his father. Because, as we all know, Saizo has not suffered any misfortune in his life. Also they get married.

Review: This one was decent. Saizo ignoring Orochi’s threats at first then ruining everything in his struggle to fix things is amusing, and the duo have better chemistry than most couples in this game.

Support: Azura/Corrin (Birthright)

Notice the Birthright parenthetical. Corrin and Azura, the main duo, actually have different conversations in different routes, which is neat.

C: Corrin and Azura take a walk together. Azura compares the nice day to Castle Shirasagi. She then apologizes for bringing up her childhood, which she feels belonged to Corrin.

B: Azura asks Corrin about her childhood and Corrin explains both the forced isolation and the constant companionship from Elise and the servants. Corrin actually says she misses the Northern Fortress.

A: Corrin and Azura reflect on their different opinions of Nohr: Azura’s feelings of it being the evil she escaped and Corrin’s of it being a home she misses. They discuss the fact that no place is truly good or bad, something the game’s writers needed to be reminded of, and vow to bring peace.

S: Corrin states that his good memories of Nohr all stem from kind people and vows to be that kind of person for her. The duo exchange some insanely on the nose promises about being fine in a dark pit if they’re together and their fates being intertwined. Now, this may feel like incest because they share parents and siblings, but I actually think this one is okay? As long as there isn’t some late game twist that makes them cousins or something, this seems good.

Review: Overall, a fairly good conversation. Corrin’s feelings on Nohr are more nuanced than this game normally is and the idea that Nohr isn’t evil because of the people is a good sentiment.

Support: Setsuna/Subaki

C: Subaki and Setsuna are assigned to train new recruits together. The new recruit is Kenshi, I have decided. Subaki, worried that Setsuna will be Setsuna and mess everything up, does everything himself.

B: Setsuna just wanders off in the middle of training new recruits and Subaki tries to help her be a better leader.

A: Setsuna attempts to resign from teaching, but Subaki tells her that her wandering off actually helped the recruits because she’s observant, I guess. Setsuna does not retire from teaching.

S: Setsuna tells Subaki that she likes him then wanders off because she’s done talking. Subaki chases after her and proposes.

Review: This one was mediocre. Setsuna is always fun, but this support conversation lacked a good conflict and was resolved in a dumb way. Setsuna wandering off in the middle of a confession is fun, but the relationship wasn’t built up at all.

Birthright Chapter 9: Land of Gods

The gang head to Izumo, a neutral kingdom south of Hoshido. The guards, recognizing Azura, let the party in. Corrin asks about the missing princes and is told no battle happened near Izumo. No war in Ba Sing Se and all that jazz. Archduke Izana approaches them, looking like a wise and calm leader. Then he talks and they realize that he’s a silly boy.

They ask him about the battle on the border of Izumo and he tells them he knows nothing about it. Izana invites the gang to rest and be treated by his healers. He also invites Corrin and Sakura to go to some special spa healing in his deep relaxation chamber which is absolutely not suspicious.

The deep relaxation chamber is an execution chamber. Nohrian soldiers march in to kill Corrin and Izana reveals that he is actually a Nohrian mage named Zola. His voice sounds like Gollum and he has this weird jester hat. I cannot wait for the part of the game where we kill him.

Right before Corrin is executed, half of the Nohrian soldiers attack the other half. It’s revealed the soldiers are actually our soldiers in disguise. Where they got the Nohrian costumes, I do not know. Maybe they looted them from some corpses? Also, how did they know this was happening? And how did they seamlessly blend into the Nohrian army? I have many questions.

Hinoka explains that she knew Zola wasn’t the real Izana because no royal would ever act like such a silly boy, because she has never read any history textbook. The battle begins.

Something I haven’t mentioned yet that I want to mention: if an enemy has a super effective weapon, a red balloon with an exclamation mark appears above them as you move your unit. Nice touch.

On turn two, two new characters march into battle: a Samurai named Hinata and a Spear Fighter named Oboro. The two of them are looking for Takumi. The two bicker. Hinata is an idiot and is thirsty for Takumi. Oboro fantasizes about killing all of the Nohrian scum and Hinata tells her to chill out. These two idiots are Takumi’s retainers. Corrin goes up to the duo and recruits them.

Hinata

A samurai and one of Takumi’s retainers. His personal skill, Triple Threat, hurts enemies who lower him below half health. His design is fine, I guess. I think they’re going for a meathead thing from his introduction and his scars and muscles, but he looks way too young. Personality wise, he seems to be kinda dumb, but not enough to be funny.

Oboro

A spear fighter who is really goddamn thirsty for Takumi and is also really racist. Her unit description is: Loves fashion, hates Nohr. Her personal skill makes her do extra damage to Nohrians, which is useful because we are at war with Nohr. Fates has a bad tendency of reducing characters to a single character trait and we’ve already been shown three traits for Oboro, which I assume will dominate every line she ever says. Seriously, we’ve known her for a minute and she’s said Nohrian Scum a dozen times.

This map was good. It was a standard fighting enemies in a castle map; nothing special, but then again it didn’t need to be special. After the battle, Zola says that he’d rather die than tell Corrin anything. He then throws a smokescreen and runs away, only to be attacked by Leo.

Leo says he’s going to kill Zola for being a disgrace to Nohr and Corrin says, no, don’t do that, don’t hurt another Nohrian. Except, Corrin has killed dozens of Nohrians at this point. Leo yells at Corrin for being a traitor and gives her Zola to keep as a pet. Corrin reflects on how Leo has gotten stronger, but also become more cruel, since her betrayal of Nohr.

The gang meets the real Izana. Yeah he’s every bit as weird and wacky as Zola was. He tells the gang about hearing that the princes were near the bottomless canyon and reads Corrin’s fortune. He sings the next verse of Ocean’s Grey Waves, implying that this song is genuinely a prophecy about this game.

In the white light, a hand reaches through

A double-edged blade cuts your heart in two

Waking dreams fade away,

Embrace the brand-new day

So, let’s see. First off, a lot of imagery about light, which is Hoshido’s aesthetic. Not sure what verse one means, but verse two is some heavy foreshadowing for Chapter 26. I’ll talk about it more then. Verses three and four are about Corrin leaving the fake life in Nohr and returning to Hoshido. Probably.

Azana also predicts that the princes are both alright, so the gang heads off to find them. That night, Azura talks to Corrin about the prophecy, saying that it is the lyrics to a song she was taught as a child that now seems to be about Corrin.

[sokkastyles]

In your last post you talked a lot about how Zuko respects Iroh. Could you give some examples of that? Because I'm feeling like Zuko doesn't really respect anyone, he (understandably) has an ego and thinks he's above everyone, even if he's working on

It is such a shame that Avatar: The Last Airbender (2005) was cancelled after two episodes.

Lol, now that I've got that out of my system, I'm gonna assume you aren't just a troll and treat this like you actually want a serious answer, because it gives me an opportunity to meta about Zuko and Iroh's relationship.

I would say that the Zuko we are introduced to has a pretty big ego, yeah, and thinks he's above everyone else. He's incredibly disrespectful to most everyone he meets, including his long-suffering uncle. When I started the show I knew through cultural osmosis that Zuko would get redeemed, and from the first episode I was like "alright, I'm ready to see how the show is gonna make me like this asshole." I especially did have a negative reaction to the way he treats Iroh in the beginning, because Iroh is one of the first characters I loved. I also was sympathetic to Iroh because I'm an adult, and an adult who works with kids. If any of my students said to me some of the stuff that Zuko says to Iroh I'd be like, yeah, okay, detention for you young man.

It's also pretty clear from early on though that Zuko's ego comes from a deep insecurity and low self-esteem. That doesn't make the things he does any better, and yes he is incredibly disrespectful to Iroh, especially when Iroh contradicts him about his mission. That's also related to his deep insecurity and trauma surrounding his father, of course, because Zuko needs to believe that he can win back his father's acceptance to cope with what his father did to him, but that doesn't excuse it.

He says some incredibly nasty things to Iroh. In the first episode we see him respond angrily when Iroh won't teach him more advanced firebending, and Zuko responds, as he does several times, by trying to imitate his father's brand of coercion and intimidation. Iroh is like, not impressed, and he puts up with a lot of crap from Zuko but he also doesn't let it get to him because he's a responsible adult and he wants to support Zuko in the way he can. Which also means telling him off sometimes because dude.

Zuko thinks Iroh is lazy and a failure, and resents the fact that Iroh is keeping him from what he says he is "more than ready" for, and tries to bully Iroh when he doesn't get his way, but then we see in the third episode, "The Southern Air Temple," Zuko's fight with Zhao. We see that for all Zuko's complaining about Iroh's teaching, he does what Iroh taught him to do, he sticks to his basics, and he wins. Iroh says that Zuko is honorable and we see that Zuko appreciates Iroh's support. It's also implied by the way Zhao mentions humiliating Zuko in front of his uncle that Zuko wants Iroh to be proud of him, that it's obvious to Zhao how close they are.

Another example of the show letting us know that Zuko cares more about his uncle than he lets on is when he threatens to leave Iroh behind in "Winter Solstice" but then comes back for him to find him gone, and goes out of his way to search for him, even setting aside his hunt for Aang. Zuko fights the earthbenders to save Iroh and Iroh compliments his form, to which Zuko says Iroh taught him well. This episode does a lot to develop Zuko as a character and his relationship with Iroh because not only do we see that Zuko cares for his uncle, but that, contrary to his rudeness and dismissiveness in episode one, Zuko does respect Iroh as a teacher and a bender.

There's a lot of examples like this where Zuko says one thing but does another, because Zuko is a character who, at the beginning of the story, carries a lot of cognitive dissonance and guards his real feelings about things. His relationship with Iroh is an example. This isn't very surprising because it's pretty common in child psychology. Especially with kids who have been abused, they will rebel against an authority figure and push back in any way they can to see if they can find a breaking point. Iroh's endlessly patient and supportive but solid and firm presence is something Zuko is not used to and doesn't know how to deal with. But it's very clear that Zuko relies on Iroh as a father and mentor, even when Zuko doesn't realize it yet.

"The Avatar State" in another episode that shows how much Zuko relies on Iroh. At the beginning of the episode Zuko is sitting apart and it's implied that he's not happy with Iroh relaxing and getting a massage, but Zuko also opens up to Iroh about his feelings about his father. Zuko also is dismissive and rude to Iroh again in this episode, criticizing Iroh for collecting shells and also insulting Iroh when Iroh contradicts him about going with Azula, but then Zuko is happy when Iroh goes with him to Azula's ship, and we get that flash of the image of Ozai with his hand on Zuko's shoulder. This tells us that Zuko sees Iroh as the kind of mentor figure that he wishes his father were, even if, again, Zuko doesn't quite realize this yet. There are many other examples like this where Zuko is frustrated by not getting Iroh's approval on something because he wants Iroh to be proud of him. Like when he steals the teapot and gives it to Iroh and Iroh is not interested in stolen items. Zuko's clearly hurt by not having Iroh's approval, which is a big part of why he left Iroh, and Iroh knows that Zuko is struggling to find himself but also still needs his support.

Then you have "Bitter Work," the lightning bending, and Zuko's look of total admiration when Iroh is bending lightning and teaching Zuko a move that he invented himself. Like I said before, it's clear that Zuko respects Iroh as a powerful bender. This is also echoed in that scene in the book two finale when Iroh is about to breathe fire and Zuko has this look of "wow my uncle is going to beat you so bad this is going to be great!"

There's also a lot of little stuff in the Ba Sing Se arc that show that Zuko respects Iroh and values him as a mentor figure. He lets Iroh do his hair for his date with Jin! It looks terrible! Zuko has no idea how to behave on a date so he's like um, uncle said to give you this coupon! Look how smart my uncle is! Of course the culmination of that arc is Zuko's fever and his awakening which gives him a renewed respect for Iroh, and he actually makes an effort to show Iroh how much he values him. He still betrays Iroh in Ba Sing Se but it's not the "I hate you and you smell!" thing that the play portrays it as. One of the reasons Zuko was so confused there was because he felt like his uncle was telling him contradictory things, and he couldn't reconcile his uncle's wisdom with what he'd been taught to believe by Ozai.

But it's finally losing Iroh as that pillar of support that makes Zuko truly realize how much he does value his uncle. It still takes him a while to get there, and he again pushes back against Iroh when Iroh won't talk to him in prison and blames him for his own internal turmoil. But when he does finally get there, it's such a slap in the face to Ozai that Zuko on the Day of Black Sun tells him to his face that Iroh is his real father, that Zuko is going to fall to his knees and beg for Iroh's forgiveness, because Zuko has realized that Iroh is the one who really deserves his respect. Not only does Zuko tell Ozai that he, in fact, did not teach him anything about respect, but the respect Ozai tried to get from his son through cruelty and control is something Zuko will freely give to Iroh.

Then Zuko spends the next several episodes constantly talking about how great Iroh is, how much he misses him, how good he is at making tea and telling jokes, how wise he is, and what an ass he, Zuko, had been to him. He follows Iroh's advice and humbles himself because Iroh always said he didn't think things through enough, he works hard to make himself into someone his uncle would be proud of. Then when he does meet Iroh again he asks for forgiveness, but he says that even if Iroh won't forgive him he would try to make it up to him. He's completely humbled himself and it's so satisfying because it's the fulfilment of their relationship arc, and you can feel the love and respect that these two characters have for each other. And it's directly meant to contrast with what Ozai said about respect, because Ozai is full of shit.

And then Zuko just like automatically assumes that Iroh will be the Fire Lord and Iroh's like "Zuko did you forget that you are the crown prince?" And Zuko, bless his heart, is like "but I made so many mistakes."

I'm sorry, but if you're gonna keep arguing that Zuko, at this point, still "thinks he's above everyone else" then you are just being willfully obtuse.

Not to mention the fact that Zuko's crowning moment as Fire Lord is him giving a speech about how he wants to serve others, to heal the world, and even the applause and praise that he, in the beginning, wanted from others is something he doesn't accept. He tells everyone that Aang is the real hero. And Aang is a hero but like, Zuko is a hero, too, by showing heroic qualities like being selfless and humble and caring towards others. And then his last scene is not him as Fire Lord, but serving tea to everyone dressed in Earth Kingdom clothes.

And who does he serve tea to first? Uncle.

[themoonandhersun]

in the final agni kai, zuko and katara reach for each other.

not only that, but we get first person perspectives of them reaching for each other. (we didn’t even get that with sukka—a literal canon couple—on the airships.)

zuko is badly hurt to the point where he could die, but he still reaches out for katara. in his perspective, from what we see, katara is getting chased by azula. like azula is still trying to strike katara with lighting.

and...

katara is reaching out to zuko, with a water glove, desperate. from her perspective, zuko is on the ground in a fetal position—most likely dying. she tries to walk to him, but azula fires lightning at her before she can reach him.

platonic or romantic, however you see it—this is a big deal. these are two characters, who were once enemies, are reaching for each other. these two characters, who once connected under ba sing se, are reaching for each other.

these two characters... they now trust each other, and care for each other so deeply, that they reach for each other in quite possibly the biggest battle of their lives.

and that is just so significant to both of their arcs. we know book one katara would never heal zuko, and we know book one zuko would never take a lightning strike for katara. but then, in the finale, guess what? both of those things happen! their arcs really connect with each other’s, huh?

and you know what?

i have to say something.

people say that if zuko loves katara romantically, or has romantic feelings for her, that that it would cheapen his sacrifice for her and/or make it less significant.

i disagree with that—big time. if anything, i feel as if it would strengthen his sacrifice and it goes back all the way to book one.

let! me! explain!

it’s like what i just said before, right?

book one zuko would never take a lightning strike for katara. because he hasn’t grown as a person yet and he hasn’t gotten close with katara yet (for obvious reasons). book one zuko would never chose love over honor or over his nation. book one zuko would never betray ozai or the fire nation. and, as we see in the crossroads of destiny, book two zuko wouldn’t do any of those things, either.

though, i would argue that if he got more time with katara under the crystal catacombs, he would have chosen differently—but that’s another post for another time. sooo, i digress.

in book three, this is where we see zuko realize how what he wanted in book one isn’t what he wanted anymore. we see him realize how much he’s changed, how different he is, how he wants different things than the things he used to want.

he realizes he has to do right by the world. and join the gaang, so he does.

well—to his credit, he does try to join the gaang (“hello, zuko here.”).

when katara forgives him, though, it’s like the last piece to the gaang being a complete friend group. (not to mention, she gives him the Hug of Forgiveness™️ where his family was last happy, which is incredibly significant in of itself.)

and this is definitely debatable, though it is something i like to think, but zuko could have developed feelings for katara during his time with the gaang.

hypothetically, if zuko did develop romantic feelings for katara, then that would mean, when he sacrificed himself for her, that he chose love over the world—that, when he saw someone he loved in danger, he chose them over himself. (this also means, imo, that he chose love over his nation and over his throne.)

zuko, not even hesitating to save katara, is something we would have never predicted from book one.

zuko, who was known to be reckless and angry in book one, now chose to save someone because he loved them in book three.

zuko, this wounded teen who had no idea how to love and be loved properly, chose love.

zuko... this awkward turtleduck who was taught in his childhood that emotions like empathy, compassion and love were weak, unnecessary emotions to feel... chose love.

if he chose love, then that would mean he allowed himself to feel love for someone else in an open way. open, in the sense that, he literally cried out, “noooo!” with the most terrified look on his face when he realized who that lightning was headed for. he was openly expressing how terrified he was of losing katara... of him being unable to save someone he loves.

(zuko openly expressing his emotions with azula present is kind of risky for him, if you think about it—because, even while she’s dealing with a crumbling mental state during sozin’s comet, she’s still thinking and calculating on how to really damage him, really hit him where it hurts. that’s why she shot lightning at katara in the first place, she knew it would matter to him/affect him a lot.)

(anddd... this would also mean that zuko grew even more as a person than we thought, imo.)

if you think that zuko choosing love as he sacrifices himself for katara cheapens his sacrifice... then we have different views on a lot of things, don’t we? also i feel like i didn’t explain myself well enough? oh well, it’s like 5:32am and i have not slept at all. give me a breakkkkk.

[moonsp1r1t]

8 Tips for writing an effective redemption arc (featuring Zuko and Catra!)

1. Consider what kind of redemption arc you want your character to go through

Generally speaking, there are two different kinds of redemption arcs your villain can go through; sacrifice arcs and temptation arcs. I will describe both of these, but ideally your character will have pieces from each in order to create a nice, well rounded arc.

A sacrificial redemption arc is pretty easy; towards the end of your story, game, or other writing, your character goes through something of a “waking up.” They realize that what they thought of events or their surroundings is wrong, or realize that what they thought they want isn’t really what they want OR need. Another way they could go about this is by realizing that through their ambition (or other motivation) things had gotten too far. For example, throughout She-Ra and the Princesses of Power, Catra’s goals have surrounded getting the things she feels like she has been deprived of her whole life; within the first season, this involves getting power over her abusive mother figure, Shadow Weaver. She then continues her climb for power within the Horde, but in the final season as she sits in a space ship and watches her home planet burn, she realizes that her push for power has gone too far and sacrifices herself for one of the main protagonists so that she could escape. It is essential that characters have a chance have a moment of realization in which they not only realize they’ve been evil or cruel, but also that they need to make amends in one way or another.

Temptation arcs are when villains waiver between good and evil throughout much of the story. They waver between good and evil, typically committing both acts that are beneficial to the protagonist(s) and against them before eventually permanently sticking with the side of good. This form of redemption arc involves lots of internal conflict within the villain. The second half of Book Two in Avatar: The Last Airbender is an excellent example, with Uncle Iroh really pushing Zuko to consider what HE wants and thinks his destiny should be rather than the destiny that Fire Lord Ozai had put upon him. Zuko constantly grapples with this and does both good and bad things that affect Team Avatar, such as freeing Appa underneath Lake Laogai and siding with Azula during The Crossroads of Destiny. An arc in which a character solely moves upwards or downwards is not that interesting. In order to tell a more powerful story that keeps the audience engaged, there has to be some variation- after all, if it’s all going one way, it’s predictable, and no one cares to see what could happen next.

2. Establish why your villain is evil in a way that makes them sympathetic

Villains who are evil for the sake of being evil are boring. They need to have a reason to be evil and to be motivated towards evil especially if they’re going to eventually turn towards the side of good. If a character is good and they’re just with the bad guys for no reason, their switch over to the side of good is ineffective and boring in a “why didn’t they just do that in the first place” sort of way.

When writing an effective redemption arc, your audience needs to be sympathetic towards them in one way or another. For both Catra and Zuko, one of the ways that the writers made the audience sympathetic towards them is through their abusive parental figures in Shadow Weaver and Fire Lord Ozai. The reasons that Zuko and Catra do the things that they do in opposition to the protagonists is because of the actions of their abusers.

Zuko is going against Aang, Katara, Sokka, and Toph for much of the series is because he has been lead to believe that the only way to gain the love and approval of his father is by capturing the Avatar. Catra, however, takes a different approach; while she craves the feeling of being loved and belonging, she has been put into a powerless position by Shadow Weaver enough times that she desperately wants power over her and works to climb through the ranks of the Horde in order to do so. A major part of their redemption arcs is when Zuko realizes he doesn’t need the love of his father and Catra realizes that her ambition has put her entire planet in danger of being razed by the dictator of the rest of the known universe.

Rising up against an abusive parent or an otherwise tragic backstory doesn’t have to be the only way to make a character sympathetic, however. There are lots of ways to make a character sympathetic.

3. Give the audience a reason to root for the villain too

If you’re planning to give a character a redemption arc, it’s necessary to make it so that they root for them from time to time. That way it will ensure that the audience doesn’t hate them when the time comes for them to join the protagonists on the side of good. If they don’t like them, even if the redemption arc is well written, it will seem forced in a certain way. This is usually accomplished by the presence of another villain.

For example, while Zuko is certainly the most prominent villain of Book One of ATLA, Admiral Zhao is arguably the main antagonist of the season. Fire Lord Ozai hadn’t even been introduced officially yet (besides being mentioned) so as the man that had the goal of destroying the Northern Water Tribe by killing the Moon Spirit. He repeatedly attacked Team Avatar throughout the season, with much higher firepower, more brutality, and lack of regard for civilians. Zuko, however, while he had similar goals in regards to capturing Aang, was much more “reasonable” when it came to other things, such as keeping his promise to leave the Southern Water Tribe alone if Aang agreed to go with him in the second episode. We also see Zhao being cruel to Zuko in multiple instances, even getting into fights. Because Zhao is more brutal and is motivated by greed over honor, the scenes in which Zhao and Zuko are fighting, the audience is rooting for Zuko.

Similarly, at the end of the first season of She-Ra, Catra fights against Shadow Weaver; in the scenes in which they portray the two of them interacting previously, Shadow Weaver is cruel to Catra, constantly scolding and threatening her. Despite both Shadow Weaver and Catra being Adora’s enemy throughout the series, in this fight the audience is genuinely rooting for Catra in this fight because until that point, Shadow Weaver has been the more cruel and abusive villain.

4. Keep up with them even when they’re not in direct contact with the protagonists

This may seem obvious, but if you’re going to give a character a redemption arc you and the audience need to keep up with them even when they’re not interacting with the main protagonists. It will not only allow the audience to see the progression, but it will also keep the audience from being confused when they show up suddenly on their side. It’s perfectly reasonable (and expected) for the protagonists to be confused, but the audience shouldn’t share that same confusion (unless you’re planning on having the villain’s redemption arc be described in flash backs or have them explain it in a long monologue).

For Catra, there are many episodes when we see her without Adora, Glimmer, or Bow, instead just being with Scorpia, Hordak, and Entrapta. This way we are able to keep up with her when she’s not fighting with the Rebellion, allowing us more insight into her thoughts, feelings, and relationships. We are able to see her drive people away in her desire for power, not realizing that she is looking for acceptance all along.

Likewise, Zuko in the beginning of Book Three doesn’t interact with Team Avatar; instead he is in the Fire Nation Royal Palace, with anything he could ever want, realizing that he is still unhappy. It would have made no sense from the perspective of the audience if the last time they saw Zuko was when he betrayed Team Avatar and his uncle in Ba Sing Se and then he just showed up after the Day of Black Sun and offered to teach Aang firebending.

5. Introduce a good influence

The villain needs something or someone that can help them inspire change within. It isn’t just enough to vow to stop committing evil and then all is swell; they need to genuinely learn from their mistakes and commit to change within. This catalyst can be something they haven’t previously encountered (giving them a new perspective) or something else that pulls on their heartstrings. Either way it’s something that needs to get their attention.

Zuko would not have been able to change as much as he did throughout his redemption arc if it weren’t for Iroh. Iroh is a great influence on Zuko, constantly encouraging him to think for himself and make his own decisions. Iroh wanted Zuko to be able to decide for himself what his destiny is instead of just fulfilling the destiny that Ozai had put upon him. Zuko also was able to gain perspective when he and Iroh are disguised as refugees, seeing that the citizens of the Earth Kingdom are not only real people, but also that they are afraid and hurt by the Fire Nation instead of like the propaganda that the Fire Nation is bringing greatness to the world.

For Catra, in a certain way, one of the final catalysts to her finally joining the side of good is Queen Glimmer. When they are both trapped on Horde Prime’s ship together, Catra realizes that she is the one that has brought him and his galactic empire to Etheria, which he has every intention of using as a weapon against the rest of the universe. She feels alone and isolated and the only person she can talk to about it from her own planet, who has also contributed to the arrival of Horde Prime in her own way, although she is being treated as a prisoner. Glimmer begs Catra to help her and, upon realizing the destruction she has wrought and all the bad things she has done, Catra does help her and states that she wants to do one good thing in her life. Catra knows that she has done awful things in her life but this is one of the first times that she is able to really admit to herself and others that she knows that much of what she is doing is wrong.

6. The reactions of others

If your character has been an antagonist for a long time, it makes absolutely no sense that your other protagonists would accept them. It takes a long time to earn people’s trust so even if a character does something dramatic like self-sacrifice many characters should be suspicious of them. It’s unrealistic to expect everyone to be buddy-buddy immediately.

After Catra sacrifices herself so that Glimmer could escape, Glimmer and Adora want to rescue her, but the others were quite skeptical, with Nettossa and Frosta actually attacking Catra until Adora vouched for her. Similarly for Zuko, he had to prove himself to the original trio by helping Aang learn an ancient technique of firebending, helping Sokka rescue Suki and his father, and helping Katara find the man that murdered her mother. Trust is not easily given, so if your ex-villain has been going against your protagonists for several seasons, trust is not going to just be given to them so easily. There’s bound to be a lot of distrust from those who have known them in the past, but some are going to struggle with that doubt more than others. It’s important to actually consider your characters’ personalities and rationale and stay true to how they would actually think, along with the logic behind their decisions, in regards to your ex-villain’s redemption.

It can also be helpful to add in some jokes made by the ex-villain or at their expense in order to alleviate tension or show that they’re starting to get along better with the other protagonists (ex: “That’s rough buddy” or “I can’t believe the whole time you were trying to kill us you had the cutest sneeze of all time!”)

7. Realizing they’re in the wrong should not be the climax of their arc

Your character realizing that they’re wrong should not be the final step of their redemption arc; in fact, realizing they’re in the wrong should be among the first steps of their redemption. The redemption arc isn’t about realizing that they’ve been the bad guy all along and that’s... it. There’s a certain level of atonement that needs to be done in order to be redeemed. At the very least the character needs to realize why they’ve been wrong after realizing that they’re wrong.

After Zuko realizes that he is wrong for trying to capture Aang and that the Fire Nation is wrong for prolonging this war, he takes steps to make things right. He confronts his abusive father, leaves his home voluntarily, and helps to train Aang in firebending among other things, eventually allowing them to defeat the Fire Lord. Zuko even apologizes to the entire group for his prior misdeeds.

Catra also has to work for her redemption. She realizes that she’s in the wrong, but even afterwards she persists because she believes that staying with the Horde is the best way that she can get back at the people who have hurt her, namely Shadow Weaver (for her abuse towards her) and Adora (for leaving her behind to join the Rebellion). It isn’t until she is captured by Horde Prime that she makes the decision to atone for what she has done by rescuing Glimmer and sending her back to Adora. Even after Catra is rescued, she is still making efforts to be better than she was before, saying that she’s working on controlling her anger.

8. Sometimes it’s not meant to happen

Sometimes characters can’t be redeemed. Genocidal dictators, fascists, and abusive family members are generally figures that should not be redeemed. Imagine the main evil antagonist of one of your favorite book series, television shows, movies, or video games announcing he/she/they have seen the light, apologizes for everything they’ve done, paying for funerals, reaching out to the families of those they harmed or killed in an effort to make amends or at least. They’ve promised to seek out religion and take up crocheting instead of killing and go to therapy.

It’s just not realistic. It’s a good thing to want to believe that there’s good in everyone and that everyone can be redeemed, but sometimes they just can’t. For some people, it’s not possible to come back to the side of good, especially if they don’t want to. Being good is a conscious choice that people have to make and sometimes people and characters will stick with being bad.

Not just anyone can have a redemption arc, which is why for the characters that are able to go through redemption arcs, it’s something fantastic when done right. Don’t try to force characters who can’t be redeemed to go through redemption arcs and save it for the characters that deserve it.

Have fun!

8 Character creation tips

8 Relatable character tips

[patrickstargang]

Forgotten Past, Hidden Future (Legend of Korra fic)

Chapter 1: Looking In The Wrong Places

Chapter 2: Lucky To Have You

Chapter 3: A Lot To Learn

Chapter 4: Kya’s Story

Chapter 5: A Tale of Maizu

Chapter 6: The Avatar’s Love

Final Chapter: The Mural

Kya moved her arms with a great sense of fluidity, bending the water not to attack but to be in a constant state of motion, slowly gliding around in a circle. She had her eyes closed but was able to keep the stream completely stable. It soon became a liquid ring, showing no signs of strain in its formation. It was perfectly balanced.

Korra slowly approached the pavilion, she didn’t want to interrupt Kya’s practice but she did want to see the impressive feat that was being performed. She stared in awe as the ring began to rotate, not losing a bit of its shape. It eventually began to morph into a perfect sphere in complete stasis. Not a single drop was lost. Her eyes were wide with amazement.

“So are you just gonna keep staring?” Kya’s voice startled Korra, even though she was right in front of her. The sphere morphed back into a stream that flowed into Kya’s water skin, sealing it back up. She turned to Korra with a playful, mischievous grin. “Or was there something you wanted to talk to me about?”

Korra let out a weak laugh and an even weaker wave. “Hey Kya.” She recomposed herself. “And...yes, there was something I wanted to talk to you about.”

Kya leaned back against the railing of the pavilion, feeling the breeze of the nearby shore. “Let me guess, need some waterbending tips,” her smirk grew. “Or maybe some relationship advice.”

“No to both,” Korra chuckled. Her face became serious, looking off to the side and then back at Kya. “I wanted to ask you about the Earth Kingdom. When you talked with me and Asami, you said something about it and Avatar Kyoshi. Well ever since then I’ve been trying to find anything about Kyoshi’s relationships and same-sex couples in the Earth Kingdom, but I can’t seem to find…. anything.”

Kya’s expression changed, noting the desperation in Korra’s voice. It felt very familiar to her. “That's because you're looking in the wrong place.”

“Well, then how do you know about all of this?”

Kya let out a long sigh, a very tired sigh. She pushed away from the railing and sat down slowly in the middle of the wood boarded floor. She motioned to Korra for her to do the same. Korra was a bit unsure at first, but she eventually sat down. At first, she was expecting a random meditation session.

“Have you ever heard of Maizu Village?”

Korra stiffly shook her head, realizing this was not going to be about meditation.

“It was a relatively small community in the Earth Kingdom. But more importantly, it was a safe haven, for people from cities like Ba Sing Se or Omashu to express their open love of any gender. It's considered a safe haven because it's mostly off the map while still being in Earth Kingdom territory. It isn’t anywhere near Ba Sing Se or Omashu, it's deep within the wilderness. Earth Kingdom authorities still came around every now and then, but mostly they were able to find a peaceful space away from persecution.”

“That's amazing!” Korra blurted out, almost in disbelief. “How did you find out about this place.”

“Let's just say you're not the only one whos done a research project. After I came out to my parents, Katara told me about Maizu. Apparently she had found it during her journey with Aang to stop the Firelord. Many years later, me and my girlfriend took a trip to find the village. It was hard to locate but we eventually found it.”

“Everyone was so kind,” Kya was smiling unknowingly, reflecting on the good times that were spent there. “One of the things I remember the most about staying in Maizu was the stories they told. The history of how it came to be. The story goes, at a time when Earth Kingdom persecution was getting drastic, Avatar Kyoshi decided to help those who needed sanctuary. She brought them in secret to an uncharted area outside of Ba Sing Se, a place that was hard to get to but easy to live in. Maizu was the perfect spot for both supporters of open love and for stubborn hermits.”

They both laughed at the light-hearted joke. Korra began to realize why the books were lacking in any detail about same-sex relationships, maybe to cover up the persecution that was going on. At the same time, it might have also in part because they thought there would be no one left who would remember it. But there was. She couldn’t imagine the courage that Kyoshi had to do something like that, to just go against the entire Earth Kingdom. But then it struck her, she did go against the Earth Kingdom already with her run-in with Hou-ting.

“After the village began to have shape, the people gave their honor to Avatar Kyoshi. The village was considered blessed by her protection. Kyoshi Island is another example of a blessed spot, but a more Earth Kingdom friendly version of blessed. As the community started to form, they would do celebrations for Kyoshi. Many events celebrated her work as the Avatar and their sincere thanks to her. She apparently came to a few of these events, sometimes with her wife and daughter.”

Korra’s eyes went wide, her back straightened up, and in a fluster she tried to interject. “Wait, wait…. Did you say wife and daughter?!”

“Yep,” she said with an air of cockiness. “You heard me right, wife and daughter.”

Korra slightly leaned back in her spot. Many thoughts were running through her mind. About who Kyoshi really was. About how such a peaceful place like Maizu can exist in the middle of the Earth Kingdom. But she also started to think about Asami. For the first time, she started to think about having a future with her and what that would really mean. Though Kyoshi was met with struggle, even she was able to live with who she loved during a dark time. She started to think of Asami as someone really worth fighting for. Korra brought her attention back to Kya, silently expressing her enthusiasm by leaning forward with an attentive smile.

“Learning all of this gave me some perspective, at the time I mostly lived in Republic City and I was starting to see that not everything was as perfect around the Four Nations as I thought. And at the same time, I saw the resilience that such a small community could pull through with. Keep in mind, the original villagers were around during Kyoshi’s time, which was hundreds of years ago. Not to mention they stayed together during the Hundred Year War as well, when even the biggest cities were being brought down by the Fire Nation.”

In the middle of her fond recollection, Kya’s expression changed. Her smile faded slightly. “But it wasn’t meant to last. Not long after the Hundred Year War ended, Earth Kingdom authorities enacted stricter security over the land, occasionally using Dai Lei for those who were convicted of conspiring with the Fire Nation, sometimes wrongly convicted. Some of those people were from Maizu. And as time went on, many of the forests in the Earth Kingdom became less uncharted than it had in the olden days. When we visited, we heard talk of many of the villagers moving to Republic City to find a better life. But some of them have already spent most of their life in Maizu and were willing to stay. I made another visit many years later but all that was left was a mining town.”

The facts hit Korra like a ton of bricks. All the truth that was erased from the textbooks she read, it began to make sense. It wasn’t the actual history of the Earth Kingdom, but the history that they wanted to remember. Now the only sanctuary was turned into an industrial city. So much of that history is missing or gone entirely. She felt a knot in her stomach. “I can’t believe it. But, the villagers said they were going to Republic City. Maybe they’re still out there.”

“Possibly. But again, the community itself was small, even before I first visited. Some of them might have passed away by now, and for the ones who are still around it's hard to know if they’ve actually preserved their traditions. It's like finding a needle in a haystack.”

Korra’s eyes lowered. That feeling of defeat when she was talking with Tenzin came back, but it was worse this time around. She found a small part of what she was searching for, only to come to another dead end.

“How can they all just disappear like that. After staying together for hundreds of years…...now all of it's gone!”

“I know how you feel Korra,” Kya stood up, glancing back at the horizon. The sun was touching the water, leaving its reflection in the waves as a way of saying goodbye. “When I found out everyone had left Maizu, I was devastated. The village meant so much to me and many others. But I had to make peace with it, learn from it so a loss like that would never happen again.”

Korra got back up as well, joining Kya to watch the sun go down. She could feel the ache in her chest from before but was somehow alleviated by Kya’s words. “I just felt so close. So close to finally getting some piece of history I could save. Something that could help us. But it's all gone now. Now its nothing but stories.”

She dropped her head down. “If only I could talk to someone who lived in Miazu.”

“Well…..you can.”

Korra propped head back up, raising an eyebrow in confusion at Kya. “What do you mean.”

“Are you kidding?” Kya said with surprise and a tinge of humor. “Can’t believe that the Avatar herself forgot that she can talk to her past lives.”

Kya looked at the sky as it changed from a deep orange to pitch black. “But let's save that for tomorrow, alright?”

-------------------------------------------------------------------------------------------

Korra stumbled through the halls of the temple, making her way to the dining hall. She forgot the scroll that she had left under the table. She felt totally exhausted, mentally exhausted. As she was walking down the hall, she noticed that the lamps were still on. That's strange , she thought to herself. Everyone’s probably headed off to bed by now. She didn’t care whoever was still in there, she just wanted to get the scroll and get some rest.

She walked in to find Asami sitting at one of the tables. A feeling of surprise and relief hit Korra all at once, being able to see her after a long, somewhat emotional day. It was obvious that Asami could see the surprise on Korra’s face, giving her a playful smile.

“Hey,” Korra said, completely red in the face.

“Hey,” Asami picked up the scroll from under the table. “Thought I might find you here.”

Korra scratched the back of her head, flustered at how well Asami knows her clumsiness and her trademark of leaving important things out in the dining hall. Asami got up and began slowly walking towards her.

“I know you’ve been wanting to stay here to focus on your studies, but I was starting to really miss you. I know we’ve both been busy with work, but I’ve got some downtime from the factory and I just wanted to see yo-”

Korra grabs Asami into a tight hug, showing no signs of letting go. It surprised her at first, but she quickly gave into the embrace and hugged her back. Korra nestled her face into her lover’s shoulder, trying to hide her eyes which started to well up. Asami brushed her hair with her fingers, lightly gliding over little strands and playfully spinning them around. They were close enough to hear each other's breathing, Asami was slow and long while Korra’s short and kinetic.

Korra lifted her head back up after her eyes dried. Asami put a hand to her cheek and let it stay there. “Hard day?” she asked.

Korra nodded. “Yeah,” she looked back up, deep into Asami’s eyes. A warm feeling welled up in her chest as she felt Asami’s hand, the tenderness of it. But it also came to her when she thought about what Kya said, about Kyoshi’s wife. She thought about how it made her think that having a future with Asami could be possible.  It took a moment to realize that they were both just smiling at each other, sharing big grins and comfortable silence.

“It was a hard day…...but not anymore.”

[kkachi95]

New canon information from The Rise of Kyoshi

Alright, so I’m little bit over 42% through The Rise of Kyoshi and I’m HOOKED.

This book does a lot of worldbuilding and the new characters are well-developed.

I’ll be consolidating new information I find from this book on this post. I’ll keep updating the list as I progress through the book!

SPOILERS, obviously

1) KYOSHI

Kyoshi was abandoned as a child by her parents, who were leaders of an underground criminal organization.

Her mother was a rogue airbender hailing from the Eastern Air Temple. Yep, you heard it right, Kyoshi is half air nomad. Her mother apparently became a master at young age and fell in love with Kyoshi’s father, an outlaw, while traveling. Kyoshi’s mother modified her arrow tattoo into a serpent and her airbending ability lost its power due to her attachment to worldly concerns. She compensated with a pair of fans, which Kyoshi inherited.

Kyoshi’s father is from a family lineage that traces back to Royal Theater School in Ba Sing Se. Kyoshi inherited her make up and headdress from him.

Kyoshi was very tall even in her young age. In her teenage years, she is constantly described with terms like “giant,” “massive,” and “towering.” Since she’s taller than most men, I’m going to assume she’s at least 6 ft.

She spent her early childhood as a street urchin in Yokoya and was neglected by the villagers until she was discovered and taken under the care of an air nomad named Kelsang, who was a companion of Avatar Roku. She was, and still is relentlessly bullied by other children in Yokoya.

Kyoshi is initially very shy, non-confrontational, has very low self esteem, and inept at earthbending. Kyoshi is extremely strong for her age as she lifts a man by his neck without any trouble. Also, she has distinct freckles!

She is an extreme clean freak with a constant urge to “maintain order and minimize clutter." She starts out as a serveant assigned to clean up after the (misidentified) Avatar.

I believe Kyoshi is 16+ years old in this story.

Kyoshi’s outfit has chailmain armor underneath it, and she started wearing gloves after suffering major lightning wound on her hands.

2) KYOSHI’S COMPANIONS

As a teenager, Kyoshi has two friends: Yun and Rangi, who are both her age. I won’t go too much into their plot.

Yun is the ‘misidentified’ Earthbending Avatar who is a former street urchin. He is said to be handsome, playful and flirty. He has brown hair and jade green eyes.

He is extremely talented in earthbending and is loved by everyone. He ships Kyoshi and Rangi but also flirts with Kyoshi too (and basically everyone)

He was discovered ‘late’ as the Avatar and genuinely wants to do his best as the new Avatar.

Rangi is a Fire Nation noble girl who is sworn and honor bound to serve as the Avatar’s bodyguard. She is military-trained in the Fire Army Junior Corps. She is intimidating and hot-headed, but also very protective of her friends.

She is said to be beautiful, with delicate skin, porcelain doll face and jet black hair. She has a “charred rasp” voice and “dark bronze” eyes.

She is the "straight man" character of Kyoshi's entourage and takes things very seriously, but she's also the unintentionally funniest character of the group. She eventually becomes Kyoshi's swon bodyguard and depite her best judgement, she's dragged into many questionable situations by Kyoshi. Rangi is definitely my favorite new character. Think of her as a more sane, less murder-y version of Azula.

Her nickname: topknot, hairpins, and hotwoman

Rangi’s mother, Hei-Ran, was a companion of Avatar Kuruk, who gave up her commission in the Fire Nation Army, then later her position as headmistress in the Royal Fire Academy for Girls, to teach the Avatar. Hei-Ran and Rangi are said to be spitting image of each other.

Kyoshi is romantically attraced to both Yun and Rangi.

Kirima is a young female waterbender from the outlaw group Kyoshi’s parents founded.

She has wolf-like features and piercing blue eyes. Kirima is also said to be lithe and light on her feet.

She’s easy-going and likes to tease people, especially Rangi.

Wong is a huge male earthbender in his 30s from the outlaw group Kyoshi’s parents founded.

He is very tall, thick, and has smooth, clean shaven face. He has a very prominent protruding gut and isn’t the most loquacious type.

Lek is the youngest male Earthbender member of the group and is said to be 14-15.

He is from the Si Wong desert and was brought into the group by Kyoshi’s parents, whom he thinks very highly of. This caused Kyoshi to resent him initially.

He values his family and likes to tease other people just like Kirima. Lek has very precise control of small earth projectiles, which he uses as bullets.

Lao Ge is an old, mysterious Earthbending assassin who is said to be hundreds of years old. He pretends to be a drunken fool and only Kyoshi knows of his true identity.

He travels with the group and goes off on his own to kill people he deem unworthy of living. Kyoshi asks him to be her Sifu.

3) THE AVATAR CYCLE

Avatar Kuruk died at the age of 33. He was said to be one of the greatest Pai Sho players in history and a highly-skilled bender, but lacked leadership and diplomatic skills. He spent his time traveling around the four nation seeking pleasure. He was also one of the best hunters to have ever lived.

Two of Avatar Yangchen’s friends and teachers died protecting her from the enemy.

Each nation has its own way of discovering the Avatar and identifying a toddler’s ability to bend

Being the Avatar’s companion was considered to be an honor beyond reckoning that only few got to experience. Those who taught the Avatar held massive influence over the world.

Period between the death of the previous Avatar and discovery of his/her successor is often filled with political turmoil. The Rise of Kyoshi is set in a politically turbulent time as Kuruk died in young age and the new Avatar was discovered much later than usual. This led to the rise of many opportunist criminal factions.

4) BENDING

Unlike the show, bending is openly depicted as being LETHAL in this book. People are impaled, burned, crushed, buried, sliced, and so on.

Seismic sense is a skill shared by all earthbenders, not just Toph. Most people’s skills are extremely rudimentary, though.

‘Dust stepping’ and ‘mist stepping’ are abilities practiced by certain earth and waterbenders to create floating platforms that move with them, which allow them to run through thin air. Rangi mimics this move with firebending after having witnessed it.

Firebenders have naturally warm bodies and they can project heat, which allows them to do things like increasing a room’s temperature by several degrees.

Firebenders' "inner fire" allow them to resist poison.

People in the Fire Nation identify bending ability of their children by placing a bowl full of highly-flammable materials to see if their children can resonate with it. This is done as early as possible to prevent accidental fires as young children don't have good control over their flames.

Lightning bending is a skill so rare that people thought it of it as a folktale or a long lost knowledge. Barely any living witnesses who can confirm its existence exists.

Airbender are seemingly immune to the weather.

5) EARTH KINGDOM

Earth Kingdom is highly fragmented and has multiple kings. This is attributed to Ba Sing Se’s failure or unwillingness to actively assert control over the continent. 

Bandits and pirates plague the countryside. Small settlements and towns have to form militias and fend for themselves as the official Earth Kingdom military seems to neglect their plight.   

Earth Kingdom’s Northern and Southern dialect are said to be so different that they might as well be different language. People of the Si Wong Desert barely share any culture or custom with rest of the Earth Kingdom.

Beifongs were known for their wealth even in this era.

Kyoshi Island was originally known as Yokoya. Farming yields little and people scrape by to meet end’s meet. People here are said to wear blue clothes despite their earth kingdom heritage. Kyoshi was left here as a child and initially grew up as a street urchin because the villagers neglected her for being an outsider.

6) FIRE NATION

Apparently, firebenders are notorious for always talking about honor.

Fire Nation was involved in a conflict with the Earth Kindom in the distant (?) past.

Fire Navy is the most capable Navy in the world.

Royal Fire Nation Academy for Girl holds Agni Kais and there are many “accidental” kills.

Firebending instructors used to maim their students for insubordination.

Hair is heavily linked with honor. Losers of Agni Kai would shave parts of their head bald as sign of humility but would leave the top knot alone since it’s considered sacred. It was never touched except in circumstances akin to death.

7) WATER TRIBES

The Souther Water tribe is said to be poor, undeveloped, and vulnerable. It’s significantly behind the rest of the world in terms of development. Southern Water Tribe doesn’t have a legitimate Navy because it doesn’t have trees necessary for shipbuilding. It is a peaceful nation, though it is involved in a territorial dispute over an island with the Earth Kingdom. It’s ruled by multiple chieftains.

“Tui’s gills!” - Water Tribe equivalent of ‘Oh my god’

8) AIR NOMADS

Air nomads are regarded with great respect and reverence for their wisdom and spirituality.

Head nomad of an air temple is referred to as an Abbot.

9) DAOFEI (BANDITS)

Daofei plays a huge role in the story. A vast underground criminal scoiety with its own code of honor run deeply throughout the Earth Kingdom, which is "too big to police" for the Earth Kingdom Army. 

As mentioned earlier, Kyoshi's parents were leaders of a prominent Daofei group and Kyoshi herself officially swears her Daofei vows to learn bending skills from her parents' old colleagues. Kyoshi absolutely despises Daofei, though.

Several years before the novel’s start, these bandits staged what is known as the Yellow Neck Rebellion, which is an analogue of the Yellow Turban Rebellion (184–205 AD) during Han Dynasty China. In real life, the rebellion led to the tumultuous time period known as the Three Kingdoms Period, where various warlords fought over control of China.