#honestly a lot of wes's fighting instinct is situational

[astrobydalia]

🐍New year astro observations

first post of 2025, the year of the snake!

– astrobydalia

A thing I've noticed is that degrees can carry some energy from the dignities. For example if you have your Mercury in 21º degree in whatever sign, that mercury can express characteristics of debilitation since that's a sagittarius degree and mercury is debiltated in sagittarius

Aquarius placements, specially venus, appear picky when choosing their friends or people they truly like but honestly I've noticed that all they want is someone who has a personality. Like literally just be your own person and they’ll love seeing how you’re someone with many layers to you. It sounds simple but we live in a society where the instinct is to imitate others to fit in and Aquarius placements like it when you're (genuinely) true to yourself. Does not mean they will make you their bestie cause that depends on each individual but they at least appreciate the authenticity.

^^I remember this Aquarius Venus guy had a crush on me back in college and he once said to me "I like you because you're complicated"😭

Aquarius/11th house placements befriend people who share their political/philosophical/spiritual ideals. I’ve noticed that the people they ghost the most are the ones who don’t share their visions

Mercury rx natives are very good listeners actually. Even if they have the planet in domicile or exaltation, they are very patient when it comes to obsorbing info that's why I've seen this placement is common in "nerds" or book worms. They take their time understanding things and can come across as slow sometimes but they’re just very meticulous.

Capricorn Moons and their “facts don’t care about your feelings” attitude while simultaneously being the most sensitive and emotional person in the room

Something else I've seen with debilitated moons (scorpio/cap moon) is that they tend to have no patience or sympathy for people who seem to have it easy in life in some way. They only seem to respect people who know what it's like to struggle like they have

Virgo Mars natives are low-key misanthropic and/or introverts. They don’t like being around people for too long cause they very easily feel a lot of disdain for others' dumb and nonsense behaviors. It’s like they seem to be so easily exasperated by everything and everyone ​

Also, I’ve noticed Virgo Mars people are the type to stay low profile during conflicts or tense situations, mostly choose flight over fight response. They are surprisingly calm and collected and will find a solution or escape in no time. When they feel threatened and choose to fight tho… they get cold-blooded af

Taurus Venus natives are so POISED and elegant and I say that as a libra venus. You will never see them being messy, they behave with a lot of class always

Venus-Sun conjunction in synastry is actually not so good imo. In a natal chart this is considered a weak aspect for relationships because venus is combust. When we find it in synastry, this means Sun person combusts venus person. At best Venus person almost worships Sun person to their detriment. At worst Venus person feels like sun person is too much and tends to see the sun person as too obnoxious

I also think this is why Sun-Moon conjunction in synastry is overrated. Moon is too soft of a planet and sun feeds off of the moon’s affection while moon becomes attached and drained. I’ve very often seen with this aspect how sun person unknowingly offends or hurts moon person in some way

Also, strong venus synastry between women can manifest as toxic competition, "cat fight" energy

Venus opposite/square Moon is a very phony aspect tbh specially the square. They appear to be way nicer than they actually are

I've noticed men with Leo placements tend to be pretty sexist and openly defend traditional gender roles or patriarchy values. The instinct of Leo men is to be the 'king', the leader and Alpha just like actual lions. However if they also have strong feminine energy in their chart such as major water and earth energy they tend to show more benevolent sexism or chivalry behavior

Gemini placements will immediately like you if you are someone who is open to chill chats with them and you overall make them feel like they can freely rant to you about random stuff

Cancers are very infantilized but imo they are the least naive and most intelligent out of all the water signs. Cancer Moons in particular I've noticed can actually have a very accurate and impartial intuition. Cancer Moons have this ability to just understand and accept people's feelings, intentions and situations exactly for what they are without any judgement which makes them VERY intelligent people. Idk I’ve just seen cancer moons are actually the most level-headed out of all water moons

Leo Venus honestly give me huge pick-me vibes and low-key have the personality of a spoiled brat fr. I've seen ppl with this placement be a lil to obsessed with getting sexual attention and being the most desirable person in the room

honestly I've noticed that the people I genuenly get along with the best in the long run are people I have 1st house synastry with. There's something about 1st house synastry that feels SO uplifting and refreshing like there's this spark everytime you see or are with this person and you just naturally get eachother's vibe

That said, 7th house synastry is a bit overrated imo. Again, not saying it is bad but this is the house of open enemies as well as partnerships. 7th house represents parts of yourself you have a hard time accessing and that's why you attract people with this energy. Therefore 7th house synastry often creates love-hate dynamics, cause it's like yeah you like the person on a surface level but there's always some hidden 'BUT' bc they low-key embody the exact opposite of what you identify (1st house)

6th house synastry is very common in people that dislike each other, specially the house person disliking the planets person

Virgo placements are STARVED for validation like no other sign but they hide this well cause they don't wanna appear desperate. They tend to carry this teachers pet behavior to all sorts of aspects of their life hence the trope of virgo being obedient or goodie-two-shoes

I need to ask Capricorn Mars people: when do y’all sleep? Every single minute of these people’s lives is occupied with some activity, be that work or leisure. And funny thing is they never seem to be overwhelmed or tired at all, in fact the more they do the more energized they seem to be

Something else I’ve noticed with Capricorn Mars is that they tend to have a very bold and obnoxious personality. Even if they are more introverted, they tend to be a little too direct to the point where they can come across as rude, insensitive and power-hungry. But at the same time this makes them appear competent and confident and a lot of ppl like that about them

Scorpio Juno natives tend to be very opportunistic and greedy when it comes to business. Sometimes to the point of having questionable work ethic sometimes. Overall this is a major placement for indicating talent in business or finance and making a lot of money

Libra Venus natives have a wondering eye definitely. What makes them start to consider someone as a potential partner is looks first and foremost, the rest comes later lol

I once saw an observation that said “gemini placements want you to listen to them but they won’t listen to you” and let me tell you this is a FACT. Talking with a Gemini placement feels like they’re just brain dumping stuff on you💀💀Love you guys tho

Libra loves to flex their wealth, achievements and status a lot more than Capricorn/Scorpio/Leo

Capricorn placements are naturally good educators and they honestly give me influencer energy low-key. They just naturally have this trustworthy and competent energy that when they lean into guiding and teaching people in some way they really excel and attract success the most

Venus-Venus synastry >>>>>> Venus-Mars synastry. With Venus-Venus aspects (even harsh ones) there’s a natural desire to bond/come together with this person in some way no matter what, so the attraction is most of the time mutual and very lasting. You also just naturally like each other and genuinely enjoy each other’s presence. If the relationship is sexual then the sex is just as good if not better than with Mars cause Venus rules pleasure and you’ll both want to please each other while Mars tends to be more self-serving sexually

This is not to say Venus-Mars aspects in synastry are bad, they definitely can create nice bond, chemistry and all of that. But Venus and Mars have opposing natures which can create strong attraction and irresistible pull because they compliment each other but at the same time it can also manifest as mismatching dynamics in the relationship where you aren't always in the same page, specially with harsh aspects. Just my opinion tho.

I know I've said this before but I wanna reiterate that Mars in the 7th house synastry does not reap good results in the long run as per my observation. Its giving friends-to-enemies or lovers-to-enemies energy. There's this feeling of instantly clicking with this person but very soon becomes evident that the two people have conflicting drives and desires which creates a LOT of tensions and unspoken competition/resentment. I've noticed it creates a dynamic where eventually one or both but specially the mars person in particular ends up resenting the house person

I’ve also talked about this before but I just keep observing that Moon-Saturn conjunction often appear to be very thoughtful, mature and kind because they’re very calm and observant of others but you very quickly notice that they actually seem to be completely and genuinely apathetic towards others’ emotions fr. They are aware of people's feelings and can actually understand them fairly well but it's like they observe them from an outside perspective like they're studying others rather than getting emotionally involved with them in an empathetic way. This behavior can have its positives but honestly for the most part I've seen that it makes the natives pretty shady and two-faced due to the strategic nature of Saturn. People with this aspect can play double agent exceptionally well

The most short-tempered mars sign as per my observation is Taurus Mars hands down. They're moody and unpredictable af.

Gemini Mars people have this oddly calm and aloof energy to them where they look like they’re only two sentences away from sending you to the therapist if you upset them in the slightest (they scare me)

I’ve noticed it’s actually Aries and Aquarius placements who love the enemies to lovers trope. Aries is the type to enjoy playful bullying or little dramatic arguments while Aquarius is more about the cat and mouse dynamic, flirting while acting uninterested and things like that. I've noticed they both love this vibe of almost daring the other person and feeling intrigued.

Speaking of, Aries Venus people confuse the shit out of me cause you gotta be a lil bit of an ice queen in order for them to like you😭 And they themselves act in ways that you'd think they hate you and wanna piss you off or create tension but they're just teasing, they wanna see what you're made of. That's why I said they "lack charisma" not because they don't have any but cause they have a very specific charm that can very often rub a lot of people the wrong way (cause it goes against venus' universally plesant nature), same with the other debilitated Venus positions

Gemini moons 🤝 being emotionally unavailable.

Gemini placements 🤝​ being forgetful AS FUCK. Not so much if they also have taurus placements tho

Something I've seen in a loooooot in the synastry of those married couples where the man is head over heels obsessed with his wife is the man's Lilith conjunct the woman's inner placements or angles SPECIALLY her ASC or Venus. She is his weakness and it's that kind of relationships where he can't take his eyes (and hands) off of her and he is fiercely determined to make her his

Something else I've seen in the synastry of married couples is the man's mars falling on the woman's 4th house. He wants to protect her and start a family with her

Aquarius ASC in the composite chart gives off HUGE situationship vibes frrr. I've noticed that couples who have this tend to fully act like they're in a relationship but if you ask them if they're dating they'll tell you they aren't cause they never made anything official. This is the type of connection where they've been together for years but it is uncertain where there relationship is going long-term, nothing's ever officialized or set in stone (Cap 12th house) kinda like "yeah idk one day we'll get married I guess who knows"

astrobydalia

[gnomewithalaptop]

Y'know, it's so funny to me when people make out like Tim Drake would keep files on how to take down his friends when Tim has explicitly said he disagrees with Batman on this:

[Young Justice (1998) #36]

Like, yes, during his Red Robin tenure he does make a Hit List full of contingency plans for known heroes. But if you go and read that, you'll notice that, while the Justice League and Damian may be on there, Tim's own friends are decidedly absent:

[Red Robin (2009) #14]

In fact, a lot of these heroes are people that have either (a) attacked Tim specifically, (b) have a track record that includes turning evil/getting mind controlled, or (c) are on the JLA (meaning Batman probably already had those files compiled and Tim just stole them).

So yeah: Tim's not down with contingency-planning for his friends. You know which one of the YJ crew DID agree with Batman though? My favorite blorbina Anita Fite, aka Empress:

[Young Justice (1998) #36]

But yeah, this contrast is honestly fascinating to me. Because while both Anita and Tim have been shown to be incredibly loyal individuals, this exchange really highlights the fact that, between the two of them, Anita is far more likely to engage in this kind of pragmatism when she thinks it's necessary to get the job done

The whole Our Worlds at War arc actually does a really good job of illustrating how both of them react to betrayal from within. It's not just the Batman Files conflict either -- I'm thinking specifically about the hallucination-based torture Granny Goodness put them through, which showed them their worst fears. Most of the team ended up having to watch their loved ones die, but what's super interesting to me is that we really only see Anita and Tim hallucinate that their loved ones blame them for their deaths:

[Young Justice (1998) #37]

Like. It's not the same as a teammate turning evil at all. But it does give us a good idea of how they'd both react when faced with a friend or teammate doing harmful things, albeit on a smaller scale. Because where Tim kind of just accepts Superboy yelling at him and moves straight into bargaining for Kon's life, Anita actually flips the script, gets angry, and defends herself against her father:

[Young Justice (1998) #37]

(she actually gets so righteously pissed off that she manages to break out of the VR simulation Granny Goodness had her trapped in, but that's another point)

But yeah, it's super interesting, because by this point, both Anita and Tim have been set up to be very similar characters. They both can be a little bit obsessive, they both have some issues with boundaries and stalking (Tim with Nightwing and Batman, Anita with Cissie), and of the team, they're both portrayed as the "normal" members (Anita does technically have mind control powers but she barely ever uses them, and in a fight, she's basically just a very good, human-level fighter)

But at the end of the day, though Batman forces Robin to put on a cool front of objectivity, Tim (at least in his pre-grief-spiral era) ultimately wants to see the best in his team. When the people he cares about screw up, he wants to give them second chances. And when that trust gets broken, his first instinct is to try to use diplomacy, or, failing that, simply remove himself from the situation (as we see at the end of the Our Worlds at War arc when he quits the team)

Anita, on the other hand, while still incredibly loyal, does not hand out that loyalty unconditionally. We see this when she tries to keep her identity secret from the YJ squad, we see it when she gets pissed in Granny Goodness's hallucination when her father blames her for her mother's death, and we see it when she later blames Secret for her perceived role in Anita's father's death

Anita also happens to sit right smack dab in the middle of the YJ morality scale; while she's generally pretty chill and willing to abide by typical superhero codes of ethics (unlike Slobo and Secret), she's also been shown to bend those rules when she believes it's necessary (as seen here when she tortures and threatens to kill a man for trying to hurt Cissie). Ultimately, what this means is, between Tim and Anita, it's honestly Anita who'd probably be the most willing to put her personal qualms aside, buckle down, and go against her loved ones if it was the only reasonable option

Anyway. This is a really long-winded way of saying I think Gun Batman's biggest nemesis should be Empress

[joejhang]

my problem with raven!neil

this may be controversial but i've actually found that i don't rlly like raven!neil fics and aus. and here is my thesis. spoilers ahead continue at ur own risk.

crucial distinction here is that i don't actually dislike the concept of "raven!neil" as an individual character concept. i think it's actually very interesting to look into the sort of person neil would be if things had been slightly different. that is, obviously, the point of au fics and headcanons. my actual problem with raven!neil is mostly when fic writers and the fandom in general put him in context and into au fics and then the problems start arising. i'm being purposefully vague but i'm gonna go into all the problems i've come across when it comes to raven!neil.

first off, and this is something i've mentioned before, i think the fandom tends to strip abuse victims (particularly the characters who got out of the nest) of literally any agency or individuality. this happened with jean, when the whole fandom seemed to collectively uwufy him as if he isn't an adult (yes he's young yes he's barely an adult but he IS and i would argue thinking of him as a child still does him no good) with massive amounts of trauma. yes, jean has a learned fear of riko and tetsuji (and coaches by extension bc of the abuse from raven coaches) but he actually doesn't harbour much fear towards anyone else? he has come to expect violent retribution/punishment and does sort of have this problem where he bares his throat for the knife (when he puts the racquet in rhemann's hands and when he expects laila to hit him back) but other than that he actually doesn't demonstrate a lot of fear or panic when engaging with others.

i think the same would go for neil. the neil in current canon quite literally has no fears that do not trace back to his father. he doesn't fear riko, tetsuji, ichirou, andrew, drake or even lola and his father's men. where he does show fear is whenever his father gets involved. he isn't afraid of riko or anything riko has to say until riko brings nathan wesninski into it. the closest thing he comes to fear for anyone else is when he flinches from wymack but i'd call that survival instinct rather than like...fear. he doesn't have much of an emotional response, just an instinctual and physical one.

we obviously have no idea how neil's fear would develop if he had grown up at the nest. i'm not sure how much of a difference it would've made, honestly. obviously, those eight years on the run heavily reinforced his fear, so i don't really know where that fear would go if he was stagnant at the nest and confirmed (?) to be safe from his father. i think one of neil's key personality traits actually is his bravery and fearlessness, so i can't really see neil ever being truly afraid of tetsuji and riko. if you want to compare jean and neil in this aspect, all i'd say is: people have different responses for trauma. neil is not jean 2.0 or vice versa. even if they were put in virtually the same environment with the same treatment, they are still different people with different personalities. thus, they respond in different ways. just like jean and kevin responded in different ways, though their situations are implied to have been very different.

besides the point of fear and object of fear, i don't actually think being afraid of ur abusers means ur a baby that should be coddled and uwufied by the fandom. it's actually completely normal and human, so i actually have no clue why the fandom decided to do this with jean.

as someone in the tags of one of my previous posts so aptly said, autonomy ≠ agency. did kevin and jean have autonomy in the nest? no. but they did have agency. stripping abuse victims of agency and personality is actually so harmful and i think it's way too normalised in fandom culture. but that's a discussion for another day. we've all heard the comparison of the fear responses in relation to andrew (fight), neil (flight), kevin (freeze) and jean (fawn). i actually think these are mostly accurate, but it doesn't do any good to simplify it so completely.

neil having to remain sedentary rather than running away and never stopping or looking back is inevitably going to alter his responses to situations. neil's knee-jerk reaction to traumatic events or news in the og trilogy is literally: go on a run. this might still be the case in the nest, but i doubt it. i've said before that i think neil is the type of person to fight back. u could argue in response to that that jean was also fierce and angry when he got to the nest but developed something akin to learned helplessness where he simply stopped fighting back as a trauma response. but again: neil and jean are not the same person. they may have similar personalities, but everyone is different. you can't boil down all the victims of a particular abusive situation into the same person. this is stripping them of agency and individuality, once again. jean learned to stop fighting back and even ask for violent punishment for "wrongdoing" but i honestly don't think neil would. again, not because he's superior or inferior to jean, he's just a different person entirely. his time at evermore in trk was effectively a trial run for the time that riko intended neil to spend there after the year ended. we don't know exactly, but it's probably safe to assume that riko tried to cram as much of the abuse that kevin and jean received over several years into those two/three weeks. i mean, neil got fucking waterboarded and handcuffed to the bed for fuck's sake. i think at some point neil does say that he bowed his head and played at subservience, but when it really came down to riko and tetsuji trying to force neil to do something he adamantly did not want to do (sign the raven's contract) he literally just refused and didn't relent even under torture. jean even said he thought riko might've killed neil for it. neil was literally ready to die rather than bend to riko's will.

obviously, things would be different with kevin and jean in the equation. i can see neil reining himself in for their sake, but this brings me to another issue i have with raven!neil. and that is the strange need to turn neil into a protector figure. i.e. a human meat shield with a martyr complex for kevin and jean. every time i sense any iteration of this in any fic or hc i literally have to stop reading. it's just so...like random to me. neil has literally not been a "protector" in canon in fact he's almost always the one being "protected" (andrew's deal to literally protect neil from his father, wymack and abby's protectiveness, etc). yes, neil has protective instincts but so does literally every human being. neil is, in my opinion, no more or less protective than anyone else. compare this to say, andrew, who is known for his role as the "protector" (beating up the guys who hurt nicky, killing aaron's mother + getting rid of his addiction, making deals w kevin + neil). i've also written another extensive essay about why neil isn't and will never be the martyr or sacrificial lamb that some ppl seem to want him to be, so i won't go into it here. just please please please read the series back and realise: neil is quite literally the opposite of a martyr. i just have no idea where the idea of neil as a martyr or protective figure came in. especially in regards to kevin and jean.

it bears noting the first time neil meets riko with kevin there. at kathy's, neil doesn't hesitate to defend kevin and clock riko's shit. but note: defending ≠ protecting. and even if you do want to call that protecting, neil's way of "protecting" has never been in a martyring, self-sacrificial, human shield way. he is almost always on the offensive (clocking riko rather than directly defending kevin, punching riko, etc etc). neil is a natural instigator, and it would be such a disservice to him to erase that characteristic of his in raven!neil fics.

there are also several times in the series where neil's offensive actions have consequences that directly impact his loved ones and other people. like the first time neil insulted riko, a man literally died. the second time, drake attacked andrew. the third, neil took a trip to hell on earth and spent three weeks at evermore. the fourth, the foxes' and other athletes' cars got trashed. there's probably more that i'm not remembering, but you get the idea. neil feels guilt but never regret for this. he literally says verbatim that he isn't sorry for what he said about riko/the ravens even after the cars get wrecked and the others seem to blame him. so while i can see neil ducking his head and submitting to prevent jean/kevin getting hurt, it's also worth noting that if neil really cared that much about consequences, he probably would've stopped openly and loudly insulting riko in public after seth was murdered the first time. neil knew, or at least had a hunch, that it was his fault. did that stop him from doing it again? hell no. it can be both a character flaw and strength, but it's also just a fact. neil does not think that much about consequence. he sort of just does what he wants when he wants. it's a part of his personality. while there's no telling what about his personality would've changed at the nest, the fact that ten years living with a mob boss serial killer and eight years on the run from said mob boss serial killer didn't seem to kill that mouth of his, idk what would.

my final point is that when the raven!neil fic has andreil in it, it turns into andrew "saving" neil from his situation. words can't explain how much i hate this take on things. especially when it usually comes out of nowhere as well. bfr, andrew is not gonna risk his life to "save" some pretty redhead that comes his way without some pre-established connection. i also just think the idea of a "saviour" in a relationship is actually insane. as someone who is consistently pissed off and triggered by imbalance in relationships, this irritates me to no end. andreil obviously are protective and care for each other. that's a known fact. but i feel like w raven!neil fics they tend to exaggerate this and make it insanely one-sided. like andrew is some superhero type figure that needs to save damsel-in-distress neil who has a penchant for out-of-character martyrdom and is trapped in a horribly abusive situation. it sounds like i'm just hyperbolising no this is actually in all of the raven!neil fics that i've read. this exact dynamic. i hate it oh my god. it's not only entirely out of character i don't even think it works for them. like this should not be what their relationship is about or based off of. this last bit might just be a personal thing but i just hate hate hate it and it feels so wrong to force andreil into this kind of a dynamic. just leave my boys alone i'm BEGGING.

the aftg fandom does have this problem that should be addressed where they tend to coddle and uwufy abuse victims (particularly kevin, neil and jean in the context of the nest) and strip them down to easily digestible stereotypes. but this literally could not be further from the truth in canon. y'all forget how actually bitchy neil, jean and kevin are as individuals. kevin's fear of riko and tetsuji is bone-deep, but that never stopped him from picking fights with the foxes and hitting back whenever they had a problem w him (the only exception being andrew, but kevin already said, he lets andrew walk him like a dog out of sort-of thanks that andrew is letting him stay at psu). jean is also sort of an asshole (affectionate) back in the og trilogy and lowk in tsc too. he has a seemingly endless supply of insults for literally everyone and literally thinks about breaking jeremy's fingers for treating him too warily. he consistently gets annoyed when the trojans are too careful with him and remember when he literally threw jeremy to the floor during practice? yeah. seriously, stop boiling down these very traumatised individuals to their fear and history of abuse and erase any other part of their personality that makes them an interesting, well-rounded individual. it's so irritating to read and have to deal with the gross misinterpretation and mischaracterisation of these very well-loved characters. they deserve better, and these things also bely some very pertinent issues within fandom culture at large that should be talked about and critiqued more. jesus this is long anyway thank you for reading.

[evilbihan]

Bi-Han was a good brother.

(original post here) I came back only to make this a seperate post so it shows up in the search and Bi-Han's tags again.

I think about this scene a lot.

People like to use Bi-Han's behavior here as an excuse to paint him as a bad brother and instantly assume that he always treated Tomas that way because of one mean thing he says to him in the entirety of the story mode, intros included.

It's almost like siblings never argue and say horrible things to each other that they later feel bad for. Personally, I believe this is the first time Bi-Han ever snapped at Tomas like that, for a multitude of reasons.

Smoke doesn't hesitate to talk back to Bi-Han, he doesn't seem intimidated by him at all. If Bi-Han were to really constantly put Tomas down and say hurtful things to him, he would be more hesitant to provoke him and avoid confrontation as much as possible. But he doesn't.

Of course, every individual is different but take it from someone who has grown up in an abusive household. If someone regularly insults you and belittles you, you're going to start walking on eggshells around them and that's not what Tomas does around Bi-Han at all.

Smoke's expression here displays hurt, anger and confusion. That's the face of someone who just got a reaction he did not expect. His body language would be different if he was used to hearing things like that from Bi-Han. He wouldn't look so surprised if he heard that whole "Lin Kuei blood" speech before. He also doesn't lower his eyes, doesn't flinch... nothing that implies Bi-Han ever talked to him like this on other occasions.

Kuai Liang's silence in this scene speaks volumes too. He doesn't try and defend Smoke, doesn't tell Bi-Han his words are uncalled for and he doesn't interrupt him either. I believe Kuai Liang was just as surprised as Tomas was by Bi-Han's sudden harsh reaction. Furthermore, there is literally no reason for him to step in.

Brothers argue, they get angry at each other. Anger is a normal human emotion and snapping at someone when you're angry doesn't make you a horrible person.

Let's talk about this scene next.

I feel stupid for even mentioning this take here because it's the silliest, most ridiculous and wildest thing I've ever seen but a surprising amount of people with flat-earther mentalities cling onto it, so even though it's obviously bs, let's debunk it once and for all.

Honestly, the first time I saw a post claiming Bi-Han kicked that rock on purpose to kill Smoke I had to re-read it twice because I couldn't believe someone would actually believe that and expect to be taken seriously.

If Bi-Han ever wanted to get rid of Smoke, he could have done so a million times already. He could have banished Tomas as soon as he became grandmaster.

He also could have aimed better.

Here's what actually happened:

Both brothers rush to the edge to check if Smoke is okay. Both are worried about him. If Bi-Han never cared about Tomas he wouldn't even have bothered coming over to see if he's still alive. He would have done the only reasonable thing in this situation, which is keeping an eye on Nitara who just attacked them.

Yes, the rock comes loose as soon as Bi-Han steps closer to the edge but that's entirely accidental and Bi-Han's surprised expression proves it.

You can see the exact moment his eyes say "Oh sh*t" because he briefly looks at the rock and instantly back at Tomas. He looks concerned, not pleased with himself like he just commited a clever murder attempt. He even reaches out as if to stop the damn rock.

He wanted to save Tomas.

It's disgusting how some people try to twist this moment into anything other than that.

Are we also going to ignore the subtle way Bi-Han puts himself in front of Kuai Liang, bracing himself while Kuai Liang flinches backwards during Nitara's attack?

What about the fight against Ermac? Bi-Han almost died, fought an insanely powerful being and his first instinct is asking his brothers if they're unharmed.

I've seen someone argue that he "only asks them if they're fine because he needs them for the mission" to which I say, they were fine. They literally looked fine, no blood on them, no scratches. Tomas didn't even go anywhere near Ermac and Bi-Han still checks on both of them.

We all know what happens next.

Yes, Bi-Han scars Kuai Liang as a way to punish him for his disobedience. Would a good brother do that? No, but a good grandmaster would. Is it fucked up? Absolutely. But again, Kuai Liang seems shocked, hurt and angry by what his brother did, just like Tomas before. Neither of them ever taught Bi-Han capable of something like that, indicating that while flawed, he was a good brother prior to his descent into madness.

When the fight starts, Tomas doesn't even try to step in. He only gets involved after Kuai Liang is injured. He wasn't expecting Bi-Han to go that far. It was a surprise to both of them because Bi-Han never once hurt them before.

As a side note, punishing his warriors for disobedience was certainly not something Bi-Han came up with himself, but rather something he was taught was acceptable by either his father or other Lin Kuei elders, but this post is meant to only focus on canon facts and what we see on screen so I won't elaborate on that here.

In a twisted way of a peace offer Bi-Han still offers a hand to Kuai Liang after scarring him and actually expects it to be accepted. He wants his brothers to join him, he wants to share the glorious future he has planned out for the Lin Kuei with both Tomas and Kuai Liang. Yes, he may be in the wrong but he wants them both on his side.

He wants it to be them against the world. He never intended for it to be him against them.

So far, that's it for the story mode.

Sadly, we never got to see what the relationship between the brothers looked like before Bi-Han gave in to corruption but the intros give us a pretty good idea of that still.

Mileena: "My bond with Kitana can't be broken." Scorpion: "I'd once thought the same of mine with Bi-Han."

They used to be close. If Kuai Liang really thought his bond with Bi-Han was unbreakable, there must have been good in Bi-Han before his frustrations led him to make all these bad decisions. Had he been some kind of abusive monster as the fandom constantly claims, they would have never been close to begin with. The brotherly love between them might be gone now but that doesn't mean it was never there.

Smoke: "Are we to be enemies for life?" Sub-Zero: "Unless you submit, Tomas."

Tomas doesn't want them to be enemies. Yes, he says Bi-Han has always been cold with him in another intro, but cold does in no way equal cruel or abusive. Bi-Han had valid concerns about Smoke's loyalty to the Lin Kuei when Tomas lost his family because of the clan. If anything, Bi-Han not trusting Tomas only shows he was protective of the Lin Kuei and worried that Smoke would end up wanting vengeance one day.

If Bi-Han ever hurt Tomas before, Tomas wouldn't be going out of his way to reunite the brothers, even asking for Liu Kang's help to do so. He says he can't forgive Bi-Han for letting their father die and yet he wants him back in his life. If Bi-Han had always been a bad brother why would Smoke want him back? Shouldn't he be relieved it's just Kuai Liang and him now? Instead, he's heartbroken that Bi-Han and him are now enemies.

Sub-Zero: "Resist me, and there will be consequences." Smoke: "And to think I once idolized you."

Tomas used to look up to Bi-Han. Who would look up to a genuinely horrible person? Absolutely no one. And for Bi-Han's part of the dialogue, he keeps warning his brothers, telling them to submit, to stand down, to not resist or try to fight him. It means he, too, doesn't want to fight them or hurt them.

Scorpion: "A shadow's fallen on your soul." Sub-Zero: "No, brother. I've seen the light."

What more do you need than this bit here as proof that Bi-Han didn't always use to be like this? Shadows only exist where light is present too. There must have been light in Bi-Han before said shadow corrupted him.

Both Kuai Liang and Tomas only resent Bi-Han for two things. Letting their father die and breaking his oath to protect Earthrealm. Nothing else is ever brought up.

At this point I think it's safe to say it's canon that Bi-Han was never abusive or a bad brother towards either Kuai Liang or Tomas.

That's it.

No headcanons, no what if's. No bullshit, just facts.

The only time Bi-Han hurts Kuai Liang is after he reached his breaking point and snapped and they're both equally ready to fight and hurt each other by then. Kuai Liang is even the one who draws first blood. Does that make him abusive too? Not at all.

[agentgrange]

I saw this post and couldn't stop thinking about it, so here is the answer I gave after some consideration-- I'll tell you when I find out. Sometimes it really feels like it depends on your Agents, and what they're accustomed to. I have two groups that I play with, one is mostly serious with a handful of gallows humor quips while the other one is absolutely clown-shoes-goof-goof-times. You could lovingly craft a deeply unsettling body-horror scene or run a tried-and-true encounter straight out of an established campaign and your mileage will greatly vary depending on your audience. That's not *necessarily* a bad thing, a handlers job is to guide a narrative in a way that's first and foremost fun for the players. If they want to take it seriously and buy into the horror they will, but if they want a bit of levity then there's nothing wrong with playing to the crowd. But I do really, really empathize with struggling to convey the awesome and terrible might of some cosmic horror with nothing but your words in a group of people that (hopefully) instinctively feel at ease and jovial while fooling around playing games with their buddies. Here's a few practical pieces of advice I can give you.

Try to cultivate an unsettling environment for your players. This one seems obvious but is actually really hard to get down right, especially when people mostly play online these days. But you’d be surprised how much regularly providing good visual aids, a Discord bot playing ambient music, and a good playlist can really set the tone for your session. Don’t just provide visual aids for the money shots of alien greys and deep ones either, running a campaign based on The Conspiracy era gives you ample opportunity to post a ton of weird, liminal 90s photographs to set the vibe for everyone even during otherwise mundane scenes.

Make a point of explaining to your players the difference between what they are experiencing and what their characters are experiencing. Yes, facing off against a 8ft tall fish man with a crossbow is inherently ridiculous as a fictional abstract. Its an entirely different experiencing actually being there, face to face under an incredible amount of stress seeing something that should not exist. In a lot of ways your players aren’t their characters so much as they are mad gods guiding their characters’ fates. THEY can laugh from the safety of this higher dimension we all exist in, that’s part of the fun. Hell their characters might even have a passing thought or two about how absurd the situation might be—but that entire time they’re fighting their lizard-brained instincts just to stop from mentally imploding. Let them laugh, but then tell them how their characters' hands might be shaking, or how any clever quip they wanted to say just comes out as a mumble as their body betrays whatever thoughts their rational mind tries to convey.

Know the rules of comedy. Comedy usually needs a straight-man, so if your players are goofing around don’t be afraid to give them a straight-man NPC to react to their antics in a way that makes it feel like you’re in on the bit but keeps the narrative going. Better yet, try to get ahead of it. Set up designated low-stakes areas in your story that are designed to add a bit of levity. They say comedy comes in threes, so you should structure these segments to let your agents to do some dumb shit about three times before they get all the sillies out and are ready to move on. And the emotional highs during these side quests will just make the crushing lows in the main plot feel that much more horrifying.

Building off that last one I have one more secret, forbidden technique. Buyer beware on this one honestly, but I cannot overstress just how much. Players. Love. Silly. Characters. And as David Lynch has proven, you can have silly characters that are still deeply unsettling. Try adding a few characters in that flip the script on your players and make *them*  want to play the role of the straight-man reacting to what your NPCs are doing every once in a while. If done right, it can kind of trick them into taking things seriously or feel like the eerie out of place comedy is at their character’s expense even if the players are in on it.

I hope some of this was at least partially useful. Good luck out there.

[mari-lair]

I feel like Teru is this angry because he made it personal. There are two reasons for this.

The first is as you mentioned Anon: He trusts Akane, we can see him turn his back on him, letting Akane cover him many times, all of which Akane never disappoints.

I guarantee Teru wouldn't go "This will be the first and last time I'll ally with a supernatural" if Akane wasn't a part of the clockkeeper.

Teru is confident Akane would pick him over the clock keepers, that if the other keepers got aggressive for any reason, Akane would have his back.

But instead Akane hit him in the back.

This is the second time he assumed he was a loved one's priority, and was proven wrong.

Akane is not the first blow he got, Kou's opposition, this betrayal to the idea "family will always be on my side" happened recently, so he takes it very personally, he is not acting rationally at all, he doesn't even let Akane explain.

The second reason I believe he is so fucking angry, is cause Akane switched sides so fast. Kou had shown a lot of signs he is overly attached to supernaturals but Akane always, consistently complains about them. It comes out of nowhere for teru, like he switches from "yeah yeah, lets be allies" to "Sorry situation changed" in a span of a few pages (so a few minutes? at most)

Being literally hit in the back doesn't help either. Teru is a fighter, I am sure that survival instincts activate when someone hit you in the back without you noticing. Which is not a good instinct to act on when you're feeling betrayed.

As for Teru holding this against Akane... I don't think so.

I do think Teru will be salty but it won't destroy their trust or anything.

Akane accepted his role in this chapter, he is not acting as Akane but as the keeper of the present, he has said that many times throughout this chapter. Even how he refers to Teru changes.

But Teru ironically cannot see it, he can only see his friend, his student council colleague, and human: Aoi.

When he does talk to Teru about his personal feelings, he is sorry, is nothing against Teru as a person. But Teru won't hear it.

He is just doing his duty, which I believe is to judge.

Cause Mirai cannot pass proper judgment without Akane.

It is also heavily implied that Kako does not need to be present for judgment to be passed on others, since Akane decided the court have started.

EDIT: KAKO IS THERE!!! I only noticed on re read.

That makes a lot more sense. You need the three clock keepers to start the judgment. Akane can't be absent, just as Kako can't be absent

Akane claims the clock keepers are the most dangerous ones to the school at the moment, but since he included himself as part of the danger, I don't think he means the clock keepers want to destroy the school or anything of sorts, he would never side with them if that was the case.

My theory is that he is being forced to judge everyone that may have broken the clock, and passing judgment to others can yield very dangerous results.

Perhaps they lose their lives.

Considering how warped he sees Mirai and Kako, I am confident he doesn't trust them to make a fair judgment.

I believe Akane will protect Teru in court, I truly do, but he needs to be a non-biased arbiter, so he will fight tooth and nails not to doom him, but I can't see him coddling Teru either.

Once Teru stops taking things so personally and realizes he is being forced into his role, he is not betraying Teru because of personal feelings or preferences, he should be able to understand and calm down.

Why Akane feels forced to obey them is a different story.

It could be something related to their contract that we aren't aware of, or even related to Aoi, because it is strange we don't get any panel of her reacting to the flower petal monsters Sakura made as a distraction, and we could not find her in the auditorium with the rest of Nene's class when time stopped. We don't know where she is, we don't even have hints of her whereabouts. which is suspicious.

But it is honestly, hard to say.

I personally would like if they didn't get the clock keepers yorishiro, failure is good for the MCs sometimes, but since I am pretty sure the yorishiro will be destroyed by the end of the arc anyways, I at least hope it is not by Hanako or Tsukasa's hand, who don't even know what/where the yorishiro is.

Maybe the judgment will go wrong and Akane will take off the Yorishiro seal himself (Cause the mysteries are capable of destroying their own yorishiro, that was an important thing to learn with Sumire)

Cause unless the yorishiro becomes Aoi when he tries to destroy it (which I have my doubts, I don't think a living person (even one that was 'dead' for a while before coming back to life) can be a yorishiro.) I can't see Akane not putting an end to the court if it goes too far.

But... As dark as it is I would be, I am down for exploring how Akane, mister "murder is unforgivable" would react to losing control of a situation and accidentally being an accomplice/having a hand at killing someone.

[arcane-ish]

Okay, so about Mel

I have a lot of Mel fans on my "following" list, so know I'm on a different place than most of them. I thought I would still sit down as a more casual Mel enjoyer and try to explain why I listed Mel as one of the better things in the last arc and genuinely read her as having one of the better arcs.

First let me say, I think I get some of the disappointment. There apparently was a lot of acrimony in fandom. And there sadly is often always a lot of bitching about being right. It's also one of those really annoying instincts for fannish people to value being right or getting character/ship payoff over quality. The kind of crappy shows or reasons I've seen people defend just because their ship was in it.

And I include myself within that. Two of my favorite ships, Timebomb and Zaundads got some stuff, and that has deeply clouded my perception of the season, even though my more neutral opinion is that season 2 was extremely spotty.

I get that from "I had to fight people in fandom" point of view, Act 3 sucked. I get that from a personal fan engagement point of view, it is always easier to stay excited and produce media if have a ship to hold on to rather than just being the fan of a singular character.

I'm kind of in a special situation, that I've always lowkey not liked Jayce and really only found him tolerable around Mel. I thought the beginning of Act 3 was still reasonably respectful to them. They protect each other, they do a couple fight with each other.

Yes it's weird that Jayce brings up now of all times to complain about the past, but for me that was pretty much wrapped by them fighting together against Viktor. Then we have this moment where Mel explains her situation to Jayce, we have Jayce complimenting her. Honestly, before the last minutes went full on "zomg, looping timeline gifts and zapping into space together", I thought the MelJay was a bit muted, but decent enough in a finale that was generally super busy and where tons of other characters didn't have too deep writing either. But again, I see where characters wound up, completely changed people's perception of how they get there (ie that Mel and Jayce actually had a decent relationship throughout most of the show and that in my opinion both Jayce and Viktor always and Cait and Vi recently had some really spotty writing).

Somethign that is more easy for me to bear, because, like I said, I never liked Jayce that much, so it's easier for me to not care.

Everybody's Arc Was Kind Of Shit And Mel Was One Of The Better Ones

This is my basic premise of season 2. If I think of season 2, if I think of the characters who to me had the better arcs I come up with for example Sevika and Ekko.

They had better arcs because they stayed roughly in characters, formed some new relationships, got some badass moments and ended up in interesting places in the end. However both their arcs BRUTALLY suffered by lack of airtime and often missing from episodes or even arcs like Ekko.

I think Jinx had one of the better arcs, because it was very emotional and poignant, was constantly present, but even if felt choppy and all over the place at times and people are mixed on where it ended up.

I guess Jayce counts as somebody with a really meaty arc with lots of airtime, emotion, ending up in a different place, getting hero moments, saving the day etc. But like I said, I dislike Jayce too much to really think about whether his story was actually good this season.

I count Mel as among the better arcs, because she got at least semi-constent airtime, she imo stayed generally in character, she got to be badass, she ends up in a very interesting situation and they tried to be emotionally poigant with her and Ambessa. (her killing Ambessa giving major Jinx and Silco vibes even if the context was completely different) The pain of Mel's storyline has always been that she was a bit isolated from other characters, so I was happy that she at least got a badass fight together with Caitlyn. [honestly, in retrospect it's noteworthy that Mel got that spot with Caitlyn rather than Caitlyn fighting side by side with either her love Vi or her nemesis Jinx]

Just getting a badass fight isn't the same as actually getting poignant moments and developing a relationship with new characters. So that was definitely missing. People are just prone to not care as much about Mel's relationship with Ambessa, LeBlanc or Kino because from the point of view of the audience those are side or new characters and the audience only cares if the show really puts a ton of work in like in the case of Isha.

Overall the gist of Mel's storyline to me is that it seemed to be very League dictated. It's the origin story of Mel as a badass fighter, it sets up her character premise.

TBSkyen, a well known content creator in the League of Legends space, "reacted" to Arcane and he got quite angry at the finale, exclaiming something along the lines of "I thought this was gonna be a closed story, that the characters would complete their stories. But these stories are not complete, this is a sequel tease".

And that's exactly why Mel's story feels unfinished. She feels like she's part of that sequel tease (together with Cait looking at those strange map, maybe hinting at an alive Jinx).

There's a chance that Mel will get a proper resolution. But to be honest. I can't promise that. Maybe she'll get a badass Noxus based either animated or live action sequel... but we might have to wait 5-10 years for it.

Maybe the "Ambessa" novel is actually 95% about her. Maybe she will get a badass intro trailer like Ambessa. But I'm not gonna lie, even if the next season of League will be heavily Noxus based and they make heavy use of Mel in it. I'm not gonna lie, League's story telling can be very, very spotty. And even when it is decent, not everybody is particularly into collecting their infomation from short stories, splash arts, music vids, in game voice lines.

[aro-geo-turtle]

Thinking about a potential angsty malevolent au that role swaps Arthur and Parker because I honestly don’t think Parker could have reformed John like Arthur did

Like, obviously this is super speculative cause we’ve never met Parker and only know a bit about him 2nd hand

But we know he looked at pathetic drunken mess Arthur Lester, decided that was the man he wanted to be detectives with, and then somehow actually managed to drag him back into being a quasi-functional human being.

We also know he and Arthur were a very effective investigative team, so he probably Arthur balanced out in a lot of ways. Arthur is very reckless and stubborn and throws himself at his problems, maybe Parker was more wary and cautious, more of a planner. Arthur has a remarkable talent for getting people to hate him in a weirdly obsessive way, perhaps Parker had the genuine kind-hearted charisma.

And we know from part 39 that Parker was the one who did most of the physical intimidation and brute strength parts of the job, so he wasn’t afraid to get his hands dirty when it came to it.

And I feel like this paints a picture of a man who could get along well enough with the John Doe we have today…but maybe not the Entity he started as.

A big part of the reason Arthur and John’s relationship works is because they have basically the same response to feeling threatened: yell, scream, blame the other person for everything wrong in the world, hit where it hurts, give as good as they take, refuse to give an inch. And when they push too hard, this leads to some really horrible fights. But eventually they wear themselves out, all the feelings are out in the open, they pick themselves up, apologize, and move forward.

This dynamic is established very early on. In the first episode, John/the entity has all the knowledge, he knows more about what happened, about the supernatural, about Arthur’s surroundings. And he immediately uses this power to lie to and manipulate Arthur. But Arthur doesn’t let him keep that power over him for long. He gets his wits about him, establishes his own power as the one with the physical body here, and starts shoving back against John. Every time he does what John says, he makes it clear it’s because he has agreed it’s the best course of action. They establish a balance quickly.

This early in his independent existence, basically all John has is the King’s instincts of “humans are weaklings to be manipulated” and Arthur immediately asserts that that attitude is not going to stand with him, forcing John to rethink his relationship with humanity

Parker…likely wouldn’t have Arthur’s stubborn reckless audacity. I think he’s be more likely to respond with caution, bide his time and try not to make this thing mad until he can figure out how powerful it really is. With the lie that he was the one to kill Arthur, Parker might even extend compassion and empathy towards the entity, thinking that this thing has no memory of who he once was and no bodily autonomy at all, he’s probably really scared and covering it up.

This caution and empathy would serve Parker well in a whole lot of situations and probably save him from a lot that Arthur blunders into, but if he does a lot of what the entity tells him to do with little complaint…he’s going to be accidentally reinforcing the kings instincts that humans are to be bossed around instead of challenging them

And if bides his time until he’s fairly sure the entity can’t really hurt him and then starts pushing back and challenging him, that might feel like a betrayal or deception to the entity

I’m not sure exactly how things would go down, but I just think that Arthur was really the only person who could have set John on the right path by reckless challenging him from the beginning

(Parker paired with Yellow on the other hand… now that’s perfect and everyone needs to go read Refrain from the Surrogate AU right now)

[lynzishell]

OC Deep Dive Questionnaire 💛Atlas & Asher🩵

✨TYSM for the tag @raiiny-bay, @zosa95, @dandylion240, @sirianasims, and @hannahssimblr 🤗💖

Of course, I went overboard with this, so grab your favorite beverage and let's dive right in, shall we? ☕💕

-what common/uncommon fear do they have?

💛Atlas: [Pointing to Asher] Water. 🩵Asher: You can’t just leave it at that. It’s not like if you set a glass of water on the table, I’ll run screaming. I have a fear of drowning, so I don’t like to be submerged in water. You’re never going to catch me out swimming. Probably not on a boat either, while we’re at it. Not taking any chances. 💛Atlas: Fair enough. But you won’t even put your face under the water in the shower. 🩵Asher: That’s because it reminds me of being submerged in water. Anyway, this conversation is making me sweaty, and there just happens to be water on the other side of this fence, so let's change the subject. Next question.

-do they have any pet peeves?

🩵Asher: Oh, Atlas fuckin’ hates mindless small talk, like the kind you use just to fill the silence, or because you awkwardly feel like you need to talk to the person next to you. Seriously, he’ll like you a lot more if you just sit next to him in silence for an hour. 💛Atlas:  Very true. And yet, your record for silence is, what, twenty minutes?  🩵Asher: Maybe. But I don’t make mindless small talk. 💛Atlas: Yeah, I do like listening to you ramble on about your latest obsessions. You get all animated and excited, it’s really cute. 🩵Asher: You’re really cute.

-what are 3 items you can find in their bedroom?

💛Atlas: Uh, I don’t know, what’s in our room besides the obvious? Probably too many electronics. 🩵Asher: Right, between the computer and the switch and my drawing tablet and our phones... 💛Atlas: And your sketchbooks and pencils. How many pencils does someone need? 🩵Asher: I don’t have enough; I’ll tell you that much. Count yourself lucky that most of my art supplies are scattered between Lex’s place and my parents’ house. One day I’ll get it all organized in one place, but that day is not today.

-what do they notice first in a person?

🩵Asher: Hm. That's a good question. What did you notice about me first? 💛Atlas: Your hair, obviously. 🩵Asher: [laughs] 💛Atlas: But no, I would say your eyes. I’d never met anyone with such pure gray eyes before, they’re striking. Your eyes are very expressive too. And you make eye contact with people more than anyone else I know. Like, whenever I talk to you, I always feel like you’re really listening. 🩵Asher: [smiles] I am.

-on a scale of 1-10, how high is their pain tolerance?

🩵Asher: Oh god, mine is probably like a 5, and Atlas’s is probably a fuckin’ 8 or 9. 💛Atlas: I would’ve said 7, but we can go with 8.

-do they go into fight or flight mode when under pressure?

💛Atlas: I think my first instinct is freeze, but then probably flight. Depending on the situation, I’ll walk away or hide away. 🩵Asher: Mostly. But with James, you definitely went to fight. 💛Atlas: That was different. I don’t care if people hurt me, but I’m not going to let them hurt the people I love. Ash is definitely more of a fighter than I am.  

-do they come from a big family/are they a family person?

🩵Asher: I don’t come from a big family, it’s just my parents, me, my sister, and my niece, but we are very close. But honestly, family isn’t just about relatives. Chosen family is just as important. When I say my family is the most important thing to me, I don’t just mean them, I also mean Atlas and Lex and Dawn and Phoenix and Aspen too. And Jasper, obviously. 💛Atlas: Exactly. If we’re talking about relatives, I come from a very large family, but I will never see or speak to any of them again, except for Dawn, of course. A few years ago, I never would’ve considered myself a family person, but Ash’s family taking me in changed all that. I’d definitely say I am now. 🩵Asher: I love that.

-what animal represents them best?

💛Atlas: Oh, that’s easy. Ash is just like Jasper, his border collie. Playful and energetic, friendly, intelligent, hardworking, and he loves to snuggle. 🩵Asher: Hm. I think for Atlas, I’d say a deer. 💛Atlas: A deer? 🩵Asher: Yeah, like, you’re quiet and cautious, a bit anxious with a tendency to hide, but you’re also beautiful and sweet. 💛Atlas: You make me sound more like a bunny. 🩵Asher: No, definitely not a bunny. Have you ever come upon a big buck deer? They’re majestic and intimidating, and they’ll kick your ass if they have to. They’re… survivors.

-what is a smell that they dislike?

💛Atlas: Ammonia. 🩵Asher: No one likes the smell of ammonia. 💛Atlas: I know, but when I was a kid, at the end of every school year, we’d have to clean our desks with this ammonia spray. Twenty kids spraying ammonia in an enclosed room. It was awful. I’m sure they had the windows open, but even still, that smell is seared into my brain, makes me want to gag just thinking of it.

-have they broken any bones? if so, how?

🩵Asher: Okay, story time! So, when I was ten? Eleven? Something like that. Anyway, I was dancing around in my room, as one does, and I tripped on a book, one of many scattered around my disaster of a room, and tried to catch myself as I went down. Bad decision. I’ll spare you the details, but the pain I felt in my wrist was horrible. I literally saw stars. And then I almost puked when I looked at it. So, of course, I started screaming for my mom. She came running in, and I told her that I’d broken my wrist. And what did she do? She yanked on it and snapped it back into place! Because apparently, I’d just dislocated it. But, fuck, it hurt. If a broken bone is worse than that, then I hope I never break one. 💛Atlas: I broke a toe once. Stubbed it on the corner of my bed when I was in college. I wasn’t good about taping it up or anything either, so it healed a little crooked.

-how would a stranger likely describe them?

🩵Asher: For Atlas? One word: quiet. How they interpret that quietness varies though. Some people think he’s really shy, others think he’s just aloof. But he’s actually neither. He’s introverted and pensive, sure, but he’s also very warm and enjoys chatting with people if it’s a more meaningful conversation, y’know. Like, when we first met, we would talk for hours and hours. 💛Atlas: That’s true, but you’re such an easy person to talk to. I think that’s what people would say about Ash. He’s just very relaxed and friendly and has a way of putting people at ease. He’s good at connecting with people and getting them talking and making them laugh.  

-are they a night owl or a morning bird?

🩵Asher: Probably night owls, I’d say. Atlas prefers starting his day later and working late, if he has the option. 💛Atlas: Yeah, but these days, it feels like I’m working all the time. But even still, Ash starts his day earlier. I don’t know. I think he’s somehow both. He has no issues with mornings, but he also gets a burst of energy in the evening and sometimes it’s hard to get him to come to bed. 🩵Asher: To sleep, anyway. 💛Atlas: [laughs] Right.

-what is a flavor they hate and a flavor they love?

💛Atlas: Ah, Ash hates vinegar and anything pickled. And he loves warm spices like cinnamon and cardamom. 🩵Asher: Oh my god, and Atlas is fuckin’ backwards when it comes to this. He likes bitter flavors to a strange degree, like super bitter beer and strong coffee and he’ll only eat chocolate if it’s the super dark stuff, otherwise he hates it. He doesn’t like sweets. No sugary drinks or candy or even pastries.

-do they have any hobbies?

🩵Asher: We both love gaming and dancing. Otherwise, I like to draw and spend time with my dog. My favorite is taking him down to the beach to play fetch, he loves it there. 💛Atlas: Yeah, and I don’t know, I like to stay active because I feel like I’m constantly at a desk otherwise. I used to rock climb a lot, but since we climbed Mt. Komorebi, we took a break and never really got back to it, so I pretty much just run and work out at the gym occasionally. And I like to sing. 🩵Asher: Seriously, I wish you could hear him. He has the most incredible voice. 💛Atlas: Aw, thank you.

-boom, surprise birthday party! how do they react to surprises?

💛Atlas: Ash would love it! He’d be so stoked that everyone showed up for him like that. 🩵Asher: And Atlas would probably dump me on the spot if I ever did that to him. 💛Atlas: I don’t know if I’d dump you, but… okay, yeah, I probably would.

-do they like to wear jewelry? if so, what is their favorite piece?

🩵Asher: I don’t think I’ve ever seen Atlas wear any jewelry. 💛Atlas: No, I’ve tried, but I could never get used to it. I’d always end up taking it off by midday. 🩵Asher: I can see that. I wear earrings, but that’s it. I used to wear a necklace that an ex gave me, but I threw it out when we broke up. I wanted to throw it into the ocean, but I didn’t dare to walk out on the dock [laughs] so I tossed it in a dumpster instead. 💛Atlas: I didn’t know that. Which ex? 🩵Asher: Elias. 💛Atlas: Ahh. Yikes. 🩵Asher: Yeah. Anyway. Next question.

-do they have neat or messy handwriting?

💛Atlas: I think we both write fairly neat. 🩵Asher: I think so too. Yours is all sharp angles, but it’s not sloppy. 💛Atlas: Yeah, and you have a strong preference for uppercase letters. Sometimes it’s rushed, but it’s never messy. Actually, I’ve never thought about it before, but I really like your handwriting. 🩵Asher: I like yours too.

-what are two emotions they feel the most?

🩵Asher: [points to Atlas] Anxious. 💛Atlas: All of the time. 🩵Asher: And, hm, we can only pick two? I’d probably go with either introspective or focused. 💛Atlas: That’s probably right. For you, I’d say, passionate or inspired and then maybe playful or energetic or something like that. Okay yeah, passionate and playful.

-do they have a favorite fabric?

💛Atlas: Probably cotton, I guess. 🩵Asher: Yeah, same. I don't know. Never really thought about it, to be honest.

-what kind of accent do they have?

🩵Asher: I don’t know. Do we have accents? I mean, I guess Atlas gets a hint of a drawl when he drinks, it’s pretty cute. 💛Atlas: I do not. 🩵Asher: You do! I never told you because I didn’t want you to get self-conscious and try to stop. 💛Atlas: It’s a good thing I don’t drink often, I guess. 🩵Asher: Whatever. I love it. 💛Atlas: And I love you. 🩵Asher: I love you too.

And I love them too!! 🥹

Okay, whew! What are the chances anyone actually read all that? I really can't just be normal about these things, can I? Oh well... Now it's your turn!! I'm gonna tag @madebysimblr, @crownsofesha, @xldkx, @honeyjars-sims, aaaaaaaaaaand @igotsnothing 🤸🏻‍♀️💖 Answer them normally, or have a little fun with it, or ignore me completely, that's fine too (no it's not) 🫶🏻

[viewlumia]

Nothing will be more weirder than the Ninjago fandom acting like Cole was in love with Nya throughout Rebooted.

Through the entire Love Triangle ordeal, he never actually acts for Nya, instead only reacting to Jay. Observe:

Blackout

In the previous episode, The Art of the Silent Fist, there was a scene between Cole and Nya. Throughout that episode, Nya was struggling with her newfound feelings towards Cole (given to her by a machine I might add but that's a conversation for another day). Nya talks to Cole in that scene and it ends with them holding hands and Cole jokingly saying "Don't tell Jay."

Why am I bringing this up? Because I honestly have trouble looking at that through a romantic lense. I often see people use this as evidence even though it doesn't match up with how the show would later indicate romance (they looked at each other so they're in love now! Chemistry, what's that!) More importantly, Nya never actually articulates her feelings for Cole in this scene. This is crucial when getting to Blackout. In Blackout, after Pixal blurts out that Cole is a perfect match for Nya, not Jay, who entered the room at the time, his first instinct is to attack Cole as soon as he saw him! From the POV of Cole, this looks like his friend calling him names and a whole lot of other things seemingly out of nowhere, he never actually heard about the "Perfect Match" results and that combined with the previously mentioned scene leaves us with a Cole who isn't in love with Nya and is only focused on Jay.

The Curse of The Golden Master

In this clip, after the ninja head into the sewer like a certain other group of color coded ninja, Jay gets into another spat with Cole after Cole dared to *checks note* look out for Nya's safety. This causes the two to get into an argument and ignore Nya falling from the broken ladder.

Now this scene on it's own doesn't mean much, but when paired with the other episodes mentioned, it starts to paint a bigger picture. This scene is a tipping point for Cole, going from someone clueless about his situation and fighting with Jay to letting this petty, near one-sided rivalry get in the way of the task at hand.

This scene is honestly the perfect representation of the Love Triangle in Rebooted: it was never really about Nya, she was just a stepping stone to get to Jay yelling at Cole over a situation he has no idea he's even in. Cole isn't out of the woodwork either as he begins to ignore Nya solely so he can insult Jay, but hey, it can't get any worse right?

Codename: Arcturus

It got worse.

In Codename: Arcturus, we see Jay, Cole, and Nya at the movie theater to "prove who Nya should go out with." Now, you may ask "doesn't that sequence end with both Jay and Cole asking who Nya will date and her kidnapping a cleaning robot?" yes, it does! But the important thing here is that it wasn't even Nya's idea in the first place ("Hey, it wasn't my idea to go on a double date to decide between you two.") Interesting thing of note, this is the only episode in the entire season where it's actually shown Cole fighting for Nya's affection, but even then it's not really about her, it's about getting back at Jay more than anything.

I know someone will come in wondering about "authorial intent," the intent in question being that Cole could be a potential love interest for Nya moving forward, but while I can see the intent, I can also acknowledge that what actually landed on the page and later the screen does not match the intent at all. Instead of Cole falling in love with Nya and getting into a spat with Jay that way, we got Cole treating Nya like a stepping stone to get back at Jay, disregarding her feelings in the process.

TL;DR: Kai should've knocked Jay and Cole upside the head for being weird about his sister

[empressgeekt]

Ok but what if JD had come back/found the Pop Village before or even during Trolls 1? Like, all we know about bis travels is he seemed to mainly stick to the Neverglades but he is confirmed to have returned to the Tree at least once only to find the place dead and empty, and we don't know exactly when that was. What if he had searched around more and found the Village, or at least Branch's Bunker on the edge of the village?

I can imagine after a justifiably explosive reunion, he might still doing his wandering thing but stay close by, even sending presents and souvenirs for Branch and Keith from his travel, visiting every holiday (well, major holiday they actually give a shit about). Maybe make an effort to reach out to and potentially locate their other brothers because as much as he loves his grumpy baby brother, he's worried about Branch and hopes reuniting Brozone could at least cheer him up a bit. Maybe he encourages Keith's idea about Branch becoming the Forest Guardian as well, teasing him about how it might be a way to get closer to the Princess he's crushing on (Branch vehemently argues he does not, has never, and will never have a crush on Poppy).

Honestly I think that on his way into the village, JD would get caught in one of Branch's net traps. Rhonda can't get him down, and after hanging there for hours (admiring the both the foliage and the work of the trap itself, it's a beautiful survival tool), a little mossy colored trolling finds him, and cuts him down. John would be a little worried about a very small child alone in the middle of the forest, asking if his parents know where he is, but Keith would quickly shut that down, by saying that his parents were dead but his big brother made sure he was safe. John would lament this as Keith leads him back to he village, as Keith's family situation hits close to home, and he really sympathized with Keith's older brother (who at the moment john thought was an older teenager), being saddled with a kid so young, like he had been. When john asks about his own family, Keith claims not to know any trolls, by the names of "Spruce, Clay, Floyd or Bitty B."

Once in the village, JD would spend a few days wallowing in grief and signing autographs, since apparently even after twenty years Brozone is still popular. John can't even be happy about his art doing well, his family wasn't here. After a few days he plans on leaving. This place can be home if his bros aren't here. Poppy and Creek approaches him as he's packing, and want to help. They also confirm that their isn't any trolls by by his brother's stage names...stage names...

"Is there anyone named Branch in the village?"

Poppy tells him there is enthusiastically. Creek does so with fake pity. Still John doesn't pay any attention to their tone only runs off in the direct of the forest outskirts of the village, feeling incredibly stupid for not asking for Branch's proper name and almost missing his brother's house by a few yards. He was not expecting for the same mossy trolling to open the door to the bunker, and for his baby brother to be gray, and pissed off at him.

Branch is not happy to see John Dory. While he wasn't the closest to John as a baby, he does know that a lot of the fighting was between John and Clay and no way was he letting that type of conflict around Keith. So, he shuts john out and pretends he doesn't exist.

John despite the less then welcoming reunion is way to hyped up on long dormant big bro instincts to take the hint. His baby brother is grey, a single parent, and living all alone. There was definitely not a happy backstory there. He has to protect him. After a week or two of camping outside the bunker door (Branch has several exits from the bunker other then the main one so he can just avoid John) and getting nothing he switches tactics. He had no idea what Branch's schedule is, but he does know that Keith goes to school, and starts to follow the trolling during the day. It comes off as incredibly creepy, to everyone but John.

Keith tells Branch about this, and the grey troll has no choice but to hear john out, since while he knows that John isn't creepy, just dumb, he can't have John behavior (no doubt that his older brother had told the whole village they're brothers) reflecting on him. The last thing he needs is the Foster System breathing down his neck about how John could be a "danger" to Keith, Adopted or not they would take the kid given the chance.

The after math of the conversation is John Dory being allowed into Branch and Keith's lives on a probation period and several conditions. Every hoop John is given he jumps through. And slowly he gets to know Branch again. He tries to get Branch to sing, but Keith would cut in saying, "Why do you want him to sing, you want to re-traumatize him?"

JD is out on a long supply trip when the whole wolf thing happens, but he's in full support of the whole Forest Guardian thing, much to Branch's annoyance. He and Keith nudge him towards playing the role. After the whole 20th Anniversary Party, John Drives both Branch and Poppy back to bergentown (the trip is very confusing for John due to the whole time he's trying not to call branch by his name). Rhonda threatens Cloud guy into telling them which tunnel to take inside. He does not agree with the whole dating plan, but he throws his machete at Creek when he turns traitor.

It takes everything for him not the breakdown at the sight of the chef attacking Branch. Suddenly he's fourteen and watching his mom and dad get carried off, only this time it was the tiny egg his mom handed off to him all grown up at the mercy of the Bergen. Branch survives of course, but the long months of recovery and rehabilitation is hard. John keeps things together, grits his teeth and bares it. He takes care of Keith, and even helps out with the rebuilding of the village. He can't see the bergens again, so he stays home.

John becomes one of Branch's main informants with all his traveling knowledge and a survival teacher at the training grounds. He's left in charge of village security during TWT, and panics when he can't find Keith after Branch and poppy left for the other tribes. He still gets the letter in TBT, but he's at the bunker when it happens (branch didn't get one since it's made out to his stage name and he doesn't go by it). Branch and Keith see it, and call trap, but John needs to at least check it out. He comes back just as the wedding is ending, and ropes Branch into the plan....and I let this get away from me sorry.

[luvevee]

So Carmine is honestly really sweet to watch develop! She seems like she's an older teenager, maybe a junior or senior, so her coping mechanisms for her instabilities like her anger are interesting to watch.

Hands clenching and being brought to her chest because they're shaking with anger. This seems to imply she's fighting to urge to hit whatever's making her angry.

Huge firework outbursts in response to slightest pushback. It's afterwards she explains what she really meant to get across by them.

She does not like change at all + is very vocal about how much she hates outsiders in her town.

Very very loud, and very vocal with her presence.

Incredibly remorseful and emotional when apologizing for mistakes she makes.

I think the most important thing to look at in the background is that Carmine understands she has a support system, and that's what makes the hugest difference in how she copes with everything.

When we get the mask, her first thought is "take it to grandpa" with no intention of withholding information. She's not scared she'll get in trouble or thinking of hiding things from them, she knows she has to be completely transparent and she can do that with her grandparents. She trusts them, she knows they'll help even if it's something so bizarre that most people would dismiss her experience.

Adding to that is when she learns the true story of the Loyal Three and Ogerpon. Her first impulse is to run into town to shout the truth. It isn't even a "we need to avenge our family lineage" thing, it's the misinformation that destroyed the lives of her ancestor, a man who wanted to live a new and quiet life, and a pokemon that was just reacting to the death of her trainer/parent. She's angry at the town for what they did to Ogerpon and she wants them to listen. Carmine's thinking of what she wants and what should happen. Her fiery personality paired with impulsivity leads to a lot of possibilities of problems.

But then her grandpa stops her. He doesn't scold her, he just asks "what would happen if they found out the truth after so long" and lets Carmine realize the answer is most likely "get angry" without putting down her impulsive, though valiant, urge to tell everyone the truth. He understands that Carmine just wants to make history right and that she's an honest young lady, but that she's very impulsive and very aggressive with how she goes about things. And the thing is Carmine listens to him, because she knows her grandpa is trying to help her understand the situation.

Her grandparents very obviously love her and understand that she needs some extra nudging/coaching with things. They understand she has problems regulating herself, and they work with her. Carmine doesn't feel the need to lash out against them because she understands they're trying to help her, and that's helped shape how a lot of her current coping mechanisms work.

Carmine can think of the practical sides of things if she's stopped for a moment. She can redirect her anger from physically lashing out, because even though her first instinct is to hit since it's a very simple and impulsive movement she knows it's bad. She can trust that she has people to catch her if she falls, namely her grandparents.

Then the whole other ballpark of how she's very protective of Kieran. It seems like that Carmine wants him not to be her, but to feel like her. She wants her little brother to feel confident, safe, strong, but her emotional instability and typical big sibling feelings really strain the gap between them.

When Kieran pushes back, she struggles with responding appropriately and gets furious because "I'm just trying to be a good big sister" and "I'm the big sister he should listen to me" clash in her head alongside her pride. She's trying really hard to make him feel the way she does, but it ends up just making him shrink down further because of how aggressive she is. It's a cycle she accidentally perpetuates without realizing what she's doing.

And Carmine loves him so much! She wants what's best for him, she wants to be the model big sister. She cares so much about his feelings that she convinces us to stay quiet about meeting Ogerpon because she knows he'll be crushed that he wasn't there. Even though she teases him, Carmine's clearly trying to be a good big sister/trusted figure in his life. That's what hurts the most, is that she's trying.

But in her excessive worrying and outbursts about his feelings, she ends up doing more damage. She ends up yelling things that she feels on the surface level and has to explain that what came out was completely different than what she meant, but she doesn't tell Kieran that because it's the "he should understand I'm doing what's best for him" mindreading aspect.

By the end of the arc, Carmine does the one things she really can: give him space. She doesn't force him out of his room before they go back to Blueberry Academy, she just tells everyone he isn't feeling well. She's trying to protect his privacy and processing, still trying to be the wall between the turbulent world and Kieran's need for time, and it's obvious she feels adrift in this situation. Usually she can just apologize and things calm down, but it's such a huge situation that changed so much that the usual routine won't work. It's something that obviously troubles her, but she ultimately realizes all she can do is wait for Kieran to reach out to her when he's ready.

She wants so badly to help Kieran, but she's on the other side of the same wall that's making it so hard for her to truly look at him and understand what she needs to shift to be the good big sister she strives to be in his life.

Carmine's character is so amazing to watch develop as she learns to trust someone other than the people around her and how she takes in everything that happens around her, she really deserves a big hug for how hard she tries 😭

[ctwinsduo]

hey hi hey! do you perhaps have cniki/ceret/cwilbur hcs? any of them r fine and if you dont thats okay bye!!!

I don't have much c!niki knowledge I'm afraid however I will give what little hcs I have (also credit to my buddy @cinn-namon for half of these Eret HCs, if you want more feel free to mug him /hj)

Wilbur

- Prone to singing or humming whenever given the chance, when there's an audience he puts So Much Effort into it but he'll do it when he's alone aswell - Her first instinct in most situations is to laugh, she doesn't mean to but it just sorta slips out regardless of the circumstances - By far my wildest Wilbur hc: Wilbur is a nature spirit- my basis for this is mostly Greek mythology. In Greek mythology it's common for the children of gods and immortals to be some sort of nymph or dryad (basically a nature spirit) and the concept of nature spirits is a really vast one that can range from "pretty lady found in Trees" (Dryad) or "Unidentified mystical energy" for my HCs I tend to use more of the ladder. So Wilbur is a physical manifestation of the wilds, basically a shapeshifter but add a connection to the world itself. In theory he has no "true" form but the form he took when he was born was just a straight up fox (later learned how to shift into a more humanoid form as he grew) - More thoughts on nature spirit Wilbur ahead: how she appears and how well she can hold her form is entirely dependent on her current state, because of this she changed a lot between L'manburg and Pogtopia :3 When she first came to the SMP she looked almost entirely human, save for a few "off" traits (strange eyes, fangs, slightly pointed ears, ect.) but when Pogtopia hit she changed rather suddenly, becoming more like Fundy in appearance. Ghostbur was just a straight up spectral fox, and post revival Wilbur always has a few fox-like traits showing that she can't seem to get rid of - All of their mannerisms are slightly off- they don't quite emote "right". When they're fully human they come off as oddly animalistic, when they're more animal-like they're weirdly human. They tried to play themselves off as at least Mostly human for awhile but gave up pretty quickly - Has no fucking clue what his species is because of the samsung smart fridge nonsense- honestly he just assumes that he was Born Weird. When asked he's always weirdly cryptic about it - God awful cook, y'know those posts about people fucking up their food in unbelievable ways? That's Wilbur. Do not let her into the kitchen she will burn water - Disaster bi, seemingly most attracted to people who are either actively against her or have done shitty things to her in the past and she Cannot be normal about it (See: all of the shit said about Schlatt, Eret, Quackity, the list goes on) - Touchy but only when they're in a good mood. L'manburg era they'd always be putting an an arm around someone's shoulder or ruffling people's hair, small acts of physical affection, but any other time they've actively shied away from touch unless it's initiated by them. This is mostly because they're easily overstimulated by touch (despite being incredibly touch starved post revival)

Eret

- Wither hybrid, they can shift to hide some of their wither parts. When they were apart of L'manburg they also played themselves off as human - Loves to bake and stress bakes when especially stressed out- I like to think her and Niki would often bake together - Looking directly into his eyes activates a person's flight or fight response, which is why so many people have gotten Jumpscared by his eyes in the past - Probably has one of the best fashion senses in the entire SMP and yet only really dresses up whenever someone is coming over (90% of the time she just lounges about in comfy clothes, we love a comfy queen) - His memory is absolutely god awful so he's prone to writing things down or- more often- taking photos. A lot of the pictures from early L'manburg were taken by him - The L'manburg uniforms were made with Tommy and Eret's combined efforts (Wilbur supervised and occasionally stabbed himself trying to help <3) - Sews all of their own clothes, they'd love to sew for someone else but they haven't gotten the chance to outside of the uniforms (if they did they'd probably make an entire wardrobe though) - She's the one that taught Tommy to sew :3

Niki

- Catgirl c!niki supremacy - She likes churus (the cat treat) and will eat them like gogurt - Being as close to Wilbur as she was she's absolutely heard way too much about all of Wilbur's awful crushes on their enemies (she can never look at Eret the same way again) - She has autistic girl swagger idk what it is but she just does. Has the most unsettling stare known to man (by complete accident) - Despite being a cat hybrid she enjoys playing around in local bodies of water, big fan of stomping around in rivers

[autisticlilith]

Something that always struck me about this 'fight' is that it felt really one-sided. Not because the Raven Beast is bigger, but because she's also way more aggressive. We see throughout the show that Eda in her Owl Beast form acts mostly on instinct (and her inner beast, once she starts talking to it, seems to just be hungry or cranky most of the time). We don't get much insight into how Lilith copes with the curse (like none at all after this), so this is going to be a lot of inference.

Off the top, I would like to reiterate that Hayley Wong has repeatedly asked that nobody repost or edit her art without permission. I'm going to be referring to stuff from the boards in this post, so here's the link if you want to look for yourself.

So, in this episode, Eda and Lilith are both angry—specifically at Gwendolyn, and with good reason. They both end up turning into beasts due to a combination of that anger, stress, and the fact their mom thought she was "helping" by taking away their medication.

But here is where they differ. Eda was angry about the current situation: her mom refusing to respect her choices, and causing unnecessary harm to her all day. And Luz even joined in. As Eda says, she has a right to be upset, though I don't think she meant to lose control over the beast.

That's just what happens when she reaches her limit. And she knows her limits, she's been dealing with this curse for 30 years!

Meanwhile, Lilith has been dealing with the curse for... a few weeks, at most? Unless you count dealing with the guilt of cursing Eda as part of that. We see that she's quite unaware of the effects of the curse, as she experienced some symptoms for the first time this very day. She essentially gets told to take an elixir if she starts feeling stressed, and then is left in the house to stew in her guilt and insecurity all day.

Gwen's lukewarm greeting, and the realization that she's paid consistent visits to Eda over the years, is enough to send Lilith into a downward spiral. She starts stress-eating ice cream, and makes cruel comments about King's dad abandoning him (a clear case of projection, and I don't think he really internalizes it after this episode, but seriously that's no way to talk to your 8-year-old nephew), and unfortunately the only voice of reason around is Hooty. Well, he tried.

I want to note here that she doesn't cry. She mopes, she complains, she gets rude and cynical; these are all things we've seen her do before. But she doesn't allow herself to honestly express her feelings, her wants and needs. What's she gonna say? "Hey Mom, can you please pay attention to me?" You can't just ask for things like that. And she's a grown adult, she's more mature than this. She was the head of the Emperor's Coven, for Titan's sake. Didn't she get enough attention there to last a lifetime? And didn't she learn how to repress all her useless emotions and craft a perfect persona to hide behind until she could no longer tell the mask from her face?

She realizes she's indulged her worst thoughts a little too hard when the feathers start popping up, and goes to take an elixir and calm down...

And there are no elixirs.

And she panics. She has no coping strategies for this. She doesn't even know what's going to happen to her, only that it's going to be really, really bad.

It has to be terrifying, and painful... and maybe, just a little bit deserved? This is the fate she forced upon Eda, after all.

We don't see any signs that she damaged the house after she turned, unlike the havoc Eda caused back in The Intruder. King runs to get help, because Eda or Luz would know what to do better than he does, and Raven Beast Lilith seems to pursue him, but she's not after him. She goes after Eda directly. There is no distraction (King also notes that light glyphs had no effect on her), there is no behaviour that can be explained as animal instinct. There is a violent, visceral anger, and instead of addressing its source, she flies out there to take it out on Eda.

This is why I don't buy the interpretation that Gwen started favouring Eda only after the curse. By that point, Lilith was an older teenager almost out of the house, and it's completely reasonable for the parents to be focusing more on the younger kid with a new mysterious illness. I think Eda was always the favourite, or at least got more attention in ways that made Lilith feel overlooked. Part of it was that Eda got in trouble more, whereas Lilith was usually quiet and well-behaved, so everyone just decided that Eda needed more help (which she didn't necessarily want) and Lilith needed none. Lilith got very good at needing nothing. So good that instead of talking to her sister about their impending duel, she decided to curse her in the dead of night instead. And then to keep it a secret until she found a way to undo it, because she never wants to upset anyone or cause a scene. And then to give 30 years of her life to an evil man's crooked system for nothing—less than nothing, she's only going to realize later.

Lilith's breakdown isn't about the fact Gwen is paying attention to Eda again. That's just the trigger for a lifetime of repressed emotions bursting to the surface all at once, and it's been coming for a while.

The Owl Beast seems to be mostly defending herself. At a few points she tries to flee, but the Raven Beast catches her. The Raven Beast is malicious, with exaggerated expressions of rage and what can only be described as cruel glee when she inflicts pain. This seems to come out of nowhere... but only if you haven't been paying attention to Lilith.

We know what Lilith is like at her worst. It wasn't even that long ago she threatened Luz's life in order to capture Eda. All while convinced that she was doing the right thing. She doesn't even have that shield now. She doesn't have much of anything, really, except her sister who refused to leave her out in the cold even after everything she's done. And this is how she repays that trust...?

We also know that Lilith wasn't in control of her actions as the Raven Beast. But that doesn't mean the beast was just doing beast things. I believe it was acting directly on Lilith's intrusive thoughts. Hurting Eda was her greatest shame, and the idea that she could do it again is a constant fear that she has. Unlike Eda, who has long been seen by others as a monster and had to fight her internalized shame about it, Lilith considers herself a monster while everyone around her is unaware of her inner turmoil. She's afraid of herself; she thinks her feelings are ugly and violent and unmanageable. And so that's what they became.

There was a sequence in the storyboards that was cut from the episode, presumably for time, where Gwendolyn tries to use a beastkeeping spell in order to communicate with her beast-daughters. It proves completely ineffective, so she goes to plan B, which is just trying to talk to them like a normal person (also in the boards, Gwen summons firebees to lift roof tiles for her to walk on, which I'm glad got changed to the tiles themselves being flying creatures. it's less distracting). There was something really affecting about watching her try to do things her own way one last time before finally admitting that she's failed the both of them. It painted the picture of this whole family who never talk about anything that's difficult or painful.

Then the scene plays out the way it does: Gwen's words get through to Eda, and allow her to finally face the beast and have an important revelation about herself.

And Lilith? Well, for all the violence she just showed, she breaks down in tears the second she is shown loving care.

When they've changed back, her anger is gone. There is no sign of the monster; there is only a sad, lonely woman who hasn't allowed herself to cry in so long that she almost forgot how. But she's safe now, and she's seen, and she's allowed this healthy expression of emotion. She collapses in the arms of her mother and sister.

After this, Lilith and Gwen had an off-screen conversation, where Lilith admitted she was the one to curse Eda, and decided that she was going to move back home. I could write a whole other post on that first point, but we've reached the end of the episode. I think a major reason why Lilith wanted to stay with mom and dad instead of with Eda is because she's afraid of hurting Eda again. Any time the curse acts up, she becomes a danger to the people around her, but especially to Eda, because of how much of her energy and guilt and shame has been focused around Eda over the years. She needs some time away while she figures out how to deal with the curse, to recover and build up her own identity. And of course, to build the relationship with her parents that she needed as a kid. Better late than never.

[spell-cleaver]

Just realized that a lot of the mechanics of the Dark Side (pain, fear, anger -> abnormal + unsustainable strength) are similar to hysterical strength and adrenaline reactions. What do you think the implications on Star Wars wordbuilding would be if the Dark Side, at least in its most basic form, was just a magical version of the stress response?

Honestly, I keep swinging between "it would totally change the worldbuilding" and "it wouldn't change it much" (which is why I'm responding to this two years later...) My, admittedly limited, understanding of the stress response is that it give you hysterical strength and adrenaline as you said, but only for a very short time, and after that it begins to damage your body because your body is just not built to be in that sort of fight-or-flight situation for any extended period of time. You can hurt yourself and push through it so you don't feel it until later, possibly aggravating the injury, and it's the prime example of how we're wired to survive as best we can and have built in mechanisms to keep us going even in moments of crisis.

Which is fascinating if you apply it to the dark side! The idea that you can use your heightened emotions to achieve power you didn't have before, but it comes at a great cost and you'd constantly be chasing it, is largely what the dark side is about. Who needs Jedi training and discipline when you can access the dark side by drawing on an artificial fight-or-flight response? It fits into the "quicker, easier, more seductive" definition of the dark side and especially fits the fact that people are more likely to fall to the dark side when they're desperate, or when they're in a natural fight-or-flight response (see Luke beating Vader in ROTJ because he threatened Leia, so Luke's anger and protective instincts kicked off). It makes a lot of sense!

But another important aspect of the dark side imo is the moral aspect. You don't just get power from your own suffering and your own desperation; you can draw power from others' suffering. You get power by causing others' suffering. That's why the Sith are evil: because the dark side twists and corrupts the user's mind in the pursuit of power, so they cause more and more suffering along the way. The dark side is what would happen if, after experiencing the stress response for the first time, the person enjoyed feeling strong so much that they sought to induce the effects in them again, and again, caring less and less about pain and more and more about the power, and hurting people in order to achieve it.

If the dark side was just a matter of the stress response in Star Wars, it would change the worldbuilding a lot because I think those that use it wouldn't be ostracised in the same way. In real life, people get pushed too hard all the time, and have to have care and support to recover from the health impacts of that. If a Jedi was near death and used the dark side in a specific situation, if it was just a magical version of the stress response, the power would fade, and I imagine the other Jedi would come in to help them recover, not hold it against them, and simply be happy they're still alive. I imagine the dark side wouldn't be a moral issue, but rather a danger issue - it's not that you can't use it, it's that using it burns you through, so only tap into it if you absolutely have to. (Especially since Force powers are dangerous, so if you're near death and you're suddenly wielding ridiculous magic powers, someone near you could get very hurt indeed.) It would be more in line with other magic systems where there's this deus ex machina-style power that competent magicians can use, but shouldn't use extensively, to protect their bodies and minds.

Meanwhile, I imagine that the Sith in this scenario would be more along the lines of a religious organisation that do induce artificial stress responses in themselves to achieve short bursts of enormous power at great cost to themselves. The Jedi would be against the Sith because they teach children from a young age to harm themselves in order to gain power, functionally teaching them to be walking Force bombs into the future. Think teachers irl who think students work best under enormous pressure vs teachers who actually provide learning support. Worldbuilding like this would be a really interesting way to look at pedagogy and health and creativity! The idea of the tortured artist who can only produce masterpieces when they're struggling with demons or something is really powerful in pop culture, so writing a story with this sort of worldbuilding could be a really fun way to explore that.

Also, in this universe, it would make so much sense that the Jedi won against the Sith to the extent that the Sith are in hiding. Not only would the Sith's methodology likely count as child abuse under non-magical law, but Jedi would be better at fighting, at tactics, at building organisations and systems that last. They're healthier and happier, so they ultimately outlast, despite the Sith's enormous, erratic power.

[bun-lapin]

YuYu the Universe - Chapter 1 (part 2)

Summary: Yuna and Yuuji wake up in Twisted Wonderland

Word Count: 1.5k Genre: Slice of life / comedy Characters: (ocs) Yuna & Yuuji, Dire Crowley, Grim CW: light swearing, rude as hell dark mirror /hj

Start/Previous Part - Next Part - Fic on AO3

“What the-? Why is it so dark? Where the hell am I?!”

“...Yuna?”

“Yuuji! Are you here? I can’t see anything! Where are we?”

“Girl, seriously? You’re literally laying on top of me. How did you not realize I was here?” Yuuji raises his hand in the cramped space and feels a flat, wooden surface against his fingertips. “It seems like we’re in some sort of box.”

“Honestly, I thought you were some kind of super lumpy pillow or something- oww! Dude, did you just pinch me?!”

Yuuji clicks his tongue in annoyance and says, “We’ve somehow been trapped in a wooden box together. This is a very stressful situation so I’d appreciate you not commenting on my beautiful, non-lumpy body!” He takes a few deep breaths to steady his frazzled nerves. “First order of business: we need to find a way out of here. We should...hmm let’s see...maybe you could punch the box open?”

“Punch it open?” Yuna scoffs, “There’s not enough room in here for me to draw my arm back!”

“What about that move the guy uses in that one kung fu movie we watched last week? Like, he was trapped in a tiny closet or something?”

“What move-? Oh! Are you talking about the one-inch punch?” Yuna continues in an animated tone, “I can see where you’re coming from. That move looks really cool and has lots of interesting physics behind it, but realistically, it’s not an actual option here. You see, the secret behind the move is all about-”

“YUNA! I’m about to freak the fuck out!” Yuuji suddenly shouts, cutting short her impromptu lecture. “We need to get out of here! You know I don’t do well in confined spaces!”

Raising her hand to feel along the solid barrier in front of her, Yuna says with a smirk in her voice, “That’s true! Remember in elementary school when you got stuck in the big tube slide and-” her story abruptly cuts off and, in the sudden silence, a hollow, rattling sound fills the space. “...Hmm. It looks like this box has a lid or something because I can move this part...”

Yuuji lets out a long, aggravated sigh. A few beats of silence pass by before he finally says, “I’m sorry for freaking out earlier. Now please get us out of here.”

Pushing firmly against the wooden surface, Yuna throws open the lid to the mysterious box. Blinking against the sudden light, she takes a step forward and immediately begins to fall several feet down towards a polished marble floor. Acting on instinct, she twists to grab Yuuji’s shoulder and they both fall through the air into a crumpled heap below.

“I say! How very rude of you to step out all by yourself- Huh?! There's two of you? What were both of you doing in the coffin??”

Wincing slightly in pain, both Yuna and Yuuji look up to see an elegantly dressed man, sporting a crow mask and a black top hat, standing before them. Behind him is a seated crowd wearing dark, hooded robes. Gazing around the room, they take in the sight of floating coffins in the air above them and candle-lit lanterns that glow with a gentle green light.

With a blank expression, Yuuji softly murmurs to himself, “Ah, I see. I’m dreaming right now…”

Jumping up from the floor, Yuna tugs on his arm in a panic and says, “Get up! We’re definitely not dreaming! For starters, there’s no way my imagination is good enough to come up with something this crazy. And second of all, my foot hurts like hell from when we landed!” Dropping into a fighting stance, she yells, “We’ve obviously been abducted by some kind of dangerous cult who want to sacrifice us or something! You make a run for it and I’ll try to hold them off for as long as I can!”

Putting his hands up in a calming motion, the man in the crow mask says, “Please! Settle down, you two! You are in no danger. It seems the transportation spell has made you confused.” He places a hand against his chest in a refined pose and states in a somewhat fanciful voice, “My name is Dire Crowley, headmage of Night Raven College! The most prestigious school for mages in Twisted Wonderland!”

“Hmm… I see. Seems we’ve been isekai’d...” Yuuji states flatly, still obviously stunned by the current situation.

“Isekai?” Yuna rises out of her combat stance and turns to Yuuji. “Does that mean we have magic powers now?” She raises her hands towards Crowley and shouts, “Fire Ball!! Ice Beam!! Lightning Attack!!”

A deep and mysterious voice suddenly fills the room, “These two souls. They possess no magic.”

All eyes turn towards the source of the ominous voice. A large, ornate mirror depicting dark flames flickering behind a pale mask, floats at the center point of the room. The mirror speaks again, “I sense no magic from these two. No color, no shape, no sound. The nature of their souls is utterly vacant.”

Yuna gently tugs on the sleeve of Yuuji’s jacket as she whispers, “Is it just me, or did that talking mirror just throw mad shade on the nature of our souls?”

Shaking his head with a sigh, Yuuji replies, “I can’t believe we got transported to another world and we don’t even get any magical powers. What a ripoff...”

The crowd of hooded figures begins murmuring and whispering in surprise at the mirror’s words. Placing a hand to his mouth in shock, Crowley cries out, “Oh my! How could something like this have happened? This is an unprecedented-”

“HOLD IT! If they don’t have any magic, I’ll just take their place!” Another voice, this time high-pitched and scratchy, rings out through the air.

Turning towards a darkened corner, everyone in the room stares at the sight of some sort of furry, cat-like creature standing up in a large birdcage. The creature, blue flames flickering from its ears, flashes a sharp-toothed grin at Crowley and yells, “Did ya hear me, headmage?! I, the great and amazing Grim, will take their place!” He places his small paws on the bars of the cage and fiercely rattles them for added emphasis.

Crowley shouts, “Silence, you impertinent weasel! It’s bad enough I caught you trying to break into the ceremony. We even had to spend all that time putting out that blasted fire you started! I’ll deal with you in a minute. Now go back to being quiet while I handle these two magic-less students!”

Grim responds by gnashing his teeth angrily and furiously clawing at the lock on the cage.

Clearing his throat, Crowley turns back towards Yuna and Yuuji. “It’s clear that some sort of mistake has been made. Without magic, you cannot attend this school. The Dark Mirror shall now send you back to where you belong.”

The Dark Mirror suddenly speaks up again, “There is no place in this world for these two souls. There is nowhere they belong.”

Yuna scoffs and whispers to Yuuji, “Seriously? Why is this mirror so rude? Did we personally offend it or something??”

Crowley stands speechless, his mouth hanging open in shock. After a moment, he heaves a loud sigh and shakes his head tiredly. “It’s getting late... Housewardens, please escort your new students back to the dorms.” He walks over to pick up the cage containing Grim and then points at Yuna and Yuuji, “You two, follow me. I will show you where you can sleep for the night and then in the morning we will sort out this whole mess.”

The two friends follow Crowley out of the strange mirror room and out into the night. Walking in silence, the curious looking group travels down a dark and winding road lined with apple trees. In the distance, several distinguished and academic looking buildings can be seen.

Stopping in front of a rusted gate, Crowley gestures towards the run-down building ahead of them and says, “You may stay here for tonight.”

The pair stare skeptically at the decrepit and barely standing house. Yuuji silently shoots Yuna a look of dismay. In response, she shrugs and shakes her head. Turning to Crowley, they simultaneously say, in a resigned-to-their fate kind of way, “Looks great. Thanks.”

Crowley shoves the caged Grim into Yuna’s arms and then swiftly turns on his heel to begin walking back back towards the school. Smiling pleasantly over his shoulder, he call out, “Sweet dreams then~! I’ll be back first thing in the morning!”

Yuna holds the cage over her head and shouts, “Hey! Wait a minute! You forgot your weird cat!!”

Grim stomps his paws against the bottom of the cage and yowls angrily, “I am NOT a cat!! I’m a great and powerful mage!!”

Walking a little faster, Crowley yells back, “If you would be so kind, I’d like you two to look after him for the night. Thank you very much for your assistance~!” His parting words echo out into the night air and he soon disappears from view as he practically runs down the road.

The two humans and Grim silently exchange distrustful looks. Reluctantly, Yuna and Yuuji open the worn-down and rusty looking gate and start walking towards their less-than-perfect accommodations for the night.

~ To Be Continued ~

Previous Part - Next Part

A/N: And that's the end of chapter one~! Now that we've got our two protagonists properly isekai'd , I can start working on the halloween fic featuring them and the first years! (rubs my hands together evilly) So Chapter 2 will probably be out after that! Thanks for reading~! <3

(Please let me know if you'd like to be added!) Tag List: @twstfanblog @immortal-heartspell