#hollywood saul

[dawormgawd]

skylar gisondo jimmy olson??? my boy 😭

[alpineshepherdbadboy]

it’s been lovely to be on instagram today to see all of the heartwarming stories about mark margolis shared by brba and bcs actors, but my favorite has got to be from vincent fuentes (arturo), who shared some texts that mark sent him:

bonus:

[imagionary]

OH BOY Dave sure can! Do THAT! Was that presentation a one time thing or does he do that for kicks Translation: SHOULD I BE SCARED OF HIM

Itsa one time thang, babe, dontchu worry 'bout it, aight? ~

Unless you's plannin on crossin' me- hahaha! Just playin', or am I?

[tuttle-did-it]

I’m not tech savvy enough to know how to turn things into a gif, but Alda sees his muffin top in the mirror, squishes it and then decides to cover it up with his boxers. Very funny scene, sorry I can’t post the gif. 

[gnome-adjacent-vagabond]

Sometimes I wonder if I'm over-queering these old movies but then I see Arthur Lorencz with his head on Nathaniel Billings's leg and Nathaniel is unmarried but knows what a powder puff is. And THEN I see Cornelius Leyden doing whatever the fuck it is he does with Peters that CERTAINLY has no heterosexual explanation. And then the entirety of the fucking Femm family comes crashing in headlong with not one, not two, but three, count 'em, THREE queer-coded siblings plus an alcoholic gay butler. And don't get me started on Arsenic and Old Lace, The Black Cat, You'll Find Out, or any of the others.

[dandylion-s]

It's kind of insane that better call saul never won any emmys when you consider that they literally gave awards to the big bang theory.

[nereaomac]

From Magazine Features... The second pic...my brain exploded.

[kingoftieland]

Who was the REAL-LIFE INSPIRATION for Saul Goodman? 👔

[vintage-every-day]

Saul Bass: Psycho (1960) Title sequence

[afaimsblog]

90er Nostalgie? Nein, eher das Gegenteil - Warum die Vergangenheit nicht romantisiert wird, wenn man dort eine Geschichte ansiedelt

"Stranger Things" lebt ja bekanntlich unter anderem durch 80er-Nostalgie. Und ist nicht die einzige Erfolgsserie der letzten Dekade, die diesem Stilmittel einen großen Teil ihres Erfolgs zu verdanken hat. Angesichts der Veröffentlichung von "X-Men 97" in wenigen Wochen, kann man aber auch festhalten, dass es in letzter Zeit auch vermehrt zu 90er Nostalgie gekommen ist, und auch die bis zu einem gewissen Grad zu funktionieren scheint. Zwar scheinen die 80er jene Ära zu sein, die von den Menschen (ob sie sie nun erlebt haben oder nicht) verklärt werden und die 90er hingegen immer jenes Jahrzehnt, in dem alles begonnen hat schief zu gehen, doch dieser negative Beigeschmack hat sich in den letzten Jahren durchaus zunehmend verflüchtigt.

Es ist irgendwie interessant, dass es einerseits immer heißt, dass niemand Geld für irgendwas hat, das nicht heutztage spielt und deswegen billiger zu produzieren ist, andrerseits aber immer mehr Produktionen im großen Stil in vergangenen Jahrzehnten angesetzt sind, zu denen inzwischen ja auch die 2010er zählen. "Better Call Saul" hat, weil es sein musste, die Naughties als Erzählzeit, "Clarice" war absichtlich als direkte Fortsetzung vom "Schweigen der Lämmer" in den 90ern angesiedelt, und "Young Sheldon" hat in den 80ern begonnen, ist in die 90er übergegangen, und bekommt nach Serienende einen Spin-Off, der wohl ebenfalls in den 90ern spielen wird. Gar nicht erst zu reden von "That 90s Show".

Ja, man kann sich durchaus fragen warum sowieso historische Serien wie "Sandman" oder diese grausame "Interview with the Vampire"-Serie sich bemüßigt fühlen ihre Rahmenhandlung in die Gegenwart zu verlegen anstatt sich an die Zeitvorgabe ihrer Quelle zu halten, wenn doch so viele andere Erfolgsproduktionen gerade davon leben, dass sie eben nicht in der Gegenwart spielen, aber zugleich ist die Nostalgie für die vergangene Jahrzehnte oft weniger Nostalgie als Notwendigkeit.

Natürlich würde ein Spin-Off von der "Big Bang Theory", in der es um einen jungen Sheldon Cooper und seine Familie geht, in einer Zeit spielen, in der dieser Charakter auch wirklich jung war. Wenn es nicht so wäre, wäre es kein Spin-Off mehr, sondern einfach nur eine Serie um irgendeinen anderen Charakter mit ähnlichen Charakteristiken. Und natürlich muss "Better Call Saul" als Prequel zu "Breaking Bad" vor Beginn der Handlung von "Breaking Bad" spielen, und diese Serie begann 2008 und ihre Handlung spielte in der damaligen Gegenwart. Und natürlich wird eine Fortsetzung von "That 70s Show", in der es um Eric und Donnas Tochter im Teenager-Alter geht, entsprechend zwei Jahrzehnte nach der Handlung der Original-Serie spielen, und da die nun mal in 70ern gespielt hat, spielt der Spin-Off in den 90ern. (Außerdem gab es schon mal einen kurzlebigen Spin-Off namens "That 80s Show" um Erics zuvor und nachher nie erwähnten Cousin). "Clarice" wollte sozusagen an den "Schweigen der Lämmer"-Film anschließen und zumindest augenscheinlich in der selben Kontinuität spielen. Und "Stranger Things" war als Liebesbrief an den Horror der 80er gedacht, und viele inhaltliche Aspekte leben davon, dass die Handlung in den 1980ern und eben nicht in den 2010ern spielt (so sehr das viele Fans, die Fanfiction zu der Serie schreiben, auch nicht zu begreifen scheinen). Und als direkte Fortsetzung der ersten animierten X-Men-Serie heißt "X-Men 97" deswegen so, weil die Handlung im Jahr 1997 spielt, wo die nächste Staffel der Original-Serie gespielt hätte, wenn es eine mehr gegeben hätte.

Insofern ist es also weniger Nostalgie an sich, weniger Eskapismus als man meinen könnte - es ist viel mehr eine logische Folge von dem, was man mit dem Inhalt erreichen möchte. Dass Johnny Lawrence auf ewig in den 80ern verhaftet ist und nichts mit der Gegenwart anzufangen weiß heißt nicht, dass die Macher von "Cobra Kai" die 80er der Gegenwart vorziehen, es ist einfach eine Folge daraus, dass der erste "Karate Kid"-Film in den 80ern erschienen ist und Johnnys Leben genau damals begann schief zu gehen. Deswegen ist die goldene Periode seines Lebens die, in der er am glücklichsten war. Doch wenn man die Serie ansieht, dann merkt man schnell, dass die 80er eben nicht einfach nur gut und toll waren, im Gegenteil: toxische Maskulinität, fehlende Veteranen-Betreuung und gesellschaftsfähiger Drogenmissbrauch werden genauso angesprochen wie die "beste Musik" aller Zeiten. In der dritte Staffel von "Stranger Things" dreht sich Nancys ganzer Handlungsstrang darum, dass sie als Frau von ihrer Kollegen bei der Zeitung, bei der sie über den Sommer arbeitet, nicht ernst genommen wird. Und die Russen spielen mit der Anderen Seite und den Demogorgons herum wie sie in echt mit der Atombomen-Drohung herumgespielt haben. (Okay, an dieser Stelle muss man feststellen, dass sich manche Dinge offenbar nicht geändert haben seit damals).

Von einer wirklichen Verklärung der Vergangenheit kann man also nicht sprechen. Zumindest auf inhaltlicher Ebene der Produkte, doch auf der Seite der Konsumenten sieht es ein wenig anders aus, nicht wahr? Vielleicht liegt es daran, dass die letzte Staffel von "American Crime Story" schon wieder recht lange her ist, aber man könnte meinen, dass Gen Z einerseits und das Internet allgemein andererseits ernsthaft denkt, dass nicht nur Sozialkritik sondern auch soziale Ungerechtigkeiten tatsächlich eine Erfindung der Gegenwart sind, und es früher in der guten alten Zeit nur glückliche weiße heteronormative gottesfürchtige Republikaner gab, die immer und überall rauchen durften und niemals auf die Idee gekommen wären das herrschende Patriachat in irgendeiner Art und Weise auszunutzen. Wie sonst sollte sich die Reaktion der Leute auf die "X-Men 97"-Promotion erklären? Sie denken wirklich, dass in den 90ern (oder gar zuvor) Wokeness noch nicht existiert hat.

Was wie gesagt um so seltsamer ist, wenn man bedenkt wie das Leben damals war, und was so alles in der Welt und vor allem den Vereinigten Staaten abgegangen ist. Und ich rede jetzt nicht einmal von dem Diversitäts-Push in dern Marvel-Comics der 90er, ich rede eher von Aufständen in Los Angeles wegen Bürgerrechtsfragen, der Lewinksy-Affäre, und all den mörderischen Zwischenfällen in der LGBTQ-Community. Das wirklich traurig an "American Crime Story" ist ja, dass die Serie gekonnt aufgezeigt hat wie wenig sich seit den 90ern geändert hat und wie sehr die selben Probleme immer noch relevant sind und sich im Grunde nichts an der Teilung der Gesellschaft in Schwarz und Weiß, Männer und Frauen, Hetero und Queer, und Arm und Reich geändert hat. Das, was die Menschen damals beschäftigt hat, weil es unfair und schockierend war, beschäfigt sie auch heute noch.

Doch es ist erstaunlich an wie vielen Konsumenten diese Inhalte vorbei gegangen sind als sie aktuell waren und wie viele heute darüber jammern. Ich meine ja, mitunter hat sich die Art der Kommunikation geändert. Was in den 90ern nicht direkt gesagt wurde, sondern mehr oder weniger subtil impliziert wurde, weil davon ausgegangen wurde, dass das Publikum klug genug ist um zu verstehen, was vor sich geht, wird heute in Großbuchstaben buchstabiert, damit es ja jeder kapiert. Die Unterschiede zwischen dem DS9-Zweiteiler "Past Tense" und der zweiten Staffel von "Star Trek: Picard" könnten, obwohl sie die gleichen Themen behandeln, nicht auffälliger sein. Aber wenn man sieht wie dumm der Internet-Typ Nummer 10-55 offenbar ist, stellt sich schon die Frage ob das, was eigentlich offensichtich war, nicht doch zu subtil war, da es so viele Leute offenbar nicht mitbekommen haben.

Aber wie gesagt, die sehen sich auch heutzutage produziertes Entertainment an, was etwas subtiler vorgeht, und kriegen immer noch nicht mit, was man uns damit eigentlich sagen will, also sind die vielleicht einfach zu dumm für alles. Deswegen sollte man einfach nicht mehr versuchen sich auf ihren Intelligenzlevel einzustellen, sondern stattdessen wieder Unterhaltung für die die klügeren Teile seines Publikums produzieren. Egal ob diese in den 80ern, 90ern, 00ern, 2010ern oder heutzutage oder irgendwann ganz anders spielt - wer blind bleiben wird, bleibt blind, und wer mit offenen Augen durchs Leben geht, wird erkennen worum es eigentlich geht. Und die Botschaften werden weiterhin - wie leider immer schon - an gefühlten 98% Prozent des Publikums vorbei gehen, aber für die restlichen 2 Prozent wird es mehr sein. Und letztlich kommt es auf diese 2 Prozent an und auf niemanden sonst.

Und das wussten sie schon in den 80ern. Und in den 90ern erst recht.

[izzystradlindoesitforme]

I think any fan or any person who makes a comment that they are unhappy with another person for not marrying someone of a certain race is:

a bigot who has some sort of personal problem, who needs to worry about and reexamine themselves and their own relationships. I'm not sure why they feel or think that way. Slash is a biracial man who has the prerogative and right to marry anyone of any race or ethnicity he chooses, just like his parents before him (and each and every one of us).

However, as a GNR and Slash fan, I can't say I've ever heard another fan make this comment or share this opinion before. 🤔 But whoever this supposed fan is - I'm sure Slash would laugh in your face and tell you to fuck off - as would I.

Some fans are not happy that Slash never married a black woman. What do you guys think?

[tuttle-did-it]

Even in films like Sweet Liberty, Alan Alda wears a dressing gown and tries to make someone smell something against their will. 

[fans4wga]

Strike Support Declining - Here's how you can continue to support the writers

Since the WGA strike started on May 2, the public has shown immense support for the writers—sending food, snacks, drinks, and encouragement from across the world all the way to Los Angeles, New York, and other picketing locations.

But loud and vocal strike support—in the news and in public spaces—is notably declining the longer the strike goes on. So we're bringing you a few ways to show writers, studios, and fellow fans: we're still here, and we still stand with the WGA.

1. Post on Twitter (and other social media sites)

You might think social media noise won't be noticed by the studios, but it CAN encourage individual WGA members—and slowly but surely put pressure on the studios to make a fair deal.

If you follow WGA members such as Adam Conover (Adam Ruins Everything), John Rogers (Leverage, Librarians), Gennifer Hutchison (Breaking Bad, Better Call Saul), Javier Grillo-Marxuach (Lost, The Witcher) [and many many more you can find through their following lists], tell them you support them! Hashtag #IStandWithTheWGA #DoTheWriteThing and tell them that you and your fandom are prepared to support them as long as the strike lasts; that they deserve to have their demands met and you're with them all the way. Boost morale however and whenever you can!

Likewise, actively push back against misinformation/disinformation. See a TikTok claiming that all Hollywood writers are filthy rich and we shouldn't vocally support them? Correct it with well-sourced citations from the WGA, published news articles, and stories from those affected (like the time a writer on FX's The Bear attended the an awards show with his bank account balance in the negative, only to then win an award for Best Comedy Series—proving that good writers on award-winning shows still cannot make a living!)

Remember you can always link to Adam Conover's excellent explanation of WGA demands versus studio refusals, tweeted here.

2. Donate or boost fundraisers

You might be surprised to learn that the picketing locations are not always parties! Sometimes themed pickets are fun, and fandoms and celebrities occasionally are able to fundraise for a food truck or ice cream truck at picketing locations. However, that is the EXCEPTION and not the norm. Writers are asking for food & drinks at many locations.

There are many funds to donate to, and it can be overwhelming to pick one! But one that could use your support RIGHT NOW is the CBS Radford picket line:

-If you're in LA, you can bring food and snacks directly to that picket line (or get food deliveries sent there, with instructions to be given to the strike captain on duty.) Strike locations are available on the WGA West website and are updated there.

-Or there's a pizza fund for the strike locations (unfortunately Venmo is a US-only donation option)

-If you're not in LA, donate to the Entertainment Community Fund to support TV and film workers affected by the strike.

-More tips on donating to the strike in this great article!

-Lots of fandoms are organizing donations on their own, for instance the Our Flag Means Death fundraiser on Paypal (updated 30 July 2023 with new link) (available internationally). Check to see if your fandom has started a fundraiser... or start one yourself to show your support! We're happy to give tips on organizing your fandom!

As always, please boost this post and any and all well-sourced information that comes from the WGA or its members. We're happy to fact-check anything you send our way too.

[jessaerys]

god black sails is legitimately the creme de la creme of television alongside the sopranos and breaking bad and the wire and better call saul and atlanta fx like it should've had 46 emmy nominations and like one single win because it kept losing to game of thrones and it should've been in the covers of 2010s Vogues and Hollywood Reports and Varieties with photoshoots of the ensamble cast doing either blasphemeously risque renaissance painting reproductions but its their characters or like they're all dressed in white and are lying tangled in a bed shot from above and there should've been clearance rack t-shirts with a really bad vector of flint's face and an out of context "macho" quote in shopping mall pop culture stores and they should've had a handful of unfunny SNL skits parodying it and tying it somehow to US politics and there should be online 2020s mashable thinkpieces titled something like "things we missed in 2014: is toby shmitz....kind of a sex symbol?" and toby stephens and luke arnold should own a brewery together and jessica parker kenedy should be parading around a 65 year old butch lesbian wife that she hard-launched in 2021. sorry i am really really really really stoned

[rockethorse]

Stocking Stuffer 1/5: A Bajillion Random Painting Recolours

Happy Holidays to all! While I'm proud that last year I finally managed to achieve a longtime goal of sharing a full TS2 Advent Calendar, I'm simply not gonna be able to pull it off this year. Nonetheless, the holidlay spirit has encouraged me to finish up and share a couple of things before the end of the year! I'll be sharing five little gifts over the next few arbitrary days. First up: A BUNCH of Maxis painting recolours.

One recolour each of A/B/C Stroke (yes, I still enjoy playing with these as three separate paintings) using vintage matchbook covers designed by Saul Bass for The Ohio Match Company.

Two recolours +frames for Abstrutionism; "Poppy Cake" by Adolf Fényes (1910), and then this edit of Christina's World by Andrew Wyeth (1948) to include Bella Goth (the original Tumblr poster has deactivated).

A recolour of Anonymous Masterpiece with these two digital paintings by user chestnutroan featuring their farmer Sim and his two alien daughters.

One recolour of the Arghist Soldier with "Friday Nights" by Deborah DeWit (2006), perfect for your novel-enthusiast Sims' reading nook.

One recolour of City Skyline with a fruit & veg painting by Twitter user snail_soup (you can buy a real print of this too if you like it!)

One recolour of the Fourth Element wall scroll with "From Stardust to Stardust - Raccoon" by user ArtOfMienda.

Four Vegetables recoloured with four deliciously juicy tomato paintings by artist Leah Gardner.

Geometry 101 recoloured with a beautiful palette knife painting by Lynn Boggess.

Two recolours of Grilled Cheese (you all know what Grilled Cheese looks like, c'mon); one vintage ad for Hollywood Diet bread which I cleaned/redrew to remove text/graphics, and then "Cloud Rows" by Ivan Eyre (2004).

In The Beginning (+frame) recoloured with "Little Thief" by Courtney / Trash Kitty Art (also available as an affordable IRL print).

Kitten vs. Yarn (+frame) recoloured with this goache painting by user ieafy.

"Until Tonight" by Mark Grantham (2019) slapped on Lady On Red.

Two recolours of Living Room; "Midwestern Summer Fun" by user ink-the-artist (you may wanna zoom in for a surprise), then "Girl On A Swing" (2000) by Andrew Macara.

One recolour of Marketing Print with the Beatles as drawn by other Beatles. I don't remember who drew who because I'm actually not much of a Beatles fan but I thought these sketches were really darling.

In Memory of Johnny Gnome (+frame) recoloured with a piece by Emma Roulette.

A recolour of My First Holiday with art from Twitter user heikala_art.

On Pointed Toes (+frame) recoloured with this digital painting by Twitter user catwheezie.

I fell in love with this Guinness ad so I tweaked it from the photo to fit on the Route 66 poster, then made an accompanying Simlish option.

A single Scruffles recolour (+frame) with this adorable cow illustration by Twitter user poodlewool.

Four recolours of the Sim Noir pop art print; three pieces by Al Parker I found through this Tweet (with some English removed) and then an edit of the original painting to look passingly familiar...

Two recolours (+frames) of Snoozing Enemies; "The Cat on the Pillow" by Adolf von Becker, and "Sleeping Sasha" by Lena Rivo.

Stiller Life (+frame) recoloured with this oil painting of McDonalds by artist Noah Verrier.

Two recolours (+frames) of Stumped Hound; "Shadow" by Tianyi Zhou and "cat falling off table" by user anasauruss.

The Muse recoloured with this Juxtapoz magazine cover by artist Josh Courlas.

And lastly, three recolours of Untitled (the Bella Goth pop art painting) with works by Hiroshi Nagai.

Download All Paintings @ SFS

[eddiiiieeee]

My Angel ☆

Slash x reader

warnings: a bit of angst at the start, just fluff, mentions of alcohol and drugs, etc.

summary: y/n and Saul get into a fight about his addiction, and saul finds a letter y/n had written about him.

authors note: listen to September - sparky deathcap, because it fit 💀 part 2!!

"Oh go fuck yourself, saul!" she yelled out as tears streamed down her face, staring back at the man she loves. she hid her face in her hands as Saul let realization hit him, he failed her again, he relapsed after promising to stay clean for the third time in their five years together. he called her names, trashed the house, told her he wished he never loved her, that he despised her. all because she had flushed his stash down the toilet, those words were the first thing she said since he started his tantrum. her sobs now filling the apartment "s-shit baby" he mumbled as he walked towards her his hands reaching up to hold her arms "don't touch me" she said flinching away from him almost instantly she finally looked up at him, with a look he couldn't even describe. y/n grabbed her car keys and purse, quickly rushing out of the apartment, leaving saul alone with his mess. she left. his brain was too drugged to comprehend going after her, he didn't know what to do, he was lucky he was even still standing with the number of drugs he's consumed. Saul rushed over to the phone connected to the wall, dialling Stevens number as he waited, till he heard a voice "steven adler speaking!" "adler, I fucking- y/n, she left and... shes gone" saul sobbed into the phone, leaving his friend very confused as Steven looked over at duff who'd been over at his house "hold on, me and duff are on our way okay?" saul nodded, letting the other hang up as he fell against the wall. he looked around the trashed apartment and noticed underneath a pile of glass, was a book. y/ns handwriting on the front of it. it was her journal, the one she always wrote in. he moved over to grab it, his fingers moving over the old leather cover of the book. he opened the book and let whatever page open, his eyes read over the words, letting himself remember how he loved her handwriting, she always said it looked like a little kid's handwriting, almost unreadable but he always read whatever she would write. he noticed the date that was written 22/9/1987. the day guns n roses performed at the ritz in new york. how can he look so pretty, so angelic without even trying, my saul, a complete angel. gosh how I love him, how I adore him, I've loved and adored him since we first met before all this, before guns n roses, back in 84. I don't regret going to Madam Wong's in East Hollywood, I remember how adorable he looked, his hair was less wild then. I remember the funky clothes he wore that night, god how I remember what I felt when he looked at me. I felt like a little girl whose crush held her hand for the first time during recess. I remember how he stumbled over his words when he came up to me afterwards, I remember how gentle his touch was, how he asked to kiss me underneath a faulty street light in California's weather, I remember every date and moment that happened after. I know saul isn't clean anymore, it hurts me knowing he could slip through my fingers at any given moment, he doesn't remember how I held him a few nights back, I could hear his breathing vividly, and I could see how the colour and life was sucked out of him, he looked almost ghost-like. he doesn't know that's why I haven't slept well in the past few nights, how could I? how could I rest knowing my angel might vanish. how I hate when he does it, but then again, how I love him. my beautiful beautiful boy, I gifted him that song and told him it described him very well. a very beautiful boy. I've dreamt of love this good, and I've got it, saul hudson will forever be the man I love. if we're together or broken up, far or close, in love or fighting, he will always be that angel that sits in my heart, strumming his guitar without a care in the world, singing my favourite songs to me, letting me run my fingers through his untamed curls. I wonder if we ever have kids and if they'll take after him, I hope they do, how I would love little version of him, with his beautiful brown eyes, gorgeous black curls, beautiful facial features, warm coloured skin.

how I love him, my sweet beautiful boy, my guardian angel. y/n l/n ♥ Saul hadn't noticed how hard he began sobbing, this was how much she loved him. and yet all he did was tell her he didn't love her at all. he pulled the leather-covered book to his chest and pull his knees to his chest. not realizing that the door had opened and revealed the mess of an apartment to his two friends. Steven's eyes quickly made their way to Saul, who was surrounded by broken glass, and wood. Duff looked around, getting an idea of what just might have gone down. they both rushed over to Slash, glass breaking underneath their steps "Hey man" Steven said as he crouched down to Slash's level "we need you to calm down alright? so you can tell us what happened and where y/n is" the smaller blonde explained as Duff rubbed Sauls back 

"get him some water, Adler" Duff said as Steven rushed to do so. it didn't take Steven long before he made his way back to them handing Saul the glass, who chugged it down rather quickly. "could you now tell us what happened?" Duff asked, Saul, keeping his gaze straight ahead "she found out I relapsed.she flushed all my shit down the drain, and I got mad at her. I yelled, I threw things, broke some more, i-i told her I didn't love her... that I would never forgive her for what she did, fuck man- I told her I hated her, despised her even" he mumbled letting out a sob towards the end "and she told me to go fuck myself, and when I tried to touch her, she moved away and told me to not touch her, and then she... she left without another word. I need her, I really really love her and I fucked up" he mumbled tears rolling down his cheeks, not caring that this had to be the first time he'd cried around the guys. 

Steven squeezed his shoulder before sighing "let's get you to bed, and then I'll clean up here and Duff can go look for y/n/n, okay?" Steven told his friend before he and Duff had helped Slash up and to his bed, the one he and y/n got up from not long ago. the minute Saul's head touched the pillow, he was out. Duff noticed y/n's journal in Saul's grip, he took it and placed it on the bedside table before leaving the room and closing the door behind him, Steven grabbed a garbage bag and began cleaning up the glass "you knew. you knew he was doing drugs again and didn't say a word to her." Steven told Duff looking at him "I know, I already feel like an asshole" the man said as he sat down on the couch ..... part 2 will be up soon, I promise!! thoughts?