#hollywood reporter interview

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George R.R. Martin on Writing TV's "Beauty and the Beast."

The show has a devoted cult following. What do you think draws them to it 30 years later?

It was such a literate show and such a smart show. Vincent may have been a beast but he was highly read and always fond of quoting poetry and citing Shakespeare and dropping in a sonnet from one poet or another. That had an enormous effect. We would get letters from librarians across the country about all the people who would come into the libraries on Monday after we’d aired on Friday saying, “What was that poem Vincent read?” They were going back to Shakespeare. 

I was able to do an episode called “Ozymandias” where we had Ron Perlman read the entirety of the poem by Shelley. To be able to do that kind of thing was amazing, to work in some of the classics of English literature that way. Vincent was an intellectual who loved words and stories and poems. He was not by that reason like a geek or a figure the other characters made fun of but was in fact a classic, Romantic, Byronic hero. Being able to bring that to television, to a mass audience, was great.

The production values were also pretty ambitious for the time. 

It was a gorgeous-looking show. There was a beautiful, lush look to the whole Underground world. By the standards of 2017, television has come so far in terms of its cinematography and its look. But if you compare Beauty and the Beast from 1988 in terms of the other shows that were on, the photography was so lush, the sets and costumes, the Beast makeup created by Rick Baker — it took Ron four hours to get in and out of it. You could stand next to him at the craft services and not tell he was even wearing makeup, it was so brilliantly done. (x)

[christianbalefanatic]

Christian Bale as Capt. Joseph J. Blocker in Hostiles (2017) dir. Scott Cooper

(christianbalefanatic edit)

[pedrohub]

PEDRO PASCAL on The Hollywood Reporter, Drama Actor Roundtable 

[trashcora]

You don’t want to let people down, but also nobody’s impervious to disappointing people. I want people to like... me.

PEDRO PASCAL on The Hollywood Reporter, Drama Actor Roundtable (2023)

[go-see-a-starwar]

THR: Even if you don’t work with someone on camera, there’s still a good chance of bumping into them at Manhattan Beach Studios. Was there a day where you were loitering near set and had an unexpected encounter?

Eman Esfandi: My most interesting encounter was when I was first getting to my stunt rehearsals. They have a stunt gym, and one day, as I was stretching and warming up, I just heard two people going crazy with some choreography. You could hear their sticks and their steps. (Esfandi mimics the sound effects.) And I was like, “Whoa!” It was an explosion of choreography that was a minute long, and when I turned to look around, there was this massive, statuesque man in a gray shirt. I didn’t recognize him off the top of my head, but he was just pummeling one of the stunt doubles that I know. So I went over to watch these guys spar up close, and then I realized it was Hayden Christensen. He’s huge. He’s a towering presence, and he’s so good at this. I didn’t know how good he was, because I hadn’t watched the prequels yet. And so I watched someone in real time who’s been put down in history and in this story for being one of the best with a lightsaber. So I was just like, “Oh my God, this guy is so good.” And then they were like, “Eman, you ready to start?” And I’m like, “Yes! When do I get to do that stuff? That’s my goal now.” So it was really exciting to meet him, and for a lot of other people, that would’ve been an even more insane experience. I just didn’t totally recognize him at the time.

The Hollywood Reporter - ‘Ahsoka’ Star Eman Esfandi Fulfilled His Own ‘Star Wars’ Prophecy: “I’m Going to Play Ezra”

[hotdaemondtargaryen]

EWAN MITCHELL INTERVIEWED FOR THE HOLLYWOOD REPORTER MAGAZINE.

THAT EPISODE IS GOING TO SATISFY SOME DRAGON-HUNGRY FANS. RHAENYS CERTAINLY MET HER DEMISE, BUT AEGON'S FATE WAS LEFT A LITTLE MORE VAGUE.

"It’s a seismic event that’s changed the future going forward with these characters."

"Aegon’s fate remains unknown."

"I don’t want to spoil anything for anyone."

"But going into episode five, you are going to see the fallout of Rook’s Rest, which I can’t wait for people to see."

"It’s a massive blow for Team Black."

"The line in the sand has been drawn, and Aemond just crossed that line."

"And there’s no going back. I’m sure there will be retaliation."

WHAT ARE AEMOND'S TRUE MOTIVATIONS IN THIS WAR? IF NOT LOYALTY, WHAT IS IT THAT'S DRIVING HIM?

"I think there are many things that are driving him, but one of them that I loved to play with and explore was this idea that he wants his mum."

"Every time I shared a scene with Olivia Cooke around the council table, every time I looked at Alicent Hightower, I very much imagined Aemond and Alicent sitting on a Dornish beach, far from war, sipping on piña coladas [...]"

"Aemond having become the war hero and managing to make his mum happy, in his eye, so to speak."

"Whether or not that’s Alicent’s version of happiness is another thing."

"But that’s how Aemond sees it. So I think that’s one of his is driving motivations."

"Also, what Alicent does in episode seven of season one, that’s something that Aemond doesn’t forget."

"When they’re all arguing about where Aemond had heard this illegitimate [child of Harwin] Strong [rumor] from, Alicent went back to the idea that this kid had been physically damaged and changed for life."

"She was the only voice that was backing him up in that moment."

WHO DOES AEMOND BELIEVE BELONGS ON THE IRON THRONE?

"You don’t necessarily know what is going on behind Aemond’s eye."

"He’s a very calculative person."

"He’s not just your one-dimensional black cat and mindless sociopath kind of character."

"He is thinking at all times."

"You see that in the first four episodes — in so much of them he operates from the peripheries."

"But, does he even want the throne? (Shrugs)"

HAS HE FALLEN VICTIM TO THE "HEIR AND THE SPARE" RESENTMENT, LIKE DAEMON?

"He feels that Aegon lacks the perseverance to be king."

"Aegon says it himself: He has no wish to rule."

"Whereas Aemond, he’s been studying with the masters."

"He’s been training with the sword, so he very much feels like he would make a worthier king, whether or not that’s what Aemond wants."

DOES DAEMON SEE HIMSELF IN AEMOND?

"That’s a good question."

"I don’t know if I could answer it."

"Maybe it’s one for Matt [Smith, who plays Daemon]"

"But I think a part of Aemond would wish that Daemon saw Aemond in himself."

"There’s so much of his image that lends itself to that idea that Aemond is very much paying homage to a young Daemon Targaryen, with the Targaryen black and the long hair."

"It’s very reminiscent of the rogue prince. Aemond being Daemon’s biggest stan, he would definitely want to live in Daemon’s head rent-free."

DO YOU THINK SEEING AEMOND IN A MORE VULNERABLE LIGHT SOMEHOW MAKES HIM MORE FRIGHTENING? IT'S LIKE THE PERSONAL VENDETTA — WHETHER IT'S AGAINST HIS BROTHER AEGON, RHAENYRA OR ANYONE ELSE — BECOMES A LITTLE SHARPER.

"I very much wanted to portray the image of someone who had manufactured their body into a lethal weapon."

"This kid doesn’t need armor. He doesn’t need to be brandishing a Valyrian steel sword to appear like he could ultimately end those characters’ lives in those moments."

"There’s something powerful in that regard. Me and Geeta Patel, we always talked about the possibility, up to that scene, of maybe Aemond wrapping a blanket around himself as he was leaving, or maybe using his hands to cover himself as he was leaving."

"But we were very-like minded in the respect that this is a character who does not care what you think about him."

"And that carelessness, it’s quite scary."

"Talking about that code coming into place, he cannot be seen as weak at all costs."

"Love in Aemond’s world is seen as a weakness."

"And so he has to put duty above that."

"He puts strength above that."

WOULD AEMOND BE IN THE SAME DANGER THAT HE IS WITHOUT VHAGAR?

"Probably not."

"He recognizes that he’s a young man who possesses a power that no one else has in Vhagar."

"He can do things that no one else can do, and she very much shapes the dynamic of any room that he walks into."

"He doesn’t need to be anything, because her shadow looms so large behind him."

"And so if he’s being threatening, it’s not because he needs to be — it’s because he wants to be."

IS IT WEIRD TO SEE SO MANY FANS CRUSHINT ON YOUR CHARACTER? THEY HAVE BEEN DEBATING WHO IS MORE 'BABYGIRL': DAEMON OR AEMOND.

"I haven’t got social media, so I don’t see it. But one of the results of not having social media is that it produces these beautiful, badass, fun letters from people from all across the globe."

"To read that, I take it all as motivation, whether we’ve had a good reaction or a negative reaction."

"I never take it for granted."

"But is Aemond babygirl? I don’t know."

"It’s a dilemma. What’s the definition of a babygirl?"

I THINK IT'S AN ATTRACTIVE CHARACTER THAT PEOPLE TAKE PITY ON A LITTLE BIT. SENSIBLE, A BIT VULNERABLE. MAYBE THEY THINK HIS HEART'S IN THE RIGHT PLACE.

"Like maybe there is good underneath it all."

"I’ll take the compliment."

WHAT'S TO COME FROM AEMOND THIS SEASON?

"I don’t want to spoil it, but it’s going to be good."

WOULD YOU SWITCH TO TEAM BLACK?

"No, no — I’d want to stay on Team Green."

WHAT'S TO COME FROM EWAN MITCHELL? HAVE YOU GOT ANYTHING IN THE PIPELINE THAT YOU'RE EXCITED ABOUT?

"Nothing is set in stone yet."

"I’m down to the last few for something that I really want and I’m not going to say what it is because as soon as I do, I won’t get it."

"[I’m up for] any challenge, any character."

"I love horror, horror is definitely a genre I’d love to venture into."

[jbaileyfansite]

New Jonathan Bailey's interview on The Hollywood Reporter about his Emmy's nomination for Fellow Travelers [x]

[polkadotjohnson]

David Dastmalchian on Joining Comic Book Publishing World, Working on 'Creature Commandos' & More

[perfectfangirl]

i had put off reading this interview fully but i found a nugget in here i'm not sure i've seen yet--- i didn't realize walton said he felt like the same person playing both pre war and post war cooper. i think that's significant

[iangallagherisadeadman]

paul by big thief (masterpiece, 2016)

˚ʚ♡ɞ˚ thank you @fionnagallagher and @shamelesscreencaps for the screencaps ˚ʚ♡ɞ˚

[mrs-stans]

@The Hollywood Reporter: "if you're recognized, you're public property" - #sebastianstan shares how he found a connection to his character in #adifferentman while chatting in thr's park city studio

[samlestatreid]

Sam Reid and Jacob Anderson in a two page article image as seen in the June 15th Emmy Awards special The Hollywood Reporter issue.

[gentlebeardschild]

Snippets from Taika's interview with The Hollywood Reporter but i give you no context because they're funnier and more relatable this way

[unladyboss]

BEING IN THE BEAR FEELS LIKE: THE BEAR SEASON 3

From Carmy's POV

Feels like being in someone's mind.

Sydney jokes around this issue in interviews

The Hollywood Reporter interview

[pedros-admirer]

Pedro on The Hollywood Reporter Interview!!! <3

[hotdaemondtargaryen]

TOM GLYNN-CARNEY INTERVIEWED BY HOLLYWOOD REPORTER MAGAZINE.

WHAT WAS YOUR REACTION TO READING THIS GRUESOME TURN OF EVENTS WHEN YOU FIRST LEARNED ABOUT IT?

"I knew it was coming."

"When it was coming, I wasn’t aware."

"But my immediate reaction was about how it came together by our amazing writers with this sort of amazing, theatrical, rousing, terrifying, unpredictable craftsmanship that I was very happy to be on the receiving end of."

FIRST LOOKING BACK ON EPISODE FOUR, WHILE IT SEEMED PRETTY OBVIOUS TO THE VIEWER, I'M WONDERING WHAT DO YOU THINK WAS GOING THROUGH AEGON'S MIND WHEN HE GOT ON SUNFYRE AND WENT CHARGING INTO THE BATTLE?

"He’d been a bit backed into a corner by all the things that have accumulated over time with being king, where his worst fears and insecurities were coming into plain sight and becoming true."

"He felt weak, and he was seen as weak, and kind of useless — with what Alicent (Olivia Cooke) had said to him (“Do nothing”) in his chamber, that was the straw that broke the camel’s back."

And he was just resigned: “I don’t have any option, I’ve got to prove myself in some way.”

"But you know, being the way he is, and not being an actual warrior with that sort of fearless courage that other people have, he had to numb himself and so he got blind drunk and jumped on a dragon."

HOW DO YOU THINK HE FELT ABOUT AEMOND'S BETRAYAL? IT SEEMED LIKE IT WAS CLEAR? I DID WONDER IF AEGON WAS TRULY SURPRISED...

"I think the moment of recognition was the fact that the fireball was coming at it."

"I don’t think he had time to think that he’s done this on purpose."

"If those thoughts are to come off, they will probably come later."

"As a viewer, I’m still unsure."

"I want people to make up their own minds."

THERE'S AN ARGUMENT TO BE MADE THAT SINCE THE BATTLE, AS DISASTROUS AS IT WAS, WAS EVENTUALLY WON, THAT HE SAVED THE DAY? AEGON THE HERO? OR NO.

"You’ve got to take them where you can get them."

"Yeah, he’s a hero."

WHAT'S THE PROSTHETIC PROCESS LIKE FOR YOU MOVING FORWARD?

"Long."

"Very detailed."

"I got to know my amazing hair and makeup team very well."

"I also got to know myself very well."

HOW DO YOU MEAN?

"The amount of time I was spending in that chair with those people in my own thoughts…. But yeah, [the prosthetics] really influences and informs my performance."

"It sort of instructs me how to move now."

"How you breathe, how you speak changes."

"I have a piece inside my mouth that I asked for to sort of distort my speech."

"So all this is great because it makes me feel like we’ve made a shift."

"Aegon has to have changed after this."

"We’re going to find a difference in him and and allow that to continue and [impact] his decisions and have a new approach to life."

YOU'VE MENTIONED CHANGING HOW HE MOVES. IN A PREVIOUS INTERVIEW YOU MENTIONED HOW AEGON USED TO MOVE DIFFERENTLY THAN YOU DO. WHAT WAS THAT DIFFERENCE?

"He’s a little bit more hunched."

"He is a bit narrower."

"I feel it’s a bit weak and more weaselly."

IS IT WEIRDLY MORE FUN TO PLAY HIM AS NOW? BECAUSE THIS IS GOING TO BE SO MUCH MORE THEATRICAL, IN A WAY.

"Yeah! It feels like we’ve transitioned from Richard II to Richard III, if that makes any sense to you."

"Almost like a level up — though on paper, obviously, it’s a level down."

"I think what he loses physically he gains emotionally and mentally."

"I’m trying to see it like that."

THERE'S OBVIOUSLY A PARALLEL THERE TO HOW VISERYS WAS AT THE END, INFIRM AND GHOULISH. DID THAT INFORM YOUR PROCESS AT ALL?

"I mean, it’s just fraught with danger, isn’t it?"

"Having a crown on your head."

"Something nasty is going to happen to you at some point."

"Isn’t it being not having my crown on yet?"

"There’s definitely a Viserys comparison, especially toward his final days and in bed."

"No quality of life whatsoever."

"It was only weeks, months before his dad was in that same position and in that same bed."

LET'S SAY HIS FATE WASN'T LITERALLY WRITTEN. WHAT, IDEALLY, WOULD YOU WANT FOR YOUR AEGON'S FATE?

"I want it to be, in an ideal world, for there to be an opportunity to prove himself and make decisions that he has made — not somebody else who thinks they know better."

"To carve out his own path as king."

"And then just see if he fucks it up as much as people think he might."

"I’d like to give him the space and the time to work it out."

"It’s a dangerous request because they could go horribly wrong."

"I think people underestimate him."

I FOUND IT INTERESTING THAT NOT ONE PERSON SAT BY HIS BEDSIDE OR HELD HIS HAND OR TRIED TO COMFORT HIM IN ANY WAY — AT LEAST NOT IN THIS EPISODE. SEEMS PRETTY HARSH.

"It’s desperately, desperately sad."

"Aegon is a boy in a man’s body and all he’s ever wanted is to be shown love and made to feel seen or not judged."

"All these things that he’s done in the past that have given him a reputation, I believe he’s felt that any attention is good attention."

"Unfortunately, he’s made a name for himself now — people kind of want to keep their distance and they see him as a poisoned chalice."

"At the end of the day, he’s a product of his history."

"He hasn’t had the emotional intelligence to be able to deal with that in a healthy way and move forward from it."

"Back then, therapy wasn’t really a thing, was it?"

"He’s been left to his own devices."