#hogwarts mystery references

[jxurnes]

i feel like a trophy wife. penny's doing all the work and im just sitting there. cursebreaker who?

[danceworshipper]

@hphm-ship-week Prompt 2: Quidditch

aka part one of my 'Rowan is gay no matter what gender they are' agenda

Ship: m!Rowan/Murphy 💙🦅

Date: June 3rd, 1989 (fifth year)

Rowan quickly decided that the view from the Commentary Box was the best. Well, of course it was, logistically speaking, it needed to be so that Murphy could accurately describe what was going on to the whole crowd, but he hadn't realized just how much better it was up here. The view was easily worth the amount of stairs he'd had to climb. He'd only thought about asking to be levitated like Murphy a few times.

It still felt like he was somewhere he wasn't supposed to be, despite none of the professors telling Rowan to rejoin his fellow Ravenclaws. Murphy had said that he was allowed to have a friend or two with him, but Rowan had never seen anyone else be invited up here until today. He hoped that meant he was special.

Murphy was as animated as ever, speaking fast enough to not miss a single detail of the match. Ravenclaw vs Gryffindor, playing for the Quidditch Cup - it was a big deal. It was big enough, in fact, that Murphy seemed to be having a spot of trouble remaining unbiased.

"An excellent block by the Ravenclaw keeper," he exclaimed. "Better luck next time, Gryffindor!"

After a while, Rowan found himself no longer paying attention to the match at all, instead watching Murphy. He really was in his element up here; it was no surprise that he'd been the commentator since he first arrived at Hogwarts. Murphy was clever, too, if his creative strategies were anything to go off of. He'd been sneakily helping Ravenclaw win from behind the scenes all year. Rowan wondered if Madam Hooch had actually not caught on, or if she simply didn't care enough to stop him.

"Gryffindor's seeker spots the snitch!" Murphy announced, and the Ravenclaw seeker's neck nearly snapped with how fast she turned it.

Rowan watched as she pushed her broom to the absolute limits, Murphy ignoring a goal from Gryffindor to cheer her on, much to Professor McGonagall's annoyance. Gryffindor's seeker dove hard to the right, causing Ravenclaw's to fly past him, but the maneuver backfired when the snitch darted to the left instead, directly into the Ravenclaw seeker's outstretched hand. She stared at it in shock before lifting it high above her head with a victory cry.

"Ravenclaw has caught the snitch!" Murphy shouted. "With 320 points, Ravenclaw wins the match!"

Professor Flitwick nearly fell off the bench behind Rowan as he scrambled to set off a Blue Sparks charm in his excitement. The crowd down in the stands went absolutely wild, screaming and throwing hats, scarves, whatever they could as they rushed out of the stands to congratulate the winning team. Rowan had little interest in being a part of that stampede, so he stayed right where he was.

It had nothing to do with wanting to talk to Murphy, who looked positively ecstatic that Ravenclaw had won.

"I knew they could do it!" he told Rowan. "That last bit of broomwork was some of the most impressive I've ever seen! Even if she hadn't gotten to the snitch first, I've never seen someone with an older model be able to catch up to someone like that - I suspect that Gryffindor will demand a detection spell on that broom to make sure it wasn't enchanted, which it wasn't obviously because she'd never do that - "

"Parkin would," Rowan interjected.

Murphy narrowed his eyes, considering. " ...fair. But did you see? That strategy I invented for the beaters saved our chasers from eighty-seven-point-three percent of the bludgers, a twenty-two-point-five percent increase from the last match - "

Rowan leaned against the ledge of the box, jaw in his hand as he listened. Admittedly, he hadn't been watching the beaters much, but he'd been Murphy's guinea pig for explaining the new strategy so he knew exactly what he was talking about. The whole thing had almost made Rowan wish that he'd tried out for the team when there was an opening, but he knew he was better off watching. He was a member of the much more relaxed Quidditch Club and it suited him just fine.

"Do you think they'll have to test if the snitch was charmed too?" Rowan asked, cutting Murphy off again.

Murphy hummed. "About a fifty-six-point-eight percent chance, if they have the broom checked."

"Where do you come up with these numbers?"

"Incredible mental math," Murphy said, and winked.

Rowan laughed, but that wink did things to him... it mostly just made him nervous.

They stayed in the Commentator Box until long after the professors had all cleared out - Professor McGonagall confidently telling Professor Flitwick that he wouldn't be so lucky next year - lost in their talk of strategy and how the team could improve even more next year. They only paused when Orion came up to find Murphy, saying that the team desired his presence at their victory party.

"The jubilance is high, but your energy is missing," Orian said. "Equilibrium will not be found until our guiding hand is present."

Whatever that meant.

"Can't let the team down," Murphy told him. "Any chance you can get me out of here?"

"Of course. Allow me to reach the ground first. Walk with me?" Orion asked, addressing Rowan.

"Oh," Rowan said, caught off guard. "Yeah, sure. See you in a minute, McNully."

Too many stairs, Rowan thought to himself, trying to breathe evenly so that Orion didn't notice his struggle. Orion had such a grace to him, both in flight and on the ground, which was something that Murphy brought up frequently when brainstorming strategies. Orion simply wasn't an aggressive enough player for a good portion of the well known strategies, which is why Murphy started inventing new ones in the first place. The way he talked about it, Orion was actually an advantage to Ravenclaw, because he made moves that none of his opponents ever saw coming. He was well deserving of being the captain of the team.

"The two of you seem well in harmony," Orion said, startling Rowan.

"Huh?"

Orion smiled knowingly. "I expect good news soon in regards to you both. Maybe even today?"

Rowan was certain that he was bright red. "I don't know what you're implying," he protested.

"You do."

Well then.

They stepped out into the sunlight, and Orion raised his wand to levitate Murphy out of the box. Rowan wondered why no one had thought to install an elevator, even if it had to be a manual one due to the high magic saturation in the air near the castle. Surely that would be easier than this? Maybe he should suggest the idea to Professor Flitwick the next time he met with him.

"Ah, solid ground," Murphy said, wheeling over to Rowan and Orion. "Party time!"

"Indeed," Orion agreed.

Murphy turned his head. "Hey, Khanna, you coming?"

Rowan scratched the back of his neck, suddenly very nervous. "I mean, it's in the common room, so I guess I have to, don't I?"

"Reluctance, that's the spirit!" Murphy joked.

Orion tilted his head, that knowing smile reappearing. "Perhaps, Murphy, you should accompany him, so he does not feel left out."

Too busy glaring at Orion, Rowan almost missed Murphy turning red.

"I think it's an excellent idea, don't you?" Orion pressed.

Murphy cleared his throat with a cough. "Yeah, yeah, I could do that. Easy. We can continue our conversation," he added, quickly regaining confidence. "I may take you on properly as a strategy apprentice, Khanna. You've got good insights."

Rowan's voice cracked when he laughed. If only a Cursed Vault would suddenly open, causing a terrible emergency. Alas, the earth never opens up and swallows you when you want it to.

[carewyncromwell]

"There's nothin' you can do to turn me away -- Nothin' anyone can say -- You're with me now and as long as you stay, Lovin' you's the right thing to do... Lovin' you's the right thing..."

~"The Right Thing to Do" by Carly Simon

x~x~x~x

My dear Carion! And canon, at that! 🥰

One headcanon I've had for these two for a while is that -- because they're both on the "A" side of the LGBT+ spectrum -- they wouldn't be huge into cuddling. Instead I could see them working side by side in the kitchen, holding hands, and (as pictured here) Carewyn laying her legs across Orion's lap on the couch while they're both sitting down. Even while sitting down with her legs up, though, Carewyn is a perpetual workaholic who has a lot of trouble putting down her work files and just relaxing, and so it's up to legal partner Orion to encourage her to slow down and take some time to herself, whenever he comes to stay the night.

"The world will wait a night for you, my Abraxan. Best shed those uncomfortable, stifling things until you truly need to wear them again." "I suppose that includes my work as well as my shoes." "Your troubles, broadly -- but specifically, yes." "(soft laugh) I suppose it would be good to take them both off for a night...these heels do pinch my toes after a while."

This song made for very good inspiration for this, since I could see Carewyn singing it for Orion more than once. Its last stanza in particular would really speak to her, when Orion's traveling with the Montrose Magpies --

"Nothing you could ever do would turn me away from you: I love you now and I love you now... Even though you're ten thousand miles away, I'll love you tomorrow as I love you today -- I'm in love, babe... I'm in love with you, babe..."

Much love, all! Have a magical day! xoxo

[ariparri]

HPHM Cardverse Ad

HPHM Cardverse Masterlist

The Hogwarts Mystery Cardverse is an AU that takes place in a fantasy land called Cinderhaven. There are five regions, four of them representing a suit of cards; Spades, Clubs, Hearts, Diamonds. The final region representing the Jokers.

Warnings: None

Tag List: @catohphm @lifeofkaze @eternalchaoschocolaterain @oneirataxia-girl

If you want to be updated on content for the AU, let me know and I'll put you on the tag list!

A/N: Ads, ads, ads everywhere! What’s the point of telling Tumblr I’m not interested in them if they’re just gonna show it again after five damn posts?! .°(ಗдಗ。)°. Anyways, here have an ad for HPHM Cardverse. I finally got to draw Veruca in her rebels outfit! I actually like it, and I made use of her post Hogwarts hairstyle when she’s an auror. Also, yes, Gambat is gonna be Veruca's method of attack for her common sprite. Since Gambat actually has a major role during the rebellion by passing letters to and from Orion to keep him updated on Spades' situation.

❌ NO REPOSTING ❌

＊➖＊➖＊➖＊➖＊➖＊➖＊➖＊

As soon as the wolf and raven have fallen, the lioness shall bring forth an age of tyranny. 

Justice demands retribution!

Once steel turns to rust, the young sister of the wolf shall bring the rise of hope. It shall be then, when the air turns white and gray, the young woman shall cause an era of retribution and bring forth the downfall of unjust cruelty and oppression.

[helenadurazzo]

The Hearst Hall

I have finally found a perfect real life reference to what the Hearst Hall looks like! My historic architecture loving heart is happy

Got this idea when I was doing a project on Hardwick Hall for a class, which was used for filming the exterior of the Malfoy Manor

Meet Cotehele House, a country house with medieval and Tudor design elements located in South West England in Calstock. To sum its history up, Cotehele was built in 1485 when Sir Richard Edgecumbe gained the property for Henry Tudor who would become King Henry VII after the Battle of Bosworth for his support in the Battle of the Roses.

This is interestingly similar to how the Hearsts also gain their home. Ozias Hearst (born in 1457), along with his older sister, Nemesia (born in 1450), lived in the 1400s but lost their parents shortly after Nemesia turned nineteen. While Nemesia went on to become a Hogwarts Professor, Ozias found himself intrigued by the complex muggle politics going on between noble houses and became acquainted with Henry Tudor and his court during a visit to France, supporting him and providing assistance that ultimately helped him claim the English Throne. As a reward for his loyalty, he was gifted land which would later become where the Hearst Hall was built which became their first and historic family home.

Reblog with a reference of your MC’s family home (can be HPHL, HPHM, and/or HPMA) or some interesting facts if you have them

[alexandros-deathwood]

Ismelda: I didn't know Merula got a new pill- oh it's just Deathwood.

Merula and Alexandros:

I saw a photo and I knew what I had to do.

[ben-copper-appreciation-club]

Sketch Quinn first thing in the morning

The sweatshirt was totally a gag gift from Tonks lmao

[fandomfrenzy97]

🌈 Taste the rainbow, mugglefuckers ☺️😜😂

Update: I decided to name my Jackalope “Jaheira”

[livinginshambles]

No, you listen to me | James Potter

Pairing: James Potter x Slytherin!Fem!Reader

Word Count: 3.6k

Summary: Aftermath of when you ran away from the Yule ball, cinderella style. after the Christmas holidays, both of you return to hogwarts with different objectives. James tries to find out who you are. You try to make sure he never will.

Notes: Not proofread. Mistakes. Once again because people keep forgetting, english is my third language, be kind. Themes of bullying, discrimination, very bad sister relationships. Regulus is like a BROTHER. James tries?

Masterlist Part one. Part three

_________________________

Your eyes scanned across the parchment, rereading James’ apology, but all you could really feel was disappointment and anger. What was even the point of trying to prove anyone wrong? You leaned back against the cushions of the armchair and pulled your knees up, wrapping your arms around them to steadily lock them in place. Then you let your head drop.

You pressed your watering eyes into your knee, effectively letting your pajama pants soak up any tears that threatened to fall. You gently rocked yourself back and forth while you tried to clear your mind. You wouldn’t let any of this get to you.

A hand pressed itself to your back, right between your shoulder blades. “Let’s get you out of here,” Regulus spoke up. His tone was hard, but only because of his clenched jaw when he thought back to how you had run off with a betrayed look. The second he realized it was James who was the mystery guy, he had kept a close eye. He knew things wouldn’t end well with those prejudiced twats, and he was right.

You pathetically looked up at him, and Regulus didn’t bother to hide his grimace at the sight of your face.

“Don’t exaggerate you arse,” you mumbled and shoved him light-heartedly.

“Back at you,” Regulus shot back. Then he sighed and motioned for you to scootch over so he could squeeze himself to fit in the armchair with you. “I know you. And I know you know what my brother and his friends are like. Why are you so disappointed?”

You stared at the lit fireplace, lost in thoughts, and eventually shrugged when Regulus nudged you out of your train of thoughts.

“I guess- I really liked the guy on the other side of the paper. And I really hoped that maybe he’d be in there somewhere. And I suppose that for a moment I actually thought James Potter was alright, you know?”

Regulus scrunched his nose in distaste. “Not at all, but go on.”

You shook your head in amusement at him, but let your eyes soften. “I’m sorry Reg,” you whispered.

“What for?”

“Making you listen to me whining about a guy that I know you have personal issues with.” You decided not to mention out loud the fact that those personal issues included the way Sirius had left Regulus behind in that household, escaping to live with the Potters and going as far as publicly calling James his true brother. Found family, he had proudly said.

Regulus knew what you were referring to. He smiled bitterly. “Well, brothers are overrated anyways. I’d much rather have a sister,” he said while nudging you again.

You hummed in contemplation. “I don’t know Reg; I’ll have to disagree with you on this one. I’d much rather have a brother than any number of sisters.”

“How convenient for us.”

“Very convenient indeed,” you smiled happily.

Regulus got up suddenly and turned to you with a stretched out hand. You raised an eyebrow at him.

“I meant what I said, you know. Let’s get you out of here. I do recall you promising me tea at your new apartment.” He looked at his pocket watch. “Well, it’s 5 o’clock in the morning, and the first train leaves at 6. What’s the difference between leaving in the evening or right now.”

“You absolute champ.”

“I don’t even know what that means.”

You laugh whole-heartedly and stuff the parchment in your transfigurations book. You and Regulus took the first train and left Hogwarts behind for the Christmas holidays. A break would do you good. Godric knows you needed to get James off your mind.

James carefully placed the glass slippers in his suitcase and covered them with a few sweaters just in case. He had caught the elves recklessly throwing suitcases into the storage compartment of the Hogwarts express before. You’d think that the use of magic would come in handy for tasks like this, but no.

“Prongs, I got you this?” Sirius pushed a sheet of bubble wrap into James’ arms. James offered Sirius an appreciative look.

After thoroughly explaining everything, from the moment when he found the parchment, to who you were and why he decided that he wanted to become someone you would approve of, Sirius had pieced the rest together and apologized to James for leaving such a shit impression on his mystery date.

James sheepishly pointed at his own solution. “Should I change it?”

“Well, I mean did you see how the elves throw around with our luggage?”

James mirrored Sirius' grin. This break truly came at a perfect time. After all, James would let you occupy his mind as much as he needed to find out who you were.

Two weeks flew by in a blur. You and Regulus had set up a Christmas tree inside your small apartment and had made a competition out of finding the most impressive gift for each other, with only 10 galleons.

You had found the most gorgeous black quill and enchanted ink set for him and were rather confident until Regulus had somehow shown up with what looked like emerald, antique and gorgeously over the top earrings. You had shot him a look and he had immediately provided a receipt to prove he had played fair.

“I just have great negotiating skills,” he’d said.

You had hummed skeptically in reply but had happily tried them on.

All in all, the holidays were a very welcome break for you. Which is why you were so very reluctant to pack your bags. The door to your room opened and Regulus stood in the entrance, leaning against the door frame.

“Get out,” you groaned in dismay at the interruption. Regulus shot you an unimpressed look.

“Not until I see you pack; we leave in less than an hour.”

You huffed in annoyance and threw a pillow at his head. “I’m not asking you again, Black.” You flopped back down on your bed dramatically in dismay at the prospect of going back to Hogwarts. Regulus elegantly tilted his head and let the pillow fly past him.

“One hour,” he enunciated, before walking off.

You threw another pillow his way and yelled, “Close the door when you leave, you twat!”

With a flick of his wand, your door closed.

Regulus waited for you with a bag in his hand.

“Where’s the rest of it,” you teased as you motioned to the small amount of luggage he held.

Regulus turned red but stuck his chin up. “Left them here for the summer,” he off-handedly replied. You laughed. “Great, so you can help carry this bag then,” you grinned and pushed your smaller bag into his hands while you marched out the door with your heavy luggage, dragged behind you.

When you entered the platform, and were handed the Hogwarts newspaper, you did not expect to find a picture of you and James at the Yule ball on the front page. ‘Who are you, Willow?’

You immediately folded the paper together and looked up in panic at Regulus. He looked around and found different students excitedly chittering to each other, all while pointing at the newspaper.

“That is so romantic,”

“I thought James was with Lily?”

“No, they’re just friends now.”

“I was wondering who he was dancing with.”

“She looks so pretty.”

“If I found out that my date was James Potter, I’d take off that mask immediately.”

“Well, she could just be shy.”

“So true, probably Hufflepuff, don’t you think?

“I really hope he finds her.”

You grimaced at everyone and all you wanted to do was disappear. “Relax, Y/N,” Regulus smoothly pulled you on board the Hogwarts Express. “No one will know it’s you.”

Despite knowing that he was absolutely right, you still faced the floor as you looked for an empty compartment. You didn’t realize that you were passing James, who had just come back from a train meeting with the other prefects. He had picked up on Regulus’ words and frowned. But before he could really stop to consider Regulus’ statement, Peter happily waved at him from the marauders’ compartment. “We’re over here!” he called out. James forgot about what he heard.

Remus held the newspaper up in the air when James finally took a seat. “Really?”

“It was Pad’s idea,” James immediately said.

Peter curiously grabbed the newspaper. “Any results?”

James shrugged. “It’s only the first day,” he tries to convince himself, but he was not very sure about this approach to find you.

“It’s going to work out, trust me,” Sirius said. “When she sees that you’re going to this extent to find her, you’ll definitely woo her for sure,” he claimed.

Remus pulled a face. “I mean, if she ran off cause you two were being pricks, again,” he gave both Sirius and James a sharp look. “And hasn’t answered any of your messages, I don’t think starting a witch-hunt of sorts is the way to find her,” he voiced out his opinion. ”She clearly doesn’t want to be found.”

“What are you calling my methods bad?” Sirius squinted his eyes at Remus in mock offense.

“I’m just saying they wouldn’t exactly woo me,” Remus dryly remarked.

“And yet-“

“Guys,” James interrupted. “I just want to find her and apologize. And ask her for another chance to prove that I’m more than what she saw.”

“Well,” Peter started. He turned red when all eyes were suddenly on him. “She will probably not reveal herself. But she’s still a student here. And she knows who you are. So maybe if you publicly show off kind acts, she’ll see how you can be?”

There was a beat of silence and for a moment, Peter wanted to change into a rat and crawl into a hole to hide. But suddenly he was patted on the back by James. “Peter, you absolute champ!”

James Potter was acting weird, and you knew exactly what he was trying to do. You huffed to yourself as you marched right past him while he held the door open for his friends and you, who trailed in right behind them.

Previously, James would have definitely let the door fall in your face, and you had anticipated so, thus smoothly switching your books to your left arm, putting your right hand in front of you in a bracing manner. And so it happened that you stood there frozen, hand flat against James' chest, because he had turned around fully to hold the door open for you.

You embarrassedly dropped your hand that still lingered against him, and a deep frown settled on your face.

“I’d take ten points from Slytherin for touching a student without their consent, but I suppose I’ll let it slide for today,” he arrogantly said. You wanted to beat him up. But you supposed you could let it slide for today. You scowled at him and fled past him towards your designated seat.

Something tugged inside James’ chest as he watched you turn your back towards him and hurry away. He walked to join the rest of the marauders, a ghost feeling of your palm against his chest.

It hadn’t just been you that he was more civilized with. You noticed when you found him volunteering in the library, putting away books back on the shelves manually. This bothered you, because he tended to specifically linger around the particular section in the back about Egyptian rites, your favorite. You knew he was there to hopefully spot any often-returning students.

You also noticed that less and less students were coming back to the common room, hexed. Aside from snide remarks, you hadn’t encountered much animosity from him anymore either.

Instead, you found yourself on assigned patrol with him, despite the fact that Regulus had kindly offered to jinx his broom during Quidditch practice so you wouldn’t have to.

“So,” James broke the silence. “How was your holiday?”

“Why do you want to know,” you immediately shot back before you could stop yourself. James raised his hands in surrender. “Woah, sorry, L/N, just making conversation here.”

You sighed and forced your shoulders to lose their tension. “It was fine.”

“Fine.” James repeated.

“Fine,” you confirmed.

That was the end of your conversation, in your opinion. James however, seemed to think differently.

“So did you get any nice presents?”

You shot him an annoyed look but ended up answering anyway. “Yes actually, Regulus got me these earrings,” you said, and you tilted your head to show him. James’ eyes lingered on your earrings. They looked good on you. The exaggerated gem made you stand out despite your sober attire.

“What else?”

“What do you mean, what else?”

“Why, did your parents not buy you anything or what?”

You halted mid-step and stared up at James. He noticed that he had said something wrong, and when your sisters came to mind, he hurriedly tried to take his words back. You didn’t let him.

“I don’t go home for the holidays,” you settled on. “I’m not particularly welcome there. My parents are as big of a fan of me, as Alyssa and Marla are.” You laughed bitterly and continued walking. James followed behind you, he didn’t say a word, instead waited for you to continue.

“Well, I’m in Slytherin after all. Which obviously equals being an evil blood supremacist. They wouldn’t want to associate themselves with that, of course,” you sarcastically remarked.

James felt guilt slowly seep in. Your words resonated in his mind and his hands grasped the folded parchment in the pocket of his robes tightly. Those were his exact same words of that night at the Yule ball, and he bit his lip. “I’m sorry.”

You looked up at him, surprise evident in your eyes. “You’re sorry?” You asked him in disbelief.

James nodded. If he couldn’t say it to his mystery girl, at least he could say it to you, he figured.

James watched your eyes light up slightly and for a moment, he was lost in a trance. He snapped out of it when you returned the question. “So how was your holiday?”

He grinned at the olive branch that you were reaching out. “Mine was fine.”

“Fine?”

“Fine,” he teased. You fought the smile that threatened to tug on your lips.

Patrol ended without any incidents to report and when you wrote that down, James peered over your shoulder to catch your circled dot on the ‘i’ of “nothing to report.” A sense of déjà vu dawned on him, but the sheer unconscious refusal to even consider you a possibility kept your secret safe.

When you were in bed that night, you couldn’t help but think about how at ease you had felt for the remainder of the night with James, basking in the familiarity of the person behind the paper.

With every patrol, you two put another step forward in the direction of a friendship of some sorts.

James couldn't deny the fact that with each time, he started to look forward to the next time, almost the same giddy feeling fluttering in his stomach as each time he would unfold his parchment to find new kind words written there.

You and Willow would be friends, James thought, as he looked at you while you were casually explaining Transfiguration to him while you two strolled through the corridors, not without the occasional insult at his 'lack of competence'.

But for now, James enjoyed the privilege of calling you by your first name. A friend of some sorts, he liked to think.

Perhaps he was wrong about Slytherins. Sure, there were some rotten apples, but he supposed there were rotten apples in each house. And you weren't so bad after all.

For the first time in a long time, you enjoyed your days at Hogwarts. Truly enjoyed them. You would send Regulus to the library to get you your favourite books, and would patrol every Thursday with James unless he had Quidditch practice. Then you would patrol with Abrams. You’d come across James, who would nod with a kind smile at you as you two have come to be cautious friends and patrol-partners. You hadn’t really heard anything from your sisters either, which was absolute bliss as well.

But then one day, you were studying Transfiguration by yourself in the library, and you just so happened to need to go to the bathroom. When you returned, you noticed your book was missing and you pulled a sour face before requesting a new one from Professor McGonagall who had looked over her glasses at you.

But that hadn’t been the bad part. No, the bad part was that you had completely forgotten that you had put your enchanted parchment that connected yours to James’ inside that book.

Sirius had victoriously grinned at his funny prank idea. He would change some spells in your book so that you would mess up and become a toad in class. He tossed the book on a table in the common room and a piece of paper slid out.

Sirius had seen the piece of paper before, and his eyes grew as wide as saucers. He jumped up, ran towards his room, and rummaged through James’ nightstand before finding James' parchment under his pillow and wrote something on it. He walked back down the stairs with James’ paper, and he watched in disbelief as a messy ‘hello’ appeared on the paper that your sisters now held. “Merlin,” he breathed out, but your sisters had already stormed out of the room.

You entered the Great Hall and felt everyone staring at you and whispering. Even fellow Slytherin students looked at you in contempt. You gave Regulus a confused look when you walked to the free seat next to him. He quietly slid over the Hogwarts newspaper.

Front page again. ‘Mystery girl uncovered. Not a Willow, but a Hanging Tree.”

You didn’t need to read the rest; you tore your eyes away from the paper. Tears threatened to spill, but you tried to keep a cool front. You turned around to look for James and found him and his friends sitting right behind you.

Whoever thought that putting The Gryffindor table and Slytherin table next to each other should rot in the dungeons, you bitterly thought.

It was your sister who spoke up first. “I can’t believe someone like you would make themselves out to be a victim. ‘Oh no, my sisters bully me,’” she mocked you.

You felt heat rise to your cheeks and got up. She got up as well and you stood eye to eye with each other. “You’re pathetic,” She sneered. “You’re the real mistake here. So go do what you do best- run away.”

You wanted to say something. Anything. But you felt weak and small again. So you turned around and walked away. Whispers continued to fill the room as everyone seemed to have something to say about you.

“How embarrassing.”

“She should be ashamed”

“A Slytherin like her?”

“She definitely wasted James’ time.”

With every comment you heard, you bit harder on the inside of your cheek, and when that last comment dropped, you balled your fists. Why should you be the one to walk away?

You turned around furiously and marched back towards James, who had gotten up to follow you and reached out his hand. You recoiled.

“Y/N, listen-“

“No, you listen to me,” you spat at him. You looked him up and down with a pained look, holding back tears of frustration and while trying to convey as much disgust as you could.

“If you didn’t like what you found out, you could’ve kept it to yourself and thrown the damn paper away. You had no right to publicly try to humiliate me like this. All of your kindness in an attempt to be a good person only shows how wretched you really are when you stop pretending and act cruelly true to yourself.”

James' eyes flashed with hurt and he shook his head, words were stuck in his throat. He wanted to cover his ears; he didn’t want to hear you say this to him. This isn’t what he wanted at all. You were wrong. He didn’t even know it was you until he saw the newspaper this morning.

But you weren’t finished talking yet.

“Has it ever even occurred to any of you,” you looked at the people behind him. You stared your sisters dead in the eye. “That maybe your prejudice and thoughtless assumptions and insults about how awful or evil we Slytherins are, is the very thing that pushes us down that path?”

You turned your attention back to James, who had an unreadable expression on his face now. “Your cruel comments are part of the reason and you, James Potter, are especially cruel.”

Your tone was sharp, face hardened and the entire Great Hall had fallen silent. Not even the professors spoke up. James felt like you had hit him in the face, and you might as well have. He looked down in shame at your words.

You shakily let out your breath and lowered your voice again. This time, you sounded tired. Reality seemed to dawn upon you that everyone in the great hall was listening to you, and you shook your head to yourself, taking a step back. You scoffed softly.

“I suppose you are truly worthy of the Gryffindor name; overly proud and arrogant in the name of bravery with a tendency to prove yourself, disregarding others and their feelings.” Your venomous words cut through James' heart.

James watched you walk away again and everything around him seemed to fade. He was losing you again. How had he not seen this?

Your situation with your sisters. The way you ran away at the Yule ball when he made a crude remark about Slytherins. The sense of déjà vu every time you walked past him, back turned towards him. Your handwriting. The feeling of your hand pressed to his chest just as when you two danced. The way you were great at transfiguration and could have easily transfigured those glass slippers. The way Regulus was the only student to frequently visit your favourite book section in the library. The chills you had sent down his back when you had allowed him to call you by your first name, and in return had called him James.

‘I’m in Slytherin after all. Which obviously equals being an evil blood supremacist.’

‘No one will know it’s you.’

Everyone knows.

Preview if interested

Part three

Taglist:

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[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope�� Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[witchthewriter]

𝐌𝐁𝐓𝐈 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐢𝐞𝐬 𝐄𝐱𝐩𝐥𝐚𝐢𝐧𝐞𝐝

Like I've done with the Hogwarts Houses, Moral Alignment, Tarot Cards and Zodiac (Sun, Moon, Rising); I am now creating a post for MBTI personalities! 16 all together, I've included some tests so if you don't know already, you can now!

Test One (from 16 Personalities, sort of the 'official' test, well the official free test. I think the real one you have to pay.)

Test Two (free don't worry)

Test Three (from truity)

There are sixteen different options that are split into four groups:

Analysts

Intuitive (N) and Thinking (T) personality types, known for their rationality, impartiality, and intellectual excellence.

Diplomats

Intuitive (N) and Feeling (F) personality types, known for their empathy, diplomatic skills, and passionate idealism.

Sentinels

Observant (S) and Judging (J) personality types, known for their practicality and focus on order, security, and stability.

Explorers

Observant (S) and Prospecting (P) personality types, known for their spontaneity, ingenuity, and flexibility.

Analysist: INTJ

𝑻𝒉𝒆 𝑴𝒂𝒔𝒕𝒆𝒓𝒎𝒊𝒏𝒅/𝑨𝒓𝒄𝒉𝒊𝒕𝒆𝒄𝒕

The acronym INTJ stands for introverted, intuitive, thinking, judging. ESFP is the opposite of the INTJ personality type. They're also known as: The Scientist, the Strategist.

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

One of the rarest personality types and one of the most capable

Rational and quick-witted

Not known for being warm and fuzzy. They tend to prioritize rationality and success over politeness and pleasantries 

Architects question everything

Prefers to make their own discoveries

𝐓𝐫𝐚𝐢𝐭𝐬:

Independent

Introverted

Confident

Analytical

Driven

Ambitious

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Petyr Baelish

James Moriarty

Gandalf

Wednesday Addams

Walter White

Doctor Strange

Tywin Lannister

Analysist: INTP

𝑻𝒉𝒆 𝑳𝒐𝒈𝒊𝒄𝒊𝒂𝒏/𝑷𝒓𝒐𝒅𝒊𝒈𝒚

The INTP acronym stands for introverted, intuitive, thinking, perceiving. The opposite of an INTP is either an ESFJ or an ISFP. Also known as 'The Thinker.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

Can’t help but puzzle over the mysteries of the universe

Logicians aren’t afraid to stand out from the crowd

Often lose themselves in thought

They put a great deal of consideration into everything they do

Seem to live in a never ending daydream

𝐓𝐫𝐚𝐢𝐭𝐬:

Analytical

Imaginative

Curious

Radical thinking

Indepedent

Problem solvers

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Sherlock Holmes

Alice from Alice in Wonderland

Lord Varys

Bruce Banner

Arthur Weasley

Analysist: ENTJ

𝑻𝒉𝒆 𝑪𝒐𝒎𝒎𝒂𝒏𝒅𝒆𝒓

It stands for extraverted, intuitive, thinking, judging. ISFP is the opposite personality type of ENTJ. Sometimes referred to as the 'CEO'.

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

Ability to set long-range goals and implement them in an organized manner

They love a good challenge, whether it's big or small

Tend to avoid displays of any type of emotion, so they may be perceived as cold.

They firmly believe that given enough time and resources, they can achieve any goal.

At the negotiating table, be it in a corporate environment or buying a car, Commanders are dominant, relentless, and unforgiving.

𝐓𝐫𝐚𝐢𝐭𝐬:

Natural born leader

Charismatic

Direct

Organised

Self-assured

Stubborn

Dominant

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Thomas Shelby

Tony Soprano

Cersei Lannister

Beth Dutton

Milady de Winter

Raymond Reddington

Lyanna Mormont

Analysist: ENTP

𝑻𝒉𝒆 𝑫𝒆𝒃𝒂𝒕𝒆𝒓

It stands for extroverted, intuitive, thinking and perceiving. ISFJs and ENTPs are two Myers-Briggs personality types that share the same cognitive functions, but in reverse order. Also known as ' the Innovator,' 'the Visionary'.

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

It would be a mistake, though, to think of Debaters as disagreeable or mean-spirited. Instead, people with this personality type are knowledgeable and curious, with a playful sense of humor

No belief is too sacred to be questioned, no idea is too fundamental to be scrutinized, and no rule is too important to be broken

As Debaters see it, most people are too ready to do as they’re told and blindly conform to social norms

They tend to be bold and creative, deconstructing and rebuilding ideas with great mental agility. They pursue their goals vigorously despite any resistance they might encounter.

𝐓𝐫𝐚𝐢𝐭𝐬:

Quick-witted

Audacious

Rebellious

Outspoken

Puts self first

Charming

Unpredictable

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Captain Jack Sparrow

Tyrion Lannister

Willy Wonka

The Joker

Irene Adler

Fleabag

Alfie Solomons

Diplomat: INFJ

𝑻𝒉𝒆 𝑨𝒅𝒗𝒐𝒄𝒂𝒕𝒆/𝑴𝒚𝒔𝒕𝒊𝒄

Is someone with the introverted, intuitive, feeling, and judging personality traits. The opposite to INFJ is the INFP, who will appear less organized and less controlled than the INFJ to others.

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

They tend to approach life with deep thoughtfulness and imagination.

Their inner vision, personal values, and a quiet, principled version of humanism guide them in all things.

People with this personality type care about integrity, and they’re rarely satisfied until they’ve done what they know to be right.

Advocates tend to carry around a sense – whether conscious or not – of being different from most people.

𝐓𝐫𝐚𝐢𝐭𝐬:

Insightful

Idealistic

Principled

Wise

Moral

Compassionate

Understanding

Passionate

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Remus Lupin

Elsa

Obi-Wan Kenobi

Jane Eyre

Elizabeth Bennet

Loki

Galadriel

Diplomat: INFP

𝑻𝒉𝒆 𝑴𝒆𝒅𝒊𝒂𝒕𝒐𝒓/𝑫𝒓𝒆𝒂𝒎𝒆𝒓

Is someone who possesses the introverted, intuitive, feeling, and prospecting personality traits. ESTJ is the opposite personality type of INFP. Also known as 'the Idealist,' 'the Healer.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

These rare personality types tend to be quiet, open-minded, and imaginative, and they apply a caring and creative approach to everything they do.

Although they may seem quiet or unassuming, INFPs have vibrant, passionate inner lives.

Happily lose themselves in daydreams

Known for their sensitivity; they can have profound emotional responses to music, art, nature, and the people around them.

Long for deep, soulful relationships

Mediators have a talent for self-expression. They may reveal their innermost thoughts and secrets through metaphors and fictional characters.

𝐓𝐫𝐚𝐢𝐭𝐬:

Introspective

Intuitive

Empathetic

Flexible

Idealistic

Curious

Creative

Strong Personal Values

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Lucy Pevensie

Frodo Baggins

Tina Belcher

Newt Scammander

Wanda Maximoff

Luna Lovegood

Edward Scissorhands

Diplomat: ENFJ

𝑻𝒉𝒆 𝑷𝒓𝒐𝒕𝒂𝒈𝒐𝒏𝒊𝒔𝒕/𝑴𝒆𝒏𝒕𝒐𝒓

ENFJ is extraverted, intuitive, feeling, and judging personality traits. ISTP is the opposite of the ENFJ personality type. Also known as, 'the Giver,' 'the Teacher.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

They're born leaders, with passion and charisma which makes them great politicians, coaches, and teachers.

These warm, forthright types love helping others, and they tend to have strong ideas and values.

They back their perspective with the creative energy to achieve their goals.

Feel called to serve a greater purpose in life

When something strikes them as unjust or wrong, they speak up

These personality types have the ability to pick up on people’s underlying motivations and beliefs

ENFJ’s secret weapon is their purity of intent

They're motivated by a sincere wish to do the right thing

𝐓𝐫𝐚𝐢𝐭𝐬:

Very extraverted

Great people skills

Warm

Affectionate

Supportive

Great at encouraging others

Thoughtful

Gentle

Kind

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Margaery Tyrell

Queenie Goldstein

Professor X

Mufasa

Diana Prince / Wonder Woman

Peeta Mellark

Elle Woods

Moana

Diplomat: ENFP

𝑻𝒉𝒆 𝑪𝒂𝒎𝒑𝒂𝒊𝒈𝒏𝒆𝒓

ENFP stands for extraverted, intuitive, feeling, and prospecting personality traits. ISTJ is the opposite personality type of ENFP. ENFPs are also called the Campaigners or the Encouragers mainly because of their desire to inspire and encourage other people. Also known as, 'the Champion,' 'the Visionary.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

These people tend to embrace big ideas and actions that reflect their sense of hope and goodwill toward others.

Their vibrant energy can flow in many directions.

Are true free spirits – outgoing, openhearted, and open-minded.

They can’t help but ponder the deeper meaning and significance of life – even when they should be paying attention to something else.

These people radiate a positive energy that draws in other people

Few things matter more to these personality types than having genuine, heartfelt conversations with the people they cherish

𝐓𝐫𝐚𝐢𝐭𝐬:

Free-spirited

Optimistic

Idealistic

Open-minded

Curious

Authentic

Inspiring

Intuitive

Imaginative

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Ariel

Anne of Green Gables

John Keating

Wizard Howl

Jo March

Michael Scott

Peter Parker/Spiderman

Phil Dunphy

Sentinel: ISTJ

𝑻𝒉𝒆 𝑳𝒐𝒈𝒊𝒔𝒕𝒊𝒄𝒊𝒂𝒏/𝑫𝒆𝒕𝒆𝒄𝒕𝒊𝒗𝒆

ISTJ stands for introverted, observant, thinking, and judging personality traits. ENFP is the opposite personality type of ISTJ. Also known as 'Duty-Fulfillers'.

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

These people tend to be reserved yet willful, with a rational outlook on life.

They compose their actions carefully and carry them out with methodical purpose.

ISTJs pride themselves on their integrity

Aren’t known for expressing their emotions readily

They strive to meet their obligations no matter what

ISTJs might unfairly misjudge people who can’t match their rigorous self-control – suspecting that someone is being lazy or dishonest when that person might actually be coping with other challenges.

𝐓𝐫𝐚𝐢𝐭𝐬:

Decisive

Focused

Efficient

Reserved yet willful

Loyal

Blunt

Factual

Logical

Meticulous

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Hermione Granger

Thorin Oakinshield

Nedd Stark

Rick Grimes

Brienne of Tarth

Jim Hopper

Ron Swanson

Sentinel: ISFJ

𝑻𝒉𝒆 𝑫𝒆𝒇𝒆𝒏𝒅𝒆𝒓

ISFJ stands for introverted, observant, feeling, and judging personality traits. The ENTP personality type is the opposite ISFJs. Also known as 'the Protector,' 'the Nurturer.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

These people tend to be warm and unassuming in their own steady way.

They’re efficient and responsible, giving careful attention to practical details in their daily lives.

In their unassuming, understated way, Defenders help make the world go round.

They invest a great deal of energy into maintaining strong connections with their loved ones

Known for dropping everything and lending a hand whenever a friend or family member is going through a hard time.

Defenders’ sense of loyalty doesn’t stop with their nearest and dearest – it often extends to their communities, their employers, and even family traditions.

For ISFJs, “good enough” is rarely good enough. People with this personality type can be meticulous to the point of perfectionism.

𝐓𝐫𝐚𝐢𝐭𝐬:

Warm-hearted

Responsible

Sensitive

Reliable

Caring

Will do anything for those they care about

Generous

Defenders tend to underplay their accomplishments but they eventually become resentful toward the people who just don’t seem to appreciate them.

Excellent analytical abilities and an eye for detail

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Steve Rogers/ Captain America

Jennifer Honey (Miss Honey from Matilda)

Beth March

Charlie Buckets

Samwise Gamgee

Dr Watson

Will Turner

Sentinel: ESTJ

𝑻𝒉𝒆 𝑬𝒙𝒆𝒄𝒖𝒕𝒊𝒗𝒆/𝑪𝒂𝒑𝒕𝒂𝒊𝒏

ESTJ stands for extraverted, observant, thinking, and judging personality traits. INFP is the opposite personality type of ESTJ. Also known as 'the Supervisor,' 'the Composer.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

They possess great fortitude, emphatically following their own sensible judgment.

They often serve as a stabilizing force among others, able to offer solid direction amid adversity.

ESTJs feel most comfortable when there are established procedures in place

Taking pride in bringing people together

The main challenge for Executives is to recognize that not everyone follows the same path

Executives are classic images of the model citizen: they help their neighbors, uphold the law, and try to make sure that everyone participates in the communities and organizations they hold so dear.

𝐓𝐫𝐚𝐢𝐭𝐬:

Productive

Task-Orientated

Pragmatic

Enjoy order and structure in life

Focuses on facts and details rather than ideas and concepts

Confident

Natural leaders and have a strong work ethic

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Mary Poppins

Peter Pevensie

Borormir

Monica Gellar

Hector Barboss

Claire Dunphy

Miranda Bailey

Mycroft Holmes

Sentinel: ESFJ

𝑻𝒉𝒆 𝑪𝒐𝒏𝒔𝒖𝒍

ESFJ stands for extraverted, observant, feeling, and judging personality traits. ISTP is the opposite personality type to ESFJs because they often struggle to be practical. Also known as, 'the Caregiver,' 'the Host.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

They are attentive and people-focused, and they enjoy taking part in their social community.

Their achievements are guided by decisive values, and they willingly offer guidance to others.

Energized by time spent with others

Consuls do believe in the power of hospitality and good manners, and they tend to feel a sense of duty to those around them

Consuls have a talent for making the people in their lives feel supported, cared for, and secure.

They believe that there is a clear right thing to do in nearly every situation

ESFJs have a clear moral compass

𝐓𝐫𝐚𝐢𝐭𝐬:

Attentive

People-focused

Generous

Reliable

Tender-hearted

Organised

Focused

Strong sense of duty

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Anna Smith

Molly Weasley

Bilbo Baggins

Effie Trinket

Sansa Stark

Cher Horowitz

Nala

Leslie Knope

Explorer: ISTP

𝑻𝒉𝒆 𝑽𝒊𝒓𝒕𝒖𝒐𝒔𝒐

ISTP stands for introverted, observant, thinking, and prospecting personality traits. ENFJ is the opposite of the ISTP personality type. Also known as, 'the Vigilante,' 'the Crafter,' 'the Analyser,' 'the Artisan.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

They tend to have an individualistic mindset, pursuing goals without needing much external connection.

They engage in life with inquisitiveness and personal skill, varying their approach as needed.

Virtuosos love to explore with their hands and their eyes, touching and examining the world around them with cool rationalism and spirited curiosity.

Energized by time spent alone

Virtuosos are likely to go too far, accepting likewise retaliation, good or bad, as fair play.

Act too soon

They’ll be the first to tell an insensitive joke, get overly involved in someone else’s project, roughhouse and play around, or suddenly change their plans because something more interesting came up.

𝐓𝐫𝐚𝐢𝐭𝐬:

Individualistic mindset

Logical

Loves action and new experiences

Logical but adaptable

Enigmatic

A lot of impulsive energy

Have a “do unto others” attitude

Self-sufficient

Tough

Independent

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Arya Stark

Jason Bourne

Jessica Jones

Jace Herondale

Indiana Jones

Rosa Diaz

Rue Bennett

John Wick

Wolverine

Explorer: ISFP

𝑻𝒉𝒆 𝑨𝒅𝒗𝒆𝒏𝒕𝒖𝒓𝒆𝒓

ISFP means introverted, observant, feeling, and prospecting personality traits. ISFP is the opposite of ENTJ: the commander, who is upfront outgoing and demanding. ISFP is quiet and unassuming. Also known as, 'the Artist, 'the Composer.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

They tend to have open minds, approaching life, new experiences, and people with grounded warmth.

Their ability to stay in the moment helps them uncover exciting potentials.

Adventurers tend to see themselves as “just doing their own thing,” so they may not even realize how remarkable they really are.

Quiet and reserved, people with this personality type are keen observers; they enjoy the moment and what’s happening around them.

Embrace a flexible, adaptable approach to life.

Remarkably tolerant and open-minded.

𝐓𝐫𝐚𝐢𝐭𝐬:

Gentle

Compassionate

Tend to live in the here and now

Love to be active

And love interacting with others

Carefree

Playful

Spontaneous

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Claire Fraser

Eowyn

Bella Swan

Jon Snow

Cinna

Zuko

Cedric Diggory

Explorer: ESFP

𝑻𝒉𝒆 𝑬𝒏𝒕𝒆𝒓𝒕𝒂𝒊𝒏𝒆𝒓

ESFP stands for extraverted, observant, feeling, and prospecting personality traits. INTJ is the opposite personality type of ESFP. People with this personality type tend to be outgoing, friendly, and impulsive, acquiring the most enjoyment from being in the presence of others. Also known as, 'the Performer.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

These people love vibrant experiences, engaging in life eagerly and taking pleasure in discovering the unknown.

They can be very social, often encouraging others into shared activities.

These people love vibrant experiences

ESFPs get caught up in the excitement of the moment, and want everyone else to feel that way, too.

No other personality type is as generous with their time and energy as Entertainers when it comes to encouraging others, and no other personality type does it with such irresistible style.

Many famous people with the Entertainer personality type are indeed actors

There’s no greater joy for them than just having fun with a good group of friends.

Have the strongest aesthetic sense of any personality type; an eye for fashion.

𝐓𝐫𝐚𝐢𝐭𝐬:

Spontaneous

Humorous

Comedic-relief

Thoughtful

Well-liked

Resourceful

Outgoing

Friendly

Love the spotlight

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Steve Harrington

Jesper Fahey

Arthur Shelby

Rose Tyler

Jesse Pinkman

Andy Bernard

Explorer: ESTP

𝑻𝒉𝒆 𝑬𝒏𝒕𝒓𝒆𝒑𝒓𝒆𝒏𝒆𝒖𝒓/𝑫𝒂𝒓𝒆𝒅𝒆𝒗𝒊𝒍

ESTP stands for extraverted, observant, thinking, and prospecting personality traits. INFJ is the opposite personality type of ESTP. Also known as, 'the Doer,' 'the Action-Seeker,' 'the Persuader.'

𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲:

They tend to be energetic and action-oriented, deftly navigating whatever is in front of them.

They love uncovering life’s opportunities, whether socializing with others or in more personal pursuits.

They love using common sense to find smarter ways of doing things.

While they are dedicated to whatever they're working on, they don't like to be micromanaged or told what to do by others.

They thrive by being the center of attention.

Always have an impact on their immediate surroundings

If an audience member is asked to come on stage, Entrepreneurs volunteer

They have a special ability to react quickly in an emergency or crisis situation.

𝐓𝐫𝐚𝐢𝐭𝐬:

Adventurous

Thrill-seeking

Energetic

Outgoing

Charismatic

Persuasive

Live in a world of action

𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐢𝐬 𝐌𝐁𝐓𝐈:

Rebecca Sharp

Jaime Lannister

Aquaman

Gimli

Sirius Black

Han Solo

Jennifer Check

𝑻𝒊𝒑𝒔 𝒐𝒏 𝒉𝒐𝒘 𝒕𝒉𝒆 𝒍𝒆𝒕𝒕𝒆𝒓𝒔 𝒘𝒐𝒓𝒌:

Extraversion (E) – Introversion (I)

Extraverts (also often spelled extroverts) are "outward-turning" and tend to be action-oriented, enjoy more frequent social interaction, and feel energized after spending time with other people. Introverts are "inward-turning" and tend to be thought-oriented, enjoy deep and meaningful social interactions, and feel recharged after spending time alone.

Sensing (S) – Intuition (N)

People who prefer sensing tend to pay a great deal of attention to reality, particularly to what they can learn from their own senses. They tend to focus on facts and details and enjoy getting hands-on experience. Those who prefer intuition pay more attention to things like patterns and impressions. They enjoy thinking about possibilities, imagining the future, and abstract theories.

Thinking (T) – Feeling (F)

This scale focuses on how people make decisions based on the information that they gathered from their sensing or intuition functions. People who prefer thinking place a greater emphasis on facts and objective data.

Judging (J) – Perceiving (P)

The final scale involves how people tend to deal with the outside world. Those who lean toward judging prefer structure and firm decisions. People who lean toward perceiving are more open, flexible, and adaptable. These two tendencies interact with the other scales.

[carewyncromwell]

Carewyn felt like her heart was being squeezed. “Orion…”

She shifted forward and almost made to get off the bed, but Orion quickly knotted the bandage on her hand and clutched it between both of his. He raised his head to look her in the eye.

“I can’t act like I knew, or even thought seriously, that our stars would align again…but even with that…I’d imagined a life much better than this for you.”

Carewyn’s eyes grew a little smaller upon his face.

“…You thought of me?”

Something flickered at the back of Orion’s eyes – was it uncertainty? His gaze flitted back down to their hands.

“…Yes,” he murmured. “Not…constantly, but…the memory of your voice was very soothing, on the most restless nights at sea.”

Carewyn stared down at Orion. The faint shyness in his expression, for the first time, made him suddenly look just like that boy again – the bruised, scared, trembling boy she’d tended to and sang to sleep…

“I suppose…that was what I’d imagined, mostly,” said Orion, his voice lower than ever as he looked up at her again. “That you’d have married a man who you’d look after and sing for.”

~POTC AU, Part 2: A Maid in Bedlam

 x~x~x~x

Ahhh, my kids!! My pirate kids!! 🥹

Ahem. Yes, a while back, I did the top sketch as a “redo” of the original drawing from the section cited above, back in April...and I figured I’d not only color that sketch, but redo the other part of that original doodle, likewise in color! How much progress can happen over the course of two and a half years!

I actually am working on a little prelude fic focused around that fateful first meeting of Carewyn and Orion’s during the POTC AU, which I’m hoping to have finished before the end of next week. It’s been really nice to revisit this AU again after so long, since even if I’ve become more thorough with the AU’s I’ve written since, I have such a soft spot for both the time period and the roles my kids play in the plot. ^.^ I mean, come on, Orion was practically born to play witty (Captain!) Jack. 💚

Look alive, mateys! Have a magical day! xoxo

[maxdibert]

Pretty messed up how some people are fans of a creepy and obsessive guy who didn’t care if a man and a child died just so he could get the girl.

Alright, let's break this down, anon, because there's a lot to unpack here.

I think I've mentioned this in several posts already, but I'll repeat it: Severus owed James Potter NOTHING—no compassion, no empathy, no mercy. Nothing. Absolutely nothing. James Potter was a rich, popular brat who abused his social and economic capital to torment a poor, unsupported boy for seven years just because he didn't like him from the moment they met on the train to Hogwarts, and from that moment on, he had it in for him. He was a terrible bully who used his friends to join in on that nasty bullying. So if Snape didn’t care that he died, well, Snape had every right to feel that way. Do you go to victims of domestic violence and tell them they should feel sorry for their abusers? No, right? Well, this is the same thing. James was an abuser, Severus was his victim. Severus did more than enough by not telling Voldemort to torture him to death with Cruciatus, because I would have. Honestly, I don't understand why Snaters always bring up the whole "James was dead and Snape walked over his body" as if it were some horrible thing when, hello! You're talking about an ABUSER being dead, mate. Of course, he walked right over his body—what surprises me is that he didn’t throw a party.

Harry had to die. I know this sounds terrible, but it’s basically what the prophecy indicated. He was a target that Voldemort wasn’t going to let slip away, his fate was sealed. And yes, it’s unethical. And yes, it’s immoral. But the truth is that wars are unethical and highly immoral, and horrible, monstrous decisions are often made. Harry was not an option—asking for mercy for him was pointless because there wasn’t going to be any.

I don’t think Severus ever believed that if James was out of the picture, Lily would go to him or anything like that. I mean, they hadn’t spoken for five years—about six by that time. Severus NEVER harassed or stalked Lily. The only time he went after her was when the whole SWM incident happened, and he tried to apologise. Once she made it clear she didn’t want anything to do with him anymore, Severus respected her decision, and as far as we know from canon, they never interacted again. So, I don’t think, after six years of not talking, with his supposed former best friend having married and had a child with his personal bully, Severus had many expectations of them ending up in any sort of romantic relationship. I think, quite simply, that Lily always represented the only good part of his childhood—the only happy memories, the only moments of peace amidst the hellish violence he endured at home. I believe this was crucial for someone like him, whose childhood and teenage years were marked by violence, and he wasn’t willing to let the one good thing in his life end up murdered.

I agree that Severus is highly obsessive, but haters tend to frame this in a derogatory way, referring to his "obsession" with Lily, and I think it needs some clarification. Yes, Severus is obsessive, and he’s terribly immature at times, and he overreacts enormously when confronted with something that really triggers him (just look at how quickly he loses his temper with Sirius, for instance). This is obviously because he’s someone who never had the opportunity to grow up normally or develop cognitively as he should have, because his whole life was marked by violence. His home life was violent, and at school, he endured violence, and then at 20 years old, he handed his soul over to Dumbledore’s cause and had to work for nearly two decades at a school that was the epicentre of many of his traumas. He literally had neither the spaces nor the environments needed to heal and grow into a functional adult, and you can clearly see this in his behaviour. I’ve always said Severus is more of a diva than the cold, mysterious character people often make him out to be in fanon. To me, he’s someone who, on a personal level, hasn’t been able to grow emotionally in a healthy way and doesn’t know how to manage certain situations, especially those tied to his emotional issues. That said, I also don’t think he was romantically and/or sexually obsessed with Lily. I do think he loved her or was infatuated with her in his youth—first love, crush, whatever. But I don’t believe his need to avenge her death was due to romantic or obsessive love. I think it’s more about his obsession with repaying his debt to her. Severus always felt partially responsible for Lily’s death, and that’s where his obsession lies: it’s not that he’s obsessed with her, per se, but with the fact that he feels guilty for what happened. He feels, in some way, responsible for the death of the one person who showed him kindness, affection, and care during his childhood, which made her the most important person in his life at one point. And guilt often leads to obsession, much like grief that is not properly processed, and I don’t think that kind of obsession is creepy. I think it’s a very human kind of obsession.

Lastly, I don’t find Severus creepy at all. Why is he creepy? I mean, Harry was running around with his invisibility cloak, spying on everyone. The Marauders had A BLOODY MAP that allowed them to track everyone at Hogwarts 24/7 like some kind of magical GPS. Is Severus really the creepy one here? There are literally Animagi who turn into animals to spy on people—I have to laugh at the whole creepy argument.

That being said, if you’re going to come into my DMs to complain about Severus, at least bring some convincing arguments because it’s a bit tiresome hearing the same nonsense over and over again.

[emeritusemeritus]

Masquerade: you can fool any friend who ever knew you. [Fred Weasley]

**This is part 2 to a request you can find HERE**

Title: Masquerade, you can fool any friend who ever knew you.

Pairing: Fred Weasley x SarcasticHufflepuff!Reader {Idiots in love}

Timeline: Non-specified/ non-canon event.

Summary: Following Hogwarts’ anniversary masquerade ball, will Fred ever find the mystery woman he’s longing for, and can you, his best friend with a light crush on him, survive it?

*Updated Warnings: Unrequited love, idiots in love, friends to lovers all the usual divine tropes. Happy ending I promise. Minor sexual references, 1 mention of masturbation, George fancies Angelina. Slight angst? We have a massive crush on Freddie. Bonus points for anyone who knows where the title is from. Kissing, love confessions. Did I just write 5k words and none of it was smut?! There’s a mention of Paedophilia in the form of a passing age related joke*

Word count: 1.8k

Thank you to my wonderful Anon who inspired this two part fic with their brilliant request. This story flowed out of me and I was unable to stop writing. Did I cry writing this? Definitely Maybe 🖤

It was mid-afternoon and you were walking from charms when you felt a paper bird fly into your shoulder, confusing you as there was virtually no one around. You'd stayed behind after class with Flitwick to go over some extra work you'd asked for to boost your grade and became throughout confused at the random paper. Opening it, you couldn't help but smile, seeing Fred awful handwriting littering the inside.

'Little Badger- My dorm, 8pm?'

You knocked on the door, waiting for his signal for you to enter and walked into the dorm with a smile on your face, pausing once you noticed that George wasn't there.

"Where George?"

"Well I'm offended," Fred says, giving you blank look, "where's bloody George, am I not good enough now? Also hello."

"Hello trouble," you say, walking over to hop onto Fred's bed, instantly lying down on the surprisingly comfy and tidy bed. You squeal as you feel him jump in beside you, the tiny beds making you think that Fred would be jumping on you but he surprises you by scooting over to allow you to just lay beside him.

"What did you want to do?" You ask, turning your head towards him.

"Hmm?" He asks, half as if he's not listening and the other half as if he doesn't understand.

"You asked me here, what have you got planned?"

"Nothing really, just wanted to see you. It's not a crime is it?" He smirks, eyes soft.

"Only if you're a paedophile," you say bluntly, watching with glee as his eyes bulge and he bursts out a laugh at the dark joke.

"Rotten woman," he mumbles, earning a half-arsed shove on the shoulder as you smile at him.

"Fancy a nap?" You say, eyes closing as you find a comfy spot on the bed.

"How old are you?" He asks tauntingly, preparing to tease you over the need for a little sleep.

You open one eye, looking straight towards him with a smirk on your face, "do you really want me to make the paedo joke again?"

His hands instantly come out to tickle your sides and you beg for mercy as you squirm, almost falling off the bed in the close quarters a few times before he relents.

"Let's go to the kitchens," he suggests.

"Or.. let's take a nap."

"Astronomy tower?"

"Orrrrr a nap?"

"Bloody hell woman how tired are you? I'm offering a romantic date with food and a view, not to mention the giant squid, and all you want to do is to sleep!"

Despite your eyes remaining closed, you'd never felt more awake at the word 'date' so casually slipping from his mouth, a fire in your tummy beginning to ignite the very thought. You try to think of something to say, anything, in reply but you can't, all words failing you completely until you bring up the one topic you didn't want to talk about.

"Not sure your mystery woman would approve," you joke, though there's no real humour in your words. Fred snorts and you open your eyes to see him frowning off into the distance.

"Given up on her already?" You say, digging a little deeper, intrigued by his curious reaction. You watch as he frowns, turning his head slowly to look at you, eyes softening slightly the longer that he stares.

"Let's go to the black lake."

"Are you going to drown me?"

"What? No," he says in concern at your words.

"Alright, lead the way then Weasley."

It's bloody freezing when you reach the edge of the lake, the wind whipping through the trees like it's trapped between the tree line and the school, making you fight off a chill.

"Here, have my robes," Fred offers, his fingers reaching for the fastening.

"No Freddie I'm fine, you'll be freezing," you say, reaching up for his hand to stop him untying it.

He pauses, your hand still resting on his as he looks into your eyes, a soft smile ghosting his face.

"You haven't called me Freddie in ages."

"Sorry," you say, averting your gaze and pulling your hand away but he stops you, grabbing your hand and holding it in his. You see how his gaze diverts to your entwined fingers but you don't say anything, opting instead to take a deep, steadying breath.

"Your hands are freezing," he observes, his fingers squeezing yours gently.

"Yours are warm," you hum in return.

Suddenly, he looks up at you again with a questioning gaze, like he's looking into your soul.

"I want to try something," he says, not glancing away. You simply nod, hardly trusting your voice in the moment as you let him adjust you however he wants.

His right hand slips around your waist, the heat from his skin penetrating yours immediately, warming your side and yourself. You can barely breathe, you're certain he's never been this close to you before. You watch as he follows his hand with his eyes, gripping your waist with his long fingers before trailing his eyes up to your entwined hands. His gaze then trails up to your face and you look at him with an expression that you hope is neutral but is probably very far from it.

He starts to spin you on the rocky shoreline of the black lake, the two of you dancing under the moonlight without any music. It's beautiful and bittersweet all at the same time.

“It was you.”

"It was you," he repeats, sounding breathless, slowing his footwork only slightly. You frown, brows knitting together at his words, completely lost at what he was accusing you of.

"That night, at the ball, it was you."

"Freddie it wasn't me," you say quietly, your emotions bubbling to the surface, finding it too hard to deny any longer under his gaze. "I wanted it to be you that I danced with, I wanted it to be me that you wanted. I looked for you but... it wasn't me Fred."

Tears begin to well up in your eyes but you don't feel upset anymore; you think this is the last step in your grief, the acceptance. You knew that with one simple lie you could have Fred Weasley for yourself, that everything you'd ever wanted was right at your fingertips but you couldn't do it. Not to yourself and especially not to Fred.

"But you were there, it could have been you," he says with determination. Did he want it to be you? You reluctantly shake your head, wishing more than anything that it was.

"The guy I danced with had black hair," you say, wanting to break the gaze but finding it impossible. You feel a pang of sadness when he chuckles, head thrown back with a humourless laugh that makes your stomach lurch. He'd realised that it wasn't you after all. He pulls away from you and your heart breaks just a little bit more.

"You mean like this?" He asks, pulling out his wand and pointing it directly at his head. You scramble to get him to stop whatever he's doing but you're rendered completely silent when you watch with wide eyes and mouth agape as he casts a spell you don't know that immediately turns his fiery locks pitch black.

A sob escapes you as you look at him, hardly recognising the boy you'd loved forever seeing him with black hair, realising that it must have been him.

It really was him.

"There's about 6 people in this school with red hair and 4 of them are Weasleys, kind of defeats the point of being anonymous doesn't it," he says with a smirk. You're gobsmacked, still doubting what's in front of you.

"It really was you? The orange waistcoat with the gold stars?" You say, trying to pull the memory of the mystery man as clearly as you can.

"If you look in my wardrobe right now I can promise you it's hanging there," he says, pocketing his wand, the boyish smile returning to his lips.

"And my dress?" You ask, waiting for the moment he'd describe it wrong and this whole dream would slip away from you.

"Could kill a man," he says with a smirk, trying to calm your apparent nerves and denial. He describes it in near perfect detail, including your mask. You're breathless, lip quivering as you realise that it's really real.

"You believe me?" He asks, slowly moving forward. You nod, unable to find your voice.

"You trust me?"

You nod with more enthusiasm, never doubting your trust in him for a second.

He smirks, moving forward and you reluctantly hold out for hand to stop him, his smirk fading from his face instantly.

"Whatever happens next isn't happening until you look like you again," you say through a laugh, your eyes lighting up as he laughs too having forgotten about the black hair. He pulls out his wand and with a single effortless flick, he's Fred again.

This time he doesn't ask for permission, it's all in your eyes, the welcoming, the love. His hand grabs yours and he slowly pulls you into him, his right hand sliding onto your waist whilst his left hand tucks it self under your chin. There's a moment that passes as you look into each other's eyes where nothing else exists outside of the two of you. His eyes flick down to your lips as his fingers lift your chin ever so slightly whilst he begins to lean down.

His lips feel like pure magic against yours. It's like finding that perfect wand at Ollivanders that has chosen you, completely in sync and connected through a force invisible to the human eye.  You give in to the kiss without a second thought, allowing him to dominate the kiss, his tongue sliding deliciously against your own, the comfort of his pillowy soft lips nearly taking your breath away. It's everything you could have ever imagined and you can't imagine for a single moment from here that you could ever be without it again.

He pulls away eventually and you look up at him with shining eyes, tears of happiness welled up in your eyes at the years of torment finally absolved. He looks at you like he never has before, it's full of love, full of adoration.

"You have no idea how long I've wanted to do that," he admits with a chuckle that makes you snort at his stupid words.

"I'd wager that I have some idea."

[saintsenara]

We all know Weasleys come in two varieties - short and stocky or tall and gangly. Has anyone ever been brave enough to give us a thicc Ginny? What do you think she looked like?

an important question, anon.

the books suggest that ginny looks like her mother - most notably via harry having the sudden urge to flip through a bit of sophocles when he's trying to lie to molly about his mission in deathly hallows - which means, even though vast swathes of this fandom seem to be too cowardly to admit it, that her bonafide baddie powers [enough to have several men canonically willing to risk it all] come from molly as well.

the books also suggest that ginny looks like fred and george - as we find in order of the phoenix, when harry's not exactly acting like he's about four weeks off falling head-over-heels in love with her by telling ginny to fuck off when she tries to accompany him to the department of mysteries - and her brothers also say that she's short.

[although she's also fourteen at this point, so she doesn't have to stay that way.]

and this makes sense - since the lanky weasleys are all said to look like arthur, the stocky weasleys must resemble molly.

molly never really gets treated by this fandom as someone who's attractive - and, let's all be honest, the fact that the books describe her as fat is a considerable proportion of the reason why. ginny - on the other hand - is canonically hot, which means that far too many fans end up falling into the trap of assuming that she must, therefore, be thin.

whenever i read fics which describe ginny's physical stature in detail, she always seems to be written as having a very slim, dainty build - like a ballerina or maybe, at a push, a distance runner.

which isn't a bad thing, and doesn't necessarily indicate anything about an author's assumptions. it's just that there is often a subtext when ginny is described that way - especially if many of her canon traits, like being bolshy, sporty, cheeky, and relaxed [that is to say, not being uptight, giggly, prim, vacuous, emotional, etc.], are present and especially if the fic is pairing her with harry - that gets a bit "cool girl":

Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot.

but what if - hear me out - ginny is still able to have several men foaming at the mouth without being very slim, just like her mother before her? wouldn't that be hot?

and since she's someone who's an enormous fan of and goes on to make a career in a sport which is heavily modelled on rugby... we have lots of references for how she might look while she's ruining lives up and down the halls of hogwarts:

i would like to see it.

[hollowed-theory-hall]

What profession do you see Harry in? When I was younger I was adamant he would have been a professor. After reading the book again in my late 20’s I can’t see it anymore. I think he would have been a Auror because solving mysteries and catching felons would intrigue him more than dealing with a bunch of students grading papers. I think he would get bored and would resign after a year or two. I know people who love professor Harry love pointing out him teaching in Dumbledore’s Army and I think people forget he only had to do the practical part, not the theory aspect. I can’t image him reading multiple essays on the same topic. It would drive him bonkers. (Hermione would be in cloud 9 though). I love teaching my nephew and his friends how to play soccer, would I ever take it as a profession? Never. It’s a part time passion not a career. Im sure he made surprise visits to Hogwarts as a guest lecturer but that’s it. In an AU where Jily lived I could see Harry becoming a quidditch player or even taking a liking to potions because of his mom who didn’t put the bitter taste in his mouth like Snape. In canon the only two careers I could see holding his attention is curse breaker and being an Auror, purely because of the mystery of solving puzzles and being on his feet. The one thing I still agree with my younger self is Harry would have returned for his 8th year and so would have Ron. I think he needs a year to just be a kid who sneaks around the castle exploring different corridors to make out with Ginny. 

Well, I do like the idea of Harry returning to teach DADA at Hogwarts, as I mentioned here, here & here. Though, an anon did bring up a cool idea for Harry to be more of a private investigator than an auror for a few years before becoming a DADA professor. I just don't see Harry as someone who'd be good at receiving orders and working within the ministry. Like, with everything that happened with the ministry in the final 3 books, I find it kinda insane Harry chooses to work there after we spent 3+ books going over how corrupt and ineffectual they are and how much Harry dislikes it. It just feels iffy to me.

I think Harry would surprise you with his patience, honestly. I think he is very capable of reading dozens of essays about the same thing and grading them. Like, the fandom likes to forget it, but Harry read all his course books before first year:

Harry kept to his room, with his new owl for company. He had decided to call her Hedwig, a name he had found in A History of Magic. His school books were very interesting. He lay on his bed reading late into the night, Hedwig swooping in and out of the open window as she pleased. 

(PS)

He does do reading and research on his own and with Hermione when he needs/wants to:

There was much less laughter and a lot more hanging around in the library when Hermione was your best friend. Harry still hadn’t mastered Summoning Charms, he seemed to have developed something of a block about them, and Hermione insisted that learning the theory would help. They consequently spent a lot of time poring over books during their lunchtimes.

(GoF)

Harry was already hurrying up the spiral staircase to his dormitory. . . . He would grab the Invisibility Cloak and go back to the library, he’d stay there all night if he had to. ... “Lumos,” Harry whispered fifteen minutes later as he opened the library door. Wand tip alight, he crept along the bookshelves, pulling down more books — books of hexes and charms, books on merpeople and water monsters, books on famous witches and wizards, on magical inventions, on anything at all that might include one passing reference to underwater survival. He carried them over to a table, then set to work, searching them by the narrow beam of his wand, occasionally checking his watch. ...

(GoF)

Harry is so capable of sitting down and grading essays if he wants to. He's actually not averse to studying and reading at all, not on his own. He's just mirroring Ron and the other Gryffindor boys to fit in because it's what Harry does.

He'd be one of the teachers who give bonus points if a student writes something funny in their essay, I just know it.

Also, even for the DA, he actually made lesson plans:

Sirius and Lupin had given Harry a set of excellent books entitled Practical Defensive Magic and Its Use Against the Dark Arts, which had superb, moving color illustrations of all the counterjinxes and hexes it described. Harry flicked through the first volume eagerly; he could see it was going to be highly useful in his plans for the D.A.

Like, he read through Defence books and organized plans for spells to teach, in what order, and how to teach them. Harry spends a lot of time thinking about the DA in his head in OotP. About the successes of his students that he feels so proud of but also when he's gonna do the next meeting and what he'd teach.

90% of his DADA professors can't say the same.

Also, Harry actually kept track of the state of every student and applied the teaching method best for them and didn't pick favorites:

They all divided up obediently; Harry partnered Neville as usual. The room was soon full of intermittent cries of “Impedimenta!” People froze for a minute or so, during which their partners would stare aimlessly around the room watching other pairs at work, then would unfreeze and take their turn at the jinx. Neville had improved beyond all recognition. After a while, when Harry had unfrozen three times in a row, he had Neville join Ron and Hermione again so that he could walk around the room and watch the others. When he passed Cho she beamed at him; he resisted the temptation to walk past her several more times.

(OotP)

Like, the fact he wanted to pay more attention to Cho and then didn't because he knows that's not what he should do as a teacher is already better than a good chunk of Hogwarts professors (McGonagall, Snape, Dumbledore, and Slughorn all clearly have favorites).

Like, Harry is putting into the DA more effort than just showing them practically what they need to do. He spends all his lessons with Umbridge thinking about the DA. He reads and studies so he can teach them better. He put a lot of effort into it.

Not to mention Harry was dealing with the DA that included about 30 members compared to the average Hogwarts class, where a professor only needs to manage 20 students in the classroom.

As for 8th year. Yeah, I like to think he comes back. I think it'll be a good healing opportunity for him. Though, I personally do not envision him making out with Ginny since I don't like Hinny. But the idea is that the poor boy needs a break.