#hogwarts mystery references

[lilithofpenandbook]

In between Tonks' obession with werewolves and the constant references to Snape's trauma, I think I'm losing my mind with this game

[jxurnes]

i feel like a trophy wife. penny's doing all the work and im just sitting there. cursebreaker who?

[danceworshipper]

@hphm-ship-week Prompt 2: Quidditch

aka part one of my 'Rowan is gay no matter what gender they are' agenda

Ship: m!Rowan/Murphy 💙🦅

Date: June 3rd, 1989 (fifth year)

Rowan quickly decided that the view from the Commentary Box was the best. Well, of course it was, logistically speaking, it needed to be so that Murphy could accurately describe what was going on to the whole crowd, but he hadn't realized just how much better it was up here. The view was easily worth the amount of stairs he'd had to climb. He'd only thought about asking to be levitated like Murphy a few times.

It still felt like he was somewhere he wasn't supposed to be, despite none of the professors telling Rowan to rejoin his fellow Ravenclaws. Murphy had said that he was allowed to have a friend or two with him, but Rowan had never seen anyone else be invited up here until today. He hoped that meant he was special.

Murphy was as animated as ever, speaking fast enough to not miss a single detail of the match. Ravenclaw vs Gryffindor, playing for the Quidditch Cup - it was a big deal. It was big enough, in fact, that Murphy seemed to be having a spot of trouble remaining unbiased.

"An excellent block by the Ravenclaw keeper," he exclaimed. "Better luck next time, Gryffindor!"

After a while, Rowan found himself no longer paying attention to the match at all, instead watching Murphy. He really was in his element up here; it was no surprise that he'd been the commentator since he first arrived at Hogwarts. Murphy was clever, too, if his creative strategies were anything to go off of. He'd been sneakily helping Ravenclaw win from behind the scenes all year. Rowan wondered if Madam Hooch had actually not caught on, or if she simply didn't care enough to stop him.

"Gryffindor's seeker spots the snitch!" Murphy announced, and the Ravenclaw seeker's neck nearly snapped with how fast she turned it.

Rowan watched as she pushed her broom to the absolute limits, Murphy ignoring a goal from Gryffindor to cheer her on, much to Professor McGonagall's annoyance. Gryffindor's seeker dove hard to the right, causing Ravenclaw's to fly past him, but the maneuver backfired when the snitch darted to the left instead, directly into the Ravenclaw seeker's outstretched hand. She stared at it in shock before lifting it high above her head with a victory cry.

"Ravenclaw has caught the snitch!" Murphy shouted. "With 320 points, Ravenclaw wins the match!"

Professor Flitwick nearly fell off the bench behind Rowan as he scrambled to set off a Blue Sparks charm in his excitement. The crowd down in the stands went absolutely wild, screaming and throwing hats, scarves, whatever they could as they rushed out of the stands to congratulate the winning team. Rowan had little interest in being a part of that stampede, so he stayed right where he was.

It had nothing to do with wanting to talk to Murphy, who looked positively ecstatic that Ravenclaw had won.

"I knew they could do it!" he told Rowan. "That last bit of broomwork was some of the most impressive I've ever seen! Even if she hadn't gotten to the snitch first, I've never seen someone with an older model be able to catch up to someone like that - I suspect that Gryffindor will demand a detection spell on that broom to make sure it wasn't enchanted, which it wasn't obviously because she'd never do that - "

"Parkin would," Rowan interjected.

Murphy narrowed his eyes, considering. " ...fair. But did you see? That strategy I invented for the beaters saved our chasers from eighty-seven-point-three percent of the bludgers, a twenty-two-point-five percent increase from the last match - "

Rowan leaned against the ledge of the box, jaw in his hand as he listened. Admittedly, he hadn't been watching the beaters much, but he'd been Murphy's guinea pig for explaining the new strategy so he knew exactly what he was talking about. The whole thing had almost made Rowan wish that he'd tried out for the team when there was an opening, but he knew he was better off watching. He was a member of the much more relaxed Quidditch Club and it suited him just fine.

"Do you think they'll have to test if the snitch was charmed too?" Rowan asked, cutting Murphy off again.

Murphy hummed. "About a fifty-six-point-eight percent chance, if they have the broom checked."

"Where do you come up with these numbers?"

"Incredible mental math," Murphy said, and winked.

Rowan laughed, but that wink did things to him... it mostly just made him nervous.

They stayed in the Commentator Box until long after the professors had all cleared out - Professor McGonagall confidently telling Professor Flitwick that he wouldn't be so lucky next year - lost in their talk of strategy and how the team could improve even more next year. They only paused when Orion came up to find Murphy, saying that the team desired his presence at their victory party.

"The jubilance is high, but your energy is missing," Orian said. "Equilibrium will not be found until our guiding hand is present."

Whatever that meant.

"Can't let the team down," Murphy told him. "Any chance you can get me out of here?"

"Of course. Allow me to reach the ground first. Walk with me?" Orion asked, addressing Rowan.

"Oh," Rowan said, caught off guard. "Yeah, sure. See you in a minute, McNully."

Too many stairs, Rowan thought to himself, trying to breathe evenly so that Orion didn't notice his struggle. Orion had such a grace to him, both in flight and on the ground, which was something that Murphy brought up frequently when brainstorming strategies. Orion simply wasn't an aggressive enough player for a good portion of the well known strategies, which is why Murphy started inventing new ones in the first place. The way he talked about it, Orion was actually an advantage to Ravenclaw, because he made moves that none of his opponents ever saw coming. He was well deserving of being the captain of the team.

"The two of you seem well in harmony," Orion said, startling Rowan.

"Huh?"

Orion smiled knowingly. "I expect good news soon in regards to you both. Maybe even today?"

Rowan was certain that he was bright red. "I don't know what you're implying," he protested.

"You do."

Well then.

They stepped out into the sunlight, and Orion raised his wand to levitate Murphy out of the box. Rowan wondered why no one had thought to install an elevator, even if it had to be a manual one due to the high magic saturation in the air near the castle. Surely that would be easier than this? Maybe he should suggest the idea to Professor Flitwick the next time he met with him.

"Ah, solid ground," Murphy said, wheeling over to Rowan and Orion. "Party time!"

"Indeed," Orion agreed.

Murphy turned his head. "Hey, Khanna, you coming?"

Rowan scratched the back of his neck, suddenly very nervous. "I mean, it's in the common room, so I guess I have to, don't I?"

"Reluctance, that's the spirit!" Murphy joked.

Orion tilted his head, that knowing smile reappearing. "Perhaps, Murphy, you should accompany him, so he does not feel left out."

Too busy glaring at Orion, Rowan almost missed Murphy turning red.

"I think it's an excellent idea, don't you?" Orion pressed.

Murphy cleared his throat with a cough. "Yeah, yeah, I could do that. Easy. We can continue our conversation," he added, quickly regaining confidence. "I may take you on properly as a strategy apprentice, Khanna. You've got good insights."

Rowan's voice cracked when he laughed. If only a Cursed Vault would suddenly open, causing a terrible emergency. Alas, the earth never opens up and swallows you when you want it to.

[mooniljido]

Valentine's day is around the corner... i wonder if there will be a special quest in hphm? It's time to d-d-d-date!!

[carewyncromwell]

"There's nothin' you can do to turn me away -- Nothin' anyone can say -- You're with me now and as long as you stay, Lovin' you's the right thing to do... Lovin' you's the right thing..."

~"The Right Thing to Do" by Carly Simon

x~x~x~x

My dear Carion! And canon, at that! 🥰

One headcanon I've had for these two for a while is that -- because they're both on the "A" side of the LGBT+ spectrum -- they wouldn't be huge into cuddling. Instead I could see them working side by side in the kitchen, holding hands, and (as pictured here) Carewyn laying her legs across Orion's lap on the couch while they're both sitting down. Even while sitting down with her legs up, though, Carewyn is a perpetual workaholic who has a lot of trouble putting down her work files and just relaxing, and so it's up to legal partner Orion to encourage her to slow down and take some time to herself, whenever he comes to stay the night.

"The world will wait a night for you, my Abraxan. Best shed those uncomfortable, stifling things until you truly need to wear them again." "I suppose that includes my work as well as my shoes." "Your troubles, broadly -- but specifically, yes." "(soft laugh) I suppose it would be good to take them both off for a night...these heels do pinch my toes after a while."

This song made for very good inspiration for this, since I could see Carewyn singing it for Orion more than once. Its last stanza in particular would really speak to her, when Orion's traveling with the Montrose Magpies --

"Nothing you could ever do would turn me away from you: I love you now and I love you now... Even though you're ten thousand miles away, I'll love you tomorrow as I love you today -- I'm in love, babe... I'm in love with you, babe..."

Much love, all! Have a magical day! xoxo

[ariparri]

HPHM Cardverse Ad

HPHM Cardverse Masterlist

The Hogwarts Mystery Cardverse is an AU that takes place in a fantasy land called Cinderhaven. There are five regions, four of them representing a suit of cards; Spades, Clubs, Hearts, Diamonds. The final region representing the Jokers.

Warnings: None

Tag List: @catohphm @lifeofkaze @eternalchaoschocolaterain @oneirataxia-girl

If you want to be updated on content for the AU, let me know and I'll put you on the tag list!

A/N: Ads, ads, ads everywhere! What’s the point of telling Tumblr I’m not interested in them if they’re just gonna show it again after five damn posts?! .°(ಗдಗ。)°. Anyways, here have an ad for HPHM Cardverse. I finally got to draw Veruca in her rebels outfit! I actually like it, and I made use of her post Hogwarts hairstyle when she’s an auror. Also, yes, Gambat is gonna be Veruca's method of attack for her common sprite. Since Gambat actually has a major role during the rebellion by passing letters to and from Orion to keep him updated on Spades' situation.

❌ NO REPOSTING ❌

＊➖＊➖＊➖＊➖＊➖＊➖＊➖＊

As soon as the wolf and raven have fallen, the lioness shall bring forth an age of tyranny. 

Justice demands retribution!

Once steel turns to rust, the young sister of the wolf shall bring the rise of hope. It shall be then, when the air turns white and gray, the young woman shall cause an era of retribution and bring forth the downfall of unjust cruelty and oppression.

[helenadurazzo]

The Hearst Hall

I have finally found a perfect real life reference to what the Hearst Hall looks like! My historic architecture loving heart is happy

Got this idea when I was doing a project on Hardwick Hall for a class, which was used for filming the exterior of the Malfoy Manor

Meet Cotehele House, a country house with medieval and Tudor design elements located in South West England in Calstock. To sum its history up, Cotehele was built in 1485 when Sir Richard Edgecumbe gained the property for Henry Tudor who would become King Henry VII after the Battle of Bosworth for his support in the Battle of the Roses.

This is interestingly similar to how the Hearsts also gain their home. Ozias Hearst (born in 1457), along with his older sister, Nemesia (born in 1450), lived in the 1400s but lost their parents shortly after Nemesia turned nineteen. While Nemesia went on to become a Hogwarts Professor, Ozias found himself intrigued by the complex muggle politics going on between noble houses and became acquainted with Henry Tudor and his court during a visit to France, supporting him and providing assistance that ultimately helped him claim the English Throne. As a reward for his loyalty, he was gifted land which would later become where the Hearst Hall was built which became their first and historic family home.

Reblog with a reference of your MC’s family home (can be HPHL, HPHM, and/or HPMA) or some interesting facts if you have them

[alexandros-deathwood]

Ismelda: I didn't know Merula got a new pill- oh it's just Deathwood.

Merula and Alexandros:

I saw a photo and I knew what I had to do.

[fandomfrenzy97]

🌈 Taste the rainbow, mugglefuckers ☺️😜😂

Update: I decided to name my Jackalope “Jaheira”

[livinginshambles]

No, you listen to me | James Potter

Pairing: James Potter x Slytherin!Fem!Reader

Word Count: 3.6k

Summary: Aftermath of when you ran away from the Yule ball, cinderella style. after the Christmas holidays, both of you return to hogwarts with different objectives. James tries to find out who you are. You try to make sure he never will.

Notes: Not proofread. Mistakes. Once again because people keep forgetting, english is my third language, be kind. Themes of bullying, discrimination, very bad sister relationships. Regulus is like a BROTHER. James tries?

Masterlist Part one. Part three

_________________________

Your eyes scanned across the parchment, rereading James’ apology, but all you could really feel was disappointment and anger. What was even the point of trying to prove anyone wrong? You leaned back against the cushions of the armchair and pulled your knees up, wrapping your arms around them to steadily lock them in place. Then you let your head drop.

You pressed your watering eyes into your knee, effectively letting your pajama pants soak up any tears that threatened to fall. You gently rocked yourself back and forth while you tried to clear your mind. You wouldn’t let any of this get to you.

A hand pressed itself to your back, right between your shoulder blades. “Let’s get you out of here,” Regulus spoke up. His tone was hard, but only because of his clenched jaw when he thought back to how you had run off with a betrayed look. The second he realized it was James who was the mystery guy, he had kept a close eye. He knew things wouldn’t end well with those prejudiced twats, and he was right.

You pathetically looked up at him, and Regulus didn’t bother to hide his grimace at the sight of your face.

“Don’t exaggerate you arse,” you mumbled and shoved him light-heartedly.

“Back at you,” Regulus shot back. Then he sighed and motioned for you to scootch over so he could squeeze himself to fit in the armchair with you. “I know you. And I know you know what my brother and his friends are like. Why are you so disappointed?”

You stared at the lit fireplace, lost in thoughts, and eventually shrugged when Regulus nudged you out of your train of thoughts.

“I guess- I really liked the guy on the other side of the paper. And I really hoped that maybe he’d be in there somewhere. And I suppose that for a moment I actually thought James Potter was alright, you know?”

Regulus scrunched his nose in distaste. “Not at all, but go on.”

You shook your head in amusement at him, but let your eyes soften. “I’m sorry Reg,” you whispered.

“What for?”

“Making you listen to me whining about a guy that I know you have personal issues with.” You decided not to mention out loud the fact that those personal issues included the way Sirius had left Regulus behind in that household, escaping to live with the Potters and going as far as publicly calling James his true brother. Found family, he had proudly said.

Regulus knew what you were referring to. He smiled bitterly. “Well, brothers are overrated anyways. I’d much rather have a sister,” he said while nudging you again.

You hummed in contemplation. “I don’t know Reg; I’ll have to disagree with you on this one. I’d much rather have a brother than any number of sisters.”

“How convenient for us.”

“Very convenient indeed,” you smiled happily.

Regulus got up suddenly and turned to you with a stretched out hand. You raised an eyebrow at him.

“I meant what I said, you know. Let’s get you out of here. I do recall you promising me tea at your new apartment.” He looked at his pocket watch. “Well, it’s 5 o’clock in the morning, and the first train leaves at 6. What’s the difference between leaving in the evening or right now.”

“You absolute champ.”

“I don’t even know what that means.”

You laugh whole-heartedly and stuff the parchment in your transfigurations book. You and Regulus took the first train and left Hogwarts behind for the Christmas holidays. A break would do you good. Godric knows you needed to get James off your mind.

James carefully placed the glass slippers in his suitcase and covered them with a few sweaters just in case. He had caught the elves recklessly throwing suitcases into the storage compartment of the Hogwarts express before. You’d think that the use of magic would come in handy for tasks like this, but no.

“Prongs, I got you this?” Sirius pushed a sheet of bubble wrap into James’ arms. James offered Sirius an appreciative look.

After thoroughly explaining everything, from the moment when he found the parchment, to who you were and why he decided that he wanted to become someone you would approve of, Sirius had pieced the rest together and apologized to James for leaving such a shit impression on his mystery date.

James sheepishly pointed at his own solution. “Should I change it?”

“Well, I mean did you see how the elves throw around with our luggage?”

James mirrored Sirius' grin. This break truly came at a perfect time. After all, James would let you occupy his mind as much as he needed to find out who you were.

Two weeks flew by in a blur. You and Regulus had set up a Christmas tree inside your small apartment and had made a competition out of finding the most impressive gift for each other, with only 10 galleons.

You had found the most gorgeous black quill and enchanted ink set for him and were rather confident until Regulus had somehow shown up with what looked like emerald, antique and gorgeously over the top earrings. You had shot him a look and he had immediately provided a receipt to prove he had played fair.

“I just have great negotiating skills,” he’d said.

You had hummed skeptically in reply but had happily tried them on.

All in all, the holidays were a very welcome break for you. Which is why you were so very reluctant to pack your bags. The door to your room opened and Regulus stood in the entrance, leaning against the door frame.

“Get out,” you groaned in dismay at the interruption. Regulus shot you an unimpressed look.

“Not until I see you pack; we leave in less than an hour.”

You huffed in annoyance and threw a pillow at his head. “I’m not asking you again, Black.” You flopped back down on your bed dramatically in dismay at the prospect of going back to Hogwarts. Regulus elegantly tilted his head and let the pillow fly past him.

“One hour,” he enunciated, before walking off.

You threw another pillow his way and yelled, “Close the door when you leave, you twat!”

With a flick of his wand, your door closed.

Regulus waited for you with a bag in his hand.

“Where’s the rest of it,” you teased as you motioned to the small amount of luggage he held.

Regulus turned red but stuck his chin up. “Left them here for the summer,” he off-handedly replied. You laughed. “Great, so you can help carry this bag then,” you grinned and pushed your smaller bag into his hands while you marched out the door with your heavy luggage, dragged behind you.

When you entered the platform, and were handed the Hogwarts newspaper, you did not expect to find a picture of you and James at the Yule ball on the front page. ‘Who are you, Willow?’

You immediately folded the paper together and looked up in panic at Regulus. He looked around and found different students excitedly chittering to each other, all while pointing at the newspaper.

“That is so romantic,”

“I thought James was with Lily?”

“No, they’re just friends now.”

“I was wondering who he was dancing with.”

“She looks so pretty.”

“If I found out that my date was James Potter, I’d take off that mask immediately.”

“Well, she could just be shy.”

“So true, probably Hufflepuff, don’t you think?

“I really hope he finds her.”

You grimaced at everyone and all you wanted to do was disappear. “Relax, Y/N,” Regulus smoothly pulled you on board the Hogwarts Express. “No one will know it’s you.”

Despite knowing that he was absolutely right, you still faced the floor as you looked for an empty compartment. You didn’t realize that you were passing James, who had just come back from a train meeting with the other prefects. He had picked up on Regulus’ words and frowned. But before he could really stop to consider Regulus’ statement, Peter happily waved at him from the marauders’ compartment. “We’re over here!” he called out. James forgot about what he heard.

Remus held the newspaper up in the air when James finally took a seat. “Really?”

“It was Pad’s idea,” James immediately said.

Peter curiously grabbed the newspaper. “Any results?”

James shrugged. “It’s only the first day,” he tries to convince himself, but he was not very sure about this approach to find you.

“It’s going to work out, trust me,” Sirius said. “When she sees that you’re going to this extent to find her, you’ll definitely woo her for sure,” he claimed.

Remus pulled a face. “I mean, if she ran off cause you two were being pricks, again,” he gave both Sirius and James a sharp look. “And hasn’t answered any of your messages, I don’t think starting a witch-hunt of sorts is the way to find her,” he voiced out his opinion. ”She clearly doesn’t want to be found.”

“What are you calling my methods bad?” Sirius squinted his eyes at Remus in mock offense.

“I’m just saying they wouldn’t exactly woo me,” Remus dryly remarked.

“And yet-“

“Guys,” James interrupted. “I just want to find her and apologize. And ask her for another chance to prove that I’m more than what she saw.”

“Well,” Peter started. He turned red when all eyes were suddenly on him. “She will probably not reveal herself. But she’s still a student here. And she knows who you are. So maybe if you publicly show off kind acts, she’ll see how you can be?”

There was a beat of silence and for a moment, Peter wanted to change into a rat and crawl into a hole to hide. But suddenly he was patted on the back by James. “Peter, you absolute champ!”

James Potter was acting weird, and you knew exactly what he was trying to do. You huffed to yourself as you marched right past him while he held the door open for his friends and you, who trailed in right behind them.

Previously, James would have definitely let the door fall in your face, and you had anticipated so, thus smoothly switching your books to your left arm, putting your right hand in front of you in a bracing manner. And so it happened that you stood there frozen, hand flat against James' chest, because he had turned around fully to hold the door open for you.

You embarrassedly dropped your hand that still lingered against him, and a deep frown settled on your face.

“I’d take ten points from Slytherin for touching a student without their consent, but I suppose I’ll let it slide for today,” he arrogantly said. You wanted to beat him up. But you supposed you could let it slide for today. You scowled at him and fled past him towards your designated seat.

Something tugged inside James’ chest as he watched you turn your back towards him and hurry away. He walked to join the rest of the marauders, a ghost feeling of your palm against his chest.

It hadn’t just been you that he was more civilized with. You noticed when you found him volunteering in the library, putting away books back on the shelves manually. This bothered you, because he tended to specifically linger around the particular section in the back about Egyptian rites, your favorite. You knew he was there to hopefully spot any often-returning students.

You also noticed that less and less students were coming back to the common room, hexed. Aside from snide remarks, you hadn’t encountered much animosity from him anymore either.

Instead, you found yourself on assigned patrol with him, despite the fact that Regulus had kindly offered to jinx his broom during Quidditch practice so you wouldn’t have to.

“So,” James broke the silence. “How was your holiday?”

“Why do you want to know,” you immediately shot back before you could stop yourself. James raised his hands in surrender. “Woah, sorry, L/N, just making conversation here.”

You sighed and forced your shoulders to lose their tension. “It was fine.”

“Fine.” James repeated.

“Fine,” you confirmed.

That was the end of your conversation, in your opinion. James however, seemed to think differently.

“So did you get any nice presents?”

You shot him an annoyed look but ended up answering anyway. “Yes actually, Regulus got me these earrings,” you said, and you tilted your head to show him. James’ eyes lingered on your earrings. They looked good on you. The exaggerated gem made you stand out despite your sober attire.

“What else?”

“What do you mean, what else?”

“Why, did your parents not buy you anything or what?”

You halted mid-step and stared up at James. He noticed that he had said something wrong, and when your sisters came to mind, he hurriedly tried to take his words back. You didn’t let him.

“I don’t go home for the holidays,” you settled on. “I’m not particularly welcome there. My parents are as big of a fan of me, as Alyssa and Marla are.” You laughed bitterly and continued walking. James followed behind you, he didn’t say a word, instead waited for you to continue.

“Well, I’m in Slytherin after all. Which obviously equals being an evil blood supremacist. They wouldn’t want to associate themselves with that, of course,” you sarcastically remarked.

James felt guilt slowly seep in. Your words resonated in his mind and his hands grasped the folded parchment in the pocket of his robes tightly. Those were his exact same words of that night at the Yule ball, and he bit his lip. “I’m sorry.”

You looked up at him, surprise evident in your eyes. “You’re sorry?” You asked him in disbelief.

James nodded. If he couldn’t say it to his mystery girl, at least he could say it to you, he figured.

James watched your eyes light up slightly and for a moment, he was lost in a trance. He snapped out of it when you returned the question. “So how was your holiday?”

He grinned at the olive branch that you were reaching out. “Mine was fine.”

“Fine?”

“Fine,” he teased. You fought the smile that threatened to tug on your lips.

Patrol ended without any incidents to report and when you wrote that down, James peered over your shoulder to catch your circled dot on the ‘i’ of “nothing to report.” A sense of déjà vu dawned on him, but the sheer unconscious refusal to even consider you a possibility kept your secret safe.

When you were in bed that night, you couldn’t help but think about how at ease you had felt for the remainder of the night with James, basking in the familiarity of the person behind the paper.

With every patrol, you two put another step forward in the direction of a friendship of some sorts.

James couldn't deny the fact that with each time, he started to look forward to the next time, almost the same giddy feeling fluttering in his stomach as each time he would unfold his parchment to find new kind words written there.

You and Willow would be friends, James thought, as he looked at you while you were casually explaining Transfiguration to him while you two strolled through the corridors, not without the occasional insult at his 'lack of competence'.

But for now, James enjoyed the privilege of calling you by your first name. A friend of some sorts, he liked to think.

Perhaps he was wrong about Slytherins. Sure, there were some rotten apples, but he supposed there were rotten apples in each house. And you weren't so bad after all.

For the first time in a long time, you enjoyed your days at Hogwarts. Truly enjoyed them. You would send Regulus to the library to get you your favourite books, and would patrol every Thursday with James unless he had Quidditch practice. Then you would patrol with Abrams. You’d come across James, who would nod with a kind smile at you as you two have come to be cautious friends and patrol-partners. You hadn’t really heard anything from your sisters either, which was absolute bliss as well.

But then one day, you were studying Transfiguration by yourself in the library, and you just so happened to need to go to the bathroom. When you returned, you noticed your book was missing and you pulled a sour face before requesting a new one from Professor McGonagall who had looked over her glasses at you.

But that hadn’t been the bad part. No, the bad part was that you had completely forgotten that you had put your enchanted parchment that connected yours to James’ inside that book.

Sirius had victoriously grinned at his funny prank idea. He would change some spells in your book so that you would mess up and become a toad in class. He tossed the book on a table in the common room and a piece of paper slid out.

Sirius had seen the piece of paper before, and his eyes grew as wide as saucers. He jumped up, ran towards his room, and rummaged through James’ nightstand before finding James' parchment under his pillow and wrote something on it. He walked back down the stairs with James’ paper, and he watched in disbelief as a messy ‘hello’ appeared on the paper that your sisters now held. “Merlin,” he breathed out, but your sisters had already stormed out of the room.

You entered the Great Hall and felt everyone staring at you and whispering. Even fellow Slytherin students looked at you in contempt. You gave Regulus a confused look when you walked to the free seat next to him. He quietly slid over the Hogwarts newspaper.

Front page again. ‘Mystery girl uncovered. Not a Willow, but a Hanging Tree.”

You didn’t need to read the rest; you tore your eyes away from the paper. Tears threatened to spill, but you tried to keep a cool front. You turned around to look for James and found him and his friends sitting right behind you.

Whoever thought that putting The Gryffindor table and Slytherin table next to each other should rot in the dungeons, you bitterly thought.

It was your sister who spoke up first. “I can’t believe someone like you would make themselves out to be a victim. ‘Oh no, my sisters bully me,’” she mocked you.

You felt heat rise to your cheeks and got up. She got up as well and you stood eye to eye with each other. “You’re pathetic,” She sneered. “You’re the real mistake here. So go do what you do best- run away.”

You wanted to say something. Anything. But you felt weak and small again. So you turned around and walked away. Whispers continued to fill the room as everyone seemed to have something to say about you.

“How embarrassing.”

“She should be ashamed”

“A Slytherin like her?”

“She definitely wasted James’ time.”

With every comment you heard, you bit harder on the inside of your cheek, and when that last comment dropped, you balled your fists. Why should you be the one to walk away?

You turned around furiously and marched back towards James, who had gotten up to follow you and reached out his hand. You recoiled.

“Y/N, listen-“

“No, you listen to me,” you spat at him. You looked him up and down with a pained look, holding back tears of frustration and while trying to convey as much disgust as you could.

“If you didn’t like what you found out, you could’ve kept it to yourself and thrown the damn paper away. You had no right to publicly try to humiliate me like this. All of your kindness in an attempt to be a good person only shows how wretched you really are when you stop pretending and act cruelly true to yourself.”

James' eyes flashed with hurt and he shook his head, words were stuck in his throat. He wanted to cover his ears; he didn’t want to hear you say this to him. This isn’t what he wanted at all. You were wrong. He didn’t even know it was you until he saw the newspaper this morning.

But you weren’t finished talking yet.

“Has it ever even occurred to any of you,” you looked at the people behind him. You stared your sisters dead in the eye. “That maybe your prejudice and thoughtless assumptions and insults about how awful or evil we Slytherins are, is the very thing that pushes us down that path?”

You turned your attention back to James, who had an unreadable expression on his face now. “Your cruel comments are part of the reason and you, James Potter, are especially cruel.”

Your tone was sharp, face hardened and the entire Great Hall had fallen silent. Not even the professors spoke up. James felt like you had hit him in the face, and you might as well have. He looked down in shame at your words.

You shakily let out your breath and lowered your voice again. This time, you sounded tired. Reality seemed to dawn upon you that everyone in the great hall was listening to you, and you shook your head to yourself, taking a step back. You scoffed softly.

“I suppose you are truly worthy of the Gryffindor name; overly proud and arrogant in the name of bravery with a tendency to prove yourself, disregarding others and their feelings.” Your venomous words cut through James' heart.

James watched you walk away again and everything around him seemed to fade. He was losing you again. How had he not seen this?

Your situation with your sisters. The way you ran away at the Yule ball when he made a crude remark about Slytherins. The sense of déjà vu every time you walked past him, back turned towards him. Your handwriting. The feeling of your hand pressed to his chest just as when you two danced. The way you were great at transfiguration and could have easily transfigured those glass slippers. The way Regulus was the only student to frequently visit your favourite book section in the library. The chills you had sent down his back when you had allowed him to call you by your first name, and in return had called him James.

‘I’m in Slytherin after all. Which obviously equals being an evil blood supremacist.’

‘No one will know it’s you.’

Everyone knows.

Preview if interested

Part three

Taglist:

@k0z3me @magical-spit @bouearis @sprinkled-strawberry-donut @sammy-4103 @imsirius01 @xxrougefangxx @lilianelena39 @bubybubsters @cyphah @handybrownpurse @joeytribbiani18 @letssee2468 @stunkbiggu @unstablefemme @charmingpatronus @hoshi-is-ult-bbg @sadpetalsstuff @hisparentsgallerryy @luvly-writer @starsval @thisisasecretsstuff @theweasleyskettle @thisisasecretsstuff @urmomw4ntsme @krillfromsky @ietss @itsberrydreemurstuff @alexandra-001 @prongsprincessworld @lilsunshine1092 @hawkinsavclub1983 @rinrinslovebot @fluffybunnyu @fearlessmoony @lavenderwisteria @darkenwolfie @gengen64 @grandtheoristpeach @anehkael @lunasolac @targaryenmoony @jasminesacademia @mr-underhills-things

[pl0tty]

Jojo’s ABC’s of Drarry fic: a rec list of Drarry fics I love, sorted in alphabetical order!

26 fics ♡ 26 authors ♡ a good mix of smut, fluff, angst and plot ♡ enjoy!!

A — All the Earnest Young Men by @tepre (E, 29.4k)

All over London portraits are disappearing from their canvases.

Auror Harry! Expert-in-Magical-Art-Theory Draco! There's running, dancing, falling through ice, what’s this paper giraffe doing here? A great time was had by all.

B — Beneath the Wave by @moonflower-rose (E, 30k words)

Harry is done with a life in the spotlight. No more adventures, no more mortal peril. He wants a quiet life of food and friends, and family. He even manages to have it for a while, until suddenly there are giant rabbits that need ferrying to a mysterious island, and a handsome Draco Malfoy, and Harry's right back in the middle of the action again, despite his best efforts.

C — Come For Me by Frayach (E, 24.6k words)

After Draco is paralyzed in an accident, he and Harry discover a new way to make love.

D — Dwelling by aideomai (E, 83.3k words)

Curses, James and Lily Potter ride again, several Ministry balls, a teenage Summer of Love, a grim young adult dystopian winter, a few different Draco Malfoys, secrets and the problems re: not having any, alternate lives, impossible lives, real lives, allusions to Dirty Dancing, and just because it's not called the Mirror of Erised doesn't mean you shouldn't know better.

E — Embers by @shiftylinguini (E, 41.2k words)

Werewolf Alphas aren't meant to be alone, or to suppress their ruts indefinitely like Draco has been since he was bitten eight years ago. He needs company, companionship, to knot ― he needs an Omega Heat Companion. At least, that’s what the Healers say, and even Draco can admit contacting the person they’ve referred him to might be nice.

Of course it turns out to be bloody Potter.

F — freely, as men strive for right by @bixgirl1 (E, 17.1k words)

How can Harry love a man like Draco Malfoy?

If only Draco would let him count the ways.

(Sometimes, a happily-ever-after takes a bit longer than you expect.)

G — Going Postal (A 125-Page Comic) by dustmouth (T)

So Draco and Harry sort of maybe have a bit of a thing going. Which is all fine and good, but would probably be more effective if they managed to be on the same continent for more than five minutes at a time.

H — Hermione Granger's Hogwarts Crammer for Delinquents on the Run by waspabi (T, 93.3k words)

'You're a wizard, Harry' is easier to hear from a half-giant when you're eleven, rather than from some kids on a tube platform when you're seventeen and late for work.

I — I Do Not Love You by @writandromance (E, 228.2k words)

In 2013, a carefully-designed Obliviation leaves Harry reconfiguring his life and identity without any memories of true love; an act that's essentially erased Draco Malfoy from his mind despite a wedding band and shared home.

In 2000, Draco had expected Pansy's relationship with Luna to bring the Gryffindors a bit closer to his orbit of quiet, carefully pacifistic existence, but he never expected to navigate such a transparent embrace into a unit of family, friendship, and love.

A mystery, two love stories, and a reminder that learning to love never has an end date.

J — Je te reverrai by @soliblomst (E, 16.1k words)

When Beauxbatons visited Hogwarts for the Triwizard Tournament, Draco managed to control his attraction to fourteen-year-old Harry Potter.

When Beauxbatons returns three years later for a cultural exchange, Draco's attraction to seventeen-year-old Harry Potter is impossible to curtail.

In his defence, Harry's perfectly tailored blue robes, mixed signals, and French accent do not help.

K — Keep your hands on me by @tenthousandyearsx (E, 21.4k words)

Malfoy binds himself with a sex curse. Harry cannot get enough (but would much prefer to keep Malfoy for himself).

L — Lusimeles by orphan_account (E, 23.2k words)

“You’re not special, Potter,” Kingsley informs him, not looking up from his work.

“But I’ve already done Occlumency training!” Harry splutters, indignant. “And it’s Malfoy.”

M — More Than That by joosetta (E, 10.9k words)

This is a story about two 52 year old men who refuse to age gracefully.

N — No One Ever Told Me by @slightweasel (M, 25.7k words)

Harry marries Draco to get him out of Azkaban.

Things get weird. And confusing. And then weird some more.

O — Our Objective Remains Unchanged by @citrusses (E, 46.1k words)

Harry Potter, returning member of the Oxford University Boat Club, has two goals for the spring of 2005: beat Cambridge, and beat Draco Malfoy. Perhaps not in that order.

P — Probationary Action by @toomuchplor (E, 63.3k words)

As part of the terms of the probationary contract, DRACO LUCIUS MALFOY shall submit for inspection his WAND on the last day of every month, such inspection to be carried out by a duly registered and fully qualified AUROR in the employ of the MINISTRY OF MAGIC, and such inspection to include a PRIORI INCANTATEM spell to ensure that no PROHIBITED MAGICS as heretofore described have been practised by the aforementioned probationer.

Q — Quickie by @greaseonmymouth (E, 11.8k words)

Harry's 8th year is going okay: he's got a girlfriend, the future is far away, and he has no choices to make. And then Malfoy starts sending him dick pics.

R — Rookie Moves by peu_a_peu (E, 75.3 words)

Aurors Potter and Malfoy crack the case.

S — Slithering by @astolat (E, 27.3k words)

Draco found the nest down in the Manor’s cellars, while he was clearing them out.

T — Tandem by @fastbrother (M, 90.8k words)

Harry and Draco meet by accident six years after the war. Harry's an Auror with a drinking problem and Draco's a broke student. Things don't work out well. Six years after that, Draco joins the British Auror Office as a Potioneer.

U — Untouched by @stratigraphywrites (E, 11.2k words)

"The magic demands a sacrifice," Malfoy said. "What kind of sacrifice?" Malfoy's mouth twisted grimly. "A virgin." Harry felt his eyes widen. "Killing one?" "No, of course not, Potter," Malfoy snapped. "Don't be macabre. Fucking one." Malfoy exhaled with bitter disappointment. "Fuck. Rules us out." Harry took a deep breath. His face felt hotter than ever. "It doesn't, actually."

Harry's had some terrible birthdays in his life. But this one - trapped in a cave with Draco Malfoy, and only one way out - has to take the cake.

V — Vis-à-Vis-à-Vis by @vukovich (E, 50k words)

Harry's assignment was simple. Close out Draco Malfoy's missing persons case so he can be declared dead.

But who's making withdrawals from Malfoy's vaults? How is a death omen-turned-Unspeakable involved? Is an organization known as the Moirai to blame?

Harry brushes it off until he can't. Until The Prophet is flooded with sightings of dead people. Until Robards throws himself on his sword. Until Ron turns on his own family. Until Harry scarcely trusts his own reflection in the mirror and trusts the stranger in his bed even less.

Until all that stands between war and peace is Harry, a name plate, a stadium of murderers, and Draco Malfoy.

God save the Ministry.

W — What’s Mine is Yours by @fluxweeed (E, 17k words)

Harry loses something important. Malfoy helps him get it back.

X — Ex Nihilo (And Other Feats of An Untrained Veela) by Kandakicksass (E, 129k words)

Ever since returning to Hogwarts, Harry has had nothing to do with Draco Malfoy, who exists at the bottom of the social ladder and is just trying to survive their "eighth year."

One veela presentation (and Harry's natural resistance to veela allure) changes all of that.

Y — Yours is the Earth (Hold On, Hold On) by chickenlivesinpumpkin (E, 127k words)

After a serious accident in the Forbidden Forest, Draco's personality begins to undergo subtle changes. At first, Harry credits this to a new enthusiasm for life. But as the days pass and Draco's behavior becomes more and more mysterious, Harry begins to suspect that something bigger--and darker--is at work.

Z — Zenith by @corvuscrowned (E, 20.6k words)

Desperate to find relief from worsening migraines and broken magic, Harry sets out to reach mystical hot springs that are said to grant healing and realignment.

The only problem? The springs lie deep within a cursed forest that lures hikers to their death by tempting them with their greatest desires.

So when Harry sees Draco Malfoy in the forest, he must be hallucinating.

Right?

Or: A hero’s journey but gay.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[unconventional-lawnchair]

Over and Over Again

Remus Lupin x Muggle!Reader

Summary: The legend of soulmates and the myth of endless lives tied to one another permanently was once a myth you don't believe. Until you met Remus Lupin.

WC: 4k

CW: Angst no comfort- The reader and Remus's depiction crosses gender and species lines. Hogwarts Legacy reference. Animal death and blood- so much death-

The pub smelled of stale beer and cigarette smoke, the kind of scent that lingered in the wood and clung to the air, no matter how many windows were cracked open. The low hum of music played from an old jukebox in the corner, the neon glow of its lights flickering with age.

It was familiar, comforting in a way that only a Muggle pub on a Friday night could be.

You spun your drink in your hands, watching the ice swirl lazily in your glass as Lily Evans leaned against the table beside you. She looked radiant as always, her fiery red hair gleaming under the dim lights.

“I swear,” She promised for the fifth time. “You're going to love them. Just… be nice to Peter, and for the love of Merlin, don’t ask Sirius about his family.”

You frowned. “For the love of Merlin?”

Lily’s lip twitched.. “Ah- Just… an expression. The boys use it a lot.”

You raised an eyebrow but let it go. Lily had always been a little odd, but she was your odd, your best friend since childhood.

She had been gone for the last few years, tucked away in that mysterious boarding school she never let you visit. Every time she came back to visit, she seemed… different. Like she was carrying secrets she could never fully explain.

Tonight was the first time she was introducing you to her boyfriend- James- and his friends. You had spent years watching her fall out of the abusive cycle of friendship she harbored with Severus Snape- you almost felt bad for him. If only he'd grown up too.

You had, in equal turn, been berated with letters about the slimeball that was James Potter. Just to see her ink blots lighten and her words becoming more fond when it came to his name- you were excited to meet him.

You took another sip of your drink, then looked up as the door to the pub swung open.

A burst of laughter and energy filled the pub as a group of four young men stepped inside, shaking off the damp chill of the London evening.

You saw James first, instantly recognizing him from the photos Lily had shown you. He was all messy hair and glasses, grinning like he owned the world- but the way his gaze immediately sought out Lily made your heart warm.

Then there was Sirius Black, effortlessly handsome, carrying himself with the swagger of someone who knew he could have anyone he wanted, but still acted like he was above it all. His dark leather jacket and roguish smirk screamed trouble.

Beside him was Peter Pettigrew, shorter than the rest, with darting eyes and an almost nervous energy, like he was waiting for something to go wrong.

And then there was the fourth boy- no- man.

The second your eyes landed on him, it was like the entire world narrowed.

Remus Lupin.

He was quieter than the others, his posture a little more reserved. He wasn’t as flashy as James or Sirius but something was still there.

Something in the way he held himself- not quite shying away, but not fully stepping into the spotlight either. His soft sandy blonde hair was slightly tousled, as if he had run his hands through it too many times. His face was lean, cheekbones sharp beneath tanned skin, marred by faint scars that ran across his features. But it was his eyes that caught you.

Warm, golden-brown, and filled with something ancient, something tired, something achingly familiar. Your stomach flipped.

Lily’s voice jolted you from whatever spell had momentarily trapped you.

“Come on,” She squeaked, tugging you forward with a grin. “Let me introduce you.”

Your legs felt unsteady as you followed her through the crowded pub, weaving between groups of laughing strangers. The boys turned as you approached, James immediately scooping Lily into a hug and pressing a kiss to her temple. You barely registered it.

Your focus was on Remus, who was watching you with the strangest look you'd ever seen.

Somewhere between horror and intrigue.

Lily cleared her throat, oblivious to the strange, charged silence between you and Remus.

“Alright, boys,” she said, grinning. “This is her.”

James turned away from Lily just long enough to flash you a charming, lopsided smile. “The infamous childhood best friend!” He declared. “Blimey, I was starting to think you were just a legend.”

You let out a short laugh. “Well, I assure you, I’m very real.”

Sirius tilted his head, appraising you. “We’ll see about that,” he mused, then smirked. “The real question is- are you cool enough to be seen with us?”

“Oh, definitely not,” You deadpanned. “I’m a disgrace to all things cool.”

James barked out a laugh. “I like her!”

Lily rolled her eyes but was smiling.

Meanwhile, Remus hadn’t moved.

He was still looking at you, his expression unreadable. His eyes- those deep, golden eyes- seemed locked onto you, as if he was trying to piece something together, trying to solve something that had no answer.

You met his gaze.

“Remus.” He whispered and you muttered your own name back to him without a second thought. And he smiled, lifted his hand-

The moment your fingers brushed as you shook his hand- it happened.

A bolt of pure, electric familiarity shot through your body, rattling every bone in your frame. The pub melted away, the noise, the people, the dim glow of the jukebox- everything faded into a swirl of golden light and rushing wind.

The world around you vanished. The dim pub, the chatter, the clinking of glasses- all of it was swallowed by the sudden rush of something else. Somewhere in the distance, you could hear the rustling of leaves, the whisper of wind through tall golden grass. The scent of fresh earth, sun-warmed fields, and damp fur filled your senses.

And then, you were there…

You were small, swift, your body light as you darted between the tall stalks of wheat. A fox, red-furred and wild, your sharp nose twitching as you ran through the fields.

And behind you, paws pounding against the earth, was him.

A hound.

Lanky, golden-furred, and young, still growing into his paws. His ears flopped when he ran, tongue lolling as he chased after you, barking playfully.

He was supposed to hunt you. But instead, he chased you.

Every day, when his master wasn’t looking, he sneaked away from the farmhouse, bounding over the hills to find you. Together, you would race through the fields, rolling in the wildflowers, playing until the sun dipped below the trees.

Free, weightless. Soft fur against rough wheat and playfully snapping jaws. Then- Pain. Sharp, sudden pain.

A snapping sound- cold metal clamping down around your hind leg. A trap.

You yelped, twisting, trying to free yourself, but it was tight, unrelenting. The more you pulled, the more it bit into your flesh, blood staining the grass beneath you.

And he- your hound- panicked.

He barked wildly, circling you, nudging you with his nose. He tried to paw at the trap, but he was just a dog- he couldn’t undo his master’s cruel work.

You whimpered, eyes wide, pleading. He threw his head back and howled, loud and desperate, as if somehow, that would bring help.

And help did come. But not the kind he wanted. The farmer arrived. Gun in hand.

The hound whimpered, barking frantically, placing himself between you and his master. But he was a dog. And a dog’s loyalty belonged to its owner. Even when his heart was breaking.

The farmer raised his rifle.

A deafening bang-

Darkness.

The darkness faded, but you didn’t wake up in the pub.

Instead, you were staring at your own reflection in a gilded mirror.

A face- not quite your own, but one you knew belonged to you.

Your hair was woven into delicate braids, strands of pearls threaded through like drops of moonlight. A soft silk gown pooled around you, its fabric cool against your skin. The weight of a crown sat heavy atop your head, a reminder of your fate- one you had never chosen, one you had never wanted.

And behind you- fingers grazing your bare shoulder as they fastened a necklace-

Was her.

Your Lupin.

But not as you knew him.

A woman, dressed in modest, elegant gowns, a lady-in-waiting, her golden-brown eyes lowered in the practiced deference of a servant.

But she was not just a servant.

She was your dearest friend. She was your first love.

She was the one who walked with you through moonlit gardens, whispering stories of ancient myths. The one who pressed flowers into the pages of your books, so that when you opened them, they smelled like spring.

She was the one you could never have.

Not in the way you wanted. Not in the way that made your chest ache, that made your fingers tremble when they brushed against hers, that made your heart scream for a different fate.

Not in the way that had offended your betrothed.

Not in the way that would get you both killed.

You turned in your chair, reaching for her.

Her fingers lingered at the nape of your neck, hesitant, uncertain, as if she wanted to stay there forever- but knew she could not.

She met your gaze in the mirror when you looked back.

Golden-brown eyes, filled with longing and sorrow.

She knew, too.

She had always known.

You swallowed against the lump rising in your throat. The distant sound of shouting, the clang of metal, the burning of the city below- it was getting louder.

“…Do you ever wish we could leave?” You whispered.

Her breath caught. A hesitation.

“…Every day,” She admitted. And your heart broke for her. For yourself.

For the life that could never be.

The chaos below grew closer- the sound of swords clashing, boots pounding up the castle steps. They were coming.

There was no time. No future. No way out.

Your fingers lifted, brushing against her cheek. Soft. Warm. Alive.

She sucked in a sharp breath, her lips parting slightly, her eyes flickering with fear, with need, with desperation-

And then you kissed her.

Not a soft thing. Not a hesitant thing.

But something urgent, something burning, something filled with the desperation of two lovers who knew they were out of time.

A kiss of fury, of grief, of love too big to be contained in a world too small for it.

She pulled you closer, her fingers digging into the silk of your gown, holding you, clutching you, clinging to you like she could tether herself to this moment, to you-

Then-

The doors burst open.

The room filled with shouting, with the gleam of blades, with the iron grip of soldiers as they stormed forward, tearing you apart.

You screamed, struggling against them, fighting, kicking, clawing, biting-

But your fate had already been sealed.

You saw her, your Lupin, your love, your heart, struggling, screaming your name, reaching for you-

And then- A soldier’s blade pierced your chest.

Cold. Sharp.

The world lurched, twisted- And then-

Darkness.

London was a city of smoke and gold. It was filth and grandeur, a place where the rich dined beneath glittering chandeliers while the poor shivered in the streets below.

And in the middle of it all- between the gas lamps and cobblestone alleys, between the choking smog and the perfume of wealth- you ran.

Your boots hit the pavement with a quiet rhythm, quick and light, barely making a sound as you weaved through the bustling crowds of Westminster Market. Your coat was patched and thin, your gloves fingerless, your stomach empty.

But that didn’t matter.

Because in your pocket, you now held a gold pocket watch.

Your lips curled in triumph. It was a beautiful thing- heavy, shining, the kind that belonged to someone important. Someone who wouldn’t even miss it.

Or so you thought.

Because just as you turned the corner into a shadowed alley, a hand closed around your wrist. Your breath caught.

Your instincts screamed at you to run, to fight, to flee-

But then you looked up. And your world shifted.

Him.

A man, tall and fine-boned, wrapped in an elegant dark coat. His hair was soft brown, windswept, his golden-hazel eyes piercing in the dim light. He was young, maybe only a few years older than you, but there was something about him that felt older- as if he had lived a hundred years before this moment.

And despite catching you red-handed, his expression wasn’t one of anger. No.

It was curiosity.

Amusement, even.

His grip loosened, just slightly. “You’re quick,” He panted, voice smooth as silk, his accent refined.

“Not quick enough, but still. Impressive.”

You swallowed, heart pounding against your ribs. “Let go of me.”

“You stole from me,” He pointed out.

You smirked. “You can afford it.”

He actually laughed at that, low and warm, before slowly prying his pocket watch from your fingers. But he didn’t let go of you. Instead, he tilted his head, studying you, like he was trying to place you. Like he had seen you before.

“…What’s your name?” He asked, softer now.

You hesitated. Giving your name was dangerous in your line of work. But something about him- something familiar, something achingly familiar- made you whisper it anyway. His lips parted slightly, his grip on your wrist faltering.

And then- he whispered his own name.

A strange, unspoken recognition passed between you.

Like a secret. Like a memory half-forgotten.

Weeks Passed.

And somehow, against all reason, you kept finding him.

Or perhaps, he kept finding you. He was wealthy, but he was not cruel. A scholar, an artist, a man who saw the world in soft strokes of poetry and charcoal sketches.

And despite your differences- a boy from the slums and a gentleman of high society- you kept returning to him. Perhaps because he never treated you like a criminal.

He treated you like something else entirely. Something important.

Something he was afraid of losing.

One night, beneath the glow of gas lamps, you let him trace the lines of your face with careful fingers.

“You keep looking at me like you know me,” you murmured. His lips parted, breath shallow.

“…Maybe I do.”

And then, before either of you could think- You kissed him. The world tilted, time stretched thin between you, and for a moment, it felt like something had finally fallen into place.

Like this had happened before.

Like it had happened a thousand times before.

But fate, cruel as always, was waiting. Because London was not kind to men like you. It was not kind to pickpockets caught in the wrong place at the wrong time. It was not kind to a street thief who had stolen more than just coins and watches- who had stolen the heart of a man who should never have looked his way.

You never saw it coming.

One moment, you were running through the streets, laughing, alive- and the next, the constables had you by the collar, dragging you through the mud.

You never had the chance to say goodbye.

They didn’t let him see you before the sentencing. But he was there when they dragged you to the gallows.

And as the noose was slipped around your throat, you searched the crowd- desperate, desperate to find him.

And you did.

His face was pale, his hands clenched into fists, his golden-brown eyes filled with helpless horror. You had seen that look before.

The executioner read your crimes. You kept your eyes on Remus.

And in that final moment- As the platform dropped beneath your feet- As the world fell away- As you left him behind.

You thought you heard him scream.

Then, darkness.

Then- you were back home, in Feldcroft. The sun setting outside the small cottage, casting warm, golden light across the wooden floors. The air smelled of burning wood and herbs, a familiar scent- one that had lingered in your childhood.

And you?

You were at the table, a book in hand, curled up in your favorite chair. The world was quiet. Peaceful. But then-

Hands suddenly gripped your shoulders.

You gasped, nearly dropping your book- only to be met with a familiar grin, a familiar laugh, full of mischief and warmth.

“Sebastian!” You scolded, playfully swatting at him. “You scared me half to death!”

He only grinned wider, stepping back before tossing something small into your hands. A shrivelfig.

“For you,” he said with a wink. “It’ll make you stronger, you know.”

Before you could reply, another hand snatched it away.

“Absolutely not,” Solomon Sallow’s stern voice cut through the air. Your uncle gave Sebastian a look of pure warning, his eyes sharp with disapproval. “She doesn’t need you sneaking around with magic. She needs rest. A shrivel Fig cannot reverse a curse.”

Sebastian scoffed, his jaw tightening. “She needs more than just rest, Uncle. If we’d just-”

Your heart clenched. You had heard this argument a hundred times before.

Sebastian’s obsession with finding a cure.

Solomon’s desperate attempts to keep him away from dark magic.

And you- caught in the middle, growing weaker by the day.

A sudden wave of pain shot through you. You winced, gripping the table, your breath hitching. Immediately, Sebastian was at your side, one hand on your shoulder, concern darkening his features.

“What’s wrong?” He asked, voice urgent. “Are you alright?”

Solomon tensed, his gaze hardening. “Do you see what I mean, boy?”

Sebastian’s eyes flashed with anger. “I wouldn’t-”. But Solomon was already dragging him toward the door.

“Enough,” He snapped. “Outside. Now.”

Sebastian gritted his teeth but followed. The door slammed shut behind them, leaving the house in silence.

You exhaled shakily, closing your eyes.

And then- A presence. Someone still here. You opened your eyes-

And met his.

Remus. From Sebastian’s letters.

He was watching you from across the room, hesitation written in every tense line of his body. He hadn’t followed them outside. He had stayed.

Slowly, he stepped forward, then knelt down beside your chair. His golden-brown eyes, warm and steady, studied you, searching for something.

He reached out- then hesitated.

“You don’t have to pretend you’re alright,” He said softly.

The words unraveled you.

No one ever said it. No one ever acknowledged the truth- that you were dying. That it was okay. That you could be seen in the smallest of moments and the shortest of times- without needing to be fixed.

Sebastian fought against it.

Solomon ignored it.

But he saw it.

And somehow, that made it real. You swallowed hard. “I’m not pretending.”

He gave you a look, one that said he didn’t believe you.

Then, without another word- he sat beside you. And that was all.

At first, he was just a friend.

Sebastian had introduced him- a quiet but sharp-witted student, someone with more patience than most.

Someone who- unlike Sebastian- believed that saving you meant more than just breaking every rule. And yet, despite his caution, he couldn’t seem to stay away.

He would sit with you during your worst days, reading aloud from books when you were too weak to lift them yourself.

He would walk with you through Feldcroft, letting you lean against him when the world became too much.

And when Sebastian grew more reckless, diving further into dark magic, forbidden spells, anything that might bring you back from the brink-

Remus fought to hold him back.

But it wasn’t enough. Sebastian went too far. The darkness took root.

And even when he destroyed Solomon, even when he sacrificed everything- It still wasn’t enough.

But for Remus, no. For Remus it was enough. To sit by you, by the fire. To listen to you talk in your final moments. Your uncle gone and your brother lost to his mind.

He reached out and placed a hand over yours. And when your fingers interlocked, he sighed. Staring at the fire, until your fingers loosened around his hand.

Until, darkness.

The Pub, 1978

The world slammed back into place. The scent of stale beer and cigarette smoke filled your lungs, the dim glow of the jukebox flickered in your peripheral vision. Laughter and conversation hummed around you. The wood beneath your fingers was real. Solid. Present.

But your body? Your mind? You had been somewhere else.

Across from you, Remus was shaking.

His breath came quick, his golden-brown eyes blown wide- not with confusion, but recognition. His hand still hovered where it had just brushed against yours, his fingers trembling like they had touched something far more than skin.

Something ancient.

Something inevitable.

You knew him.

Not just from this pub. Not just from this life. You knew him from a hundred lifetimes ago. From the fox and the hound. From the princess and her lady-in-waiting. From the thief and the gentleman. From Feldcroft. From every time you had found him- and every time you had lost him.

And now?

Now you were back.

His lips parted slightly, a breathless sound escaping, like he wanted to say something- like he didn’t know what he could possibly say.

You swallowed, heart pounding, the weight of a thousand lives pressing against your ribs.

“Remus,” You echoed again.

His fingers curled into a fist. His entire body tensed. And then, just as you saw him understand, just as his expression shifted, just as the words I remember nearly fell from his lips-

The door to the pub slammed open.

The moment shattered.

And then?

He did nothing.

Because what could he do?

What could you do?

Say it out loud? Confess to an impossible truth? Tell him that you had died in his arms over and over again?

That this time- this life- he had to stop it?

So you didn’t say anything.

You just sat there. Staring at each other.

Breathing.

And for now, that had to be enough.

Because in every life before, you had never feared the darkness. Just the loss.

~~~

The Great Hall buzzed with conversation. The sorting ceremony had ended, students were chatting excitedly, the feast had just begun. Plates were piled high, goblets filled with pumpkin juice.

Across the room, Teddy Lupin laughed, running a hand through his hair, which shifted colors between turquoise and soft brown as he spoke. His friends chuckled at something he said, shoulders bumping together, the easy comfort of a childhood spent side by side.

Then-

A hand brushed against his.

His laughter stilled.

The world tilted.

It was nothing.

A casual moment, an accidental touch. A transfer student- someone new, someone unfamiliar- reaching across the table to pass a plate of pastries.

But the second their fingers touched-

A jolt.

Something cold and distant- like the echo of a dream he couldn’t quite recall.

Teddy’s fingers twitched. His breath hitched. The transfer student blinked, eyes flickering to his face, lips parting slightly, as if they had felt it too- as if they knew.

Teddy swallowed. His heart pounded.

And then-

He pulled his hand away.

Just a little too fast. Just a little too tense.

His friends didn’t notice. The conversation continued around them. But the transfer student frowned, staring down at their hand for a moment too long, brows furrowing, like they had just remembered something they weren’t supposed to.

Teddy flexed his fingers beneath the table.

His mind whispered something.

Something about foxes and hounds.

Something about princesses and Ladies.

Something about picked pockets.

Something about darkened pubs and stolen moments.

Something about a name.

A name that felt like his and not his, all at once.

The world lurched- but just for a second.

And then?

The moment passed.

Teddy shook his head, forced a smile, and reached for his goblet like nothing had happened.

Like he hadn’t just felt the weight of every life before this one.

Like he hadn’t just remembered exactly what came next.

[thalthanmadanus]

Draco is THE antagonist of the story and I'm lowkey sick of people diminishing his character's importance in the story and to Harry's character development. so I'm writing an essay about how Draco as a character is fucking important especially his antagonistic arc

💅

1. The crumbs:

First of all, and this doesn't get mentioned often, Draco is the first magical kid Harry meets his age.

Not only that, he is our first glimpse at two major upcoming conflicts in the series: Blood Supremacy, and Hogwarts houses.

Draco plays the important role of the narrative foil to Harry. (even wikipedia references them in the "foil" page)

Draco's main function as a character is to showcase Harry's best traits, through being his most worst. Unlike, Snape and Voldemort, Draco is more concerned with creating internal conflicts for Harry than external ones.

He is the character that says mudblood the most, with the frequency decreasing every book. He is the character that plays with/teases/bullies the psychological vulnerabilities of the trio (specifically Ron and Harry). He is one of the few characters that give rational criticism (against Hagrid, calling out the trio dynamic..) that, taken outside the keyframe imposed by the author, can showcase the flaws in Harry's views and his bias. He is also the only character that shows moral self-reflection that isn't motivated by either a reward or "love", which not only serves as character development for Draco but for Harry too who grows to sympathize with Draco, a small breakup from his fixed binary morality.

Draco is also a very active character. His actions and choices affect the plot. The majority of the first book literally happens because of his dumbass. In the second book, he is our first introduction to the word mudblood, he's also the main suspect to the two main mysteries. If Draco wasn't such a bitchass, would buckbeak gave been in said place for Harry to use him to save Sirius?

He is important narratively but what interests me is his importance to Harry's arc.

What separates Draco from other antagonists is that he creates internal conflicts that stem from his personal conflicts with Harry, because of Harry as a person. Not because Harry's the chosen one standing in his way, not because Harry's lily or James's son. Because Harry's Harry. and this exchange is mutual.

Their personal dynamic is set up in their first meeting. Harry, upon hearing two sentences from Draco, reacts negatively because of deeply personal issues (Dudley). I don't think Harry reacts personally to any other characters the way he did with Draco? Considering that Draco wasn't even hostile in his first sentences.

While Draco targets both Harry and Ron, there's a clear difference in how Draco bullies them both but also how Harry and Ron perceive Draco.

Draco is crueler on Ron. And his bullying doesn't feel personal, just apathetic, humiliating and mean. It feels like Draco is more cruel on Ron because Harry chose Ron over him and it shows by Draco coming back every now and then searching for Harry's compartment, trying to egg him, to look for a way that will make Harry regret rejecting Draco.

About Harry & Ron perception about Draco, it's showcased in the second book by the two main major events Draco was suspected in

1. Opening CoS. It was Ron who suspected Draco for this, not Harry. Ron suspects Draco for an action that affects everyone in the school.

2. Sending Dobby. Harry suspects that it was Draco that sent Dobby to prevent Harry from coming to school. Harry suspects Draco of an action that targets him specifically, and his reason of suspect? "because Malfoy hates me". It's personal.

Another instance of Harry making every issue personal with Draco: In the fifth book, after the sorting hat's song about houses unity

'And it wants all the houses to be friends?' said Harry, looking over at the Slytherin table,where Draco Malfoy was holding court. 'Fat chance. '

I'm also pretty sure the reason why Harry chooses not to be in Slytherin was 50% because Draco got sorted into Slytherin. the other 50% being Hagrid telling him that Slythering are eviiil. Btw a conversation that wouldn't have happened if Draco hadn't brought up houses in their first meeting.

Like I said, most of the plot in the first book goes back to Draco.

My main point is that the relationship between Harry and Draco as characters is beyond goals, motives, obstacles, moral causes bla bal bla, and is on the spectrum of "I took that personally".

2. the main plate:

Draco transitioned in the sixth book from an antagonist to a "side character" with a life. His role as character no longer functioned by his connection to Harry.

and this is where a flip of dynamic happened, where Harry became the antagonist to Draco's arc.

He's the one following him. He's the one egging him on (in the first 5 books,it was always Draco starting conversations with Harry, but in the sixth book, it's mostly Harry who started conversations with Draco) He's the one hurting him (Sectumsempra) (even on accident). He's the one trying to create obstacles to Draco's goal.

and why is that? why was Harry so obsessed with Draco?

If it were because of a moral righteousness, then why not focusing on Snape who's probably more suspicious? like who cares about Draco.. yeah he's sus but Dumbledore says it's not important..

This line of thought is more Ron and Hermione because they don't share the kind of deep personal issues towards Draco like Harry does.

so why is harry so obsessed?

"Harry, knowing and loathing Malfoy, was sure the reason could not be innocent."

This line in the sixth book explains it. Harry knows and loathes Draco with more emphasis on *knowing*.

Harry admits that he knows Malfoy, of course the fruit of labor of staring at Draco for five years, but why does he even stare in the first place? Because Harry is curious about Draco.

In comparison with Snape and Voldemort, our other antagonists,  Harry doesn't show the same enthusiastic curiosity for them. At least not the same way he does with Draco. Most of what we know about Snape and Voldemort are shown through external ways. Either their memories of memories of other people about them. Their character arcs happen outside Harry's vision,  either in the past or in a memory. It's not Harry who seeks those information. They come to him.

Draco, on the hand, most if not all of his character development happens in front of Harry. From his bullshit in the five years to him crying in the bathroom, him lowering his wand, him lying in the Manor. even the visions that Harry sees through Voldemort about Draco torturing Rowle, are happening in the present. Draco's character development is laid bare in front of Harry. 

but back to his obsession in the sixth book, it's because Harry knows Draco so well that not only he's right about him being a DE, but "Malfoy being up to something" is not something new to Harry, it's actually a normal thing that kept happening for 5 years of his life. Malfoy was always up to smtg. It's this idea of a normality that fuels like a new purpose in life for Harry after being wrecked by Sirius' death. Not only the mystery tingles his detective neurons, he knows he's right about Draco which only fuels his persistence. Draco being a person he hates also downplays the guilt/shame Harry could feel while stalking him. like I'm sorry but Harry was shameless and embarassing the whole year. The way Hermione and Ron looked at him sometimes so funny, also Hermione distancing herself from Harry when he talked to McG about Draco like "idk this person". Harry was kinda giving pre-HBP Draco vibes lowkey.

This shows that Harry himself is motivated by personal feelings (though negative) as an antagonist to Draco's arc himself.

And the important point here is the flip of dynamics. Draco is not just a mere side character in Harry's life. If anything, the moment he tries to become a side character with his is own arc, Harry is forcing himself in it. Because they're both foils to each other. It doesn't work on just one side.

The dessert:

The dynamic completely evolves again with the end of HBP as Draco gains a moral sense and Harry watching Draco's character development unfolding gains a more nuanced view than his old black/white one.

In DH, Draco and Harry are not antagonists anymore to each other. Draco and Harry are kind of heroes to each other?? as they both try to save each other like two times.

A lot of people downplay Draco's lie in the Manor, comparing it to Dudley's "You're not a waste of space" as "character development" moment.

bruh.

Dudley said that after Harry saved him. Draco literally was the one who took the initiative to lie, expecting no reward, literally had more to lose by lying, he was literally acting against his own interests, his family's life was in danger!!! Harry saved Draco after Draco saved him.

also Draco's character development started with him lowering his wand.

but back to being each other heroes. Our other comparison is Ron who is in both situations where Harry saves Draco but he's the one reacting negatively and complainig about them saving Draco, not Harry. Which is funny because Ron says "we saved you" but in both cases it's Harry who's doing the saving and Ron is  just there witnessing, and again I don't think he still realizes what was happening since the sixth year. He thinks his hostile feelings towards Draco are the same ones Harry has. That they're similar. Ron.. Harry literally almost risked your life to save Draco.

It also speaks of character development from Harry that he's not reacting negatively anymore towards Draco. He grew out of it. Like Draco also was starting to grow out of his toxic ideologies.

They're both growing up simultaneously.

And Draco was The first wizard kid Harry talked to (with no precognition or insidious motive)

Draco was the first character who he flew with

Draco was the first character who he dueled with

and so in DH,

Draco was the first character who tried to help Harry with no selfish motive

Draco was the first character that flew with Harry on the same broom (at least I think so?)

Draco was the first and only character whose wand Harry dueled with against Voldemort and won.

I wish I could write more. About Sectumsempra. About wand connection. but I'm tired.

[jadeshifting]

— THE HOGWARTS NEWSPAPER

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

i’ve had this in my script and my drafts for a while, but i saw @beatrixshifts mention on my tl that it would be cool so that’s why i’m posting it >:)

(also, I did not come up with the name of the newspaper, i got it from another user yearsss ago, so cred to them !!)

“The Daily Prophet and their flobberworm of a head reporter can keep their drama— we don’t twist our stories to fit some stale Ministry narrative.” — The Editor-in-Chief of The Puffinton Post

THE PUFFINGTON POST is a chaotic yet strangely efficient operation run out of a repurposed classroom on the third floor (which is lovingly referred to as The Quillery.) run by a rotating team of overachievers, gossipmongers, and one sleep-deprived layout wizard, it’s both a battlefield of deadlines and the social pulse of the school. the editors use enchanted Quick-Quotes Quills to speed up production, though it’s anyone’s guess if the quills capture actual facts or just the juiciest version of the truth

HOW IT’S RUN

the team is led by an Editor-in-Chief (usually a loud, opinionated seventh-year), assisted by a handful of section editors who wield red-inked quills like weapons. each week, they hold heated brainstorming meetings, where the room crackles with enchanted floating parchment and enough spilled tea (literal and metaphorical) to fill the Great Lake. submissions are open to any student, but staff writers get first dibs on big stories—assuming they can charm the editors, who love a bit of drama

THE NEWSPAPER TEAM

REPORTERS . scout the juiciest gossip, biggest news, and weirdest happenings on campus. practically unstoppable, they’ll dive into the Forbidden Forest for a scoop if it means landing the front page

EDITORS . ruthlessly revise articles and argue over headlines, aiming for maximum drama without ending up on a professor’s radar

PHOTOGRAPHERS . armed with charmed cameras that capture moving images, they often risk life and limb chasing Quidditch players mid-match or snapping Peeves in action

ILLUSTRATORS . craft whimsical moving cartoons or hauntingly detailed sketches, depending on the tone of the piece

LAYOUT TEAM . use advanced spellwork to arrange articles, images, and enchanting advertisements that sometimes wink at readers

SECTIONS & NOTABLE STORIES

HEADLINE NEWS . covers Hogwarts’ biggest events. Recent splashy stories include “Are the House-Elves Planning a Union?” and “Hagrid’s Pumpkin Patch: A Site of Magical Growth or Magical Mischief?”

QUIDDITCH CORNER . tracks team stats, with columns like “Is Gryffindor’s Seeker Actually a Golden Snitch Magnet?”

SOCIAL SPOTLIGHT . a slightly catty, endlessly entertaining rundown of who’s dating, who’s fighting, and who’s been caught sneaking butterbeer into the Astronomy Tower

MYSTERIES & ODDITIES . a deep dive into Hogwarts lore, featuring pieces like “The Hidden Staircase That Eats Shoes” and “Who Really Haunts the Fourth Floor Lavatory?”

OPINION & SATIRE . snarky takes on everything from new potion regulations to the controversial topic of house unity, with regular features like “Why Ravenclaws Think They Know Everything” (written by a Ravenclaw)

CREATIVE SHOWCASE . poems, short stories, and student artwork, like “An Ode to Dobby” or fine-tip pen sketches of the Black Lake’s grindylows

DISTRIBUTION

The Puffington Post is distributed every Friday morning via enchanted paper airplanes that zoom directly to breakfast tables in the Great Hall. the magic wears off if you take too long to read, so dawdling isn’t an option. prefects often complain about students reading under their desks during Charms, but professors secretly subscribe, too.

SPECIAL EDITIONS (every one is a chaotic affair, jam-packed with so much Hogwarts spirit you can almost smell the butterbeer stains on the parchment)

— THE VALENTINE’S SPECIAL : Love, Lies, and Lacewing Potions

this edition is dripping with enchanted hearts and aggressively pink margins, with stories like “Top 10 Secret Spots to Swoon Your Sweetheart” and “The Most Romantic Love Potions You Absolutely Shouldn’t Use (But Totally Will).” the gossip column goes full throttle, outing secret crushes (with questionable accuracy), while the Creative Showcase features poetry so sappy even Madam Pince has been caught dabbing at her eyes

— THE FIRST-YEAR SURVIVAL GUIDE : Sorting, Snitches, and Surviving Snape

released every September, it’s a crash course for newbies. expect practical tips like “How to Get the Moving Stairs to Chill” and “10 Ways to Not Cry in Potions (Impossible, But Worth Trying).” veteran students contribute anonymously to the “Unofficial Rules” section, which includes gems like “Don’t Look the Bloody Baron in the Eye” and “If Fred and George Weasley Offer You Candy, Run.”

— THE YULE BALL EDITION : Fashion, Feuds, and Footwork

a glossy, glitzy masterpiece with enchanted images of past Yule Ball outfits and step-by-step charms for fixing last-minute wardrobe disasters. the Social Spotlight section is essentially a pre-ball betting pool on who’s showing up with whom, while Opinion dives into debates like “Should Durmstrang Boys Be Banned from Stealing All the Dates?”

— THE END-OF-TERM SPECTACULAR : Grades, Gags, and the Great House Cup Debate

published in June, it’s part celebration, part roast. professors get “awards” (like Flitwick for Most Patient and Snape for Most Likely to Kill You with a Glare), and there’s always a cheeky exposé on house-point shenanigans. expect tear-jerking farewells to seventh-years alongside brutally honest year-in-review recaps, like “Was That a Troll in the Dungeon or Just Another Tuesday?”

EXTRA, EXTRA !!

— RIVALRY . there’s a (very one-sided) feud with The Weekly Wizard, a smaller Ravenclaw-run zine, though it’s been dismissed by most students as “too niche and painfully dull”

— BEHIND THE SCENES . the staff always keeps a stash of Honeydukes’ chocolate for late-night edits, and their mascot—a tiny enchanted quill named Zippy—flits around leaving motivational doodles on unfinished articles

if Hogwarts has a pulse, The Puffington Post is the enchanted quill jotting down every thrilling, bizarre, and scandalous beat

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

[carewyncromwell]

Carewyn felt like her heart was being squeezed. “Orion…”

She shifted forward and almost made to get off the bed, but Orion quickly knotted the bandage on her hand and clutched it between both of his. He raised his head to look her in the eye.

“I can’t act like I knew, or even thought seriously, that our stars would align again…but even with that…I’d imagined a life much better than this for you.”

Carewyn’s eyes grew a little smaller upon his face.

“…You thought of me?”

Something flickered at the back of Orion’s eyes – was it uncertainty? His gaze flitted back down to their hands.

“…Yes,” he murmured. “Not…constantly, but…the memory of your voice was very soothing, on the most restless nights at sea.”

Carewyn stared down at Orion. The faint shyness in his expression, for the first time, made him suddenly look just like that boy again – the bruised, scared, trembling boy she’d tended to and sang to sleep…

“I suppose…that was what I’d imagined, mostly,” said Orion, his voice lower than ever as he looked up at her again. “That you’d have married a man who you’d look after and sing for.”

~POTC AU, Part 2: A Maid in Bedlam

 x~x~x~x

Ahhh, my kids!! My pirate kids!! 🥹

Ahem. Yes, a while back, I did the top sketch as a “redo” of the original drawing from the section cited above, back in April...and I figured I’d not only color that sketch, but redo the other part of that original doodle, likewise in color! How much progress can happen over the course of two and a half years!

I actually am working on a little prelude fic focused around that fateful first meeting of Carewyn and Orion’s during the POTC AU, which I’m hoping to have finished before the end of next week. It’s been really nice to revisit this AU again after so long, since even if I’ve become more thorough with the AU’s I’ve written since, I have such a soft spot for both the time period and the roles my kids play in the plot. ^.^ I mean, come on, Orion was practically born to play witty (Captain!) Jack. 💚

Look alive, mateys! Have a magical day! xoxo