#historical photos rarely seen
Explore tagged Tumblr posts
daancienttime · 2 years ago
Text
Tumblr media
This famous black-and-white photograph taken by Alfred Eisenstaedt captures the euphoric moment in Times Square, New York City, on August 14, 1945, when Japan announced its surrender, ending World War II. The photograph shows a U.S. Navy sailor passionately kissing a young woman in a white dress, symbolizing the relief and joy felt by Americans at the war's end.
Website:- https://youtu.be/OmHcIiKDiFk
1 note · View note
bucketbueckers · 25 days ago
Text
TIMELESS
Tumblr media
pairing: paige bueckers x fem!reader
content: slight language, fluff w maybe a little angst (im beginning to realize the "angst" is probably just plot) but it's literally not that deep at all (this is a bucketbueckers fanfiction we all know there's a happy ending), AU, soulmates, author won't pretend to understand history, potential misuse of period-typical slang, historical inaccuracies (ask me if i care [spoiler: i dont!]), abuse of punctuation, light violence, poorly proofread
wc: 15.5k
synopsis: Even in a different life, you still would have been hers. OR – two (of the many) lives you've lived with Paige Bueckers, and the one you're living with her now.
notes: im not rly much of an au author but i figured i needed a lil bit of something different after FOTS beat my ass. i've been toying w this idea for a while now 😋 this fic is probably better in theory but i had sm fun writing it (and thinking about pilot!paige and knight!paige kinda drives me crazy) idk not too much yapping from me today but as always i hope y'all enjoy &&& happy munch madness, lets have some good vibes going into game day tmr 🫶
Tumblr media
2025
It’s a warm, breezy Tuesday in Connecticut, one of your rare off days, and this is quite possibly the last place you’d expect yourself to be.
Standing before you is an old antique shop. It’s a block away from the apartment you share with your girlfriend, Paige Bueckers, and you pass it every day on your morning jog. It’s rustic, worn at the edges, but there’s something softer about its unassuming visage today. Maybe it has something to do with the fact that you’re out a little later than usual – Paige had an afternoon practice compared to her typical morning ones, so the two of you had lounged in bed for a little longer, soaking in the time together.
Whatever the reason, there was something in the air that compelled you to stop by. So you do.
The sign that hangs over the door is rusted, hanging loosely from one tarnished chain, its words unrecognizable from how time has eroded it. A bell chimes happily as you push the door open. Immediately, you’re hit with the scent of aged paper, ink, and something else that is distinctly vintage. The walls are lined with various art pieces, antique furniture tucked neatly into the crevices of the shop with tan price tags attached. You’re wrought with a familiar sense of nostalgia; there’s something so incredibly touching about the fact that everything in this store had belonged to somebody once, had been something of value, something to take care of. Everything is still in perfect condition. It’s beautiful to know that after someone is long gone, there is still someone out there who will cherish their belongings and take care of them the same way they had.
You gaze around the shop, taking everything in, your steps slow and methodical. You were never a patient shopper, always seeking to get in and get out, but it feels as though the shop is trying to tell you something – trying to show you something. You wander, studying the art, the intricate carvings on aged furniture, until you make your way to the check-out counter. The clerk is absent, although there’s a cardboard box full of old pictures – a black and white photo of a bride, toddlers playing soccer, an elderly couple on a porch swing.
There’s something achingly familiar about them. It makes your heart swell, makes you wrack your brain to discern where you’ve seen these photos before. You sift through the rest, lingering on a few; there’s one of a couple laughing on the porch of what you assume to be their first house, a photo of two people embracing – one is wearing an aged military uniform, which makes your face soften, and the third is two teenagers holding hands, dressed fashionably. That one makes you smile as you take in the lovestruck expression on their faces.
Still, there’s something about the photos that give you pause. You pull out your phone, navigating to FaceTime, and you call the one number you know will pick up no matter what.
The line clicks through and Paige’s face fills your screen. She’s slightly out of breath, her face flushed from the exertion of practice, hair messy and sweat beading at her temples. Despite that, she grins, a sort of smile that’s reserved only for you. “Hey, baby,” she greets, her voice soft, which brings a smile to your face as well. “What’s up?”
“Hey,” you say back. “Sorry, I know you’re at practice–”
“We finished early, but I always got time for you,” she promises. “You know that.”
Your smile widens. “Well, I was on my jog, but you know that antique shop in town?” Paige hums in affirmation. “Something told me to go in, so I did. Look at some of these photos I found.” You flip the FaceTime camera, positioning your phone over your collection of photos. Paige leans in a little closer to see, her brows drawing together in concentration.
“They feel…really familiar,” she says, scratching the back of her neck. “Like I feel like I’ve seen them somewhere.”
“That’s what I’m saying!” you exclaim. “It’s so weird. It’s like I know these people.”
“Wait, go back to that one,” Paige requests. “The black and white one, military uniform.” Doing as instructed, you pull that one to the forefront of the stack, gazing at them expectantly. That’s when you truly take a closer look, recognizing the expressions on the couple’s faces, their facial features. Your breath hitches just as Paige says, “Why do they kinda look like–”
“Us,” you finish.
“Yeah,” Paige murmurs, a little awestruck. “I can’t explain it but like – I can feel it.”
You flip the photo around, your eyes catching on the date on the back, and the subsequent memory hits you like a truck.
1944
It’s a sweltering afternoon in May when your life changes.
Well, changes for the second time since 1941.
Three years ago, the United States declared war on Germany and the adjoining Axis powers following the attack on Pearl Harbor. It was a dramatic shift for the entire country, one that displaced just about every facet of life. Men were drafted, heading overseas to fight, leaving holes in the workforce. Although the reality was bleak and dire, you saw this as an opportunity – for independence, for some shred of equality, for freedom. With plenty of job openings as workers were joining the war effort, you landed a job at a shipyard along the coast.
It wasn’t easy. Far from it, actually. You worked long, uncomfortable hours, hardly fitting in time for a break. You, along with several other women, worked on building, repairing, and maintaining the ships that would be used to transport supplies or men overseas. For you, it was enough – the daily routine, the knowledge that you were contributing to something greater than yourself, that your efforts were making a difference. It was worth it.
You get off your shift sometime in the afternoon. You’ve been up since the early hours of the morning; now, you’re half-asleep, only going through the motions and letting pure muscle memory guide you down the busy streets. Something big is happening soon – you can feel it. You’ve noticed drastically more uniformed men on the streets, whispers of another draft; at this point, your suspicion is a matter of when and not if.
Barely aware of what’s in front of you, you turn the corner, colliding roughly with the person in front of you. They hardly move although you bounce backwards, knocked off balance by both your exhaustion and the fact that you’re so much smaller than the other person. You’re already bracing yourself to eat concrete, eyes shut tightly, when you realize you’re not toppling over; instead, there’s a pair of firm hands holding you by the arms, keeping you upright.
“You alright?”
Her voice is concerned, if a little gravelly, rough around the edges in a way that captures your attention immediately. You open your eyes, your breath hitching, because you’re sure this is the most beautiful woman you’ve ever laid eyes on. The street is busy — everyone lost in their own little worlds moves right by you, but at this moment? It feels like time stops, like nothing exists except for you and the blonde woman before you. 
Her hair is pulled up in a tight, slick-back bun, the edges pressed and the golden waves reflecting in the early May sun. Her eyes are a deep blue, almost startling so, but there’s an evident kindness that softens the intensity. Her jaw is sharp, angular, her nose sloping elegantly despite the chisel, but what truly captures your attention is her stature — she’s the tallest woman you’ve ever seen, no less than six foot, and her broad shoulders fill out her khaki uniform service shirt. There’s an emblem pinned over her left breast, wing shaped in the aviator insignia. You’ve been staring for far too long already and the pilot is smiling like she’s caught you. Despite yourself, you feel the heat rise in your cheeks.
“I’m okay,” you assure her, your voice even, which makes the expression on her face soften. 
“The flyboys would never let me live it down if I ran you over,” she says coyly, her hands lingering just a second longer on your arms before she finally steadies you. Her touch makes you flustered. “Hurtin’ a girl like you is cause for a national emergency.”
You laugh, a tinkling, carefree sound that betrays the way your heart pounds — in a good way. “You think you’re slick, don’t you?”
With gentle hands, she pulls you under the awning of the storefront you’re standing next to — an antiquities shop, according to the sign, keeping you out of the way of the bustling crowd as she murmurs, “I call it like I see it.”
With a teasing smile, you glance up at her, enjoying the way she looms over you far too much. It’s not intimidating, her stature, but it does make you feel warm all over. She’s long, toned, and you can see the muscle hidden behind her uniform. Her khaki button up is tucked neatly into the waistband of her sage green trousers, the top missing a few clasped buttons to reveal the dog tags hanging from her neck. She looks so put together, handsome and beautiful all in one, and maybe it’s the solemnity of the world around you, but this moment in time feels so peaceful, so right. “Do you, now?” you ask. “And what exactly are you seeing, flygirl?”
The nickname makes her preen, flashing her teeth in a smile that could surely ruin you. “Well,” she begins, her eyes scanning your figure in a way that looks as though she’s in a gallery staring at art, and not actually standing in the middle of a crowded street and staring at a woman who has just gotten off a twelve hour shift, covered in motor oil. Her gaze doesn’t make you feel objectified – far from it, but you’re beginning to think that you enjoy her attention. “I see this pretty girl – gorgeous is more like it, but I ain’t never been good with words. Just actions.” Her lips quirk slightly, reaching out with her thumb to wipe away a smudge of grease off of your cheekbone. Your face flushes, which only makes her features brighten like the clouds parting for the sun. “I see honesty. Ambition.”
“You can tell that much about me just from one look?” you say, a little amused.
“I’d tell you a hell of a lot more if it meant seein’ you again,” she confesses.
You scan her features, not quite sure what you’re searching for – deception, maybe, but you don’t see it. All you see is genuinity, a certain brand of hope that you haven’t seen in anyone’s expression in the last few years. You don’t know anything about her other than the fact that she’s a pilot, an aviator, but a slow smile spreads across your face the more you consider her request.
In times like these, you need all the joy you can get, no matter how short it is. So you teasingly lean in, relishing in the way her body eclipses yours as she melts into you, but you stop her with a hand to the chest. You know she could easily push past it, but you appreciate the way her body goes rigid, like she’s letting you make the call. Her brow raises – a challenge, maybe? – but despite herself, her smile grows, too.
“I’m not that easy,” you whisper to her, satisfied when her breath hitches. You press against her gently and she leans back, acquiescing. “You’re gonna have to work for it if you wanna see me so bad.”
“I can do that,” she promises, nodding emphatically, which makes you laugh quietly – she’d seemed so confident, so composed; now, she just seems eager to impress, to listen to every word you say.
Content, you take a step back, flashing one last smile. “See you soon, flygirl,” you say, enjoying the smitten look on her face, until –
“I never got your name, yardbird!” Her voice carries over the thrum of the crowd.
When you pause, glancing back at her, she seems amused, if not a little hopeful to hear you answer. But again – you’re not that easy. “Find me again and I’ll tell you,” you call back, your promise reaching her ears. You watch as her smile grows; even from afar, you can make out the determination in her eyes, the clear message of challenge accepted.
You’re not surprised to see her again.
If anything, you were almost expecting it. Her eyes had held a promise, the vow that she’d rise to the challenge. She didn’t become a pilot by being unambitious – you were sure that it was the complete opposite of that, having to work twice as hard as her flyboy companions. Any surprise you hold is because of how soon you see her.
It’s the next day and you’re walking home from the shipyard again, taking that same path you’ve taken hundreds of times across the years. You’re guided by muscle memory, weaving around the slow walkers and finding natural gaps in the crowd. When you turn the corner, the pilot is standing under the awning of the antiquities shop again, her hair pinned up in the same, sleek bun, her uniform crisp and pressed. She’s glancing at her wristwatch and as soon as you round the corner, stepping onto the street, she looks up and meets your eyes immediately. A smug smile graces her features.
“Found you,” she calls out, pushing herself off of the wall with a boot to the brick. You roll your eyes, amused, and you meet her in the middle by the doorway.
“You memorizing my schedule?” you ask her.
She shrugs a coy shoulder. “I’m committed,” she declares. “Said you weren’t gonna make it easy for me, right?”
“So she does listen,” you muse.
“Every word.” You smile at her, and it’s then that you realize she’s hiding her hands behind her back. Recognizing your curiosity, she reveals her hands, her smile softening – she’s holding a singular red rose, a rich, dark red in color, and you shouldn’t be surprised, but you are. “Think this is enough to finally earn your name, yardbird?”
You hum, tapping your chin dramatically, which draws a laugh from the aviator. Conceding, you take the rose from outstretched hands, much to her relief. You introduce yourself, listening as she tests the pronunciation on her tongue, smiling at how nice it sounds rolling off her tongue. Then, she sticks out her hand for you to shake as she states, “Paige Bueckers, airforce service pilot.”
She walks you home after that, her hand gentle yet protective over the small of your back. Your conversation is full of laughter, teasing, and Paige flirting with you unashamedly; you like it more than you would ever admit to her, although you’re certain she knows. Despite the fact that this is only your second conversation, there’s something about Paige that gives her the uncanny ability to understand you – it’s like a connection that goes deeper than your accidental run in from yesterday, like she was born to know you and you were born to know her. It’s like you’ve known Paige Bueckers your entire life. It’s a new feeling, but certainly not an unwelcome one.
This quickly becomes your routine. You wake up early, spend your morning and the better part of the afternoon at the shipyard, then Paige walks you home. Getting to know her comes as easy as breathing and being with her is almost enough to make you forget about the chaos in the world. It’s like Paige is your perfect complement. She came into your life in the most unexpected way possible, but the more time you spend with her, the more nights you invite her over for dinner, the more you realize that you truly wouldn’t have it any other way.
Some nights she stays over. Paige blends so seamlessly into your routine that you wonder how you were ever complete without her at your side constantly. In the mornings, she’ll brew your coffee – how she figured out exactly how you took it, you weren’t sure, but you weren’t complaining, make your breakfast, massage your hands (because they were always sore and calloused from working on the ships all day), and walk you to the shipyard every day. At some point in time, she graduated from having a hand on your back to tangling your fingers together, which is something you truly relished in.
Over the month, the two of you get closer. Sometimes you stay at her house, waking up early enough to iron her uniform just to make her day a little easier. Paige tells you that you don’t have to go out of your way to do that for her, but secretly, you like it when she’s still in the grips of sleep and she gets out of bed to wrap her arms around you, resting her chin on your shoulder and watching you smooth out every wrinkle from her shirt. She’s warm, and soft, and dare you say it, she’s yours, even though neither of you have truly discussed it yet. It’s not traditional – in fact, nothing about the two of you is traditional; until recently, it wasn’t normal for women to work, let alone fly airplanes, let alone be in relationships together, but it works because it’s you and Paige. It works because although you’ll never have the vocabulary to describe it, you know this isn’t the first time you’ve met Paige. This isn’t the first time you’ve shared sleepy mornings together. It’s not even the first time you’ve loved her. Whether you truly realized it or not, you and Paige were a story centuries in the making, spanning across several years, decades, lifetimes.
But in a world like this, not everything can be perfect. Your suspicions were right from the very beginning.
“I have to leave,” Paige whispers to you on one quiet, sunny afternoon. It’s June 1st, barely fourteen hours into the day when Paige breaks the news. You’d been working since dawn. When Paige picked you up from the shipyard, she’d been noticeably dim, not nearly as lively on the walk back. You pressed, but she was silent, so you’d hoped that she was just tired from training; then, she’d suggested the two of you go to her backyard to lay in the sun. You curled up next to her, your chin on her chest, smiling as she pointed out the different shapes in the clouds (“That one’s definitely a boat,” you’d said, finger directed at a blob in the sky, to which Paige had responded with, “Y’think so, yardbird?”)
You knew Paige was an aviator. An aircraft service pilot, to be exact. You knew that eventually, she would be called in to fulfill a duty. You just never thought it would come so soon.
“When?” you murmur, willing your voice not to crack. Your hand was resting over her stomach – you can feel how her breathing comes to her quicker, hear the way her heart pounds in her chest. She wants to leave just as much as you want her to, but she knows she’s bound by obligation.
“Tomorrow morning,” she responds. Your heart aches and she can only tighten her arm around your shoulders, her chin pressing into your temple. “I’m flyin’ out to England – all of the Allies will be there. We’ll get debriefed, then… I’m flying twenty men into Normandy to invade Europe. After that, I’ll be transporting supplies and cargo between our bases and the frontlines.”
“Paige,” you try, but the lump in your throat cuts you off.
“Don’t worry about me,” she says, trying for a lighthearted tone, but you can hear that it’s weighing on her just as much as it’s weighing on you. “I’ll be okay.”
“Please don’t make me a promise you can’t keep,” you beg, which makes Paige deflate, unable to continue being strong. “There’s no guarantees–”
“I know–”
“And don’t be reckless, you hear–”
“Yardbird,” Paige stresses, her voice cracking on the syllables of her nickname for you; despite the anguish on her face, there’s a calm acceptance, a sort of determination that looks like a promise to return. She squeezes your shoulder, directing your attention to her face. Tears are pooling on her waterline and if there’s one thing that’s always true about Paige Bueckers, it’s that irritating, unmistakable confidence of hers; you can see it reflected in her eyes. She believes that she’s coming home after this mission. You know better than to get your hopes up. “I promise you–”
“Don’t–”
She interrupts you with a stern look, desperation clouding her features now. She needs you to hear this. “I promise I’ll come home to you,” she vows. Paige’s voice softens to a whisper, her eyes searching yours to make sure you’re listening. “I don’t care what it takes. As soon as my mission is complete, I’ll be flying the first plane out of Europe. You and me?” Paige trails off, squeezing your hand like it’s a lifeline. “We aren’t done here. I still have to make you mine.” You murmur her name, but she shakes her head, needing to finish her thought. “I still have to introduce you to my family – to Drew. There’s so much more we have to do together – that we are going to do together. Okay?”
You gaze at her for a few achingly long moments, trying to memorize the blue of her eyes, the slope of her nose, the way her hair is disheveled because she’s usually so put together and that thought alone makes fresh tears spring to your eyes. Before they can fall, she leans up, pressing her thumbs to your cheeks and her forehead to yours. “I’ll write you letters,” she promises. “Everyday.”
You breathe in deep, trying to remember her scent. You know that you still have the rest of the day with Paige, but it feels like she’s already overseas. Gathering yourself, you nod against her, trying to commit the way her skin feels on yours to memory. “Okay,” you repeat, giving in. Her fingers brush across your skin, tilting your head up to meet her eyes. She’s scanning your features for any hint of a falsehood, but the only thing she sees is a quiet acceptance, the kind that comes when you know you can’t argue anymore or stop something from happening.
She offers you a gentle, wobbly smile, and it does lift your spirits some. If Paige can believe so ardently in something, then so can you. “I’ll be okay,” she says again.
“I know,” you confess, because deep down, you really do think she’ll come back to you. From the very first moment you crossed paths, you learned that Paige was not one to back down. Now, when her choices are coming home to you or not coming home at all, her decision is simple.
Nothing changes when she leaves. You work your shifts, mind obviously elsewhere, but with what you know about her deployment, you know that you can’t dwell on it too much. You have a heftier workload now, maintaining and fixing the ships, so you get lost in the routine.
The bright spot of your week is the first letter comes a few days after she leaves. Somehow, the worn paper smells like her, and you smile at the sign of her looping scrawl, the borderline chicken scratch handwriting. It makes you think of all of the times she’d leave you notes across your house, reminding you that you’re beautiful and that she’s thinking of you. The memory makes your chest ache, so you push it to the back of your mind.
June 3, 1944
To my yardbird,
I just landed in England. It’s very busy here. It’s beautiful, too, and I think you’d like it. I can see us walking down the cobblestone streets together, maybe sometime in the future when the vendors and stalls are in business again. I would probably say something annoying and you’d shake your head, amused and trying to hide your smile, but I would know.
How are you doing? How is the shipyard? The hibiscuses we planted in May? I want to hear everything.
When I sat down to write this, I thought the words would come easy to me. I spent my entire flight thinking of what I would say to you, what I would ask. I thought it would be easy to tell you how desperately I want you and how I count down the hours until I get to see you again. Maybe God’s honest truth is that these aren’t understandings that can be summarized in one single letter – or truths that can’t be summarized at all.
Do you ever think about how you can look up and see the same sky as me, the same stars? I’ve spent a lot of time in the air. I know the clouds like the back of my hand, the way they move, the way the wind currents will guide me home. I know more about the sky than I know of the earth. In my profession, it’s hard to stay grounded – literally and figuratively, but my time with you has reminded me that there is an importance in returning to the soil, spreading my roots, seeking out a future I previously thought I couldn’t afford. You’ve given me hope, a dream, a love.
On my flight to England, I looked to the west and I saw a star. It shone brighter than the rest, glimmering and sparkling despite the fading night. As I’m writing this, I’m staring at the very same star. It makes me feel as though we aren’t so far apart right now, that you could look up and see what I’m seeing. You and I, we’re still connected, two ends of a red string coated in something cosmic and everlasting. When I look to the sky, it’s like I’m looking at you.
I will be home soon. That is my one promise to you. Until then, I hope you’ll look to the sky and look for me, too.
Yours,
–P
You draft your response immediately and send it off with the mail carrier before evening. You don’t know when it will get to her or if she’ll have much time to write back, but before you go to bed that night, you step outside and direct your attention to the western sky. You spot the star she was referring to almost immediately, the way it twinkles against a dark canvas; despite the ache in your heart, looking at it makes you feel a little less alone.
June 7, 1944
To my flygirl,
You make England sound so peaceful. I’m sure it is made all the more beautiful a country by you being in it. I would love to visit with you, when the world is all right and it’s a warm, summer day. Even if we just explore the cities, you have a way of making each moment feel more significant. You turn the mundane into a memory. Wherever you go, you leave a trail of magic behind you, and I am endlessly blessed that God has put me on this earth with you if only so I could follow it.
I’m holding up. The days are long and the nights are short and I miss you more and more each day you’re gone. According to the radios, you flew into Normandy yesterday and the invasion began. I hope you stay safe. The shipyard is busy – we are sending out more and more ships everyday for cargo and for men. Even more come back for repairs. I rarely get a break as of late, although I know my job is an important one. The hibiscuses are healthy, but they bloomed a little brighter when you were here to care for them. I don’t know how you do it. It is as though these things know you – they know you’re gentle, and kind, and that you have this nourishing, uplifting factor about you. They know of your love as well as I do, of what it is like to be without it.
I find myself writing and then pausing. I have so many things I would like to say to you but this paper can only hold so many of my thoughts. I agree that one letter is not enough to express myself fully. However, I know not to worry. You are thoughtful in ways most people never think to be and you have always been talented in understanding me before I’ve been able to understand myself. There are many things you know but I do like saying them. I miss you – isn’t it funny how we always come back to this? I miss you in a way that makes my chest ache. I miss having you in bed next to me and I miss the way you sing in the mornings. I miss you because you are everything I didn’t know I needed and more than I ever thought I deserved.
Remembering that you are under the same sky as me makes me feel a little less alone. Remembering that you see the same stars, the same moon, the same sun reassures me you aren’t so far away. Remembering that you feel the same love reminds me that you’ll be home soon.
With love,
Your yardbird
Over the course of the next several weeks, you continue to work. You continue to gaze at the sky before bed, imagining Paige doing the same before she goes to sleep. You write to her and you read the letters she sends you. They always start the same – an affectionate “To my yardbird” that never fails to bring a smile to your face. She tells you about her days, never once mentioning the toils of the war, only the beauty of the nature around her in spite of the damages around it. She tells you about the other women airforce service pilots – the WASPs – in her platoon and their ineffable courage. Paige tells you about the ones vying to return home to their families, too, and their unshakable determination to make it home.
You reread all of her letters when the sun goes down. Each and every one of them, starting with the one dated from June 3 to her most recent one. At this point, you have all of her letters memorized from the penmanship to the content. You spend hours with your hands clasped as you utter your hopes, prayers, a constant wish for her to be safe.
The weeks tick by. There’s nothing of note on the radio. You get lost in the rhythm of working, of thinking about Paige, of writing letters to her and handing them off to the mail carrier with the same unwavering expression of hope. You remind yourself that you and Paige aren’t done here, and that she’ll be back soon.
Then, her letters slow down ever so slightly. The Allies are pushing for one more coordinated attack, she’d written to you. I’ll be in the air frequently.
All you could do was wait. And hope. And work.
So, you do.
Four more weeks pass by. In that time span, you only get one letter from Paige in the second week, then she’s silent for the next two.
You try to not let the worry ruin your life.
On August 25, the radio at the shipyard crackles to life, announcing, “The Allied advance has liberated France. The Germans are in full retreat.”
You felt as though you could breathe a little easier, but you were still sick without the knowledge of whether or not Paige was okay. You don’t hear anything for two days.
On August 27, you’re leaving work early, a rare happenstance. Given the relative silence of the last few days of the invasion, you and the other women were able to finish repairs fully on the current batch of ships you were working on and you were waiting to get the damaged ones back from overseas. With nothing else to do, you walk your worn path back home, letting pure exhaustion and muscle memory guide you home. You’re too tired to even think, but you do glance up at the antiquities shop as you pass by. It had become a habit over the last twelve weeks, bringing a smile to your face as you remember the day you and Paige had met.
But you stop in your tracks, letting the bustle of the crowd pass you by as you gawk. Part of you can’t believe it, half-tempted to rub your eyes, convinced you’re in the middle of a dream or that the sheer exhaustion of the past three months has finally caught up with you. All you can do is stare, until–
Paige Bueckers cocks one of her signature, amused smiles, her eyes relieved and fatigued all at the same time. Her hair lacks its usual gel, the edges unruly. Her uniform top is buttoned one lower than usual, exposing the undershirt she’s wearing, and the hem is barely tucked into the waistband of her trousers. She doesn’t look injured, just like she could use a really long nap, but the sight of her makes your heart leap out of your chest.
“You’re early today, yardbird,” she comments wryly, glancing down at her wristwatch. “You got a hot date?”
You drop your bag at your feet, coming into her personal space with three quick strides. Judging by her expression, it’s clear she wasn’t expecting this reaction from you, but you can’t bring yourself to care as you cup her cheeks, standing on the tips of your toes to kiss her. Paige melts into you completely, her arms wrapping around your waist and pulling you flush against her with an overwhelming amount of relief. She sighs against you, tilting her head to kiss you deeper, but your hands tremble on her face as you taste the salt on her lips. You can’t believe that she’s here right now. After twelve weeks of aching, of hoping, of believing, she’s here. 
You break away from her when your lungs burn, needing to breathe. Despite the tears, she’s still smiling when she presses her forehead to yours, her eyelids slipping shut like she just needs to absorb the moment and breathe you in. You do the same, your hands sliding down to tangle in the fabric of her shirt. She’s firm, she’s warm, she’s alive and she’s in front of you and you have possibly everything you’ve ever wanted right here in front of you. “I can’t believe you’re here,” you whisper into her chest, your voice a little muffled, but Paige’s shoulders shake with laughter, dissolving all of the tension left in your body.
“I told you,” she murmurs, her chin pressing into your temple as she holds you close, “I’d come home to you.”
And if there’s one thing that’s true about Paige Bueckers, it’s that she doesn’t break a promise. Not this one, and certainly not the one she makes to you almost a year and a half later in her backyard when the two of you exchange private vows during a quiet, peaceful, summer afternoon, promising to love each other for the rest of your lives.
2025
As quickly as the memory comes to you, it disappears just as fast, leaving you in a daze. You blink once, twice, wondering if you’d just imagined it all or if that was real. Glancing back down at the photo in front of you, the two women embracing in the middle of a crowded street – one a flygirl, one a yardbird, their features so similar and their expressions so loving, you think that it had felt too real to be fake.
“Hey, you alright?” Paige’s voice echoes from your call, concern laced in her tone, and despite yourself, you can’t help but crack a smile because those were the very first words the aviator had said to you. Perhaps there was more truth to it than you thought.
“I’m okay,” you promise, peering down at the photos again. An idea hits you all at once. “You said you finished practice early, right?” Your girlfriend hums, clearly confused with where you were going with this. “How quickly can you get to this antique store?”
Paige doesn’t keep you waiting too long. She makes it to you in record time, the jingle of the bell above the door capturing your attention. You glance up, spotting her, and the two of you share matching smiles as she strides closer to press a kiss to your temple, squeezing your hip. “Alright,” she murmurs. “Lemme see these pictures.”
You hover silently next to her as she sifts through the pile of pictures you’d accumulated. She lingers on the black and white photo of the pilot and the shipyard worker – describing that photo as you and Paige still feels a little too weird, but you watch as her brows furrow, her eyes lighting up with something that looks like recognition. You don’t even have to ask to know that she’s feeling the exact same thing that you did.
“This is insane,” she mumbles under her breath, which makes you laugh a little, amused. Paige holds the photo gently in one of her hands as she looks through the others, finding one of two teenagers holding hands on their way to a dance, presumably, considering the way they’re dressed. They don’t look as similar to you and Paige as the first photo did, but it still brings back a sense of nostalgia that Paige picks up on, too. “You remember prom? Junior year at Hopkins?” your girlfriend asks, nudging you gently.
You resist rolling your eyes. “How could I not?” you say sarcastically. “Someone saran-wrapped the doors so tightly that the principal had to call the fire department just so we could get in.” Paige laughs. Affection blooms in your chest despite yourself, and you grin, too. “We made the best of it, didn’t we?” Paige hums in affirmation, brushing her fingers across the photo before you before picking up another one. It’s two people laughing on a porch. You can tell they’re lovers by their closeness. “Remember when I rented my first apartment and you helped me move in?”
Her lips curl into a fond smirk. By help you mean Paige stayed over every night for a week straight, delaying your unpacking and “breaking in the new crib,” whatever that meant. You’d enlisted her to help with your furniture, your decor, and building shelves, but you’d go to bed in her arms and wake up to all of your furniture in completely different spots. “Oh no,” Paige would whine, a terrible actress to this day. “Guess I gotta stay and help you fix this.” It didn’t take a genius to figure out that she was intentionally waking up at night and “inconveniencing” you just so she could stay a little longer and annoy you, but you suppose the real kicker was she never really needed an excuse to be near you, anyway. You would have let her stay for the week even if it meant she didn’t fuck up the way your furniture was arranged.
“I still dunno why your furniture kept moving,” she muses, still committed to the bit. “You ever call maintenance? Or security or somethin’?”
You roll your eyes for real this time, pressing a little closer. She raises her arm to rest it over your shoulders. You pick up a photo of a 30’s bride, her veil long over her face. It wasn’t a secret that you wanted to marry Paige someday – the two of you had been together since high school and you both had discussed as much; now, she was entering her final March Madness tournament as a Husky. The two of you were so interwoven into the fabric of each other’s lives that you were sure you would be together until one of you took your last breath.
“You look pretty in white,” she comments off-handedly, like she’s slick, but you know better.
You grin. “You think so?” you ask coyly. She hums again, a smile of her own growing on her features the more she stares at the picture of the bride. “Well, I think you look pretty good in a suit, too.”
“Oh, little ole me?” she croons, faux shyness lacing her tone.
“You’re so annoying,” you say.
“You’ve loved me since we were fourteen,” she reminds you – as if you’d ever forget it. “You’re stuck with me at this point.”
The truth was, you’d be content to be stuck with her for the rest of your life. The other truth was that Paige’s ego was already so dangerously over-inflated that it’s days away from popping like a balloon with too much helium, so you couldn’t possibly admit that to her. The third truth was that Paige knows you love her, just as she loves you, so she didn’t need you to admit it to her, anyhow. The both of you were stuck with each other, not that either of you minded.
“Let’s get these?” you request, and Paige nods, scooping up your selected photos in her gentle hands.
But it still feels like you’re missing something. You have your photos, the memory of a life long passed – which reminds you; you and Paige will be having a lengthy conversation about that memory later today – but it feels as though you haven’t seen everything the universe clearly wants you to see. So you link hands with Paige, scanning the shop once more as you search for the missing piece.
It’s Paige who actually locates it after a few moments of walking. She glances at you meaningfully, guiding you down a row of bookshelves, eyes roaming over its contents like she knows exactly what she’s looking for. At the very end of the line, there’s an old, dusty, leatherbound book covered in cobwebs laying flat on an antique table, as though someone pulled it off the shelves to read and then forgot about it. Paige exhales like it was exactly what she was looking for.
She drops your hand to brush the back of her hand over the front cover, getting rid of the dust and the cobwebs, and then immediately sneezes. It makes you choke on a giggle, the mystery and the intrigue of the moment softened by Paige’s incessant allergies, and the tips of her ears flush red as you whisper a quiet, “Bless you.”
When the cover is clean, she wipes her hands on her shorts and opens the book carefully to the front page. You peer over her shoulder again. The penmanship is in neat cursive, the ink fading with time, but still legible enough for you to read. There’s a date in the top right corner reading 1543 September 9. Paige whistles lowly, holding the book a lot more gingerly now, which amuses you a little bit.
You look at the first line, reading, “Father procured me this journal to document my life and my emotions. He believes that it will help regulate me and, in quote, save me from this phase of rebellion lest I make a mockery of the crown. I am only eighteen. Surely, he must understand that the life of a princess is not one for me.”
Paige blinks once. “Well, that’s heavy.”
“Paige, she’s eighteen.”
“Technically, like…” your girlfriend pauses to do the math in her head, “...Four hundred and…eighty sum’.”
You shake your head, smiling despite yourself, and when you reach out to turn the page, you’re hit with another memory – only this time, you know that Paige is seeing it too.
1543
“Princess, your father is just trying to look out for you. He is just…a little misguided.”
You huff indignantly as you drag your brush through your hair. You truly do not mean to be this dramatic, but indignance just seems to be the main emotion that your father manages to evoke from you. Ever since you turned eighteen, the “of age” marker determining your eligibility to officially inherit the throne, the King – your father – has been nothing short of particular. Exacting. Expectant. If you’re not studying with your tutor, you’re listening in on his meetings, learning the ins and outs of how to run a country. You’re his only heir, so deep down, you understand why he demands so much from you. There’s a short time between now and when your father won’t be deemed fit to run a country. You’re just upset that being the princess means you can’t be you anymore.
There’s a certain degree of freedom you get used to growing up in the castle. You want for nothing – everything is provided for you, no question about it. You have the best education possible, learning from private tutors all over the world – math prodigies, language experts, philosophers. Everything you could possibly want is at the tip of your fingers. As of late, however, it seems that you may just be broken. 
You long to be outdoors, away from the castle and its stuffy, too large walls. You long to do things for enjoyment and not for obligation. You’re eighteen – you want to be with people your age, not the children of the entitled, pompous bureaucrats that your father rubs elbows with. You want to be you, not the Princess, not the heir to the throne, just you.
It seems there are just some luxuries that one cannot afford, not even monarchs with the world at their disposal.
“‘Misguided’ is one word for it,” you huff, trying to not catch too much of an attitude with your chambermaid, Carlotta. It is not her fault, not in the slightest, and she’s been there for you your entire life – even longer than your father has. “I do not want to be–”
Carlotta hushes you, a gentle, cautious hand resting over your shoulder. You clamp your mouth shut. “You must be careful, Princess,” she murmurs.
“There are eyes and ears everywhere,” you finish, your voice barely a whisper. “I know. I’m sorry.”
That was another thing you loathed about being a royal – the constant paranoia. It is a well-known fact that your father has enemies. Perhaps that is just a fact of life that comes with being king, a political figure, someone in charge of making decisions for millions of people. It is hard to be free when you’re tailed by your father’s most trusted knights and officers.
“It is all right,” Carlotta assures you. “Now come – you must be ready for the banquet.”
You nod, swallowing back your remark, and you allow Carlotta to help you into your gown.
The banquet goes as well as you were expecting. It’s loud, raucous, and full of minging, networking, and brown-nosing. You’re certain that you’ve never faked as many smiles or laughs as you have until today, but once it becomes socially acceptable, you sneak out the back door.
Or, as well as one can sneak when there’s a knight tasked with following your every move.
You glance over your shoulder. Just before the door slams shut, a tall figure in breathable armor slinks through the gap, following you at a respectable pace. However, there’s something that gives you pause.
As irritated as you are at the prospect of being tailed by your father’s appointed guards, you’ve made a habit of knowing who they are. Tristan is your usual suspect – he’s tall, lean, and his armor is recognizable. There’s a crest on his breastplate, signifying that he comes from a family of nobles, but this knight lacks the decorative chestpiece. Every other day, you’re then followed by Maximus. He is a little shorter than Tristan, although in place of a family crest, he has the traditional knight’s insignia – he doesn’t come from a family of nobles; rather, he’s an experienced knight who worked his way up through those ranks.
Whoever is wearing this suit of armor isn’t Tristan or Maximus, and you know that while your father makes a habit of annoying you, he wouldn’t reassign your patrols without telling you. Feeling your heart beat a little faster in your chest, you lengthen your strides, trying to get away from whoever is pursuing you without giving it away that you know they’re an enemy.
The issue with all of the country’s royals concentrated in one wing of the castle means that the large majority of the knights are assigned to that wing. That means there’s little protection through the back corridors. That means you need to find a way to get the knight off of your trail. There’s a variety of things you could be used for. A bargaining chip. An arranged marriage. Perhaps you’d just be killed entirely.
You hang a left, casting another glance over your shoulder. You don’t see the knight round the corner just yet, but you can hear his footsteps pick up speed. Realizing how dire your situation is now, you will your body into a run, thanking Carlotta for putting you in a pair of sandals instead of the heels your stylist had set out for you. The heavy clank of armor follows you down the winding halls as you breathlessly search for your exit.
To your right is a set of tall glass doors, leading into the palace gardens. Confident in being able to find somewhere to hide there, you push the doors open and run outside.
What you’re not expecting to find, however, is a tall blonde woman sparring in the dark. She spins on a dime, her sword lowering, but recognition flickers across her face once she realizes you’re the Princess. You briefly wonder if she’s a knight, too, or if she’s here to kill you, as well, but you throw all caution to the wind, deciding to trust the blue of her gaze. “Help me!” you exclaim, throwing yourself behind her just as the glass doors burst open and the turncoat knight barrels outside.
You realize, perhaps a little too late, that the blonde woman is not wearing armor. She’s dressed in a breathable navy and white tunic, the knight’s crest emblazoned across the chest, and a pair of worn boots. At the very least, she’s drastically more agile than her opponent (and taller, too, you note, although you remind yourself that there’s possibly a time and a place for those sorts of realizations). 
The armored knight draws his sword, a quiet acceptance in his body language like he knows he’ll have to go through the blonde knight to get to you, but she’s rigid, confident, rising to the challenge completely.
They collide in a flurry of sparks, loud groans, and the clang of metal against metal. The blonde, to her credit, doesn’t budge, but the force of their impact sends the armored knight stumbling. Using that to her advantage, she delivers a swift kick to his abdomen, which makes the knight fall to the ground completely. 
“Yield!” she barks, her blade against the soft part of his helmet.
He pauses, gazing up at her as if truly contemplating it, before his own leg jerks out, knocking her off balance. She grunts, dropping to one knee, and he uses her injury to kick her backwards as well. He digs his sword into the soil, using it to lift himself up. The knight spins his sword in his hand, remnants of dirt flying off of his blade, and he stalks towards her like a predator to his prey. All you can do is watch on in horror. 
You’re so focused on the other knight that you don’t notice her fingers digging into the dirt next to her until she comes up with a fistful of soil that she launches directly at his helmet. He recoils with a yelp, disoriented, and the blonde knight locates her sword, slashing out in a quick motion and catching the soft spot where his knee bends. He staggers again and she slams her hilt into his wrist, causing him to drop his sword. She grabs it immediately, dual wielding both blades, and the checkmate move comes when she kicks his injured leg. He falls to his knees and she crosses both of the swords under his neck again, chest heaving and sweat beading at her temple.
“Yield,” she commands. “I won’t ask again.”
He lifts his head ever so slightly, meeting your gaze across the garden. You stand your ground even though you’re rattled and you can feel your pulse in your fingertips. Barely eighteen and I’m already surviving assassination attempts, you think to yourself, Father would be proud. Then, he drops his head again, defeat in his posture. “...I yield.”
By the time he finishes his sentences, the garden doors burst open and more of your father’s nights enter the garden, brandishing their blades. They catch sight of the blonde knight, swords to your attacker’s neck, then settle their gaze on you, breathing heavily but not a hair out of place. “Arrest him,” one of the captains instructs, and another knight surges forward to deal with the attacker. “Secure the Princess. Alert the King immediately.”
The garden is a flurry of activity as the knights disperse. One group leaves as they drag away your attacker. Another group surrounds you as if forming a wall between you and any potential danger. Still, you can’t keep your eyes off of your savior, the blonde woman whose cheek is slightly smeared with blood. You’re not sure if it’s hers or his, but this isn’t a night you’re going to forget for a while – not because of the attempt on your life, but because of this knight’s bravery, her spur of the moment decision to put her life on the line for you, especially against an opponent with far more protection than her.
It’s nearly stupid. She’d behaved so recklessly, but it was her job. So why do you feel so drawn towards her?
Your father arrives with a security detail of his own. You’re not quite sure what you were expecting from him, but he gives you a cursory look over, nodding in approval when he sees that you’re okay, before he turns to his men. “Who allowed this to happen?” He doesn’t raise his voice. He doesn’t need to, but you think he’s scarier like this – the deadly sort of calm that only comes out when someone is truly pissed. “Who allowed a turncoat knight to nearly kill my daughter?”
His men are notably silent. Your father scoffs, shaking his head, and he turns on his heel, probably ready to storm out until he catches sight of the blonde knight, standing solemnly in the corner. “Who are you?”
Her voice doesn’t waver when she answers, not meeting your father’s eyes out of respect. “Sir Paige Bueckers, Your Majesty.”
He glances at her – armorless, then he glances at the rest of the knights gathered – uniformed. “Why are you here?”
Paige hesitates, looking up to meet your eyes, a silent plea for help. “She saved me, Father,” you answer for her, drawing your father’s attention back to you. She relaxes slightly, gratitude in her expression. “I noticed the knight following me wasn’t one of my usual handlers. So I ran out here to flee and found Sir Paige.” Your father looks at Paige again, studying her in a new light. His quiet contemplation could mean a lot of things. Then, surprising everyone, you say, “Father, I want her reassigned to my guard detail immediately.”
Your father considers this for a few moments longer, then he turns to the captain. “See to it,” he orders. The captain nods emphatically. And with that, your Father returns indoors, his security detail following. The rest of the knights follow until it’s just you and Paige, who stares at you with a mix of shock and curiosity.
You nod at her, softening. “Come. Let’s get you to the infirmary.”
Paige, unsurprisingly, is not a woman of many words. You don’t expect her to initiate any sort of conversation with you given your status, but she does look at you – a lot – mostly when she thinks that you’re not aware of it. There is nothing inherently inappropriate about her gaze. You can tell she’s curious. You can also tell that she knows she has a duty to do. Her gaze flickers on and off you to scan the hallways for any sort of potential danger and her hand hovers over the hilt of the sword strapped to her waist as if someone would jump at you both from the shadows.
Functionally, she hasn’t said a single word to you since you met her, yet you battle the urge to get to know her. You know that would never be allowed – a royal fraternizing with a knight. It breaches every code of conduct and tradition that you’ve been raised to recite by memory. Despite your knowledge, there seems to be a pull between you and the knight, one that you’re finding harder and harder to resist as you watch her brows tent in concentration, her eyes studying everything about her surroundings as you lead her to the medic.
When the two of you reach the infirmary, she doesn’t say much else, either, only nodding or shaking her head when the physician asks questions like “Does it hurt when I do this?” or “Do you feel any pain here?” You do watch as her face screws up, discomfort in her features, when the physician pokes and prods at her knee.
She’s fortunate, according to the physician, that it is only bruised and she should expect to recover quickly. Taking an armored boot to the knee when you’re wearing only a thin tunic is usually grounds for a fracture or a broken bone. Paige takes the diagnosis in stride, her eyes trailing after the physician as she leaves the infirmary to fetch some herbs from the greenhouse, and shamelessly, your eyes find the knight again. She doesn’t glance at you, but you can tell that she’d like to, so you break the silence to say, “You don’t need to be so formal with me.”
Her throat bobs as she argues, “I do.” Then, as if you’d forgotten, she reminds you, “You’re the princess. Treating you otherwise would be disrespectful.”
You cock a wry smile. “And would disobeying my wishes not also be disrespectful, Sir Paige?”
She pauses, not expecting that one, and finally, she glances up to meet your eyes. Her eyes are startlingly blue, alert despite the exhaustion and the lingering pain of her battle, but they’re kind. They’re soft in a way you would never expect from a hardened knight. They’re gentle when they appraise you, studying your features, and her features relax as if she’s looking at you – truly looking at you – for the first time. “I suppose it would be, Princess,” she agrees. “I apologize.”
Your smile softens, too. “Considering you saved my life today, perhaps we can call it even?” you suggest, trying for a joking tone, and you find that it’s well-received when she chuckles. “Thank you for that, by the way. I would not be here without your courage.”
“I was just doing my duty,” she murmurs humbly. “My only wish is for you to not have had to witness that.”
“I’m stronger than I look,” you say reflexively.
Paige glances at you again, her eyes lingering on your face before a slow smile curls on her lips. “I’m beginning to see that.”
You know she doesn’t intend to say that in any sort of way, but the warmth of her gaze, the approval in her eyes, and her words alone are enough to make your cheeks flush. It’s wrong – that much you’re sure of. You haven’t known the knight for very long, but there’s something so magnetic about her, like you’ve met her before, like you know you’ll be safe with her. This conversation feels like one you’ve had before. That thought doesn’t alarm you as much as it should. Paige just feels right.
Then, she raises her hand, rubbing her face, and she doesn’t realize that she’s reopened the small cut beneath her eye. “Oh,” you say, not nothing much of it as you reach out for a piece of gauze, “you’re bleeding.” Motioning to the wound and ignorant to the way Paige’s breath hitches, you ask, “May I?” She nods and you step between her parted legs, hovering over her as you gingerly reach out with the cotton, fingers light and delicate against her skin, cleaning away the blood. You and Paige are inches apart by now, and the sudden closeness makes your hand tremble, especially when your eyes flick up to meet Paige’s. The expression on her face is almost awestruck, reverent in a way that makes you forget about how dangerous this is. You don’t realize that you’ve planted your free hand on her shoulder, holding onto her to keep her from moving, nor do you realize how her hands grip the edges of the table, knuckles white like she knows it would be wrong to touch you, but the way her breath stutters makes it so obvious that she’s desperate to regardless.
Sobering up, you lean back, red tinging your cheeks as Paige exhales deeply. The physician returns to the infirmary at that time, grinding together herbs in a mortar and pestle and muttering to herself absently. You and Paige exchange a glance, the heat of the previous moment softening as you both put some space between each other, and you can’t help but feel like you’ve stumbled across something that you shouldn’t have – the chemistry between you and the knight. You’ve always been curious and daring by nature; you know yourself well enough to know that you’ll track down that spark and see where it goes, even if it means sweeping the ashes under the rug after it ignites into something you can’t quite stop.
For now, you have to play it smarter. All eyes are on you as you prepare to take the throne from your father, and the last thing you want to do is jeopardize Paige and her future, even if you’ve already done so by assigning her to your personal guard.
Beneath the professionalism, the practiced stoicism that you see right through, you recognize that very same spark reflected in Paige’s eyes – the curiosity, the determination, the willingness to press the match to the kindling if you’d so much as asked. You know this is risky, that this energy between you and Paige is something that will splinter the foundations of the life you’ve grown so accustomed to.
And the worst part of it?
You wouldn’t even mind if it did.
Paige assimilates seamlessly into your routine. You wouldn’t expect anything less from the knight, who adjusts to her new position with a startling quickness and efficiency. Given the recent attack on your life, your father arranged to have her moved to a room only a door down from yours in the Royal Wing of the palace, believing that having her close would allow her to protect you better. She becomes your shadow of sorts, although you had to put your foot down early on in your new…partnership, and force her to walk side by side with you instead of the infuriating ten or so feet away.
“Being close to me would keep me safer, wouldn’t it?” you’d questioned her, by no means trying to be coy about it.
Paige had smiled softly like she knew, amusement and acceptance in her features as she agreed, “I suppose it would, Princess.”
She follows you everywhere – your royal meetings, your appointments with your tutors, to the dining room, and well, if she’s found in your bedroom, listening to you ramble about your latest project, then you’d say it’s for your own protection as much as it’s for the growing friendship between the two of you. When Paige isn’t worried about her professionalism, she talks. A lot. It doesn’t bother you at all. You’re content to listen to her stories, her experiences, her life, how every choice she made throughout the years led her here. Selfishly, you’d think that inadvertently, her choices had led her to you, although you don’t voice that thought at all.
She grew up in a small village a few hours away by horseback – Storrs. It isn’t well known for much except for the cold winters that the locals loathe. She’d recounted her childhood with a fond smile on her face, even the uncomfortable parts like the time she’d hurt her knee severely while sparring or when her parents had divorced. Divorce wasn’t as familiar to you, having been raised in the castle where your father remained with your mother until she passed, even though there wasn’t any love between them after your birth and their failure to conceive a male heir – although that’s a story for another day. When you voiced as such, wondering about the casualness in which she and her parents viewed their separation, she’d merely shrugged and said, “Sometimes people just don’t feel the same love that they did before. Why stick around to force something when your heart’s not in it?”
You’d felt as though that applied to a little more than relationships, considering how you didn’t want to be queen. As much as you trusted Paige, you didn’t think it was the time nor the place to drop that kind of confession on her.
While there’s no more attempts on your life, Paige sticks by you fiercely. If it were anyone else, you’d probably be pissed at the lack of independence, but there’s something about Paige’s company that you cherish, even if it’s just her standing watch at the door while your tutor teaches you philosophy. You like having her around. That thought should scare you much more than it does. For the first time in a really long time, it feels like you’re free. Growing up, you’d never had many friends. Everyone your age was always too aristocratic, too pompous, too entitled. You’d tried, but you could just never get along with them – it was always like you were on the outside looking in no matter what you did differently. With Paige, it feels like you’re shedding all of the past desires to fit in. She makes you feel as though you don’t have to fight your way inside just to be accepted. She makes you feel as though there’s always a place you’ll belong, even if it’s just with her.
So while there aren’t any more attempts on your life, that doesn’t mean your life gets easier. As you progress in your training and you begin to take up more royal duties, there is an increase in the number of suitors that make their way through the castle. Most of them have been arranged by your father, seeking to find a husband to rule next to you – or rather, someone for you to stand next to while they rule. They’re either princes of distant kingdoms, or the high-ranking sons of nobles. You hate all of them. They’re either too old, too stuck-up, too arrogant, or too…male. You’d longed for visions of long, blonde hair, twinkling blue eyes, the gentle way in which the knight spoke to you yet the fierce way she protected you. None of these men were her, and you could tell your father was becoming upset by how often you turned them away.
If you hated them, then you’re not quite sure what word to use to accurately portray the amount of disdain that Paige feels for them. You can see it in her expression alone, the white-hot hatred that burns in her eyes even as she speaks to you politely, calmly. You see it in the way she stands unyieldingly next to you, a hand poised over the hilt of her sword as if she was ready to dispose of whichever groveling idiot was trying to propose, if you wouldn’t deny them yourself. You see it in the way her entire demeanor shifts, the way she grows more confident when you’re alone and her hand curls around your waist and she dips her head down to your ear to whisper, “None of them deserve you. Not a single one of them.”
If Paige hadn’t already ruined you for anyone else, then you’re sure she ruins you completely after that.
At first, you think it’s just her commitment to duty. Paige’s entire job is to keep you safe, protected. If she feels as though these suitors would be too violent, too uncaring, too unfit for you, then you suppose she was well within her right as the princess’s protector to feel however she wanted to feel. Then, you think it’s just hate. She knows you almost as well as you know yourself, if not more. At this point, you’re both a little more than princess and knight. You’re friends who share a mutual duty to a kingdom. However, you realize all too late that it’s actually jealousy.
She stands behind you, her tall stature imposing and intimidating as she stares down the last suitor you had scheduled for today. He’s the prince from a kingdom down south. His name is Oscar and if you had to be honest, you got a bad feeling from him as soon as he strutted in, a black and red cape billowing behind him like he’s already king and has nothing to worry about. You’d even felt Paige stiffen behind you, but you promised your father you would at least talk to your suitors before rejecting them (and you were not keen on sitting through another lecture from him).
The interview goes terribly. You can feel Paige’s mood worsen the more Oscar speaks. He interrupts you countless times, talks over you, and when you do get to speak, he dismisses it like it’s trivial and continues rambling on about his success or his fortune or how well he could lead a kingdom. You knew the conversation was over as soon as he promised he wouldn’t take anymore than five mistresses and you had to stop Paige from jumping across the table and stabbing him entirely.
So, you politely tell him, “I’m sorry, but I don’t think you’re what I’m looking for in a potential king. I have to look after my people.”
You see the shift in his expression before he even raises a hand. You just couldn’t react fast enough to block the swing.
But Paige does. She catches Oscar’s wrist in her hand, her grip so tight that the tips of his fingers were turning purple and he was choking on pain. Then, she slams his hand into the wooden table before you, the surface almost splintering from the force of it. You can hear a sickening crunch, but all you do is raise your brows as Paige leans over you, her gaze set firmly on Oscar. “We’re done here,” she murmurs, her voice low and threatening. “Raise a hand to the princess ever again and I’ll kill you myself. Do I make myself clear?”
You don’t hear what he says, too stunned to focus on anything but the vein that protrudes from Paige’s neck, the challenge laced in her tone, the way her response has left a warm feeling deep in your belly. He scurries out with a metaphorical tail tucked between his legs, the door slamming shut, and you and Paige are left alone in the conference chamber. Paige breathes heavily next to you, resting a gentle hand on your shoulder in both consolation and apology, yet all you fixate on is the way your thoughts race.
Paige is saying something to you, but it sounds like you’re underwater. You push out your chair, standing as she rambles, and you turn on your heel to meet her eyes. There’s still a lingering fire in there although it dwindles the more she talks, concern and something else you can’t quite place taking precedence. Before you have the time to talk yourself out of it or remind yourself of how wrong this is, you curl your fists in the fabric of her tunic and you pull her down to your level.
She immediately freezes against you, the words caught in her throat releasing in the form of an indulgent groan as she finally registers that your lips are on hers. When she relaxes to kiss you back, the intensity is almost overwhelming, like the fire from earlier has returned. She grips your hips possessively, backing you into the table and lifting you onto it for better leverage, one hand dropping to hold your thigh and the other curling around the back of your neck. Paige leans forward, pressing against you like she couldn’t stand to leave any inch of space between you.
The kiss is hazy and it makes your mind spin in the best way possible. You sigh against her, welcoming the intrusion when her tongue swipes across your bottom lip, and she holds onto you like she’s scared that you’ll disappear if she lets go. Paige kisses you like you’re hers, which you may as well be. You’re hers to protect, hers to hold – not the princes’, not the nobles’, not anyone else’s.
When you both break away from each other, chests heaving, her voice is rough, low, wrecked when she whispers again, “None of them deserve you.” Her eyes scan yours, her thumb brushing across your pulse point and her breath hitching like she can feel exactly what she’s doing to you. “Not you, the princess. And especially not you, the girl whose heart is as pure as it is kind. The girl who I…”
You swallow thickly, feeling the heat in your cheeks and fighting the urge to pull her back into you as she trails off. “And you do?” you murmur. “Deserve me?”
“I’d fight a hundred men and a hundred men more if it meant proving that to you,” she vows. You know her well enough by now that you don’t need her to prove anything more to you. She already has. Your heart is hers. “This isn’t just a duty to me,” she confesses a few beats later, her voice hardly above a whisper like she’s confessing a secret. “It’s real. What you are to me is real. I couldn’t bear it if anything happened to you.”
“Nothing will,” you say, confident and assured. “I’m safe with you.” Paige nods, her hands warm against your skin, and you press your temple to hers to admit, “For you, I’d run away and leave it all behind.”
You feel her freeze against you, surprise, mostly. She leans back to meet your eyes. “Princess, you don’t mean that,” she says quietly.
You nod vehemently, your fingers tightening in the fabric of her tunic. “I do, Paige, I swear it.” She softens, taking in the conviction in your tone. “I don’t want this – I don’t want to marry someone else. I don’t want to be the queen. I want you, a life of peace, where I don’t have to worry that someone will try to kill me or if I’m making a decision that will kill my people. I want peace.”
The silence lingers. There’s a realization in the wake of your declaration that in your position, you could never afford peace. Princesses don’t get peace, or a life of ease, nor do they ever get the one they love. Knights don’t get peace, or a life of ease, nor do they ever get the one they love. You know you’d give it up in a heartbeat if you could find the courage to. You study Paige’s features closely, waiting for her to speak. She swallows thickly before she does.
“Storrs,” she whispers, confusing you. “My village. We can go there – just say the word and I will take you, I swear it. I don’t owe anything to this kingdom. My loyalty is to you. We’ll be safe there, free, and you can do everything you’ve wanted – you can teach, you can explore–”
“Okay,” you agree.
Paige pauses. “What?” she asks, trying to keep the hope at bay.
“We’ll go to Storrs,” you repeat, a smile growing on your face.
“You mean it?” Paige murmurs, her voice cracking, and all you can truly do is cup her face in your hands, kissing her once more. This one is softer, the perfect seal to the promise you’ve just made to each other, and it feels more right than a crown on your head ever will. Her embrace makes you feel more secure than a legion of your father’s men ever could. You know in your heart that this is where you belong.
Happiness doesn’t last for too long. 
When you wake up the next morning, you can feel that something is off. Paige is usually already awake, standing guard at your door and waiting for you to come out for breakfast. Now, there’s an unusual silence that lingers and it makes you feel on edge.
Instead of Paige at your door, you find Carlotta, wearing an uncomfortable expression on her face. Dread wraps its fist around your heart, squeezing tight, and your chest hurts when you ask, “Carlotta, what’s going on?”
“Your father has requested your presence in the throne room immediately,” she says to you, her voice shaking. You swallow thickly, afraid of what waits for you. You cast an uneasy glance at the door to Paige’s room, not seeing anything out of the ordinary, but still feeling as though something is terribly wrong. Carlotta follows behind you as you walk through the winding corridors, anxiety coursing through your veins.
The scene awaiting you in the throne room is not one you could have ever prepared yourself for. Your father sits idly atop his throne, an almost nonchalant laziness in his body language. He’s surrounded by his usual guard detail. Your body burns with anger when you realize Oscar is standing right next to him, his hand wrapped in gauze and a splint, a malicious expression on his face. But what truly devastates you, what makes fear seize your heart entirely is Paige held firmly in the knight captain’s grasp, her hands and ankles shackled. She looks no worse for wear, only disheveled and her bun mussed from an evident fight, but her eyes burn bright with hatred and something that looks like failure.
“My daughter,” the King calls across the room. Everyone directs their attention to you, but you’re not prepared for the amount of grief and shock on Paige’s, like she wasn’t expecting you to see her like this. “Come – we have much to discuss.”
There it is again. That same steely calm from the night in the gardens. Your father isn’t the kind of man to yell – people with power and trained men at their disposal have no need to raise their voices – which is why his demeanor in this situation makes you fearful. Not for yourself, but for Paige.
“I’m not a man who shies away from admitting when he’s wrong,” your father continues when you step closer. “Accountability makes for strong leaders. I’ve always told you that, haven’t I?” You scan his features, your gaze giving nothing away. He’s not looking for a response. “It seems I’ve made a mistake in knighting an individual. Where she goes, trouble follows, such as the night in the garden. And now, with the suitors.” Your father cocks his head, looking perplexed. “Prince Oscar has suffered several broken bones and a fractured wrist due to…your knight being unable to control her anger. Alas, it has come to my attention that she has also filled your head with lies, deceit, and empty promises.”
He stands, his sea of guards parting for him as he makes his way towards you, towards Paige. “If she wants to run away, so be it. If this turncoat knight no longer wants to give back to the kingdom that has made her, that has given her the life she has now, then so be it. What I will not allow is for her to manipulate my daughter – the Princess – into leaving with her.
“So,” he muses, ushering Prince Oscar forward, who gazes at you like he’s won. “We are here to make an example. The monarchy will not be mocked. My daughter, tomorrow at sunset, you will be wed to Prince Oscar. He will be your king and you will inherit the throne. And your knight –” he spits the word like it’s venom, clear distaste evident in his features, “–will be executed at nightfall for treason against the crown.”
Your ears are still ringing.
Your father’s revelation left you numb, reeling. You watched as his men dragged Paige out of the room, her eyes locked on yours in surprise, disbelief, and ever-present grief. Your father had more to say to you, but you weren’t listening. Being forced to marry Oscar of all suitors was at the back of your mind. All you could think about for hours on end was your knight will be executed at nightfall. The word executed circulated through your mind on repeat along with images of Paige’s eyes, betrayed and disappointed all at one.
This wasn’t the plan. You and Paige were supposed to run away. You were supposed to leave kingdom life behind and go to Storrs together. You were supposed to live a life of peace in a small village where the crown couldn’t possibly find you. You’re not supposed to marry Oscar, or watch the love of your life be executed. This was all so horribly wrong.
You’re confined to your room for the entire day, your father feeling as though you would find a way to escape or look for Paige. He knows you better than you’d expected. With nothing but time on your hands, you wait. You cry. You scream and you break the mirror in your room because when you look at it, all you can see is the way Paige had stood behind you as you asked for her opinion on your dress and her jaw had gone slack before she whispered, “I think you’re the most beautiful woman the world has ever seen.” You spiral, because you were so close to making it out but your father and Oscar have derailed your plan.
At nightfall, 24 hours away from Paige’s scheduled execution, Carlotta knocks at your door. She lets herself in when you don’t respond. You hardly look up, even when she takes a seat on the foot of your bed. She’s silent for a few moments before she says, “I’m sorry, Princess.”
You laugh bitterly, the sound scraping against your throat. “It’s not your fault, Carlotta.” Even if it was, you don’t want to think about it. This woman has raised you since you were a baby. You weren’t sure if you could ever handle that heartbreak.
“It’s not,” she agrees softly. She clears her throat. You can almost feel her hesitation. “I was next to your mother when she passed on,” she admits. That confession makes your heart skip a beat. “I held her hand as she was taking her final breaths. I’d loved her, you know. Your father never knew. He didn’t care to. But when I watched my life’s greatest love die, it was a pain unlike anything else I’d ever experienced. I thought a part of me died that day. Your mother, however, entrusted me with something special to her – a part of her. She made me promise to take care of her daughter – the Princess – and to this day, you are the most important person to me.”
“Carlotta,” you murmur, tears pooling in your eyes and your voice cracking. “What are you saying?”
“You love her,” she says, like it’s more fact than fiction, like it’s something as obvious as the sky is blue or the grass is green. “Sir Paige. She is your life’s greatest love. I couldn’t save my love. But there is still hope for yours.” She stands, drawing your attention as you feel her move. There is a folded piece of parchment in her hand. Carlotta presses it into your hands. “Read this, and do not lose your faith, Princess.”
Carlotta leaves before you can say – before you can ask anything else of her. Your mind spins as you look down at the paper in your hands, at Paige’s familiar, sloped handwriting. Fingers trembling, you unfold it, and you begin to read.
Princess,
I did not think I would get to speak with you after they dragged me out of the throne room in handcuffs, so you will have to forgive me if this letter is incoherent. It is difficult for me to wrap my head around the idea – the fact, rather, that I will be dying at nightfall tomorrow.
Being a knight, I had always known that my death would be imminent. My profession is not safe. My duty is to put my life on the line for the kingdom, for the king and the princess. I knew of that long before I picked up my sword for the first time. I had always imagined that it would be in combat – perhaps I would be fighting those hundred men and the hundred men more that I had spoken of. Perhaps I would be the lucky one and die of age after living a life of valor, dedication, and virtue. Execution had never crossed my mind.
If there is one part of my life that I could pick out and say is the greatest moment of it, I would say that meeting you is it. Not being knighted for the first time or my father teaching me how to wield a blade. It was you. It is always going to be you. You are my purpose, my reason for fighting. You have made my life worth it, even if we were only a short time.
I want you to know a few things. First, this is not your fault. If I knew the outcome from the very beginning, I would choose you everytime without question. A moment with you is worth an eternity wherever my soul takes me next. Second, do not give up. You are kind, courageous, brilliant – I know you will think of something. Third, I miss you. I have only been apart from you for a few hours, but I miss you; if I knew of a way to make you miss me the way that I do, I would never dare to make use of it for you are undeserving of such an all-consuming ache. The fourth is that I love you. I planned on telling you once we made it to Storrs, after I had introduced you to my family. You deserve to know.
You are my greatest love, Princess. In this life and the next I will never give up on searching for you.
Eternally,
–P
By midafternoon the day of your wedding and Paige’s execution, you can tell that something has shifted once more. The palace is eerily silent. Again. It almost makes you worry, but after considering that your life couldn’t get any worse, you decide that the silence is a problem for you in the future. For all intents and purposes, you’re still essentially trapped in your room, and you spent the better part of the night and the entire day leading up to this moment rereading Paige’s letter to you. It didn’t make you feel any better about the situation, but you try to remember Carlotta’s words to you. They give you strength when you feel like all else is failing.
The minutes tick by until you hear tapping on the glass door leading to your balcony. Believing it may only be a bird, you think nothing of it until the tapping persists, louder this time. The glass is textured, so you can’t see out of it, but you reach for the first sharp object you can find – in this case, it’s one of your heels – and you creep towards the door, pushing it open with caution.
You freeze immediately. The heel slips out of your grasp and Paige is standing before you, her tunic rumpled and exhaustion in her eyes, but she doesn’t look hurt, and that’s all you can truly be thankful for. “I was beginning to think you weren’t home,” she murmurs, a coy smile on her face that is not befitting of the moment, and you could sob as you throw your arms around her neck. She wraps her arms around your waist, lifting you off of your feet. Paige buries her face in your neck, breathing you in and sighing in relief – you’re both okay. You don’t know what to say, stammering through words that don’t make any sense, but Paige squeezes you a little tighter, shushing you.
After a moment, she places you back down on the ground, drinking you in like she can’t believe this is real. Then, she smiles softly. “We don’t have a lot of time,” she says quietly. “Carlotta is waiting for us at the stables. Get your bag and whatever else you need. She’ll take us to Storrs.”
Overwhelmed with emotion, all you can do is nod, wiping your eyes as you retrieve the bag you’d packed after you and Paige agreed to leave. You make sure to slip into a pair of more comfortable shoes and you don’t forget to grab her letter stashed under your pillow. When you’re ready, she guides you down the wall of the palace and into the garden below, creeping through the bushes until you reach the stables. You hug Carlotta so tightly that she groans, laughing, and together, you, Paige, and Carlotta make the journey on horseback to her village.
Her village welcomes you and Carlotta in – they’re definitely a little shocked, but they’re happier to have Paige back and safe. She introduces you to her family, her mom, her dad, her step-parents, her brother and her step-siblings and they all treat you like one of their own, a blended family that’s no less full of love. They own a small little shop, one that dabbles in selling antiquities and artifacts from ages ago. You can see yourself splitting time between working there and teaching the village children, but most importantly, you can see yourself free, in love, and happier than you ever would have been in the castle. It will surely be a national emergency when the King realizes that the princess, the knight, and the chambermaid have all escaped, but you think that’s a problem for someone else.
For the record, Paige does tell you she loves you – in person, not through a letter – that night after you’ve been fully introduced to everyone and her mothers worked together to make a hearty dinner for you and Carlotta. It’s everything you’ve ever dreamed of having – a love that’s wholly yours, a life to share with someone who cherishes you, and the freedom to live the life you’ve always wanted. You were always destined to find this – destined to find Paige, to love her, to give her your heart completely; the two of you have always been connected by that red string of fate and wherever your souls take you next, you know you’ll find her there, waiting for you.
2025
The memory fades and you and Paige blink in tandem, your hands still resting over the book as you look at each other. Almost no time has passed, although the both of you look like you’ve lived a whole new life entirely, which you may as well have. Paige breaks the silence to mutter, “I was a knight in a past life and in this one, I have to do homework?” Her disbelief makes you laugh, all of the tension dissolving as she joins in with you.
“Says you,” you retort. “I was a princess.”
“Yeah,” she sighs. “You ain’t never letting that one go.”
“Nope!” you chirp happily. Paige rolls her eyes, but she can’t keep the smile off of her face as she closes the book gently. You intertwine your fingers with hers, giving her a squeeze. “Hey, you okay?” you ask.
Paige nods, her smile widening. She leans in to kiss you softly, which makes you grin against her. “Never better,” she assures you. “I was right, though.” You hum, gazing up at her, and she reaches out to brush a strand of hair out of your face. “You are my greatest love.”
“You’re mine, too,” you promise, wrapping your arms around her neck as she pulls you into a hug that feels lifetimes in the making. “We’re timeless, aren’t we?”
746 notes · View notes
lumenveritatis · 4 months ago
Text
Sherliam isn't canon.
I have seen a lot of people claiming that Sherliam is canon based on Sherlock's updated official profile. So, as promised, I am going to debunk it.
1. Poor translation is not valid evidence.
The main argument I have seen has been used is the translation of Sherlock's Japanese profile down below (the picture attached). This phrase was translated by using Google Translate, which is a translation tool that is well known to be often unreliable, especially with complex or culturally rich phrases such as this japanese phrase.
Tumblr media
I can guarantee you that everybody who claims it's canon is not a japanese speaker. Japanese speakers have said it themselves that the phrase "友情以上の絆" does not mean it is romantical. Unlike the poor translation in the attached photo, the proper translation of the phrase is "he feels more than friendship." Now, I understand "more than friendship" can be interpreted romantically in some languages, however it's important to remember that in Japanese, this phrase can describe close relationships between people that are not limited to romantic attraction. It can also refer to relationships that are rooted in shared experiences, respect, or even rivalry, especially in contexts involving mentorship, teamwork, or philosophical debates. The use of such language in this context is not a clear declaration of romantic intent but rather a reflection of the complexity and depth of Sherlock and William’s connection, which remains fundamentally non-romantic. Therefore, using this phrase to argue for a romantic relationship is irrational.
2. Homosexuality in the victorian era.
Let's not forget, MTP is set in the late 19th century, a time when LGBTQ+ relationships were socially unacceptable and rarely depicted. Based on what the anime was inspired by, I can't recall such themes being presented. Meaning, despite some historically inaccuracy in the manga, it is unlikely to be shown as acceptable in the series.
3. Character's profile.
I think that if they were canon, William's profile would also mention Sherlock in a somewhat romantic manner. Furthermore, I haven't seen anyone mentioning Watson's profile. He is described as Sherlock’s “companion both in his professional and private life, and his only true confidant.” You view this as friendship, but when it comes to William, it has to be romantic? Alright.
Some of you keep forgetting the plot and the intent of the creator, which is really upsetting. MTP explores many important themes, yet people overlook them and call it a BL or some other nonsense.
As you can see, Sherliam, let alone other ships in the manga, isn't canon. I hope this cleared it up a bit, and my arguments were logical enough. I apologize for not posting this earlier; I was busy with exams and work.
91 notes · View notes
operafantomet · 5 months ago
Note
hi! by chance do you happen to have any photos of that stagehand outfit the phantom wears during il muto in the restaged tour? i don’t know if it’s a more recent addition to the production but i’ve only ever seen two quick bts photos of anton zetterholm and josh pitterman!
The best photo I have is probably these of Chris Mann in the Restaged US Tour:
Tumblr media Tumblr media
You can see more - and an explanation - in this photoset. And yes, it is a more recent addition to POTO in terms of the Phantom wearing it. It reminds of 'Love Never Dies', where the Phantom does a similar disguise stunt as a bartender. But original POTO features actual stagehands and actors wearing these type of costumes throughout to the show. Kinda feels like they sat there with all these costumes and decided "Hey! Let's have fun with them!"...
Here's some of the stagehand costumes used in the original staging - but then worn by people who either do stagehand work for real, or within the play (and not being the Phantom). The most prominent viewing is inside the elephant in Hannibal:
Tumblr media Tumblr media
And carrying dead Piangi across stage:
Tumblr media
I guess members of the mob chasing into the Phantom's lair in the end of the second act could also qualify as stagehands:
Tumblr media
It varies what kind of headwear they use, if the waistcoat is single or double breasted, if they wear a necktie, and if they wear an apron - there is a large variety. In the original design Maria Bjørnson added rare workwear quirks like a printmaker's hat (literally a hat of folded paper, looking like a box), separate knitted or sewn sleeves, and a wide array of aprons and tool belts. Her level to attention and a dash of historical accuracy will never fail to amaze me! But a typical stagehand costume in POTO may look like what Dustin Layton wore in Las Vegas:
Tumblr media
Which, with variations and a different hat, is what they have the Phantom in disguise wear in the Restaged Tour.
(ETA: Buquet's costume is also made in this style, so that he technically blends with the other stage workers. Ditto for Meg Giry in the Final Lair)
59 notes · View notes
sashaasreads · 5 months ago
Text
Love n' London
Tumblr media
Harry Styles x Fem Reader
A/N Apologies for the delay! I’ve been busy, but I’m finally getting to upload again. Still no smut—I’m working on finding the right approach to write it without it feeling awkward. Thanks for your patience!
_______________________________________
Y/n grew up dreaming of living in London. Ever since she was a child, the city had fascinated her its vibrant art scene, the music, the historic architecture, and the countless little cafes. So, after graduating from art school, she packed her things and moved to the city, full of ambition and excitement.
She found a job as a curator’s assistant in a small gallery in Soho. It was the perfect job, really she spent her days surrounded by paintings and sculptures, getting to know local artists, and learning how to put together exhibitions. It wasn’t glamorous, but Lena loved it.
One grey October afternoon, y/n was at her usual spot in the gallery. She had just finished adjusting a painting, making sure it was perfectly aligned, when the bell over the door chimed, signaling a visitor. She glanced up to see a figure in the doorway, his frame silhouetted against the dim light outside. He was tall, with a tousled head of curls peeking out from under a beanie, a coat draped over his shoulders.
As he stepped inside, Y/n’s heart skipped a beat. The face beneath those curls was unmistakable Harry Styles, the singer she had admired for years. She had seen him in interviews, photos, and music videos, but nothing compared to seeing him in person.
Harry caught her looking and gave a small, shy smile. She blushed, quickly looking away, pretending to adjust her clipboard. But Harry approached her, offering a charming, friendly "Hello."
Y/n stammered out a greeting, her cheeks flushed as she tried to act calm. "Can I help you with something?"
“Actually,” he said with a little laugh, “I’m here to see some art, but I’d love a guide if you’re available.”
It turned out Harry was in town with a few days off between tour stops and had been wandering through London, exploring its art scene. Y/n walked him through the gallery, explaining each piece. She was passionate about her work, and he seemed genuinely interested, asking her thoughtful questions. They talked about art, music, and their favorite places in London.
After their tour, Harry surprised her by inviting her to a late lunch at a small café nearby. Still in shock, she accepted, and they spent the afternoon laughing and talking as though they’d known each other for years. Y/n found herself opening up to him in a way she rarely did, talking about her dreams, her childhood, and the strange mix of fear and excitement she felt about living in London.
Over the next few weeks, they continued to meet. Harry would drop by the gallery whenever he was free, sometimes bringing coffee or flowers. They would spend hours talking, sharing stories, and discovering new corners of the city together. Y/n soon realized that Harry, for all his fame and glamour, was remarkably down to earth. He seemed genuinely fascinated by her, by her art, by her life. And she, in turn, found herself falling deeper each day.
One crisp evening in November, after a quiet dinner in a little Italian restaurant tucked away in a side street, they found themselves walking along the Thames. The lights of London sparkled on the water, casting soft, dancing reflections. They walked in comfortable silence, fingers occasionally brushing against each other’s.
Harry stopped, turning to face her. His green eyes held a softness that took her breath away.
“y/n ,” he said, his voice barely above a whisper. “This might sound crazy, but I feel like I’ve known you forever.”
Y/n felt her heart pounding. She wanted to say something, but words seemed too small to capture what she felt. So she simply reached out, taking his hand in hers, and they stood there, the world fading away around them.
As the weeks turned into months, Harry’s tours took him to different cities, but he and y/n stayed in touch, talking late into the night, sharing stories, and sending each other songs and sketches. The distance was hard, but their bond only seemed to grow stronger with time.
Whenever he was back in London, they would pick up right where they left off. They explored every hidden gem in the city together, from art galleries and vintage bookstores to secret gardens and rooftop views. Harry introduced her to his world, taking her backstage at his concerts, letting her experience the thrill and energy of his performances. y/n introduced him to hers, taking him to underground art shows and showing him her latest work.
Their love story was a quiet, steady thing, like the pulse of the city itself. They were each other’s inspiration. Y/n's paintings became infused with new colors and emotions, and Harry’s songs took on a deeper, more soulful tone. She was his muse, and he was hers.
One rainy evening, a few years after they’d first met, Harry surprised her with a visit to the gallery. He was holding an umbrella and looked every bit as dashing as the day she’d first seen him. She was setting up a new exhibit and hadn’t expected him to come. But there he was, standing there with that familiar smile, his eyes shining.
“Harry!” She ran over, and he pulled her into his arms, holding her close.
“I’ve got a surprise for you,” he said, his voice warm and full of excitement. He led her outside and down the street, and before she knew it, they were at a small, empty theater. Inside, a grand piano stood on the dimly lit stage.
He sat down at the piano, motioning for her to sit beside him. Then, he began to play. It was a song she’d never heard before, gentle, heartfelt, each note weaving a story of love, devotion, and all the golden moments they’d shared.
When he finished, he looked at her, his face softened with vulnerability. “I wrote this for you, y/n. You’ve changed my life in ways I can’t put into words.”
Tears welled up in her eyes, and she took his hand, squeezing it. They didn’t need to say anything; the silence between them spoke louder than words ever could.
That night, in that quiet, empty theater, with only the faint glow of city lights around them, they knew they had found something rare, something lasting. The kind of love that was more than a moment it was a lifetime, etched in songs and sketches, laughter and quiet glances, memories, and dreams.
In each other, they had found a piece of themselves they never knew was missing a love that was as deep as the city they both called home.
51 notes · View notes
shkatzchen · 4 months ago
Text
Tumblr media Tumblr media
Welcome to White's Gentlemen's Club (Pt.1)
White's Gentlemen's Club was founded in 1693 and is one of the oldest gentlemen's clubs in London. It has existed in its present location since the late 1700s. When men in Regency and Victorian novels speak about going to their clubs, this is one of them. Even today it remains a private, men's only club boasting King Charles III as a member (his bachelor party for his marriage to Diana was held there).
Because it's such a private space it was a nightmare to try to recreate as the information available was extremely limited. Pictures of the interior were rare and one of the main books I was able to find on the subject is rare and I couldn't get my hands on it. So while I made it as accurate as I could, within sims-constraints, there was also a lot of imagination poured into it. Because the save I was designing it for is modern, I didn't limit myself to only historical or off-the-grid pieces. That particular challenge can wait for the next time I try a Regency save.
The result is a Bar Lot, with plenty of space for games, parties, and socializing, as well as quiet corners to sit with a good book. And thankfully with LittleMsSam's Gender & More Lot Traits, I was able to make it accessible to only men, preserving that bit of accuracy.
The Facade and Layout
As seen at the top of the post, I did what I could to replicate the modern facade. Parts of this were easier than others. Although I had many of the needed objects from when I made the Hotel de Charost, the medallions on the front were difficult to find (in part because I didn't know any of the words to search them by). I couldn't find extant ones, so I made my own based on images I found online. Thank god for normal maps as they do a lot of the heavy lifting here.
Tumblr media
The first sims-driven inaccuracy is the necessity to have floors of equal heights. As you can see from this cross section, that's not in fact the case. My build sacrifices the vaulted ceiling of the Coffee Room to allow the second floor to be of uniform height.
Tumblr media
I was lucky to find this 1800s plan of the layout of the first two floors. I relied heavily on this for placing interior walls. My layout is seen below.
Tumblr media
The Hall
Tumblr media
I had nothing to rely on for this room. At all. As the entry hall I decided a closet was in order, if unlikely in reality (I really should have found better doors for it). I also found a reception desk that, when recolored and paired with a counter, provided a little administrative hub. I finally got around to tracking a filing cabinet down, which I ended up retexturing to maxis match.
The Morning Room
Tumblr media Tumblr media Tumblr media Tumblr media
This was one of the few rooms I had a photo to work from, even if it was from a single angle, in black and white, and rather out of date. As such, I did my best to match it as well as possible. I tracked down magazines and newspapers and made a new spandrel to cleanly mimic the ones shown. I made new lamps and ceiling lights as well as new curtains, including extremely large ones to fit across the bow window. The bow window at White's is quite famous-- Beau Brummell used to sit there, critiquing the passersby, and the seat was also that of the Duke of Wellington for many years. I have a medallion over one fireplace here of him, which stands in for a bas relief of one of the deceased Kings'. The award below it stands for the silver belt won by Heenan after his fight with Sayers-- a "unsophisticated" visitor once asked "did the King win it," causing quite a bit of amusement. I also made a ceiling clock-- then, with the spandrels, had to lower it to fit below them.
The Foyer and Main Staircase
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Staircases are always tricky. There was never any chance of achieving the elegant sweep of the real staircase, or the elegant little niches. there's an odd little window in the wall in the photo-- I suspect there was once a fireplace there. I did manage to replicate the numerous photos (even if some are there more for shape than content).
The Billiard Room
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Why oh why are there not billiard tables in the Sims 4? These cc ones do work, and I'm grateful people have put in the time to make accoutrements for snooker, but it would be nice to have official ones. I have so many builds that would use them. This is another space that I had to make out of whole cloth, as I had only a few sparce bits of information. I put the main bar here, along with a small stage. The TV that the bar lot requires is hidden here.
Miscellaneous Ground Floor Spaces
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
There are some odd spaces which don't have labels. I turned one into a bathroom, as the drawings seemed to imply as much. Another became an old-fashioned place to make a phone call. One is, I believe, the old back entrance before it was enclosed to form the billiard room, hence the odd shape. I added a mirror to make it look bigger and these paintings (the left is the Duke of Wellington as the High Constable of England, a Tudor-style get up he had to wear for George IV's coronation, the right is a late 19th century imagining of Wellington's lone meeting with Nelson).
Tumblr's image limit constrains me from posting everything here all at once, so go here for Part 2 and the First Floor!
31 notes · View notes
uncharismatic-fauna · 2 years ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Close Up with Coyotes
Often confused with wolves, foxes, or even stray dogs, the coyote (Canis latrans) is a species of canid found only in Central and North America, from Panama to central Canada. Historically, the coyote mainly occupied grasslands, scrubland, and deserts; however, in the past few centuries the species has expanded its range to include deciduous and evergreen forests, mountains, swamps, and even cities. Generally individuals and groups keep to one home territory, but they will move when resources become lacking.
Among the canines, coyotes are rather small, weighing only 8 to 20 kg (18 to 44 lb), and males tend to be larger than females. Generally coyotes sport a light gray, red, or brownish coat with a lighter underside; however, regional populations may differ wildly. This species may be identified from other canids by its large pointed ears, whitish facial markings, and narrow snout.
Though C. latrans does occasionally form packs, it is more likely to hunt individually or in small family groups. Nonfamily packs, usually made of bachelors, are rare. In addition, coyotes have been known to form mutualistic hunting relationships with other species like badgers. It is primarily carnivorous, hunting mainly at dawn and dusk for rabbits and hares, squirrels, mice, lizards, and occasionally larger targets such as deer or pronghorn. This species will also readily consume carrion, as well as produce and human food waste, making it highly adaptable to urban areas. Traditionally, the species has been limited via both competition and direct predation by wolves and cougars; in its expanded range, coyotes may also be predated upon by bears, alligators, lynx, and golden eagles.
Though reproduction typically takes place in the spring, from January to March, temporary pair bonds may form as early as November. Mates prepare dens, which may be dug out or selected from tree hollows or pre-existing burrows, and establishes a territory up to 19 square km (11 square miles). During this time, daughters from a females previous litter, or her sisters, may join the group. Pregnancy typically lasts just over 60 days, during which time the male and any assisting females do most of the hunting. Litters average 6 pups, and weaning takes about a month. During this time, the male continues to provide for the mother and pups, but will abandon the den if the mother goes missing. By the age of four or five weeks the pups develop a hierarchy through play-fighting. After about 6 months, the male pups will leave, while females will typically stay with their mothers until at least the next mating season, at which time they reach sexual maturity. In the wild, individuals may live as long as 10 years.
Conservation status: Due to its large range and adaptability to human habitats, the C. latrans is considered Least Concern by the IUCN. In urban areas, coyotes are regularly hunted as a nuisance species due to their predation on free-roaming pets and, occasionally, livestock.
In traditional Indigenous American stories, the coyote was seen as a trickster or anti-hero (here is an interesting paper about the 'Coyote' character in traditional stories versus western interpretations). The European colonization of North America and the eradication of large predators like wolves and cougars has allowed coyotes to spread far beyond their original geographic range and become a 'nuisance species' in urban areas.
If you like what I do, consider leaving a tip or buying me a ko-fi!
Photos
Neil Nurmi
Carlos Porrata
Natrice Miller
Tom Koerner
177 notes · View notes
girlactionfigure · 1 year ago
Text
Israel journalist @Roi_Yanovsky just published an amazing piece in Hebrew about what Gaza is REALLY like, based on his personal observations there. Here is an English translation that you NEED to read🧵
100 reserve days officially ended yesterday. Some initial insights: 
1. Gaza is seen as a backward area, the "most densely populated in the world" which has been under Israeli "siege" for years. There is no bigger lie than this. Gaza is a modern, beautiful, developed city, with large modern houses, wide boulevards, public spaces, a promenade 
by the sea and parks. Looks much better than any other Arab city from the Jordan to the sea, much more similar to Tel Aviv than to Kfar Qasim or Umm Al Fahem. And of course it is very far from being "the densest in the world". 
2. If it's a siege, let me live in a siege. the houses are bursting with goods and food from all countries of the Middle East, latest furniture, electronics and whatnot. There are also luxurious mansions that wouldn’t embarrass Savion and Kfar Shemariahu (rich areas in Israel) 
There is absolutely no shortage of wealth in Gaza. In general, most of the houses I've been in were much bigger than the apartment I live in in Tel Aviv. The sentence "If only they had a chance for a good life, they wouldn't fight in Israel" is simply not relevant to Gaza. 
3. The most common thing in the houses of the Gaza Strip: a map of the Land of Israel the heading "Map of Palestine". There is no mention of Israel or Israeli towns in general. And it is found in almost every home, in every school and in every public institution, the goal of 
erasing the State of Israel is neither hidden nor suppressed, it is almost everywhere. The historical distortion of this map which is taught from age 0 is a topic for another discussion that only emphasizes the distorted perception of reality by the residents of Gaza. 
4. In all the neighborhoods we were in, there are ready-made Hamas combat complexes - weapons, tunnels, charges, launching complexes, all inside residential houses, some of which are also prepared with openings in the walls for passing between buildings and what not. 
The residents of the Gaza Strip who live in the combat zones know this, they have received countless notices to evacuate. Long before the IDF entered. IDF announcements are still there everywhere. Those who decided to stay in the fighting areas are either Hamas members in 
various positions or people who consciously decided to stay in the areas used by Hamas for fighting, for their own reasons. 
5. Hamas members rarely walk around armed. They are neither stupid nor suckers. They know they won't be shot if they go in "civilian" guise. 
They prepare the weaponry ahead of time at the entrances to the buildings and arm themselves just a moment before they attack. That’s why the fighting is much more complex than any other arena. those judge from the outside why soldiers shot X or didn’t shoot Y - 
enter Gaza for a week or 2 and you’ll return with insights. 6. The circle enabling Hamas is much larger than its tens of thousands of terrorists. The ideology of Hamas is found in almost every home, in pictures, in propaganda materials. Hamas in Gaza is like Messi in Argentina. 
7. The strengthening of Hamas at this level requires active assistance of a population. There is no way that the residents of the compounds where we located rockets and weapons did not know that the place is used as a launching complex where they try to massacre Israelis daily. 
And I find it hard to believe that the parents in the kindergarten where there was a tunnel shaft do not know this. Who chooses to send their children to a kindergarten that serves as a terrorist infrastructure? 
8. Hamas's strongest weapon is lies and propaganda. It's his fuel. This is how you will maintain the "siege" lie for years, this is how they are doing now with the photos of the innocent victims and the killing of the "journalists" who turn out to be terrorist operatives. 
Gaza is the only place in the world where 500 deaths are reported half an hour after an explosion. Even in earthquakes and heavy disasters it takes the rescue forces a few days to identify and estimate the number of dead, but the Palestinian Ministry of Health already knows 
a minute after the explosion what the damage is. This is ridiculous and the world media quoting the numbers as living words of God is pathetic. I would attribute the same level of credibility to the reports this week about "hunger" in Rafah. 
Gaza is the only place in the world where 500 deaths are reported half an hour after an explosion. Even in earthquakes and heavy disasters it takes the rescue forces a few days to identify and estimate the number of dead, but the Palestinian Ministry of Health already knows 
a minute after the explosion what the damage is. This is ridiculous and the world media quoting the numbers as living words of God is pathetic. I would attribute the same level of credibility to the reports this week about "hunger" in Rafah. 
Unroll available on Thread Reader (Hebrew)
ShipofTheseus
@JewishSpaceLazr
95 notes · View notes
jgroffdaily · 2 months ago
Text
Tumblr media Tumblr media
But Just in Time, the new musical about the life of legendary singer Bobby Darin starring Tony winner Jonathan Groff, is proving to be something different.
Directed and developed by Tony winner Alex Timbers, based on an original concept by Ted Chapin, the musical — which begins performances March 28 at New York City's Circle in the Square Theatre — takes theatergoers into an intimate nightclub, where a cast of 16 will bring Darin's story to life through his catalog of hits.
It's a fully immersive experience unlike what audiences may have seen before. But as Groff, 39, told reporters at a Feb. 5 press preview, it was a necessary move to fully showcase Darin's power as a live act.
"We're playing a little bit with form and style and form to recreate the in-the-moment live magic that Bobby Darin had as a performer," he shared with The Broadway Show with Tamsen Fadal at the event, held at Hell's Kitchen piano bar So & So's — photos from which PEOPLE can debut exclusively.
The show will begin, Groff explained, with the actor as himself in 2025 before transporting audiences back to the 1950s and 1960s, when Darin rose to fame.
"Alex and Jonathan, they've found a way to take a historical story and make it feel very present," star Erika Henningsen notes to PEOPLE. "This is not a typical show. What's happening here is unique among the mix of what's on Broadway.
The actress, returning to Broadway for the first time since originating the role of Cady Heron in 2018's Mean Girls: The Musical, is portraying sun-kissed teen idol Sandra Dee in Just in Time.
"Proscenium-style shows that we're used to seeing on Broadway and are great as exhibiting a certain story. But for Bobby Darin's story, you need to feel him on top of you," says Henningsen, 32. "It's all about bringing people into that live experience and making them feel like they're in the living room with Bobby and Sandra, like they're in the Copacabana and like Bobby's audiences felt when he was performing."
"Bobby really told Sandra, 'There's more out there than your mom allows you to do,' and that was so powerful for her," Henningsen says. "She started her career in Hollywood at a very young age as a child model, and was fiercely protected by her mother and by the studio as she grew into an actress. She hadn't really had a real womanly adult experience until she met Bobby, so in a way, he kind of saved her from this life of arrested development."
She's also looking forward to bringing Dee and Darin's partnership to life. Though Dee's film career would ultimately take a backseat to Darin's musical aspirations, Henningsen explains that the two were one another's ultimate cheerleaders.
"They really respected one another's talent and they really respected one another's drive," Henningsen says. "And that's pretty rare for two people who had this much acclaim, because so often you hear about one person begrudging the other for their success."
She adds, "But even after their divorced, that respect was there because they saw that part of themselves in one another. They both had that fire. Sandra saw how driven Bobby was and said, 'I can't get mad at you for doing the thing that you were born to do.' "
17 notes · View notes
Text
Rare Historical Photos You’ve Never Seen Before
Tumblr media
Man poses for a photo in-front of Soyuz rocket, (1980s), Baikonur, Kazakh SSR
Tumblr media
Actress Anita Ekberg meets Paparazzi outside of her house with a bow and arrow after being relentlessly followed by them all night. 1960
Tumblr media
A worm vending-machine. 1957
Tumblr media
Showgirls play chess between shows at New York’s Latin Quarter Nightclub, 1958
Tumblr media
A demonstrator hitting the Berlin Wall in 1989
Tumblr media
The Smallest House in Great Britain, also known as the Quay House, is a tourist attraction on the quay in Conwy, Wales
Tumblr media
A US Air Force lieutenant is held captive by a young North Vietnamese soldier, 1967
Tumblr media
San Fernando Valley’s Satans Slaves Motorcycle Club before becoming Hells Angels. Circa 1970s
Tumblr media
Photographer Otto Ludwig Bettmann captures the Grand Prix Monza in 1966
Tumblr media
Henry Cabot Lodge, points the bugging device hidden in the Great Seal.
+
6 notes · View notes
copperbadge · 2 years ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
The Pompeii exhibit at the MSI, as with many temporary exhibits there, is split across two galleries. I like how they handled that this time; the first half presents artworks and artifacts recovered from Pompeii, and uses them to teach about ancient Roman life. I studied classical fresco and mosaic arts in grad school, so I got to see some stuff in person that I’d only ever seen before in books. The mosaic of the anchor, for example, has never left Italy before. 
The winged-phallus windchime I’d seen before but also not in person, and I was very amused by the fact that it was off in a niche with a warning sign about artifacts of an adult nature. Which was mostly a lot of dicks, and a couple of (I thought) tasteful frescoes of people having sex or looking like they’d like to. I also wrote a paper on the penis as a magical amulet in classical history in grad school, so I was delighted by all the penis amulets I got to see. A hundred years ago you had to Know A Guy At The British Museum to get a look at stuff like this. 
The last image comes from the more serious second half of the exhibit, which I have another post queued about, but I thought one of the cooler elements they introduced was the screen showing a gladiatorial fight, with the two smaller screens showing images of the fighters. I love that they basically gave this gladiator a D&D character stat set. 
There were some aspects of the exhibit I didn’t love -- some scientific/historic exhibits in the past ten years have made heavy use of video, which I don’t hate intrinsically, but a lot of the time there will be several video exhibits in one room. It’s extremely unpleasant to try and watch one -- or even look at non-video exhibits -- when three separate video narrations are audible at once. I had planned to leave my headphones off, because I’ve realized that I’m rarely in public without my headphones in and that might be contributing to a certain level of alienation, but I had to get them out of my pocket and put them back in because at least I could pump the volume on my playlist and only hear Robbie Williams instead of three separate people pontificating about ancient history. 
But overall as a Roman history and an art history nerd I very much enjoyed the exhibit, and I might go again before it closes. 
[ID: Four photos; the first shows the entry atrium to the exhibit, a pair of old-fashioned wooden doors above which is a video screen with the title “One Day In Pompeii” waiting to show us an introductory film. Middle left, a mosaic showing an anchor, two swimming men, and two dolphins or whales, is mounted on a wall; middle right is a windchime made of a bronze winged penis-creature with a penis-shaped tail, each of its limbs clutching a chain that holds a small bell. Bottom, a large video screen with two glass panels in front of it; the screen shows a shield and sword in a gladiatorial arena, while the panels show the warrior on the right and his “stats” and name, Murmillo, on the left.]
145 notes · View notes
daancienttime · 2 years ago
Text
The Top 6 Traits Historical Photos: A Journey Through Time Ceos Have in Common
Throughout history, iconic CEOs have left an indelible mark on the business world, shaping industries, and inspiring generations. Their achievements, often captured in historical photos, provide valuable insights into the qualities that set them apart as extraordinary leaders.
Visionary Mindset: Historical photos of renowned CEOs reveal a common trait: a visionary mindset. These leaders possessed the ability to foresee trends, identify emerging opportunities, and envision a future beyond the confines of their era. From Henry Ford's foresight in bringing affordable automobiles to the masses to Steve Jobs' anticipation of the personal computing revolution, these CEOs displayed an unparalleled ability to lead their companies into uncharted territories.
Tumblr media
Resilience and Tenacity: The journey to success is riddled with challenges and setbacks. The Historical Photos of iconic CEOs often depict them enduring hardships, but what truly sets them apart is their resilience and tenacity. These leaders possessed an unwavering determination to overcome obstacles and learn from failures, emerging stronger and more determined than ever.
Innovativeness: Innovation has been the driving force behind the success of many CEOs. Historical photos showcase their commitment to pushing boundaries and exploring innovative solutions. Be it Thomas Edison and his numerous inventions or Elon Musk's trailblazing work in space exploration and electric vehicles, these leaders consistently demonstrated a relentless pursuit of groundbreaking ideas.
Empowering Leadership: The best CEOs in history were not just visionary thinkers but also empowering leaders. Historical stories images often capture them interacting with their teams, fostering an environment of collaboration, trust, and open communication. They recognized the importance of nurturing talent and inspiring their employees to perform at their best.
Adaptable Nature: The business landscape is ever-changing, and the ability to adapt is crucial for success. Historical photos of CEOs reveal a notable trait of adaptability. These leaders displayed the willingness to evolve their strategies, pivot when necessary, and embrace change to stay relevant in dynamic markets.
Tumblr media
Social and Environmental Consciousness: In recent times, a growing number of CEOs have embraced social and environmental responsibility. This commitment to making a positive impact on the world has been a recurring trait among historical figures as well. Some CEOs leveraged their influence to advocate for social justice, while others championed sustainability and eco-friendly practices.
Conclusion: The journey through historical photos of iconic CEOs offers valuable insights into the traits that set them apart as exceptional leaders. Their visionary mindset, resilience, innovativeness, empowering leadership, adaptability, and social consciousness are timeless qualities that continue to inspire the leaders of today and tomorrow. By embracing these traits, current and future CEOs can strive to leave a lasting legacy, shaping the world for generations to come.
0 notes
kaizey · 2 years ago
Text
I had a hypomanic episode at 3am and theorised an irish historical reading of Hoziers 'Foreigners God'
So while I listen to alot of variety while working, Hozier is a common part of my weekly background, and while I was researching for an article on wells in gaelic culture after going out and taking photos of local Sí mounds aswell, I feel like I got hit with the conspiracy theory beam that sent me into an epithany hyperfixation while listening to Foreigners God and how you can read it as a lament for the last millenia of irish history
The first verse talking about a romantacism of pre-christian, or specifically, pre-protestant plantation Ireland (before the Tudor conquest in 1536), given even early irish catholicism was by papl standards, basically pagan, as a wilder, more free place without the stigma enforced through religious and planter society ["She moved with shameless wonder. The perfect creature rarely seen"].
With the arrival of the english "liar brought the thunder", with the lie being able to maybe be read as the lie of "civilising us" ["Since some liar brought the thunder"]
In this, you could view the "She" as being an anthropomorphism of Éire, with the spirit of the people looking towards the author, either a singulr or collective representation of native irish, whos been continuously emptied out spiritually and culturally under colonialism, and now is filled with a growing hatred for not only the planters, but protestantism itself , even at personal cost ["But still my heart is heavy. With the hate of some other man's beliefs"]
The pre-chorus could be seen as a reinforcing of the scorn for the colonial planters, who especially in the 18th and 19th century, would have been mostly interacted with via the landlordism of wealthy protestant english aristocrats who maintained that their actions were justified in the name of "civilising" us, which would always hinge on violence ["Always a well dressed fraud. Who wouldn't spare the rod. Never for me"]
The second verse could be read as the most forward and lamenting, since it opens with the speaker rhetorically questiong their attempts at conforming to the heirarchy and imposed british way of life, and how often for the likes of peasant and working class irish, would mean performing the role of the simple, obediant but charming worker, to cling onto both employment and avoid potential backlash from the planter ["Wondering who I copy. Mustering some tender charm"].
The line returning to the state of Ireland and, assuming this vague time around the 1700's- early 1800's, our country had in essence been stripped of the majority of its natural and cultural resources, let alone any autonomy held by our people. And in that state of oppression, with minimal success in terms of organsed large scale revolution or uprising (e.g the 1798 uprising), Ireland could be read as having little hope of gaining freedom ["She feels no control of her body. She feels no safety in my arms"].
The last stanza of the verse could by far be the most emotional, especially for gaeilgeoirí, with the author lamenting his lack of language to express his pain for whats happened to the irish people. Explicitly, this could be read as being through the massive, systematic decline of Gaeilge. At the end of the 1700's, our population of ~5 million had estimated 3.5 million irish speakers. By 1851, following the famine, this had dropped to 1.5 million, and by 1900, only 600,000 remained on the island. This targeted attempt at cultural extermination had been going on for centuries, largely through the implimentation of Na Péindlíthe, or Penal Laws, specifically and extension of the staute of Kilkenny, which banned the use of irish when natives spoke to colonisers, and in 1851, banned any use of Gaeilge in areas under english rule. And any attempts to use or express our native language, music or culture was met with either legal, or often, violent rebuttal. All which you can read the author as expressing how with all that leaving them increasingly unable to truly express or show true love for the old Ireland that irish people and growing republicanism at the time wished to return to ["I've no language left to say it. But all I do is quake to her. Breaking if I try convey it. The broken love I make to her"]
It then just gets outright literal with the pre-chorus. English was and is not our language. The english cultural, historical and political weights placed on us were not ours. They were foreign words, and foreign ideals of a coloniser forced upon us ["All that I've been taught. And every word I've got. Is foreign to me"]
In no way saying is this valid or a well informed reading, but it was hard not to get sucked into the theorising and seeing serendipity betwen the sadness and loss in our history and the lyrics from one of our best musicians. Anyway. Hope if you enjoyed the mental ramblings if you got this far
Tumblr media Tumblr media
93 notes · View notes
geekcat · 10 months ago
Text
Their trip in space really was turning into one adventure after another, and Dib couldn't be more thrilled about it.
After stopping the space vampires (which wasn't the term they used for themselves, but it was pretty much vampirism), there was exploring the ruins of an ancient planet to try and find why it's people had disappeared, finding the hideout of a band of galactic thieves (which they'd been paid well for doing), and even searching for a rare plant to be used in medicine…though being told their planet was covered in many species of giant carnivorous plant would have been very nice to know beforehand.
Not everything was perfect, of course, with Zim at times becoming impatient and choosing to use a more destructive method to solve whatever problem they were asked to tackle. That one village was really not pleased to lose their historic building to a fire in Zim's idea to get rid of the giant spider population…
And sometimes Dib was the one getting them chased off. He was seen as an oddity, and some aliens really didn't appreciate him asking nosy questions…or taking photos or samples to study later.
But overall, after a little less than two months spent in space, Dib had to say he felt pretty happy.
Their names were now known in quite a few solar systems, which gave Dib a thrill of pride whenever he thought of it or Zim boasted about it. Even if that happened to be because they'd been banned from one of the planets there, Dib could live with that!
Zim raged whenever they learned they were banned from someplace, grumbling and cursing for hours…but then, by the next day, if not sooner, he was completely calm. Able to shrug off the ejection and whatever events had led to it.
Read Chapter 2 of Cosmic Ripples on AO3!
10 notes · View notes
archinform · 6 months ago
Text
George W. Maher, architect - part 2
My previous post focused on Maher-designed houses on Hutchinson St., now a Chicago historic district. For this post, I spent part of a day photographing some of Maher's other residential work in Chicago.
Stevenson-Colvin House
Address: 5940 N. Sheridan Rd.
Year Built: 1909
Architect: George W. Maher
Tumblr media
The Stevenson-Colvin House
The Harry M. Stevenson house at 4950 N. Sheridan Road dates to 1909 and is a rare survivor of the large homes that lined the street in the first decades of the 20th century. The house, referred to today as the Colvin house for its second owner, features a distinctive Maher dormer, second floor windows recessed behind columns, and a motif of tulips and triangles. It has been restored in recent years and now functions as an events venue.
Classic Chicago Magazine
I took the following photos of the Colvin House during a past Open House Chicago weekend, sponsored by the Chicago Architecture Center:
Tumblr media
Tumblr media
Tumblr media
Tumblr media
Tumblr media
Tumblr media
Tumblr media
Unfortunately, the interior has been remodeled, removing virtually all of Maher's original design. The chandelier, however, and the stair rail, are original. The house is now an events venue.
Tumblr media
Residence of Edwin M. Colvin, Esq., Chicago. The Architectural Record, 1916 Feb., v. 39, p. 175. ill, plans.
J.H. Hoekscher House
4506 N. Sheridan Rd., 1902
Tumblr media
Tumblr media
4506 N. Sheridan shortly after completion in 1902 (Inland Architect)
Interior photos available here
King / Nash House, 1901-1902
3234 W Washington Blvd., Chicago
Tumblr media
This house is an amalgamation of the Sullivanesque, Colonial Revival, and Prairie styles. It was originally commissioned by wealthy businessman Patrick J. King, but its most well-known occupant was the influential Irish-Catholic politician Patrick A. Nash, who lived here from 1925 to 1943, when Washington Boulevard was one of the city's most-fashionable addresses.
Chicago Landmarks
Davey Pate / Charles Comiskey House, 1901
5131 S. Michigan Ave., Chicago
Tumblr media
Tumblr media
Maher designed this house for Chicago lumberman Davey Pate. The house was later owned by Charles Comiskey, long-time owner of the Chicago White Sox baseball team.
Magerstadt House, 1906-1908
4930 South Greenwood Avenue, Chicago
Tumblr media
Tumblr media
Tumblr media
Completed the same year that Maher was devising a master plan for the Northwestern University campus, the Magerstadt House sits sideways on its deep, narrow lot, with the front door facing what is now the driveway. Visible from the street is a rectangular side porch whose pillars sport carved poppies.
Chicago Magazine
Tumblr media
Tumblr media
Elevation and plans above and photos below, HABS survey documents
This house is probably one of the finest works of George W. Maher, a contemporary of Frank Lloyd Wright, and one of the Prairie School. It shows a relationship to Wright's work of the time in its cubist massing, ribbons of windows, simple, low-pitched roof, and deep, unbroken eaves. The influence of Art Nouveau is also evident, as is seen in the extensive use of the poppy motif in the ornament and interior finish.
Library of Congress
Tumblr media
Tumblr media
Tumblr media Tumblr media
Tumblr media
Tumblr media
This photo and other interior views on Redfin
Link: Magerstadt House HABS Report
5 notes · View notes
nijigasakilove · 1 year ago
Text
Beautiful. Absolutely beautiful conclusion to Kouya’s depression arc. Best episode so far. Definitely teared up there at the end. He’s been carrying all that pain and guilt with him for 12 long years. I’m so glad he’s finally free.
Tumblr media
He and Haruka had some amazing bromance moments in this episode. The perfect visitor at the perfect time for him.
Tumblr media
Seeing the flashback to the Tohoku earthquake was brutal. Much of the area was already underdeveloped because of historical discrimination of the region, you had young people leaving droves for Tokyo, Sendai and Osaka, and then you get this massive earthquake that destroys much of the existing area. Not to mention the tsunami.
The moment Kouya captured in that photo is a very difficult and tragic moment, but it’s powerful and needs to be seen by people around the world. He absolutely did the right thing so people who are not Japanese or not from Tōhoku could see the devastation brought by that event. How in the blink of an eye, so many lives were forever changed. It’s rare that you can capture such a turning point in a photo like that and he did it.
Tumblr media
Like he mentioned the Saigon execution photo from the 60s which was particularly relevant for me since my dad fought in Vietnam, but people see one moment immortalised in a photo and form perceptions. They don’t think about what preceded or followed that moment. Kouya and the little girl appeared to be quite close and if there was ANY way he could’ve saved her he would’ve. The family just took their hurt out on him which was wrong
Tumblr media Tumblr media
In the end, the granddad telling him to continue taking photos and complimenting him was exactly what he needed to move forward. It was a little bit of a plot contrivance that all of a sudden after 12 years when Haruka is there with him now the grandad tells him it’s ok and to move on, but I’ll allow it lol.
Tumblr media Tumblr media
He died right after that meeting :/ as if he was hanging on for one last meeting with Kouya.. people get upset with the lack of racing scenes in this show; but I’m starting to think of the “overtake” in the name not being a literal racing reference, but also overtaking grief and moving past it.
Tumblr media
Awesome ep
Tumblr media
21 notes · View notes