#his horse is cool though

[just-a-little-anxious]

I'm boutta start hyperfixating on my country's history and culture.

Like, Dutch architecture, Dutch folklore, Dutch history.

I mean the history is awful for the most part, that I already know. But I am interested in the history regarding our fight with the sea, or the way we shipped around tulips. Maybe even the history on a geographical level, like the ground and swamps and stuff.

I'm particularly interested in the folklore. I always thought I didn't know anything of it, but it turns out I know more than I thought about it, because of some comics I read as a kid. Witte Wieven (basically ghosts), weerwolven (werewolves), de bokkerijders (goats with wings and devil worshippers or something), the lange man (apparently we have a version of slender man too? But he would knock on windows and look inside)

anyways I fuckign love it

[kagoutiss]

green beetle black beetle

[mudpuddless]

Stablemaster and Castle Steward OCs ft. baby Halt for my King Halt AU

[dawnsies]

Since I've been jojoing it up lately, I figured I should bring my old Part 4 OC from 2020 back and revamp her

I first created her before CDDH was announced, so does that mean I technically predicted Hol Horse being in Morioh? ;P

[spotaus]

Late Night quick thing (New Age Sillies)

Bad news: That joke post about including Reset + Orchid is definitely not canon. (I legit got sad thinking about Reset being in a universe where Orchid isn't- because their stories are so so intertwined- but Nightmare 100% would NOT risk the whole twins exploding Error's soul thing.)

Good news: This means I COULD include Kane (Reset's older brother who usually dies in timelines where Reset is born) and use it to develope his character a bit more! Also! Perhaps a Blue × Dream kiddo is finally in the stars for me to design?

[softquietsteadylove]

I know you said you don’t love writing thenamesh as actual biological parents (totally respect that and agree, I especially agree that Thena probably wouldn’t be the most willing mother (although I live and die for TMTL AU)) ANYWAY! would you possibly be interesting in writing something where Thenamesh accidentally stumble into parenthood without meaning to?? Maybe a little orphan child in ancient times won’t leave them alone and they end up raising them? (probably begrudgingly on Thena’s part to begin with but she’s a secret softie especially when Gil is smitten and we all know it). No worries if you don’t wanna write something like that, just something I was thinking about!

Thena sighed, "I know you're there."

She didn't receive a reply, and she knew she wouldn't. She stood from where she had been - entirely against her wishes but at Ajak's behest - reviewing some of the senate's requests. The various war orders and border reports were draining her.

She stepped down towards the door of the room, the skirts of her white toga trailing behind her. She spoke again, "orphan."

He responded to more than that, of course. Sersi thought it was cruel of her to address a child that way, but he responded to it. A small head of blonde peeked out from behind one of the larger vases.

"What are you doing here?" she asked him with an expectant tone. She raised her chin to further look down upon the boy, "you know better than to enter the temple of Athena without permission."

Usually, she was loath to bring up the title of Athena in any way. But if she need be stuck with it, she could make use of it.

The boy shuffled out, his hands clasped in front of the brown burlap of his tunic. "I was looking for Gilgamesh."

The boy was positively enchanted by her Champion. Plenty were, of course, but this boy idolised Gilgamesh and the very ground upon which he walked. And Gil was equally charmed by the small child. She thought he entertained his obsession entirely too much.

But the boy enjoyed trailing behind Gilgamesh when he was walking between the forge and the acropolis, or watching him train fighters in the arenas, or even when he was in the orchards gathering fruit.

"Why do you think he is here?" Thena fixed her eyes on the boy. Most grown men would be sensible enough to cower, but the child stepped even closer to her.

He glanced behind him a few times.

Thena let out another breath. She was not a caretaker, she had no business with the boy steps away from clinging to her. But she unfolded her arms and knelt down to see him better. Children's heads were so small. "Speak."

"The guards," the child twisted his lips. "They tell me not to bother the gods."

They also were no gods of old, at least not how Athens imagined them to be. But Thena had no qualms letting them think that if it meant them keeping their distance, either.

"And if they are correct to tell you these things?" she raised her eyebrows. But the boy shuffled even closer to her. She sighed, "what did you do?"

This child was no angel, just like they were no gods. He liked getting into trouble, challenging those twice his size, proclaiming that he would be a fierce warrior someday. And sometimes that 'challenge' was him running up to someone and whacking them with his only possession: a toy sword, fashioned from wood (clumsily, by his own hand).

"They were being cruel," he spoke in defense of himself. His hands left his tunic to clench into tiny little righteous fists. "They were laughing at old man Socrates! One even threw his apple at him!"

Thena felt her hackles raise. She had no business policing humans; they were of no concern to her. But what did bother her was senseless cruelty to those more vulnerable than the strong. "And you decided to do something about this."

The boy's small shoulders fell again, though. "I told them I challenged them to a duel."

Thena tilted her head. His tunic was still fastened above his trousers with a rope, but there was no toy sword. "Where is-"

He sniffled, trying not to let his tears fall, "they took it and broke it in half."

That was why he had run to her. Well, he had been seeking Gilgamesh's comfort, foremost. But he had also known that if the authorities of Athens were the ones committing an injustice, only the gods would correct them.

Thena frowned at the child's tears dropping onto the stone floor. He wasn't her child; he was no one's. He was, like many others, a result of the many wars Athens had waged before, and were attempting to continue waging. It was exactly that which she was opposing, despite her title as their figurehead for war.

Footsteps approached, heavily and loudly. The boy nearly leapt in fear and scurried to hide himself behind her, even tugging at her dress like a tapestry to hide his feet.

She glanced somewhat over her shoulder in the direction of the little head of blonde hair, getting tears and snot all over her pure white robes.

"Goddess Athena!" the guards greeted her before all else. Their heavy armour and leather skirts made sound with every breath they took. "Forgive our intrusion."

She said nothing.

"We were pursuing a street urchin, and we fear he may have run in here." The captain of their group stepped forward, the adornment on his helmet distinguishing him from the others. "We wish not to disturb you. But we cannot let a stray mutt wander into the hall of gods."

Thena looked at each of them. She owed them no words, and they had no right to ask them. Her lips twitched. "You have a splinter."

The guard seemed embarrassed, rubbing at his arm. "Forgive me, O-Warrior. I was struck with a splintering old board."

A child's toy, now no doubt sitting broken in the streets. Thena looked at the others. "Which of you ate the apple?"

They looked between themselves, confused. "My Lady?"

"One of you was eating an apple," she continued, raising her empty palm. They knew what that meant, stepping back. "And threw it at a harmless old philosopher."

Their faces went pale. It brought some joy to her, but she kept her face even. Their fear was the best part of her day. Rather than deny the wisdom of the Goddess of War, they knelt. "We beg your forgiveness, great Athena."

She drew back, her blade in her hand in a second. She took a harmless swipe over their heads, although the tops of their helmets fell unceremoniously to her floor like feathers from a startled bird.

The men trembled.

Satisfied that her message was received, she retracted her powers like a cat closing its paws. "Be gone from my sight."

The men obeyed, scurrying away, abandoning the remains of their rank, leaving them to explain what had happened to their uniform. If she ever did see them again, she would not be so kind as to let them go with their dignity.

"They will not bother you again," she said more quietly. The boy was strong; he had stopped trembling. And he had, at the very least, the wisdom to let her face his multiple foes.

He sniffled one last time before stepping away from her protection. "They always do, eventually."

Then next time, she would have them begging her for their lives. She kept her eyes looking out the door as she patted the boy's head. She wouldn't have been able to read the expression on his face regardless. "Gilgamesh should be done in the forge by now. He may even take you to the great hall. I believe they are making the baklava today."

The child's eyes lit at the promise of sweets. "Can I have some?"

She did her best not to smile, lest she encourage his youthful impertinence. But she may not have been entirely capable of suppressing it. "Tell them Athena herself demands it."

The boy didn't even look twice at her, running towards the door and nearly slipping in his old, worn sandals.

"Heracles," she called after him. He turned at the sound of his name. "Return with Gilgamesh. We will show you how to strike someone properly."

The boy beamed. His cheeks were ruddy and his teeth were small and uneven, and yet they fit his cherubic face. "Yes, Thena!"

He had heard Gil address her casually too often. If he called her that, what if others thought it acceptable? But she couldn't bring herself to be angry with the boy. It was far too difficult to hold a grudge against something so sweet and innocent.

Technically, the senate decrees still needed seeing to. But she had more important things to think about. And before young Heracles returned with Gilgamesh in hand, she had some whittling to do. She wasn't Phastos, or Sersi, by any means, but even she could carve a sword out of some spare wood.

[deva-arts]

You got isekai'd into SYSTEMA. What now.

Be amazed.

Remember I spawned into the "everything sucks" world.

Break down and cry.

Consider death as an escape.

Summon the global chaos by leaking insider secrets that could make about 200 new conspiracy theories.

Hope that Sera's conspirator ass tries to find me before one of the hits get me first.

Ending 1: I get sniped.

Ending 2: I get jumped.

Ending 3: I get kidnapped.

Ending 4:

Ending 200: It worked! Sera insults me. I cry from both the height she's holding me at and the insult respectively. She tells me to quit sobbing so I weep in incognito mode.

Make it into the Manumission. Wipe my face. Contemplate death again.

Get interrogated.

Get welcomed in! (I am still under close observation)

Quietly fangirl about my characters in 4k then feel incredibly weird about how much I know.

Get interrogated again.

I know that Nathaniel knows that I know but he doesn't know how much I know until I make it known that I know that he knows.

Consider death as- oh. He heard that too.

Literally everyone freaks me out for different reasons. I hang out with Sonia. She calls me fat. I still like you Sonia.

Live in the manumission under witness/informant protection and try not to die.

[ganymedesclock]

Out of curiosity, any thoughts on the anime Bleach?

I consumed a fairly good chunk of it when I was younger. It's since faded in my passions. I think Rolling Star by Yui is by far my favorite of the openings but a lot of them are very good.

I think the visuals are fairly stylish but it suffers the shonen problem- granted, I think a lot of this is in the format of how long running shonens are produced- of starting out with a bold exciting concept and then sort of petering out in weird directions the longer it goes on. In Bleach's case, I really loved the design and concept of the early hollows, but from the Soul Society arc onward, this entire fascinating afterlife concept boils down to Fashion Sword Boys Fightin' It Out.

Most of my residual fondness for it has me eyeing @gallusrostromegalus's An Elephant Is Warm And Mushy, because it seems to be taking a lot of the later series and injecting that sense of weird monsters and afterlife ramifications back into it.

[byregot]

head in hands. i cant be making horse girl a full oc i cant.

[keeps-ache]

DARN, missed it again! 2nd anniversary of being a they/themer :D

[bisexualize]

I ALSO WATCHED NOPE ON THE PLANE!!! that movie was insane. it scared the shit out of me in the first half and in the second half it wasnt scary at all but still really interesting. i love it when movies are about seeing/watching/spectacle its like a microcosm of the film industry. also when jupe was like haha watch the snl version of my extremely traumatic experience... my god. and when OJ and emerald did the I SEE YOU sign to each other...

[boneles-ss]

Hhhhhhhhuuuummmmm Donnie Boy Critical Role and Princess Clara Neverafter.

You agree.

[deathsmallcaps]

To be fair, they were written out of canon chronological order

Book 2: the lion the witch and the wardrobe (1950)

Book 4: Prince caspian (1951)

Book 5: the voyage of the dawn treader (1952)

Book 6: The silver chair (1953)

Book 3: the horse and his boy (1954)

Book 1: The magician’s nephew (1955)

Book 7: the last battle (1956)

And CS Lewis was lowkey in a friend-asshole way trying to piss off his buddy JRR Tolkien and still figuring out his complicated relationship with the Christian faith

never has there been a series with more underutilized background lore than the Chronicles of Narnia. book one establishes that there exists a world-between-the-worlds, an infinite glade that can be accessed only via ancient Atlantean magic, fractaling in all directions with infinite crystal-clear pools of water representing the various dimensions of the multiverse—dimensions which contain realms of gods and technology, and magic of various types, and different magical systems for each dimension, and dead worlds, and worlds that have not yet sprung to life, and a million other wonders. book two has a talking beaver

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[hedgehog-moss]

Last time I went to the village to buy bread I saw a woman in the street who was dressed like a 19th-century peasant, complete with a thick old-timey accent with dialect words no one uses anymore—she was telling a little group of people to follow her so of course I had to drop everything and follow her too.

And it turned out she was a theatre actress who has read a lot of local archives in libraries and town halls, and offered her services to organise guided tours of various villages to tell people about local history in a fun way, by playing characters who lived here in the Middle Ages, the 19th century, or WWII. It's such a cool idea! I talked to her for a bit after the visit and she said she wasn't sure it'd work / attract enough people, but she had groups of tourists + local families show up for the visit every week, in every village where she did this, so she think she'll be hired again next summer.

When I joined their group she was talking about WWII, and how my & other nearby villages were known by the Nazis and Vichy as a hotbed of terrorists, with some Gestapo officers killed in bomb attacks. (In retaliation the Nazis eventually rounded up 100+ locals and deported them to camps, as well as shooting a few.) I was mostly familiar with WWII anecdotes from the North-East, where my grandparents lived during the war, and I found it funny how different they sounded—my grandfather made Resistance activities sound well-planned and careful (espionage, sabotage, underground presses, infiltrating railway services etc) while oral histories around here make them sound a lot more spontaneous and—handcrafted? like "Emile brought what we needed for the bomb in his wheelbarrow hidden under a layer of straw and we exploded 2 Nazis."

We then went to visit the former girls' school, and I learnt a lot about my country's history of education for girls! Also it was really sweet because there was an old lady in our group who had attended this school as a child and had lots of school memories to share. Most of them were very wholesome, until eventually our tour guide went "Surely you also have some School Mischief to tell us about" and the old woman at first was like no no no no, I was a good girl. And then she conceded that when she had to sort lentils for the nuns' dinner and she resented one of them for berating her in class, she'd do a shit job on purpose and leave some little stones in the lentils.

Then our last step was the fairground where the town fair was (and is still) held, and our tour guide told us little 19th-century anecdotes (in-character, more like acting them out) that she'd found in old postcards and letters in the archives—how the town fair was where you'd go for your dentist appointment (i.e. to have your bad teeth pulled with pliers with no pain medicine) and to get any object repaired, like damaged pans or clogs; how there were dancing bears and performing monkeys; how one year the merchant who sold linen for women's trousseaus had her linen display trampled "by 300 cows" (might have been an exaggeration) and she hit the cow herder and it started a massive brawl.

My favourite anecdote was how back in the 1800s the local innkeeper was frustrated by the fact that the nearest village is just 10km away, and people who came to the fair often decided to go spend the night there so their journey back the next day would be less long, and so he started to tell them about the beast that lives under the bridge between the two villages. Travellers say horses go mad when they see it and just jump into the water. Some say the beast has dug up corpses from the cemetery because it likes human flesh, though of course it prefers it fresh. I'm now convinced half of local legends were single-handedly created by business savvy innkeepers determined to get more customers than the rival inn 10km away.

I'm sad I only learnt about these visits at the end of summer when they're coming to an end, but I'll definitely follow this woman around again if she returns with more stories next year!

[vhagarys]

Mother of Dragons

husband!aemond x reader

summary: traveling alone into the forest proves dangerous, an unlikely companion comes to your rescue.

warnings: attempted sexual assault, violence, kidnapping, angst, protective!vhagar, minor character death, mentions of pregnancy, fluff, happy ending!

The heat of the fading sun sunk into your flushed, pink skin as you dismounted your horse and landed on the forest floor beneath you.

Ser Arryk had prevented you from venturing outside the gates of the Keep the previous afternoon, by command of your husband. You secretly loved your husbands protectiveness, knowing just how deeply he cared for you.

But, the past few days in the heat of summer made you restless.. desperate to find reprieve outside the confines of the Keep.

Since your betrothal to Aemond, time alone soon became was scarce. And though you loved spending time with Helaena and her children, your sanity required solitude.

Your mood as of late has felt a bit stale as well. The shrills of delight from your nieces and nephews, usually bringing a smile to your face, had lately become more of an annoyance.

Though you usually reveled in your handmaiden brushing through your tangles, lately you only seemed content with your lord husband’s nimble fingers massaging your scalp.

These conflicting emotions were unlike you, and you hadn’t the slightest idea what had possessed you.

While your husband and his Kingsguard met for their weekly meeting, you devised a plan to journey into the surrounding forests with your horse.

Such behavior would not be taken kindly by your husband, though you’d convinced yourself he’d come to understand your desire for peace and quiet. How easily it was for him to take to the skies on his dragon and escape the world below when he craved solitude.

Such luxuries were not available for you. Thus, in the small hours of morning, you managed to evade the guards outside the stables and venture into the forest.

The air was fresh and earthy. Breezes filled with the scents of dew and grass whisked through the holes of your gown’s laces, sending goose prickles across your skin.

Silence enveloped you, save for the occasional ruffling of leaves and grunt from your horse. You sighed in relief as your feet met the soft cushioning of the forest floor.

Haphazardly, you removed your riding jacket and slung it over a low hanging branch. The shimmering reflections off the lake pulled you close. Like the sweet melodies of a siren’s voice, you couldn’t help but move closer to until you reached the shore of the water.

Before you knew it, you began removing the laces of your riding boots. Feet bare, you crept closer to the shallow edges of the lake.

Your horse broke your trance, stomping his feet and neighing loudly in your direction. Your head snapped to assess what caused the outburst, seeing nothing out of the ordinary.

“Just a while longer, sweet girl,” you soothed, hoping to calm your companion long enough for you to enjoy the cool water a bit more.

Turning back towards the vast blue, your toes finally met the shallow river banks. A loud sigh escaped you as you inched further into the lake. The ends of your skirt were soon submerged, thoroughly soaking through the multiple layers of fabric.

A delicious chill crept up your spine as you reveled in the cool reprieve, oblivious to the world around you.

So entranced, your ears failed to register the sharp cry from your horse, warning you of the dangers approaching.

Fast, booming footsteps overwhelmed you before you had time to regain your bearings.

You screamed in pure terror as large hands harshly pulled at your arms, two sizeable men yanking you out of the water.

“Stop! Please! Please, you’re hurting me,” your horse continued to stomp his feet, crying out loudly at your scared state.

The taller of the two, with scars litterings his cheeks and forehead, smiled wickedly at your wreathing form. He effectively subdued your flailing limbs with an arm slithered around your neck, tight enough to scare you into submission.

“If I’d a known it was this easy to get my hands on you, I’d have paid you a visit much sooner, lady Y/N.” Tears blurred your vision as the other man stood in front of you and tucked a piece of hair behind your ear.

Fear consumed you, the dread of being so far removed from anyone who could rescue you.

“Aemond! Aem-”

The man clamped his hand around your mouth. You thrashed in his hold, kicking with all your might as the other man crowded your space and gripped your face with his calloused hands.

“If I were the prince, I’d of never let you out of my sights. You’re quite the specimen, my lady. Just lookin at ya makes me hard.”

Bile rose up your throat at his vulgar words. You averted your eyes from him despite his proximity, praying to any gods that were listening to save you.

His smile only grew wider. He pressed himself closer, until you felt his hardness against you.

Your screams were muffled by the hand smothering your mouth, and your throat began to burn from overuse.

“I bet,” his hand moved down to roughly grope at your left breast, “you’ve got a tight little cunt hidden under all those layers, eh? I bet I could fuck you better then that one-eyed prick ever-”

You managed to break your right leg free from its constraints and deliver a solid kick between his legs, causing him to groan loudly and stumble backwards.

“You fucking bitch!” The sting of his hand against your cheek throbbed painfully as your head whipped to the side.

His hands gripped the top of your bodice, and promptly ripped through the front of your gown, exposing your breasts.

“You wanna play this game with me? Huh? Lucky for you, I love when they fight back.” His eyes were as black as the nights sky as the man behind you grunted in agreement, pressing himself to your buttocks.

Suddenly, a menacing growl boomed through the clouds. Your captors froze and jerked their heads to the skies.

A large shadow engulfed the entirety of the lake, the three of you swallowed in the dark clouds.

One of the men backed away from you, his eyes bulging out of its sockets.

“Don’t fucking tell me it’s a” the roars grew louder as a large green mass descended from the skies.

Vhagar.

The men watched in horror as the dragon set its course towards the three of you.

Aemond, he’s here.

A rush of relief shot through you, but to your confusion, there was no rider atop the fearsome beast.

Vhagar landed in the lake. You couldn’t help but shake in fear as the dragon, much like yourself, had ventured unaccompanied by your husband.

She leaned her neck down, and you were met face to face with her large, black pupils.

Your body collided with the forest floor as the man once holding you shoved you towards the dragon.

“Here! Take her, we mean no harm, please!” The scarred mean shrieked in terror, frozen in place while his friend bolted into the forest.

A sharp pain from your belly caused you to visibly wince, whimpering audibly as you cradled yourself.

You felt the air from her snout as she leaned towards you, and gently nudged your shaking form as if to console you.

I know you. I will not harm you. You could hear the unspoken words as you craned your head to meet her eyes.

Tears continued to fall as you lay still on the forest floor, any attempts of moving sent shockwaves of pain through your body.

Rustling behind you redirected Vhagars attention. The man was slowly creeping away, and you noted the wet stain on the front of his trousers.

She took a booming step forward, and before you knew it one of her large, veiny wings encompassed your limp body.

Your line of sight was blanketed by the fine networking of scars and holes littered across her wings. It was easy to forget how long she had been alive, how many wars she had fought in.

Your heart cracked at the thought.

Vhagar’s screech bounced off the trees of the forest, and you only wished you could see the man’s expression before you felt the warmth of dragon fire through her wings.

His screams quickly diminished as his form disentegrated from the merciless flames.

She huffed the last bits of smoke in her snout towards his ashes. You shivered as the cool breeze glided over your exposed nipples, dress still damp from your venture into the lake.

Vhagar let out another series of roars, these sounding almost sad, helpless.

“Y/N!” his voice tore through the branches and you knew your husband had come.

Still hidden beneath her wings, he galloped towards his dragon unaware of your shivering body.

“Skoriot iksos ziry, Vhagar,” your husband’s voice was filled with anguish.

(Where is she)

You tried to conjure up a reply, yet all you could muster was a whimper.

Vhagar growled disapprovingly at him. Carefully, she removed her wing and his eyes grew wide as he witnessed you tucked beneath his dragons limbs.

He rushed towards you and fell to his knees. Guilt surged through him as he witnessed the state of your clothes, the layers goose prickles fixed on your skin.

I failed her.

He covered you in his riding leathers and began to inspect the redness on your cheeks.

“My love, I am sorry, I am so sorry. I should’ve-”

You shook your head softly. “The fault is mine, my love. I-I snuck out without your knowing, it was wrong of me-.”

He watched in horror as you winced and grabbed at your belly, his own hand reaching out instinctively to console you.

His eyes were ablaze in fury, that anyone would dare to lay hands on you. Picturing you alone and afraid filled him with a fire that was foreign and all-consuming.

“Prince Aemond!” Two kingsgaurd cautiously approached the three of you, bringing forth a heavily beaten man struggling to escape their grasp.

“I’ve done nothing! Let me go, please! Please!”

“We found him fleeing from the forest, figured he played some part in injuring the princess”, they ignored the man’s pleas.

Aemond met your gaze and you nodded. He growled and went to unsheath his dagger and bury it in the man’s neck. Weakly, your fingers clutched at his sleeve and murmured, “Please don’t leave me, not now.”

Your words were droplets of water dousing his flames, his eyes softened at the sight of his beautiful wife.

He nodded, lightly wiping away a fallen tear. He was riddled with guilt at you feeling the need to sneak away to have some time to yourself.

The war had made him untrusting towards others, afraid to let anyone too close to you in fear they may harm you.

He’d been so wrapped up in fruitless council meetings that he’d neglected his favorite person.

His person.

Aemond scooped you into his arms, kissing you lightly atop your forehead before turning to his dragon.

“Kirimvose raqiros,” he looked into her large orbs. They swam with worry, he sensed it.

(Thank you, friend)

Gently, the fearsome dragon lowered her head and softly nudged the hand cradling your belly.

You were touched by such an act of gentleness from your husbands companion.

Smiling, you lifted your fingers to caress her snout, and offered a small “thank you, friend” before your husband mounted you atop his horse and took you home to see the maester.

——

“Well, my princess. There will be slight bruising on your abdomen and on your cheek. Nothing that will be permanent, thankfully,” the maester shuffled around the bed and place a pouch of ice to your temple.

You winced slightly.

“I’m glad to hear it, Maester Orwylle. Can you call for my husband, he’ll be delighted to hear such news.”

The maester grinned.

“My princess, I believe there are other good tidings from my examination. You are with child, your grace, a healthy one from the looks of it.“

Your eyes widened.

Tears of joy gathered in your eyes as your hands shot down to caress your belly.

“But the fall, Maester-”

“Your fall did not disturb the babe, thank the heavens. From my observations, it appears your are 4 weeks along.”

4 weeks?!

And you’d been none the wiser. Though, that was likely to explain your uncharacteristic moods as of late.

A tentative knock came at the door.

“May I come in?” your husbands soothing voice seeped through the cracks of the doors.

Maester Orwylle grinned lightly, “I will leave you two alone.”

He opened the doors and bowed lightly to the prince.

“Congratulations, my prince,” was all he offered before he retreated down the corridor.

Slightly bewildered, he quickly approached your bed and kissed the top of your hand. Anxiety radiated off of him as he scanned over your face for any signs of discomfort.

“My love, what did the maester say? Is everything alright?”

Your fingers intertwined with his. You sniffled and moved his hands to rest atop your bruised belly.

“We’re just fine, dear husband.”

A couple moments ticked by in silence as he processed your words

“We?“ he paused, “You mean, are you-” you nodded, beaming at your husband as you added,

“I’m with child, my love. Our child.”

Aemond sunk to his knees. Fingers still twined, you felt his tears seep through your bandage wrappings from the maesters. He peppered small kisses across your skin.

“No harm will come to either of you. From this day, I swear it on my life,” his words were fierce, yet his tone was light.

“Perhaps Vhagar will let me ride her, take our child on a little adventure,” you mused, thinking back to earlier.

She knew. Vhagar knew of the babe growing in your belly. With her and your husband together, no harm would ever dare come to your child.

You closed your eyes and reveled in the comfort of the moment.

Aemond chuckled lightly, nodding his head.

“Something to look forward to…They may claim a dragon too one day, just as their father once did.”

A roar echoed from the gates of the dragon pit.

authors note: vhagar is a softie, confirmed. husband aemond is starting to become my fav trope, enjoy <3

- alice +++