#his face have so much emotions

[floofballsammy]

When he goes like

:>

>:>

[myoonmii]

I keep thinking about Merlin’s love for Arthur and how it’s so clearly portrayed in the show to the point that it practically drives the plot of the show. However when it comes to Arthur’s love for Merlin it’s more subtle and sometimes difficult to even grasp, and I started thinking why that was, aside from the obvious fact that Arthur has a lot of trouble expressing his emotions affection or otherwise. I think it also lies in the fact that Merlin knows Arthur intrinsically throughout the show; he is one of the closest people to Arthur, and sees him for who he really is. Arthur admits as much.

Sure, Arthur knows Merlin but the main part of the plot is that he really doesn't know Merlin. Merlin wants him to desperately understand him and “see me for who I am” but he can't yet. And I think this subconsciously creates a barrier in the way in which Arthur can care for Merlin, and how Merlin can let himself be seen by Arthur.

Which is why I think he was also so hurt when the magic reveal happens because more than the betrayal of Merlin having magic, it was the betrayal of Merlin not letting Arthur see him for who he really is and for hiding a main part of himself. Arthur says it himself “why did you never tell me” that’s what hurt him the most.

I think the most damning piece of evidence for this is the fact that while we see snippets of Arthur’s feelings for Merlin thought the show, the biggest signs are in the last episode after the magic reveal; in which he finally gets to understand Merlin, and this time REALLY know Merlin, and as the barriers of what held them back from understanding each other truly fall away, Arthur evidently “falls in love with Merlin all over again”. We see him actually express himself to Merlin.

This is another reason why I think if anyone was ever to create another season of Merlin after Arthur’s return, it’s physically impossible not to make it about Merlin and Arthur acknowledging their feelings for each other. Because there is no way forward without them acknowledging how deeply they care for each other, obviously anyone is free to argue what kind of love that is, but its impossible not to see the deep love there either way.

They always knew they loved each other, just maybe never realising how much and what that means, because its almost second nature to everything that they do.

[unriding]

me n moze say good morning to the world !!! ᕙ( •̀ ᗜ •́ )ᕗ

art by @rabbbitseason of course <3

[poorly-drawn-mdzs]

Don't Lose Your Head.

[First] Prev <–-> Next

[mobius-m-mobius]

mobius in season one // loki in season two (insp)

[secriden]

So, I get that Style "knowing" and choosing Fadel anyway in episode 5 still isn't enough for some people, because (as pointed out by others) he still hasn't physically witnessed all that Fadel is capable of: for eg. he hasn't actually seen Fadel shoot (at) / kill someone yet.

But here's the thing, he did watch Fadel dispatch 3 guys with ruthless - and, more importantly, evidently skilled - efficiency and also unnecessarily* break a guy's arm with his thighs... and Style just got more attracted and intrigued. Fear and flight isn't naturally a big part of Style's personality, and violence isn't enough to deter him. Which is why I totally buy how quickly Style gets over his initial apprehension in episode 5 (a little fear, but no flight) and why he came back even after Fadel punched him in the guts in episode 4 (violence isn't a deterrent).

*like i cannot stress how unnecessary it was for Fadel to do it like that. He was totally trying to intimidate Style and maybe (definitely) showing off for the boy he was actively refusing to admit he wanted carnally.

Moreover, his reaction to Kant's (legitimate) worry for his ex is, "Dude, worry about your own skin!" Style clearly feels that they don't have room to be concerned about any 3rd (or 5th) parties being caught in the collateral damage of Kant's scheme, even if he eventually gives in to Kant's plea for help (again, because something that Style does have is loyalty).

I love that this show is explicitly showing us that Style is just as morally grey as the other 3 main characters. He may not have done anything close to what the others have (that we've seen so far), but he has the disposition and character traits to stand beside them.

So yes, absolutely when they get to the scene with Fadel shooting someone over Style's shoulder and just generally brandishing a gun, Style is going to once again have to come to terms with what it means to choose to love a killer, but I am 1000000% certain of his choice. Not (just) because the genre and narrative and source material are all pointing towards it, but because fundamentally this is exactly how Style's character would respond.

Style says "I'll be your 100%" and it's going to be true even if it isn't yet, because Style isn't a "good" character, morally speaking, but dammit he is just perfectly made for Fadel.

[jovieinramshackle]

"Nothing ever truly changes. As long as I'm close to you like this, I know nothing has changed."

Uhhhhhhhhhhhhhhh you decide who's talking <3 Idk man the idea that you begin to hate someone you used to love, but that hate only ends up expressing the love you still carry for that person, and now you're stuck in this vicious cycle of playing chase to hurt the other because it's the only form of twisted affection you cling onto until one of you dies. Yknow stuff like that, or something. This was supposed to be a revenge mission, so why does it feel so familiar...

tag list: @ramshacklerumble @thehollowwriter @summerspook @scint1llat3 @skriblee-ksk

@cyanide-latte @twistedwonderlandshenanigans @oya-oya-okay @viperbunnies @gimmeurmoneyagh

@twsted-void @lallopsyou (lmk/dm if you wanna be added)

[syn0vial]

most relatable Boba Fett Moment™ in the expanded universe is when he very calmly and curtly walks away from what should be a highly emotional conversation (much to the annoyance and disgust of the person he's speaking to), locks himself in a washroom, then proceeds to have debilitating panic attack for several minutes before standing up, composing himself, and walking out in the exact same unruffled manner like nothing happened :^)

[curioscurio]

what if I told you johnlock was real in 2024

[youandthemountains]

it probably is insane how much I wish I could express the thing about spones. the vibes about spones. Like there's the joking fun fandom vibes and I love them, I love to play with them, of course of course. but the THING. the CORE to me. i wish i could capture it and share it.

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[betterthanbatman1]

​He looks like the shell of the man he used to be

Look at his eyes. They’re completely empty. They’re not like how one would describe ‘cold, dead eyes’. No, they’re eyes devoid of life. It’s so much more than just eyes that are ‘empty and emotionless’. Every single detail on his body shows just how much emotion and turmoil this boy has been through.

Those eyes are hollow because everything he’s been through has ripped his soul-the the very essence of himself- away. The eyes aren’t completely blank, so it’s more than just emptiness. The irises were sketched but still lack colour. His eyes have been washed out not erased. It truly captures the pain he’s in and has been through.

They say ‘Eyes are the windows to the soul’. His soul has been through so much for his eyes to reflect that so painfully.

[lonely-moonshine-still]

Roronoa Zoro ⚔️

He's made from a head swap between a G2 Persian Cat body and a fake short hair cat head with his clothes, hair, ear spike, earrings, and eye scar being made from Apoxie Sculpt. His sword handles are also made from Apoxie, with the blades being made from a thin sheet of plastic.

♤

I wanted Zoro to look bulker, then my other customes, and Sanji, so decided to build him of a Persian Cat base to give him more of a beefy look ( I had to cut off a lot of the fluff from the base after a few attempts at sculpting the clothes, though, as they weren't sitting right). Zoro's my joint first favourite character in One Piece, so I spent an ungodly amount of time tweeking his design until I was happy with him. I wish I could have made his face a little more angular, but that's me nit picking again. Overall, I really love how he came out :)))

[poisonousquinzel]

thinking about just how likely it is that Batman was the only person Harley told about having suicidal thoughts whilst in Arkham in Detective Comics #831

"I was seriously considering hanging sheets from the light in my cell and doing the maximum checkout when I heard this voice..."

Detective Comics #831

and how he knew when she strapped that bomb to herself in Batman (2016) #100 that he had to go after her because she was going let herself die in an attempt to end Joker's rampage for good but that she refused to physically do it because he didn't want to her Kill him and he told her that so she's found a middle ground

"We don't need to end it this way. He needs to be locked back up."

that she'd rather die than keep living with his presence in the world haunting her, haunting Them.

That if he did choose Joker, she wasn't going to disarm the bomb herself.

"Honey. You're talking to the wrong girl if you think he's not dangerous locked up in Arkham. It's like I said. That's not good enough for me. Not anymore."

the way he yells for her as she leaves.

"You're only going to get to one of us in time, Bats. Who's it going to be?"

"Harley!"

the way the two men stare at each other in the way they have so many times before, in those moments when Joker stayed or prioritized their fight over her. the way he knew Joker loved the thrill of it all and thought it was funny, thought there was No way Batman would leave him and that this game had to end as according to the rules. And that Batman would do so, he would follow the rules and save him. The way he immediately assumed Batman would choose him, choose his life and choose to stay and disarm the bomb.

And how Batman didn't do that. How Batman walked away from him, leaving him to die or escape or whatever, because He was choosing Harley and her safety and prioritizing her life over him.

The way he stared him in the eyes before choosing the woman Joker had always left to die over him. The way that it was always Him, it was never a question if he would choose Batman over her, but when faced with that type of scenario, Joker is the one that gets left behind to die.

The way she literally woke up in the hospital instead of them having a scene just outside after he removed it. because she didn't intend to live in one of the two options. the way the bomb probably did go off to some capacity because you don't just end up in the hospital knocked out for a week.

Him saying that he's glad she's okay, after everything they've been through, this war and Everything else. and the way he didn't brush off her concern

"I'm glad you're okay."

"Are you?"

"I had to bury my father again today. I did it with my family."

i just, i can't,,,,, i cant

[lilcathsmith]

Crime Show Meme - CSI insp [3/5 characters]

"Do you believe in past lives? No, ma'am. How come?. Because I'm just trying to make it through this one." - Nick Stokes (portrayed by George Eads, 2000 - 2015)