#his entire arc is about being with rose

[sallysellsseashellssundays]

Long post but I feel like a recurring theme in s1 is how Rose is representative of humanity itself

You’ve got the set up in episode 1 of her home/family/Earth life, her convo with Cassandra about how she’s actually the last human, the good empathetic side of her desperate to help Gwyneth, the domestics in the Slitheen episodes, the ESSAYS you can write on how the Dalek said her touch gave it life (hello Bad Wolf parallel! and not to mention the parallel between this and the Dalek Sec two-parter...), the difference between who she is as a companion vs Adam (honestly the parallel between Adam and Cassandra here too   👀 ), the very human selfish quality she shows in saving her dad

and then to have s2 take a deep dive into how attached the Doctor is to her, how he imprinted really, the I BELIEVE IN HER of it all...makes s3/s4 so powerful when you realize he didn’t just lose her but his "humanity” as well

He’s described as alien in s3 and s4 so often and it’s yet another reason as to why I really love the RTD era so much, it’s like every episode after Rose is hitting you over the head with the message that Doctor=alien when he’s yearning so much to be human aka with Rose

Donna immediately referring to him as Spaceman/a Martian, the emphasis in his first episode with Martha as to how he’s not human, how the Doctor is a puzzle for both Martha and Shakespeare, the reminder from Martha again in Gridlock that he’s a Time Lord, Tallulah and Martha’s convo about how he’s different plus Martha asking him if he’s some sort of Dalek (this parallel vs Nine pointing the gun at Rose 😭), the entire conversation with Lazarus about immortality, the Human Nature two-parter is very overt about this with the way the Doctor is described to John Smith by Latimer/Martha and to Joan by Martha, the entire s3 finale hinges on this alienness/being a Time Lord, 

his speech to the passengers in “Voyage of the Damned”, the “burden of a Time Lord” in Pompeii plus the soothsayer naming him as a Lord of Time/son of Gallifrey, Rattigan and the Sontaran talking about the Doctor being an alien, his entire speech to Jenny about what it is to be a Time Lord, how it’s his alienness that pushes the passengers towards suspicion of him in “Midnight”

It’s just like a never ending stream of labeling the Doctor as an alien, a Time Lord, an “other” and to have it come around in the end so beautifully with “I'm part human. Specifically, the aging part. I'll grow old and never regenerate. I've only got one life, Rose Tyler. I could spend it with you, if you want.”

😭😭😭😭😭😭😭😭

[inbarfink]

So one of the cool and interesting ways ‘Steven Universe’ used to try and balance being both a series of 11-minutes episodes that each have their own satisfying emotional resolution and being an overarching story with complicated character arcs that take multiple seasons to resolve is the… I’m going to call it the ‘Not Quite Right Lesson’ episodes. Episodes where a character kinda learns a Very Important Lesson… but a more careful and retrospective look at the situation shows that what they learned is not Quite the Right Thing for them. They internalized something in that adventure which just ended up causing more Emotional Troubles for themselves farther down the line.

‘The Test’ is the most classic example. 

As a standalone thing, it’s just a sweet episode about Steven learning to accept that his caretakers are also flawed and confused and figuring this shit up as they’re going along just like he is, and then doing a nice thing for their sake.

But looking back at this episode, it is quite obviously the nadir of Steven appointing himself as the Family Therapist and repressing all of his problems so he could better help the Gems’ with theirs. Like, there have been some early warning signs for this Complex, but this episode is the one that really cemented that idea in his mind and probably the reason it took him like the Entire Rest of the Show Including a Post-Finale Season to really untangle it.

But… also, I’ve been thinking a lot about the episode right after that, ‘Future Vision’. I think it’s also a very important ‘Not Quite Right Lesson Episode’ for the character of Garnet, and to some extent, the Crystal Gems as a whole. In many ways, it is to the CGs' character arcs' what 'the Test' is to Steven's.

So in this episode, Garnet reveals to Steven the fact that she has Future Vision. She hoped that telling Steven a little bit more about herself and being honest with him will lead to a greater understanding and a greater bond between them… but it backfired. It just led Steven to become a total paranoid, terrified wreck stuck in a total existential crisis.

And it seems like the lesson Garnet learned is that… she should’ve never taken that risk at all. That it would’ve been better for everyone if she just kept Steven ignorant of the truth forever.

Extremely reinforced with the ending of the episode, where Garnet chooses to once again hide an uncomfortable truth (that he just came very close to dying again) from Steven, for the sake of his own ‘peace of mind’.

So, like, the Gems were already hiding uncomfortable truths from Steven since day one. “If you could only know what we really are” and all of that. But I think… With the actual truth of Homeworld encroaching on them more and more at this point of the story arc, this would’ve been a great time for the Gems to reconsider their attitude and actually Explain to Steven What the Hell is Going On. 

But instead, I think Garnet saw the events of ‘Future Vision’ as a reinforcement of the idea that there’s just some things Steven is Better Off Not Knowing. Actually being frank with him about Homeworld and the Diamonds and the War right there and then, that would have just overwhelmed Steven with fears and worries and would’ve ended up doing nothing but hurting him. And Garnet can’t accept that possibility, not again.

And so, Garnet, alongside Amethyst and Pearl, keep all these truths from Steven as long as possible. Only revealing bits of information when they have to. For Amethyst it’s about her emotionally-evasive attitude (also, she legit doesn’t know all of that stuff herself). For Pearl it’s about how she learned to romanticize Rose’s own fucked-up obsession with secrets. For Garnet, with her usually very direct attitude and preference for the most straightforward solutions, I think it’s very much the events of ‘Future Vision’ that were still playing in her head every time she had the choice to actually Explain something to Steven and decided not to. 

But that, indeed, was Not Quite the Right Lesson. While being bluntly and directly told by Garnet all about the Many Ways He Could Die caused Steven to go into an anxiety spiral and an existential crisis for an episode - the way the Gems have been consistently secretive and evasive with Steven ended up causing him so much more emotional grief to him in the long run. As all of these secrets ended up revealed to him in the most surprising, dramatic and traumatizing way possible.

And the secretive attitudes ended up driving a wedge between Steven and the Gems. 

Even after they promised to be more honest with him. Because the sight of Steven crying on the roof that day is one that Garnet can easily move away from. Because Garnet’s Not Quite Right Lesson was almost as difficult for her to unlearn as Steven’s own. 

But after the big confrontation at the start of the Zoo Arc, Garnet ended up being the most upfront about the Crystal Gems’ history. Almost overeager to share what she knows about the past.

I mean also, again, Amethyst just has less to tell and Pearl is hiding secrets for reasons beyond her control - but I think it’s also important to consider from the perspective of Garnet’s arc.

Because the fallout of the Pink Diamond Reveal is very much centered around Garnet (or, well, Ruby and Sapphire). That was the Truth that was hidden from her 'for her own good'. And at the end of the day, despite all the grief that unveiling that truth has caused

It has also brought them, all of them, a lot closer.

There's a reason why 'the Truth' is Garnet's Final Missing Piece in the movie. It is as central to her character arc in the series as Lesbian AngstTM grief over lost love is to Pearl.

And still, some remnants of the Trauma of 'Future Vision' remained...

After all, even the very last episode of 'Future' was centered around the Gems once again trying to hide things from Steven (at that case, their turmoil about him leaving) for his own sake

Even though it once again just caused Steven a whole lot of grief.

It's maybe notable that at the end of this episode, Garnet, once again, tells Steven what's waiting for him in his Future...

[chowadoe]

my Metamy kid!! his name is Dusty Rose :D ft. single mom Amy Rose and Absentee baby daddy metal sonic LOL

his name's Dusty Rose after Dusty Miller, a plant that looks like metal/silver. Dusty Rose is also a pink color ! it also rhymes with Rusty Rose. im so smart (/j)

born from Metal Sonic's core and infused with Amy's biosignature, Amy and Metal Sonic had a very brief 'thing'... eventually Metal Sonic was soft rebooted and sent away yet again, but he left a piece of himself (part of his 'core'? infused with chaos energy..?) to Amy, which then became Dusty. leaving Dusty as the last true remaining testament of their love

(I just love the idea of Amy with a Waitress style character arc... finding love again in raising her child and not the way she used to think, being spent with another person)

Dusty would be very fixated on the idea of love, after all his mother raised him on the notion of that. Amy's standards for true love and fairytale romance have definitely changed being with Metal Sonic, but the root message being that love is all encompassing and transformative.

He was 'created' to look like Mobian, and Amy treats him no differently than any other Mobian/human. Still, he believes that he should hide all the parts that 'other' him from society, which means his robot parts. (legwarmers!)

He's got a bit of a bad boy edge to him LOLLL i kind of created him that he'd be an emo kid. (fall out boy.. my chemical romance.. a bit of IDKHow) really good at electric guitar and part of a band. eventually he finds his passion is in lyric-writing (all those love stories and inheriting his mother's gift for writing love letters)

he often wonders what a beating heart is like, as someone without one. he's interested in the heartbeats and the pulses of others, but he is a total sweetheart himself.. still, even to other mobians unaware that he is an android (a weapon at that), it's still a little off-putting..

more abt him belolow

Dusty's core is already made/designed after Amy's biosignature, and in meeting other people, he's able to read their biodata and stash it into an archive, but he doesn't reproduce it onto himself. (though unsure if he could? either his code has a blockade or he chooses not to)

Dusty, additional to his stash of weapons, has the ability to shift too like his papa... become something similar to Metal Overlord but not entirely... like a half robot dragon boy or smth.. IF he's under the right conditions to have it pulled out of him. or something

Dusty DOES "grow" up. basically, he's an inorganic being whose core is trying to emulate/copy the growth progression of other organic beings.

As it would grow in size (and Dusty's cognition "matures"), his mother and her friends would modify as needed to adjust his frame, etc, but rarely were things ever replaced. Like a mollusk, its shell growing in size- but one needing accommodations. A heart bigger than its own body that threatens to spill- a chick that has outgrown its shell, well before its expected date- needing modifications to keep it inside and protected

Metal Sonic and Amy would have something profound-- one of those tragic, star-crossed enemies-to-lovers dark fantasy romance stories Amy's always loved to read about- but then having it play in real time and having to come to terms with the real world implications of actually having one. It's just that- a fantasy. and metal sonic would grapple with the ideas of love, which i think would be inherently dark and a little possessive given his upbringing-- but what him and Amy have would be sweet at the very core of it. so him giving a piece of his core that reads and adapts to Amy's biosignature and oops... accidental baby....

Dusty finds himself drawn to music. his mom and dad couldn't quite communicate love language physically (with Metal Sonic's claws and his lack of mouth) so I hc that Amy taught Metal Sonic how to hum and sing and communicate their love through music and vocalizations (which carried onto Dusty)

4th pic is Dusty doing breathing exercises with his mama... Dusty gets embarrassed super easily so him and Amy would regularly do breathing exercises so he doesn't overheat like a PC

[aroarachnid]

"but if it were me, I'd really wanna be, a giant woman"

stevens relationship with gender is so fascinating to me. his entire diamond days arc is a clear trans allegory, but more specifically reads as a transmasc allegory, what with everyone reffering to him as "rose" or "pink" and feminine terms despite his repeated insistence that he is *steven*. and yet he never actually corrects anyone when they use she/her. he only corrects his name. this was pointed out in the tags of that one post youve probably seen:

this post doesnt show it, but steven is delighted when blue said this. obviously you can read this as steven being glad that shes making an effort, even if incorrect, and is just choosing to let the wrong pronouns slide. but its never explicitly stated. and like i said, he never corrects she/her, he only corrects his name. although it is interesting that, by the time the movie rolls around, the diamonds have switched to he/him.

its also interesting to mention how excited he was to put on pink diamonds outfit, and also how quickly he took it off once he got the chance.

of course stevens relationship with his mother and his identity issues are going to play a big part in how he percieves his gender, given that for a large chunk of the show he actually belived they were the same person, at least to some extent. ("im my mom and my sister?! what kind of magical destiny is this?!). how would you define your "agab" when half your family is telling you that you are a centuries old alien called rose/pink who has no sex and used she/her? not to mention all of the various gender identities and pronouns his fusions have.

thats not even getting started on how the gems percieve gender, which is to say, they generally don't. gems are sexless beings and their society has no concept of gender, although after spending a long time on earth im sure the crystal gems have a better understanding (i actually could talk about the gems relation to human gender a lot more but ill save that for another time). for steven, a child raised by gems for a good chunk of his childhood- who use feminine terms as a default-i can see how that would lead to some interesting perceptions on gender presentation.

thats not even getting into stevens gender noncomformity. and while gender presentation doesnt necessarily have anything to do with your gender identity, its interesting to note and i just think its really cool that a male protagonist is so unapologetically feminine

also i could talk for days about connie and stevens knight/princess dynamic, and how it parallels pearl and roses, but in a healthier way that nips the whole "obssesive self sacrifice" thing in the (rose) bud as soon as steven notices it. but then id have to talk about pearl and then wed be here all day lol

so yeah, stevens relationship with gender fascinates me. I mean, does the concept of "cisgender" even apply in the way we usually mean it to, given stevens unique experiences?

[ask-whitepearl-and-steven]

If it's not a spoiler, what would you say is WD!Rose's biggest weakness/flaw?

I would hope that her biggest flaws haven't really changed from the original show. It's not like she acquired some new ones just because Steven's there. At her core, her motivations and fears are still the same.

Largely, it's her self-hatred and self-doubt.

Rose Quartz has always been defined by her dislike of herself. It's in the lyrics of the end song. It's practically telegraphed at every episode she shows up in.

Rose Quartz popped out of the ground, was immediately defined by who she was (supposed to be) and then was pretty much immediately reprimanded by the other diamonds for acting out in any way that didn't fit their 'standards'.

Then she went to Earth, realized their standards were shite, and tried desperately to become someone else - while never believing that she could ACTUALLY change and grow to be someone new. To the very end, she thought that she was fooling the others, even as she tried to protect them.

Her entire arc is about desperately trying to be herself, and failing at every step of the way because she fundamentally doesn't believe she's capable of change. She looks in the mirror and she sees in past tense.

Rose, here, is faced with something she has been running after her whole life:

Living proof of how a Diamond could be Not A Diamond in a way that isn't deceiving anyone. In a way that is purely, entirely, fundamentally, changing who they are.

Rose adores Steven at this point in the story, as much as she is terrified of him and all he represents.

His ability to forget who he is supposed to be.

His potential for change, and growth beyond his programming.

And the looming threat of that all being just another lie, or a temporary fix that will shatter her hopes of ever becoming like him.

Of course... she doesn't know about his dreams, nor his internal struggles. But that's gonna be its own story. :)

[thenationofzaun]

Thoughts on Act 1 of Arcane Season 2

The positives:

- The animation is fucking incredible.

- Jinx and Sevika teaming up watered my crops and cleansed my skin.

- Underwater goodbye with Jinx and Silco. That scene was made specifically for me.

- Jinx's voice actress continues to be excellent.

- Loved the designs of all the Chembarons. The glimpse we got of the gang wars was also interesting. Unfortunately, too tiny a glimpse. Which brings me to...

The negatives:

- Too many plotlines. They stuffed the season with too much shit which is why each individual plot gets a much shorter screentime than it should. Smeech is introduced and killed in the same episode. Chembarons' gang wars, a huge issue which has repercussions on the entire Undercity, gets only one musical montage before moving on. And this is coming from someone who loved that montage, as well as the song. My favourite on the soundtrack so far. But musical montages shouldn't come at the expense of the story and definitely shouldn't replace the story. There are just way too many music video scenes in general that feel like a way to condense a storyline into the sparknotes version because they don't have the screentime to flesh it out. And they would have the screentime if they cut out all the extra stuffing. Look I'm happy for the League fans who are excited for the Black Rose and all that, but what the hell is it doing in a Piltover/Zaun show. And with zero foreshadowing in Season 1 too. It would definitely be easier to swallow if they had at least hinted at it in the first season. They could have kept Ambessa's beef with this magic cult for a Noxus show. The P/Z narrative has enough to deal with, enough characters to handle already.

- The new side characters are uninteresting and generic. Maddie and the two other enforcers (we don't even know their names after three episodes LMAO) are bland. We know nothing about their characters or personalities. Maddie looks like a rookie, and one of the dudes is an alcoholic, yet they get chosen for an elite strikeforce to capture Jinx? Isha is pretty generic too - the token cute kid that needs protecting. I get the role she will play in Jinx's arc. But that's the problem - she should be a character in her own right, not just a vehicle for someone else's character development. A good example is Mylo. He died for Jinx's arc, but when he was alive he was a distinct character with his own personality. We had a sense of his insecurities, his goals, who he was as a person. Name a single personality trait of Isha and Maddie other than "generically nice person". That's right. You can't.

- Whatever the hell is going on with Viktor. He wakes up from his coma and immediately rejects Jayce so quickly that it was funny. Apparently disapproves of Jayce using the Hexcore to save his life, but then immediately goes to use the Hexcore to save random Undercity people. Bruh. I also don't really like the way the fridged woman from last season seems to be his motivation so far. Nor the way he seems to have no agency in his Machine Herald arc. Instead of Viktor himself believing in transhumanism and mechanizing himself, Jayce does it for him. Instead of Viktor having an ideological drive and wanting a "Glorious Evolution", he is driven by guilt over Sky. Meh. Also he's not even mechanized, instead he's weirdly fleshy?? In a magical way?? More like The Magic Herald :(

- Vi. Her whole character is a mess. Insanely rushed arc which I find unacceptable for one of THE main characters and one of the faces of the show. She and Jinx are supposed to be the leads, their relationship the heart of the story, but so far only Jinx is a well-written fleshed out chaacter with a believable arc. I have too much to say about Vi so I'll expand more on this on another post.

- So much nuance and detail is missing. How does Heimerdinger feel about his ex-colleagues being killed? Does he care? Does he feel guilt? Relieved that he wasn't in the chamber when the bombing happened? No clue! Let's have comedy Mission Impossible instead! How does Ekko feel about the Council attack? Does he approve of it? Think Jinx went too far? How does he feel that she even survived their fight to begin with? No clue! Here, have him joking around with a Councilor for a bit (someone whom Ekko logically should despise), then he can talk Science with Jayce and all three get sent to another dimension together. Yay. What does Vi think happened to Ekko? The last time she saw him, he was fighting Jinx to the death to give Vi and Cait time to escape. He could be dead for all she knows and she doesn't give a fuck. Doesn't even think about him nor mention him once. It's like the writers forgot they're childhood friends. What does the entirety of Zaun make of Silco's death? I assume they heard about it from Piltover (who heard about it from Caitlyn), but how do they think it happened? His body is gone and to Zaun it seems he just mysteriously disappeared. Are there conspiracy theories? Conflicting accounts and rumours? So much nuance that would give the world and characters more depth, sacrificed so we can pack in more rushed subplots and music videos.

- Caitlyn "Wifebeater" Kiramman. And Caitvi in general. So far Caitlyn has guilt-tripped Vi, manipulated her into joining the enforcers, insulted her and then physically abused her. After Vi sacrificed everything for Cait, wore a badge she hates for Cait, even let Cait kill her own fucking sister (and only intervened when the random kid got involved). Why should I give a shit about such a one-sided relationship lmao. "B-but Cait's mom is dead so she's sad about it", every other fucking character in this show has dead parents. Half the cast has faced unfathomable amounts of trauma and pain that make Cait's pale in comparison. Nothing justifies her hitting Vi. "B-b-but it's a parallel to when Vi hit Powder", a shit parallel then. Because the circumstances are not even remotely comparable. "God forbid lesbians do anything🤪", give me a break with this corny bullshit. Be serious for a second. I'm not even a Vi fan and I think she deserves better than this mess of a relationship. The power dynamic between them makes it worse. The way Caitlyn is one of the richest people in the city and Vi is broke. The way Caitlyn is highly educated and Vi never went to school and spent her entire teen years locked in a box. Did the writers think about all this when writing their relationship? Keep in mind, Vi met Caitlyn like a week ago. She barely knows this chick. She's been out of prison FOR A WEEK. Where she was physically abused every fucking day. Putting her in a relationship with a cop who hits her would certainly be a choice! Do I have faith this show will handle it with care? Not really, no. They already ignore Vi's prison trauma. Most likely they will make Vi forgive Cait way too easily because "muh mummy muh grief".

[transmascutena]

some thoughts on photography and memory in utena:

on the wall in nemuro memorial hall, there are pictures of real people. i'm not sure who they are, but i assume they're of people involved in making the show. either way, they're obviously not real; in the close-up shots of them, they change into pictures of the black rose duelists and other imagery from the show. i imagine it's there as a fun detail by the creators, but also to show how weird and inconsistent reality itself is in the black rose arc.

as for the black rose duel images themselves, it's possible that they are literal as i've talked about in a previous post, but what i think is more likely, is that utena noticing them is a visual representation of her connecting the dots of what's really been going on in this arc.

when mikage brings up the idea of memories and eternity, we see the picture on the wall behind utena, of her at her parents funeral. and behind mikage we see one of his own defining memories.

a pretty clear line is being drawn between memory and photographs. in fact, memories are so important to mikage that photographs are his black rose duel symbol. it's the one he keeps of mamiya and tokiko, altered to look like anthy's disguise, just like his memories are. through mikage we see both how memories of the past can keep you trapped in it, as well as the malleability of these memories. let's look at everybody else:

saionji has a framed photograph of him and touga as kids on his desk. he values their friendship, or at least the memory of how it used to be. he idealizes the time touga was less cruel (or maybe just the time saionji wasn't aware of his cruelty.)

miki doesn't have any literal photographs of kozue or the sunlit garden, though his memories of them are often framed as such. he also keeps a picture of anthy amidst his sheet music. she is his idealized memory now.

juri has the locket of course, inside of which is a cutout of shiori from a picture captured in the moment that ends up defining their entire relationship. is this the version of shiori that juri idealizes? not really, but she is fixated on her resentment of shiori's percieved cruelty, just not the cruelty of taking the boy away. juri keeps this photograph closer than anybody else does with theirs, but she also keeps it hidden. this could mean she treasures her memories the most out of everyone, and is also the least open about it, although i'm not sure i believe the first part.

nanami has the photo-album of her and touga; she idealizes her relationship with him, as well as their childhood. when she makes the connection that touga is adopted, the photos are scattered all over her bed, probably to represent her emotional state.

touga doesn't keep any photographs from what we see, which makes sense with everything we know about him. unlike the rest of the council, he doesn't have any idealized memories of his childhood. but he does use akio's camera, so let's talk about that.

the camera is, much like the car, a tool that only akio is shown to own (although, wakaba does mention a photography club in episode 34.) like the car, it is used to facilitate his grooming (specifically of touga and saionji when he takes those shirtless pictures with them.) and, also like the car, he offers to lend it to touga, to make him feel more like an equal part of the whole thing. unlike the car though, touga accepts the camera.

the photoshoot scene in episode 37 has a transition where the camera shutter sound effect is played over the previous scene. over the shot of utena and anthy holding hands after confiding in each other about akio. i think it's to show that he's always watching, and that they can never truly be free of him as long as they're in ohtori.

i think it also shows the idea of akio framing the narrative of the show as a whole. he plays a sort of director role in it, in that he directs the events happening, as well as how they're portrayed. it's no coincidence that he is quite literally behind the "camera" in episode 33. like the car, a symbol of akio's power and sexual abuse (which is not-coincidentally also present in all of the photoshoot scenes,) his camera (his narrative, his biased framing of events) is ever-present.

and then there's the most important photograph in the show, the frame it all ends on. the picture utena and anthy took together is, unlike every other photograph, used as a look into their future. the reason they take it in the first place is because utena realizes she has no photos of anthy, which distresses her, presumably because she worries that their friendship might not last forever, and she wants something to remember anthy by. this obviously comes with the risk of making anthy an idealized memory, like every other person put in a photograph in this show, but instead it ends up as a symbol for their love. akio may have set up the camera, but anthy (with the help of chu-chu) manipulated their positions so her and utena could hold hands. she also cuts akio out of the frame, much like she cuts him out of her life in the last episode. she doesn't want his presence to tarnish her and utena's memory anymore (although he isn't completely gone from the photograph either, as he will never truly be forgotten.)

[essycogany]

Small Things Can Make Big Differences 🩷

Hi, Fans Of Amy Rose!

This is my opinion and we don’t know what could happen between now and Sonic Movie 3. Anyone can disagree. I’m 100% fine with that and this isn’t going to tarnish my enjoyment of the film at all, but I’ve got to get this off my chest. I’d love to see Amy Rose in Sonic Movie 3 and would be disappointed if she wasn’t in it. Yeah, she’d probably not have a HUGE role or time to develop as much. I get it, but at the same time, I personally don’t think we should shy away from characters having small arcs.

Tails had one in Sonic Movie 2 and I wouldn’t say the movie would’ve been better without him. I don’t think we should have to justify a main character like Amy who’s existed before KNUCKLES (and debatably Tails) being in a movie about her own franchise. We shouldn’t have to wait a whole year for it either. Stuff takes time sure, but other movies with Pokémon, the Avengers, Mario, My Little Pony G4, Teenage Mutant Ninja Turtles, and many others did it and did it well for the most part. Most of these have tons of characters that they wasn’t afraid to show in one movie. Characters with smaller roles still impacted the movies and in a memorable way too. We shouldn’t be so timid in bringing Sonic characters in Sonic movies. They’re just as marketable as these other franchises. The successes of the Sonic trilogies proved that.

Without Amy or other characters it doesn’t feel as full as it could be. Not saying we should’ve got all of them from the get go but a little more would be nice.

I’m saying this respectfully but that doesn’t make sense especially if we have enough time to flesh out the human core characters/side characters who aren’t even part of the main franchise and not the ones most audiences came to see in the first place. I’m neutral and understand both critiques and defenses so you can decide where to go to on that.

Back to before, you don’t need long drawn out character development in order to be written well. Tails turned out fine despite his small role. Heck, Amy’s roles in the GAMES were usually small but not less impactful because of it. Amy practically helped save the entire world with her “small roles” and one for an emotional and impactful moment with Shadow. Even small things can make big differences and that’s one lesson you can learn from Amy.

Amy’s interactions with Gamma in SA1 impacted the robot to the point of him sacrificing himself to free a Bird he needed to stay alive.

Amy believed in Sonic when the whole world (or Silver) was against him in Sonic 06.

Amy showed kindness to Sonic as the Werehog and gave her closest friend encouragement. She still loved him regardless of how he looked.

There’s more examples, but these are the most well known. Do you notice how most of them were small actions or small moments of development in small roles. And still managed to make Amy a wonderful character while impacting the stories?

I’ll also just show this too.

Also, don’t worry about her stealing time from Shadow. The film’s called Sonic Movie 3 not Shadow The Hedgehog. He can share the spotlight. Knuckles did in SM2. There’s no excuse in my opinion.

The movie doesn’t have to have Amy and wouldn’t be worse without her, but I think we shouldn’t overlook her importance to the franchise even if what she does is small. Or feel bad for being more aware of what little we get in these movies. It’s okay to admit certain flaws. Nothing’s perfect and not above criticism as long as we’re respectful about it. And for the kiddies who would like to see a cartoony animal girl character for the first time in these films, Amy would be a fantastic way to start.

Amy debuting in Sonic 3 and interacting with the boys would be a lovely way of establishing that close connection between the core four of the franchise. They’d literally have the definition of love at their sides. Again, small changes can make big differences. That’s all I have to say. Now I’m going to continue to be excited for the 3rd Sonic movie.

[merwgue]

Sarah J. Maas: The Queen of Broken Women and Savior Men — A Deep Dive into Internalized Misogyny and Bad Writing

Sarah J. Maas is often hailed as one of the most popular fantasy writers of our time. Her series A Court of Thorns and Roses (ACOTAR) and Throne of Glass have millions of devoted fans, and it's not uncommon to see her name thrown around in discussions of "strong female characters." But when you take a closer look, a disturbing pattern emerges: almost every female character in her books is traumatized, broken, or impoverished, and it’s always the men who swoop in to fix them. There’s an underlying current of internalized misogyny that not only seeps into her stories but actively shapes the narrative. What’s worse? She can’t seem to write a truly independent woman character. Let’s break down why Maas’s writing is, at its core, problematic, unoriginal, and deeply flawed.

The Argument: Internalized Misogyny Wrapped in Fantasy

First, let’s address the root of the problem: Maas seems to believe that a woman can’t be strong unless she’s been torn apart by life in the most brutal ways. In her books, trauma is a prerequisite for strength, but only if a man is there to help the heroine overcome it. This trope is not only tired but also harmful. Maas constantly reinforces the idea that women need to be broken down to their lowest points in order to be "worthy" of a male savior.

When you strip away the fantasy elements, what you're left with is a pattern that closely resembles an old-fashioned, patriarchal narrative where women must endure suffering before being saved by a knight in shining armor. The "knight" might take the form of a High Lord, a warrior, or an assassin, but at the end of the day, Maas's female characters can never truly save themselves.

Feyre Archeron: The Poster Child of Trauma and Savior Worship

Let’s begin with Feyre Archeron from ACOTAR. She starts as a poor, broken young woman who sacrifices everything for her family, only to be thrust into a world of fae politics and violence. Feyre's trauma begins with the infamous “beast” Tamlin, and continues under the thumb of Amarantha, who tortures her in unimaginably brutal ways. But as if that weren’t enough, Maas ensures that Feyre's psychological scars run deep, so that Rhysand can swoop in and heal her. Oh, and let's not forget her trauma-induced depression after being trapped under the Mountain and made into High Fae against her will.

Sure, Feyre finds strength eventually, but only after Rhysand pulls her from the brink of despair. He doesn’t just help her heal—he remakes her. Feyre's arc quickly becomes about how Rhysand’s love, protection, and endless patience help her find herself. It’s through his intervention that she becomes powerful. Where is the agency? Where is the true independence? Feyre is never allowed to rise on her own—her entire arc is built on the shoulders of a man’s intervention.

Her “strength” is conditional, tethered to a man’s support. Without Rhysand, who is Feyre? Apparently, no one of consequence.

Nesta Archeron: The Angry, Broken Woman Who Needs a Man to Save Her

If Feyre’s story wasn’t enough, let’s talk about Nesta Archeron, who is possibly the most obvious example of Maas’s inability to write a truly independent woman. Nesta starts off as angry, bitter, and deeply traumatized by her experiences. She’s lashing out at everyone, and in A Court of Silver Flames, we see her spiraling into self-destructive behavior.

So how does Maas handle this? By sending Nesta off to be “fixed.” Cassian—ever-patient, ever-ready to rescue the broken woman—steps in as her savior. He helps her train, helps her heal, and becomes the crutch she needs to finally face her demons. The message here is clear: Nesta cannot save herself. She needs a man, a warrior, a male who can handle her anger and tame it.

What’s infuriating is that Nesta is never allowed to be strong on her own terms. Instead, Maas reduces her arc to one of forced rehabilitation, where male intervention (and sex) is the ultimate cure for all her pain. Cassian’s constant hovering, watching her every move, isn’t empowering—it's infantilizing. Once again, Maas reinforces the tired trope of the broken woman who needs a man to show her the way.

Aelin Galathynius: The Assassin Queen Who Still Needs Saving

Now, let’s shift to Throne of Glass. Aelin Galathynius is arguably Maas’s most “powerful” female character. She’s a queen, an assassin, and one of the most skilled fighters in the realm. And yet… Maas can’t seem to let her be powerful on her own. Aelin spends much of her time in Queen of Shadows and Empire of Storms either being captured, tortured, or emotionally crippled by the weight of her destiny. For all her strength, she’s constantly needing Rowan—her male savior—to guide her, protect her, or just plain save her from herself.

In Kingdom of Ash, Aelin is literally chained and tortured for months. And while this is meant to be a testament to her resilience, it’s just another example of Maas putting her female characters through hell so that men can come to their rescue. Rowan is once again her knight, her protector, the one who will fight to free her. Even when Aelin saves herself, it’s with the help of a man or because of the love a man has for her.

What happened to the assassin queen who was capable of taking down armies? Oh, right—she’s been reduced to a woman who can only triumph if a man is at her side.

Bryce Quinlan: Party Girl Turned… You Guessed It, Traumatized Heroine

Bryce from Crescent City is another classic Maas creation. She’s a party girl, carefree and wild, until trauma strikes, and she’s forever changed. Cue the entrance of Hunt, her male protector who steps in to help her navigate her grief, her trauma, and the dangerous world she now inhabits. Bryce may have a sharp tongue and fierce attitude, but Maas makes sure that she is broken enough to need a man to save her.

Hunt becomes the anchor in Bryce’s life, and once again, the pattern repeats itself: Bryce cannot face her demons alone. She cannot be strong without a man by her side. Her trauma is the driving force behind her character development, and Maas wastes no time in ensuring that Hunt is always there to steady her when she falters.

Villainous Women: The Ones with Power Get Punished

Let’s also talk about the women in Maas’s books who do have power—Amarantha, Maeve, Ianthe, the list goes on. These women are almost always villains, and what makes them villainous? They’re powerful, independent, and don’t need men to define them. Amarantha, for all her cruelty, is a ruler in her own right. Maeve, a queen, is feared and respected. And what does Maas do to them? She tears them down, punishing them for their independence, for daring to claim power in a world where only men are allowed to hold it without consequence.

These villainous women are never given depth beyond their cruelty, and they’re almost always defeated by men. Maas’s treatment of powerful women in her books reinforces the idea that a woman’s strength, when unchecked by a man, is dangerous and unnatural. It’s not just lazy writing—it’s deeply misogynistic.

Conclusion: Sarah J. Maas, the Fantasy Author Who Can’t Write Women

So, what’s the takeaway? Sarah J. Maas is a writer who consistently undermines her female characters’ independence and autonomy. Her female leads are traumatized, broken, and only find true strength when a man steps in to save them. The pattern is clear, and it’s damaging. Maas’s world is one where women are only allowed to rise if they have a male savior by their side, and any woman who seeks power independently is punished for it.

This is not empowerment. This is not feminism. This is internalized misogyny at its finest, wrapped up in a pretty package of fae magic and romance.

Maas’s inability to write an independent woman character is a glaring flaw in her work, and it’s time we stop praising her for perpetuating harmful, outdated tropes. If she ever wants to write truly strong female characters, she needs to stop leaning on trauma as a crutch and allow women to find their own strength—without a man’s help.

Until then, Maas’s writing will remain a problematic ode to broken women and their savior men, with little room for genuine female empowerment.

Inspired by @extremely-judgemental , I loved their post!!! Please check it out meringues❤️❤️

[utopianparadoxist]

On Fighting Nothing - Ultimate Dirk in the Struggle Against The End of Homestuck

[ Edited Excerpt from Through Loving Eyes--Who Is(n't) Dirk Strider?]

You and I have been through this, have been through that, have been at ease. Nothing scares me more than God, and Nothing cannot sustain.

Let's consider this verse from the Homestuck: Beyond Canon album song, The Leaving, as it might relate to the Epilogue's Ultimate Dirk Strider and the nature of his character arc.

It’s a well known fact from the days of Bladekindeyewear (who’s back and occasionally liveblogging HS² on Tumblr, if you’re interested) that The Neverending Story is a major source of thematic inspiration for Homestuck, with the twin ouroboros symbol from the movie appearing in several places in the comic connected to Cherub lore, including their mating rituals, which are said to tap into the innermost essences of Paradox Space.

If you don’t remember the Neverending Story, its a book/movie about the magic realm of Fantastica, an infinite realm of fantasy and wonder living inside an in-fiction book also named the Neverending Story, which is experienced by all who read it. Our protagonist Bastian reads the book, and inside lives a story where the protagonist Atreyu is sent on a quest to try to overcome the threat of the mysterious force called the Nothing, which is bent on consuming the entire fictional world.

The Nothing of the Leaving, then, is a literary reference. What scares Dirk more than God is not “nothing” in the sense that he’s unafraid of God, but instead the specific darkness of non-existence that overtakes the realm of Fantastica, obliterating it completely, reducing it so utterly that there’s not even dust left behind.

And what turns out to be the source of the Nothing in the Neverending Story?

The inevitable apocalypse that comes for all stories: The thump of the cover as you turn the last page. The moment when a living narrative passes from the reader’s experience and turns into an immediately fading memory. Whether it happens quickly or slowly, everyone who’s loved any story eventually moves on.

And that is precisely the armageddon that has struck Earth C at the beginning of the Epilogues. Seven years out from the end of the comic, it is a world almost entirely forgotten, populated by people that we almost don’t even recognize as the characters we loved.

Dirk and his friends struggled through the entire labyrinthine nightmare that is the plot of the webcomic Homestuck to reach their happy ending, and almost as soon as they got there, nearly the entire community of readers that shared the journey with them abandoned them and moved on.

One world burned up in fire (Beta Earth). One world silenced by psychic death scream (Alternia). One world drowned and boiled under water (Alpha Earth). And now? A fourth world, Earth C, doomed to death by simply being forgotten, extinguished in its cradle because it wasn’t loved enough. Gone not with a bang, but with a whisper.

That is the nature of Homestuck’s fourth and (so far) final apocalypse.

And striving against that fate, watching all of their friends and loved ones succumb to the dark like a beloved horse…we have Rose Lalonde and Dirk Strider. Our platonic (in the literal sense) Adam and Eve at the end of the world. So what else is there for them to do, except to bite the apple?

To Ascend, though it is terrible.

THE LION EATING THE SUN — THE FLAME OF SCORPIO

The only way to fight against Darkness is to Light it with a torch, and the ultimate torch is the Sun. Yaldabaoth, the denizen with the symbol of Light placed upon its head, is also the denizen shared by Caliborn and Dirk. Mythologically, Yaldabaoth is a satanic Demiurge or creator God, analogous to the God of Biblical scripture but either flawed or evil, depending on who’s talking about him.

Caliborn, who goes on to dominate the plot of Homestuck to the point of being responsible for the existence of the Alpha Timeline, and thus the plot of Homestuck itself, is decidedly the evil variety of Demiurge, ruling over the rest of the cast of Homestuck through brutality and death and reveling in every drop of the blood he spills.

And let’s make no mistake: Dirk, already consumed by the process of ascending to Ultimate Self, carries with him the risk of advancing and carrying on Caliborn’s legacy.

Lord English, Doc Scratch, the Soul-infested version of Lil Cal — all three of these entities carry Dirk’s Soul inside them, and so they can potentially count as splinters. And all three excel at manipulating and controlling unaware parties into carrying out their goals, such as Lil Cal corrupting Bro’s training of Dave, or Doc Scratch exploiting and weaponizing Vriska.

In the roiling oceans of Dirk’s ultimate self, how can we really tell who is the puppet and who is the puppeteer? We can’t. But we can tell that so far, Ultimate Dirk doesn’t exactly operate the way Caliborn did. Like the Demiurge in Timaeus’ Testimony, he insists on at least a veneer of nobility, even if he’s flawed or imperfect at it, claiming he’s only doing what needs to be done. And notably, Dirk doesn’t physically hurt a single person throughout the Epilogues.

It’s under this logic that he chooses to take on the role of antagonist, deliberately raising the stakes of his reality high enough to kick the story of Homestuck back into motion. He does this while actively knowing he’s signing up to be executed, preferably by Dave in his opinion, but certainly by someone else otherwise — Kanaya being another likely contender.

Either way, it makes the entire antagonistic enterprise one long suicide attempt on his part. Dirk may not have given up on Homestuck’s future, but in deciding to be willing to fight for it, he has given up on his own life.

It is, in essence if not intentionally, the bargain of the Flame Of Scorpio.

“The Scorpion killed other bugs and ate them. Then one day, the weasel found him. The scorpion fled, and fell into a deep well. He thought to himself: ‘How long have I eaten other creatures? And yet, the one time that I was the prey, I fled in utter terror. And look what came of that. I’ll die in this well, alone. I could have given the weasel another day of life with my sacrifice. But now my death will help no one. I’m useless. Dear Lord, I beg of you, look into my Heart and hear my prayer. In my next life, don’t let me waste myself. Let me use my body for the true happiness of everyone in the world. And then the scorpion burst into flame. A brilliant crimson glow. And by the light of his burning body, he lit up the night forever.’

— Night on the Galactic Railroad

It’s a covenant with God, a kind of magic whereby a scorpion — an entity that hurts and consumes by its nature, a Natural Antagonist, if you will — sacrifices itself to light up the night sky. A sacrifice that is depicted in 2011’s Mawaru Penguindrum’s homage to Night on the Galactic Railroad beautifully succintly with the act of…

Tearing one's heart out.

You sent me FIRE. FIRE, I’ll tear my throat out. Burn my blackened lips. You gave me FIRE!

Fire, I’ll tear my Heart out. I’d rather tear my Heart out... But I can’t stay here! --The Leaving, Homestuck Beyond Canon

If this seems familiar conceptually, it might be because it's a very similar logic to the one adopted by Vriska Serket in the original Homestuck comic, who adamantly believed that since she’s taken so many lives, she can only justify her existence by Rising Up and defeating Lord English for the benefit of everyone in Homestuck.

Vriska throws herself into the role of Hero/Protagonist, while Dirk throws himself into the role of Villain/Antagonist, but they do so with the same kind of fanatic quasi-religious zeal: That by embracing their own sharper features and committing to sacrificing for the greater good, they can make things better for everybody else.

And so Dirk commits his biggest and most obvious gesture of antagonism: He kidnaps Rose Lalonde, taking her with him on his journey to start a new session. In the process he moves her soul into a (frankly sickass) robot that he claims can withstand the infinite processing power necessary to hold her Ultimate Self, which her physical body can’t sustain.

While whether or not that’s true remains to be seen, this move has been deemed highly unpopular by the fandom, to say the least. Yet there’s a logic to why he had to do it. If Dirk had said fuck it, taken his ball and fucked off the planet on his own, what would’ve happened?

His friends and the fandom would’ve collectively gone “Weird move, but go off I guess?” and collectively moved on without a second thought. Dirk simply doesn’t carry the emotional weight to carry an entire narrative with the question of whether or not he gets a happy ending. He just has the sort of personality that inclines us to go “Probably not, but oh well. Sort of the dude’s own fault anyway.”

But Rose? Everybody loves Rose. Everybody fucking loves Rosemary! There’s nothing the Homestuck fandom wants more in the world than for those two girls to be happy together. If Rose isn’t okay, we’re not okay, and that’s exactly what Dirk needs: Something to be so wrong in the world that we can’t help but keep watching, in the hopes that eventually, someday, it will be set right again.

Rose is the very Sun Dirk has stolen in the process of making a Narrator-Demiurge of himself. She is the guiding Star that leads to the future, the very Light of Homestuck.

And look, Dirk gets a lot of flack for the whole Rose-snatching thing, but let’s put something into perspective here. In the epilogues, Rose is dying, or suffering so much she may as well be dying. Dirk may or may not be exploiting or undermining Rose’s agency, but his Rosebot innovation for her does end her immediate excruciating pain.

Ultimately, Rosebot agrees with Dirk about taking this course of action, deliberately thanking him for taking her with him and expressing her own feelings on the importance of their cause before Dirk succumbs to his temptation to eke out a hollow victory over his loneliness by using his narrative powers to encourage her eagerness.

While there are secrets being kept and the power dynamic is unbalanced, Dirk and Rose are not abuser and victim in this venture — they are co-conspirators. Remember that Rose, too, has a role to play.

If Dirk is the dragon, the damnable villain, then she is the princess in the tower, the damsel in distress. It’s in both of their mutual interests for her to play to an attitude of relative innocence and ignorance for the audience’s benefit.

The better to keep us watching.

[fairymascot]

rewatching utena for the first time in about a decade and it is truly the funniest show ever.

we just finished the black rose arc, the last ep was truly a mindfuck. mikage completely succumbing to his delusions and unable to tell memory from reality, finding out he's been frozen in time for decades, mamiya has been dead all this time and anthy was pretending to be him. mikage is defeated and expelled/set free from ohtori, the existence of his life and of nemuro memorial hall wiped from everyone's memory.

then the following episode is a recap. and maybe you're thinking, whew, this arc was a doozy, it'd be nice to have it broken down into a nice, digestible 20 minute episode that'll really help me understand and process things! AND THEN THE ENTIRE RECAP EPISODE IS ABOUT NANAMI AND HER GOOFY SHENANIGANS OH MY GOD.

'wait so what's real and what isn't, how long was mikage trapped there was anthy the one orchestrating this all along--' 'HEY REMEMBER WHEN NANAMI WAS BEING CHASED BY SURFING ELEPHANTS IN INDIA???' it is so POINTEDLY and MALICIOUSLY unhelpful, it is truly the most king shit I've ever seen. it's broadcasting the clearest message possible that if you went into rgu expecting it to explain anything to you, it's not gonna happen. you are getting elephants instead. fuck you.

(this post was brought to you by @not-the-blue who is watching the show with me for the first time and has no idea what's going on, i just turned her frustrated-amused rant into a post❤️)

[minijenn]

Ok so the other night I was lying in bed thinking about RMD and howin a post Billford and Billrose world, that entire arc is just different because now Bill isn't just being a petty vengeful asshole to to two kids who have inconvenienced him in the past, he's being a petty vengeful asshole to two kids who are related to two of his exes who hate/hated him and takes out the fact that one of them is gone while the other one wants him dead on these two unfortunate kids. Like an asshole.

I also liked the idea of Stepper (and Steven and Dipper) giving Bill the same look Rose and Ford used to give him. To haunt his fuckass at least a little by how much those kids remind him of them. Hehe.

Anyway new UF RMD boutta be somethin else golly gee I can't wait.

[nintendont2502]

can't stop thinking about an alternate, narnia-style ending to homestuck where they can stay on earth c for as long as they want, but they always have the option to go home

sure, living on a planet you made and ruling as immortal gods forever sounds cool at first, but eventually it's going to get... stagnant, yk? what is there for you to do now? you won. your character arc is over. this is your happily ever after, in a world that reveres you as gods even though you're nothing more than a bunch of traumatised teenagers.

what if you could go back? go back to the day you were meant to play, go back to being 13 and powerless and a kid again, but with all the knowledge that you gained over the years - eventually, it'll fade, but you'll always have that experience. you'll always feel like somehow, somewhere, you were a hero once. John learning to appreciate his dad and his friends and his 'boring' life, and having a chance to reflect on himself. Rose realising that her Mom *does* care about her, just as much as Roxy does - just as much as Rose cares about both of them, enough to try and bridge that gap. Dave knowing that his Bro *isn't* some untouchable, flawless hero, knowing that Dave can stand on his own two feet and take care of himself and his friends even if he doesn't do it how his Bro would. Jade reunited with her best friend, armed with the knowledge that she *will* get out of here, that she *will* see the world and see her friends and loved ones and *live*. Everywhere they look, they see faint memories of people they think they once knew and loved and forgot - in the faces of family, old photos and preserved corpses, terrible movies and buckets and playing cards and the stars in the sky.

maybe they don't go at first. maybe eternity seems easy to them, an entire life left unlived laying in front of them, but once they've done all they can, lived as much as eternity will allow and more, once the only thing left to do is go back - I think they all would. maybe not all at the same time, but I think eventually, all four of them would choose to go home

because they're. yk. they're h. the. they're h. ho. they're homes-

[shipofthesis]

Wild to me that some people entertain the notion of Mikage and Tokiko being Utena’s parents when a) Mikage’s defective (homo)sexuality and inability to fuck is so central to his arc and character defined by ineffectiveness and b) TOKIKO LIVES.

No Tokiko can’t be a ghost because her entire point is to Live A Normal Life. If she had a daughter surely she would mention it as she recounts her mundane, domestic, as-scripted existence. Especially in combination to her remark about flowers must die to fruit.

Mikage’s whole problem is he cannot cross the barrier.

Even years later as a “better”, more effective man, he can’t. He’s disconnected. With himself, with others, with time and space.

He is inanimate, a robot, revolving in place. Nothing he does in the Black Rose arc has any lasting consequences, he leaves no mark on the world. He is not a dynamic character, but a plot device. He is a transformative catharsis for his duelists and a warning for Utena and little more. Being something so significant as Utena’s father is antithetical to how the narrative treats him.

[xypheris]

Batfam Watches Titanic

Imagine this chaotic family sitting down for movie night, begrudgingly agreeing to watch Titanic because Dick said it’s a “classic.”

Dick

Crying before the iceberg even shows up. “It’s about the journey, not the destination, guys!” Overdramatically quotes the “I’m the king of the world!” scene while standing on the coffee table. Shushed several times for giving an emotional monologue about love and loss during the “Jack and Rose on the door” scene.

Jason

Constantly pointing out who would’ve survived if he were there. “You don’t just let go, bro. Hold on. What’s wrong with you?” Cheering when Billy Zane gets called out. “We love a rich jerk takedown arc.” “Wait, are you saying the diamond wasn’t cursed? Missed opportunity.” Definitely the first to say, “There was enough room for Jack on that door.”

Damian

Complains the entire time. “This is a waste of my brain cells.” “Why is the dialogue so… sappy? Is this supposed to be realistic?” Calls the iceberg the MVP for being the only logical thing in the movie. Storms off at the end, muttering, “Rose is a fool for throwing away the diamond.”

Cass

Silently vibing. Not a single word the whole movie. Absolutely loses it at the scene with the old couple holding each other as the ship sinks. Somehow ends up with the loudest sobs in the room during Jack’s death. Shoves popcorn in Jason’s mouth when he says something snarky.

Steph

Lives for the drama. “Omg, the tension between Jack and Rose? Immaculate.” Pauses the movie during Rose’s iconic “draw me like one of your French girls” scene to say, “This is art.” Cry-laughs at the guy who falls off the ship and hits the propeller. Glares at Damian when he calls the love story “unnecessary fluff.”

Tim

Watches the whole thing through a critical lens: “So, technically, this movie has several historical inaccuracies.” Pulls up Wikipedia articles mid-movie to fact-check. Argues with Jason over whether Rose would have been better off staying with Billy Zane’s character for survival. “Okay, but have we considered the logistical challenges of building that door?”

Alfred

Sits quietly, sipping tea. “This is a cinematic masterpiece.” Tuts every time Jason interrupts. “Master Jason, kindly refrain from ruining the experience for everyone else.” When the ship sinks, he mutters, “The folly of man’s hubris.” At the end: “There’s a lesson here, Master Bruce. Perhaps don’t take on more than you can handle.”

Bruce

Pretends not to be interested but watches the entire movie with a furrowed brow. “They could have planned better evacuation procedures.” Overanalyzes the structural failures of the ship. Gets weirdly defensive during the “rich people are awful” scenes. “Not all wealthy individuals lack compassion…” Quietly agrees with Damian about Rose tossing the diamond being ridiculous.

Barb

Laughs every time Dick cries. “Again, Dick? We’re not even halfway through!” Agrees with Jason about the door: “Rose really said, ‘Sorry, Jack, sink or swim!’” Points out how Rose’s story wouldn’t pass as a valid eyewitness account in a real investigation. Records everyone’s reactions for blackmail material.

Duke

“So y’all are just now watching Titanic?” Emotionally invested in Jack and Rose’s romance until Jason and Damian ruin the vibe with their commentary. Absolutely loses it at the propeller guy scene: “I know I’m going to hell for this, but—BAHAHA!” At the end: “Rose could’ve had a whole lifeboat to herself if she had my luck in emergencies.”

Post-Movie

Jason starts a Twitter poll about whether Jack could’ve fit on the door. Dick hosts a group therapy session for his unresolved feelings about “the fragility of human connection.” Tim tries to plan his own historically accurate Titanic story. Bruce just quietly leaves the room, muttering something about “better ship designs.”

[wolfjackle-creates]

Ghost!Robin Arc 2 Part 3

Ghost!Robin once again won this week's WIP Wednesday poll. This week's poll is up as well if you want a say in what I work on this week (though the poll is slightly different this week).

Story Summary: Everything changed the evening Jason met Jazz's brother. Danny introduced him and his entire family to the ghost that is, apparently, haunting him. The ghost of the Robin he had been.

The ghost of the person everyone he's ever known wishes he still was.

All he wants is to make it go away.

First, Previous

Word Count: 1.6k

-----

“All right!” said Danny, clapping his hands. “I got us close to the Far Frozen, but it’s rude to show up in another ghost’s haunt. So we’ve a little bit of a flight ahead of us.”

“How long is a ‘little bit?’” asked Jason. He refused to look behind him at the lack of a portal. He’d come here for a reason and he trusted Jazz. That had to be enough.

“Oh, maybe fifteen minutes? Twenty?”

Jason closed his eyes and tilted his head back. At least Bruce would be pissed if he knew where Jason was at this exact moment. “Lead the way,” is all he ended up saying.

In the distance, Jason could see islands floating in the air. Between them were stand alone doors with no walls.

“What are those islands?” he asked Jazz.

“They’re haunts,” she said. “Homes for individual ghosts. Islands tend to be reserved for ghosts who want visitors—either to fight or play—and doors for the ones who want to be left alone.”

“Danny referred to the Far Frozen as a haunt. Is that the same thing?”

“Yes,” said Jazz. “But the Far Frozen is home to hundreds of ghosts led by Frostbite. Those islands you can see will only be home to one, maybe two ghosts. The Far Frozen is much bigger.”

Jason wasn’t sure what he thought about that. In front of them, Danny and the interloper had pulled ahead a ways. He could tell Danny was talking, but they were too far away for him to make out the words.

“It’ll be okay, Jason,” said Jazz after a few moments of silence.

“Things were finally starting to go right with my family,” he admitted quietly.

“They won’t give up on you.” Jazz slipped an arm around his waist. “They care about you.”

Jason snorted. “They care about who I used to be and put up with who I am now. It’s not the same.”

“They care about both who you were and who you are. I’ve seen how Dick acts around you. You could go full super villain and he’d join you in the descent.”

“He just feels guilty for not being there when I died, the idiot.”

Jazz huffed a laugh. “You know, I don’t know why I’m surprised you died. It really is just my luck.”

Jason didn’t answer. It was strange that the one person he’d been interested in dating seriously since his return had ties to death and the afterlife. He shivered, what did that say about him? That he couldn’t just fall for a normal woman?

Jazz noticed. “I think we’re getting close. Temperature’s dropping. Can you feel it?”

“I suppose it is.” His getup, far too warm for the Jersey spring they’d left, wasn’t leaving him sweltering anymore.

Sure enough, just a few minutes later, Danny was turning and waving them closer. “Look!” he said, once they were close enough to hear. “You can see the Far Frozen!”

Ahead, partially obscured by a green fog, a great wall—or was that a cliff?—of ice rose up from nothing ahead of them. They still had some distance to go to reach it, but they’d arrive before long.

“I’m just going to announce our presence,” said Danny. “It’s only polite.”

Jason wasn’t sure what Danny did, but for a moment, it felt like he was being pushed in on from all sides. He couldn’t breathe, couldn’t move. Then, as soon as it had started, it was gone.

“Frostbite will send someone to meet us, I’m sure.”

Jason just grunted and Jazz nudged him again. “Be nice,” she whispered.

The ghost stuck his tongue out at Jason. It took all of his fraying self control to limit his response to just an eye roll.

Danny led them towards the top of the ice and, just as predicted, by the time they were nearly there, a contingent of actual yeti’s came forward to greet them. Five of them, each at least twice Jason’s size, flew down from the island. Each carried what looked to be weapons. Jason tensed, hands immediately reaching for his own.

“Great one!” boomed the largest and first of the party. “It has been too long since you’ve come for a visit. I hope you are not injured?”

Danny laughed and rushed forward to give the yeti a hug. Jason could barely see Jazz’s brother through the being’s fur and arms. Any response Danny gave was muffled by the creature’s fur.

He must’ve said something, though, because the yeti was letting him go and peering at Jason and Jazz and the ghost. Jason tensed under the look. Was that an angry glare? He didn’t know the first thing about the body language of yetis.

“You must be the one who is courting Princess Jazz. Greetings. I am Frostbite, ruler of this section of the Realms. Welcome to my haunt. King Phantom has expressed his concerns for you health and I will, of course, be pleased to offer any assistance myself or my people can.”

Jason just blinked back, then turned to his girlfriend. “Princess Jazz?” his voice sounded strangled even to his own ears. “Any other secrets you’ve been keeping from me?”

Jazz rolled her eyes and poked him in the side. “Not important.” To the yeti, she said, “Thanks, Frostbite. Any help you can give will be beyond helpful. I didn’t even know that Jason had died until last night, let alone that he was being haunted by his own ghost. We’ve been calling his ghost Robin and his living self Jason to make it easier on everyone.”

“Well, then, young Robin and noble Jason, come. Follow me and I will see what I can learn of your condition. I must admit I have not heard of a case like yours before. But, before the Great One first came to us, we had never had the chance to examine a living ghost in any capacity before.”

Jason grunted. “I though Danny said you were the expert in the field.”

Frostbite nodded. “I am. However, that is simply because everyone else knows nothing. That I know something is all it takes to be called the expert in this situation.”

Jason’s stomach sank. This was going to be completely useless, wasn’t it? Why did Danny have to raise his hopes like that! “So you don’t think you’ll be able to do anything?”

Frostbite bared his teeth—a threat or a smile? “I never said that. I’m sure there’s plenty I can learn from an examination. I just won’t make any predictions until I’ve got some results. To do so would be conjecture and the height of incompetence. Now, come, all of you. When the Great One announced his presence, I had some of my people prepare an examination room.”

Danny groaned. “Oh, come on, I’m not that bad!”

The yeti ruffled his hair with a paw as big as Danny’s entire torso. “Your majesty, you have never once made a surprise visit unless you were injured. I am glad that, at least this time, you are not the one hurt. However, you have still come seeking medical advice.”

“Danny!” scolded Jazz. “What have I told you a million times?”

Danny looked at her with confusion. “To get more sleep?”

“No! Well, yes, actually. But not what I was talking about!” Jazz left Jason’s side to smack Danny on the back of his head. “You don’t just visit friends when you need things from them. It’s important to spend down time with your friends, too.”

Frostbite laughed. “Fear not, Princess Jasmine. I am not upset with his majesty. He has only just taken up his crown and has many responsibilities. I am merely relieved he still turns to me when in trouble. Now come, follow me to the examination room.”

Danny talked animatedly with Frostbite as they made their way through a village. Jason and Jazz followed a few steps behind.

Jason couldn’t help but stare. Every building was made of ice. Rather than sharp edges and plain facades, they bent in graceful curves and had been decorated with ice and snow sculptures. Sculptures here were as common as gargoyles and grotesques in Gotham. As they wound through the streets, residents left the buildings to greet Frostbite and Danny. It felt more like they were part of a parade than just passing through.

And above it all loomed a giant castle. No other word could describe it. Delicate turrets pierced into the sky and stairs wound around the outside of the walls while banners added some much-needed color to the structure.

By this point, Jason wasn’t even surprised when they were led to the castle. The inside was just as ornate as the outside and Jason stared in wonder at the statues that decorated the hallways and the patterns pressed into the walls. It was like something from a fairy tale.

So much so that when they finally made it to the examination room, it was rather a disappointment. It looked just like a regular doctor’s office, though the machinery was different.

“Thank you for accompanying us, Your Majesty, Princess Jasmine. However, I must ask for the both of you to leave as I examine my patients.”

“Of course, Frostbite,” said Danny. “We’ll wait outside.” He waved to Jason and made another of those trilling sounds that was repeated by the interloper.

Jazz squeezed his hand. “I love you. Everything will be fine, you’ll see. I’m just outside if you need me.”

Jason pulled her in for a hug and whispered in her ear, “Love you, too.”

Then he was alone with the yeti and the interloper. He refused to look at the ghost of his past and instead addressed the doctor. “So what now?”

-----

Next

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Jason would be doing so much worse without Jazz right now.

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