#his character arc is how he got from A to B

[agenericplaceholdername]

Very interesting question. Your bar for "writing off" a character is your own -- maybe if you think that a specific season's writing can be noticeably different to the point where a character's actions carry less judgement, certainly a different writing team's would function similarly, so why not "write off" the Hageman Bros's Dareth while keeping Bragi's Dareth? If Doc and Kevin bring him back technically that's a "new" character, at least to the extent that S6 Dareth can be viewed as distinct from his other appearances. Not sure how much I agree with this idea but just throwing it out there.

Will object to placing three of the Ninja on the same bar as Dareth both mischaracterization and sexism-wise (I assume Jay, Cole, and Lloyd). Certainly Jay is pretty sexist in Skybound but I don't think this is a mischaracterization, just an escalation of his behavior since S3. The point of his arc is for him to learn why what he was doing was wrong (as to whether Skybound really accomplishes that is another question). And despite all this he still objects to Dareth's behavior in "Infamous."

Cole makes a sexist joke that I would agree is... different than his pre-established character (although I don't think there's much in previous seasons to imply he's a big feminist). He then mostly backs down after Nya criticizes him. Lloyd laughs at Cole's joke and also backs down after a glare from Nya. Lloyd is probably a year or two removed from being a "no girls allowed in my tree house" ten year old so I still wouldn't call this out of character as much as it is a relapse. Lloyd also sticks up for Nya against Dareth in "Infamous."

Fundamentally I don't think Cole's (still sexist and bad!) joke is on par with Dareth physically excluding Nya from the other Ninja, wanting her to run segments on "teaching girls how to apply makeup" and "how to cook", and accusing her of hurting the Ninja's image solely because of her gender. He loudly objects to the statement, "There's no reason she should be treated differently"! IMO this is clearly categorically worse than what the Ninja do.

basically, if you don't want to write off Dareth, don't. But I personally wouldn't use Skybound's other writing choices as an excuse to do so.

as a side thing, I'm mixed on the whole "they wouldn't say that" idea. On one hand, if a character says something, clearly that refutes the idea that they wouldn't say it. On the other, characters aren't real, bad writing exists, etc. My bar tends to be if a character does something that directly contradicts a prior statement or action (without cause for such a change), then you've got bad writing. even more so if they're contradicting a core character trait or repeated pattern of behavior (plus that earlier behavior would presumably have more weight in whatever moral judgement I have of them as a character). However, if a character does something unexpected or new that doesn't contradict established behavior, then that's who that character is (at least in that moment). In this case, while Dareth isn't sexist to the degree he was in Skybound in other seasons, he also never indicates that he wouldn't be sexist (his refusal to accept a no from Gayle Gossip as expressed in DotD actually gives more evidence to the idea that he is). Thus I wouldn't call it out of character or "he wouldn't say that" because a) he did and b) he never says anything to indicate he wouldn't have.

The thing about Dareth as a character is I can't Quite see myself writing him off completely? Like his stuff in Skybound Was bad it was pretty awful, but they also had like three of the guys on the main ninja team act horrifically bad to Nya for no reason. Neither Dareth nor any of the ninja acted anything quite like they did in Skybound before or after it??? So I don't rlly Think I can write Dareth off as a sexist piece of shit for season 6? Like yeah he was Awful there but I don't know how extreme I'm willing to go there with him...

[isa-grapes]

essek was born into a life of ‘not my circus not my moneys’ but he has unfortunately had the monkeys thrust upon him, and now they are very much his.

[eelclaw]

the protagonists of the broken code. who's rootspring

i am tbc's number 1 hater! negative thoughts below

shadowsight: other characters sometimes acknowledge that he was manipulated by ashfur, but the narrative puts all of the blame for the ashfur situation on him, neglecting that (a) he did exactly what he was supposed to do as a healer (obey and take messages from a starclan cat), and (b) the codebreaker hysteria was far more a product of clan culture than the actions of a single apprentice. he isn't treated like the victim that he is, and it is frustrating and not cathartic.

bristlefrost: what the hell does she even do. what does her spy arc accomplish or contribute (like mother, like daughter). she finds out that bramblestar isn't bramblestar far too early. she's so perfect and she has no flaws and she's so empty. i want her to be worse. how much more interesting would she be if she was sneaky and selfish? if she was loyal to the imposter because she truly believed in what he was saying? not to mention how she reciprocates rootspring's feelings with literally zero warning, and ceases to have what little character she'd had to begin with. i genuinely don't care that she dies, they did nothing to make her an engaging character. miss bristlefrost, i'm sorry they did you so bad.

rootspring: first rootpaw thinks he's weird because of his father. i hate this because i hate tree. later, rootpaw thinks he's weird because he can see ghosts. so they give him this "i just want to be normal" deal, and the clans suddenly pretend that ghosts are silly and not real. sure, rootspring and tree are the first clan cats with this specific power. and i get that the clans have very rigid beliefs, and they are afraid of anything that contradicts those beliefs, and that's interesting! but ghosts have been appearing to clan cats all the way back to tpb. fireheart tries to kill clawface at one point and he senses spottedleaf's spirit beside him, there to avenge her death. so rootspring's issue is stupid and he's nothingburger to me.

bramblestar: the arc really depends on me giving a shit about what happens to him. which i don't.

i think bramblestar is unintentionally a bad person and a great character. he proves himself by rejecting tigerstar, but he's still deeply insecure. he makes mistake after mistake (conspiring with tigerstar; hesitating to save firestar from the fox trap; forsaking his children after finding out they're not biologically his; using his power over squirrelflight as a warrior, deputy, and leader to control her), and for none of these mistakes is he held accountable (no thunderclan cat except leafpool learns that he plotted with tigerstar; he is allowed to remain deputy; his children think he was the best father ever; in every situation, squirrelflight seems to bear the consequences of his actions).

in other words, bramblestar gets chance after chance to redeem himself, and he keeps fucking it up. again, that's interesting! there is a story here about how difficult childhoods affect adults, and how powerful men are not held responsible for hurting people. except that's not how he's written. he's written as a completely good person, a brave and noble leader, and all of the clans respect him and they need to get him back.

there's a crazy amount of bramblestar worship in this arc. even rootspring, a brand new skyclan apprentice, thinks about how important bramblestar, the thunderclan leader, is, and how all the clans wouldn't be the same without him. i can't take it seriously.

graystripe: graystripe also got a crazy amount of worship. i couldn't stand reading every few paragraphs about how great he is.

side note: shadowsight, bristlefrost, and rootspring all want the same thing. they advocate against killing bramblestar's body. wouldn't it be more interesting if the protagonists had different perspectives and opinions? if they wanted different things? for example, it makes sense that shadowsight wouldn't want bramblestar dead. he feels like the only way to make up for his mistake is to recover bramblestar alive. but bristlefrost could be in favor of killing bramblestar, because the only way to make up for her mistake (supporting the imposter) is to get rid of him. putting our protagonists at odds would generate some interesting conflict.

conclusion: i also have problems with ashfur (why does ashfur try to stir up trouble with codebreaking which will certainly get him caught when he could just take over bramblestar's body and live quietly with squirrelflight), tigerheartstar, mothwing, starclan, the dark forest insta-death water, firestar possessing rootspring, the pacing (oh my god! they were debating whether to kill bramblestar for like three books! and for three more books they were running in circles in the dark forest!), etc. but i've already written a lot and i'm out of steam lol.

let me finish by saying these are kids books, and i'm not expecting them to be the cream of the crop, but there are a lot of writing choices which are incredibly misogynistic and/or completely baffling from a narrative standpoint. i still have a soft spot for this series though. dammit. okay bye

[avelera]

I feel like I don't have the spoons for this, nor the understanding of real-life PTSD enough to explore it, but I feel like it's worth examining Jayce's arc for signs of PTSD. Much has been made of the canonical mental illnesses and PTSD of characters like Jinx, and I've mentioned that I think Jayce might have generalized clinical anxiety, but I think it's worth looking at how much of his behavior might be PTSD related even before he goes to the Anomaly future.

Some possible places I'd look:

Jayce has been getting fed paranoia by Marcus and by the tension that is being deliberately ratcheted up by Silco and Jinx. Yes, he says awful, bigoted things to Viktor on the bridge, but it is worth pointing out that he's not saying this in a vacuum, there are people in proximity to him deliberately stoking his paranoia and that of the city for their own ends, literally Marcus is gaslighting him actively by telling him the Firelights are responsible and the best way to keep people safe is shut down the bridge.

The fight in the Shimmer Factory gets more wild to me every time I watch. Jayce should not be there for so many reasons but one of them is Jayce is not a fighter. I think his video game counterpart sort of obscures this, but unlike Vi who has spent her whole life fighting AND in prison for years, Jayce has never, ever wielded that hammer before. He didn't even have it until the day before! And suddenly he's up against the Shimmer-infused berserkers who are some of the toughest fighters in the whole show. He almost gets his head cut off, if not for features he built into the hammer like weightlessness and the shield, he'd be dead, and then he makes what I call the, "Jayce is Making Bad Decisions" Face (I need to make a gifset of this face btw, he makes it a couple times, also while resurrecting Viktor).

Ok I might make fun of the Jayce is Making Bad Decisions face, BUT on a serious note, it's clear the Fortiche animators are doing a superb job showing someone who has gone into "Adrenaline Mode". REAL fighters do not want adrenaline. Adrenaline fucks up your reaction times and makes you shaky and turns off your higher brain functions. I've been in a fight when fear adrenaline kicks in and you just start wildly swinging to get people away from you and that is exactly what happened when Jayce's face got scrunched up and he started shooting wildly, he just wanted to stop the threat because he's never fought before, unlike Vi. And then he kills a kid and the triumph of his first fight against an uncomplicated enemy just dies and btw, never returns except in that moment fighting more Shimmer berserkers and Renni but those are clear self defense and there's no triumph in it.

BRO gets HIT BY A ROCKET, has a pure panic response leaving living people who need his help in the chamber to save Viktor, and he doesn't go back as far as we know.

Ok so the things that me, as not an expert would be curious to note as possible PTSD responses would be:

Jayce not leaving the lab after the attack except 1) to go to the funeral (where he's attacked AGAIN) 2) to comfort Caitlyn after Mel basically tells him to, 3) to make weapons for Caitlyn's team specifically to keep a small group of people safe, not arm an entire army. Besides that, it looks like he spends all his time holed up in the lab, even after Viktor is gone, because that's his safe space and I think I read once that PTSD has a way of shrinking your world down to just the people and places you trust.

Dragging that hammer around with him in the Anomaly future. Look, Jayce is a city boy, he has no survival instincts, but it wasn't just a bad idea because it broke his leg, it was actively detrimental to his chances of survival because lugging an anvil around drained him of water and calories. Bro had a lot less chance of survival with it, but he thought he was surrounded by zombies (he wasn't, they're all dead and they're all controlled by Viktor, we learn he was never in danger, though I don't blame him for that). But that could also be a PTSD response, his actual emotional support hammer.

Clamming up and not talking to Mel about what happened because she's not in his circle of trust anymore, it's more or less shrunk down to just Viktor (once he can save him) and Cait, maybe.

Ok as usual this got longer than I intended by just... some things that are in my mind right now.

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[krashlite]

Anyways my hot take abt the cheater’s arc is that all four of them were in the wrong but it was mostly Grian’s fault things went so horrendously since man was the reason why the actual Cheating part of the cheater’s arc happened (characters, obviously)

But yeah here’s how they were all wrong yes (after the cut!)

Grian was being incredibly controlling because he didn’t trust Scar to keep them safe. Man was scared of his own damn shadow for a lot of this, but his way of ensuring his own safety was basically to tell Scar to stand in one place and not move. He pretty much disregarded the fact that Scar is a grown man capable of making his own decisions And capable of keeping himself, and the both of them, alive. The fact that they were last on green doesn’t reassure him, only confirms that he is in the right for being so controlling. He thinks his behavior kept them alive. He only loosens up once they hit their red life since at that point danger is assumed. Grian DOES NOT learn to respect Scar here, just puts his paranoia on hold for another day. His conclusion is that he was right and Scar was unreasonable

Scar was pushing back against said control since he knew it was unfounded. Again, he’s a grown man capable of making his own decisions. He has a tendency to mock people to show when they’re being ridiculous, something he does here through being purposefully careless. It’s both to point out how ridiculous Grian’s being and a way to punish him for being so obsessive. Instead of having the intended effect, Scar just pushes Grian further away. He later winds up just following everything Grian says, which doesn’t address the root of the problem here. Except he has no way of knowing what’s wrong because Grian doesn’t tell him. From his perspective, the only thing that got Grian back at his side was murder- since the only times they actually stood on equal footing was when there was a plan for a kill or when that plan went well. Scar’s conclusion here isn’t that he was unsafe, but that he was boring. So it reaffirms that he’s in the right and Grian was being unreasonable

BigB is not and never was the mistress in this situation. Had Grian never approached him, he would’ve never left Ren. He was using his Secret Soulmate as an escape from normal relationship problems he was too scared to address. BigB mainly felt overlooked because he has a quieter personality than Ren, meaning Ren wound up making most decisions for the two of them. BigB did a lot to mirror Ren and to be Ren’s other half, but didn’t give himself space to be his own person in the relationship. This is something that’s brought up in couple’s counseling and something they at least started to address before dying. BigB never intended to hurt either of them, since he did love and value both Ren and Grian- something that’s affirmed by how he talks to them after dying. BigB and Ren talk about how they stayed together until the end and B takes the time to forgive Grian for murdering both him and his soulmate

Ren was doing his best to keep Box afloat but failed to meet BigB’s needs. Since B wouldn’t communicate what was wrong, Ren kept trying to course correct in ways that inadvertently made the situation worse. Ren’s instinct is to be protective- to find an enemy to defend against. That enemy was first Pearl and then Clockduo when Bdubs inadvertently got BigB killed. He also reacted to news of B cheating by distancing himself from BigB. Which, reasonable!! Ren wasn’t obligated to save them if B was the one who left. However, this action only pushed BigB away since Ren was so quick to assume they were over. Ren has a habit of isolating himself when something’s wrong, assuming the worst of a situation when things can be fixed. It worked out between him and BigB in the end but goddamn was that rough

Anyways the four of them are very!! Very messy, I love them dearly

[melrosing]

so stuff I’ve not liked about the finale and S2 more generally…. unfortunately it’s a lot and i'm thinking i might need to say this in several parts but first and foremost: the pacing really was shit and i don't just mean there weren't enough action scenes i mean the whole season they've had almost nothing to say about these characters and have just been making us think they do by having them repeat the same ham-fisted monologues about power and peace and the cost of war and whatever whilst moving at a glacial pace from one minor plot point to another and by the end of it most of these characters STILL haven't changed, and where they have it feels undeserved, and yes they really are at roughly the place they started so what have they even got to show for these eight hours of TV?? like damn

and I do get that the writer's strike has really effected them here and HBO hacking two eps off their season affected them too and that really can't be helped. but the pacing has been pretty poor from kick off and I can't just put it down to this being a more 'internal' season. i do not care about big battles. it's fine to have a season of a show that’s more about the characters’ interiority rather than plot action. that’s the exact reason why I like AFFC so much.

but these characters barely have interiority like idk what to say. some like Rhaenyra, Jace and Alicent have been spouting the same monologues every episode about wanting peace/wanting agency/wanting peace again etc etc, and the more interesting moments like Alicent's apparent suicide attempts, Rhaenyra's butchering of the dragonseeds etc... I mean where IS the interiority here?? unless they are spelling out a character's thoughts in the most literal way they can (as per Jace's diatribes about the dragonseeds), they leave their audience to do absolutely all the work by showing us nothing, and just leaving us to figure that the characters must be having some kind of thoughts but y'all can decide what they are.

and even Daemon, whose entire ARC was about his interiority.... like look I was so so ready to love this arc. i love fucked up little dream sequences. i love harrenhal. i was really enjoying the angle they took with alys. i was here for it. but now we've seen the whole of his S2 arc, im going to say yes, it was intended as a redemption adjacent kind of arc, and it isn't a very good one. Daemon has a handful of weird dreams, gets shouted at by some Riverlands folk, and he's a changed man.

consider the character everyone compares Daemon to (and who I'm always more than happy to talk about) and that's Jaime. and look at the sheer ground covered in ASOS: Jaime breaks out of a dungeon, Jaime meets a younger version of himself, Jaime gets his hand hacked off, Jaime reveals his anime villain backstory in the bath, Jaime deals with Roose Bolton, Jaime has a weird weirwood dream, Jaime fights a fucking bear - and at this point we're still only about halfway through.

now in contrast, what have they actually managed to do with Daemon this season. where has that finale moment with Rhaenyra been earned. this is not slow pacing for the sake of powerful character development, it's slow because they don't have anything else to say.

and also look at the state of characters like Aemond who seemed really promising in S1, yet in this season he barely reflects on the fact that he hadn't meant to kill Luke, and this war is an accident that he started, etc etc - he's just a killing machine lol. there were some nice touches in there, like i say i enjoyed Helaena telling Aemond how he'll die in the finale. but I no longer trust these writers to do anything with their more inspired ideas because they just consistently fail to do so.

look at Baela!!! like my god, has Baela had the opportunity to do anything except A) what she's told and B) counsel men on their feelings. she has like one moment looking at Daemon and you feel like the series is going to explore how complex it is to be Daemon Targaryen's daughter.... but my god they never do!! so where IS this interiority we've spent eight episodes on! what have they got to show for it!!

and i talked more weeks back about how frustrating i've found the writing of women more generally in this series and as of the finale I am finding it so egregious and so condescending. women want peace. women want to protect their children. women are tired of men. women are tired of war. women are trying to end this war peacefully. women are pacifists. women hate violence. and so on and so on and so on like jesus christ who am i even talking about here. even i don't know. it's so boring. it's so dry. and it requires female characters to always be the paragons of virtue, never do anything truly condemnable, never be unlikeable, never fucking anything except stand around saying how much they hate this. im bored of it and it makes me angry that they would do this in a series that specifically seeks to make everyone grey and everyone complex - they keep suggesting that might extend to the women before abruptly shutting it down again. see Alicent and Rhaenyra even STILL, after EVERYTHING, trying to peacefully shut down the war for the sake of love and friendship in the goddamn finale. I don't believe it anymore!! it's not cute! it's just dull!!!

and finally that just kind of brings me to how shortsighted a lot of the plot developments seem, when you see how the characters fail to reckon with their pasts or shit that just happened. Rhaenyra and Mysaria make out, and then that's never mentioned again and the tone never changes between them. Rhaenyra is done thinking about Luke. Helaena is done thinking about Jaehaerys. Aegon actually didn't mention Jaehaerys in the list of things he's 'lost' in that finale. Alicent's relationship w Viserys was just now condensed to 'we were fond of each other but he always liked your mum better'

like idk it's just. if this season's pacing is all about giving characters the chance to change and grow into the people they'll be when this war REALLY kicks off.... do it. write it. do not just write the same monologue a dozen times and hope it'll hit harder with each. doesn't work like that. sorry.

[ironunderstands]

Dr. Ratios predictions, theories and ideas I have for his lore BECAUSE SO MUCH HAS HAPPENED AND I AM INSANE ABOUT HIM AAAAAAA

‼️INCLUDES DISCUSSION OF LEAKS SO BE WARNED‼️

So, I’m sure if you like Dr. Ratio even a little bit or have kept up with what leakers are doing, you have heard of a little something.

That little something being our new planet in coming in 3.0 is Ancient Greece inspired 

Oh boy.

And oh it gets better, thanks Sparkle for playing genderbend Ratio during Cosmoddesy because 

Yup, this is his planet.

I’m well aware it will be like 7 months before we start getting proper leaks about this place, but for now, let’s do some speculation shall we, because if there’s anywhere we are gonna get his backstory/lore/a story centered around him, it will be here.

So let’s begin 

Whatever the hell I think is gonna happen during 3.0

A) He will serve as a guide for the Astral Express in navigating this planet 

I don’t think he will immediately go to them to help, or they will immediately seek out him, but rather coincidentally or through the connivence of circumstance he will end up helping lead us around, at least partially until we really get roped into a conflict.

Or, it’s the other way around, where we kinda are left to our own devices a bit and then something happens and either by his own decision or something that’s forced upon him, Dr. Ratio now has to supervise from now on.

Personally I find the second option way more interesting and I think it has way more potential for angst so I’m going with that one let Ratio be dragged around by a malicious entity or his own experiences I’m so here for it. 

B) Something happens.

Wow, descriptive. 

Ok, what I really mean is that something bad happens like a prophecy comes true or the express breaks something or a stellaron comes to eat people’s grandmas and Ratio is implicated in it. 

And this is where the fun begins, as the nature of what this something is can completely shift the story in very interesting ways.

Perhaps he was prophesied to doom Amphoreous’s civilization with his presence or something, and was abandoned by his parents on another planet?

Perhaps he has connections to the leaders there who desired for him to be their puppet/tool, so he left to find his own path and now they are trying to force him back.

Perhaps he failed at a test of theirs when he was younger, some universal trait on the planet that he couldn’t live up to and was exiled because of it. Now that he’s back, they blame whatever bad thing happens on Ratio. 

I actually really like these particular theories as Ratio has a lot of themes about creating your own destiny, so seeing him resist one forced upon him would be compelling. Moreover, I feel as though an arc demonstrating how exactly he wanted to become a Genius/where he got all his insecurities and motivations from is not only necessary for his character but would flesh out the way we see the path of Erudition in general, even if I already really like the way they have gone with it so far. 

C) Resolution/Self acceptance 

I doubt they will permanently kill him, it just doesn’t suit his character at all.

However, do I think is he gonna get messed up by whatever that “something” is? Yes. 

If the story centers on this remains to be seen, honestly, I doubt it will considering we have the entire cast of the planet and its own lore to meet and learn about, but I do think Ratio will be a major player and I hope how he feels gets some of the plot’s focus as we have quite literally only have 1 full scene of him where we see who he truly is, and it’s all the way back in 1.6 (Ratio-Screwllum conversation my Roman Empire). 

Like guys I needed this man bleeding out screaming dying crying throwing up clutching his wounds looking up at the screen like a kicked puppy losing all hope in himself and others YESTERDAY 

I NEED SOMETHING BAD TO HAPPEN TO HIM FOR CHARACTER DEVELOPMENT AND BECAUSE RATIO IS SO HIGH STRUNG THAT ANY AMOUNT OF PRESSURE WILL CAUSE HIM TO SNAP SO PLEASE HOYO LET HIM BREAK!!!

He needs another scene where he’s being sincere, he needs a scene where he’s being vulnerable, Ratio’s marble facade needs to crumble to reveal the man underneath and I need that man to pick himself back up again knowing he can allow himself to be human as well AAAAAAAAAA

His connections to Acheron 

If you have seen my other posts I have already talked about this at length, however the brainrot for this particular detail is all consuming so let me just demonstrate:

Dr. Ratio has the same philosophy as Acheron, an emanator of Nihility.

Look.

Essentially, they both believe that only in desperate situations will humans reach their full potential and begin to truly live for themselves. Moreover, they also both try and offer the tools to help people save themselves, Ratio with knowledge and Acheron with destroying the dreamscape, and that even if people can only become their true selves through struggle, it is the guidance and love of other people that will allow them to pick themselves up. 

Interestingly, pre-2.2 I also believed Ratio was walking the path of Nihility, due to how he engages with knowledge. That very viewpoint spawned from the 1.6 conversation I just showed you, as Ratio demonstrates to the audience that he does not care about knowledge in of itself, but rather the value it can bring to people.

Now, this sets him apart from the Genius Society members, who believe knowledge is inherently valuable and that it is what brings the universe meaning to them. Every person Nous has acknowledged has expressed this belief, which is why they were acknowledged and Ratio isn’t.

Before you say it, no, it’s not that he isn’t smart enough, quite the opposite actually.

Screwllum himself acknowledges his genius and time and time again are Ratios myriad of accomplishments brought up. In universe plenty of people believe he should have been instated into the society by now as well:

These are just the ones that implicate the society directly, as so many of Ratio’s character stories also mention just how accomplished he is.

Moreover, in 2.3 we are getting a new Sim Uni update made by Ratio himself, centered on humanity because of course it is, therefore he’s even smart enough to do the same things the GS members do, even collaborating with Screwllum to work on their favorite pet project.

So, what does this have to do with his lack of acknowledgment, and the path of Nihility?

I have established Ratio is smart enough and that he doesn’t view knowledge in the same way the other member’s do. Therefore, this difference in mindset is why Nous has never acknowledged him, because as much as Ratio thinks he is walking the path of Erudition, his personal philosophy and behaviors have never aligned with that, even if he thinks they do.

I mean, the man says it himself, even if he doesn’t realize the implications of it:

“The Path of Erudition has neither reason nor logic. While geniuses wander among the stars, the ordinary can’t even trace their footsteps.”

That is the path the Genius Society members walk, the path Ratio is criticizing in this sentence, the path he refuses to travel along himself, because what defines Ratio is that he will never leave the ordinary behind to stumble alone.

That is the path of Erudition.

And Veritas Ratio does not follow it. 

So what does he believe in?

Finding your own path. Forging your own future, in the face of a meaningless universe, that is the only thing we should do, the only thing we CAN do. 

“even a life marked by failure is a life worth living”

That’s what Ratio believes.

It doesn’t matter if the masses cannot escape their mediocrity, if they will never be geniuses, if their efforts will go unacknowledged, because the universe doesn’t care, therefore they shouldn’t either. There is no grand test, no final destination, no perfect goal people must attain.

Destiny is uncertain, and people’s fates are theirs to choose. 

Dr. Ratio believes people can still improve themselves, and that it doesn’t matter if people cannot reach the ceiling of knowledge, as they should still push themselves off the floor and stand up. 

He doesn’t think anything confines people from bettering themselves, and that it’s pointless to deliberate over whether one can achieve perfection or not, they should strive to improve themselves regardless and live their best lives because why not? Sure there’s nothing saying they can, but there’s also nothing saying they can’t, and in the face of a meaningless universe, devoid of purpose, one must create their own, and he dedicates his life to aiding others in realizing this.

Ironically, Ratio does not take his own advice. He can recognize the merits of the masses, but he cannot appreciate his own. Ratio is forever walking forward, but he cannot see the path ahead of him, or appreciate the lengths he has gone, the distance he has traveled, and the lives he has improved. 

Ratio spreads knowledge across the universe, believing that is what Nous desires, what the Erudition means, or rather should be, which is partly why he views himself as mundane, as a failure. 

Not just because he is as ordinary as any other person, but because Ratio thinks he hasn’t succeeded in his goal without Nous’s acknowledgement. I think he believes that he hasn’t done enough, that he isn’t smart enough, that he will never be good enough, therefore no matter what has happened, Ratio is doomed do be as mundane as everyone else, and his accomplishments will never be worth the gaze of the entity who inspired him to help others in the first place, as that’s what Ratio believes they would want.

However, helping others is not something Nous cares about, it’s something Dr. Ratio cares about. Even if he doesn’t understand or acknowledge it, Ratio’s accomplishments are meaningful, and he has walked his path further than most ever have. 

However, that path just isn’t the path of Erudition, it’s the path of Existence. 

Initially I believed it to be the Nihility, and in a way I’m not wrong, considering one must cross underneath the shadow of the Nihility to find the Existence, so in a way he is still approaching them.

However, as always, Acheron clarifies everything.

The Nihility envelops all, therefore it is meaningless. And before our final ending, our predetermined destiny (death), we have so many choices to make, therefore we should make them, as it makes both our life and death develop a completely different meaning.

As I have stated, this is what Ratio believes in, even if he attributes it to the Erudition, rather than the Nihility.

Ratio’s entire goal in life is to help others bring meaning to their lives and guide them in the right direction so they can begin to choose for themselves, using knowledge as his means to do so.

Which is exactly what Acheron does, “on the still waters of oblivion, I guide the wandering souls,” isn’t just a line she says because it sounds cool, rather, that is her goal as well. An emanator of Nihility, whose goal is to help others find their meaning in the universe. 

But Acheron doesn’t just want that. She is looking for the Existence, and to kill the Nihility (meaningless) forever.

Which is significant, because if Ratio believes the same exact thing she does, and is walking the same path as she is, then like Acheron, he is heading towards the Existence, not the Erudition.

And Nous will never acknowledge him, not because he isn’t smart enough, but because he never followed them to begin with.

In fact, we know what Ratio is, or rather, what he might end up becoming.

So far no Doctors of Chaos have succeeded in their goals, but perhaps Dr. Ratio, Dr VERITAS Ratio, will be the one to do so. After all, who else could it be but him?

How fitting that the man named after truth would be the one to find it.

That fuckass owl 

Glaux I want to throw you into a blender 

This is Professor Glaux, one of the figures from the Hanunue-Clockie Era of Penacony who did some things like bring the stellaron there, was a scholar of the Intellgenica Guild, became the first dreamweaver, inspired the paper birds, did some shit with the Nightingale Family and presumably died.

I know, horrible explanation, especially considering I haven’t even done the quest this guy is from, but hopefully that’s all the information you need for now so I can introduce you to this theory (which I did not create, sadly I don’t remember who did but it was someone on twitter somewhere so shoutout to them)

That being… Dr. Ratio is Glaux

I hate it I’m sorry. But I will attempt to explain where it’s coming from.

A) Glaux has very similar references to Ratio, aka they are both associated with Greek culture, wisdom and owls 

Glaux is the Greek word for owl and they are heavily associated with Athena, the god of wisdom.

Now Ratio has extremely obvious owl, Greek and wisdom association if you have looked at him for any longer than 2 seconds so I’m not gonna bother to demonstrate it, they have similar references, moving on.

B) The Intelligencia Guild + their titles 

They are from the same faction, and both are referred to as Professors (ratio gets called that more in the CN version I think), and at least Ratio dedicates his time to spreading knowledge, which I think is something Glaux shared.  

C) This occurrence in Gold and Gears

You know, the one where a student kills themself because Ratio thinks they are an idiot.

Well, it’s complicated because apparently the story told in Gold in Gears takes place a long time ago?? 

How long I don’t know as my brain melted in my skull when trying to piece it together, so please do correct me if I’m wrong, I’ll try to make sense of it later.

Moreover, this is also complicated by the fact that this particular occurrence was used by Herta to teach the trailblazer some mechanics of the sim uni, which makes me thing it’s not a part of the lore/timeline in it in general, and just something funny she added in anyways. Continually, there are also occurrences from characters like Argenti and of the Genius Society members themselves, so I don’t think every event is set in the distant past.

However, I think this idea comes from the other person in that occurrence, Dr. No5, but he also kills himself in it, and I can’t find anymore information on it, so I doubt it. (also apparently in the Chinese version the Ratio they refer to isn’t in the way they refer to Dr. Ratio/the one we know so idk)

Either way, what this means is that if this occurrence did take place a while ago, then Ratio must be super fucking old and he must have been part of the Intellegencia Guild during that time, like a certain owl aka Glaux, who was part of it.

D) Ratio’s weird origins

By weird origins I mean we know jack shit about his past (although we finally know the planet he’s from!) and for all we know the man could have spawned in one day, with some other theories even coming to that conclusion, like the infamous worm theory.

Essentially, if you put this all together, Ratio was once an owl-humanoid named Glaux who was from the Amphoreous, and then became part of the Intelligencia Guild a while back, which is when that occurrence happened. He then went to Penacony, did some stuff, faked his death and like came back as Dr. Ratio on that planet again, which is why we don’t know anything about his origins.

Can you tell why I hate this theory as a concept.

I find it to be dumb, nonsensical, a waste of potential and just straight up random as hell. However it is also objectively valid and could have happened within the plot of the game which is why I hate it so much because please hoyoverse do not go in this direction I will skin you.

However, I do not think Ratio has nothing to do with Glaux.

Rather,

A) The stuff Glaux did on Penacony is meant to parallel how Ratio acted there, as both served as a guiding figure for people on their respective timelines 

B) Ratio is the same species as Glaux/ they are from the same planet (Amphoreous).

Now this I fuck with heavily. Yes, Glaux is way more owl looking than Ratio is, however more human versions of his species could exist, and Ratio could just have the ability to like shift forms or something.

He also looks extremely similar to the owls on Ratios design, which I now deem it appropriate to show to you the metric fuck ton of owls in Ratios design.

(there’s a few more btw I just couldn’t fit them due to the image limit LMAOO)

Why do you have so many, and why is it the same fucking owl, same culture, same goddess referenced, same symbolism???? 

Like even if I hate the 1 : 1 Glaux-Ratio theory, they are clearly connected, and this is no accident on behalf of the developers. 

Therefore, I would keep an eye out for Glaux mentions in the future, especially on the planet coming in 3.0, as I 100% believe that they are from the same planet. There’s no way they can’t be connected in some manner, and if I am right about this I will be annoying about it for the rest of time. 

I can’t believe owl Ratio might actually be a reality. 

So uh, let’s put this all together.

We go to Ratio’s planet in 3.0, problems happen and we learn both his past and his connections to that owl species Glaux is from which likely causes even more problems. Bbg probably gets his ass handed to him in 3.0 and 3.1 and gets to make up for it in 3.2, ending the arc off more fulfilled as a person, and perhaps making some realizations about himself including that he isn’t actually following the path of Erudition. Then we skip all the way to endgame when the trailblazers are fighting Nanook and him and Acheron come in with the steel chair hopped up on Existence juice to give the trailblazer enough of a will to live as to not succumb to the Nihility because oh my god how can you defeat the embodiment of Destruction. We somehow win and Dr. Ratio gets married to Aventurine and they ride off into the sunset roll credits we all cheered. 

So, yeah.

If I’m even a little bit right about this I will be the most insufferable person on this planet. Anyways I hope you enjoyed reading this, and even if these theories don’t end up being true I do still think the speculation gives a lot of insight into his character.

[mareastrorum]

I hope that having the Mighty Nein around helps the cast help each other with the stagnant parts of Bell’s Hells character arcs.

The Hells are not good at communicating with each other about their faults. Enter Jester, Veth, and Caduceus, who absolutely will call people out on shit without shame or malice.

The Hells have a narrow view of religion. Here’s Yasha, whose god helped her break away from an apocalyptic cult; Caduceus, who was raised in a religious household and likes helping people even when they don’t share his faith; Fjord, who found peace and self-acceptance with guidance from a goddess who asks so little of him; Jester, who somehow has cleric powers from her fey best friend whom she also carries around as her weasel sometimes; and Beau, who doesn’t worship Ioun outright, but still thinks she’s not bad and seeks out a connection at times.

The Hells don’t much care about other people when they talk about what the world should be like. Here’s Caleb, who wanted to turn back time, then got Wish and could do it literally any day he pleased, but has accepted that in order to change from the boy who was willing to kill his parents, he has to be the man that won’t break the world to bring them back. Beau accepted that people can be flawed in how they love, but she couldn’t let that decide whether she or anyone else is worth love or protection; her whole job is about trying to help the people of the Empire when systems don’t care about them. Fjord handed over an eye of Uk’otoa to save Jester’s life, and then immediately got the Nein back together to defeat Uk’otoa rather than let other people suffer the consequences for his choice.

The Hells were sympathetic to the All-Minds-Burn and only really balked at the Weave Mind because there was a controlling group at the top instead of a regular hive mind. Here’s the team that destroyed Cognouza because it turns out hive minds are a great way for despots to directly control a lot of people and use them like resources. Yasha and Caleb also have profound experience with mind control, conditioning, and memory wiping.

The Hells have some serious identity issues that haven’t been addressed because there’s just no time. (Ashton was an aasimar turned into a genasi; Laudna was treated like a Vex voodoo doll by a wizard who hates Vex; Fearne was conceived and sought specifically to be an exaltant vessel for Predathos; Imogen was hidden to avoid that.) Veth was turned into a goblin by a hag, was racist against goblins for years, eventually realized that her racism came from self-hatred for traits she shared with a specific goblin tribe, and got turned back into a halfling thanks to the dedication of her friends. Fjord wrestled with determining who he was before realizing he had to choose, and that didn’t mean there was a right or wrong choice; just that he couldn’t be someone else.

Like, the Nein would be great for some targeted discussion of these points if the Hells let their judgmental bullshit shine through at any point. It’s just a question of whether (a) the cast want to and put in the effort to do that, and (b) how much time they have to spare for those conversations.

[jackoshadows]

It's weird how a TV show's fanbase are these days attacking the actual authors of the books or people connected to the source material for daring to criticize the TV adaptation of story/themes/characters they are intimately familiar with.

I mean, when we as an audience can criticize a TV show for doing so and so and not making sense or mutilating characters and their arcs, surely authors who know the source material better than anyone also have a right to do so?

This happened with Brandon Sanderson when he criticized the Wheel of Time adaptation on Amazon Prime and show fanatics then went on to attack him and his writing of the WOT books. And it's now happening with GRRM calling out the HOTD adaptation on HBO.

And a lot of the times the changes in story and character are not even because of budget or time constraints and all that. It's because the showrunners/writers simply thinking they know better than the actual author of the books or that their version is better or that their favorite characters need more screentime and plot while sidelining the main characters of the books. It's their fanfiction which they get networks to finance by using the IP of popular fantasy works out there.

The reason we got only mild criticism from GRRM after GOT ended was because the books were not finished and D&D had no source material to adapt. That is not the case with HOTD and F&B.

Anyways, I don't watch HOTD after the way HBO/D&D massacred the ASoIaF books with GOT and don't intend to. The nihilism of HBO's version of this world - especially after what HBO/D&D did to the character of Daenerys Targaryen - is not for me. The world is already shitty enough for women, I don't need it in my fiction as well.

In fact I hope HBO is angry enough with GRRM that they stop consulting with him for future prequels etc. - which leaves GRRM time for finishing THE WINDS OF EFFING WINTER!! Like come on GRRM. Jon Snow has been lying dead in the snow for 13 years! Dany is still in Essos! Arya is still in Braavos! Bran has had 3 chapters in 19 years! Finish the book. That's all ASoIaF fans want at this point, IMO.

[sanji-piss-hell]

ZOSAN FIC REC

Here is some of my fave zosan fics. Some of these I read years ago and so I don't fully remember what theyre about but they we're good enough that I still have strong emotional attachments when I see the name. Most of them are things I've read recently. Literally all I do all day is homework and have an app tts fanfics to me like an audio book so there's quite a few of recs here. I am not the best at summeries but just trust me bro these are GOOD SHIT. I only provide the best. What I consider a good fic: - Takes place in the one piece world (I don't like modern aus) - Characters stay in character or if they do have changes from their canon portrayal there is a justifiable reason from within the story. - Solid story telling and arcs (even the shorter fics) - The Zosan dynamic is kept mostly how it is in canon they fight and bicker. (I know some like when they're soft with eachother like a loving married couple. You won't find much of that here) - Some of these have pervy sanji, que nose bleeds and ogling. With that out of the way here's the list!! Now to my fave zosan fic of all time and ironically enough the only fic taking place in a modern setting: Life is fine series. TW: Drug abuse, heavy angst, depression I have reread this twice and forced a friend to read it too. It is so amazing not just for the zosan but for the genuinely good story telling. You follow zoro reeling from his sudden loss of relationship with Sanji and falling down a...Well uh, path. It's fucked it's dark it's depressing and its fucking riviting. Alot of the time reading this you're just like WHY DID SANJI LEAVE HIM WHAT IS GOING ON??? Honestly I need to reread this again. Onto softer fics to heal your heart after that one: Honor in limits, his strengths in weakness By Hawksbrood

“Fucking hell cook, what happened to you?” Zoro demanded, voice low so as not to disturb the others sleeping nearby.

Sanji rolled his eyes. “What do you think? I told you we got in a fight earlier.”

“Not that, your fucking feet!”

The cook snarled at that, crushing his cigarette in his teeth. “What the fuck do you mean, my feet? They’re just feet!”

Zoro’s eyes widened, looking at the bruised flesh before him. This wasn’t that.

This was just so good and cute. I appreciate watching zoro appreciate sanji. They take care of eachother but in a way where theyre both still them yeah know? I appreciate how sanji is written letting himself be vulnerable but understanding that he's always gonna be crass cause it's just a part of who he is.

come on, come on (turn a little faster) by donutsandcoffee

The one where everyone thinks they’re dating, Sanji is oblivious, and Zoro takes everything in stride.

Sometimes a love story can go in reverse.

I reread this one recently and it's just soft and sweet. I like watching sanji flounder around. The gay panic is great.

a complete guide to falling in love by ThousandSunny Sanji was trained in the Bridal Arts; this does not go unnoticed by the rest of his crew. I read this like 3 years ago and I dont remember much but I do remember loving it!

Part Timer By 8ball Sanji really, really doesn't want to give Zoro a job at his restaurant. Zoro doesn't really even want to work there in the first place, but, well, there’s this thing with Sanji, and this thing with feelings and the whole thing is pretty damn stupid all together. Zeff just wants grandkids. He’s too old for this bullshit anyways. I am sure everyone knows 8ball very well they're like zosan famous but still just in case this one is really fucking good. Also read this 3 years ago so I don't remember much but I consider this a zosan classic. Onto the rated R Grand Buffet by asyndese Drunk fic!! If there was one thing Zoro knew, it was that you could always trust Sanji's inclinations to do a beautiful 180 as soon as he was drunk. Luckily, Zoro was more than equipped to handle it. I spent. 30 minutes. Trying to find this fic again because that's how much I loved it. It altered my brain chemistry. Sanji getting a nose job during sex is just. aaaaaaaaa. Read it. Cannot suggest enough. Horrors not yet known by Trixree

Sanji doesn’t know how he didn’t notice it before, is the thing. Of all the times he has seen Zoro shirtless (in battle, mostly) he just… never noticed. The problem is, once he has noticed, Sanji can’t seem to stop noticing. And neither can anyone else.

In which Zoro has a nipple piercing and Sanji has a Problem.

I recently reread this and the first time I read it I didn't really get the whole gender sanji shit. Now though???? Yeah another fic that rewired my brain chemistry. This fic opened doors for me it exposed me to a new world. Also sanji gay panic is in here and I live for that. It can be pretty raunchy (love that too) Three rounds with a tiger by KobochaKitsune Another drunk Fic!! also in modern times damn maybe I lied sdklfj

Liquid courage, drunken decisions, terrible euphemisms, and texts from last night, or: how to think entirely with the booze (and your dick) for once.

Or: By the time Sanji got to the party, everyone was already drunk.

I read this 3 years ago (theres a trend going on can you tell??) It also rewired my brain chemistry (from this point on just assume all of these nsfw fics rewired my brain chemistry each of these opened doors for me. This one opened the doors to bottom zoro.) Fucking 20k words of just pwp. I dont even know how the author did that bro like damn. Nature of things by stark_black Tw: Sex work and prostitutes When the Sunny docks, Sanji and Zoro sometimes seek out relief in some not so savory places. After crossing paths in town on more than one occasion, the two find they have a lot more in common than they would like to admit. I hunted this down for like fucking hours a couple of weeks ago because it was that good. Stark_Black has a fucking library worth of zosan fics this one is a classic to me. But if you want more content check out his other fics I think they have like over 100 zosan its kinda insane. Coregasm by Yakarmi

Sanji discovers that sometimes, Zoro has orgasms while he lifts.

-----

“You…” Sanji trailed off, gaze turning down as he licked his lips. Pink tongue darting out nervously. “You orgasm when you exercise?”

Zoro clenched his jaw. Shrugged. Trying to act nonchalant.

“Sometimes.”

Sanji’s eye went wide, and like his mouth had suddenly been liberated from his brain, blurted out, “that’s so fucking hot,” before clamping his hands over his mouth. His cigarette fell from his mouth, bouncing soundlessly on the ground.

Bro bestie, the way this put me on nose bleed Sanji. Perv sanji. I need that gif thats like mmm cause man this is good. Ending this fic rec with a BANG we have

Contingencies and Congruencies by PeaceSignDisasterBi

Somewhere between finishing the bottles of alcohol and mugs of beer, the crew comes together to create a contingency plan for something that may-or-may-not-happen during their time on the Grand Line and beyond. Usopp thinks it's more likely than bumping into zombies, Zoro wants to stay out of this, Sanji is just going with the flow, and Nami may or may not keep things legally binding and above board with consistent consensual acquiescence. Robin finds it all amusing.

The damn chart stays in the locked drawer in her desk, split into three neat categories: Devil Fruit Powers, Science, and Magic. Each represents whatever they're hit with but also categorizes the amount of self-control the person has during.

AKA: 5 times Zoro and Sanji had to help each other as Consensual Helpers of Dubious Consent + 1 Time There Was Nothing Dubious At All

Ok this is 152k long its pretty insane. It regoes over the arcs so throughly so carefully that I literally had to question my memory because I havent experienced alot of these arcs in a while (it's one of the reasons im rewatching one piece). I will say despite how amazing and well written this is I had a hard time comprehending sometimes. now I was sick at the time of reading this so that might be why but sometimes the way things were phrased felt like yoda talking. I think it's just me though. I'm not used to big words :( And thats a wrap!! These arent even all the ones I wanted to include I have at least 20 more off the top of my head but I'll save that for another day. I hope you find joy in these fics Like i did I'll def do another one of these as cause I didnt even touch my sanji centric fics or germa 66 or just in general the best sanji fanfic writers. (Mentioned some of them like 8ball, thousand sunny and donuts and coffee.) Best of luck to yall and let me know what you think!

[silverwhittlingknife]

Dick Grayson & Tim Drake: Reading Guide

Once upon a time, two kids met at a circus... and the rest is history.

table of contents:

who are these losers?

what's fun about them?

why a reading guide?

how does the reading guide work? (tl;dr: there are quick recs, a selected chronological list, and a complete chronological list)

where is the spreadsheet? (x)

who are they?

Dick Grayson and Tim Drake: the first Robin and the third Robin.

Also known as the circus boy and the earnest computer geek, the hotshot and the pretender, the slighted prince and the new apprentice, the acolyte and the hanger-on, Nightwing and Robin, Batman and Robin, Batman and Red Robin, and Marcia and Cindy (BftC 3, N 110 & 119, B 617, DC 677, Detention Comics 1, R 168, RR 14).

Or as Jason calls them, "You idiots" (TT 47).

More seriously, Dick Grayson is one of the most enduring comic characters ever - he's been around since Detective Comics 38 in 1940! He's Batman's first ward, first partner, and eldest son. When Dick's parents are murdered, Bruce identifies with him, comforts him, and takes him into his home, where Dick ultimately volunteers to join his crimefighting mission. By candlelight, the Dynamic Duo swear an oath: That we two will fight together against crime and corruption and never swerve from the path of righteousness!

Tim Drake was created in Batman 436 and formally introduced in Lonely Place of Dying. He's a lonely kid who imprints on Dick when they meet as children, and Dick hugs him and promises to do a quadruple somersault for him; he's horrified and worried about Dick in the aftermath of the Graysons' murder, which he witnesses. He watches Batman comfort Dick, deduces Robin's secret identity, and becomes a secret devotee of the Dynamic Duo. Though he admires them both, it's ultimately Dick who he idolizes and tries to emulate when Bruce is spiraling: Batman needs a Robin. No matter what he thinks he wants.

Their slow-burn strangers-to-friends-to-brothers-to-antagonists-to-brothers-again arc develops from 1989 to 2011, and it's one of the standout examples of the DC Post-Crisis era's commitment to gradual character development and careful continuity.

what's fun about them?

SO MUCH!!! But one of my favorite things is their friendship has RANGE!! They go from sweet kids to tense strangers to loyal friends to brothers over the course of real-life years and tons of comics. They fight, they tease each other, they get protective, they worry, they chase each other down, they walk away... there's just so much story here.

They meet at the circus as children, when both their parents are still alive. They meet again, years later, when Bruce is reeling from Jason's death and they team up to stop him from hurting anyone. In the early days, they're brothers-in-arms and never quite family - instead, Dick is Bruce's loyal-but-estranged eldest son, and Tim is Bruce's new loyal-but-wary apprentice, with his own family and his own semi-estranged dad. The slow process of evolving toward found-family is a delight to watch.

They work together as Nightwing and Robin over four years of in-universe time and for over twenty years of real-time, gradually forging a fierce bond of friendship and, ultimately, brotherhood.

Then Bruce dies, and they have some huge fights.

But even when they're estranged, even when they're not speaking... they never stop loving and trying to protect each other. No matter what.

why a reading guide?

Quotes from New Titans 60 and Batman 441 (1989), Nightwing 25 (1998), Nightwing 69 (2002), Red Robin 1 (2009), Red Robin 12 (2010), Gates of Gotham 3 and Detective Comics 874 (2011)

I think reading guides are cool!! And somebody asked me about one!

More generally, I think reading guides are always helpful, but especially with Dick & Tim... you know, when I first started out trying to read their comics, I got kinda overwhelmed. Because on the one hand there's SO MUCH CONTENT - they're one of the classic enduring friendships in all of post-Crisis! their relationship is a HUGE BIG DEAL! they're constantly calling each other and hanging out and supporting each other and arguing!

But at the same time, all of that content is scattered across lots of different books, in Robin and Nightwing and Detective Comics and Batman and New Titans and Titans and Young Justice and Teen Titans and Shadow of the Bat and Gotham Knights and Birds of Prey and Showcase and DC Holiday Specials and so on and so forth. There's not One Definitive Place where you can read The Dick-and-Tim Story.

So: a reading guide!

how does the reading guide work?

Dick and Tim are in over 400 comics together and over 800 comics each separately. That's a whole lot of comics! So I've made a spreadsheet with three different reading guides, depending on how interested you are in these two:

1-5 Quick Recs: If you just want to check out a couple comics, check out these quick recs for "if you like fluff," "if you like angst," etc.

200 Starter Comics: If you want to do a comprehensive, chronological Dick-and-Tim read without committing to all the comics, this list has some of their major team-ups plus some solo comics so you know what the heck is going on. Most of them have a "sneak peek" you can use to decide if you want to read it.

Big List: A complete list of all the comics Dick and Tim are in, in chronological order, with links to dc.fandom and to DC Universe Infinite. It has filter views.

This spreadsheet was a labor of love, obsession, and SO MUCH PROCRASTINATING doing other things. I update it sometimes.

where is the spreadsheet?

it's here. have fun <3

[gotskamstuff]

I am actually heartbroken right now, there’s no other way I have to describe it if not heartbreak and the thing is that I don’t even mean it because of the emotions evoked by the story, it’s actual pain by seeing my favorite show being ruined.

‘Cause I’m sorry but the show is forever ruined for me and I won’t be able to look at it with the same eyes ever again. I’ve said it once before when we were discussing rumors and I’ll say it once again now that we have seen it become a reality…this to me goes behind JJ being a fan favorite and even behind the ship, this is genuinely something that made me lose trust in the storytelling and in the core that’s this show.

This makes no sense, ABSOLUTELY NO SENSE.

Once again I’ll repeat it, I’m no snowflakes when it comes to characters death in shows (hello? Game of thrones fan here? I suffered like a dog) but damn, there’s gotta be a sense for a character dying and there’s absolutely none here, this is also not the type of show when it would be needed.

I’ve always said it and a character like JJ could’ve ended only in ONE WAY to give justice to him and to his story: LIVING HIS FUTURE.

When I say this ruins how I view the show and my trust in the storytelling I mean it with my whole chest, this has ruined JJ’s story from season 1 episode 1 “The Pilot” to this day, JJ’s ENTIRE story doesn’t mean anything anymore…what was the reason for all this? JJ’s story has always revolved around him never believing to have a righteous future in store for him, never believing he could have something good for himself and you get the idea, his whole story arc was about him never seeing anything for him…and he doesn’t? HE ACTUALLY DOESN’T HAVE A FUTURE? What was the point? What was the poiny of seeing JJ struggling from day 1? What was the point of exploring his insecurities? What was the point of seeing him falling in love? This is what I find the most heartbreaking, if I put season 1 episode 1 on right now and I see JJ on my screen, the first thing that comes to mind is: What was the point of any of this? If he never overcame his struggles and still didn’t get closure with Luke? If he died still believing only a episode earlier that he still didn’t have a future for him? If he still struggled to accept the love and never overcame his insecurities? If he never got that future he dreamed about? (which yeah ok he got for like what? 5 minutes of screentime) …what was the point in JJ’s entire story if he never got to prove himself wrong?

The only right way a character like JJ could’ve seen his story end with dignity would’ve literally been living that future he was sure he’d never have: have a house, a job, a family, HAVE KIDS, grow old not being a drunk in prison. And they killed him TWICE in my opinion, physically and also morally by making him die not being himself and still with all that anger and fear inside him and without his story ever finding closure.

None of this does justice to JJ’s story and his arc.

This is honestly what I can’t wrapped my head around, the reason why JJ was a fan favorite was not casual…it was because of his story, when we say “we watch for JJ” is because he’s one of those characters in a show that you’re rooting for, that you wanna see defeat the odds and get the ending his heart deserves…and I’m sorry to the writers because unintentionally they made him the protagonist just as much as John B if not even more at times. When we say there’s no excitement to watch the show now this is the reason: what’s there to root for if we were rooting for their better future and this was the whole story SINCE SEASON ONE?

I had big hopes for this season and I actually enjoyed part 1 but wow was I let down, this ending just killed the entire show for me…there’s no sense in this.

I know I’m repeating myself now but I can’t stress this enough, it destroyed the show ‘cause it ruined the entire purpose of the story. Looking back now nothing about JJ’s story was worth the pain and suffering he went through and looking forward what’s there to say anymore? They’re gonna go hunt for this crown and get rich? Ok, wasn’t the whole moral of the story about the real treasure being their found family?

I loved this show since April 2020 and I would’ve gladly watched it for YEARS AND YEARS ON, but wow I would’ve rather seen it end in the trilogy or with this season with a different ending, leaving a good memory.

I’m not gonna lie…I knew this was gonna happen, I tried to not trust the rumors and I tried to think rationally but when Rudy and the producer unfollowed each other, when Rudy didn’t share anything about S5, when in part the whole story was building around the Pouges being mad at JJ and not saying “I love you back” I kinda figured AND STILL I was hoping to be wrong and I was hoping to be pleasantly surprised ‘cause I knew how bitter it would’ve left me.

And I mean it, I’m heartbroken AND MAD. The story totally ruined.

And can I get this straight, everyone is already jumping on Rudy’s ass ‘cause yeah let’s be real, he probably was done with the show and and all that jazz and it’s not cool at all, but IT HAPPENS ALL THE TIME…actors ask to leave shows all the time and in the end it’s still the writers call to decide how to make it happen, there are tons of different ways to write a character off ESPECIALLY A CHARACTER LIKE JJ, who always had that element of spontaneous take outs and with the blank paga that they had with the “surf trip”. There’s only ONE season left, I don’t think that Rudy would’ve refused if asked “hey of we can work around this, how about 5 minutes of screen time in the final episode?”…an open ending for his character that left the audience wonder “what’s JJ doing around the world?” “Where did he go?” would’ve been much more dignified for his story. In the end if they put a definitive ending to him and it was THEIR decision.

I’m actually devastated and I know it sounds exaggerated but this to me has also ruined the entire Jiara community as well…like what do we have left?

There was still so much they had left to their own story, KIARA’S STORY!! What was the point for her to fight so hard for him? to lose everything for him and get what in the end? TO HAVE HER WHOLE STORY REVOLVE AROUND HIM (‘cause that’s exactly what they did this season)? What a waste.

And it makes me incredibly sad ‘cause it has ruined all my excitement towards this part of the fandom that we built a community around…waht do we do with Jiara now? There was still so much I wanted to write for them in fictions and wanted to read from others but this has for the moment completely ruined my motivation to write for them and to even read their ff, knowing their story in canon ended and ended tragically, there’s nothing for their future. This is what I find so sad, there was left NOTHING to the imagination, nothing to let us wonder about their future.

This story ended today and I’ll never be able to look at it the same IF I’LL look at it. What’s the point of a story moving forward if the thing people were rooting for is gone? What are we rooting for if the Pogues are dead and the family is done? ‘Cause yeah, JJ was the core of the Pogues.

I find hard to believe that season 1 and 2 are the same show from season 3 and 4. The writing killed the show for good.

I hope WITH ALL MY HEART that I’ll be able to find back my excitement for my favorite show once again and that I’ll still be able to enjoy Jiara’s content again but I really find it impossible now.

I would’ve never thought that OBX, that show I watched in 2020 with genuine admiration for its story and way of portraying it could’ve been ruined like this. 💔

[alena-draws]

Aha! I have now read the last (??? probably?) chapter of Mha. Thoughts to this chapter and the whole ending itself, and obivously spoilers under the cut!

Ok so first, I don't think it's a bad chapter per se? There are some pretty cool pages in there, and I love seeing the grown up characters! Whatevery happened to Monoma and Denki, they are looking GOOD. I love the little scene between Tsuyu and Ochako, just because we get to see that they are besties, hanging out and telling each other about their lives!

Also Kacchan got a racing car (or something fancy at least)? I didn't really expect him to go for such appearance-things, but maybe just because I'm not a fan of cars myself. And hey, despite the threat Kiri gets to eat in his car, look how far he has come *sniff*

Now coming to the obvious, the Ochako/Deku part. I love Ochako as a character, and I think Ochako/Deku is still really cute. It's a sweet pairing, it has just never been my main interest because I always found the dynamic between Izuku and Katsuku so much more compelling. ^^ I would have preferred not to conform any ships though- I thought the last chapter was ok as an ending, with the way you can now make up your own ideas about how and where everyone will end up. As it seems, Hori did have other plans for Izuku and wanted to close that ambiguous, open Izuku/Ochako part. It's his character, and he can do that.

But there are some things that do leave me unsatisfied, from the ending in general and this chapter.

First- what do you mean Izuku won't join Katsuki's hero agency??? Like----what? And not just from a shipping perspective, but from his whole character arc? I'm not sure if I read too much into it, but over the course of the whole manga, Izuku's main rival has been his friend, and they have been shown again and again as acting as this hero duo - winning to save and saving to win. That was a whole theme!! Where has that gone? Which leads me to my second and biggest unsatifaction with the ending: Where is that important talk between Katsuku and Izuku? Look, I don't need any romantic special talk. What I want though is some kind of closure of their whole dynamic. It was a big fucking plot point that Iuku would go beserk if something happened to Katsuki, a way he didn't react to for anything else. And that happpened not only once or twice but at least three times- the kidnap, the stabbing 1, and the death scene. For heaven's sake, Izuku saw his best friend laying on the ground. That stuff does something to you!! And the only thing we get is a (sweet, but still) hospital scene. And, during all these interactions (at least later, not the fight on ground beta): the hospital at the end and the apology of Katsuki, Izuku only ever reacts but doesn't really say much aside from that? He doesn't start and look for any conversation, and he doesn't really tell us what he feels in these moments. I as the reader would at least expect some kind of talk between them how that last battle made them feel. But no- so now, it leaves me with the feeling that Izuku is either A) not actually that close to Katsuki which however contradicts everything we've seen until now, or B) emotionally really really repressed and oh my god get that boy some therapy and help him figure out his stuff. Or, C) they did that talk behind the scenes which would really suck. Izuku is still the main character. You want the reader to identify with him and confront complex emotions that result from all those hardships together with him- how are we supposed to do that if HE NEVER FUCKING TALKS ABOUT HIS FEELS. I mean, this is kinda what Kacchan gets at in the car. Another interesting scene!

Is this a confession or a push for Izuku to notice potential feelings from Kacchan? Well, we don't know. That's left open and I guess we're really free to interpret. It would be a Kacchan thing to say I guess, and we also have that offer to become hero partners (which you didn't accept Izuku because you have brain damage). Also possible is that the intention of this is that we get that Izuku/Ochako scene. They might be fucking with us and it could be both, because you still can't have someone openly declaring any gay feelings in a shounen manga. I don't want to speculate too much, it's of no use anyway *shrugs shoulders.

So yeah...what I'm miffed about is not really the confirmation about a the Izuku/Ochako pairing. What really bugs me is that this special relationship that exists between Izuku and Katsuki, where they both kind of motivate each other to be the best they can be, in such an intense way they we don't see them have with any other character- that THIS never gets addressed and that we're left hanging in the air, not really knowing what the relationship between these two is now- THAT pisses me off. (again: if you best friend died and came back, you would maybe want to address that in some way?) It feels like the writer left one big theme of the series infinished, and now with this chapter, it feels kinda dismissed to the side. I love Izuku but that passiveness and the lack of insight to his feelings during those last volumes (for the reader and by himself too) does make him feel...a bit hollow at the end to me. Last short topic: I'm also just a tiny bit disappointed that the only conclusion of the quirk theme was that they now start early to teach kids and help communication. Good thing of course, but with the way we heard "Quirks are getting stronger by each generation" and the quirk evolution, I thought there was something bigger coming, so that's been a bit of a let down. Nothing big, just an "oh, that's all?" moment)

But yeah...I think that kinda sums up how I feel about this now. Anyway, no hate for the IzuOcha part, they're pretty cute together!

[silverryuan]

Gun Park with Mitsuri Kanroji reader

@aline1701, come get your Gun Park.

Mitsuri is a character from Demon Slayer and is one of the Hashiras supporting Tanjiro and the others in the Swordsmith Village Arc, fighting the Upper Moons Gyokko and Hantengu. She is known as the sweet and kind Love Hashira.

• Work has been really hectic for you these past days. These owners must take extra good care of their pets! They always feed them things that are not supposed to be eaten by them... That poor cat the other day ate shrimp and the owner didn't know.

• Because of how busy you are, the others at Jaewon High become a bit worried about where their gluttonous social butterfly went. Word quickly spread out that you are not on campus and the bullies started to take advantage of that.

• Big Daniel encountered Gun that day and the man with sunglasses wouldn't leave him alone, Gun kept offering Daniel the same thing about him being his successor, and Daniel was having none of it. So they fought... You're just closing the clinic for the night and head home until you stumbled across their fight, you hid in a corner and search for your phone to call the police.

Gun: "....*pant*..... What? You tired already?..."

Daniel: "...No...*pant*.... I'm just getting started--"

•While Daniel was standing his ground against Gun, the bastard decided to play dirty and elbow him. You take action and then blocked his attack.

Mitsuri: "Oh my goodness! What is happening here?! No fighting please!"

Daniel: "What the- Mitsuri? Is that you? What are you doing here?!"

Mitsuri: "I should be asking you the same thing, Daniel! This is the way to my house... Why are you fighting this guy at night?! You'll wake up my neighbors!!"

Gun: "Great. Another fight interrupted. Why does this always happen. And how did you block that?"

Mitsuri: "H-hey! You better stop fighting each other or I'm calling the police!"

Gun: "This one's a bitch too."

Mitsuri: *GASP*

Daniel: " Umm, Mitsuri--"

Mitsuri: " Y-YOU SAID THE B WORD! THAT WAS VERY RUDE OF YOU! PLEASE APOLOGIZE!"

Gun: " ...Huh? Is this bitch for real?"

Daniel: "Mitsuri, please, you might kill him--"

Mitsuri: *GASP* "YOU SAID IT AGAIN! THAT'S IT, YOU'RE FIGHTING WITH MY FRIEND AND GAVE HIM SCRATCHES AND DIDN'T APOLOGIZE TOO!! YOU'RE FIGHTING ME NOW!!!"

Gun: "And what are you gonna do? OH SHI-"

Mitsuri: "I DIDN'T WANT TO DO THIS BUT YOU'RE BEING A MEANIE!!!" *LIFTS GUN'S CAR AND FUCKING THROWS IT AT HIM*

• Gun was definitely sure that if he didn't react in 1.5 milliseconds and dodged, he would've been the ugliest Lookism character with broken bones and with misshapen facial features...

• Gun got excited and was about to punch you but got interrupted once more by a call from Charles Choi. He leaves after telling Daniel that his offer is still on the table. Anyways, you scolded Daniel about fighting Gun was dangerous but Daniel just brought up questions asking you what your work out routine is.

• Gun took notice of your abnormal strength and decided to request for Kouji to give some information about you. Goo misunderstood Gun's sudden interest to you as a sexual liking and teased him until Gun threatened to break his jaw.

• Believe Gun's disappointment after reading your file. It says that you possess abnormal strength from birth but you're desperate to hide it?? Just for a successful marriage??? Fuck no, he's stalk you and fight you until you realize how useful your strength is and will have no use for marriage anymore. That'll totally work, right?

• Everyone is very happy to have your presence in the classroom again. Vasco can share dangos with you now. The bullies hide in fear like roaches after sensing you coming back. You told them that you were just busy with your job and that gave them a relief since you almost never miss a single class.

• Everything seems to come back to normal until you see the same man with sunglasses at your doorstep waiting for you.

[bugsbenefit]

genuinely still baffled by the "they don't need to address Mike's sexuality, all that matters is that he's in love with Will" crowd. especially when people say it who claim to care about Mike's character (when you could also just say you don't really care for that part of the show, which would be fine, no one cares about all characters/arcs)

because Surely you realize how him being gay or bi would change his entire character, right. whether he's attracted to girls or not would change the way all his actions up until now are to be interpreted. not even making a statement on his sexuality here, this is generally speaking

if he was actually attracted to El you'd have to address when and why he suddenly stopped loving El since in fiction "it just happened" isn't usually a satisfying answer to breaking a multi season couple up. Why is Will it for him? he's been acting weird for ages so when did he realize? and what made it click he fell out of love with El for good? you'd have to give some explanation for why he was able to proclaim his love for El accidentally in s3 and then fail to do it in the same season while looking uncomfortable with kissing her and so on since his pov was so majorly withheld

if he's not attracted to girls his arc in s5 needs to focus more on comphet and how dating El affected him/why he felt he couldn't break up with her/homophobic attitude in his surrounding slash Hawkins. or the idea of platonic and romantic love in general. there would be no how he got from point A(El) to point B(Will), like what the focus of a bi!Mike s5 arc would have to be on to explain what happened, but a focus on how he ended up at point A in the first place and why he was stuck there/how it affected him

and even core moments of the series would have entirely different meanings depending on if he's attracted to girls. "it's not my fault you don't like girls" being a peak example. if he's gay it's easy to explain it with projection. if he IS attracted to girls though it would read as a much more intentional (even if blurted out) act of homophobia, since it would be him pointing something out that Will genuinely does (not liking being around girls) but he himself can't relate to

and that's all just the surface level differences. Mike being attracted to girls or not being attracted to girls would give his arc an entirely different focus in s5. AS WELL as make his past actions have entirely different meanings. the idea that "it doesn't matter for his character" is so insanely wrong it's wild how many people confidently peddle it