#his best work fr

[vinylattes]

WHAT WE DO IN THE SHADOWS (2019-) | 5.03 (Pride Parade)

[murderofravens]

cheating on yuuji w megumi js the most unrealistic trope because why would i want a quiet brooding twink w daddy issues when i could have a funny pretty buff himbo who will worship me but is also capable of beating my ass if it comes to that

[brawcolie]

Trouble:)

[aroaceleovaldez]

updated list of my riordanverse scrys on flight rising. the number just keeps growing. scried like the entire TA just for funsies.

(Guide: Percy, Percy 2, Annabeth, Reyna, Leo, Jason, Thalia, Nico, Hazel, Luke, Kelli, Ethan, Silena, Chris, Alabaster, Lou Ellen, Alex Fierro, CHB, Camp Jupiter)

[sodafrog13]

something something submissive like a guard dog is submissive

[thecrowsart]

👁️🦎🎯

(crops under cut)

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[ashipikaur]

this is the most scandalous thing you’re gonna wring outta me EVER

no text ver below cut ↓↓↓

[cluescorner]

Long Post about Savage Opress because I am Normal

Savage Opress, you are everything.

You are at your strongest when you are fighting to protect the people you love. You had to participate in a battle royale and subjected yourself to a fate worse than death in order to protect your brother. You were forced to kill the brother you fought so hard to protect, your last words to him as he begged for his life were 'You make (me) weak'.

You are Frankenstein's monster, a kinslayer. You just have to live with that. Your mistress isn't giving you a choice in the matter.

You were placed under the control of a cruel master/mistress twice in the span of like a week. You were forced to betray your master and (under your mistress's orders) you killed two jedi, making you an enemy of the two most powerful entities in the galaxy. You made these enemies against your own will. You were lightning spammed and abused to the point that you were able to break free of your mistress's control.

You are then attacked by these two random jedi you have never met. They seem intent on bringing you in. They stand besides each other and fight to protect each other. You are reminded of how you did the same for your own brother. You killed that brother.

You run to the only home you've ever known, the same home that treated you as lesser-than and transformed you into what you are now. Your home is destroyed, all of your sisters are dead. You are upset by this. They were the cause of your suffering, but they were still kin.

You are told that you have a remaining brother, one who can make you strong enough to protect yourself. You decide to travel across the galaxy to find him. You killed your last brother, you will do anything for this one.

You seem to create trouble everywhere you are now. You are now incapable of solving problems without violence, so violence is what you become. You become hatred. You had love once, but everything that you loved is dead. Except for your remaining brother. You do whatever you must to find him.

You find your brother. Your brother is delirious and half-dead, but he is your brother and you found him. You can fix this. Your brother sees you too, or at least he sometimes does. You are a reflection of him, of what he was meant to be. You are strong and powerful. Your brother is not anymore, but he will be soon.

Your mother, the same woman who took you and warped you into a monster (that is what everybody calls you now), fixes your brother. Your brother grabs your face and twists it, painfully examining your every pore. You don't begrudge him this. You have done the same to it. Your face isn't yours, but it is the only face you have.

Your brother screams for vengeance against Kenobi, he must have revenge. You must stand by your brother, he is all that is left. You embark on a quest of vengeance against a man you only briefly met.

You become everything your brother needs you to be. You are his protector, his sword, his second-in-command. You have love again and you will do anything to keep it this time.

Your brother is a terrible person. Your brother will massacre a village for the sake of getting Kenobi's attention. Your living brother is nothing like the one you killed. You aren't sure this is a good thing.

Your brother lures Kenobi to the village and you both capture him. Your mistress shows up and immediately sets about belittling you. You are the monster she and your mother created. You are not her thrall anymore, you can fight her now. You do exactly that.

Your mistress and Kenobi retreat, your brother chooses to bide his time. You will wait with him.

Your brother and you infiltrate a ship, finding a fortune of credits. You are happy with this, you have never seen this much money in your life. Your brother's only fortune is the downfall of Kenobi.

Your brother calls you apprentice, decides that is what your relationship is now. You don't see the need for dominance, you are brothers after all. Your brother disagrees and you will subject yourself to this for your brother's sake. You are a reflection of him, of all his past flaws. You are devoted to those you love and able to feel things other than vindictive glee or hatred. Your brother is not anymore, he might never be again.

You think your brother is incapable of love. You love him all the same.

You and your brother next run into Kenobi with another Jedi Master. You do not know her name nor anything about her. You kill her, goring her with your (far larger than they should be) horns and running her through with your lightsaber. Your master is not forcing your hand this time, you can finally choose to make an enemy of the Jedi. You would have been their enemy either way, but the false choice is comforting regardless.

You and your brother corner Kenobi. You think for a moment that you have gotten the upper-hand, then Kenobi cuts your arm off. Your body leaks green magic. Your mother's magic still holds power over you even after everything. You wish it didn't.

Your brother shoves Kenobi away from you and decides to retreat. You aren't sure if this is a sign of affection towards you or if this is a strategic move. Your brother speaks as if it's the latter. You see no reason to believe otherwise.

You manage to escape, but are left adrift in space. You are freezing and slowly running out of oxygen. Your home was warm and full of breatheable air. You are alone with only a brother who calls you 'apprentice' for company. Your home was filled with brothers who called you by your name or by 'brother'. You are alive. Your home and brothers are dead.

You next wake up in an unfamiliar place. You smash all the equipment around you. You are now incapable of solving problems without violence, so violence is what you have become. Your brother informs you that his plans have changed, and now you two will be working with Deathwatch. You have no idea what Deathwatch is or who your brother just made a deal with. You will follow him regardless.

You stand up and hit your head on the lamp above you. You were supposed to be shorter than you are now. Your body is wrong. You look in the mirror and you are not yourself. Your body isn't yours, but it is the only body you have.

Your brother takes over Mandalore. You watch as your brother marches Kenobi into the throne room and prepares to execute the Duchess of this planet.

Kenobi offers sympathy. Kenobi recognizes that your brother never had a choice in joining the dark side. Kenobi had gone to your village and seen what it is like for the nightbrothers. Kenobi, despite everything, is trying to be kind.

You hear your story in Kenobi's words. You never had a choice in any of this. You never stood a chance. Your body isn't yours, your mind has been warped and twisted into serving the goals of another. You only wanted to protect your brother.

Your brother kills the love of Kenobi's life. Your brother has stripped himself and you of any possible chance to take the olive branch Kenobi was extending. You ask if you should kill Kenobi now. You know that stewing in grief and guilt can be a terrible fate. Your brother decides to keep him imprisoned. Your brother is counting on the Kenobi stewing in his grief and guilt. Your brother wants to drag out his suffering for as long as possible.

Your brother is in charge for less than a rotation. Your brother panics and bows before a withered old man, calling him 'master'. Your brother lies and fawns to his master. Your brother's master does not care.

You have never met this man before. You have no reason to fight him. Your brother is terrified of him. Your brother grovels before nobody, but he bows before this man. You don't have to do this.

Your brother needs you. You draw your weapon.

You manage to get a hit in on your brother's master. You are one of very few in the galaxy who can say that. You are at your strongest when you are fighting to protect the people you love.

You are stabbed in both your hearts. Your efforts to protect your brother, your pain and suffering, your love and affection, you, Savage Opress, you don't matter. You didn't know it, but you were fighting the most powerful being in the galaxy.

You never had a choice. You never stood a chance.

You die thinking you were unworthy of your brother. Your brother never said or did anything to make you think otherwise. You die calling yourself apprentice, that is the relationship your brother wanted. Your brother holds your hand as you die, it is trembling. You aren't sure if it is from grief or hatred. You decide it must be the latter. Your brother is only capable of hatred.

You knew your brother was incapable of love. You loved him all the same.

You don't know that you might have been the only thing your brother cared about besides his vengeance. You don't know that when you are unconcious he calls you by your name, he calls you brother. You don't know that he nearly killed the Death Watch soldiers, but stopped when they threatened you. You couldn't know. Your brother never told you.

You don't know that he uses his grief as fuel for his duel with Sidious. You don't know that he switches his ire away from Kenobi and decides that his former master is a more pressing target of his hatred You don't know that he spends the rest of his days trying to find a new apprentice to fill the hole you left and that it never works. You will never know. You are dead.

You died realizing you were nothing like your brother. You never were. Your body shrinks down, you finally look like yourself again. You can't be happy about this. You can't take relief in the fact that all the magic which ruined your life has been dispelled. You can't feel anything. You are dead.

You are right. You are nothing like Darth Maul. Your brother is motivated by hatred, you are motivated by love. Your brother will die having found peace, you died having found nothing but pain and grief and yet more pain.

You are my favorite magical girl and you have suffered so much more than Jesus.

[ccrisntok]

"hey guys I'm working on an 'Acevi' comic I might post it soon" they say, knowing damn good and well they were working on a Whace comic at same time and will finish it faster.

... so guys guess what (cut bc I talk a ton )

This isn't super serious! Or in character! About half way through I kinda went "Oh wait this is Whace. This is inherently goofy" and made it goofy. This takes place somewhere before the killing game, but Ace has his cooler hair bc I said so.

Anyway without further delay: here you go

woa look at all those drawings (some done months ago). This looks like a M.A.P (multi animator project not the illegal kind) with how much my artstyle shifts around

Bouns sketch panels I thought were funny

Sadly didn't keep the bite :// also it was all way more high energy in the sketch phase. "why do you live me" and "you're weird but in a funny" are iconic

Also the 1st (and only good) background on it's own bc I found it nice looking

Idk why they have lockers in college.

Was thinking about waiting to release this bc I felt kinda shitty for teasing the. Kinda Acevi thing first. But whatever, I worked (kinda) hard, and I want people to see it.

The background audio is this piano cover of Creep by Radio Head

I elect to make Creep the official Whace song bc its so them fr. /... hj

[where-is-uncle-klunk]

If these two were to meet the world would end

(There is like no good pics of Repete in his actual outfit in color☹️)

[politicalprocrastinator]

anyway I totally believe that padme would've wanted to have the organas raise her kids if she couldn't and they really should've added a conversation between the three of them giving her agency rather than having a room full of men at the end of the film deciding what should be done with her children

[razzle-zazzle]

wait what's the betrothal au??

I'm glad you asked! The premise of the Betrothal AU, in a single sentence, is thus:

Cole and Skylor are arranged to marry each other by a contract made before either of them were born, and they take issue with this.

Of course, there's more to the AU than just the premise—how the whole contract was made and how Skylor and Cole feel about it are major questions I wanna explore in the AU, so I'll do my best to summarize them a bit here:

The contract was made by Chen and Cole's Currently Unnamed Grandfather (I used to call him Shane but I'm not liking that name as much now tbh); Chen had the upper hand in those negotiations. Like it was clear from start to finish who was in control. He initially asked for Lilly's hand, but her father threw a fit and managed to change the terms to "Chen's child will marry Lilly's youngest child by the time both are 20" (but with. more legalese). Because surely, Unnamed Grandfather thought, Chen couldn't possibly have children as an exiled-to-an-island war criminal, and surely, if Chen did find a way to father offspring, Lilly would have multiple children and her eldest would inherit the power of earth, thus preventing the earth master line from getting tangled up with the likes of Chen.

Except then about six months after Skylor was born Chen sent several baby pictures to Unnamed Grandfather to gloat. And Lilly only had Cole because she and Lou only ever wanted one child. So Cole and Skylor are engaged from... not quite birth because Skylor was born almost a year earlier and Chen waited to see if Lilly would have any other children, but definitely since they were both young enough to toddle.

Sooooo... how do Skylor and Cole feel about this? Well, for the most part.. they're kids. Yeah, they meet when they're both five and they're given their halves of a pendant and told that one day they're gonna marry each other, but at that point they were literally just children. Marriage was more of a concept to them, a silly thing they could pretend to do and think about that otherwise didn't really impact them. Especially since they only saw each other once a year (and Lou & Lilly would always throw a fit when Unnamed Grandfather took Cole to Chen's island. But Unnamed Grandfather is going to honor his debts, dammit, even the ones that suck).

But even as they did get to be kids, even as Skylor would eagerly await the 2-4 weeks every year when Unnamed Grandfather would visit with Cole in tow, even as they would run around the labyrinth and into the jungle and all over Chen's compound like the kids they were... well, Chen's a dick. Oh, sure, he wasn't trying to make them feel bad about the engagement, but he definitely wouldn't let them forget it.

So the marriage became a sort of inevitability, for Cole & Skylor. When they were 11-12, they had these cute puppy crushes on each other that they would not have had were it not for the whole "you two are going to one day marry and then spend the rest of your life together" thing hanging over their heads.

And then Unnamed Grandfather dies, and Lilly's fallen ill, and Lou is absolutely not going to go to Chen's island under any circumstances. So Cole and Skylor haven't seen each other in person since they were 13, and wrote letters instead.

So they inevitably drifted. For Skylor, the marriage was an inevitability, but one that she could deal with later—being Chen's daughter gives her way more pressing concerns to deal with daily, anyway. And it was the same for Cole—the engagement, when he thought about it (which wasn't super often) was a distant sort of inevitability, like a project due at the end of the semester that you don't think about until then because you've got assignments due now to worry about.

When Chen invites the ninja to his tournament, when Cole and Skylor see each other on that ferry...

Skylor had been sort of vaguely aware that she wasn't interested in Cole that way. From her memory, he was sweet and rowdy, and her only childhood friend her age. Not the worst person to be tied to on the legal level of marriage, but not exactly someone she was interested in. Seeing Cole in person for the first time in years, and connecting that familiar face with the most recent letters—it crystalizes, for Skylor, that she's not into him that way.

But her father always gets what he wants, and the contract is airtight. So Skylor grits her teeth, swallows her venom, and sidles over to Cole to test the waters. Hope he's not as into her as she remembers feeling about him once, when they were younger and friendlier and liked to talk about what they wanted for their wedding together while digging in the mud for cool jungle bugs.

Cole hadn't thought about his engagement as often—sure, he used the new pendant half that Chen sent him after the monastery burned down to finance every meal the grieving ninja ate at Chen's, and sure, he sent letters monthly at least. But the notion of marriage has become so distant and unimportant in the wake of Garmadon, the Great Devourer, the Overlord, and Zane's death. When he sees Skylor, standing off to the side in a cloak but nonetheless recognizable, it hits him—they really hadn't seen each other in years, and he doesn't feel anything romantic for her.

But Chen has Zane, or might have Zane and be lying—and Cole can't chance that. He needs to know for sure if Zane is alive, so he hopped on the ferry alongside the others, pendant half in hand in case it'd come in handy. But now that the reality of his engagement is staring him in the face and sidling over to him—oh, Cole just knows it's going to cause problems. He's always been good at running away from problems—but he can't run away now, can he?

so yeah tl;dr chen's a little bitch and cole & skylor are gonna have to try and work around that

[non-un-topo]

I don't want to write 4 assignments in 3 days I want to draw the blorbo covered in mud and possibly bleeding from the mouth

[karnaca78]

Hi @synthwayve I butchered your guys

Art based on their Bloodborne fanfic Haemolacria. Thank you for the soup friend, it cheered me up in these trying times.

[worstloki]

putting so much emphasis on Gojo being super strong and the pride of the Gojo clan and having inherited two legendary techniques and then also having him be single wifeless no love interest at 28 sure is an interesting decision