#hi i'm an editor at a book publishing company

[carmen-berzattos]

I keep seeing posts of people saying that not using words like growled, boomed etc as dialogue tags is bad writing advice and that these words are not meant to be taken literally, but poetically. That is all fine and good and true. But! The reason that you're often discouraged from relying on such descriptors isn't because the readers will take it literally, but to encourage writers to find more interesting ways of conveying emotions without these tags. The idea here is that you use precise description of external environemnt to convery mood, use internality as a way of hinting and hightening said mood, and, MOST IMPORTANTLY, have your dialogue stand on its own that its tone and function in the character interaction is self-evident. Basically, you want to reach the point where adding the word "growled" feels like an overkill because the text already conveys the tone. And even then, I wouldn't necessarily say never use these descriptors, but I will say make them so sparse that the reader stands at attention when they're used. Because they know you mean business

[wttcsms]

⋆౨ৎ˚⟡˖࣪ hallmark holiday !!

ᝰ.ᐟ tis the season to sit by the fireplace and indulge in cheesy, cliche, ever-so-predictable hallmark movies where we know the main couple will always get their happily ever after. alternatively: a scenario post detailing the cliche holiday romance you and your fave would be ♡ྀི ( fem!reader & sfw )

starring keiji akaashi, atsumu miya, shoyo hinata, seishiro nagi, shoei barou, yoichi isagi, jinpachi ego, noel noa, rin itoshi, oliver aiku, kento nanami, naoya zenin, porco galliard, colt grice, levi ackerman

:¨ ·.· ¨: `· . haikyuu films coming to a theater near you ౨ৎ

⋆⁺₊❅. dedicated to you starring keiji akaashi synopsis keiji akaashi finally gets his dream promotion to the literature department — sort of. see, first he's given what the company calls a "trial run", where they're testing to see how well he'll do. if this book that he edits makes it to the bestseller's list within its first month of publication, he gets the position permanently. fail, and he doesn't just get demoted — he gets fired. this dream of his becomes a nightmare whenever he realizes the author they're assigning to him is you — famous literary critic turned author. well, almost an author. this will be your first book you're ever writing. see, you've got a bit of a reputation. your reviews of novels, whether they'e indie books available only on kindle unlimited or works considered to be modern classics, are nothing short of scathing. rarely is there ever a book that seems to impress you. and while your reviews are valid, a group of scorned writers (who are all beloved by the booktok community, which, in your opinion, invalidates everything they do by default) publicly challenge you: if their writing is so bad, why don't you publish a book and show them how it's done?

exclusive sneak peek! "so you're my editor?" you raise an eyebrow at the man sitting across from you. he's wearing a brown blazer, his hair neatly parted with gel, and he has such a mild-mannered aura about him that you want to groan in agony. of course, the only shmuck who'd be willing to touch your book (book is generous; you barely have half of a first draft) would be some dweeb who's probably been out of work for like, the last year. "yes. i'm keiji akaashi. we spoke over email." he reaches into his workbag, probably to hand you a business card that you'll end up tossing in the cafe's trashcan. "oh. from the tone of your emails, i was expecting someone..." you don't finish your sentence. "someone what?" he asks. "it's nothing." you wave your hand, as if to tell him that the comment was useless anyway. "listen, i'm sure i'm not your ideal client, but we don't have to keep meeting. i'll make your job easy by making sure you never have to edit or touch a single letter on my drafts. just let me handle this my own way, and i'm sure—" "no." you don't normally let people interrupt you, but the shift in his tone makes you pause. you stare at him curiously, only this time, you notice that keiji akaashi doesn't seem so mild-mannered right now. he continues. "i'm not sure where you got the bright idea that you would just write this book on your own, but you don't make a deal with a major publishing house just to go about the project like all the indie authors you criticize in your little column. the minute you signed that contract, you became my responsibility." akaashi looks you in the eyes as he tells you, "so from this point forward, your book is about to become our book. and i only plan on producing bestsellers." you smile at that, leaning forward and matching the intensity of his gaze. "good. because i only plan on writing a bestseller."

⋆⁺₊❅. make it to christmas starring atsumu miya synopsis break-ups can be tough. coming home for the holidays can be tougher. combine these two situations, and throw in the fact that no one can know about said break-up, and this might be the toughest situation to go through. here's the deal: you and atsumu, who've been together for the past four years, are deemed "most likely to get married". your friends, family, and even strangers on the internet all think you two are the couple that will make them believe in the power of love again. with this type of pressure, neither of you are willing to wreck the holiday spirit by announcing your break-up, and really, mama miya just got a particularly bad diagnosis. the last thing either of you want to do is break her heart some more. so, you both agree to pretend to still be together, all for the sake of "saving christmas", so to speak. but then, mama miya walks in on the two of you in the kitchen at the worst possible moment. atsumu is down on one knee, kneeling in front of you. finally, some good news this season: her baby boy is getting married to the love of his life.

exclusive sneak peak! "atsumu, this whole thing is a mess!" you whisper-shout at him, leaning down and examining the space beneath the floor kitchen cabinets in search of your missing earring. "well, you can't back out now!" he whisper-shouts back, crawling on all fours to help you look for the damn earrings osamu's new girlfriend gifted you. "what would we tell everybody?" "how about the truth?" "we will tell them the truth! right after christmas." "you idiot, your mom has her next appointment the day after christmas! the whole point i agreed to this was so that way we wouldn't crush her with a whole day of bad news!" "you're right." your back is turned to him, but even without looking, you know he's nodding his head. "we should just wait 'til the month's over then." "that's even worse!" now you finally do turn around, crossing your arms against your chest. "i really think this was a bad idea. we need to figure out how to come clean before this whole thing blows up in our faces." he sighs, knowing that you're right. you always are. it's what he loves — loved; he's not quite sure if he's still allowed to use the L-word concerning you — about you. then, he perks up, catching a glint of your missing earring. propping himself up on his good knee, he presents the ring to you earnestly. "oh!" you grin, happy that atsumu found the damn thing. now, osamu's girlfriend will be properly placated. before you can reach for it, three things happen in rapid succession. one: the kitchen door swings open. two: mama miya assesses the situation quickly, and lets out the biggest shriek of excitement heard 'round the world. three: this whole thing definitely just blew up in your faces.

⋆⁺₊❅. v for valentine starring shoyo hinata synopsis you hate valentine's day — after you found out your (former!) boyfriend of three years was cheating on you on this very special holiday, you see what the 14th is all about. commercialized "love": packaged in bright pink packaging and red hearts that get sold to unsuspecting fools. however, as a wedding planner, you still have to love love. it's just hard to whenever the wedding you're planning is set for feb. 14th... and it's to your ex-boyfriend and the girl he cheated on you with. you know it's petty and ridiculous and horribly immature, but you're plotting and scheming ways to ruin their wedding without it being tied directly back to you. the only obstacle in your way, though, is the bride-to-be's annoying cousin who immediately catches onto your plans and seems intent on putting a stop to you.

exclusive sneak peek! "what do you think you're doing?" you jump up, startled at the sudden intrusion. everyone else is supposed to be occupied, oohing and ahhing at bridezilla's reception dress reveal. "nothing." you say, in that tone of voice that makes it very, very obvious to anyone who can hear that you were definitely up to something. "really?" hinata asks. "because it looks like you're trying to convince the dog to tear up my cousin's high heels." busted. (you're too flustered and trying to come up with an excuse as to why there's peanut butter on his cousin's designer heels that you don't notice the way hinata looks like he's trying to hold back his laughter.)

:¨ ·.· ¨: `· . blue lock films coming to a theater near you ౨ৎ

⋆⁺₊❅. married by christmas starring seishiro nagi synopsis as the only daughter of the mikage business empire, not to mention having an older brother who could care less about the family business, you should be rightfully inheriting a good majority of mikage corp. on the day of your twenty-fifth birthday, you anticipate the metaphorical keys to your family's empire. instead, you receive the worst news of your life: reo's going to lead mikage corp starting on christmas day (a gift that he never asked for), and since you're still unmarried at the decrepit age of twenty-five, your grandparents are demanding you start going on blind dates with the men they've found for you. when you angrily confront your parents, wanting to know why everything will be handed to reo, who doesn't even want this responsibility, the answer is clear: they need a man to be the face of mikage. if you marry someone, even if you're the one pulling the strings from behind, you can still inherit the business by having your husband look like the one in control. your parents know that you don't want to get married, but what they don't know is that you're willing to do anything to get what you've worked so hard for. you didn't spend years abroad to study at the best business school in the world and to build connections all for it to go down the drain. but then you realize that all these men your grandparents found for you won't be willing to just sit back and let you do all the work. they want power of their own. where in the world could you possibly find someone you can trust to be married to in these conditions? and then it dawns on you: your older brother's best friend! from what you remember of him during high school, nagi wants nothing more in life than to just be able to make easy money and relax, left to his own devices. he's never taken advantage of reo, so he'll probably stay loyal to you. and a quick google search reveals that nagi's never even been in a public relationship. he's perfect.

exclusive sneak peek! "you bought me a ring?" you stare at the velvet box resting on your living room table, eyeing it like a bomb that might explode at any minute. "huh? oh yeah, why?" nagi's voice is cracking through the speaker of your phone. you're not sure where he is; you don't really know much about your husband-to-be, you realize. you should get him to email you his daily schedule. you plan on making note of that in your outlook calendar, after this call. "i didn't expect you to get me a ring." you frown. "forward me the invoice for it, and i will make sure to reimburse you. in the future, please refrain from making any purchases related to our relationship unless i clearly allow it and expect it. christmas in front of my family, and public birthday celebrations, for example, are occasions in which i'll allow gift-giving." "you're sayin' my future wife doesn't want gifts?" nagi wants to choke reo. he's the one who said you expected to be spoiled, and all the guys on his team seem to be adamant that buying gifts for your significant other is the way to go. if he knew you were going to start talking business around him, he wouldn't have gone through the hassle of finding a decent jeweler in this city. "this is a business partnership, nagi. not a romantic relationship. in business, you buy gifts only to bribe. are you trying to bribe me right now?" no, he thinks. he was only trying to make you happy.

⋆⁺₊❅. a king for christmas starring shoei barou synopsis serving as king but hated by a small, powerful group of witches, the ruler of the kingdom, shoei barou, is cursed and expelled to another world where his tyranny will not be tolerated. the only way to return back to his world is for him to learn benevolence and empathy. they certainly gave him a challenge; it'll be hard to be kind and empathetic whenever you're magically transported to the twenty-first century without a single clue as to how the world works. luckily, he ends up transported here, unconscious, on the front porch of a tired, overworked, graveyard shift ER nurse. you signed an oath to protect and save all lives, so you can't exactly kick the large man passed out by your front door, now can you?

exclusive sneak peek! "where is your horse?" barou asks you, following you around your house. him being your shadow is odd, considering how he towers over you so much, he's actually casting a shadow onto you. seriously, he's blocking the sunlight peeking through your blinds. "my horse? you think i'm a horse girl?" you whirl around to meet him, nearly bumping into his muscular chest as you do so. he makes a face, not sure what to make of your exclamation. "how will you travel into town?" "like everyone else. with a car." you hold up your key fob, and he immediately snatches it from your hands, staring at the fob curiously. "you travel using this?" he points to it, and you nod. "witch." he says. "what did you just call me?" you stare at him, stunned. "witch." he repeats, still holding onto your key fob. "to travel in a contraption so small... magic is the only reasonable explanation. you must be a witch. why didn't you tell me this sooner? we can use this—this car, and you can take me back to my kingdom at once!" he straightens his back, holding your key fob out of your reach. "witch, i demand you transport me back home." "i should've kicked you when i had the chance." you mutter, wondering how hard this stranger banged his head to forget what a car is.

⋆⁺₊❅. the perfect playbook starring yoichi isagi synopsis bastard munchen is forcing all of its players to dedicate their time during the holiday season to an approved community outreach initiative. isagi sees nothing better than to return to his hometown, and help volunteer to coach the local little league team that's 1) underfunded and 2) currently coached by the only person kind enough to volunteer: you, the fresh-out-of-college brand new, bubbly elementary school teacher. yoichi might not be the biggest believer in team work makes the dream work, but you don't make a bad teammate... not in the slightest.

exclusive sneak peek! "isagi," you frown as you stare at the whiteboard, trying to make sense of all the x's and o's and arrows he's scrawled on them. "you want to train this group of seven to nine year olds... to become strikers?" he nods, pleased that you're finally starting to see his vision. "yes, exactly!" "the recreational elementary-aged youth team... is going to undergo a simulation of what you went through as a high school boy?" "well, it'll be tweaked accordingly. with your guidance, of course! it'll be a more tame version, but i'm sure the results will be the same." when he smiles at you like that, you can't help but want to give in. "and besides, i'm proof that project blue lock is a very beneficial program. look how i turned out!" you think back to when you curiously searched him up on the internet. "top 10 isagi crash-outs on the field" was not the result you were expecting. but he's been nothing but kind and enthusiastic around you and the kids. it's not like he's some egotistical maniac who only cares about soccer, right? "okay." you nod slowly. "project baby blue lock it is, then."

⋆⁺₊❅. cease and assist starring jinpachi ego synopsis former collegiate athlete with a professional career ahead of you, your dreams of becoming the world's best women's soccer player gets crushed the minute you suffer the worst injury possible. now, you spend your time trapped in an office, working for the japan football association, waiting for the decades to pass you by so you can finally retire and die. until the head of the association pulls you to his office and lets you know that you're going to be going undercover; apparently, jinpachi ego is creating a soccer program that's supposedly going to change japanese soccer, and he wants you to report back to him and the jfa so they can anticipate everything ego plans on throwing at them. hired to project blue lock as ego's personal assistant, you spend practically the whole day with him. he's annoying, never listens to your advice, mansplains everything, and refuses to eat anything resembling a vegetable unless you force it down his throat. he's also the only person to match your passion for the sport, and the only one to call you out for not continuing to chase your dreams. the more time you spend by his side, the less and less you want to report to the jfa...

exclusive sneak peek! "sir," you grit your teeth, clutching onto the files in your hand because you know if your hands are unoccupied, you'd be sprinting across the room so you could personally choke jinpachi ego out. "i have an mba from the top business school in this country. i've played soccer since i was a child, and was one of the most decorated d1 players back in college. i know i'm just your assistant, but i can promise you, i am capable of far more than heating up your cup ramen." he doesn't even turn around his chair so he can face you; instead, he's still laser focused on the massive monitor in front of him, his eyes occasionally flickering to the other dozen screens surrounding the room. he doesn't even acknowledge your words. "are you seriously going to ignore me?" you snap, strangling the poor papers in your grasp. "are you done speaking? last time i tried to answer back, you yelled at me for not letting you finish." he still isn't looking at you, but you're certain he sees the nasty scowl that crosses your face. somehow, ego is capable of seeing everything. "forget it. you're impossible." "and you're a failure of a player." he tells you, right before you can storm out. "excuse me?" "you keep talking about how good you were at soccer, yet you never even bothered to pursue it after you got out of physical therapy. good in college doesn't mean anything when it's been so long. that's why i don't listen to you." he turns his chair, finally staring at you. "when you prove to me that you're still as good as you claim you used to be, maybe i'll take your advice. until then, get out of my office until i call you back."

⋆⁺₊❅. the only exception starring noel noa synopsis at thirty-three years old with not a single serious romantic relationship for the past decade or so, and with society basically treating any single woman in her thirties like a cow put out to pasture, you have come to terms with the fact that you'll be a spinster. it's fine. you have a successful career in a male-dominated field, you're still as beautiful as ever, and it's not like romantic love is going to fill the void. you have a supportive family and even more supportive friends; you don't need anything else. at thirty-five years old, with a successful soccer career and a body still performing at peak physical fitness, noel noa is considered to be one of the most eligible bachelors in the world. the public considers him to be at his prime, even. and yet, he seems to want nothing to do with romance. he plays his sport, he does a damn good job of it, and then he goes back to his isolated home in the french countryside to spend his days and nights entirely and utterly alone. for two people content to spend the rest of their lives without a partner, the minute you walk into his life as the new assistant coach for bastard munchen, you both slowly start to realize that maybe, you both could just try being alone together.

exclusive sneak peek! he doesn’t pay you any attention whenever you enter the locker room; after all, this isn’t the first time one of his teammates’ girlfriends walked in here unannounced. he can only hope that your heated rant and accusations of cheating don’t take a long time because practice starts in ten minutes, and noel noa is known to be particularly anal when it comes to sticking to a strict schedule. “hey!” igor says, being the only one bold enough to block you from taking another step further in the locker room. “you can’t be in here, even if you are dating or related to one of the players.”  “well, that’s certainly a respectable rule, but it doesn’t apply to me.”  “i'm the vice captain of this team.” he replies, letting his title to do the rest of the talking. right now, in this room, he’s the authority, second only to noel. noel, who's too busy stretching his legs to really concern himself with something as silly as a female intruder in the men's locker room. the altercation between you two is nothing more than white noise to him. “oh? that’s nice.” you hum, before adjusting the lanyard around your neck so that the little ID card, the one that’s used to allow people entrance into the gym during practice, is showing. it must be brand new because it shines underneath the fluorescents of the locker room. “i’m your new assistant coach.”  well, you’ve certainly got noel's attention now.

⋆⁺₊❅. all in starring rin itoshi synopsis even with worldwide fame, rin itoshi still prefers to be left alone. deemed the "prodigal recluse" by the media, no one knows what he gets up to during the offseason. the truth is, rin returns back to his hometown and spends his free time training by himself in the frozen field he used to train in during middle school. he's never been found out here, and that's how he likes it. until you, an ambitious sports journalist visiting your parents during the holidays, gets lost and stumbles upon him playing soccer by himself. you're convinced that this is fate. no one else in your field has ever gotten this close to him, especially outside an official game, and you're begging him for an exclusive interview. you're persistent and annoying, and rin finally agrees, with one catch: you have to score against him on a one-on-one soccer match. (he just doesn't anticipate how persistent and annoying you can be. when you set your mind on a goal, you're going all in.)

exclusive sneak peek! "you have to admit, it's pretty impressive i even kept up this long." you're panting, the palms of your hands digging into your knees as you hunch over, struggling to catch your breath. the icy air makes every exhale visible. rin looks like he hasn't even broken a sweat. "a child could've kept up for even longer." he says, the soccer ball resting underneath his right foot. "if you're this tired already, you might as well just head home and go enjoy your vacation with your family." the and leave me alone goes without saying. "why? intimidated by my shocking athletic abilities already?" you think you've finally got your breathing situation figured out, and you straighten up. "i'm going to get that interview, itoshi." "if you say so." he shoves his hands in his pockets, his own breath visible in the icy air. "i'm ready for our rematch." you tighten your ponytail, giving rin such a fixed, determined stare that it surprises him. you really are serious about this, aren't you? "and don't think about going easy on me." the corners of his mouth nearly turn upwards. he matches your gaze, preparing to shoot the ball. "i never will."

⋆⁺₊❅. meet your match starring oliver aiku synopsis tired of cleaning up his messes and struggling to reform his playboy image, oliver aiku's publicist has to break out the business card locked away in her "in case of emergency" glass case. she's calling in the calvary — you, the celebrity world's most respected matchmaker. every celebrity couple you've set up has either dated for years (and more to come) or even got their happily ever afters by saying i do at the altar. you've got a one hundred percent success rate. you're making the perfect matches left and right. hinge who? when your publicist bestie calls you, begging to help her most troublesome client finally find love and quit playing around, you already know who she's referring to. oliver aiku. he's hellbent on ruining your perfect run, and you're hellbent on finding him the love of his life so he can finally settle down and stop causing your best friend to spend her whole paycheck on migraine medicine. in his hyper-competitive field, he's never quite met someone as obnoxiously stubborn as you — nor has he ever had as much fun playing games with anyone else. it looks like the two of you have finally met your respective match.

exclusive sneak peek! "what the hell is the matter with you?" you glare at him from across the table, but oliver doesn't seem the least bit ashamed. you're not shocked; you don't think he has the capacity for shame. "what are you talking about?" he tries to sound innocent, but it doesn't work. look at him — there's nothing innocent about the man sitting across from you. "i'm talking about you bringing another woman to the date i set up for you!" you hiss, trying to remain calm and not draw attention to the two of you. he takes a long sip of his coffee, dragging out the silence as you wait for his explanation as to why he wants to make things as difficult as possible. "i was just testing her." oliver is smiling. you want to punch him in his stupid face and see if he'll still be grinning at you. probably. he's annoying like that. "during a situation like that, you can tell if the girl's gonna be a struggle to deal with depending on her reaction." "you know what my reaction would be if you did that to me?" you lean forward, and he meets you halfway, also leaning in closer. he's still smiling. you hate his stupid smile. "oh? what would your reaction be?" "nothing. you'd never even get the chance to pull that shit on me. as if i'd ever be dumb enough to go on a date with the likes of you." you lean back in your seat, opening up your phone and furiously marking off girls from your list. the list gets smaller after every one of his failed dates. oliver sits back, too, watching the way your brows furrow as you stare at your screen, not even giving him the time of day. he never stops smiling; finds it hard not to smile when he's in your presence.

:¨ ·.· ¨: `· . jujutsu kaisen films coming to a theater near you ౨ৎ

⋆⁺₊❅. the roadtrippers starring kento nanami synopsis you're traveling solo for the first time ever after your fiancé breaks things off with you to date his 19 year old neighbor. kento nanami's a single father/investment banker trying to make it back home in time for his daughter's birthday. you're both trying to travel across the country, but when a massive snowstorm delays the same flight you two were going to take home, you decide to team up and just travel together to try to make it your respective destinations on time. from weirdos on the train, flat tires on scarily cheap rental cars, and posing as a married couple at a strict, christian-owned bed&breakfast, you go from strangers traveling cross-country together to being connected together in ways neither of you have ever connected with your previous partners before.

exclusive sneak peek! "whoa, you're doing this like it's nothing." you stare in awe as nanami rolls up the sleeves to his button-down, exposing his strong forearms as he turns the wrench, loosening the lug nuts of the flat tire of the rental car. "that's because it is nothing." he tells you, glancing up at you. you're wrapped up in his blazer, but the chill of the outside air still bites at you. "you should go back inside the car and wait for me. i'll be done in a second." "it wouldn't be fair." you explain to him. "you've been doing all the work this entire trip. braving the elements with you for a few minutes is the least i can do." "you don't have to do anything." he looks up at you, his stare bringing heat back into your body. "you don't owe me. i really don't mind helping you. if you really want to do me a favor, then go back inside the car and stay warm."

⋆⁺₊❅. snowed in starring naoya zenin synopsis you've never had great luck, but with your good attitude, you don't let life get you down. good karma finally comes your way when you win an all-expenses paid trip at a luxury ski lodge. this is where your good luck ends. apparently, the ski lodge accidentally double-booked the cabin: you're supposed to be staying there... and so is the rudest, most arrogant and condescending lawyer you've ever met. naoya zenin booked this place to get away from the city and work in peace, away from the incessant nagging of his family and employees. instead, he's met with even more inconveniences, the biggest one being you, some teacher from a small town he's never heard of and couldn't care less about. before either of you can head back to the main lodge to complain, a snowstorm comes rolling in, effectively leaving the two of you snowed in together for the time being. no cell service, no internet, and no one but each other. fantastic.

exclusive sneak peek! "where are you going?" he asks, eyeing your towel and pajamas in your hand. "to go shower?" you point to the bathroom door. after claiming he wants nothing to do with you, and then setting a ground rule that you can't speak to him unless he allows it, you figured he'd just leave you to your own devices. "unless i need permission from you to do that, too." "i checked the water tank. there's barely anything, and even less hot water." "and this is my problem because...?" "i need to shower, too. i know women have a tendency to take hour-long hot showers, but that isn't going to work here." somehow, you find it hard to believe any woman would want to be close enough to naoya to where he can track their shower-time. "fine. i'll take a lukewarm shower for fifty-five minutes then." you reach for the bathroom door handle. "will that satisfy you?" he's up in a flash, his body so close to your own. you've got nowhere to go but to back up against the closed door, trying to get some space between the two of you. "you don't want to know what'll satisfy me."

:¨ ·.· ¨: `· . attack on titan films coming to a theater near you ౨ৎ

⋆⁺₊❅. falling onto you starring porco galliard synopsis when you’re forced to return to your hometown to take care of your grandmother after her hip surgery, you’re roped into volunteering for the town’s fire department charity event. paired with the constant scowling firefighter who rescued you from a tree back when you two were kids and classmates, you’re tasked with organizing the firefighter calendar auction. between awkward photo shoots, bickering over decorations, and trying to outbid a local rival for the best auction spot, you start to see that maybe porco galliard isn't all scowls and shambles arrogance — after all, he's there to catch you every time you fall.

exclusive sneak peek! "no." "it's for charity, galliard." you toss him the santa hat, not the least bit shocked that he manages to catch it without batting an eye. "you're like, morally obligated to do this. unless you want to ruin christmas. that's fine by me, too." "i won't be ruining christmas. you're just a pervert." you gasp. "i'm not the one who came up with these positions!" "you're still going to buy the calendar." he points out. "yeah, for charity! not to actually look at it!" "you sure about that? because you seem pretty damn persistent that i should take off my shirt and let you take pictures of me in nothing but suspenders, my work pants, and this ridiculous hat." "that's the most stereotypical firefighter photoshoot for a sexy christmas calendar!" he pauses. "you callin' me sexy?"

⋆⁺₊❅. the one starring colt grice synopsis colt grice has the worst luck known to man. when it comes to pay-it-forward chains, he always gets stuck in front of a minivan for a family of nine. naturally, the only people who crash into his car are the ones with no insurance. he felt bad for a coworker during a work potluck, stomached some of their disgusting food, only to end up getting food poisoning from it. the only thing colt ever seems to have good luck with is relationships... specifically, his good luck seems to transfer over to the girl he's currently dating. see, the thing is, every time colt gets dumped, his exes always end up finding the love of their lives. all his exes are happily married or in long-term relationships, with all of them finding their soulmates right after breaking up with him. he thinks no one else in the world has luck as terrible as his, but then he meets you. after a conversation exchange during a long line, you reveal that it seems like every ex you have has found their soulmate directly after breaking up with you! which is when you two hatch a plan: in order to help each other find "the one", you both agree to date each other for a period of time and then dump each other, all in the hopes of finally meeting your soulmate.

exclusive sneak peek! "your soulmate is super lucky, by the way." "what makes you say that?" colt turns to his side so he can look at you. you're still laying on your back, gazing up at the stars above. "just... i can't imagine why anyone would want to break up with you. you're honestly the best boyfriend i've ever had." colt's heart jumps at your words. he's glad it's so dark outside; otherwise, you might see the blush creeping on his cheeks. you continue on. "i'm going to be really sad when we have to breakup." he knows it's not in the agreement, but he can't help it. he thinks, then let's not. instead, he swallows hard and makes a half-hearted joke. "don't worry. you'll meet your soulmate soon, all thanks to me." you laugh, but you don't tell him how you're really hoping that he's the one for you.

⋆⁺₊❅. girls just wanna have fun! starring levi ackerman synopsis you're the prime minister's daughter wanting to get the proper college experience during your very last year of university. he's your marginally older, no-nonsense, militant bodyguard. you're determined to check things off your college girl bucket list (skip lecture, eat questionable dining hall food, go to a frat party), and he's determined to keep you safe.

exclusive sneak peek! you’ve been meticulously planning this all week. the perfect outfit is tucked under your oversized hoodie, and you’ve even plotted out the quietest route to avoid any of the creaky floorboards in your family’s massive home. all that’s left is to slip past levi, who seems to have an annoying sixth sense for every bad decision you attempt to make. sliding your shoes on, you tiptoe toward the front door, holding your breath as you slowly twist the handle. almost there. just a few more seconds, and— “you have exactly five seconds to explain what the hell you’re doing.” the deep, authoritative voice freezes you in place. slowly, you turn to find levi standing in the shadows, his arms crossed, one eyebrow raised in disapproval. the flat line of his mouth isn't forming a frown or a scowl, but the disappointment is evident. “levi,” you start innocently, trying to cover your tracks. “i was just—” “if you're just going to lie, don't bother saying anything.” he interrupts, stepping into the light. his eyes flick to your shoes and back to your guilty expression. “where are you really going?” you sigh, crossing your arms defensively. “it’s just a party, okay? everyone’s going, and i’m not some teenager who needs her parent's permission to go out at night.” “you might not need your father's permission,” he says, his voice low and deliberate, “but you do need my protection. and if you think i'm letting you sneak off to some frat house full of drunk idiots without so much as telling me, then you’re dumber than i thought.” you glare at him, your frustration bubbling over. “you’re not my dad! i can take care of myself.” he leans against the doorframe, unflinching. “if you could take care of yourself, you wouldn’t have tried sneaking out like a common criminal." “ugh,” you groan, childishly stomping your foot. “why do you always have to ruin everything?” “why do you always have to make my job harder?” he counters, his tone sharp but his eyes softening just slightly. for a moment, the two of you just stare at each other. then levi exhales, rubbing his temples as if you’ve given him the worst headache of his life. “here’s the deal,” he finally says. “you stay home tonight, and i’ll consider letting you go to the next party — with me shadowing you the whole time.” your jaw drops. “you can’t be serious.” “correct. i never plan on letting you go to one of those idiotic parties.” he says. “now go change out of that ridiculous outfit you're wearing under your sweatshirt, and get some sleep. you've got class at eight.”

[gguk-n]

Chapter 2- Secret and Surprises

Unravelling Max's Mystery (Max Verstappen x Online Friend!Reader)

Series Masterlist

Summary- Y/N has lost out on a few of her publication dreams while juggling 2 jobs. Her crush on Max has only led to failed relationships. She dreams of one day meeting and being with Max. But Max has a girlfriend and a career she knows nothing about.

{Reader's POV}

I finally moved out from my parents's place a few years back when I decided to pursue Literature. It was a very difficult time for me but I had Max by my side. Trying to convince my parents that I want to understand the art of writing and then doing what I love was very challenging. I moved to a another city with my dream university. Even today, they detest my choices and hope that I would take my life seriously. It has been difficult but seeing them once or twice a year only has made it easy.

Max and I are still very close. I still have a crush on him; it got worse after we started video calling each other after I moved out. I wasn't about to get 'caught' talking to a guy under my parents's roof. The consequences would be disastrous. Max is still the same, slightly older, has a stubble. I still don't know his full name, but he doesn't know mine either and I don't mind keeping it that way.

Having Max as a friend has hindered quite a few relationships either because they weren't him or they were jealous of some guy I would drop everything for. He still has a horrible sleep schedule, I've scolded him a couple time, but he doesn't listen. However, he has the cutest cats, Jimmy and Sassy. They love their dad a lot; I really wanna get cats too but I'm barely keeping myself alive, I'll kill my pets.

My job pays shitty, I'm a primary school teacher and freelance editor. I had hoped that being an editor for bigger and well established authors would help me improve my writing and get my book or poems published; has yet to happen. All my clients are kind people and very understanding of my predicament. Alas, this doesn't leave me much time in the day; teaching, lesson planning, correcting papers, editing other's stories or poems, talking to Max. Max has gotten pretty good about not disappearing like he did a couple years back. I still have no clue what he does, not like he knows what I do specifically. But he said he does something along the lines of cars; I knew he loved cars. I hope his job pays him better since he moved a few years back when I was still at home. His place looks lavish, either he gets paid well or it's from the company. I will never know. He's seen the shit hole I live in, but has yet to comment on my poor living conditions. I have too much of an ego to let my parents know I am struggling; I would rather starve then let them know. All I would hear is that they were right and I should mend my mistakes. What mistakes should I mend when these were my choices and I'm happy with them.

I've compiled 20 of my poems and even wrote a book, I've sent it to so many publishers in hopes that it will get picked up. This is like my fourth or fifth time. I mean, I haven't exhausted my resources and till the day all the publications shut down I'm not giving up. I've been rejected quite a few time, sometimes at the initial stages or after first reading and preview. They make publishing a book look so easy on shows and movies. I wish it was that easy in real life, but it isn't.

Being on spring break makes it so much easier for a while, till I have to return. However, I can focus on my book and the editing gig since it pays better than teaching. There's this guy I'm editing for currently and he's so annoying. I want to stop working with him except he pays the best. The life of being chained to capitalism. I was fixing up his errors when my phone rang, it was Max on video call. We spoke on video call a lot after I moved out. He's attractive, blue eyes; truly all my weaknesses combined. When the screen popped up, he almost fell out of frame when Jimmy jumped on the phone. Max placed Jimmy on the floor. Max- Hey, Schat. Sorry about Jimmy. Y/N- Hi, honestly I would rather talk to Jimmy. (I laughed) Max- Sometimes, I think you are friends with me for my cats. Y/N- Yeah, I would've stopped being your friend had you not adopted them. Max- Wow! I'm hurt. (He placed his hand on his chest) Y/N- Stop being dramatic. I'm just living vicariously through you. Max- You should get cats too, you seem lonely. Y/N- I wish, I'll end up killing them since I'm so busy. Max- hmmm, I hope you find a companion. I did find a companion Max, every time I get a boyfriend, we break up directly or indirectly because of you I thought. Max- What happened to Finn? I thought he was smitten for you. Y/N- Yeah, things didn't work out. We both were too busy with work. In actuality, when we finally got close after months of talking and the first time we had sex I moaned out Max's name. He left immediately. I wasn't about to tell Max this. It would ruin everything, I believe. Max- What were you doing? Y/N- Editing that ass's book. Max- You know maybe, you should leave some blunders, not the most obvious ones but one's that would make him look stupid. Y/N- I wish Max, he pays me a shit ton to do my job. (I laughed bitterly) It's fine, honestly. I'll be done soon and I'll never have to see him again, hopefully, fingers crossed. Max- I hope so too. Y/N- Max, you should date someone. Instead of worrying about me. I've never seen you date anyone in all the years I've known you. Max- ahh, yeah, I'm too busy with work to do that. Y/N- If we lived closer, I would've set you up with someone. That someone being me, but he doesn't need to know that. We haven't even met yet; we never even spoke about meeting each other honestly. Max scratched his neck, shaking his head. Max- I'm good, schat. You should find someone, maybe you'll stop being cranky. Y/N- I'm not cranky, at least not with you. Max let out a deep laugh. Max- Well, I've got to go. My sister's visiting. I'll talk to you later. Y/N- Sure, say hi to Victoria for me. Bye Maxie!! Max- bye Y/N.

Talking to Max always brightened up my mood. But since, Victoria's visiting, he won't be available to talk as often. That means I'm gonna have to spend all my free time scrolling through Instagram. It's all fun and games until I'm on hour 6 of some random video on Youtube. I spent the next couple of days cooped up in my home, just to enjoy waking up late. There were still a few months still summer break and I intended on enjoying them to the fullest.

School started way to soon for my liking. Max would send pictures of Jimmy and Sassy to cheer me up. It did cheer me up. Max travelled a lot for work, I've seen quite a few hotels and I think they are 5 star hotels. So, his work place is rich rich. I wish Max would hire me, I lamented, maybe then we might meet. I've thought about meeting him but he never showed any inkling that he would like to meet me. I wasn't about to seem desperate; I would probably jump him if I did. I mean he is single, so it's fine.

When the school started after spring break, I got handed a new author to help edit her work. I spoke to her and she was very nice to talk to. The book she was writing was based off a sport. On further questioning, she told me it was Formula One. I had heard about it when my city hosted a Formula E race a couple years ago. I don't remember much because I'm not sure if they held it again but what I can tell you is that traffic got so bad, I hated leaving the house for a couple of days. I don't really see the appeal of watching people go around in a circle in fast cars. I think I would panic if I found out how fast they drove. The author asked me to do some research on the topic. I was a good student and I wanted to be of help, so I decided to spend the next couple of hours going through Formula One and their rules.

There's something I have to clear up, I have a type of blindness bias. If I'm not interested in a topic, it would be like I live under a rock. Nothing could phase me and I couldn't care less. That's how I ended up on the wikipedia article of Lewis Hamilton, Micheal Schumacher and then current champion Max Verstappen. Schumacher and Hamilton were very good, reading about them made me awe struck. What really shocked me was a guy named Max Verstappen, who looked awfully like Maxie. I've stared at Maxie more than I would like to admit, so I'm sure they look alike. As I went through the article, my heart seemed to beat harder; not sure why. I felt like this was my Maxie however I believed that Maxie would've told me if he was a Formula One driver. I had to lay my doubts to rest, so I ended up on Youtube with the search bar reading Max Verstappen. My doubts laid to rest in a place I didn't want them to; Maxie was Max Verstappen. I could recognise that voice anywhere. He talked a lot, I could recognise his voice in a crowd of people or in my sleep. All my suspicions were cemented when I saw a picture of 2 cats who looked like Jimmy and Sassy and were called by the same name. My heart was ready to jump out of my chest. Max had lied to me; but was it really lying when I never prodded him for answers. Worst of all, he had a girlfriend and a kid. That's when I felt I was lied too. How could he not tell me? I would've genuinely been happy for him. We would've celebrated his 2 championship wins. My throat felt dry and my eyes wet.

Life wasn't fair when I've been trying to get my book published while my best friend, don't even know if I can call him that, is a 2 time world driver champion. He never even told me, while he has been in Formula One almost all our friendship and karting all his life. I felt the ground slipping from under my feet. Was I that unimportant to not share such a crucial part of his life or huge accomplishment in his life? Was I even his friend? All these questions raced through my mind, while tears streamed down my cheeks. The pillow wet from my tears when my phone rang. It was Max on the other line, and for the first time in 10 years I did not answer his calls even though it rang for a 4-5 times. He finally stopped after sending me a couple of worried messages; asking how I was and where I was?

[Max was freaking out. Y/N never missed his calls, no matter the time or place. Worst of all, she didn't even reply to his messages; not after 5 minutes or 10 minutes or 20 minutes. Max didn't know where she lived, he didn't know who to call, or who to ask about her. His hair was a mess, he was pacing the room so much so, that his girlfriend’s daughter asked him what happened. He couldn't tell them, no one knew of this secret internet friend he had. Who was he supposed to contact to file a missing person's report? He tried to calm himself down and think happy thoughts but all his thoughts were Y/N]

[pluckyredhead]

Character Profile: Gregorio de la Vega and Hugh Dawkins (Extraño and Tasmanian Devil)

I was thinking that it's been too long since I've done a character profile, and then I realized that I don't think I've ever posted about DC's CANONICALLY MARRIED, HISTORICALLY SIGNIFICANT DILFS, a.k.a. Wizard Daddy and his furry husband. I'm so sorry. I've failed you all.

ANYWAY MEET GREGORIO AND HUGH:

Gregorio (on the right) is the first out superhero in comics, ever, from before the Comics Code even allowed gay characters. Hugh is DC's third gay superhero (Pied Piper came out a year before him) and the first canonically queer member of the Justice League. See? Historically significant!

CONTENT WARNING: Homophobia, racial stereotypes, attempted suicide, HIV/AIDS, and some particularly gory fridging (Hugh got better).

Gregorio de la Vega first appeared in Millennium #2. Now, they never actually use the word "gay" in the eight issue Millennium miniseries, but, well...

No, seriously, despite the fact that they never use words like "gay" or "homosexual" in the pages of the comic itself, the art and dialogue make Gregorio's sexuality very clear - and in case that wasn't enough, the editors do use the word "gay" in the letter columns.

Millennium was an event in which the Guardians and the Zamarons identified a group of diverse humans to be "the vanguard of human evolution" and gave them all superpowers. Gregorio is hanging out in a cantina in Peru when they show up to give him the news:

He's calling himself a fruit do you get it??? Honestly I love him so much. He's so extra.

I want to emphasize again how groundbreaking Gregorio is. Like, yes, obviously he is a raging stereotype and arguably a problematic one. But this was 1988. The Comics Code Authority would not be updated to permit queer characters until the following year (probably because of Gregorio, in large part). The fact that he existed at all, and not cloaked in layers upon layers of subtext, was a huge step forward. No, he's not perfect, but when you're the only canonically queer superhero in mainstream comics, that's an impossible ask.

Anyway. Gregorio's not super into the idea of being a main character at first, but after a self-loathing suicide attempt (Wally saves him), he decides fuck it, why not be a superhero, and joins the team that will become the New Guardians. He's granted his superpowers, which are generic magic ones, and takes the codename Extraño.

Unfortunately, in the spinoff series that followed Millennium, New Guardians, things get...uh...kind of rough. By which I mean that a) the original writer left, b) the new writer dialed Gregorio's gay stereotyping waaay back in favor of, um, Latino stereotyping instead (he stops calling everyone "honey" and starts calling them "amigo"), and c) the team is attacked by the Hemo-Goblin, an HIV-positive white supremacist vampire. Yes, really. It's fucking awful.

The Hemo-Goblin scratches Gregorio and bites Jet, a Black woman on the team. They both subsequently test positive for HIV. There are many letters from fans pointing out that it's nearly impossible to contract HIV that way, but the editors insisted that actually it was totally plausible, and then implied that probably Gregorio already had HIV because he was gay (even though he had tested negative earlier in the book). Then Jet dies. Again: it's fucking awful.

New Guardians was canceled soon after that and Gregorio pretty much disappeared. By the 2000s, he was viewed as basically an embarrassment, if anyone even remembered him at all: so stereotypical, so flamboyant, so offensive, so cringe. In the Love Is Love anthology, everyone's least favorite human Dan DiDio wrote a story where he claimed that Extraño died of AIDS back in the 80s, which...literally wasn't true??? The publisher of the goddamn company and even he assumed that the Cringey Stereotype must have died the Stereotypical Death.

And then in 2016, Gregorio got a makeover, courtesy of Steve Orlando and Fernando Blanco:

HELLO.

Yeah, so Gregorio is a silver fox now who hangs out with Apollo and Midnighter, does wizard shit, and lives in Lima with his husband and their adopted daughter. SO LET'S TALK ABOUT THAT HUSBAND:

Could you tell he's Australian???

Hugh Dawkins, a.k.a. Tasmanian Devil (no relation to the Looney Tunes character except that they are both owned by WB and, obviously, Tasmanian) actually first appeared in the Super Friends tie-in comics to the cartoon of the same name, in 1977, as part of a plotline where the Justice League teamed up with a bunch of international superheroes.

As you can see above, Hugh, like the other international superheroes, is a massive stereotype. He's also a were-Tasmanian devil who can grow really big, like many Australians. (Even though he's been around for 50 years, there are very few panels of Hugh in human form, but if you need to know for reasons of all the fanfic I hope you are about to write: he's blond.)

In the late 80s, Hugh and the other international superheroes from this story were incorporated into the main DCU as a team called the Global Guardians. They became occasional supporting characters to the various Justice League International books, and some of them joined various Justice League branches. Others had random cameos here and there, and in a 1992 issue of Justice League Quarterly, Hugh's random cameo involved casually mentioning that he is gay:

Again, this is a big deal. It's only 1992, meaning the only canonically queer superheroes in mainstream comics are Extraño (1988), Pied Piper (1991), and Northstar (1992). And this is a Justice League book. AND IT'S 1992. When Hugh talks about things being hateful for gays, he's likely referring to the virulent homophobia in Tasmania at the time (homosexuality wouldn't be decriminalized there for another five years).

Which means it was also a big deal that Hugh went on to join the European branch of the Justice League shortly after this, making him the first canonically queer member of any branch of the League. Of course, his sexuality was never mentioned during the year and a half he was on the team...or in any comic...until 2006. And then it was a vaguely homophobic joke involving Hal Jordan. But still!

(There is a panel that I SWEAR exists from the JLI era of Hugh describing a total bullshit version of his origin which granted him "the power of 106 Tasmanian devils!" which I cannot for the life of me find but was the first thing that made me fall in love with this character. If you stumble across it, please let me know what issue number it is?)

Hugh then had the misfortune of next appearing...sort of...in the infamously awful Cry for Justice in 2009. I say sort of because it's revealed that the villain, Prometheus, has skinned him and turned him into a rug. So we only see his skin. The late 2000s were really, really rough, guys.

However, a year later he appeared in the Starman/Congorilla special and he was totally fine? Don't ask me how. Gorillas were involved. The issue ended with the possibility of him and Starman (the Mikaal Tomas version) hooking up, but then the New 52 happened, so that never came to anything.

...BUT WHO CARES, BECAUSE NOW HE'S MARRIED TO GREGORIO AND THEY HAVE A DAUGHTER AND THEY ARE IN LOVE.

The nickname! The clutching! I'm dying.

Did I mention the canon threesome with John Constantine?

HUGH LOVES HIS RIDICULOUS HUSBAND SO MUCH. Tragically the JLQ only showed up in these two stories but all the baby queer superheroes in the DCU call Gregorio "Tio" and it makes me want to weep. HE WAS ALL ALONE IN 1988 AND NOW HE HAS A FAMILY. I AM VERKLEMPT. 😭😭😭

Unfortunately Gregorio and Hugh are pretty much relegated to occasionally appearing in Pride specials these days, but maybe if we all wish really hard, DC will let Steve Orlando or Andrew Wheeler write a miniseries about how they met and fell in love. I think Nick Robles should draw it.

ANYWAY I LOVE THESE HISTORICALLY SIGNIFICANT HUSBANDS, THE END.

[localplaguenurse]

Falling Head over Heels (Pantalone x Male Reader) pt 8

WE ARE FUCKING BACK! (I immediately started hacking my lungs after typing this, I'm sick :P)

To make a long story short, for the past few months I've either been really busy, really depressed, and usually both. Also for some reason chapter 8 was already hard to write and I don't know why.

ALSO before we get into the fic, @your-local-furby drew some absolutely lovely fanart of MC apologizing and seeing the library from the previous two chapters. I think it finally kicked my brain back into gear lmao.

Without further ado, please enjoy!

@thedeimoshimself @eli-chris

It feels like the ground beneath me is sucking me in.

I feel myself sinking,

I wish the ground would swallow me whole.

Embarrassment washes over me and swallows me whole. I feel the air leave my chest I want to break free but I feel like I’m drowning. 

You take the page you’re scribbling your notes on and crumple it into a ball. You’ve reread your rough draft and decided the arranged wedding scene you had planned wasn’t tragic enough. The blind musician is tasked with performing for the prince’s wedding, but his heartbreak causes him to mess up his performance, which causes everyone to notice he’s crying, including the prince. You’re trying to convey the feeling of knowing every single person in the room is watching you during the lowest point in your life, but it’s just not coming together in a way you like. You’ll run it by Alik later.

Technically, Alik is no longer your editor as a result of your deal with the Yae Publishing House. Still, they’re one of your few friends, and their workload has lightened since your previous publisher terminated all of those other book deals. Now they’re acting as your beta reader before you send off the next draft to the editor at the Yae Publishing House. It’s actually making progress go a lot faster, so much so you might only need one final draft of the whole story before it’s finally published, as opposed to multiple drafts. 

I do not need sight to know everyone in the room is looking at me. I feel it in my broken notes that trail into nothingness. I feel it in the resulting silence. I feel it in the quiet murmur spreading through the room.

I feel tears in my eyes as I drop my head down, praying no one sees me crying. If I could, I would sprint out of the room, out of the palace, so no one is witness to my heartbroken embarrassment. I’d run so fast, the prince would have no time to chase after me. It would be for the best anyways. He deserves his perfect and beautiful bride, and I am no bride, I cannot verify if I am beautiful, and in this moment, I could not feel anymore flawed as a person and human. 

A knock on your door breaks your concentration. You’re dreading whatever is on the other side, but know it’s better to get this over with. 

“Yes?”

The door opens, and your mother pokes her head in through the gap. She offers a smile. “We have company. Come say hi, please.”

“I’m… kind of in the middle of something,” you reply, “and I’ve told you that I’m going to see Alik when I’m done writing.”

“How is she, by the way?”

“They’re fine.”

“And Maria? How’s she?”

“She’s alright, I think. I haven’t seen her in a while.”

“Well, tell them both I say hello. Anyways, if you have a minute, I would like you to come downstairs. There’s someone I’d like you to talk to.”

It takes you a moment to recognize what this is, mostly because it’s been a while since she tried pulling this off. When you realize what’s happening, you just shake your head and look at your mother. “Which family friend is this?”

She gives you a very unconvincing look of confusion. “My dear, what do you mean?”

“Mother, please.”

“... Ana. Anastasia.”

Anastasia is your younger sister Adéla’s friend. Much like your sister, she’s only a year younger than you, but unlike your sister, she actually likes you. Adéla and you have butted heads throughout your lives, as siblings tend to do and especially with such a small age gap, but Adéla has taken it a step further saying that it’s your fault her childhood was so “miserable” as she puts it. She claims that your diagnosis made you the centre of your parents’ attention until your youngest sister was born, and then they focused more on her than Adéla. Conveniently, she’s never had any sisterly drama with her, only you. You feel for her, but there was only so much you could do at the time, seeing as you were eight years old.

“Absolutely not,” you tell your mother.

“But you two got along so well when she would visit,” your mother insists, “and she’s become a fine young lady since the two of you last spoke! Don’t you remember reading together when you two were little?”

“I’m sure she’s beautiful,” you say, “but Adéla will throw a fit if she finds out you set me up with one of her friends.”

“You don’t know that.”

“And I don’t want to find out,” you tell her, “and I told you I don’t like being set up on dates.”

Your mother lets out an exasperated sigh. “I’m just worried about you, okay? I want to make sure my son is happy, healthy, and I want him to find someone he can settle down with. Your brother was already married at your age, and Adéla’s going to be having another baby soon.”

“Yes, but I’m not Pavel or Adéla,” you say, “the dating scene is different for me, and playing matchmaker isn’t going to make me feel any better or help me.”

Your mother just looks at you. That sad, pitiful look you know all too well. It stopped pulling on your heartstrings long ago, but sometimes it’s just easier to indulge her than it is to fight her on it. Besides, she means well, you think, it just can’t be helped that she doesn’t know her son has no interest in women.

You sigh, and stand up, much to your mother’s delight. “I’ll say hi, and that’s it.”

She grins, and she motions for you to follow her.

----

“... and she just happens to be single, too.”

Alik sets their glass down. “Interesting. So when’s the wedding?”

“It’s not happening,” you reply, “thank the Tsaritsa for that.”

“I’m honestly surprised your parents haven’t put you in an arranged marriage yet,” Alik comments.

“How many viable marriage candidates do you think there are that would be thrilled to marry someone who’s not only going blind, but could pass it on to their children as well?”

“Depends on how much the family is getting paid.”

“And it would not be much.”

The tavern is surprisingly quiet tonight. You chalk it up to it being the middle of the work week, not as many patrons willing to get drunk if they have work early in the morning. Currently, you and Alik are sitting at a table in the corner of the room while a few older patrons mill about, chattering on about their own lives at the bar. It’s actually rather nice, you think.

“What would they try to sell your bride to be on?” Alik asks.

“Um…” You look into your half drunk glass, trying to think of something funny. You clear your throat, straighten your posture, and put on your best business smile. “Here’s a fine young man who has no real work skills, and it’s not like they would do him any good since he’s considered legally blind and has between thirteen and fifteen years before he is fully blind. His only profitable skill is writing, though he doesn’t make enough to support a household. His blindness is also genetic!”

“By the Archons, at least say one nice thing about yourself,” Alik teases, though there’s a subtle sincerity to their words.

“I think I’m decent,” you say, “I think I might even make an okay husband, but I don’t think I’d be the kind of husband Pavel or my father are.”

“That’s not a bad thing,” Alik replies, “there are plenty of families and couples where the husband isn’t always a provider. Besides, you’re not really a ladies man to begin with.”

You shake your head. “It’s not even that, it’s just… you know I try not to make a big deal of me going blind, but it’d be naïve of me to pretend that it’s not, and especially if I was in a relationship. Whether I like it or not, whoever I marry is going to inevitably become my caretaker. There will come a day where I’m going to need help, and I’ll rarely be able to return that favour.”

“That’s why it’s in sickness and in health,” Alik comments. They reach across the table and take your hand, giving it a reassuring squeeze. “For what it’s worth, I think you’d make a good house husband, before and after you start seeing the world how Maria does.”

Maria is Alik’s cousin, and one of your few very close friends. She has been a big help to you in writing your book as her blindness is similar to the main character’s. While he was born blind, she actually had vision when she was born. Unfortunately, she suffered a very severe head injury when she was very young. She has little to no memory of her life before she lost her sight as a result, as well as having some developmental problems growing up. These days she’s doing much better, though her eyesight is still gone. At most, she can detect if there’s light, but that’s the extent of it. 

“Do you have permission to make jokes about her being blind?” you ask.

“I not only have permission, but that’s not even the worst joke I’ve gotten away with.”

“I don’t want to know.”

“For the best.”

Your table goes quiet as you and Alik take a moment to drink. You try not to cringe at the taste of whatever the hell Alik recommended you try. It’s a beer, and you can taste that, but it’s a lot more bitter than you like. Still, they bought it for you, it would be rude to spit it out.

“You don’t have to drink that, you know.”

“It’s an acquired taste, I’ll get used to it.”

You see a smile twitch onto Alik’s lips, and even if they try to hide it, you can see a shit eating grin from miles away. 

“Okay,” you say, “out with it.”

“What do you mean?”

“You thought of something terrible, I want to hear it.”

Alik glances around the room, assessing how audible their comment would be. You take a sip of your drink, and they grin.

They lean in. “I’m sure Pantalone would be happy to hear that.”

You immediately sputter, spraying Alik in the face. They yell, swiping at their face as if they were sprayed with acid. You cough as what was left in your mouth goes down the wrong pipe. “Fuck, w-why’d I take a drink–”

“Did you have to spit that in my face?” Alik asks.

“Shut up,” you wheeze out. You give one more hearty cough, your throat and chest burning, and you can breathe again. You sit up, rubbing your chest through your shirt while Alik wipes their face and the table with napkins. You look around, and see the few patrons staring at your table. You painfully chuckle, and turn back to your friend. “S-Sorry, I should know better by now.”

Alik shrugs. “I’m not wrong, am I?”

“I told you that in confidence,” you whisper.

“You actually told me before the tea party,” Alik tells you. “I don’t know if you’ve noticed, but it’s starting to show in your book.”

You feel your face flush, and you narrow your eyes. “I think I would know if I was writing about him, thank you.”

“The prince was a lot more arrogant in your first drafts,” Alik explains, “but in more recent iterations, it’s been toned down a lot. He’s also a lot more understanding of the musician’s blindness.”

You’re confused. “Well, yes. My first drafts are years old, so I’ve had to make some adjustments to better fit my writing style now. Besides, I’ve read too many stories about asshole love interests that don’t really learn anything, they just get tragic backstories that authors think justify their shitty behaviour. I’m not adding my characters to that pile.”

“No, I agree on that,” Alik says, “but even then, he was still a solid character, arrogance aside. He was just a spoiled prince who had to actually think about other people for the first time in his life. Like he’s never had to deal with someone with a disability, and doesn’t know how else to feel other than annoyed. In the more recent drafts, he still doesn’t know how to deal with it, but he’s a lot more willing to make up for the disrespect, where the old version did it, but complained the whole time. It just so happens that this change happened right when you met him for the first time.”

“That’s… hm.” You take a sip and don’t spit it in Alik’s face. “You’re on the right track, but I don’t think I was writing all of that because of a crush.” You feel your face flush warmer again. “He was a bit of an ass at the party, but since then he’s become one of…” You take a moment to count names on your finger. “... six or seven people that aren’t patronizing about me going blind. I’d just been putting up with most of my family either coddling me or being inconvenienced by me, but he’s a rare instance of someone making accommodations, but not making a big show of it. That’s why the book was like that until I met Pantalone.”

You stare into your glass. “And… a-and it’s why I enjoy his company so much…”

Alik doesn’t say anything. You look up, and you see their expression has softened a little bit. They lift their drink up to you, and you smile and lift yours up.

“Cheers.”

You both take a swig, and somehow the disgusting drink tastes sweeter going down. Your face feels warm, and you wonder why you’re still blushing when you see you’re already halfway through your drink. Alik has a similar glow in their cheeks. 

“That’s really sweet and cute,” Alik says, “but I do have to ask you something.”

You feel whatever warm feelings you’re feeling lessen when Alik’s softened expression gains a hint of concern. Their smile looks awkward by comparison, before they sigh and lose it altogether. You’re already dreading what they’re about to say.

They hesitate for a moment, and when they speak, it’s in a whisper. “Do you like him, or do you like what he’s done for you?”

“W-What?”

“I wouldn’t ask that if we were talking about anyone else,” Alik clarifies, “but I have to ask when it’s him. I don’t want to rain on your parade, I’m happy you like someone, but… he’s a harbinger. One of the more likeable ones, but not without flaws.”

“I know…”

Alik sighs. “Look, if it were some other handsome rich man, I’d say go for it. The fact it’s a harbinger specifically makes me a little worried, I won’t lie.”

You sound like my mother. “It’s a crush, not an engagement,” you tell them. “We enjoy each other’s company while he works with my father and sister. I just enjoy it differently than he does.”

“Still, even as friends, I’d be cautious. If not for what he’d have planned, then for what others might have in store for him.”

You take a swig. “You want to know what’s funny? You’re the first person to bring up his enemies as a point for why I shouldn’t get near him.”

“I am not.”

“No, seriously. My mother doesn’t want me near him because he’ll probably, I don’t know, kill me or sell me or steal my ideas, depends on the day. My father thinks I’ll ruin everything those two have built together, which I still don’t know why Pantalone is working with him.”

“Maybe your dad’s indebted to him or something.”

“...”

Alik notices your silence. They say your name in a soft voice, seeming worried by your expression. Your father’s not in debt, is he? The business isn’t as prosperous as it was when you were little, but job markets change all the time, and the economy is ever fluctuating. It’s purely the result of what happens when a business runs for as long as it does. Sometimes an empire doesn’t crumble, but rather dies slowly.

“Hey, are you okay?”

You snap out of it. “I’m, uh, I’m fine.” You push your seat back and stand. “I’m just, um, I’m going to go to the washroom for a second.”

“... Okay? Just watch yourself.”

“I’ll be fine,” you call out over your shoulder before immediately bumping into someone. Unlike with Pantalone, you actually manage to catch yourself before you fall. You know that Alik is holding their head in their hands, possibly stifling laughter too for a little extra salt in the wound.

“Archons, sorry,” you immediately blurt out, “I didn’t see you there.”

The ginger haired man laughs. “Oh, no worries comrade! Just be more careful next time!”

You stare at the man, eyes widening. His smile grows, almost reaching the dull blue of his eyes.

“Why the surprised face?” he asks jovially.

You sigh and shake your head. “I have got to stop meeting harbingers like this.”

[fantastic-nonsense]

I have a fun [citation needed] hypothetical for you. Say you have been granted the authority to make FIVE editorial directives for DC comics that will be followed for at least the next five years. What are you demanding?

No company events.

No major events with ten thousand tie-in comics.

No big crossover events.

No big gimmick events.

No event comics.

Okay, I kid, but only slightly. I'm actually going cheat slightly and give you five plus an extra one that needs a bit more explanation:

No company-wide crossover events or gimmick events that derail major ongoing stories in individual books shall be made. If an event comic is published, any tie-ins will be published separately from the character's ongoing/mini (for reference: like the Blackest Night tie-in specials).

Institute a lore consistency team within the Archives department. Mandate that every single creative team MUST read and utilize a character/story bible before writing any scripts. The scripts will be looked over by a member of the lore team as well as the book editor before being approved for publication.

The Young Justice generation is finally allowed to grow up and, where necessary, get new hero names. In particular, Tim Drake finally gets to age and stop being Robin. He picks 'Blackbird' as his new name, gets a cool new red-and-black costume, and stars in a rebooted Young Justice book alongside his friends.

Barbara Gordon has to formally retire from the Batgirl role and become Oracle full time again. This is handled in a way that is respectful of her character and her disability. Cassandra Cain will be Batgirl full-time again while Stephanie Brown goes back to Spoiler; Cass gets a Batgirl solo ongoing while Steph would join a rebooted Gotham Knights team book that includes her, Kate, Helena, Luke Fox, and Jean-Paul Valley.

Wonder Woman's established lore is acknowledged, respected, and re-emphasized. Diana is a clay baby again, Cassie is Zeus's daughter again, The Return of Donna Troy is acknowledged as the definitive explanation of Donna's multiple-choice backstory (while the fire origin stays the definitive origin), Artemis gets her original origin back, etc. Full acceptance of the Rucka Rebirth retcon to reset Diana's origins and childhood back to the post-Crisis status quo. No references to the Zeus origin or the New 52 Amazons are allowed to be made except in context of Rucka's "it was a lie" explanation.

In priority order, those editorial mandates probably fall out to be something like 2>1>5>3 and 4 in a tie; 3 and 4 are kinda interchangable since they collectively would fix a wide swath of what's wrong with the Bat books right now.

My "extra" mandate would be that writers must utilize existing characters where possible for their stories. No new "major" heroes are to be introduced unless a writer can prove that a book needs a new character to fill an identified gap. Prioritization should go to a) characters who used to be used on a regular basis in a given book but have not been seen in 10+ years and b) characters introduced within the past 5-7 years.

I'd want this one for two reasons: one, there's a ton of pre-existing characters who used to be staple or regularly recurring characters who have failed to get regular appearances since 2011, for a variety of reasons. Forcing writers to use them instead of creating new characters would allow DC to rebuild some continuity, bring back old favorites, and provide closure to lingering storylines that were cut short or never followed up on. Two, there's a hell of a lot of new characters have been introduced and discarded without actually building them out properly the last few years. I would honestly only put this one in place for around 3 years...long enough to force DC to actually flesh out the underutilized newbies and provide some closure and new beginnings for some old favorites.

[enmstorytime]

The Contract

I put it in the introduction of my book, a promise that was tongue in cheek, that was meant in good fun, that would never, never, never actually have to be upheld: If I make $50,000,000 on this book, that's the last day I wear clothing. And to prove it to my fans, anyone who sends me the receipt for their purchase of this book has the right to host one party that I will attend in my new clothing-free life. I'll serve the drinks for the whole night.

When my editor looked over my introduction, he cocked his eyebrow, and simply said, "Bold."

"It's not like it's going to happen," I said. "Besides, with fifty mil in the bank, I could buy a house far enough from the public eye that I'd live my life in privacy. It wouldn't be too bad. Groceries would be delivered, and I guess it would be a good reason for me to never talk to my parents again."

"What about the book signings?" My editor asked, like this was a real conversation. "What about the promised parties."

"I don't know," I said shrugging. "It sounds kind of fun to me."

"A naked book signing sounds fun to you?" My editor said, sounding surprised."

"Once i earn that kind of money, I think my fans deserve whatever they want from me," I said, laughing. "But you've seen the sales on my last book. I barely made $10,000."

"You're writing is good though," my editor said. "It's a problem of marketing. And a naked book signing might just get the marketing up."

"No naked book signing until the fifty million," I said, surprised that my editor was even considering this.

"Okay, okay, no naked book signing... yet," My editor said. "But I think this promise of living forever naked and of becoming a free, naked bartender might be what we need to help your writing career really take off."

"I'm not a free, naked bartender," I said. "To get my services they have to buy the book."

"Fine, fine, whatever you say," my editor said. "But really, I think this is a stroke of marketing genius. We could make a website where people can buy your book, which would automatically submit the receipt, and then they'd be taken to your calendar where they could schedule your bartending services."

"It's never going to happen," I said.

"We could also get you on talk shows," my editor said. "No one is that excited to hear from any old writer. But the old cliche, sex sells, is really true."

"It won't sell $50,000,000 worth of books," I said.

"Of course, no one will believe you'd really go through with it," my editor said. "Unless... Would you be willing to sign a notarized contract agreeing to this deal? You'd sign for yourself, obviously, and we, the publishing company, would sign on behalf of your readers."

"I don't think that will be necessary," I said, laughing, even though my editor still looked more serious than I expected him to. "It's fifty million dollars."

"If it's never going to happen," my editor said, steepling his fingers and looking me up and down, "then why not sign a contract."

So, I did.

I went on talk shows before my book's publication, where late-night hosts made jokes about shrinkage, and workouts, and courage. One host even promised to have my contractual naked bartending party on his show. I laughed, and grinned, and leaned into the humor, enjoying what I assumed was my fifteen minutes of fame.

My friends all winked at me when they promised to buy my book, or they made me promise to not forget the little guys when I made my millions.

My parents were less understanding. My dad told me I was a shame to the family. Everyone at church kept telling he and my mom how they'd seen me on the TV, and how sorry they were that my parents had raised such a desperate, sinful, greedy child. My mom told me she'd never look at me again if I actually went through with becoming a nudist.

When the original sales numbers came in after my publication, I started to sweat. I made ten million. Every copy that had sold within a week, and my publishing company was preparing for a reprint.

"You better start looking at private jet," my editor said over the phone as he was sharing the numbers with me.

"You don't really think it'll happen do you?" I asked, my stomach performing somersaults. "It's just a temporary media hype, right?"

But it wasn't. As the initial reviews came in, my book was receiving praise, and there was buzz that I would be nominated for a few awards ("No matter what happens with this next print, you're contractually obligated to attend those award dinners, if you're nominated," my editor reminded me again over the phone).

The publishing company put me back on the media tour to talk about the writing. At each stop I was given time to plug what inspired the book, to talk about the process, and then the teasing started. Hosts asked if I was nervous. Hosts called me brave. The host who had promised to have me bartend on the air rolled out a drink cart that could be wheeled through his live studio audience.

My friends started asking for previews. "I'll see it all soon enough anyway," was said to me almost daily.

My dad called to tell me he'd written me out of the will, since I was already rich enough anyway. My mom stopped speaking to me.

At the second printing, my book sales landed at a crisp $42,000,000 in my bank account. Every copy sold. I had assumed that this printing would give me the answer on whether or not my life was going to change more drastically than it already had. I don't know if you've ever realized that everyone who meets you is actively picturing you naked, but I was now very aware that that was what was happening to me. All anyone wanted to talk to me about was my body. And my company was almost literally edging me, printing just enough books that I'd have to wait one more round before finding out whether I'd be allowed clothing again.

"You've got your private jet, right?" My editor asked. "If not, check your email, I've sent you a few listings for some small, cheaper jets. But you'll definitely need one."

Out of caution I bought myself a secluded cabin in the woods, far enough from civilization that I could still go outside and enjoy the sun, even if I had to go out sans all my clothing. I told no one where my cabin was.

I was back on the talk show circuit. This time we weren't talking about the writing, we talked about the printing details, we talked about the number of books that would need to sell before I had to honor my contract. My publishing company sent copies of the contract to each host, and I heard the stipulations read over and over again while audiences wolf-whistled and jeered. The website to buy my book and schedule my bartending services was posted at the bottom of the screen. Each talk show ended with the host promising that I would be back once my next printing had sold out.

Some fans started a website that had one of those thermometer charts that people often use for fundraising events. The visual of 42/50 hit home harder than anything else had. Under the chart were pages and pages of AI renditions of what I looked like under my clothes.

"Listen, it's over," my editor said over the phone one night. "The pre-sale numbers for your next printing put you at $75,000,000."

My heart plummeted.

"I gotta say, I don't envy you," my editor continued. "The publishing company wants to have a recorded event where we break the news to you, and where you turn your clothing over to us."

"It's not in my contract that that would be recorded," I said. "I'd prefer to just ship everything, and then probably never come back into your office, thanks."

"Believe me, I get it," my editor said, and I could hear the grin on his face. "And you're right, it's not in your contract. But I think you should do it. We're drafting a new contract that I think you'll like."

"Will I get my clothes back if I do the recording?" I asked, allowing myself a second of hope that he immediately squashed.

"God no," he said, chuckling. "You're our gold mine, and we aren't just going to give that up. But, we'll censor you on the recording. The minute there's full frontal, blurring effects will go on. You'll also be given a guaranteed five more printings of this book, and a contract for five books of your choice, plus a memoir deal that you'll write after five years all about your first five years as the world's most public nudist."

"I don't think so," I said.

"I would reconsider," my editor said. "This allows you to ease into your exposure. Sure, the live studio audience won't have the blur, but the world at large will. Eventually, you'll end up somewhere online, and everyone will see everything, but this buys you a little more time. Plus, the company is throwing in a private jet, since I know you haven't bought one yet."

I hadn't bought the jet. But now, I knew I needed one, otherwise I'd be pushing my way through busy terminals, the only naked person getting pressed up on by the hundreds of people hauling their luggage.

"It's tempting," I said.

"You're alternative is that we will send our enforcement team to collect what is ours," my editor said. "And you know how hard it is to schedule things as a company of this size. It's likely we'd forget to send you warning, so you could be out in the street, and our big, burly enforcers could show up and tear the clothes right off your body, in front of everyone, and those beautiful camera phones won't give you the same guarantee of a modesty blur."

"Fine," I said, understanding that my publishing company would be getting what they wanted.

The printing came and sold. My editor was right, my bank account now had over $75,000,000, and that was with the cost of my small, private cabin in the woods taken out. I signed the new contract the day of the recording in my editor's office before I was escorted to a filming studio. I had packed up every piece of clothing I owned, and had given the publishing company's enforcers keys to my home and my cabin so they could ensure that I was living up to my end of the contract. I hadn't withheld any clothing.

In the filming studio, my editor called me up on stage. Surrounding me on stage were at least fifteen mannequins, each dressed in something that had been mine. One was dressed in my talk-show suit. One was dressed in my favorite jockstrap that I used to wear on dates when I hoped to get lucky.

I wore my normal clothes: t-shirt, jeans, tennis shoes, baseball cap. I wanted today to feel as normal as possible, even though I had barely slept the night before, even though I knew today would not be a normal day.

The program wasn't long. I sat across from my editor, both of surrounded by mannequins, the jock-strap clad one framed by the two of us. He asked me about each outfit that was displayed. I told him the stories of where I got them, why I picked them, what I would miss about them.

"And which outfit will you miss the most?" my editor asked.

"The only answer to that question is the one that I have on right now," I said, and the audience chuckled appreciatively. Hungrily.

"I'd miss that one too, if I were you," he said to more laughs. "But the time has come to say goodbye."

The blood rushed to my face and to my crotch.

"I've been instructed to give you one last choice," my editor said. "Would you like to hand over your clothes or have them taken from you?"

Without giving me time to respond, two burly men appeared out of nowhere. Their hands groped and grabbed at my clothing, and my arms and legs moved at their command as I was shucked of everything.

In seconds, almost as quickly as they had appeared, they were gone, and with them every stitch of clothing I had worn today. There was no ceremony, no gentleness, no gradual removal to acclimate to new levels of nudity. I was fully clothed one moment. Completely naked the next.

And I stood there, hands at my sides, processing that I didn't even say goodbye to my clothing, that I would never again feel denim on my legs, or cotton sleeves against my arms. It took me nearly a full minute standing in front of my editor and my live audience to realize that I hadn't reached down to cover my cock.

[sweetcarrotsandroses97]

~ Bonded by a Ring | JJK

Pairing: CEO!husband!Jungkook x writer!fem!wife!Reader

Warnings: arranged marriage, fluff, a bit of angst. (This is a light chapter tbh, I can't think of anymore triggering content. Let me know if I missed anything!)

Summary: We take a look at your life as Mrs. Jeon, wife of the rich heir to Jeon Enterprises, Jungkook. He was a handsome gentleman who you were able to call your husband yet the relationship between you both was entirely political and civil. Could feelings begin to sparkle between the cracks of marriage?

Word Count: 2.8k

A/N: This was supposed to come out yesterday on Kook's birthday but I was busy and I couldn't edit it but here it is! I'll continue writing this small drabble series when I find the time while also working on other fics I hope to be able to publish soon.

Let me know your thoughts on this one in the comments, please! Drabbles are open for this au in case you want to request something my inbox is open!!💜

It was dark outside. Dusk had settled a while ago and your husband was still not home. You worried for him, for his health. He worked so much and rested too little.

You were sitting on the couch, your laptop rested atop your folded legs. Glancing at the clock you noticed how it was nearly midnight. You sighed. This was not new for you. For Jungkook to always come home late, seldom were those times in which he dined with you.

Rarely did you ever go to bed together as you often found yourself curled in the large mattress without him to keep you warm during the night.

You and Jungkook have been married for some months now. A marriage that was arranged by his parents. A marriage that was of advantage to you both for he needed to have a wife and an heir to inherit his family's company and you, well you needed his name.

As an author who had published her first novel, you became really popular in the world of words and books and you could thank it all to your husband's marketing team.

There was no love between you two. But you didn't hate him either. The relationship between you and Jungkook was a polite one, he was ever the gentleman with you and in exchange he obtained your respect.

You cared for him to a certain extent. You always made sure he never left for work on an empty stomach and had ready some light dinner for when he came home late. You always made sure his shirts were ironed and his shoes polished.

And in return, Jungkook always gave you anything you could possibly need. Do you have an appointment with your editor? He'd make sure his chauffeur would drive you there. Do you need some new clothes? You could always use his credit card. Do you want to get Bam a new toy? He’d made sure to bring you the best catalogues he could find for you to choose what to buy for the spoiled dog who had earned your heart too quickly.

It was a balanced relationship. He respected you, you respected him. Jungkook had his life, you had yours. But to the public, you both were a happily married couple. While inside closed doors, you treated each other as an old acquaintance of another lifetime.

Your attention got stolen by the sound of the electronic lock as the front door opened and in came Jungkook. Even from where you sat, you could see the tiredness in his body. The exhaustion.

You put the laptop aside before standing up and walking towards him. You took his coat from his hands and presented his slippers to him.

If Jungkook hadn't been that tired at that moment he'd have thanked you with a soft smile.

"I'm glad you're home, do you want to eat something? I can heat you up some dinner if you'd like?"

He let out a sigh, the stress, problems and frustration from work were getting on his nerves. And to even think that he had to go back tomorrow...

"No, I'm fine, (y/n). I just want to sleep."

You nodded, placing his coat in the hanger while putting his shoes in its place. The scent of his cologne invaded your senses and your touch lingered on the heavy robe he previously wore for longer than needed.

Your eyes followed his figure as he disappeared in one of the hallways and into the bedroom you both shared. You have never minded sharing a room with him, let alone the bed. The other two rooms in the large flat were transformed in your study while the other was his personal gym.

Walking back into the living room, you saved the draft of the story you had been working on for some time now before you powered off your laptop.

For a moment, your eyes lingered on the city lights. They looked so close yet so far at the same time. The large glass windows that reached from the floor up to the ceiling allowed you to see such a beautiful view.

You felt a sudden sense of loneliness wash over you. Something that felt strange in you, something you couldn't describe, let alone place its source.

With a sigh you turned around, your arms were hugging your figure as you approached the couch once more. You placed the laptop on the coffee table before walking towards the bedroom, turning the lights off on your way.

Jungkook was already lying down on his side of the bed, his back facing you. With quick and silent movements you approached the other side of the bed and sat down before getting yourself under the covers.

You assumed your husband was already asleep as deep breaths could be heard in the quietness of the place. You turned on your right side, facing his back as you shut your tired eyes after having been in front of a screen for too long.

"Goodnight, (y/n)."

Those whispered words reached you before you fell into your deep slumber. You mumbled the words back as you succumbed to the tiredness in your body.

"Goodnight, Jungkook."

Little were you aware of the fluttering in your husband's heart at your words. Of the small smile that graced his lips at the little attentions you always gave him. By the way you were slowly entering his heart without you having the slightest idea.

Jungkook was woken up by his noisy alarm and he cursed under his breath before turning the frustrating noise off. With a sigh he sat up, one of his hands ruffled his hair before he stood up and went to the bathroom as he needed to get ready to go to the company yet again.

After taking a shower and getting dressed, Jungkook stepped out of the bedroom, closing the door behind him with a soft noise that nearly echoed in the overly silent apartment.

"Bam, stop it. You already had breakfast."

He heard your voice from somewhere in his large home as the smell of coffee suddenly hit him. His feet carried him over the hallway and across the living room until he entered the kitchen that faced the dining area.

Jungkook saw how you had prepared a plate filled with fruit and some yoghurt as well as a cup of coffee. He couldn't help the smile that grew on his face, the moment itself was precious as if gotten out of one of the dramas he had caught you watching from time to time when you needed inspiration to write or to simply pass the time.

His stomach fluttered when you lifted your gaze from the large yet cute dog who stole your attention to look at your husband. A smile on your own was painted over your lips.

Time seemed to stop when your eyes met his, Jungkook didn't know for how long the both of you stayed like that. As if trapped in a loop of time of perfection. Almost like a real married couple did.

He broke eye contact and cleared his throat, as if snapping himself from some kind of spell. A spell only you conjure over me. The thought crossed his mind before he could stop it. Your smile disappeared from your face as you looked aside, your cheeks heating.

"Did... did you sleep well?"

You asked after a moment or two of silence. Even Bam stopped moving by your side as if somehow the canine felt the subtle tension rising in the kitchen.

"Yes, thank you."

Then it was awkward again. You didn't know what to say. He wasn't moving, neither were you. He didn't seem to want to lift his gaze as it was placed on the white floor beneath his feet. As if it were the most interesting thing in the world.

"I made you some breakfast. It is not healthy for you to leave on an empty stomach, Jungkook."

He hummed, walking toward the stool before sitting down, his breakfast resting on the marble counter.

"I'm going to take a shower."

You excused yourself and left the kitchen, not allowing your husband to say anything as the next second you were already walking down the hallway.

A sigh left your lips as you leaned on the closed door of your shared bedroom. What just happened? You thought to yourself while pressing the back of your hands up to your cheeks to try and cool down the skin that felt suddenly too hot.

You decided a cold shower would help you clear your mind so you didn't waste another minute to grab your clothes and hop into the shower, allowing the cool water to run down your body and refresh your mind.

Jungkook sat at the stool, spoon in hand as he ate the last of his yoghurt. His cup of coffee was already half empty when you emerged from the bedroom, your hair was wet and you were wearing fresh clothes.

The scent of your shampoo hit him and there it was, the fluttering in his heart, the soft churning of his stomach.

He emptied the bowl with his breakfast and downed the remnants of his coffee before he stood up.

"I have to leave now."

Your hands picked up his bowl and cup as you placed them on the sink.

"Have a nice day, Jungkook."

He didn't know what was happening. Everyday you woke up and prepared some breakfast for him, sometimes he ate it at the flat other times he took it with him to eat it at the office.

Why was he feeling so strange right now when what you were doing was completely normal?

You turned to look at him with a warm smile over your lips, ignoring the way your heart sped up a little by the mere sight of him or the way you felt your palms begin to sweat due to the nerves of being with him in the same room.

He mirrored your smile and you swore you had seen Heaven. You loved his smile. You had always found it pretty. It suited him. Not that you had ever told him that but it was a thought you had had since you first met.

"Don't forget to have breakfast, (y/n). I'll try to come back a bit earlier today."

Butterflies fluttered in your stomach at the thought of him coming home at a decent hour from work.

"Oh, that's good. Have a nice day, then."

You mentally face-palmed yourself. You already wished him a good day, idiot! But he chuckled, walking away from the kitchen and toward the front door. You watched him like every other day, you watched him put his coat on as well as his shoes.

Jungkook turned around and smiled at you before he was out of the door, the soft click of the lock echoed so loudly in the now nearly empty flat.

You sighed, going back to the kitchen to prepare something to eat for yourself. Just like Jungkook told you. The promise of his early arrival set a smile on your lips once more. Wanting to be with him again, even when he had just left not even five minutes ago.

The reason for this new feeling? You didn't know. But you couldn't say you didn't like it either. Jungkook was your husband after all, it was only natural to want to be close and spend time with the person one marries, right?

"Jungkook, are you listening?"

His head turned to look at the side only to spot Jimin, one of his close friends and co-workers already looking at him with an expectant and curious expression over his delicate features.

"Sorry, what?"

Jimin sighed, a hand running through his blond hair.

"I was saying that we need to close the deal with Mr. Cha as soon as possible. It will help us increase our sales."

Jungkook let out a deep breath as his thumb kept clicking and clicking the pen that was in his grasp.

"I know. I'm sorry, hyung. I have a lot on my mind right now."

Jimin clicked his tongue as he put some files aside.

"Yeah, I figured. I'll ask Hoseok to look into this and bring you the contract for you to sign."

"Thanks, Jimin-ssi."

The latter smiled, more than smirked and said, his hands tangling in front of him over the table.

"Now tell me, what is bothering you?"

Jungkook knew his friend was going to ask that question sooner or later. He leaned back on his chair and said, fidgeting with the pen in between his fingers.

"It's (y/n)."

If Jungkook had been looking at his friend, he'd have seen how Jimin's eyes widened at the mention of your name. He had met you on a couple of occasions, one of them being your wedding with his younger friend, that's why he grew surprised when you were the centre of Jungkook's current state of mind.

"What happened? Did you two fight or something?"

The doe-eyed man shook his head, placing his pen on the table before his eyes locked with the curious gaze of one of his closest friends.

"What? No, I don't think I could ever fight with her."

Jimin hummed, allowing him to continue.

"It's just that... man I don't know. I can't sleep, I can barely eat. My mind is always racing with the mere idea of her. This morning I saw her smile and... I just thought of how beautiful she looked while smiling. I want to make her smile like that, you know? I want her to be happy and to smile at me like that everyday, Jimin."

There was a moment of silence between the two men. Seconds tickled by, the silence stretched. Nearly swallowing the younger man with his own thoughts and racing heart.

"What? Don't you have something to say, Jimin-ah? You are always teasing me and when I tell you something serious you stay quiet."

The blond haired man seemed to snap out of his own mind. The only thought in his head was the one of Finally!

"You like her."

Stated Jimin. There existed no ounce of hesitation in those three words.

"What?!"

Jimin rolled his eyes, if anyone had seen the scene they would have thought it to be comical.

"Shhh, don't shout like that. I simply said that you like her. You like (y/n), Kook."

Jungkook swallowed. The possibility hadn't even crossed his mind. Did he- did he truly have feelings for you?

"But how?"

Jimin refrained himself from smacking Jungkook on the back of his head. Perhaps they were both speaking as friends right now but the blond man had to remind himself that Jungkook was technically his boss too. At least his future boss.

"Jungkook, it's completely normal. She is your wife, she's been living with you for months now. It actually surprises me that this hadn't happened before considering your one year anniversary is in two weeks."

The heir to Jeon Enterprises was too stunned to speak. Jimin had revealed a reality his heart already knew but his mind rejected to accept for he couldn't deny his friend's statement. He liked you, he really did. And now, he saw his situation with way more clarity than before.

"What do I do now, Jimin? Should I tell her how I feel?"

The older man laughed a bit. His eyes closed with the motion.

"See? You didn't deny it! You really like her, huh?"

Jungkook rolled his eyes, not liking the teasing from his friend.

"You didn't answer my question."

"Aish, you are totally clueless when it comes to romance, aren't you? Listen, Kook, first you have to know if she likes you back. Don't just open your heart where there could be a field of thorns, gift her things and see her reaction, do things for her and pay attention to her words, if she gets flustered or not. And if she doesn't show any signs, well then you have to win her heart."

Jungkook still had so many questions, so many things he wanted to know in order to act on the feelings his heart was treasuring. You were his wife, wasn't a marriage supposed to be sweet?

What he had with you wasn't bitter, but he found himself craving as of lately that sweet love of the heart.

He wished to be with you like a husband loves his wife, not only bounded by a ring but by sentiment too. To be tangled in the web of feelings that threatened to blossom in his heart with every thought of you, every single memory of you.

And he was going to do just that. To fight for your love. To win your heart or claim it if his name was already written in your soul for him to live in such a sacred place.

Bonded by rings, destined by fate. Claimed by society, yearning for a life by your side.

~Masterpost

Sept/02/2023

☕Caffeinate me so I can keep on writing! ☕

[tarysande]

Hi! I’m considering becoming an editor but I’m not sure if it’s the right fit for me. If you don’t mind answering, what was your path like for becoming an editor, and what does the job mostly consist of for you?

Additionally, while I really do like helping other people’s work become better, I get too in my head to release a lot of my own work. Does editing require you to also be a writer most of the time, or could I get by mostly just editing?

Thanks!

Hi, anonymous friend!

These are really good questions for a potential editor to ask.

To (sort-of) answer your question, the amount of writing involved depends on the type of editing, honestly. So, first you have to decide what kind of editor you want to be.

Roughly, editing breaks down into three-to-four types: developmental/substantive, line/stylistic, copy editing, and proofreading. These terms are mixed up and interchanged ... often. Increasingly, line editing includes or incorporates copy editing, which is why I say "three-to-four."

Developmental is the big picture stuff, including manuscript critiques. Books of all kinds usually undergo some kind of developmental editing--by editorial agents, acquisitions editors, freelance developmental editors, etc. In my experience, this is also the kind of editing that requires the most writing and/or the most author/editor interaction.

Stylistic/line editing tends to be editing at the sentence level, looking at diction, structure, clarity, consistency, etc. Copy editing, on the other hand, is what many people think of when they think of editing--it's the mechanics of writing, like spelling, grammar, punctuation.

Proofreading is the rather specialized skill of editing proofs. They're the final eyes on a pre-published piece; they're looking for typos and errors rather than anything that will involve significant authorial changes because a proof page has already been "set" (as it were).

All of these kinds of editing can be applied to many different areas of communication, and the editors who perform them can be self-employed (like me) or work for an employer (i.e., as a more traditional employee). Employee editors might work in-house at a publisher (of books, magazines, academic journals, etc.), or they might have any number of editing-focused roles in business, government, education, etc. Self-employed editors may also end up working as contractors for other companies; this is pretty normal.

Many book publishers, including the Big Five, farm out a lot of their editing these days, by the way. Especially the copy editing and proofreading. So, those particular jobs are dwindling as in-house options. Publishers can pay freelancers less ... and avoid paying benefits. (#capitalism)

I will also say that, especially in jobs with anything to do with marketing or advertising, there's a lot of annoying scope creep where "copy editor" is often expected to be a copy writer, too. Again, it's a symptom of employers wanting to pay fewer people to do more jobs (and it's really annoying).

My path has mostly involved trying as many things as possible and slowly weeding out the ones I don't like. I've pretty much always been self-employed because the personal benefits (setting my own schedule, rates, deadlines) works better for me. That said, I'm Canadian (so I don't have to worry about employer-covered healthcare), and I have a partner whose salary is regular and whose benefits cover me, so I don't have some of the worries a freelancer in the US or a single-income household might have. I'm increasingly working on the development side of things because big-picture storytelling, including writing and editor/author interaction, is my jam. But I have also done a ton of line/copy editing on fiction, non-fiction, academic work, etc.

Without knowing what kind of editing you're looking to get into, it's harder for me to offer suggestions for next steps, but generally, I'd say it's important to get SOME training--whether through a school, a certificate program, or the various workshops and professional development offered by editing associations (Editors Canada, the CIEP, ACES, the EFA, ...there's an Australian one whose acronym has slipped my mind). Researching the flavor of editing you're interested in will probably offer up avenues for study, too. For example, most US publishers/authors use iterations of the Chicago Manual of Style. Most UK publishers/authors use Hart's Rules/Oxford. Academic journals/schools/students have different style guides (APA, AMA, MLA, Harvard, Vancouver). Law uses the Blue Book. It's good to have working knowledge of a few style guides--and then you have to keep up with the changes (Chicago's 18th edition is coming out this year, and I hear some significant changes are afoot--such as fully embracing the singular they!).

The tl;dr here is that yes, there are a lot of writer-editors. But there are also a lot of editors who aren't writers at all, or who have no interest in becoming writers, or who don't want their writing and editing to overlap, or who edit because they like helping people and they value clarity. At the end of the day, editing and writing are two very different hats, and you don't necessarily need to wear both.

...this is already a bit long, but if you have other questions or want me to get more specific about something, please ask!

[salarta]

Now that I've been banned over a tame joke on CBR, I might be making more posts over here on Tumblr. This is one such post.

I usually, deliberately, do not post stuff about the current X-Factor book. Why? Because it's trash. And the current X-Men senior editor, Tom Brevoort, has previously said that he thinks being a colossal asshole is "good for business" because it gets people talking.

Of course, that's just him trying to make excuses for being an asshole, just like he tried to make excuses for why Polaris "couldn't" be Magneto's daughter. But I digress.

The reason I'm bringing it up now, though, is pretty simple.

He fucked up. Hard. And not only does he know it, but he's trying to change the subject away from his fuckup.

This past Wednesday, Marvel released X-Factor #2. If you're going to read it, do so by pirating. Or not at all. Because any purchase for any reason gives the false impression that they should keep doing what they're doing.

In this week's issue, the "Polaris" in the story wasn't just bad. Wasn't just 90s nostalgia bad. It was the most blatant display of nostalgia for regressive sexism toward Lorna in decades. It was bad enough that it would've skated on thin ice even before Lorna surviving the Genoshan genocide.

The basic summary of all I've seen is this.

Story forces Havok x Polaris trash just because of nostalgia. Lorna acts all submissive and needy around Havok, like she desperately wants his approval and involvement in her life. Havok comes with her to a Mutant Underground meeting, but only to spy on them, and Lorna somehow (brain worms tiem) doesn't notice he's wearing a button cam. Despite, you know. Her powers.

For some reason, and by some reason I mean "nostalgia for an attitude that Lorna is a nobody character," Lorna is just a rando in the Mutant Underground surrounded by other randos. Even though she's a survivor of the Genoshan genocide, and had trashed Orchis' space station basically days prior in comics time, she's treated as just a random nobody in the group. And when Mutant Underground realized Havok was wearing a camera, they took Lorna hostage - without a fight from her - with implication that they might kill her due to his actions.

.............

If you're wondering how it makes sense, it doesn't. This isn't Lorna. It's Brevoort's shitty fanfic idea of Lorna as a nobody character whose only value is to promote his favorite straight cis Aryan male, Havok.

Obviously, because we're not living in the sexist late 60s and 70s, this treatment of her has been universally panned. Even by people who want to support the book. The few people trying to defend it, do so under the guise of "lol it's a parody so it's perfectly fine," but that shit's been getting shut down fast by pointing out that parody isn't an excuse for some things. Like this.

This is where the biggest reason for my post comes in.

Yesterday, literally one day after releasing X-Factor #2, Marvel used their favorite sycophant fan site to release an "exclusive preview" of X-Factor #3... a whole ass month in advance. Unlike the last two previews that emphasized Havolaris shit, this preview didn't include the Havolaris shit. It focused on Havok and Friends.

Anyone who can read between the lines on this stuff can recognize what it means when a company rushes to release brand new teaser stuff for the next issue immediately after releasing the current one. From a marketing and buzz standpoint, if your work doesn't suck, you want to give audiences time to digest. You want them to think it through, build it up with word of mouth, convince other people to buy into the book and be on the lookout for new things before you put out a teaser. And you wait until later to publish the teaser so it's fresh in minds to go out and buy it.

Rushing out the next preview means they're desperate to change the subject with what's on hand. They can't radically change the next issue (maybe the next few) in response to criticism and complaints because they're too far along in the publishing pipeline.

They, especially Brevoort, also don't want to admit they made a mistake. Because at the end of the day? Treating Lorna like shit off of sexist nostalgia is what they want. They want people to accept it and let it pass, because they think that unlike Storm, Jean Grey, Emma Frost, etc, that they can get away with being sexist fucks about how they depict Lorna.

So with changing the next issues not an option, and offering up an apology and admitting any kind of fault isn't an option, there's only one real recourse they have.

Releasing shit stupid early and hoping people will change the subject so they can get away with the sexism.

The current X-Factor book is shit. It's based heavily on one man's sexist fantasies for a time decades too old for today. Keep that in mind when you see this stuff.

For my money's worth, this isn't even Lorna. I refuse to recognize this character as being Lorna, because it's blatant that the intent behind it isn't to acknowledge Lorna or her fandom and do right by the character. There's no actual Lorna in this. Therefore it's not Lorna. If you're jonesing for a Lorna fix, read a fanfic, because fanfics are more accurate than what Marvel's publishing.

[earlgreytea68]

to be fair, streisand's whole thing is that she's an insufferable narcissistic diva. i'm not going to read her book and i'm sure i wouldn't enjoy it, but the fact that it's so thick and insufferable is kind of a a part of the brand. like when she was given a book deal i imagine the editors knew that people wanted to gawk at how awful she is and made no attempts to reign her in, probably even egged her on. harry is still trying to come off as the sympathetic ex royal so a lot more probably went into crafting that narrative and making him come off as sympathetic than it did for barbra

This is a good point. I honestly legit did not know much about Barbra Streisand before reading her memoir, so I didn't know this was her brand and I didn't know to expect it and I was caught completely off-guard by how badly she comes off in her own book. I just didn't expect that to ever happen????? But I clearly underestimated the amount to which she is caught up in her own brain. You are definitely right that the editors made no attempt to rein her in because you can't rein Barbra Streisand in hahahah. The entire book is about how she's the best who has ever existed at everything so, like, presumably the publishing company knew that going in and didn't even try to edit her.

What I think I find so compelling, though, is I don't get the impression that Barbra herself thinks she is a narcissistic diva. She clearly thinks that, in the book, she's setting the record straight so that now everyone can see how she's not at all like what people say about her. I think that's pretty clear in the book, Idk. And I think that's what really fascinated me so much, that she was just so wrong about how she's coming across. That says something about her.

It also says something about Harry that he is aware of how he comes across. If he is manipulating the narrative in his memoir, he is doing so successfully and cannily, in a way that was just beyond, say, Barbra. It's telling in and of itself. Like, maybe he just listened to his ghost writer more in how to tell a sympathetic story, but that in itself is telling, that he's still able to listen to feedback.

[witch-hazels-musings]

hi! i saw that you wrote a novel (that might be getting published?) and i'm really curious to know what pushed you to start, how was the progress, and do you have an editor + are you self-publishing or are you with a publishing company! writing a novel is a dream of mine but it feel so far-fetched. it's inspiring to see that you've written one, and i would like to know how i might do the same too, if you don't mind sharing! -- @milkstore

hello fellow author <3 im so excited to hear about your dream! there are countless stories out there, but no one can write yours :)

as for what made me start - it was you all. the constant support, love and encouragement, and providing me inspiration and opportunities to practice with characters I love in a world that's fantastical.

my main character was inspired by a genshin OC that I had (Fai) and blossomed into who she is now!

my process was pretty simple really. I started with a general plot. identified what I wanted to happen in the story and the beats (points) i wanted to hit along the way, then I flushed out the two main characters and started writing their story.

after getting draft 0 i realized the plot (especially in the middle) wasn't working. in fact, it suuuucked. so I did some edits, a lot of cutting and rewriting and then I got a beta reader - they liked it, but I didn't - enter my work on draft 3. Now my story has substance, it has way more engagement and a lot better characters.

My next steps will be to read it out loud for another round of edits and - as I go - really ensure my character motivations are in there, the plot (where the whole story ends up) has build-up, and that I'm not going to set myself up for continuity errors. Once that is done I have two options

I can send it off to an editor I found and like, have them look it over and give me feedback - make changes - and then start querying for agents

I found a potential publisher that works with indie authors GreenLeaf Book Group. They might help me with editing, story, and other things if they like what i have - so i can skip some of the steps myself! - They seem very promising and actually may be a good place to start right out of the gate, but I've always been told to never give a publisher nothing (well, unless you're already working with them lol)

From here, the end goal is traditional publishing but i have a few barriers to that. 1. my book is too long, 2. it may not be as engaging as they may like, 2. it's a duology (publishers don't often pick up debut authors that pitch more than one book to them (i.e. they want a standalone before investing their time and money into the book)

Of course, I'll keep you all updated as I go -- you can also follow me on Instagram! I post updates there and information about my book :) --- you can find it via my Author Cardd

I won't gatekeep or tell you this process was easy. It wasn't - but it was rewarding, perfect, and brought me closer to my dream. To be able to look back and tell my younger self we wrote a book is everything to me - her stories deserve to live, as do yours <3

I'm rooting for you.

You got this

OH AND join writing groups! I am now the moderator of one - The Writers Factory. I give lots of advice there and feedback on peoples stories when I can. I also post some writing exercises and other stuff (its not a social discord though - the mods are very strict lol - its for working on your book/story/ect. -- so feel free to join us if this is something you want!)

[ettawritesnstudies]

Hi Etta! Sorry if you already mentioned this, but where/how did you find your editors? (If you don't mind sharing)

Don't mind at all!

I know there are companies like Reedsy and the Writers Digest which have databases of editors, but that seemed really overwhelming. At the end of the day, the best way to get resources is to network (make friends, and hope their mutuals like you too).

Last year, I did an interview for Amanda Auler on Instagram and she boosted my account, so months later I ended up doing an interview for Addison Horner. He does editing for indie authors, so I asked him for a sample edit and liked it, but I wanted to get other points of comparison first, so I asked around and came up with a short list of editors. I contacted them, and when I had enough to compare, I ended up deciding I liked Addison best and drew up a contract with him. God moment that I found him so quickly.

But if I had to give this advice to someone else I'd recommend following these steps:

Read books in your genre. Read INDIE AUTHORS in your genre. Review their books. Follow them on social media. Be a friendly fan but don't make it weird.

Indie authors are one person publishing teams desperate for engagement and positive attention. They will thank you for your help and be willing to pay it forward when the time comes.

Once you have a handful of books you like that have similar vibes to your book, flip to the acknowledgements and find the editors name.

Google the editor, find their site, submit your inquiry, email works better than a form.

If you can't find the editor online, DM the indie author and ask "hey I really liked your book and it's a good comp title for my WIP. Who's your editor and what was your experience with them like? Do you mind pointing me their way?" Follow the author's advice. Repeat as needed.

(I've only ever received nice responses to this, don't be anxious. If they don't reply they're probably just busy, not annoyed).

When you contact editors, ask about their availability, rates, and be specific about what type of editing you need. Ask for a free sample edit. Mine were 250-2500 words.

Supply details about your WIP. Mine looked like this:

Title: Runaways

Genre: Middle Grade Portal Fantasy. I'm not labeling it as "Christian Fiction" as religion isn't a focus point of the story, but there are significant underlying Catholic themes.

Premise: When Cecelia goes missing one stormy Halloween night, her older sister, Hannah, must venture into the faerie courts to learn the truth about their past and bring her home. (Linked WIP Page with additional information)

Length: About 86,000 words, 180 pages (Times New Roman, 12pt, double spaced, standard 1in margins formatting). 21 chapters with an epilogue

Style: 3rd person limited, present tense. 3 POV characters: primarily Hannah at first, and then Cecelia and the third added later, alternating.

Status/Timeline/Availability: Currently with a 2nd round of beta readers, and I'll be getting feedback by March 31st. After editing the draft to reflect their feedback and doing my own line edits, I'll be looking for a line/copy edit around April/May or early summer.

Types of edits needed: As I understand, every editor uses "line" and "copy" edit slightly differently, but I'm looking for a combination of both styles if possible: checking for internal consistency, logical choreography, adequate descriptions, minor plot or worldbuilding errors, as well as language concerns like cutting crutch words, making sentence structure more dynamic, choosing the right verbs, etc. Developmental editing not needed. Waiting to do proofreading at the moment

When perusing at the editors site, look for credentials/certifications, their backlog of works, and testimonials

If you don't have enough options following this method, join some discord servers! I'm in a local NaNoWriMo group and a Catholic Writers Guild called Inkwells and Anvils which were both useful. I think there might be some writeblr ones as well. Find the critiques channel and send the same information there^^

Compare sample edits. Who respects your voice? Who supplied the most insightful comments? Do you vibe over email? Are they willing to do a stylesheet? Do they like your book? Can you set up a 15 minute zoom call to see if you vibe and discuss details?

Look at prices. My rate is $.015 a word but that's pretty cheap for the industry. Most of the rates I saw publicly were between $.02-.03/word for line editing.

Pray/sleep on it

Once you pick your best option, set a date to send them the manuscript, sign contracts, and make payment.

Send a polite email to the other editors and say "I regret to say you're not quite the right fit for this book, but I appreciate all your time, help, and advice! I hope to work with you in the future" or something along those lines. Don't burn your bridges.

Celebrate!

This whole process took me a couple weeks, everyone was very punctual and professional and friendly. I ended up going with Addison not only because he was the cheapest but also because he made 3X the number of comments as any other writer, and his comments were specific and useful. He understood my characters immediately, I think in part because his writing style is similar to mine, based on his debut novel, Marrow and Soul. We're both Christians who like YA dark fantasy. It's a good match. He's still taking clients for later in the year if that's your vibes. I also worked with Amber Burdett and Sariah Solomon, who were both lovely.

I wish you the best of luck finding an editor who fits your story! I hope this was helpful and not overly long.

[imasexypotato]

The Proposal(2009) Clegan AU :

I'm not good at writing, but I love this movie and I can't stop thinking of Gale and John as Margaret and Andrew.

So:

Gale Cleven is a Canadian editor-in-chief at a New York City book publishing company, and, due to his pushy personality, he's disliked by most of his employees.

Gale learns that his visa renewal application has been denied due to term violation, and he is to be deported back to Canada.

Not wanting to lose his position and life in New York, he coerces his long-suffering personal assistant, John Egan, into marrying him so that he can get a green card.

He reminds John that if he is deported, his years of work as his assistant will be lost, which will set back his dream to become an editor.

U.S. immigration agent Harding is suspicious and explains to the couple that if his investigation proves that they are committing fraud, Gale will be deported permanently and John will be charged with a felony that carries a $250,000 fine and will have to spend five years in federal prison.

John reluctantly agrees to marry his horrible boss. John insists that, if they get married, Gale must make him an editor and publish a book he has recommended to him. Gale accepts his terms.

They travel to Johns's hometown of Sitka, Alaska to see his parents and his grandmother.

On the way to the family home, Gale is surprised to discover that the Egan family is very wealthy.

When meeting them, Gale is surprised at how many family members John has. They all welcome him into their home warmly.

Gale spends his first day with John's mother and grandmother. They take him around town and show him places they think he may like. He appreciates it.

Over the course of the next few days, hijinks ensues.

From being forced to sleep in the same bed, to accidentally seeing each other naked. John and Gale keep finding themselves in embarrassingly intimate situations.

Outside of their work environment, John and Gale get to know each other on a personal level. John starts taking Gale to his favourite childhood spots.

A few days pass and John's ex girlfriend shows up. She's lovely. She shows Gale around, and takes him and John's mother to a bar to get to know him.

Gale starts to feel bad about lying to everyone, and for blackmailing John into marrying him. He shouldn't be forced to be with someone like Gale.

Upon returning to the house, Gale overhears a conversation between some family members regarding an ongoing conflict between John and his father.

That night, he asks John about his relationship with his father, but he refuses to talk about it. Instead, he opens up to him about his own life.

The next morning, the family convinces John and Gale to get married the following day.

While planning the wedding with John's mother and Grandma, Gale is deeply moved by their love and sincerity. He feels a little worse inside.

He returns to John and admits that he has been alone since his parents died when he was 15, and had forgotten what it felt like to have a family.

After a long day of planning, John and Gale discover that Harding has contacted John's father and informed him of the possible fraud. In response, John's father flies Harding to Sitka, where he offers the couple a deal.

If they confess that the engagement is a sham, Gale will simply be deported and neither of them will face any further penalties.

Gale, feeling guilty, almost confesses. But an angry John refuses, continuing to claim they are in love.

The next day, the wedding happens. It begins normally but then Gale, touched by the closeness of John's family, stops the ceremony and tells everyone the truth.

He tells them about how he manipulated and blackmailed John into marrying him, and he apologises for lying.

Harding informs him that he has 24 hours to leave for Canada so he agrees and returns to the house to collect his belongings.

After a short delay, another argument with his father, John rushes back to the house but finds that Gale is already gone.

It's then that John realises that he's truly in love with Gale.

As he rushes to the airport to find Gale, another argument arises between him and his father. After a long screaming match, John's father realises that his son really does love Gale.

He returns to New York and arrives at the office just as Gale is packing his things. He tells him he loves him.

Gale dismisses him at first. But after insisting and confessing his deepest desires to him, Gale believes him and they share a kiss.

Later, they inform Harding that they are now engaged for real. Harding, excited for the challenge, exclaims, "Let's do it!"

[hannahtempler]

hello, i hope this ask finds you well!

i’m a young artist but i don’t know what i’m going to do in my future— pursue art or something more “lucrative”. I know you’re a pretty successful artist who has done some really cool things, so if you don’t mind my asking, how did you get to where you are today? did you go to school for illustration and get your foot in the door that way, or do something else?

thank you for your time, i absolutely adore your work!

Hi! Thank you for the kind words, I'd be happy to answer this–

I took a pretty circuitous route to get to where I am now! I always wanted to be a cartoonist, but unfortunately due to complicated reasons I ended up getting a graphic design degree instead of the illustration degree I actually wanted (it's a long story). I worked as a UX/UI designer full-time until I was 30 because it paid well and had good benefits, but at the back of my mind I knew I still wanted to be a cartoonist.

So, I got a late start on my current career (and that's ok!). When I was 27, I decided to work on comics in my free time around my full-time job in the evenings and on weekends, because I was determined to make the stories I wanted and stop letting life hold me back! That's when I started Cosmoknights, and I did the whole first book while still working my day job– but after Cosmoknights Book One got published (an editor at Top Shelf saw it online and offered to publish it), I started getting regular comics job offers and was able to quit and go full-time as a cartoonist.

Truthfully, I was very lucky to get published, but that still didn't equal a livable income. I still don't make enough money off of Cosmoknights to survive, so I currently support myself doing work-for-hire (e.g. comic book covers and adapting other people's work). I also now make 1/3 of the income I used to as a designer, and it can be really hard to make ends meet sometimes. I usually work anywhere between 60-80 hours a week to pay the bills.

I say all this because I don't want to romanticize being a full-time cartoonist– the practical side of making ends meet can be really tough, and I've been incredibly lucky! However, I also really love my job and I'm finally doing what I want, so it's very rewarding for me on a personal level.

The advice I always give any aspiring artist is to keep something for yourself– what I mean by that is: it can be easy to romanticize an art career working for a big company (whether it's in publishing, or in video games, or in animation, or whatever), but that's not the only path to being fulfilled as an artist. I personally find the most fulfillment in the work that doesn't pay the bills, so my goal is to support myself any way I can so I can do that work. I will always keep projects for myself that aren't dependent on anyone else's approval, or the financial wellbeing of a corporation, because that's where I find the most joy.

Long answer, but I hope any of that is helpful!

[foreskinniest]

I honestly think there will be a publication called a "Dream of Spring." Whether it'd be something that GRRM publishes whilst living, or something his estate does using his notes + insider information after he dies I'm not too sure but I genuinely believe that we'll get a completed series. There's too much money to be made for the publishing company to just let the series die with him I think (as grim as that sounds).

There are also some theories that he's already finished Winds and will publish Winds and Dream within a year of each other. It's been said that the last chapter of Dream is already written and not even his editors/publishers have access to it. Mayhaps that's hearsay mayhaps not.

Hmm, maybe. The estate/his wife may allow that to happen, but GRRMy is also a notoriously proud and stubborn old bastard who just as easily would refuse to let anyone else finish it. He refuses to even entertain the idea that someone else could finish his books for him cause hes a white boomer man.

Winds being finished is extreme levels of copium that I probably cant swallow... but I'll try my best.