#hi i'm an editor at a book publishing company

[carmen-berzattos]

I keep seeing posts of people saying that not using words like growled, boomed etc as dialogue tags is bad writing advice and that these words are not meant to be taken literally, but poetically. That is all fine and good and true. But! The reason that you're often discouraged from relying on such descriptors isn't because the readers will take it literally, but to encourage writers to find more interesting ways of conveying emotions without these tags. The idea here is that you use precise description of external environemnt to convery mood, use internality as a way of hinting and hightening said mood, and, MOST IMPORTANTLY, have your dialogue stand on its own that its tone and function in the character interaction is self-evident. Basically, you want to reach the point where adding the word "growled" feels like an overkill because the text already conveys the tone. And even then, I wouldn't necessarily say never use these descriptors, but I will say make them so sparse that the reader stands at attention when they're used. Because they know you mean business

[gguk-n]

Chapter 2- Secret and Surprises

Unravelling Max's Mystery (Max Verstappen x Online Friend!Reader)

Series Masterlist

Summary- Y/N has lost out on a few of her publication dreams while juggling 2 jobs. Her crush on Max has only led to failed relationships. She dreams of one day meeting and being with Max. But Max has a girlfriend and a career she knows nothing about.

{Reader's POV}

I finally moved out from my parents's place a few years back when I decided to pursue Literature. It was a very difficult time for me but I had Max by my side. Trying to convince my parents that I want to understand the art of writing and then doing what I love was very challenging. I moved to a another city with my dream university. Even today, they detest my choices and hope that I would take my life seriously. It has been difficult but seeing them once or twice a year only has made it easy.

Max and I are still very close. I still have a crush on him; it got worse after we started video calling each other after I moved out. I wasn't about to get 'caught' talking to a guy under my parents's roof. The consequences would be disastrous. Max is still the same, slightly older, has a stubble. I still don't know his full name, but he doesn't know mine either and I don't mind keeping it that way.

Having Max as a friend has hindered quite a few relationships either because they weren't him or they were jealous of some guy I would drop everything for. He still has a horrible sleep schedule, I've scolded him a couple time, but he doesn't listen. However, he has the cutest cats, Jimmy and Sassy. They love their dad a lot; I really wanna get cats too but I'm barely keeping myself alive, I'll kill my pets.

My job pays shitty, I'm a primary school teacher and freelance editor. I had hoped that being an editor for bigger and well established authors would help me improve my writing and get my book or poems published; has yet to happen. All my clients are kind people and very understanding of my predicament. Alas, this doesn't leave me much time in the day; teaching, lesson planning, correcting papers, editing other's stories or poems, talking to Max. Max has gotten pretty good about not disappearing like he did a couple years back. I still have no clue what he does, not like he knows what I do specifically. But he said he does something along the lines of cars; I knew he loved cars. I hope his job pays him better since he moved a few years back when I was still at home. His place looks lavish, either he gets paid well or it's from the company. I will never know. He's seen the shit hole I live in, but has yet to comment on my poor living conditions. I have too much of an ego to let my parents know I am struggling; I would rather starve then let them know. All I would hear is that they were right and I should mend my mistakes. What mistakes should I mend when these were my choices and I'm happy with them.

I've compiled 20 of my poems and even wrote a book, I've sent it to so many publishers in hopes that it will get picked up. This is like my fourth or fifth time. I mean, I haven't exhausted my resources and till the day all the publications shut down I'm not giving up. I've been rejected quite a few time, sometimes at the initial stages or after first reading and preview. They make publishing a book look so easy on shows and movies. I wish it was that easy in real life, but it isn't.

Being on spring break makes it so much easier for a while, till I have to return. However, I can focus on my book and the editing gig since it pays better than teaching. There's this guy I'm editing for currently and he's so annoying. I want to stop working with him except he pays the best. The life of being chained to capitalism. I was fixing up his errors when my phone rang, it was Max on video call. We spoke on video call a lot after I moved out. He's attractive, blue eyes; truly all my weaknesses combined. When the screen popped up, he almost fell out of frame when Jimmy jumped on the phone. Max placed Jimmy on the floor. Max- Hey, Schat. Sorry about Jimmy. Y/N- Hi, honestly I would rather talk to Jimmy. (I laughed) Max- Sometimes, I think you are friends with me for my cats. Y/N- Yeah, I would've stopped being your friend had you not adopted them. Max- Wow! I'm hurt. (He placed his hand on his chest) Y/N- Stop being dramatic. I'm just living vicariously through you. Max- You should get cats too, you seem lonely. Y/N- I wish, I'll end up killing them since I'm so busy. Max- hmmm, I hope you find a companion. I did find a companion Max, every time I get a boyfriend, we break up directly or indirectly because of you I thought. Max- What happened to Finn? I thought he was smitten for you. Y/N- Yeah, things didn't work out. We both were too busy with work. In actuality, when we finally got close after months of talking and the first time we had sex I moaned out Max's name. He left immediately. I wasn't about to tell Max this. It would ruin everything, I believe. Max- What were you doing? Y/N- Editing that ass's book. Max- You know maybe, you should leave some blunders, not the most obvious ones but one's that would make him look stupid. Y/N- I wish Max, he pays me a shit ton to do my job. (I laughed bitterly) It's fine, honestly. I'll be done soon and I'll never have to see him again, hopefully, fingers crossed. Max- I hope so too. Y/N- Max, you should date someone. Instead of worrying about me. I've never seen you date anyone in all the years I've known you. Max- ahh, yeah, I'm too busy with work to do that. Y/N- If we lived closer, I would've set you up with someone. That someone being me, but he doesn't need to know that. We haven't even met yet; we never even spoke about meeting each other honestly. Max scratched his neck, shaking his head. Max- I'm good, schat. You should find someone, maybe you'll stop being cranky. Y/N- I'm not cranky, at least not with you. Max let out a deep laugh. Max- Well, I've got to go. My sister's visiting. I'll talk to you later. Y/N- Sure, say hi to Victoria for me. Bye Maxie!! Max- bye Y/N.

Talking to Max always brightened up my mood. But since, Victoria's visiting, he won't be available to talk as often. That means I'm gonna have to spend all my free time scrolling through Instagram. It's all fun and games until I'm on hour 6 of some random video on Youtube. I spent the next couple of days cooped up in my home, just to enjoy waking up late. There were still a few months still summer break and I intended on enjoying them to the fullest.

School started way to soon for my liking. Max would send pictures of Jimmy and Sassy to cheer me up. It did cheer me up. Max travelled a lot for work, I've seen quite a few hotels and I think they are 5 star hotels. So, his work place is rich rich. I wish Max would hire me, I lamented, maybe then we might meet. I've thought about meeting him but he never showed any inkling that he would like to meet me. I wasn't about to seem desperate; I would probably jump him if I did. I mean he is single, so it's fine.

When the school started after spring break, I got handed a new author to help edit her work. I spoke to her and she was very nice to talk to. The book she was writing was based off a sport. On further questioning, she told me it was Formula One. I had heard about it when my city hosted a Formula E race a couple years ago. I don't remember much because I'm not sure if they held it again but what I can tell you is that traffic got so bad, I hated leaving the house for a couple of days. I don't really see the appeal of watching people go around in a circle in fast cars. I think I would panic if I found out how fast they drove. The author asked me to do some research on the topic. I was a good student and I wanted to be of help, so I decided to spend the next couple of hours going through Formula One and their rules.

There's something I have to clear up, I have a type of blindness bias. If I'm not interested in a topic, it would be like I live under a rock. Nothing could phase me and I couldn't care less. That's how I ended up on the wikipedia article of Lewis Hamilton, Micheal Schumacher and then current champion Max Verstappen. Schumacher and Hamilton were very good, reading about them made me awe struck. What really shocked me was a guy named Max Verstappen, who looked awfully like Maxie. I've stared at Maxie more than I would like to admit, so I'm sure they look alike. As I went through the article, my heart seemed to beat harder; not sure why. I felt like this was my Maxie however I believed that Maxie would've told me if he was a Formula One driver. I had to lay my doubts to rest, so I ended up on Youtube with the search bar reading Max Verstappen. My doubts laid to rest in a place I didn't want them to; Maxie was Max Verstappen. I could recognise that voice anywhere. He talked a lot, I could recognise his voice in a crowd of people or in my sleep. All my suspicions were cemented when I saw a picture of 2 cats who looked like Jimmy and Sassy and were called by the same name. My heart was ready to jump out of my chest. Max had lied to me; but was it really lying when I never prodded him for answers. Worst of all, he had a girlfriend and a kid. That's when I felt I was lied too. How could he not tell me? I would've genuinely been happy for him. We would've celebrated his 2 championship wins. My throat felt dry and my eyes wet.

Life wasn't fair when I've been trying to get my book published while my best friend, don't even know if I can call him that, is a 2 time world driver champion. He never even told me, while he has been in Formula One almost all our friendship and karting all his life. I felt the ground slipping from under my feet. Was I that unimportant to not share such a crucial part of his life or huge accomplishment in his life? Was I even his friend? All these questions raced through my mind, while tears streamed down my cheeks. The pillow wet from my tears when my phone rang. It was Max on the other line, and for the first time in 10 years I did not answer his calls even though it rang for a 4-5 times. He finally stopped after sending me a couple of worried messages; asking how I was and where I was?

[Max was freaking out. Y/N never missed his calls, no matter the time or place. Worst of all, she didn't even reply to his messages; not after 5 minutes or 10 minutes or 20 minutes. Max didn't know where she lived, he didn't know who to call, or who to ask about her. His hair was a mess, he was pacing the room so much so, that his girlfriend’s daughter asked him what happened. He couldn't tell them, no one knew of this secret internet friend he had. Who was he supposed to contact to file a missing person's report? He tried to calm himself down and think happy thoughts but all his thoughts were Y/N]

[pluckyredhead]

Character Profile: Gregorio de la Vega and Hugh Dawkins (Extraño and Tasmanian Devil)

I was thinking that it's been too long since I've done a character profile, and then I realized that I don't think I've ever posted about DC's CANONICALLY MARRIED, HISTORICALLY SIGNIFICANT DILFS, a.k.a. Wizard Daddy and his furry husband. I'm so sorry. I've failed you all.

ANYWAY MEET GREGORIO AND HUGH:

Gregorio (on the right) is the first out superhero in comics, ever, from before the Comics Code even allowed gay characters. Hugh is DC's third gay superhero (Pied Piper came out a year before him) and the first canonically queer member of the Justice League. See? Historically significant!

CONTENT WARNING: Homophobia, racial stereotypes, attempted suicide, HIV/AIDS, and some particularly gory fridging (Hugh got better).

Gregorio de la Vega first appeared in Millennium #2. Now, they never actually use the word "gay" in the eight issue Millennium miniseries, but, well...

No, seriously, despite the fact that they never use words like "gay" or "homosexual" in the pages of the comic itself, the art and dialogue make Gregorio's sexuality very clear - and in case that wasn't enough, the editors do use the word "gay" in the letter columns.

Millennium was an event in which the Guardians and the Zamarons identified a group of diverse humans to be "the vanguard of human evolution" and gave them all superpowers. Gregorio is hanging out in a cantina in Peru when they show up to give him the news:

He's calling himself a fruit do you get it??? Honestly I love him so much. He's so extra.

I want to emphasize again how groundbreaking Gregorio is. Like, yes, obviously he is a raging stereotype and arguably a problematic one. But this was 1988. The Comics Code Authority would not be updated to permit queer characters until the following year (probably because of Gregorio, in large part). The fact that he existed at all, and not cloaked in layers upon layers of subtext, was a huge step forward. No, he's not perfect, but when you're the only canonically queer superhero in mainstream comics, that's an impossible ask.

Anyway. Gregorio's not super into the idea of being a main character at first, but after a self-loathing suicide attempt (Wally saves him), he decides fuck it, why not be a superhero, and joins the team that will become the New Guardians. He's granted his superpowers, which are generic magic ones, and takes the codename Extraño.

Unfortunately, in the spinoff series that followed Millennium, New Guardians, things get...uh...kind of rough. By which I mean that a) the original writer left, b) the new writer dialed Gregorio's gay stereotyping waaay back in favor of, um, Latino stereotyping instead (he stops calling everyone "honey" and starts calling them "amigo"), and c) the team is attacked by the Hemo-Goblin, an HIV-positive white supremacist vampire. Yes, really. It's fucking awful.

The Hemo-Goblin scratches Gregorio and bites Jet, a Black woman on the team. They both subsequently test positive for HIV. There are many letters from fans pointing out that it's nearly impossible to contract HIV that way, but the editors insisted that actually it was totally plausible, and then implied that probably Gregorio already had HIV because he was gay (even though he had tested negative earlier in the book). Then Jet dies. Again: it's fucking awful.

New Guardians was canceled soon after that and Gregorio pretty much disappeared. By the 2000s, he was viewed as basically an embarrassment, if anyone even remembered him at all: so stereotypical, so flamboyant, so offensive, so cringe. In the Love Is Love anthology, everyone's least favorite human Dan DiDio wrote a story where he claimed that Extraño died of AIDS back in the 80s, which...literally wasn't true??? The publisher of the goddamn company and even he assumed that the Cringey Stereotype must have died the Stereotypical Death.

And then in 2016, Gregorio got a makeover, courtesy of Steve Orlando and Fernando Blanco:

HELLO.

Yeah, so Gregorio is a silver fox now who hangs out with Apollo and Midnighter, does wizard shit, and lives in Lima with his husband and their adopted daughter. SO LET'S TALK ABOUT THAT HUSBAND:

Could you tell he's Australian???

Hugh Dawkins, a.k.a. Tasmanian Devil (no relation to the Looney Tunes character except that they are both owned by WB and, obviously, Tasmanian) actually first appeared in the Super Friends tie-in comics to the cartoon of the same name, in 1977, as part of a plotline where the Justice League teamed up with a bunch of international superheroes.

As you can see above, Hugh, like the other international superheroes, is a massive stereotype. He's also a were-Tasmanian devil who can grow really big, like many Australians. (Even though he's been around for 50 years, there are very few panels of Hugh in human form, but if you need to know for reasons of all the fanfic I hope you are about to write: he's blond.)

In the late 80s, Hugh and the other international superheroes from this story were incorporated into the main DCU as a team called the Global Guardians. They became occasional supporting characters to the various Justice League International books, and some of them joined various Justice League branches. Others had random cameos here and there, and in a 1992 issue of Justice League Quarterly, Hugh's random cameo involved casually mentioning that he is gay:

Again, this is a big deal. It's only 1992, meaning the only canonically queer superheroes in mainstream comics are Extraño (1988), Pied Piper (1991), and Northstar (1992). And this is a Justice League book. AND IT'S 1992. When Hugh talks about things being hateful for gays, he's likely referring to the virulent homophobia in Tasmania at the time (homosexuality wouldn't be decriminalized there for another five years).

Which means it was also a big deal that Hugh went on to join the European branch of the Justice League shortly after this, making him the first canonically queer member of any branch of the League. Of course, his sexuality was never mentioned during the year and a half he was on the team...or in any comic...until 2006. And then it was a vaguely homophobic joke involving Hal Jordan. But still!

(There is a panel that I SWEAR exists from the JLI era of Hugh describing a total bullshit version of his origin which granted him "the power of 106 Tasmanian devils!" which I cannot for the life of me find but was the first thing that made me fall in love with this character. If you stumble across it, please let me know what issue number it is?)

Hugh then had the misfortune of next appearing...sort of...in the infamously awful Cry for Justice in 2009. I say sort of because it's revealed that the villain, Prometheus, has skinned him and turned him into a rug. So we only see his skin. The late 2000s were really, really rough, guys.

However, a year later he appeared in the Starman/Congorilla special and he was totally fine? Don't ask me how. Gorillas were involved. The issue ended with the possibility of him and Starman (the Mikaal Tomas version) hooking up, but then the New 52 happened, so that never came to anything.

...BUT WHO CARES, BECAUSE NOW HE'S MARRIED TO GREGORIO AND THEY HAVE A DAUGHTER AND THEY ARE IN LOVE.

The nickname! The clutching! I'm dying.

Did I mention the canon threesome with John Constantine?

HUGH LOVES HIS RIDICULOUS HUSBAND SO MUCH. Tragically the JLQ only showed up in these two stories but all the baby queer superheroes in the DCU call Gregorio "Tio" and it makes me want to weep. HE WAS ALL ALONE IN 1988 AND NOW HE HAS A FAMILY. I AM VERKLEMPT. 😭😭😭

Unfortunately Gregorio and Hugh are pretty much relegated to occasionally appearing in Pride specials these days, but maybe if we all wish really hard, DC will let Steve Orlando or Andrew Wheeler write a miniseries about how they met and fell in love. I think Nick Robles should draw it.

ANYWAY I LOVE THESE HISTORICALLY SIGNIFICANT HUSBANDS, THE END.

[fantastic-nonsense]

I have a fun [citation needed] hypothetical for you. Say you have been granted the authority to make FIVE editorial directives for DC comics that will be followed for at least the next five years. What are you demanding?

No company events.

No major events with ten thousand tie-in comics.

No big crossover events.

No big gimmick events.

No event comics.

Okay, I kid, but only slightly. I'm actually going cheat slightly and give you five plus an extra one that needs a bit more explanation:

No company-wide crossover events or gimmick events that derail major ongoing stories in individual books shall be made. If an event comic is published, any tie-ins will be published separately from the character's ongoing/mini (for reference: like the Blackest Night tie-in specials).

Institute a lore consistency team within the Archives department. Mandate that every single creative team MUST read and utilize a character/story bible before writing any scripts. The scripts will be looked over by a member of the lore team as well as the book editor before being approved for publication.

The Young Justice generation is finally allowed to grow up and, where necessary, get new hero names. In particular, Tim Drake finally gets to age and stop being Robin. He picks 'Blackbird' as his new name, gets a cool new red-and-black costume, and stars in a rebooted Young Justice book alongside his friends.

Barbara Gordon has to formally retire from the Batgirl role and become Oracle full time again. This is handled in a way that is respectful of her character and her disability. Cassandra Cain will be Batgirl full-time again while Stephanie Brown goes back to Spoiler; Cass gets a Batgirl solo ongoing while Steph would join a rebooted Gotham Knights team book that includes her, Kate, Helena, Luke Fox, and Jean-Paul Valley.

Wonder Woman's established lore is acknowledged, respected, and re-emphasized. Diana is a clay baby again, Cassie is Zeus's daughter again, The Return of Donna Troy is acknowledged as the definitive explanation of Donna's multiple-choice backstory (while the fire origin stays the definitive origin), Artemis gets her original origin back, etc. Full acceptance of the Rucka Rebirth retcon to reset Diana's origins and childhood back to the post-Crisis status quo. No references to the Zeus origin or the New 52 Amazons are allowed to be made except in context of Rucka's "it was a lie" explanation.

In priority order, those editorial mandates probably fall out to be something like 2>1>5>3 and 4 in a tie; 3 and 4 are kinda interchangable since they collectively would fix a wide swath of what's wrong with the Bat books right now.

My "extra" mandate would be that writers must utilize existing characters where possible for their stories. No new "major" heroes are to be introduced unless a writer can prove that a book needs a new character to fill an identified gap. Prioritization should go to a) characters who used to be used on a regular basis in a given book but have not been seen in 10+ years and b) characters introduced within the past 5-7 years.

I'd want this one for two reasons: one, there's a ton of pre-existing characters who used to be staple or regularly recurring characters who have failed to get regular appearances since 2011, for a variety of reasons. Forcing writers to use them instead of creating new characters would allow DC to rebuild some continuity, bring back old favorites, and provide closure to lingering storylines that were cut short or never followed up on. Two, there's a hell of a lot of new characters have been introduced and discarded without actually building them out properly the last few years. I would honestly only put this one in place for around 3 years...long enough to force DC to actually flesh out the underutilized newbies and provide some closure and new beginnings for some old favorites.

[sweetcarrotsandroses97]

~ Bonded by a Ring | JJK

Pairing: CEO!husband!Jungkook x writer!fem!wife!Reader

Warnings: arranged marriage, fluff, a bit of angst. (This is a light chapter tbh, I can't think of anymore triggering content. Let me know if I missed anything!)

Summary: We take a look at your life as Mrs. Jeon, wife of the rich heir to Jeon Enterprises, Jungkook. He was a handsome gentleman who you were able to call your husband yet the relationship between you both was entirely political and civil. Could feelings begin to sparkle between the cracks of marriage?

Word Count: 2.8k

A/N: This was supposed to come out yesterday on Kook's birthday but I was busy and I couldn't edit it but here it is! I'll continue writing this small drabble series when I find the time while also working on other fics I hope to be able to publish soon.

Let me know your thoughts on this one in the comments, please! Drabbles are open for this au in case you want to request something my inbox is open!!💜

It was dark outside. Dusk had settled a while ago and your husband was still not home. You worried for him, for his health. He worked so much and rested too little.

You were sitting on the couch, your laptop rested atop your folded legs. Glancing at the clock you noticed how it was nearly midnight. You sighed. This was not new for you. For Jungkook to always come home late, seldom were those times in which he dined with you.

Rarely did you ever go to bed together as you often found yourself curled in the large mattress without him to keep you warm during the night.

You and Jungkook have been married for some months now. A marriage that was arranged by his parents. A marriage that was of advantage to you both for he needed to have a wife and an heir to inherit his family's company and you, well you needed his name.

As an author who had published her first novel, you became really popular in the world of words and books and you could thank it all to your husband's marketing team.

There was no love between you two. But you didn't hate him either. The relationship between you and Jungkook was a polite one, he was ever the gentleman with you and in exchange he obtained your respect.

You cared for him to a certain extent. You always made sure he never left for work on an empty stomach and had ready some light dinner for when he came home late. You always made sure his shirts were ironed and his shoes polished.

And in return, Jungkook always gave you anything you could possibly need. Do you have an appointment with your editor? He'd make sure his chauffeur would drive you there. Do you need some new clothes? You could always use his credit card. Do you want to get Bam a new toy? He’d made sure to bring you the best catalogues he could find for you to choose what to buy for the spoiled dog who had earned your heart too quickly.

It was a balanced relationship. He respected you, you respected him. Jungkook had his life, you had yours. But to the public, you both were a happily married couple. While inside closed doors, you treated each other as an old acquaintance of another lifetime.

Your attention got stolen by the sound of the electronic lock as the front door opened and in came Jungkook. Even from where you sat, you could see the tiredness in his body. The exhaustion.

You put the laptop aside before standing up and walking towards him. You took his coat from his hands and presented his slippers to him.

If Jungkook hadn't been that tired at that moment he'd have thanked you with a soft smile.

"I'm glad you're home, do you want to eat something? I can heat you up some dinner if you'd like?"

He let out a sigh, the stress, problems and frustration from work were getting on his nerves. And to even think that he had to go back tomorrow...

"No, I'm fine, (y/n). I just want to sleep."

You nodded, placing his coat in the hanger while putting his shoes in its place. The scent of his cologne invaded your senses and your touch lingered on the heavy robe he previously wore for longer than needed.

Your eyes followed his figure as he disappeared in one of the hallways and into the bedroom you both shared. You have never minded sharing a room with him, let alone the bed. The other two rooms in the large flat were transformed in your study while the other was his personal gym.

Walking back into the living room, you saved the draft of the story you had been working on for some time now before you powered off your laptop.

For a moment, your eyes lingered on the city lights. They looked so close yet so far at the same time. The large glass windows that reached from the floor up to the ceiling allowed you to see such a beautiful view.

You felt a sudden sense of loneliness wash over you. Something that felt strange in you, something you couldn't describe, let alone place its source.

With a sigh you turned around, your arms were hugging your figure as you approached the couch once more. You placed the laptop on the coffee table before walking towards the bedroom, turning the lights off on your way.

Jungkook was already lying down on his side of the bed, his back facing you. With quick and silent movements you approached the other side of the bed and sat down before getting yourself under the covers.

You assumed your husband was already asleep as deep breaths could be heard in the quietness of the place. You turned on your right side, facing his back as you shut your tired eyes after having been in front of a screen for too long.

"Goodnight, (y/n)."

Those whispered words reached you before you fell into your deep slumber. You mumbled the words back as you succumbed to the tiredness in your body.

"Goodnight, Jungkook."

Little were you aware of the fluttering in your husband's heart at your words. Of the small smile that graced his lips at the little attentions you always gave him. By the way you were slowly entering his heart without you having the slightest idea.

Jungkook was woken up by his noisy alarm and he cursed under his breath before turning the frustrating noise off. With a sigh he sat up, one of his hands ruffled his hair before he stood up and went to the bathroom as he needed to get ready to go to the company yet again.

After taking a shower and getting dressed, Jungkook stepped out of the bedroom, closing the door behind him with a soft noise that nearly echoed in the overly silent apartment.

"Bam, stop it. You already had breakfast."

He heard your voice from somewhere in his large home as the smell of coffee suddenly hit him. His feet carried him over the hallway and across the living room until he entered the kitchen that faced the dining area.

Jungkook saw how you had prepared a plate filled with fruit and some yoghurt as well as a cup of coffee. He couldn't help the smile that grew on his face, the moment itself was precious as if gotten out of one of the dramas he had caught you watching from time to time when you needed inspiration to write or to simply pass the time.

His stomach fluttered when you lifted your gaze from the large yet cute dog who stole your attention to look at your husband. A smile on your own was painted over your lips.

Time seemed to stop when your eyes met his, Jungkook didn't know for how long the both of you stayed like that. As if trapped in a loop of time of perfection. Almost like a real married couple did.

He broke eye contact and cleared his throat, as if snapping himself from some kind of spell. A spell only you conjure over me. The thought crossed his mind before he could stop it. Your smile disappeared from your face as you looked aside, your cheeks heating.

"Did... did you sleep well?"

You asked after a moment or two of silence. Even Bam stopped moving by your side as if somehow the canine felt the subtle tension rising in the kitchen.

"Yes, thank you."

Then it was awkward again. You didn't know what to say. He wasn't moving, neither were you. He didn't seem to want to lift his gaze as it was placed on the white floor beneath his feet. As if it were the most interesting thing in the world.

"I made you some breakfast. It is not healthy for you to leave on an empty stomach, Jungkook."

He hummed, walking toward the stool before sitting down, his breakfast resting on the marble counter.

"I'm going to take a shower."

You excused yourself and left the kitchen, not allowing your husband to say anything as the next second you were already walking down the hallway.

A sigh left your lips as you leaned on the closed door of your shared bedroom. What just happened? You thought to yourself while pressing the back of your hands up to your cheeks to try and cool down the skin that felt suddenly too hot.

You decided a cold shower would help you clear your mind so you didn't waste another minute to grab your clothes and hop into the shower, allowing the cool water to run down your body and refresh your mind.

Jungkook sat at the stool, spoon in hand as he ate the last of his yoghurt. His cup of coffee was already half empty when you emerged from the bedroom, your hair was wet and you were wearing fresh clothes.

The scent of your shampoo hit him and there it was, the fluttering in his heart, the soft churning of his stomach.

He emptied the bowl with his breakfast and downed the remnants of his coffee before he stood up.

"I have to leave now."

Your hands picked up his bowl and cup as you placed them on the sink.

"Have a nice day, Jungkook."

He didn't know what was happening. Everyday you woke up and prepared some breakfast for him, sometimes he ate it at the flat other times he took it with him to eat it at the office.

Why was he feeling so strange right now when what you were doing was completely normal?

You turned to look at him with a warm smile over your lips, ignoring the way your heart sped up a little by the mere sight of him or the way you felt your palms begin to sweat due to the nerves of being with him in the same room.

He mirrored your smile and you swore you had seen Heaven. You loved his smile. You had always found it pretty. It suited him. Not that you had ever told him that but it was a thought you had had since you first met.

"Don't forget to have breakfast, (y/n). I'll try to come back a bit earlier today."

Butterflies fluttered in your stomach at the thought of him coming home at a decent hour from work.

"Oh, that's good. Have a nice day, then."

You mentally face-palmed yourself. You already wished him a good day, idiot! But he chuckled, walking away from the kitchen and toward the front door. You watched him like every other day, you watched him put his coat on as well as his shoes.

Jungkook turned around and smiled at you before he was out of the door, the soft click of the lock echoed so loudly in the now nearly empty flat.

You sighed, going back to the kitchen to prepare something to eat for yourself. Just like Jungkook told you. The promise of his early arrival set a smile on your lips once more. Wanting to be with him again, even when he had just left not even five minutes ago.

The reason for this new feeling? You didn't know. But you couldn't say you didn't like it either. Jungkook was your husband after all, it was only natural to want to be close and spend time with the person one marries, right?

"Jungkook, are you listening?"

His head turned to look at the side only to spot Jimin, one of his close friends and co-workers already looking at him with an expectant and curious expression over his delicate features.

"Sorry, what?"

Jimin sighed, a hand running through his blond hair.

"I was saying that we need to close the deal with Mr. Cha as soon as possible. It will help us increase our sales."

Jungkook let out a deep breath as his thumb kept clicking and clicking the pen that was in his grasp.

"I know. I'm sorry, hyung. I have a lot on my mind right now."

Jimin clicked his tongue as he put some files aside.

"Yeah, I figured. I'll ask Hoseok to look into this and bring you the contract for you to sign."

"Thanks, Jimin-ssi."

The latter smiled, more than smirked and said, his hands tangling in front of him over the table.

"Now tell me, what is bothering you?"

Jungkook knew his friend was going to ask that question sooner or later. He leaned back on his chair and said, fidgeting with the pen in between his fingers.

"It's (y/n)."

If Jungkook had been looking at his friend, he'd have seen how Jimin's eyes widened at the mention of your name. He had met you on a couple of occasions, one of them being your wedding with his younger friend, that's why he grew surprised when you were the centre of Jungkook's current state of mind.

"What happened? Did you two fight or something?"

The doe-eyed man shook his head, placing his pen on the table before his eyes locked with the curious gaze of one of his closest friends.

"What? No, I don't think I could ever fight with her."

Jimin hummed, allowing him to continue.

"It's just that... man I don't know. I can't sleep, I can barely eat. My mind is always racing with the mere idea of her. This morning I saw her smile and... I just thought of how beautiful she looked while smiling. I want to make her smile like that, you know? I want her to be happy and to smile at me like that everyday, Jimin."

There was a moment of silence between the two men. Seconds tickled by, the silence stretched. Nearly swallowing the younger man with his own thoughts and racing heart.

"What? Don't you have something to say, Jimin-ah? You are always teasing me and when I tell you something serious you stay quiet."

The blond haired man seemed to snap out of his own mind. The only thought in his head was the one of Finally!

"You like her."

Stated Jimin. There existed no ounce of hesitation in those three words.

"What?!"

Jimin rolled his eyes, if anyone had seen the scene they would have thought it to be comical.

"Shhh, don't shout like that. I simply said that you like her. You like (y/n), Kook."

Jungkook swallowed. The possibility hadn't even crossed his mind. Did he- did he truly have feelings for you?

"But how?"

Jimin refrained himself from smacking Jungkook on the back of his head. Perhaps they were both speaking as friends right now but the blond man had to remind himself that Jungkook was technically his boss too. At least his future boss.

"Jungkook, it's completely normal. She is your wife, she's been living with you for months now. It actually surprises me that this hadn't happened before considering your one year anniversary is in two weeks."

The heir to Jeon Enterprises was too stunned to speak. Jimin had revealed a reality his heart already knew but his mind rejected to accept for he couldn't deny his friend's statement. He liked you, he really did. And now, he saw his situation with way more clarity than before.

"What do I do now, Jimin? Should I tell her how I feel?"

The older man laughed a bit. His eyes closed with the motion.

"See? You didn't deny it! You really like her, huh?"

Jungkook rolled his eyes, not liking the teasing from his friend.

"You didn't answer my question."

"Aish, you are totally clueless when it comes to romance, aren't you? Listen, Kook, first you have to know if she likes you back. Don't just open your heart where there could be a field of thorns, gift her things and see her reaction, do things for her and pay attention to her words, if she gets flustered or not. And if she doesn't show any signs, well then you have to win her heart."

Jungkook still had so many questions, so many things he wanted to know in order to act on the feelings his heart was treasuring. You were his wife, wasn't a marriage supposed to be sweet?

What he had with you wasn't bitter, but he found himself craving as of lately that sweet love of the heart.

He wished to be with you like a husband loves his wife, not only bounded by a ring but by sentiment too. To be tangled in the web of feelings that threatened to blossom in his heart with every thought of you, every single memory of you.

And he was going to do just that. To fight for your love. To win your heart or claim it if his name was already written in your soul for him to live in such a sacred place.

Bonded by rings, destined by fate. Claimed by society, yearning for a life by your side.

~Masterpost

Sept/02/2023

☕Caffeinate me so I can keep on writing! ☕

[tarysande]

Hi! I’m considering becoming an editor but I’m not sure if it’s the right fit for me. If you don’t mind answering, what was your path like for becoming an editor, and what does the job mostly consist of for you?

Additionally, while I really do like helping other people’s work become better, I get too in my head to release a lot of my own work. Does editing require you to also be a writer most of the time, or could I get by mostly just editing?

Thanks!

Hi, anonymous friend!

These are really good questions for a potential editor to ask.

To (sort-of) answer your question, the amount of writing involved depends on the type of editing, honestly. So, first you have to decide what kind of editor you want to be.

Roughly, editing breaks down into three-to-four types: developmental/substantive, line/stylistic, copy editing, and proofreading. These terms are mixed up and interchanged ... often. Increasingly, line editing includes or incorporates copy editing, which is why I say "three-to-four."

Developmental is the big picture stuff, including manuscript critiques. Books of all kinds usually undergo some kind of developmental editing--by editorial agents, acquisitions editors, freelance developmental editors, etc. In my experience, this is also the kind of editing that requires the most writing and/or the most author/editor interaction.

Stylistic/line editing tends to be editing at the sentence level, looking at diction, structure, clarity, consistency, etc. Copy editing, on the other hand, is what many people think of when they think of editing--it's the mechanics of writing, like spelling, grammar, punctuation.

Proofreading is the rather specialized skill of editing proofs. They're the final eyes on a pre-published piece; they're looking for typos and errors rather than anything that will involve significant authorial changes because a proof page has already been "set" (as it were).

All of these kinds of editing can be applied to many different areas of communication, and the editors who perform them can be self-employed (like me) or work for an employer (i.e., as a more traditional employee). Employee editors might work in-house at a publisher (of books, magazines, academic journals, etc.), or they might have any number of editing-focused roles in business, government, education, etc. Self-employed editors may also end up working as contractors for other companies; this is pretty normal.

Many book publishers, including the Big Five, farm out a lot of their editing these days, by the way. Especially the copy editing and proofreading. So, those particular jobs are dwindling as in-house options. Publishers can pay freelancers less ... and avoid paying benefits. (#capitalism)

I will also say that, especially in jobs with anything to do with marketing or advertising, there's a lot of annoying scope creep where "copy editor" is often expected to be a copy writer, too. Again, it's a symptom of employers wanting to pay fewer people to do more jobs (and it's really annoying).

My path has mostly involved trying as many things as possible and slowly weeding out the ones I don't like. I've pretty much always been self-employed because the personal benefits (setting my own schedule, rates, deadlines) works better for me. That said, I'm Canadian (so I don't have to worry about employer-covered healthcare), and I have a partner whose salary is regular and whose benefits cover me, so I don't have some of the worries a freelancer in the US or a single-income household might have. I'm increasingly working on the development side of things because big-picture storytelling, including writing and editor/author interaction, is my jam. But I have also done a ton of line/copy editing on fiction, non-fiction, academic work, etc.

Without knowing what kind of editing you're looking to get into, it's harder for me to offer suggestions for next steps, but generally, I'd say it's important to get SOME training--whether through a school, a certificate program, or the various workshops and professional development offered by editing associations (Editors Canada, the CIEP, ACES, the EFA, ...there's an Australian one whose acronym has slipped my mind). Researching the flavor of editing you're interested in will probably offer up avenues for study, too. For example, most US publishers/authors use iterations of the Chicago Manual of Style. Most UK publishers/authors use Hart's Rules/Oxford. Academic journals/schools/students have different style guides (APA, AMA, MLA, Harvard, Vancouver). Law uses the Blue Book. It's good to have working knowledge of a few style guides--and then you have to keep up with the changes (Chicago's 18th edition is coming out this year, and I hear some significant changes are afoot--such as fully embracing the singular they!).

The tl;dr here is that yes, there are a lot of writer-editors. But there are also a lot of editors who aren't writers at all, or who have no interest in becoming writers, or who don't want their writing and editing to overlap, or who edit because they like helping people and they value clarity. At the end of the day, editing and writing are two very different hats, and you don't necessarily need to wear both.

...this is already a bit long, but if you have other questions or want me to get more specific about something, please ask!

[salarta]

Now that I've been banned over a tame joke on CBR, I might be making more posts over here on Tumblr. This is one such post.

I usually, deliberately, do not post stuff about the current X-Factor book. Why? Because it's trash. And the current X-Men senior editor, Tom Brevoort, has previously said that he thinks being a colossal asshole is "good for business" because it gets people talking.

Of course, that's just him trying to make excuses for being an asshole, just like he tried to make excuses for why Polaris "couldn't" be Magneto's daughter. But I digress.

The reason I'm bringing it up now, though, is pretty simple.

He fucked up. Hard. And not only does he know it, but he's trying to change the subject away from his fuckup.

This past Wednesday, Marvel released X-Factor #2. If you're going to read it, do so by pirating. Or not at all. Because any purchase for any reason gives the false impression that they should keep doing what they're doing.

In this week's issue, the "Polaris" in the story wasn't just bad. Wasn't just 90s nostalgia bad. It was the most blatant display of nostalgia for regressive sexism toward Lorna in decades. It was bad enough that it would've skated on thin ice even before Lorna surviving the Genoshan genocide.

The basic summary of all I've seen is this.

Story forces Havok x Polaris trash just because of nostalgia. Lorna acts all submissive and needy around Havok, like she desperately wants his approval and involvement in her life. Havok comes with her to a Mutant Underground meeting, but only to spy on them, and Lorna somehow (brain worms tiem) doesn't notice he's wearing a button cam. Despite, you know. Her powers.

For some reason, and by some reason I mean "nostalgia for an attitude that Lorna is a nobody character," Lorna is just a rando in the Mutant Underground surrounded by other randos. Even though she's a survivor of the Genoshan genocide, and had trashed Orchis' space station basically days prior in comics time, she's treated as just a random nobody in the group. And when Mutant Underground realized Havok was wearing a camera, they took Lorna hostage - without a fight from her - with implication that they might kill her due to his actions.

.............

If you're wondering how it makes sense, it doesn't. This isn't Lorna. It's Brevoort's shitty fanfic idea of Lorna as a nobody character whose only value is to promote his favorite straight cis Aryan male, Havok.

Obviously, because we're not living in the sexist late 60s and 70s, this treatment of her has been universally panned. Even by people who want to support the book. The few people trying to defend it, do so under the guise of "lol it's a parody so it's perfectly fine," but that shit's been getting shut down fast by pointing out that parody isn't an excuse for some things. Like this.

This is where the biggest reason for my post comes in.

Yesterday, literally one day after releasing X-Factor #2, Marvel used their favorite sycophant fan site to release an "exclusive preview" of X-Factor #3... a whole ass month in advance. Unlike the last two previews that emphasized Havolaris shit, this preview didn't include the Havolaris shit. It focused on Havok and Friends.

Anyone who can read between the lines on this stuff can recognize what it means when a company rushes to release brand new teaser stuff for the next issue immediately after releasing the current one. From a marketing and buzz standpoint, if your work doesn't suck, you want to give audiences time to digest. You want them to think it through, build it up with word of mouth, convince other people to buy into the book and be on the lookout for new things before you put out a teaser. And you wait until later to publish the teaser so it's fresh in minds to go out and buy it.

Rushing out the next preview means they're desperate to change the subject with what's on hand. They can't radically change the next issue (maybe the next few) in response to criticism and complaints because they're too far along in the publishing pipeline.

They, especially Brevoort, also don't want to admit they made a mistake. Because at the end of the day? Treating Lorna like shit off of sexist nostalgia is what they want. They want people to accept it and let it pass, because they think that unlike Storm, Jean Grey, Emma Frost, etc, that they can get away with being sexist fucks about how they depict Lorna.

So with changing the next issues not an option, and offering up an apology and admitting any kind of fault isn't an option, there's only one real recourse they have.

Releasing shit stupid early and hoping people will change the subject so they can get away with the sexism.

The current X-Factor book is shit. It's based heavily on one man's sexist fantasies for a time decades too old for today. Keep that in mind when you see this stuff.

For my money's worth, this isn't even Lorna. I refuse to recognize this character as being Lorna, because it's blatant that the intent behind it isn't to acknowledge Lorna or her fandom and do right by the character. There's no actual Lorna in this. Therefore it's not Lorna. If you're jonesing for a Lorna fix, read a fanfic, because fanfics are more accurate than what Marvel's publishing.

[earlgreytea68]

to be fair, streisand's whole thing is that she's an insufferable narcissistic diva. i'm not going to read her book and i'm sure i wouldn't enjoy it, but the fact that it's so thick and insufferable is kind of a a part of the brand. like when she was given a book deal i imagine the editors knew that people wanted to gawk at how awful she is and made no attempts to reign her in, probably even egged her on. harry is still trying to come off as the sympathetic ex royal so a lot more probably went into crafting that narrative and making him come off as sympathetic than it did for barbra

This is a good point. I honestly legit did not know much about Barbra Streisand before reading her memoir, so I didn't know this was her brand and I didn't know to expect it and I was caught completely off-guard by how badly she comes off in her own book. I just didn't expect that to ever happen????? But I clearly underestimated the amount to which she is caught up in her own brain. You are definitely right that the editors made no attempt to rein her in because you can't rein Barbra Streisand in hahahah. The entire book is about how she's the best who has ever existed at everything so, like, presumably the publishing company knew that going in and didn't even try to edit her.

What I think I find so compelling, though, is I don't get the impression that Barbra herself thinks she is a narcissistic diva. She clearly thinks that, in the book, she's setting the record straight so that now everyone can see how she's not at all like what people say about her. I think that's pretty clear in the book, Idk. And I think that's what really fascinated me so much, that she was just so wrong about how she's coming across. That says something about her.

It also says something about Harry that he is aware of how he comes across. If he is manipulating the narrative in his memoir, he is doing so successfully and cannily, in a way that was just beyond, say, Barbra. It's telling in and of itself. Like, maybe he just listened to his ghost writer more in how to tell a sympathetic story, but that in itself is telling, that he's still able to listen to feedback.

[witch-hazels-musings]

hi! i saw that you wrote a novel (that might be getting published?) and i'm really curious to know what pushed you to start, how was the progress, and do you have an editor + are you self-publishing or are you with a publishing company! writing a novel is a dream of mine but it feel so far-fetched. it's inspiring to see that you've written one, and i would like to know how i might do the same too, if you don't mind sharing! -- @milkstore

hello fellow author <3 im so excited to hear about your dream! there are countless stories out there, but no one can write yours :)

as for what made me start - it was you all. the constant support, love and encouragement, and providing me inspiration and opportunities to practice with characters I love in a world that's fantastical.

my main character was inspired by a genshin OC that I had (Fai) and blossomed into who she is now!

my process was pretty simple really. I started with a general plot. identified what I wanted to happen in the story and the beats (points) i wanted to hit along the way, then I flushed out the two main characters and started writing their story.

after getting draft 0 i realized the plot (especially in the middle) wasn't working. in fact, it suuuucked. so I did some edits, a lot of cutting and rewriting and then I got a beta reader - they liked it, but I didn't - enter my work on draft 3. Now my story has substance, it has way more engagement and a lot better characters.

My next steps will be to read it out loud for another round of edits and - as I go - really ensure my character motivations are in there, the plot (where the whole story ends up) has build-up, and that I'm not going to set myself up for continuity errors. Once that is done I have two options

I can send it off to an editor I found and like, have them look it over and give me feedback - make changes - and then start querying for agents

I found a potential publisher that works with indie authors GreenLeaf Book Group. They might help me with editing, story, and other things if they like what i have - so i can skip some of the steps myself! - They seem very promising and actually may be a good place to start right out of the gate, but I've always been told to never give a publisher nothing (well, unless you're already working with them lol)

From here, the end goal is traditional publishing but i have a few barriers to that. 1. my book is too long, 2. it may not be as engaging as they may like, 2. it's a duology (publishers don't often pick up debut authors that pitch more than one book to them (i.e. they want a standalone before investing their time and money into the book)

Of course, I'll keep you all updated as I go -- you can also follow me on Instagram! I post updates there and information about my book :) --- you can find it via my Author Cardd

I won't gatekeep or tell you this process was easy. It wasn't - but it was rewarding, perfect, and brought me closer to my dream. To be able to look back and tell my younger self we wrote a book is everything to me - her stories deserve to live, as do yours <3

I'm rooting for you.

You got this

OH AND join writing groups! I am now the moderator of one - The Writers Factory. I give lots of advice there and feedback on peoples stories when I can. I also post some writing exercises and other stuff (its not a social discord though - the mods are very strict lol - its for working on your book/story/ect. -- so feel free to join us if this is something you want!)

[ettawritesnstudies]

Hi Etta! Sorry if you already mentioned this, but where/how did you find your editors? (If you don't mind sharing)

Don't mind at all!

I know there are companies like Reedsy and the Writers Digest which have databases of editors, but that seemed really overwhelming. At the end of the day, the best way to get resources is to network (make friends, and hope their mutuals like you too).

Last year, I did an interview for Amanda Auler on Instagram and she boosted my account, so months later I ended up doing an interview for Addison Horner. He does editing for indie authors, so I asked him for a sample edit and liked it, but I wanted to get other points of comparison first, so I asked around and came up with a short list of editors. I contacted them, and when I had enough to compare, I ended up deciding I liked Addison best and drew up a contract with him. God moment that I found him so quickly.

But if I had to give this advice to someone else I'd recommend following these steps:

Read books in your genre. Read INDIE AUTHORS in your genre. Review their books. Follow them on social media. Be a friendly fan but don't make it weird.

Indie authors are one person publishing teams desperate for engagement and positive attention. They will thank you for your help and be willing to pay it forward when the time comes.

Once you have a handful of books you like that have similar vibes to your book, flip to the acknowledgements and find the editors name.

Google the editor, find their site, submit your inquiry, email works better than a form.

If you can't find the editor online, DM the indie author and ask "hey I really liked your book and it's a good comp title for my WIP. Who's your editor and what was your experience with them like? Do you mind pointing me their way?" Follow the author's advice. Repeat as needed.

(I've only ever received nice responses to this, don't be anxious. If they don't reply they're probably just busy, not annoyed).

When you contact editors, ask about their availability, rates, and be specific about what type of editing you need. Ask for a free sample edit. Mine were 250-2500 words.

Supply details about your WIP. Mine looked like this:

Title: Runaways

Genre: Middle Grade Portal Fantasy. I'm not labeling it as "Christian Fiction" as religion isn't a focus point of the story, but there are significant underlying Catholic themes.

Premise: When Cecelia goes missing one stormy Halloween night, her older sister, Hannah, must venture into the faerie courts to learn the truth about their past and bring her home. (Linked WIP Page with additional information)

Length: About 86,000 words, 180 pages (Times New Roman, 12pt, double spaced, standard 1in margins formatting). 21 chapters with an epilogue

Style: 3rd person limited, present tense. 3 POV characters: primarily Hannah at first, and then Cecelia and the third added later, alternating.

Status/Timeline/Availability: Currently with a 2nd round of beta readers, and I'll be getting feedback by March 31st. After editing the draft to reflect their feedback and doing my own line edits, I'll be looking for a line/copy edit around April/May or early summer.

Types of edits needed: As I understand, every editor uses "line" and "copy" edit slightly differently, but I'm looking for a combination of both styles if possible: checking for internal consistency, logical choreography, adequate descriptions, minor plot or worldbuilding errors, as well as language concerns like cutting crutch words, making sentence structure more dynamic, choosing the right verbs, etc. Developmental editing not needed. Waiting to do proofreading at the moment

When perusing at the editors site, look for credentials/certifications, their backlog of works, and testimonials

If you don't have enough options following this method, join some discord servers! I'm in a local NaNoWriMo group and a Catholic Writers Guild called Inkwells and Anvils which were both useful. I think there might be some writeblr ones as well. Find the critiques channel and send the same information there^^

Compare sample edits. Who respects your voice? Who supplied the most insightful comments? Do you vibe over email? Are they willing to do a stylesheet? Do they like your book? Can you set up a 15 minute zoom call to see if you vibe and discuss details?

Look at prices. My rate is $.015 a word but that's pretty cheap for the industry. Most of the rates I saw publicly were between $.02-.03/word for line editing.

Pray/sleep on it

Once you pick your best option, set a date to send them the manuscript, sign contracts, and make payment.

Send a polite email to the other editors and say "I regret to say you're not quite the right fit for this book, but I appreciate all your time, help, and advice! I hope to work with you in the future" or something along those lines. Don't burn your bridges.

Celebrate!

This whole process took me a couple weeks, everyone was very punctual and professional and friendly. I ended up going with Addison not only because he was the cheapest but also because he made 3X the number of comments as any other writer, and his comments were specific and useful. He understood my characters immediately, I think in part because his writing style is similar to mine, based on his debut novel, Marrow and Soul. We're both Christians who like YA dark fantasy. It's a good match. He's still taking clients for later in the year if that's your vibes. I also worked with Amber Burdett and Sariah Solomon, who were both lovely.

I wish you the best of luck finding an editor who fits your story! I hope this was helpful and not overly long.

[imasexypotato]

The Proposal(2009) Clegan AU :

I'm not good at writing, but I love this movie and I can't stop thinking of Gale and John as Margaret and Andrew.

So:

Gale Cleven is a Canadian editor-in-chief at a New York City book publishing company, and, due to his pushy personality, he's disliked by most of his employees.

Gale learns that his visa renewal application has been denied due to term violation, and he is to be deported back to Canada.

Not wanting to lose his position and life in New York, he coerces his long-suffering personal assistant, John Egan, into marrying him so that he can get a green card.

He reminds John that if he is deported, his years of work as his assistant will be lost, which will set back his dream to become an editor.

U.S. immigration agent Harding is suspicious and explains to the couple that if his investigation proves that they are committing fraud, Gale will be deported permanently and John will be charged with a felony that carries a $250,000 fine and will have to spend five years in federal prison.

John reluctantly agrees to marry his horrible boss. John insists that, if they get married, Gale must make him an editor and publish a book he has recommended to him. Gale accepts his terms.

They travel to Johns's hometown of Sitka, Alaska to see his parents and his grandmother.

On the way to the family home, Gale is surprised to discover that the Egan family is very wealthy.

When meeting them, Gale is surprised at how many family members John has. They all welcome him into their home warmly.

Gale spends his first day with John's mother and grandmother. They take him around town and show him places they think he may like. He appreciates it.

Over the course of the next few days, hijinks ensues.

From being forced to sleep in the same bed, to accidentally seeing each other naked. John and Gale keep finding themselves in embarrassingly intimate situations.

Outside of their work environment, John and Gale get to know each other on a personal level. John starts taking Gale to his favourite childhood spots.

A few days pass and John's ex girlfriend shows up. She's lovely. She shows Gale around, and takes him and John's mother to a bar to get to know him.

Gale starts to feel bad about lying to everyone, and for blackmailing John into marrying him. He shouldn't be forced to be with someone like Gale.

Upon returning to the house, Gale overhears a conversation between some family members regarding an ongoing conflict between John and his father.

That night, he asks John about his relationship with his father, but he refuses to talk about it. Instead, he opens up to him about his own life.

The next morning, the family convinces John and Gale to get married the following day.

While planning the wedding with John's mother and Grandma, Gale is deeply moved by their love and sincerity. He feels a little worse inside.

He returns to John and admits that he has been alone since his parents died when he was 15, and had forgotten what it felt like to have a family.

After a long day of planning, John and Gale discover that Harding has contacted John's father and informed him of the possible fraud. In response, John's father flies Harding to Sitka, where he offers the couple a deal.

If they confess that the engagement is a sham, Gale will simply be deported and neither of them will face any further penalties.

Gale, feeling guilty, almost confesses. But an angry John refuses, continuing to claim they are in love.

The next day, the wedding happens. It begins normally but then Gale, touched by the closeness of John's family, stops the ceremony and tells everyone the truth.

He tells them about how he manipulated and blackmailed John into marrying him, and he apologises for lying.

Harding informs him that he has 24 hours to leave for Canada so he agrees and returns to the house to collect his belongings.

After a short delay, another argument with his father, John rushes back to the house but finds that Gale is already gone.

It's then that John realises that he's truly in love with Gale.

As he rushes to the airport to find Gale, another argument arises between him and his father. After a long screaming match, John's father realises that his son really does love Gale.

He returns to New York and arrives at the office just as Gale is packing his things. He tells him he loves him.

Gale dismisses him at first. But after insisting and confessing his deepest desires to him, Gale believes him and they share a kiss.

Later, they inform Harding that they are now engaged for real. Harding, excited for the challenge, exclaims, "Let's do it!"

[swords-in-space]

You once mentioned you have a thesis about fanfiction as a genre of literature and its value to genre fiction. I reallyyyyy would like to read your thesis. If that's okay for you

okay so i don't actually have a thesis about it. like, i think about the topic a lot but writing a thesis would require a lot of research and interviews and compiling information and i am far too adhd to do that on my own, and i'm not going to grad school anytime soon to have an excuse to do it

however

some thoughts include:

-genre fiction can be (often is, arguably) a metaphor for current cultural fears. the popular tropes in sci fi particularly and fantasy to a lesser extent are often a reflection on current global events. (well, i say current. usually it's about 3-5 years behind due to the nature of, yah know, writing and publishing a book.) this ties into the first point too, a little, because genre fiction allows the author and reader to put some space between you and the fear/trauma/event -- you're not actually reading a story about someone who could be alive right now and suffering, you're reading about a guy with a name straight from Fantasy Name Generator and his life in the post-apocalyptic future. we can confront our fears about nuclear war and censorship while we read about a dude named Guy who burns books for a living. then -- to pick a non-random example -- how many fics have been written in the last several years that are sickfics, zombie aus, or just straight up about quarantines and isolation?

-fanfiction is already a massive part of genre fiction. just because it's licensed doesn't make it less fanfiction -- i dare you to go into your local bookstore, find the sci-fi/fantasy section, and take a look at how much of it is taken up by star wars, star trek, warhammer, dungeons and dragons. how many video games have licensed novelizations, how many popular movies. i was a bookseller for 6 years, i can tell you that easily a quarter to a third of the section is just this. so then the question is -- how is that functionally different from fanfic on ao3 or whatever other site you frequent? just because they have an editor and a publishing contract doesn't mean they can't also be writing fanfic. i know several published authors here on tumblr that i've found through their ao3 pages

-how many times do you see posts talking about people using fanfic as a way to process trauma? the posts are usually explaining away dead dove fics, but i was a child with a library card and no oversight in what i read and i have to say i've never come across a dead dove fic that broaches a topic that i've not also seen in an obscure fantasy novel

-all art is worthwhile and all art means something to someone. all art has the ability to be beautiful and moving, and you cannot gatekeep what will be to someone. i've cried reading fanfic before, i'm sure you have too. sometimes it's even mostly smut and it's still emotionally moving. i think we do a HUGE disservice to those authors who have touched us if we say that what they're writing is somehow lesser than just because they're writing naruto tentacle porn or whatever the fuck

-Wattpad is owned by HarperCollins. the company takes a look at the most popular fics on that site and offers publishing contracts. this isn't hearsay, i was literally told by a HarperCollins rep while i was at a work dinner with them. it's how the After series was published, to name the most famous example. if you look in YA and romance, you'll spot more than a few "Wattpad originals" too. if publishing houses think that fanfic has enough value to be financially beneficial to them, then we can't sit here and say it's not culturally or emotionally or thematically valuable. if someone is making money off it, then it has influence whether we like it or not

-Fifty Shades of Grey is infamous at this point. we can't deny that it's had a huge influence on the romance genre -- there are so many books being published today that are fanfic with the serial numbers filed off, and more that are from well-known fanfic authors who have an existing fanbase. it seems to be more and more, too, that if an author wants to publish an original romance novel, to have a loyal readership already is a huge point in their favour to win a publishing contract. this is less about fanfiction specifically a genre of literature and more about the influence it has within the publishing sphere already

-so: what makes a genre? they have specific tropes, sometimes unique to the genre, they have specific structures and themes. genre is hard to define, too, because the lines are so often blurred -- what makes The Woman in the Window, for instance, be shelved in general fiction instead of mystery. (the answer is usually "the publisher thinks it will sell better there.") so what do "legitimate" genres have that fanfiction doesn't? i've debated this point with my gf before, and she was on the side of "fanfiction is a type of fiction, mostly serial fiction, and encompasses a variety of genres" and i was on the side of "fanfiction is a specific genre unto itself". we never came to a conclusion, and i think that there's merit to both arguments -- my point here is that this is one of the things that would require a lot of research to make a compelling argument, and i don't have that research (yet. there's always hope.)

-there's historical basis for fanfiction too. for all that the term is a modern one, and fan culture as it is today being born out of women's star trek writing circles and the internet, people have been writing derivative works for centuries. what is Milton's Paradise Lost (and Paradise Found) but Bible fanfic. what is Dante's Inferno but self-insert rpf. what is Virgil's Aeneid but a historical au of the founding of Rome

anyway! there's probably more thing that i haven't mentioned and will wake me up at 3am, but this is long as it is

[hannahtempler]

hello, i hope this ask finds you well!

i’m a young artist but i don’t know what i’m going to do in my future— pursue art or something more “lucrative”. I know you’re a pretty successful artist who has done some really cool things, so if you don’t mind my asking, how did you get to where you are today? did you go to school for illustration and get your foot in the door that way, or do something else?

thank you for your time, i absolutely adore your work!

Hi! Thank you for the kind words, I'd be happy to answer this–

I took a pretty circuitous route to get to where I am now! I always wanted to be a cartoonist, but unfortunately due to complicated reasons I ended up getting a graphic design degree instead of the illustration degree I actually wanted (it's a long story). I worked as a UX/UI designer full-time until I was 30 because it paid well and had good benefits, but at the back of my mind I knew I still wanted to be a cartoonist.

So, I got a late start on my current career (and that's ok!). When I was 27, I decided to work on comics in my free time around my full-time job in the evenings and on weekends, because I was determined to make the stories I wanted and stop letting life hold me back! That's when I started Cosmoknights, and I did the whole first book while still working my day job– but after Cosmoknights Book One got published (an editor at Top Shelf saw it online and offered to publish it), I started getting regular comics job offers and was able to quit and go full-time as a cartoonist.

Truthfully, I was very lucky to get published, but that still didn't equal a livable income. I still don't make enough money off of Cosmoknights to survive, so I currently support myself doing work-for-hire (e.g. comic book covers and adapting other people's work). I also now make 1/3 of the income I used to as a designer, and it can be really hard to make ends meet sometimes. I usually work anywhere between 60-80 hours a week to pay the bills.

I say all this because I don't want to romanticize being a full-time cartoonist– the practical side of making ends meet can be really tough, and I've been incredibly lucky! However, I also really love my job and I'm finally doing what I want, so it's very rewarding for me on a personal level.

The advice I always give any aspiring artist is to keep something for yourself– what I mean by that is: it can be easy to romanticize an art career working for a big company (whether it's in publishing, or in video games, or in animation, or whatever), but that's not the only path to being fulfilled as an artist. I personally find the most fulfillment in the work that doesn't pay the bills, so my goal is to support myself any way I can so I can do that work. I will always keep projects for myself that aren't dependent on anyone else's approval, or the financial wellbeing of a corporation, because that's where I find the most joy.

Long answer, but I hope any of that is helpful!

[batmansymbol]

I hope this isn't a weird or too random question (and if it is, feel free to ignore ofc!) but I was wondering if you had any advice for someone thinking of writing full-time? The obvious question is, of course, can one make a living from it even if they're not like Stephen King or GRR Martin or something? Do you have any tips from your experience that you would have found helpful when first starting out? <3

Hi, sweet anon! Not weird at all. I'm happy to chime in with some (long) thoughts.

Firstly, yes! Authors can make a full-time living from writing even if they're not GRRM &c. I know a number of full-timers, and some of them aren't even NYT bestsellers.

As a caveat, I know very little about the indie/self-publishing space, so the following is based on my experience in traditional publishing.

I spent around 2-3 years writing books full-time. I no longer do that, and don't plan to return to it unless I have a big commercial breakout. It was just a never-ending parade of financial stress. It's hard even to give "tips" because so much is out of your control -- but if you're considering trying to write full time, you should definitely know what you're signing up for.

Here's an average situation for a non-bestseller trying to full-time it:

Let's say you've published two books, and your third is on the way (awesome!). For your first two novels, you got advances of $40,000, but maybe they've only sold 15k copies apiece -- not enough to "earn out" your advance and start making new money. So, you're not making a cent off your older books. Probably won't for years.

Let's say your book 3 is supposed to publish in June 2025, and it sold for more than your last books: $75,000. Pretty good! Advances are usually divided into thirds these days: 1/3 on contract signing, 1/3 on delivery of the fully edited manuscript (D&A), and 1/3 on publication. So that makes a $50,000 salary this year, yes?

Kind of. Right off the bat, your agent gets 15%, so that would make a $42,500 salary. A little tighter, but still seems doable. Also, you need to make estimated tax payments to the IRS. So, let's ballpark your taxes at $7,000, state and federal, which you'll pay in installments throughout the year.

Contract negotiations take a few months as usual, and let's say in April, you get the first payment: your first $21,250. Nice.

Unfortunately, your editor's swamped, and 2 months go by before they send you edits. When you get the letter in June, you're like -- shit, this is a more extensive revision than I thought. You start rehauling the novel, but after your month-long deadline passes, it's still not right. You take another six weeks before you're happy. It's now September.

Suddenly money is very tight. You got $21,250 in April, but since then you've paid $5,250 in estimated taxes, and every month you pay $2,250 in rent, health insurance, and food. You were supposed to have your second payment already, because the contract's estimated D&A date said September. But you still need to do line edits. You now have $2,500 in the bank. You are very aware that this will last a little over a month.

Your editor gets back after a few weeks, having loved your revision, and has sent you line edits. Thank God she didn't want a second round of bigger edits. But it's now October. You rush through the line edits, turn them in after a single jam-packed week. You have $250 in the bank. Your D&A payment is now due.

A week goes by. Where is the payment? You email your agent. She badgers the publisher. They say the payment will be sent through in a pay run next week, so after agency processing, it'll be with you in early November.

You have $75 in the bank. You start putting everything on your credit cards. Then your utility company makes a direct withdrawal from your checking account. You wake up to an overdraft notice and zero dollars in your account. Holy shit, you think, why did I choose this career. November hits. You are late on rent. Maybe you should start drawing from your retirement account, which you put $5,000 into, one time, three years ago?

When your payment arrives, you're not happy so much as ready to cry with relief. You start paying off your cards and sending late, embarrassed Venmos to your friends. You can finally stop declining invites to hang out because you have no money.

And by then it's November, and you're realizing that you really need to be thinking about your next book. If you were working smart, you got a jump on it earlier in the year, when your editor was late with your edit letter. Let's say you wrote an entire first draft back then, between January and June. (Which, to be clear, IS fast for a novel, do not believe the ridiculous standards of writing speed you see online.) If you now take six months to mold that first draft into actual art, then send it to your agent next May, and she wants changes, and you submit in July, and it sells after an average couple months on submission, you won't get your next contract payment until January, 2026.

ARE YOU ANXIOUS YET?

The above scenario is ordinary. An editor having a delay on an edit letter for a month or two, or an author getting stuck and running over deadline for a month -- that stuff is barely worth commenting on.

And there are all sorts of other bumps in the road. Let's say the publisher has turnover in the contracts department. Immediately, that'll be a delay on your signing payment. I've waited 6 months for a contract payment before. I've waited months for a simple email reply from an editor because the company was going through layoffs.

Add more people into the process, and it gets slower. Are you working on IP, let's say a novelization of a TV property? That team might take months to get back to you even on your proposed outline. Working with a freelancer or cowriter? Add weeks or months to every step. In publishing, you spend half your life waiting. You know what doesn't wait? Rent, taxes, and health insurance.

Anon, this is the shoestring, desperate kind of full-time author existence. If you're doing a little better -- still midlist, but better -- you might have earned out one or more of your backlist titles. That means you'll get additional royalties twice a year, usually April and October. That will help.

Or maybe you're a super-fast writer who's always, always juggling multiple contracts and shooting drafts in and out of your door. That's a decent way to make a healthy living as a full-time author, but you'll need to complete multiple books a year, for sure.

This is why I have a survival job half the week that pays my rent. The stress is still there, but it's less frequent and less intense. Honestly, given my sales figures, which are (checks notes) bad, I'm lucky to get to keep doing this after five novels. Because the biggest looming threat is that if you don't break out, editors will start shutting the door immediately because of your lack of established audience.

The only really reliable way to pay your bills is to break out. Then if your editor leaves your publishing house, and you get reassigned, and that pads 3 months onto the editing process, or whatever, it doesn't matter. You'll have actual, substantial royalty payments twice a year. Your advances will always be over six figures. You can live a normal life where you're not staring into the murky distance, wondering when some payment is going to soar out of the night and into your terrible bank account.

Or ... you can just get a day job. And you will get paid biweekly, reliably, on SPECIFIC DATES!!!, forever. When I tell you this shit was life-changing for me. Good God.

Obviously the biggest problem in this whole post is the bit where I wrote "every month you pay $2,250 in rent, insurance, and food," and worried if I was, in fact, lowballing that amount. What a broken world!

Anyway. Best of luck with the writing, anon -- no matter what your experiences in or around the industry, I hope the work itself continues to feed your soul.

RR

[hergrandplan]

U work in publishing?!?!? That's so cool!!! Do u mind me asking how u got into it/ what ur job is like? Thanks xx

Hi!! I do!! and I don't mind at all, I love talking about my job. It's what drew me to the idea originally/why i felt that I *had* to write it when I saw the prompt (of course, after asking permission from @dreamyelectronicmusic , because this was their idea originally), especially because at the time they posted that prompt I was, in fact, an editorial assistant (I have since been promoted to (copy) editor, which is very exciting)

My specific role in the company is to make the books, at least that's what I always say. I oversee the process of manuscript to actual proof/copy that can be sent to the printer. This wasn't something I thought I'd like when I started out and realized I wanted to get into publishing, but truly, I'm having the best time.

I always knew I wanted to do something with books, because I've been an avid reader since I was like 4 years old. I knew I didn't want to be an author, because (and i know this is a bit ironic since I just posted 14k words of a story and have almost 100k words posted on ao3) I don't have the creativity. I stand by that though, becuase I do not have the creativity to write a full-blown story with original characters and an original world. And that's also not something I want. I tried writing my own stories, once or twice, but it doesn't give me joy the way fanfic does.

So when I did my degree in English, and had the realization that sure, there are writers but there must also be *other* people who work on books, I realized that publishing was something I could do. and since then I've kind of been doing just about everything I could to get into it, because let me tell you, it's hard. I did two internships, and have a degree in Publishing from the University of Amsterdam, and yet the only reason i now have my current job is because I started working at my company while still studying (as an editorial assistant, 8 hours a week). And that became my fulltime job (well, part time, i work 4 days a week) the minute I graduated. I really tried to get as much experience as I could get, and clearly it paid off, and that's what I also always tell everyone who might want to get into it.

[scarlet--wiccan]

C.b Cebulski (the guy who pretended to be Japanese & I think he’s the editor in chief of marvel comics) apparently wants Wanda & Vision to get back together 😭😭

How likely is that to be true??

https://www.marvel.com/articles/comics/this-week-in-marvel-cb-cebulski-interview-avengers-guardians-gwen-stacy

So, that's an old interview from March, and he's talking specifically about The Avengers (2023), which, at the time, hadn't even come out yet. We're now six issues into The Avengers, and there have been no new developments in Wanda and Vision's relationship. The latest issue did have something of a callback to their history together, but it took place in an alternate reality dreamworld.

The Avengers is kicking of a new story arc next month, so I don't know what's coming, and I don't know what to expect. What I do know is that Cebulski is neither writing nor editing the book itself, nor is he a part of the creative team on Scarlet Witch or SW&Q. I'm much more interested in what Orlando and MacKay have to say about Wanda's love life-- Cebulski has a lot of power in the company, but I don't believe that he typically gets to make this sort of decision on his writers' behalf. Orlando still has the most creative control over Wanda, and he hasn't done anything with her and Vision-- in fact, he's actually teased her getting back with Jericho.

As I said when this article was first published, a lot of the buzz about Wanda and Vision being on a team together felt like it was pandering to the M C U audience. The two of have them have been on teams together multiple times in the last decade, but people didn't start jumping to conclusions about it until that stupid show came out.