#hes such an interesting character honestly

[erralinadventures]

okay so, I saw this, and decided I was bored again(I'm always bored), and so I shall answer this for Kinnio! He is the only character in Erralin I actually played as a DND character, from level 1.

Yes. Though trauma is usually not something he considers.

Usually saving them from a physical threat, like a dragon or bandits.

Fun Fact: Kinnio is an Illeist. Meaning he refers to himself in the third person, so usually it sounds like he's talking about someone else if you don't know him. But, to the actual question. He would probably be like, 'Kinnio is a super cool warrior king who can vanquish any foe set in front of him'. or just 'Kinnio super strong and cool.'

They percieve themselves well, not really having any problems with themselves, except that he could just be a better warrior.

He stabs into the air a few times, yelling something random.

Thunderstorms. It creates fun battle backgrounds

1994 Toyota Corolla. Why? I've seen too many memes recently.

Eh. I'd say pretty decisive, considering in the campaign he was played in, he made a lot of...decisions. (Nuking a city, nuking a giant stone mech, challenging a demon king, war crimes, buying a tavern, hatching literally every egg he found, including a tarrasque egg.)

Like the entire menu. Not a scrap of that food is being wasted either.

Normally by messing with his hands(Cracking his knuckles, tapping his fingers, cracking his fingers.)

Romantically, he will immediately just be the biggest gentleman whenever he is speaking to them. Also he likes carrying people. Platonically, he'll just be really nice to you and treat you as an equal. Or superior.

I'll just say, there is probably going to be a dead dragon by the end of it.

Silver. While gold is more valuable, he does like the color of silver and normally has his equipment made in that color or with that metal.

He honestly could not care. A little lie isn't one that will hurt anyone.

Strangely, he does like weddings. He doesn't like the people much, but he will usually bring the biggest gift. As a King of Erralin(Modern Day), it isn't unusual for him to appear at weddings, even if it's a commoner wedding.

He is the target demographic for most modern men care products. So like wood and other 'manly' things.

we love the fact you have to specify. Anyways, He likes apples and melon.

Uh, I don't know? I've never heard of this scale, so I'm going to just....skip it. Though it was an interesting google search.

Fighting, and any of the ancient pokemon, or Galarian Zapdos.

White Chocolate.

I don't know any, so I apologize.

He is incredibly loyal and will fight to the death for an ally he trusts.

His trust is hard to gain, and one of the easiest ways is proving a capable warrior.

No, because he can't read...sometimes. Sometimes he can. Depends on if the book has pictures.

I again, have no idea. I think I'm just stupid.

He would love the drift answer, but yeah, he would just pull the lever. That is, if he isn't allowed to just stop the trolley himself.

Fight his way back up. Failure is not an option.

He usually works out or finds one of his many pets, commonly his dragon, Crimson.

I might as well give up, I don't like not answering questions.

He typically just does whatever the hell you want him to do. He is basically just going to just dedicate himself to you.

The Chaos. Honestly, he is very consistent, but also chaotic, my DM has expressed since day 1 that Kinnio was his favourite character in the campaign, and he has tried killing him off ever since, to no avail.

I'm going to assume you mean a different person's action, and not at all. Canonically, King Kinnio killed a shop owner for retaliating against one of the party members(He also had no idea the party member was in the wrong, he just heard someone yell for help and jumped into action. The party member basically manipulated him into it.)

Not very. Usually, he just acts then thinks later.

No. Especially with his party, there is only one person he trusts more than anyone, and would only talk to him about his plans, if he had any at the time.

Alcohol. Wine, Beer, or any monster drop. He would also be the only character(That I can remember) that you can give old weapons to.

The most beautiful face any person has every seen, next. But really though, of the people he would know, it would probably be a royal he met in the campaign he was a PC in.

A poppy, as in the world wars they were a symbol of a battle fought.

For every character(Except Sparta) I use a random name generator and alter the name slightly.

Meat loversx10. It's probably going to be like 90% meat.

He eats a lot, due to his abilities draining his energy. A lot of it is unhealthy eating.

Wish. He has casted it like 8 times between levels 13 and 16.

It wouldn't really make sense unless you played the campaign, but the royal mentioned before, her husband, Sparta(He was thrown into the campaign hastily bc the DM didn't want to come up with a shopkeep), arnold schwarzenegger(He was also in the campaign)

Himself. He usually doesn't think about what other people might want unless they mention it directly.

DND Ask Meme but it's random questions I've asked other players apropos of nothing within the last 6 months

Does your PC believe it’s possible to save someone?

What does saving a person involve?

How would your PC describe themselves?

How do they perceive themselves?

What is your PC’s idle animation?

What weather does your PC prefer? Why?

So if your PC had a car what kind of car would it be

How decisive is your PC?

If your PC rolled through a McDonald’s what would they order 

How does your PC fidget?

How does your PC show affection?

If your PC had to set up a date, what would they plan for it?

What’s your PCs favorite color

How does your PC feel about white lies?

How does your PC feel about marriage? Weddings?

What scents do you associate with your PC? 

What are your PCs favorite fruits (not including gay people) 

Where would your PCs fall on the futch scale? 

What is your PC’s Pokemon Gym Leader type and Signature Pokemon?

What type of chocolate do they prefer? 

What tarot would your PC be? 

What is your PC’s #1 personality strength?

What is your PC’s #1 personality flaw? 

If your PC found a book that detailed their whole life, from birth to whatever death they’ll have, would they read it and why? 

What are your PC’s charm point(s)! 

How would your PC answer the trolley problem? 

When your PCs hit rock bottom, what do they do?  

When your PCs want comfort, what do they seek out? 

Please describe your PC’s romantic type 

How does your PC flirt? 

What’s your favorite part of playing your PC? 

How much does your PC think about their actions before they execute them? 

How considerate is your PC? 

Is your PC an effective communicator? What is their communication style? 

If your PC was a dating option in a farming simulator (a la harvest moon or stardew valley), what kind of items would they like? 

Your PC meets a trickster being whose face changes to the most beautiful face a person has ever seen. Whose face is your PC seeing? 

What flower represents your PC? 

How did you choose your PC’s name? 

What would your PC put on their pizza? 

What are your PC’s eating habits? 

Does your PC have a favorite spell, and if so, which? 

Who is your PC’s favorite NPC(s) and why?

When your PCs make decisions, who or what are they making those decisions on behalf of?

[sunderwight]

Honestly fascinated trying to figure out how both of Ambessa's kids ended up being diametrically opposed to her whole jock spartan might-makes-right mentality.

Tthe obvious answer, of course, is that Ambessa's husband (Kino's dad, and the guy Mel thought was her bio dad until recently) was way more of a diplomat and way less of a fighter, both philosophically as well as in terms of skill. And that he's the one who passed this on to the kids.

This fits well enough as an answer. The guy in the portrait certainly looks more like a talker than a fighter, and we know that Ambessa has a thing for pretty, submissive men thanks to her whole introduction in S1. Also, regardless of Mel's genetics this is presumably the man who raised her and is her father in the "nurture" sense of the equation, so it would be completely reasonable for her to take after him.

However, there are a few issues here.

One is the fact that even when Mel is talking to who she thinks is Kino about the possibility of one of them being a bastard, or of a bastard half-sibling existing, neither of them mention their father at all. While I doubt either of them would hold illusions about Ambessa remaining faithful to a spouse (for all we know the guy's still alive while she's off carousing with twinks), you would think that if both kids were close to their dad or took after him particularly, there'd be at least a passing mention of him in the midst of this discussion.

Maybe Mr. Medarda died a long time ago, though. Perhaps it's a topic so buried that it's an established habit to simply never mention it. Or maybe there is an issue of estrangement between him and his children for other reasons. He doesn't seem to have factored into Ambessa's decision to send Mel away, nor is his potential grief brought up around the subject of Kino. Despite confirmation of his existence, he seems (ironically) to be out of the picture, though it could also just be that the writers wanted to leave their options open for what he might be like in case another Arcane-adjacent series comes into production. I am fairly sure that Mel is the most likely character from Arcane to create continuity into a show about Noxus or Demacia or something, if we get another LoL series, especially since her story feels the most unfinished.

However, there's another possibility, which is that Mr. Medarda up there was such a nonentity in his kids lives that he doesn't come up because there's not much of a relationship to acknowledge. In which case, even if he is more of a diplomat (and he and Ambessa were a political marriage, presumably?) it'd be hard to credit him with influencing the kids so significantly.

One of the interesting things about Mel and Kino is that even though they are at odds with their mother on a lot of topics, topics that even seem to tie into prevailing Noxian cultural ideals (so, things they'd have been overall raised to believe in by the rest of their house and not just their mother too), they are also kind of astonishingly confident in expressing themselves?

So, somebody must have been supporting their alternative viewpoints and validating them as opinions worth expressing, even if they weren't things Ambessa approved of or actually wanted to foster in them as opinions/philosophies.

I think an interesting option is that it was Ambessa herself who did this, actually.

Ambessa's lore mentions that she figured out really early on that Kino did not share her temperament at all. Also, that she started searching about for ways of ensuring not only her house's domination, but the survival of her children specifically. Because the succession in a Noxian noble house doesn't seem to be guaranteed by birthright, which means that Kino and Mel would probably face rivals from their own family if they seemed too weak or vulnerable to lead, and someone else contested it. An easy way to remove a "weak" leader would also be to just kill them off. That's even apart from external rivals (like the ones who actually did kill Kino).

Which means that even if her kids had different values and priorities, Ambessa would probably have wanted them to still present those opinions with ferocity and confidence. If they cower to her, they will cower to others, and that's worse than them just not being aggressive combatants or warlord types. If you're gonna be a peacenik weirdo (by Ambessa's standards) in Noxus then you better damn well still be an assertive one.

I like this idea partly because the image of Ambessa trying to balance her kids having totally alien opinions about things like the value of life and importance of compassion, with trying not to actually beat down their spirits about it. Just spending a lot of their formative years being like, ugh, I have to listen to my nerd ass loser children tell me why they think mercy is a good idea. Such a fucking chore. Anyway great job presenting your arguments kids, lots to think about, let's go get ice cream. Then Mother has to fire one of your military tactics instructors for daring to call you a couple of wieners. Again. Even though she's right.

[lightningbreath]

Oh, NOW these motherfuckers want to play the moralist? Seriously?

"" character development"" my ass.

And this gets really funny when we remember that in the pilot they killed a child who had reported a crime and handed the body over to the mother (and let's remember how the mother's desperation was treated as if she were an annoying and dramatic bitch? or how they try to justify the murder of the child just because he was "annoying"?) not to mention some other IMP targets.

Not to mention how annoying it is how Stella doesn't even try to pretend to behave well in front of Via. Both Stella and André behave in a cartoonishly evil way (and remember that this show is supposedly "deep and morally gray"). I found their behavior funny, but when I remembered that I'm watching a moralistic series like Helluva Boss, all the fun went away.

P. S. About Millie's pregnancy, I honestly don't care, her and Moxxie's characters have always been more like irrelevant NPCs and I've never been interested in either of them. But yes, it's something that happened out of the blue, I mean, did she and Moxxie ever talk about wanting or not having children? Was there any preparation for this moment?

But yeah, she doesn't seem too excited.

[klarolinexluv]

Something has really stuck with me that some Anti Regulus Black person said and I want to share my thoughts on it.

Basically, they said that we, or people that like Regulus have been giving Regulus Lilys characteristics and traits and relationships instead of giving them to Lily and are using this to replace Lily.

From my pov, I can understand how that comes across. Moonwater, in canonical type universes, usually come together over their love for literature, something, that as far as I understand was how Lily and Remus used to become friends in fics.

When I think of this situation, I don’t see it as Lily being replaced, I see it as Remus having more friends then just the Marauders and Lily. I see it as Remus making friends.

In all the fics I’ve read, majority of them, Lily and Remus are always already friends! 9 times out of 10, if Remus has a POV and he is interacted with Lily or thinking about Lily, he refers to her has his best friend.

Idk who needs to hear this but Remus can have more friends than just Lily and the Marauders! In fact, EVERY. SINGLE. CHARACTER. Can have more friends then just the friend groups that they have been assigned to from the fandom.

I personally love the idea that Regulus and Remus get close because of their shared interest in books and knowledge. In fact, I love it so much when this happens. I also love when Remus is the one to introduce (formally) Lily and Regulus. Because they have shared interests! They all have shared interests and that’s what they bond over.

If we just forget about ships for a moment - Jily/Jegulus - Regulus and Lily would and could actually be really close friends. At their cores they are very similar and have similar morals and codes.

Like my girl Lily defeated Voldemort the first time. You cannot tell me that she did not have some deep interest and understanding of Dark Magic that is really not talked about enough. I mean, she was friends with Snape for a LONG time! Even against all her Gryffindor friends and dorm mates advice and opinions. She was friends with Snape for a long time and they definitely studied dark magic together. The only reason they stopped being friends was because Snape called her a slur and began siding with people that would have gladly seen Lily and people like Lily 6 feet under.

And then Regulus! He may not have made the best choices but when it mattered the most, he chose to do the right thing and go against Voldemort. He is the first to have done so! My guy was smart. He definitely knew so much magic that he has likely forgotten more than anyone would ever even know.

Regulus and Lily are both so smart and they would have bonded over their shared intelligence, their love for knowledge and books. Remus was probably terrified the day he realised he was the reason these two evil geniuses even started talking.

Maybe instead of saying that Regulus is being given Lily’s characteristics and traits, maybe think about how this would affect the two characters when put in the same room.

I personally think that they would argue for a long time and then Lily would probably say something that gives Regulus pause and then Lily would gently press on that and then Regulus would go have a long hard think and then come back and hesitantly ask Lily questions that Lily would happily answer and then they would be tentative friends!

Regulily have so much in common but they also have a lot of differences and I don’t think enough people see that because they are too focused on ships rather than the characters themselves and their motives and actions.

I’m not shy in admitting that I fuck with romantic regulily. They are my guilty pleasure ship and I am not shy about saying that.

Regulily, platonically, romantically, it doesn’t matter. They have the biggest grounds for friendship and growth.

Regulus and Lily can teach each other so much and I honestly think it’s the biggest missed opportunity when they are pinned against each other rather than working together.

I fear I’ve gone WAY off topic.

In the context of relationships, the jily vs jegulus idea. I feel like I need to hold people hands when I say this because the two ships are very different.

WARNING! OPINIONS!

To me, Jily is a rivals to lovers relationship. I don’t think they are grumpy/sunshine purely because I don’t see Lily as the grumpy trope. I very much think that Jily are academic rivals. Where James just naturally understands everything and gets good marks whether he studied or not and Lily has to study heavily before she understands a topic enough to pass, like Lily to me has to study throughly before everything sticks and she understands the topic so much more than is really required for her coarse work.

I also don’t think Jily was James falls in love at first sight and Lily hates him for years until she gives in and goes on a date with him. Sure it’s a bit cute but i definitely prefer James developing a crush and not telling anyone other than his friends. I very much fuck with James being uncharacteristically shy about his crushes on people. I fuck with James losing his ability to talk or function around the person he fancies and it comes off as arrogance and a bit of a joke when he is actually being genuine.

I love the idea that Lily falls for him slowly, like initially, she thinks she hates him, she loathes the fact that he doesn’t need to study and he can just goof off and do whatever and still get perfect grades, I think Lily gets jealous of James and thinks she despises him because she thinks he is trying to make fun of her when all he is trying to do is talk to her and get her attention.

I love the idea that Remus is constantly trying to talk James up to Lily, “he’s really not that bad once you get to know him.” And “He’s harmless, Lils.” And things like that but Lily has NONE of it!

I think Lily starts to fall for James when they are paired together for a project that is a big mark on their finals. I think Lily goes into this thinking that she is going to hate it when actuality, James is kind and thoughtful and helps her when she struggles. He doesn’t make fun of her, he sits down quietly and gives her tips and tricks that he discovered when he studies privately, (this would be when she finds out that maybe it doesn’t all come as naturally to James as she thought) and then they end up getting the best grade in their year on the assignment but they don’t stop hanging out, they don’t stop studying together. Lily slowly falls for James because of his mind and they form a friendship and then James would ask her out one day and Lily would find herself stunned because if he had asked her a few months ago, she would have harshly declined but in the moment, she finds herself blushing and agreeing without a hint of hesitation.

And that’s how I imagine Jily.

Now, Jegulus.

Jegulus is enemies to lovers, they are grumpy/sunshine. I very much think that they did hate eachother. They did not like eachother for many reasons and they would argue and fight in the halls.

I’m very much into jegulus but I don’t think I’ve seen a fic that has written them as actually enemies to lovers in a canonical setting.

Jegulus to me is very push and pull. One step forward, two steps backwards.

I honestly think that sure, when they met at 11 and 12 when Sirius had his little brother trailing after him and introduced them to each other, they both had the moment of instant connection that they both immediately denied and dismissed and buried under hatred.

James and Regulus see each other as competition. Regulus sees James as the one that stole his brother. James sees Regulus as the brother that doesn’t deserve Sirius.

Because Sirius told James all about his little brother all through first year and James was exited to meet him for a long time until they met and instantly realised that Regulus is a two faced snake and doesn’t deserve Sirius.

Because Sirius told Regulus all about his best friend in every letter, in every stolen moment during the holidays. Regulus was exited to meet James for a long time until they met and instantly realised that James isn’t the golden ray of sunshine that Sirius claims him to be but a brother stealing asshole.

I honestly think that Jegulus is THE enemies to lovers.

I don’t think Jegulus even had a civil conversation until after Sirius ran away. And even this conversation started as an argument. I think that they only reason the argument stopped and they started genuinely talking to eachother is because Regulus’ mask broke and James saw the hidden emotions underneath that Regulus was trying to hide.

I think that James held onto prejudice for a long time. He saw all Slytherins as evil and then didn’t think about that for years until he sees Regulus crack and then James has to rethink everything he has ever thought.

That’s how I think Jegulus starts and I don’t think they ever really talk about what they are or what they are doing for a very long time, to the point (if we are talking in a canonical sense) that they break and fall apart. To the point where they end up on different sides of a war.

ANYWAY! (this is really long and if you've read this far, just know that you are my favourite person in the entire world and I adore you to the ends of the universe).

Regulus and Lily, though they share many characteristics and traits and fundamentally different people. Even in the context of the people they are shipped with, even in the context of their friendships.

I love them both so much and I think saying that Lily is being replaced by Regulus is incredibly wrong and also perhaps a little misogynistic.

They are both incredible characters, who should not be defined by their relationships.

Like I said before. In the context of war, both Lily and Regulus were the first. Regulus may have failed to complete his mission and Lily may have succeeded in killing Voldemort… but at the end of the day both of them did not do anything in the long run. Voldemort was still able to return, the horcruxes still need to be destroyed and Harry still had to finish what the people before him started, Harry still had to fight a war he had no part in starting.

[sleepynoons]

hi op feel free to ignore everything under - all you need to know is i love your writing *shakes head vigorously*

there are several things i think were immaculately done, but that'd require me to churn out an entire research paper, which i don't have the brain cells for anymore post-finals. so here are some scattered thoughts yep and yap

-

i don't gravitate towards mysterious or reserved characters because my personality simply doesn't mesh well with them. in fact, when i was watching wbk, i was always so wary of suo, and felt lowkey a lil uncomfortable with him LMFAO

but strangely enough, i think this discomfort became a very integral and driving force throughout my reading experience. of course, this was already the case due to the violent and dark nature of yakuzas, underground sex work, etc., but emphasizing suo's yandere-ness and how he doesn't shy away from it really completed the tone of the story. also, i feel like i came to terms with suo's character, which i rarely ever experience in general. really, this is all to say that it makes total logical sense in my brain to imagine a route where suo evolves into a yandere, and part of me strongly believes his real background in the wbk manga/anime won't be too happy-go-lucky either (otherwise the alternative would be like him wearing an eyepatch for the shtick bc he's a chuuni??? idrk????).

anyway, the reoccurring theme of redirection in suo's tactics really sealed the deal for me, and i think it was a good way to tie in references to his relationship to his master, the martial arts that we know he's especially good at, and how all of these things he's kinda exploited and sullied to "become a worse person for you." suo being very knowing and intentional is so snakey and creepy but also, i get a lil fucked up when it comes to men who are obsessed, so also incredibly erotic LMFAO i also just want someone to buy me a luxury penthouse out of concern for my safety *sad fist bump*

one thing i did find unexpected is suo's leadership within the yakuza. yes, necessary for the plot, otherwise he wouldn't be able to pull any strings. but because source material heavily emphasizes leaders as individuals like umemiya or sakura or even hiiragi, it's interesting to place suo in juxtaposition with them. not sure if it's bc i don't find suo particularly reliable in general, but i think this fic made me realize that he's still wise beyond his years and very, very ruthless. it's def very telling that, throughout the story, suo resorts to fear to assert power. anyway, i j think it was a particularly interesting detail to add in his role in the succession conflict.

btw, i do like how suo's change and transition isn't fully told or revealed. it's not a story meant for us, as it's a truth really for suo and reader. but even reader can't really keep up with him at times, and i find that dynamic really charming, as sadistic as that sounds. i like that reader is so vulnerable. i like that reader is not afraid to be vulnerable around him in the ways that matter, even when she's aware that he's fucking insane. and i really like that reader is aware of how much it takes to be vulnerable, so she doesn't push him. i think reader restrains herself (un)knowingly, and that's her way of loving him. obv less romantic in real life lol (don't try to fix anyone, been there, done that, lost myself, and still finding myself), but i do like how reader is suo's salvation :,,, even if she doesn't think she's particularly patient, she really is - like girl, Fuck Him Already!!!!!!

(could go on and on about how juicy the friction and tension is between suo and reader but that's for pt 2 hehehe)

this is kinda my half-assed transition into talking about reader, and honestly, my thoughts from earlier encapsulate the general thesis i have about her: she's really a lot like suo, way more than she thinks. i think she operates in very similar ways, just goes about it differently.

i think reader is way more reckless. she's very self-sacrificing. she's very good at putting up a front, even when she's internally low in confidence and self-respect. i think she just wants to be happy with suo, and hopefully, with their other friends as well.

and truly, i think suo has very similar end goals. i just think, with how things turned out, suo made the very calculated yet risky (also aggressive?) decision to do the things that he did. making their underlying principals and values and reactions so oddly similar, from my perspective, is sooooo neat, and it adds more depth to why they go so well together.

also, reader is so brilliantly the comedic relief in this whole thing. usually, in storytelling, it's someone else and is used as fodder. i really like how reader is a lil awkward and bad with timing and everything else, cause it makes the reading experience flow so much better. really helped with the pacing of the story, gave it the character + breathing space needed to process everything. i also just like my readers a little fucking hilarious.

anyway, op, so beautifully written - see you in pt 2 gg

TOKYO VICE | part 1

You knew that if you agreed to move in with Suo, you'd be setting yourself up for a life without autonomy. You also knew that these alarming behaviours were all signs that he desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good decision. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Unfortunately for you, you rarely made good decisions. (Or: After joining the yakuza, Suo develops the concerning habit of controlling every facet of your life. This is somehow less worrying to you than your uncontrollable lust around him.)

8.7k words. suo x fem reader. deeply unserious yakuza au. yandere suo (not abusive and reader is into it), dark comedy, a little angst, smut. warnings: borderline sex work, off-screen criminal violence. nsft – no actual smut in this chapter, but there are still graphic discussions of sex. mdni. thank you to @sleepyqinfei for beta reading and to @/cafekitsune for the banner!

sequel to sincerity and this sakura/reader wip

part 2 here

You’re not exactly sure why you and Suo have never fucked.

It’s certainly strange, given that you're pretty sure that Suo has expressed at least passing interest in you over the years, and you have felt a lot of interest in him. (By ‘interest’, you mean that you feel an insatiable lust around him that you fight to ignore on a daily basis.) You can't exactly pinpoint why nothing has ever happened despite this mutual attraction, especially given your profession and indifferent feelings toward casual sex.

You can think of a number of probable reasons, which are separate from those you classify as stupid reasons. The latter class comprises silly concerns like a fear of rejection, fear of abandonment, fear of not being pretty enough, fear of not being good enough, et cetera. All very juvenile feelings—insecurities that you had in your teenage years, the days in which Suo ran around Makochi as a delinquent while you worked an honest job at a bar. (It was a girls’ bar in the red light district, but that's neither here nor there.) Your circumstances have since changed, and those anxieties have since faded. None of them have any material consequence for your current life, so you don't see any point in thinking about them.

The stupid reasons, then, definitely don't have anything to do with why you've never fucked Suo. But you can think of a few, more concrete reasons that may explain it. For one, Suo has been your friend since childhood and it’s generally a bad idea to have sex with your long-time friends. He was also your roommate for a while and it’s an even messier idea to have sex with your roommates. And now, in your adulthood, he’s your landlord in addition to being your boss, which makes him the worst possible person you could have sex with. You could lose both your home and your livelihood if things go south—both severe, material consequences that should theoretically keep your lust at bay.

Also, he's also a member of the yakuza.

Now, strictly speaking—you're not really opposed to having sex with violent criminals. It’s definitely not a good idea, but you don't usually have good ideas anyway. But for the past several years, you’ve been pissed at Suo for joining the yakuza in the first place, which actually does keep your blatant attraction to him in check. You simply dry up when you think too hard about all the feelings of betrayal.

When Suo was on the cusp of graduating from Furin and thinking about his future, you’d grabbed him by the collar and made him promise not to join the yakuza. They constantly tried to recruit from Bofurin, and they especially wanted Sakura, Suo, and Sugishita. You were adamant about chasing them off from Suo and Sakura whenever they approached—you had no need to worry about Sugishita, as Umemiya had already said he shouldn't talk to them, so there was no chance he was going to—and you begged Suo over and over not to join. Delinquency was fine, but a crime syndicate was something else altogether.

Suo seemed serious about it when he said he'd listen to you. He even applied to colleges, talked about maybe becoming a teacher and eventually supporting you so you could stop working in the mizu shobai industry. Back then, he often teased you by saying that you should marry him and be his housewife (or he could be your trophy husband, if you so wished). You thought he was joking, but with the way he always talked about his life after his degree, you wondered if he would seriously suggest it.

Of course, it was most likely just teasing, and you were fine with that. You were simply excited that he'd found a career that would make him happy. Nirei had also been accepted to university at that point, and even Sakura had an honest job lined up on Keisei Street. The future had looked bright for everyone.

Then Suo’s master died, and he lost his fucking mind.

The two of you buried Suo’s master in a Chinese funeral. He had never had children of his own, having satisfied his paternal instincts by picking up strays, and he didn't have much in the way of family in Japan either, so you and Suo performed the shou ling yourselves. One person kept a constant vigil over his body while the other searched on Google for what arrangements should be made next. After all, while Suo’s master had immersed his foremost disciple in his culture, he had never taught Suo any funerary customs. He hadn't thought there would be a need.

Suo didn't cry nearly as much as you, but he was probably in more pain. Your master had trained you a little bit when you were a kid, and he'd taken you in for a while after your parents kicked you out, so of course you were gutted. But he had practically raised Suo, so it was naturally worse for him. More shattering.

You often think about the first night you decided you'd sleep with him in the same futon because he was crying so much. He insisted he was fine, but he didn't complain when you got under the sheets with him and started thumbing away his tears. When you took off his eyepatch, you found, to your astonishment, that he was crying from his missing eye as well. Both of you thought the tear ducts had been destroyed in either the accident or the enucleation, but it appeared that not even that prior trauma could mask his grief over this one.

Nevertheless, by the time of the funeral procession, Suo had stopped crying.

“Master supported us and taught us to stand on our own two feet,” he said as the joss paper burned. He took your hand in his and smiled. “So it'll be fine. We’ll be okay on our own. I'll make sure of it.”

At the time, you had found this very comforting. You didn’t think too much of it, as you had a bad habit of relying on Suo for your emotional stability. His master had raised him to be an emotionally intelligent person, so it had been fine, even though you had a track record of reckless decisions. He’d still exercised endless patience with you. He never once got angry with you, nor did he ever force you to do what he felt was the right thing. Instead, he gently redirected your self-damaging behaviours—not so different from the martial art that he practised.

He disapproved of the run-down and lonely conditions of your apartment, so he spent a great deal of time there and helped make it into a proper home. He didn't like how dangerous your job at the girls’ bar was, so he walked you to and from work every night until you never left without him. He worried when you started having sex with your customers, especially when you began having nervous breakdowns over it (you were, after all, still a teenager and really only interested in having romantic vanilla sex with Suo), so he staged an intervention with Nirei and Sakura. In this way, Suo convinced you that you were loved and protected and didn't need to do something you hated so much. They would get you out if you felt trapped. And you didn't feel trapped, per se, so you left on your own—but it was still only because of them. You promised them afterwards that you'd never do it again.

This was Suo’s brand of kindness as a teenager. He always taught people, guided them away from harm rather than steering them—a behaviour he’d mimicked from your master. Your master, in general, had defined all of Suo’s values and his way of living, which was honest and gentle and conscientious. It was one where he used his abilities to protect the weak and care for his friends. He even kept his spiteful and alarmingly violent tendencies under control, though sometimes he slipped when fighting genuine assholes. But he still tried. He tried because he strived to be as kind as his master—who represented everything that Suo wanted to be in his adult life.

Thus, the death of Suo’s master meant the death of his principles. It changed the kind of man that Suo wanted to be. You don't want to say that he became a worse person, but he absolutely became a worse person.

He especially became a worse person with you.

As it turned out, Suo’s idea of making sure that the two of you would be fine on your own was, well, not really fine. It wasn’t that he became cruel to you, per se. It was more that whenever he saw a problem with your behaviour, his approaches to redirecting it became—put as nicely as possible—heavy-handed.

After your master’s death, you got a job at a high end, yakuza-owned club. Two weeks later, Suo broke his promise to you and joined the yakuza. So I can stay close to you, he explained gently, wiping away your tears as you cried hysterically, but you're convinced to this day that he did it partly out of spite. So a few years later, when you started having sex with your customers again and he tried to stop you, you decided to spite him back. I need to stay on top of the rankings, you'd explained dispassionately. The mamasan said it's fine, and the manager doesn't care. He even thinks it's good for business.

Suo’s response was to simply become the owner of your club.

This move was very extreme, but also very effective. Any customer who so much as brushed against you on the premises was instantly thrown out, and the mamasan started watching you like a hawk to make sure you weren’t going to any love hotels after work. Douhan were off-limits. For the first time since your teens, you became completely celibate—not only because of your new workplace circumstances, but because you simply didn't want to find out what Suo would do if you got together with a man he despised (and he despised every man you dated).

His most absurd play was when he became concerned about your living conditions again. Your latest apartment was too plain, too small, and the area was too dangerous. It didn't even have a shower, and the other tenants behaved concerningly toward you when you went to the bathhouse at night. But the rent was cheap, and it was still an upgrade from your last place, so you shrugged it off when Suo suggested that you move. Even when someone tried to accost you at night, you were nonchalant about it. You kicked the shit out of them in a fight and continued your routine unbothered.

The next month, Suo bought a luxury penthouse and suggested you move in with him.

His offer (command) came with conditions. One of the bigger ones was that you'd let him accompany you out at night if you ever needed to run errands in dangerous places. Or—nevermind, actually. He should really just accompany you everywhere at night. Maybe during the day too. And—ah, there was no way you'd be going to work alone, nor coming back by yourself—you were now always to be driven by someone in his organisation, if he wasn't available himself. Rent was a point of contention, when you asked about it: you wanted to pay at market rate, and he insisted that there was no need to pay at all. He ended up proposing a highly discounted price, which would give you ample financial freedom, but questionable financial independence.

These were insane terms. You knew that if you agreed, you'd be setting yourself up for a life without autonomy. You also knew that these behaviours were all signs that Suo desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good idea. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Case in point—he was likely connected to the brutal accident that later befell the man who tried to assault you.

“I'm not sure what you're implying, but at least he didn't die,” Suo said cheerfully when you confronted him about it. Which really meant: At least I decided not to kill him. This was a flag bigger and redder than any other you've ever known, and you consider yourself an expert in red flags. You knew you should run in the other direction.

So naturally, you put your arms around him, tenderly said, I'm sorry I've been worrying you, and then you moved in the next day.

While Suo treats you with endless patience, you have personal limits to the patience that you exercise with him. Specifically, your patience with how he treats you.

You don't mind the lack of social freedom, nor the lack of personal freedom, nor the lack of freedom of movement. You also don't mind living with a man full of intractable trauma surrounding the death of every parental figure in his life; in fact, you'd rather be by his side than not, if he needs to cope with something so painful. And anyway, your friendship is otherwise unchanged if you ignore the heavy restrictions he's imposed on every facet of your life. So that's all fine.

But the celibate lifestyle that he's cornered you into? You simply aren't built for it. Holy shit, do you need to get laid.

Nearly two years without sex has brought you close to another nervous breakdown (there have been few better sources of entertainment or validation in your life), and worst of all, it has made your profound lust for Suo incredibly hard to ignore. Waking up every morning to him in a towel, his hair still wet from the shower and his broad silhouette exposed, tests the absolute limits of your self-control. The contours of his lean and muscled form are distracting enough; coupled with the vivid colours and lines of his irezumi, the sight of him becomes maddening. It is a horrible thing to be exposed to when you haven't gotten any dick nor strap in over a year. It gives you thoughts about him that are overtly sexual, which is bad, as you have materially consequential reasons for not wanting to fuck Suo.

Things with him must absolutely stay platonic. But with sexual frustration like yours, being platonic with him means that you need to get erotic with someone else. A boyfriend or girlfriend is out of the question; you don't want to be responsible for yet another brutal accident. So you instead decide to quit your job at his club and start working on Keisei Street. At least this way, you can start fucking your customers again.

It’s a perfect plan. Suo’s oyabun is very indulgent toward him, and everyone else in the family respects him too. He consequently has a tight grip on his organisation and the territory they control, despite his relatively young age. Not a single person is ever to touch Keisei Street—largely because Sakura is part of Roppo-Ichiza, and Suo is nearly as weird about Sakura as he is about you. Plus, many of his other fellow Furin alumni are in the gang as well. If Suo’s men ever started fucking with people on Keisei Street, it would not only have grave implications for gang relations—it would be personally upsetting for Suo. This means you can fuck all the Keisei Street customers you want, and not get a single one of them threatened or killed.

A pretty brilliant idea, if you do say so yourself.

Suo’s expression doesn't change when you break the news to him. He delicately places his teacup—custom-made from Yixing, just like the matching clay teapot—down on the mahogany tabletop, and he looks at you with a calm smile.

“Come again?”

“I'm quitting my job at Red Dragon,” you repeat. “I already gave the mamasan my resignation.”

“And she accepted it?” Suo asks, in a tone that is so carefully nonchalant that you know it means he is actually furious with her. “How interesting,” he muses. “What brought this on?”

“I've found a better paying opportunity on Keisei Street.”

“I'll give you a raise,” he says easily.

“A raise?” You cock a brow. “The pay is mostly commission-based at Red Dragon. You know that.”

“Then it would be unwise to leave. You have a loyal customer base at Red Dragon. All very rich, and”—his smile grows sharp—“very polite.”

Polite. An interesting word. It actually means: None of them will ever proposition or harass you because they know they'll be maimed if they do. An easy thought to use to your advantage.

“It's loyal but it's small. Everyone who's anyone in this part of town thinks that we’re married. Do you know how hard it is to pull new customers in when they're scared shitless of my yakuza husband? And anyway”—you frown, trying to look as pathetic as possible—“I'm lonely.”

Suo stares. He looks surprised, possibly because you absorb every minute of his free time with silly conversation, new restaurants, and skiing trips. (He likes snow, so you ask for these trips more for him to relax than anything else.) You also text him frequently on days he's working, and he very diligently replies, even if he's in the middle of something like a raid or a hit or brokering a massive deal. Suo still very strictly keeps to his rule of never touching his phone when in conversation with other people—unless he needs to text you.

So his suspicion is fair. Suo is very attentive and doesn't allow you much opportunity for loneliness. In turn, you’ve always been very happy spending time with him, even when it's only him.

“Lonely?” he repeats. “Are you, now?”

“Yes. You work so much,” you complain, which is not a lie, “and I don't have any friends to spend time with when you're gone.”

“You have friends from work.”

“No, I have competition at work. The hostesses are so cutthroat about rankings, they hate me. And each other.”

“You like Shuuhei and Hanzo,” he points out, referring to his men who most frequently chauffeur you.

“Yeah, they're friendly, and they're very funny. I like them, but I can't be their friend.” Suo stares at you, nonplussed, so you spell it out: “They're too scared of you to get close to me. What if it looks like they're trying to fuck the boss’ wife?”

“Hm…” Suo studies you, looking thoughtful. Perhaps for the first time, he's contemplating the consequences of restricting your freedoms and marking you as his. That is to say—maybe he's finally realising that you have no friends and no life.

The beads of his earrings glimmer as he tilts his head at you and frowns. Suo almost looks innocent with that confused face of his. “And how would working on Keisei Street help?” he asks.

“Because all our old friends are there!” you exclaim. “Sakura’s in Roppo-Ichiza now so he’ll definitely be coming by all the clubs. Tsubaki too. And Nirei and Kiryu visit them quite often—and even Tsugeura does sometimes, even though clubbing isn't one of his virtues.” You grab onto his arm, pull yourself close, and give him your most disarming, pleading expression. “Please, Suo?”

“Hm.” He strokes your cheek and looks at you fondly, in the way that one would do with an adorable and slightly annoying kitten. “I don’t think so. It’s not very safe there.”

He isn't wrong. Not only are you untouchable on his turf because of your association to him, Suo has also just crushed all the han-gure and petty criminals in his territory with brutal efficiency. His part of the red light district is, quite ironically, one of the safest places in the city, and certainly safer than Keisei Street.

But undeterred, you point out, “Shuuhei and Hanzo can still drive me there and back if you want. But I don't think it's necessary. Do you really think Sakura would let anything happen to me?”

This is the true brilliance of your plan: capitalising on the fact that Suo is as nearly as weird about Sakura as he is about you. He pauses as soon as you bring up the point, and you can practically see the gears turning. “Well, if it's him…”

“I even texted him about it. Look—here!” You whip out your phone, receipts ready. The corner of Suo's mouth lifts at your obviously rehearsed pitch. “He says he'd make sure I'm taken care of. And he says it'd be nice because he misses seeing us. Can you believe it—Sakura actually admitted that he misses us! Typed it with his own two hands and pressed send! I bet he was super embarrassed about it.”

“Huh. He even used a sticker. I've never seen him do that.” Suo smiles as he reads through the chat. He looks like his old self. You suddenly feel a little wistful, and also a lot bad. This started as a ploy to get laid, but it’s made you realise that you really do miss your friends—and Suo probably does too.

“If I worked on Keisei Street, then you would have plenty of reason to visit,” you point out, feeling somewhat tender.

“I guess that's true,” Suo says. Your heart aches a little bit at the look he gives you. It's a platonic ache, of course. Or at the very least, it isn't an erotic one. It doesn't really make you want to have sex with him anyway. But if you could lean forward and press your lips to his—platonically—then you definitely would.

Suo's civilian friendships are complicated by his double life. Quite unusually for yakuza, Suo’s syndicate insists on using pseudonyms and false histories to avoid anti-yakuza laws, on the off-chance that the police decide to do their jobs and actually enforce those laws someday. Lying for comedy is one of Suo’s greatest passions, so he was happy to manufacture an absurd backstory: his name is Yanzhao, and he learned kung fu in a Shaolin Temple before moving to Hong Kong and working for the triads. He wears the eyepatch because he lost his eye in an altercation with the cops, which he won. By the way, you're his criminally beautiful wife who he met in Macau. The two of you had to leave for Japan since he killed a police officer and now he's wanted by the governments of both China and Hong Kong. Also, he's a very devoted husband, so if anyone lays a hand on you, he’ll kill them too.

Somehow, everyone has bought into this story. Every criminal organisation in the red light district now fears a high-ranking yakuza known as Yanzhao, who is easily recognizable by his eyepatch and tassel earrings, and who is also homicidally obsessed with his beautiful wife.

In some ways, his infamy is convenient. No one wants to fuck with Suo, or with you by extension. But it also poses some issues: Suo has to keep a low profile in areas controlled by rival organisations, or else he might be ambushed. It also means he cannot easily go out and see his old friends. Even though he always masquerades as a civvie when he does, wearing stud earrings and a glass eye, it's still a little risky—especially since he likes to visit the strongest member of Roppo-Ichiza. While Roppo-Ichiza aren’t yakuza, they're still han-gure, so some of its more criminally entangled members might recognize him anyway.

But Sakura himself, bless him, has not put two and two together and figured out that Suo Hayato and Gui Yanzhao are the same person. This is partly because Suo lies very convincingly about his fictional career in the tea industry, but you think it's also because Sakura is so gullible it's endearing.

I use the glass eye now because it's better for networking, Suo had explained before Sakura could interrogate him too much, his voice too smooth and too quick for the other man to get in a word edgewise. My business partners find the eyepatch too silly. The tassel earrings too. By the way, would you like some Baimudan tea? I thought of you when I smelled it—I know you like fragrant things—so I picked some up for you on my last visit to China. I was there for business a couple of weeks ago.

He, of course, neglected to mention that said business involved meeting with the 14K triad.

Despite the enormity of Suo's omission (lie), Sakura is none the wiser whenever he meets with you. He thinks you're just a regular hostess who has freedom of movement and various other human rights, and that Suo’s just a regular guy who isn’t homicidally obsessed with you (a detail of Suo's fabricated life story that is unfortunately grounded in reality). All this to say, Sakura doesn't think twice about mentioning the fact that you have a routine of going to love hotels after work.

Suo, as always, remains calm in the face of unsettling information. He sets down his tea (just tea, without shochu), and politely says, “Pardon?” He's once again using the nonchalant kind of tone that suggests mortal danger.

“She's always going to love hotels after her shifts.” Sakura is frowning at you, pink but scowling. “I thought you said you were done with that stuff. You promised us you wouldn't do it anymore. Suo—are you really okay with this?”

On the one hand, you find it exceptionally sweet that Sakura, after all this time, remembers your promise and wishes to hold you to it. He was so worried about you when you started having those nervous breakdowns as a teenager, and he probably still is. On the other hand, you're shitting bricks at the fact that Suo is now aware of your activities. Because sure, he likely won't fuck with Keisei Street—but you realise, as he stares at you, that you can't be certain of this. After all, your fake yakuza husband has very real homicidal urges.

“Um,” you say. “It's just business.”

“Business,” Suo repeats.

“You don't have to do that stuff to keep good business,” Sakura grouses, unaware of Suo’s carefully suppressed rage. “You're real popular already.”

“Are you?” Suo asks, looking right at you.

“I mean—I told you the pay would be better, right?” you reply, voice oddly high and nervous, and this is when Sakura notices that something is wrong.

“Oh,” Sakura says, looking between the two of you. “Suo, you didn't know?”

“I didn't,” he says. “Actually, she told me specifically that she wasn't going to do that if she worked here.” He turns to you, still smiling. “That's the only reason why I allowed this at all, remember?”

A chill travels down your spine. You did, in fact, commit to a perpetually sexless lifestyle in order to be granted some semblance of freedom: Of course I won't sleep with any customers, you'd said. You know I don't really like doing that anyway. I promise I'll behave! I’ll be out of the clubs and right back home. Sakura said he’d make sure I’ll get to a cab safely after the bar closes and everything!

“Um,” you say again, but this time you have no follow-up.

“Wait,” Sakura demands, “what do you mean by ‘allowed her’? What, do you need to give her permission to work now or something?”

Suo smiles disarmingly at Sakura. Without missing a beat, he says, “Generally no. But we’re dating now, which complicates what she’s allowed to do with other men at her job.”

Sakura spits out his drink. You choke on your spit.

“I… um?!” Sakura’s staring at you, so you quickly recover. This is a mortifying lie, but it's better than Sakura finding out just how batshit Suo has become since his school days. “I thought we were going to keep that a secret, dear?”

“Ah, you're right. Sorry, I got too excited.” Suo gives you an endeared look before turning to Sakura. “We were going to keep it to ourselves unless we got serious about it. But we've been talking about marriage lately, so I thought it was fine to mention.”

“...”

You’re going to have an aneurysm. Why does every cover that Suo comes up with involve a marital relationship between the two of you?!

“Oh… holy shit.” Sakura’s expression is complicated—somehow, more complicated than yours, even though you’re the one getting cornered into a fake engagement. It's unbelievable how shy he still is about this kind of thing. Maybe it’s just particularly embarrassing since he's known you two for so long, you reason. Regardless, he remembers his social cues enough to say, “Congrats, guys. That's great. That's really great.”

Suo gazes fondly at you across the table. “We were thinking you could be our best man,” he adds, and you consider violently kicking his leg.

“O-oh. Uh, yeah! Sure! But what about Nirei?”

“Rather than having a maid of honour,” you say reflexively, used to lying through your teeth for Suo, “we’d like him to be our best man as well.”

“Oh. That makes sense.” Thrown off guard, Sakura completely forgets about the love hotel business. He whips out his phone. “When were you thinking of having your wedding? I'll put it in my calendar.”

“I’m not sure.” Suo turns to you. “What were we thinking again, dear?”

You're going to die. You're going to die and it's a good thing because if you survive this embarrassment, your future will be bleak. As soon as Nirei finds out about this, he’ll want to start helping you with wedding planning, and then it would just be too awkward to cancel things. You’ll have to enter a fake marriage with Suo, which will be completely sexless, because even with a vow of everlasting love, there are still too many concrete and materially consequential reasons for not sleeping with him.

Condemning yourself to a lifetime of sexual frustration, you reply, “I think we were talking about a summer wedding.”

The drive home is awkward.

Hanzo and Shuuhei pick the two of you up. Suo mentioned that he wanted to talk to you and you alone, so they bring the Rolls Royce with the privacy suite. The two of them are entirely cut off from you thanks to the soundproofing, which traps you with Suo, who’s drinking a bottle of oolong tea as the two of you sit in complete silence. You think he's waiting for you to squirm—which you do.

You stay like that for five, agonising minutes before Suo finally says, “So you're sleeping with your customers.”

You swallow. “Yes.”

“For business?”

“Yes.”

“How much do you make?”

You blink. “Huh?”

“How much do you get paid for a single night of work, including gifts that your customers give you in exchange for sleeping with them?”

You're halfway through citing your earnings when you realise where he's going with this.

“So you make less than you did at Red Dragon,” Suo concludes, “and you're very smart with your money, so I know you know that, and you probably went into this knowing that you'd end up at a net loss.” He turns to you, gives you a look so sharp that it almost scares you. All made worse by his civilian disguise, which makes him feel unfamiliar. His glass eye shines strangely in the light, and his scar tissue is hidden by the makeup you helped apply. You wish he'd taken it all off before having this conversation.

“So,” he says, “what’s the real reason you changed jobs?”

Already knowing that he’ll figure you out sooner or later, you admit, “I just wanted to start having sex again.”

Suo blinks. “You… what?”

“I wanted to have sex with people,” you repeat. “I hadn't been touched for nearly two years, okay? I needed to get laid or else I'd go insane.” You cross your arms and look away, suddenly feeling petulant. “I'm sure you've noticed that our arrangement makes it impossible for me to see people.”

He doesn't answer, because of course he's noticed. He’d designed his house rules with precisely this intent. If he accompanies you everywhere you go, then you can't exactly go on dates, and you definitely can't meet people for sex. Not unless you feel like having Suo watch as some anonymous guy fucks you, and you don't. As hot as the idea is, it’s definitely not platonic behaviour, and it would probably trigger the whole homicidal obsession thing.

“Do you like it?” Suo asks, startling you. You look at him, confused.

“What?”

“Do you enjoy having sex with your customers?” he asks. His voice and gaze are even. Unrelenting. “Does it make you happy?”

You stare at him, a deer caught in headlights. You didn't expect Suo to actually care about whether you enjoyed it or not, and you didn't really expect to care yourself either. But truthfully, you hated it. You simply weren't feeling it with most of your customers and avoided intercourse with all but one. Then in that one case you let someone earnestly fuck you, it was a complete letdown. Possibly the worst sex you'd ever had. You spent the whole time watching the clock, wondering how long it would take, and it turned out that your hookup had remarkable stamina but absolutely no technique. To pass the time, and in an attempt to feel something, you tried to imagine it was someone else who was inside you. You cycled through a whole list of people, including all of your exes, a few of your past customers, every single member of BTS, and then—finally, inevitably—your long-time friend, roommate, and landlord.

To your complete horror, when you imagined that it was Suo who had you folded in half, his cock so deep inside you that you could feel it in your throat, you came so hard that you drenched the sheets.

You lay there afterward as your customer showered, alone in the bed. Normally you'd be getting dressed at that point, but you were too distracted. You kept thinking about what it would feel like to be held by Suo after having your guts rearranged by him—embraced tenderly like you know he would do with you, kissing him platonically like you've always wanted to do with him—and you realised that you didn’t actually want to have sex with anyone else. Despite all your life experience, sexual experience, and job experience—in that moment, you felt like a lonely nineteen year old girl who wanted nothing more than to have romantic, vanilla sex with her best friend, but who was instead having impersonal, disappointing sex with various salarymen.

This was a feeling so disgusting that you’ve decided to never tell anyone at any cost.

“Yeah, it's fine. I guess I like it.” You pretend to study your nails. “Sometimes I cum, which is all I really want.”

Suo keeps staring at you. “That’s it?” he asks, voice measured and careful. You raise a brow, playing dumb.

“What do you mean?”

“That's all you want? Just to get off?”

You gaze out the window, trying not to look at his lips.

“Yes, that's all.”

No matter how batshit Suo gets, he always maintains a certain kindness and maturity in how he handles conflict with you. It's a lesson that he learned from his master, which has perhaps been distorted over time, but remains important to him nevertheless.

If you do something upsetting, Suo is never forceful about getting you to act differently. Sure, he has fucked up ways of either getting you to behave or making you understand the consequences of your actions, and perhaps he has his manipulative moments. It was probably not a good thing that he coaxed you into indefinite house arrest, for instance. But he never threatens you, and he never hits you, and he never disrespects you. In fact, more than anything, he makes it a point to never let you feel like you aren't loved.

So when Suo abandons you after that conversation in the Rolls Royce, you lose your fucking mind.

Suo doesn’t come home in the days following that evening, without any note nor explanation. For the first time in years, he stops replying to your texts. Your immediate thought is that he's been gravely injured or perhaps even killed, which sends you into a panicked spiral. But every one of his men who's come by to check on you has implied otherwise—but I'm not allowed to tell you anything else, anesan, I’m sorry, they all say. And when you realise that Suo is actually fine and he's just playing a fucked up mind game with you, one that makes you feel distinctly unloved, you feel simultaneously heartbroken and apoplectic. The man is not allowed to corner you into de facto imprisonment and then just fucking leave. In fact, if he tries, you might imprison him.

You spend a few days sitting at home and crying over this, as well as torturing yourself by thinking about useless things (fear of rejection, fear of abandonment, et cetera). But eventually, you get tired of wallowing in self-inflicted misery, and you decide to just track your fake husband down. His men have been adamant about not letting you out of their sight—presumably so you don’t fuck any more of your customers, because Suo can be spiteful like that—so you have to be strategic about your plan to find him.

You decide to do it during work. You tap out in the middle of a shift, feigning illness, so nobody bats an eye when you put on the most shapeless hoodie you own and throw on a face mask. Your chauffeurs (handlers) don't notice as you sneak off—and for the first time in years, you walk through the red light district all alone.

It feels strange not to be protected, and even stranger not to be surveilled. You marvel at the unfamiliar experience of complete freedom, and at the possibility of being able to run off and disappear if you so wished. But you don't, of course. Not only do you care too deeply for Suo to abandon him, you're also pretty sure he has your driver’s licence and ID card locked up somewhere. At least you haven't been able to find them, and Suo was oddly evasive about it when you asked. (I haven't seen them, he'd said, but I don't think you’d need either of those things immediately, anyway, do you? And you nodded in response, because it was true that you liked being his passenger princess too much to care about your licence.)

So rather than bolting for the subway, you head straight to your old workplace. The gleaming doors of Red Dragon welcome you as you cross its threshold, and you're greeted immediately by the scent of luxury colognes and expensive cigars—both evoking a strange nostalgia in you. Even the click of your heels against the marble floor feels familiar. You realise that you've missed the place despite its cutthroat culture and its owner’s authoritarian control over you, which you suppose isn't surprising. This club was more or less your home for years and, thanks to said owner, was the safest place you've ever worked.

And being that you feel you've returned to your very safe home, you don't expect it when you're abruptly stopped by the bouncer.

“Can I help you?” he asks, his arm in your way. You don't recognize him, but you see the edges of his irezumi peeking out from the rolled-up cuffs of his shirt.

“Yeah, actually,” you say. “I'm looking for Gui Yanzhao. Is he here right now?”

The bouncer—or chinpira, you guess—bristles.

“You're looking for who?”

“Yanzhao?” you say impatiently. “Eyepatch, tassel earrings? Owner of the club? Probably your boss?”

The bouncer steps forward and reaches for something in his pocket, which makes you suddenly nervous, and also makes you realise that in a hoodie and a face mask, you ordinarily wouldn't be allowed in this club, let alone into the room of its yakuza owner. You're so used to VIP treatment here that you simply forgot.

You take a step back. “Um. I think there's been a misunderstanding.” You lower your face mask, which doesn't help as you've never met this man, and he must be new. You’ll need to complain to Suo about his onboarding process later, if you aren't killed before you can find him.

It turns out that this yakuza rookie has a knife in his pocket, which is not the worst thing he could have been carrying, but is also not the best. You're getting ready to run in the other direction when a more senior member of the gang comes by. He gives you a startled look, which then turns alarmed when he sees his younger brother’s knife.

“Anesan!” he yells hurriedly, and he snatches the chinpira’s knife straight from his hand. His lunge for the weapon turns into a hurried bow. He pulls his colleague—whose face has turned very white in a very short amount of time—into an even deeper one. They look on the verge of prostrating.

“Oh, Yamashita. Hi! Is this guy new?”

“Yes! My sincerest apologies for my younger brother’s idiocy, and his insolence in raising a weapon at you.” There's a sheen of sweat on the back of his neck. “If you would like him to atone, then he would be more than happy to—”

“No, that's fine. I'd really like him to keep all his fingers.” If you have to see a rookie cut off his pinkie today, you think you might actually change your mind on running away. Fuck your documents—Suo can keep them. Surely life without proof of identity can't be that hard. “By the way,” you say, trying to change the topic before Yamashita can suggest alternative acts of atonement, “have you seen my husband?”

Yamashita hesitates at your question, looks conflicted. You feel a little bad for him, and for every other gang member who needs to worry about accidentally offending Suo. You watch him sweat for a full ten seconds before he says, “You can follow me. But anesan, you might find it unpleasant upstairs. I can find someone to drive you home instead, if you'd like.”

You give him a funny look. This was your workplace for a very long time—you can’t think of many things that would happen here that might seriously upset you. “What, is he cheating on me?” you guess.

“What? No! Aniki would never!” Yamashita seems genuinely shocked at the suggestion. “He's crazy about you!”

“Then I'm sure he’ll be happy to see me,” you say, although given that he's ignored your texts for four days straight, you aren't so sure. Regardless, this seems to be good enough reasoning for Yamashita, and you’re taken to the top floor of Red Dragon. You ponder the whole time, on the elevator ride up, just what exactly Suo’s been up to that's made Yamashita this nervous about letting you see him.

Then the door opens, and you’re given your answer in the form of several body bags—all cleanly zipped up and conscientiously laid out in front of the elevators in a single, neat row. A sight that is significantly worse than a rookie cutting off his pinkie finger.

“Oh,” you say faintly. You try not to throw up. “So this is why he hasn't been home.”

“Exactly!” Yamashita replies, beaming. “See, anesan, I told you. He'd never cheat on you!”

Suo is in the lounge of the top floor, which has been cleared of both civilians and corpses for the night. He's sitting on one of the couches, leaning back with his one eye closed, as if asleep. The golden tassels of his earrings are draped over the expensive leather of his seat, intertwined with his dark hair. A cup of tea sits in front of him, steaming. Even this far away, you recognize it by the scent alone: jasmine, probably from Longjing. One of the most expensive blends he has, and that which he saves for days he’s stressed, though he never admits it when he is.

The sight of him would almost look tranquil, except for all the blood on his knuckles and his cuffs.

Off to the side, two of his younger brothers are chatting away. One is pouring cups of some doubtlessly expensive liquor, and the other is smoking a cigar. There's karaage on the table too. You recognize all of this as part of a ritual that some of the guys like to do after a hit or a shootout, not dissimilar to getting ramen or McDonald’s after going to a club.

You catch a bit of their conversation as you approach. One of them holds up the liquor bottle (Isojiman sake, you now recognise from your girls’ bar days, one of the rarer bottles costing around nine million yen) and asks Suo if he wants to join. “No thanks,” he says predictably, “I'm on a diet.” Then he turns and looks right at you—startling you, because you had thought you were being fairly quiet—and gives you a smile so genuine that it reminds you of his Furin days. “Would my beautiful wife like to drink for me, though?”

“No thanks,” you reply, “but your beautiful wife would like to talk to you.”

The two guys clear out to give you some privacy. You’re left alone with Suo, feeling awkward after several days of resenting him for no reason. (You’d rather die than go to therapy, but the whole fear of abandonment thing is probably something you should start addressing.) You don't even know where you want to sit. Eventually, you settle for placing yourself next to him, which is a decision that Suo quickly overturns by pulling you into his lap.

A flutter erupts in your stomach as he settles you on top of him. This physiological reaction is absurd, as not even ten minutes ago, you were trying not to throw up at the line of corpses in front of the elevator. It should also scare you somewhat that Suo’s hands—delicately adjusting your body—are still covered in blood. But truthfully, you can't help but be happy when he makes you feel so loved.

You take one of the napkins on the table and start wiping at his knuckles. Tenderly, in case they're bruised or skinned.

“You didn't call or come home,” you start.

“I thought it would be too dangerous.”

You frown, thinking of all the bodies outside. “Was this a rival organisation?”

“No. They were ours.” He sighs. “A succession conflict. There are a few people who don't like how I'll run things if I take over.”

You nod. Suo is very old-fashioned in his ideals about the yakuza, which you think is an imprint of his master’s influence, and something that appeals to his current ‘father’. He values chivalry. He likes protecting the weak. His filial devotion to his deceased master has now extended to every member of his yakuza family, especially his oyassan. He’s almost certainly the top candidate for taking over after the oyabun dies, but being that part of his old-fashioned principles excludes lucrative projects such as sex trafficking, you suppose it’s natural that some people in his organisation would prefer him dead rather than in charge.

“You’ve never ghosted me during violent conflicts before though,” you say. “I was worried that something happened to you. Or that you were upset with me.”

Suo’s hand drops to your waist, pulling you a little closer.

“They knew where we live. They tried to get to you, you know.” Your eyes widen in alarm, so he cups your face with a palm. His thumb glides along your cheek, and your response is almost Pavlovian: your heart rate immediately slows at the comfort of his touch. “It’s fine. They won't bother you ever again.” The cheerful smile returns. “And if anyone else ever does, I'll handle them too.”

Your heart swells. Enthusiastic pledges of murder are not a healthy sign of affection, but after so much loneliness—whether from the past several days, or the years before that, you aren't sure—you can't find it in yourself to be disturbed. You feel and sound painfully fond when you reply, “I know.”

Suo’s expression dims a little then. “I thought you'd like the space anyway.”

“What?” You give him a confused look. You have never once given him any indication that you want even an inch of space from him. You'd crawl into his ribcage if you could. “Why would you think that?”

“I thought you felt suffocated. You left my club just so you could have sex with other people.” You blink, lingering on his wording. Other people. He continues before you can ask about it, sighing, “You didn't even ask me who I'd give permission to touch you. You just went ahead and decided on your own.”

“...”

You try not to look disturbed. Suo’s apparent wish to control your sexual decisions is news to you, and somehow more alarming than the murder pledge. And even worse—you immediately clench in response to his words. The thought of Suo dictating who does and doesn't get to touch your cunt is… well, your mind is heading in a distinctly non-platonic direction.

Trying to ignore the heat in between your thighs (but at the same time encouraging it), you ask: “Who would you have been, um, okay with touching me?”

“Sakura or Nirei,” he says immediately. “Though only Sakura would be interested.”

“What.” You gape at him, all arousal forgotten. “Bullshit. He would never.”

“Yes, he would.” Suo tilts his head. “Haven't you noticed?”

“I don't think there's anything to notice? And also—he’s so shy, I don't think he'd ever agree even if he were interested!” You give him a bewildered look. “He couldn't even look at us when we said we were getting married, he was so embarrassed!”

“Embarrassed?” Suo stares at you, an amused glint in his eye. “Is that what you thought was going on?”

“Was there anything else?”

He studies you for a moment, clearly entertained but not explaining why. “Well—it’s fine,” he says. “It doesn't matter for now. Especially since he's helping us plan a wedding and all.”

You make a face. “I still can't believe that's the cover you went for.”

“Are you upset with it?” he asks smoothly, and you huff and say yes, but from his sly look, you think he knows it's a lie.

Naturally, you deflect before he can further interrogate you. “So, given that you are now my fiancé, am I no longer allowed to work on Keisei Street and see customers after my shifts?”

You don’t expect it when Suo says, “No, you can.”

You stare. “What?”

“You can keep seeing customers if you'd like. You said it makes you happy, so why would I stop you?” Suo’s brow furrows, his usual calm replaced with concern. “Do you really think I do the things I do to make you miserable?”

Guilt gnaws at your heart. He looks so disappointed. “No,” you tell him. “I just thought it'd make you miserable that I was sleeping with people without your permission.” It is partly why you hid it from him in the first place, after all. You don't like to see him sad—you’re still haunted by the deep grief he was in, after your master died—and also, his misery tends to bring bodily harm to other people these days.

Cognizant of both concerns, you ask, “You’re really okay with me sleeping with my customers? I can stop, if you want.”

“No, it’s fine. I still don't like it, but you can continue for now if you want.”

Suo’s mouth curls—not in a gentle way, as has been his expression since seeing you walk in, but in a way that sets off your flight or fight response.

“I'm sure we’ll reach a mutual understanding soon enough.”

END PART 1

thank you genuinely if you read all that because this is a deranged au and I still can't believe I wrote it sldfkjsldfkj. please do let me know if you enjoyed my yandere suo delusions. sorry there was no smut in this chapter. I promise there is a ton in the next one (probably too much... lol. it's a 10k chapter and literally half of those words are about orgasm denial sldfkjalskdjdf). it's completely written and I hope to edit and have it up by next week!

also here is glossary of terms and world building notes if you are interested!

tagging @kweenkatsuki-fics !! <3

[fiddler-on-the-starship]

The thing about SkyStar that really drives me insane is that what launched the ship was one (1) episode where Starscream briefly (and I mean very briefly) shows an unusual hint of depth beyond his role in the show, which is to be a scheming backstabbing egotistical asshole, fail at everything, and get slapped upside the head by Megatron. That's it, that's all he does most of the time. It's par for the course because this is a 20-minute commercial for robot car toys in the 1980s, you can't expect the characters to have a lot of depth (or any depth at all).

Which makes it all the more interesting when suddenly a character in a show like this does appear to have some depth, even if it's only for a moment. You have to wonder if it was an accident, just something the writers stumbled into in the course of trying to write a sufficiently entertaining story to keep potential toy-buyers interested, or if someone decided on a whim to deliberately slip a little something Extra into a character in between all the Robot Punching Action.

The contrast between how Starscream behaves 99.99% of the time and how he behaves immediately after finding Skyfire is kind of jarring, actually. Why does his voice sound so soft in That One Scene? Why am I getting the sense that he does genuinely care about Skyfire? What is going on here?

Of course, nothing comes of this; after Skyfire switches sides their history is never brought up again. No time for silly things like character development, we need to keep the focus on the Robot Punching Action in order to sell those toys (and honestly, I can't bring myself to complain about it because Robot Punching Action is, in fact, why I'm watching this show in the first place).

That One Scene sure did give fanfic writers a lot to work with, though.

(Also, props to Chris Latta because his performance is a major part of what makes that scene stand out so much. He was like, "Okay, time to imbue the screechy evil jet plane with some actual PATHOS.") (Say what you will about G1, but there's no denying how good the voice acting is.)

[thus-wrote-mrs-zeppeli]

La Squadra x reader: How They Flirt

Yikes. They’re trying-

Content: casual flings, slight suggestiveness, creepy Melone, different relationship depending on character

Characters: all La Squadra (-Sorbet and Gelato)

Style: quick headcanons

-Formaggio: Very casual flirt, tends to walk that line that makes you wonder if he’s actually flirting with you or just being nice. And he’ll flirt with any cute thing that catches his eye, doesn’t mean he’s looking for anything serious, but giving him attention back will make him hover around a bit more. He wants to see what will happen.

He’ll offer to buy you a drink at the bar, asking if the seat next to you was taken, and if not he’ll playfully wonder out loud why. You really don’t have a sweetheart? Well he’s nobody’s first choice but if you want some company for the night, he’s a pretty good conversationalist~

He’s a natural, much more socially aware than most of his squad mates. He knows leaning forward while you talk will make you feel heard, and asking you questions about yourself will make him seem genuinely interested in you. By the end of the night, his hand’s on the back of your chair and you’re sharing drinks and laughing together. Maybe you’ve even given him your number. But don’t take it personally when the second you turn around suddenly he’s chatting it up with the next cute thing he spotted. He’s not even trying to make you jealous, he’s just having a good time, and there’s plenty of him to share. If you do actually want to get somewhere with him, make it obvious…he likes that and he’ll be willing to give you more attention for bold behavior.

-Illuso: God, he is BORING. His body language doesn’t even convey any particular interest in you, and he doesn’t even ask about you, just starts listing his appealing traits to try to convince you he’s a good time and worth spending an evening with. You suspect he just wants money from you, but he’s just not very good at flirting. He really does want you to let him take you out on the town for the night, but he’s too prideful to ask outright…it feels like begging to him. You’d be better off just asking him yourself if he wants to spend the evening with you. He has some nerve acting like he wasn’t trying for that when he says: “Well, if you insist~”

-Prosciutto: He’s extraordinarily blunt but…when you’re as handsome and serious as he is it honestly works.

Don’t try to play coy with him if he decides to approach you, he wants some companionship tonight and he’s not gonna work that hard for it. You only get one chance with him before he decides if he does or doesn’t want to spend an evening with you, so be assertive back if you think he’s someone you wanna play with.

“You want a drink on me or not?” he asks, resting his elbow on the bar and gazing at you with those intense eyes. He won’t ask again. It’s yes or no. And if you say yes he’s gonna order you whatever he thinks you want.

He’s a horribly grumpy and audacious companion…but once you get used to it he doesn’t have ill-intentions. He just wants a good time tonight, like most people who go out alone to a bar on the weekend.

-Pesci: One word. AWKWARD. He does Not know much about flirting, beyond the basics. But knowing the basics doesn’t mean he knows how to put them all together. People like compliments…but also confidence and devil may care attitudes…and how is he even supposed to know what you like…?

He didn’t mean to just. Sit there and stare at you from across the restaurant. He didn’t realize he was even doing that until your eyes meet and you awkwardly wave him over, since clearly he wants something from you.

He settles for the only thing he can think to do as he awkwardly shuffles over to your table. He tells you he likes your shoes. It makes you laugh and you ask him his name and invite him to sit with you, willing to see where this might go. You end up giving him your number, since you couldn’t deny a bit of curiosity towards him.

-Melone: He walks by your table at a restaurant and not so subtly tosses a cocktail napkin in front of you, with something written on it:

“Nice thighs~”

Signed with his number and his name with a heart next to it.

Gross, what the hell…?

It doesn’t take long for you to catch his eye, and you shake your head and glare at him disapprovingly. He just tilts his head at you, his eyes narrowing as his lips turn up into a smirk and he blows you a kiss.

GROSS. What the HELL?

You have no idea if he’s just being confident, stupid, or straight-up a creep.

You subtly text one of your friends to come pick you up so you don’t have to walk home alone tonight.

You have No idea what that guy was Expecting to get out of that interaction, but he can forget it until he improves his flirting game, if that’s even what that was-

-Ghiaccio: He is NOT the type to humiliate himself by flirting with random people. He finds it desperate, and he’s not much of a quick fling or even “romantic relationships” person anyways. If he does end up attempting to flirt with you, it’s because he’s known you for a while and truly has some sort of mind-consuming crush on you. If it didn’t literally keep him up at night, he’d probably never ask you out and just bottle it up forever.

It’s a bit terrifying to see him stomp over to you, that signature intenseness permeating his body language. Despite how naturally cold his body was, his face looks warm and he speaks especially loudly while trying to give you a kind compliment. He doesn’t beat around the bush for very long. “WOULD YOU LIKE TO JOIN ME FOR DINNER?!” he screams at you, unintentionally. Say yes and he’ll tell you he’ll pick you up at 6:30 exactly and then hurry off in a huff of embarrassment. Say no and he’ll activate White Album and escape as fast as possible and avoid you for the rest of the day, ending the evening with an apology text and insisting you both just forget he ever said anything. Please. He will DIE if you mention it again after rejecting him-

-Risotto Nero: He’s very much like Ghiaccio in the sense that he’s not interested in some sort of quick and casual thing, or relationships in general. He’s got a job to do, he doesn’t have time for dating. But if he’s known you for a while and enjoys your company…there’s a slim chance he’ll attempt to flirt, with the intent of inviting you on a date. It’s a bit awkward, and you really can’t tell what he’s going for at first when he mentions a nice, secluded spot for a private stroll. It honestly kinda sounds like a threat when he words it like that, though you’re sure that’s not his intent. But being direct with him will make him more direct with you.

Ask if he’s inviting you on a date and he’ll say yeah, that was the intention…only if you aren’t busy and actually wish to spend some time with him.

You’re sure it’ll be a bit quiet and awkward at first but…you’re flattered to be invited, and don’t have any plans that night so…may as well.

[local-hyena]

Allright allright, I think I'm ready now...

TF2 COMIC 7

Saying "I loved it" would be an understatement. It was PERFECT, the perfect ending we deserved. It's been seven goddamn years, I honestly didn't think this issue would ever be released. I started getting into tf2 only recently, about a year ago I think. I hope everyone who've been there from the beginning are happy.

This last issue gave us SO MANY THINGS ! A TIME SKIP WITH THE MERC'S FUTURE ! I CAN'T BELIEVE THEY ALL GOT THE "THEY GOT HOME AND BUILT FAMILIES AND REUNITE FOR CHRISTMAS" TYPE OF FUTURE THAT LITERALLY ALL FANFICS ARE ABOUT. SINGLE DAD SCOUT IS THE GREATEST CHARACTER DEVELOPPEMENT POSSIBLE.

WE ALSO GOT LITERALLY EVERYTHING WE WERE HOPING FOR. WE GOT UNMASKED SPY, WE GOT PAULING'S FIRST NAME, WE GOT SCOUT'S LAST NAME, SCOUT WITH AN UGLY HAIRCUT, WE EVEN GOT PYRO'S DOG AND MEDIC'S BABOON, TOM JONES IS BACK. ALSO HEAVY HAS A BEARD NOW, AND SOLDIER AND ZHANNA HAVE CHILDREN !!

there are of course still unanswered things. However, the fact that the Administrator forgot why she wanted revenge on Mann really adds to her character and the overall story. Also, it seems that Scout still odesn't know that Spy is his father, since he introduces himelf to Scout's children as Scout's coworker... Scout's ma is also noticably absent, I do not want to think about it too much, since Demo's mother is still alive, there is no reason she wouldn't be as well. We're gonna say that she's spending Christmas with another son, since she doesn't really take an important rôle in the comic... Also, as a Medic main, THERE WAS NO MEDIC CONTENT. LIKE, I KNOW THAT THE LAST COMIC WAS VERY MEDIC AND HEAVY FOCUSED, BUT STILL. I always need more Medic content 😭😭 glad to see that Archimedes is here also !

Also, Merasmus why are you so ripped 😂😂 he looks ugly as ever.

I am so very happy that Hale and Olivia both got fired from MannCo. They are finally happy now, with Hale going back with Mags fighting animals and going on other dangerous adventures.

There is ONE lats thing I need to point out. No, two things. First, I wonder what Valve will do now. Now that Team Fortress 2's story has come to an end. What will happen ? Is the game going to stop updating ? Or on the contrary will they go back to working on it ? Is there going to be a Team Fortress 3 ? Or is Team Fortress simply going to end on this perfect note ?

Finally, the ending. It took me a while to understand that the last dinner scene was adressing directly to us, the reader, the player. When I understood that, it hit le right in the heart. I cannot say that tf2 has been à huge part of my life. Like I said, I only got interested last year or so. I don't even oike the game itself that much, online multiplayer competitive FPSs are not my preferred genre. But the story, the characters and what the community makes (yes, the funny GMod machinimas and SFM movies. The memes and the serious stuff, both of them) made me learn to enjoy this universe. I must confess something. For some time, I played Fortnight with my brother. He made me try because I kept saying that I didn't like it, but I hadnd't poayed the game. After my first game, I said that I had some fun, in the end. So, he kinda forced le to play. For... idk, a few years. I do nlt remember the dates but I started the season with the Nomad skin as the ultimate reward, and stopped when there were hoverboards, or whatever they were. I didn't enjoy it because he insisted on being super competitive and was raging 90% of the time. So yeah, I hated every second of it and I vowed to not play competitive online multiplier games anymore. Which is why I absolutly refuse to play Overwatch and League of Legends. I wouldn't say that Team Fortress 2 reconciled me woth these type of games, but after watching all the Meet the Mercs and learning more about the story, I tried playing. I was a bit intimidated as to which class to choose, but after trying out several (and being very influenced by Meet the Medic), I found out that I had the most fun while playing Medic. I do nlt have a very good aim and I tend to die immediatly when I try to shoot at people. I also discovered that, playing an online multiplayer game doesn't have to be competitive. I have 9h30 in tf2, I play very casually. I do not get mad when I die or my team loses, because in the end, I just want to have fun in my own way. So, this ending hit me right in the heart

I... I almost want to print that last panel and hang it on my wall... I know, there's nothing stopping me, but I don't want my family to question it.

Anyways. That was tf2 comic issue 7. I cannot wait to see what the future will bring for our mercs !

[wellofdean]

So, I read the response above which is so interesting, and I want to keep thinking about it, and then after that had these interesting tags in my feed from @bloodyentrails...

#i think that sam being compassionate towards certain people is kinda normal we tend to relate on a personal level#and him being queer-coded etc doesn't mean you have to care about him#just that that is a thing?#idk what kind of discourse i'm wandering into a lot of the time but relating to characters#and understanding they have been written in a certain way isn't the same thing#which is to say that i would love it if the writing had tackled that inconsistency#but i find that the show on the whole is inconsistent#and i think it's hard to maintain consistency over so many years with so many people working on it#i do think both of them are *trying* to be good people and they sometimes fail and also what constitutes a good person is kinda open#anyway#bear in mind i'm still only halfway through so#maybe i'll change my mind on all this#spn

It's a point worth considering that in the world of the show, Sam's sympathy for monsters seems principled and some how defies gravity, but that in the real world it wouldn't translate to anything real; that's likely true, and an interesting point. Having said that, I think Sam is pretty clearly not particularly"real world" compassionate, and I don't need monsters to make the argument that Sam is not the compassionate one because he shows a general lack of empathy towards PEOPLE, including but by no means limited to Dean, throughout the show. And, ok, he sometimes argues for a compassionate response to monsters and Dean doesn't always respond favourably, but that's because Sam fears he is one, and he needs to believe monsters are not all bad, which is not borne out of compassion, it's a rationalization that serves his psychological needs.

Basically, I think Sam is all surface. Sam is the urbane one, the smart one, the compassionate one, the one who talks nice to people, the broadly queer-coded one, the feminist, etc., but with Sam, all that is skin deep. He APPEARS as such! He's good at pretending, but he's nearly as savage as John is, Dean is much more sensitive to other people's needs, Dean is every bit as clever as he is, and intuitive to boot, Sam can ACT compassionate, but in fact he isn't really very empathetic to anyone, and he is able to just move on from all the things Dean just can't, Sam's not in fact queer, but Dean is queered to his fucking bones, and Sam's the one whose unconsciously replicated misogyny allows him to think any woman that would be into Dean is obviously a whore, and to keep his girlfriend in the dark about the truth of his life, while Dean is just talking a big game of cartoon misogyny TO SAM while treating the women he interacts with pretty fucking respectfully, actually.

Honestly, it's the same as the way Sam is supposedly the 'main character'. He's introduced as the one we should care about and identify with, but within, like, two episodes, he's really just a foil for Dean. Sam has BIG PLOTS, but it's Dean's feelings, reactions and relationships we really care about.

And, the fact is, Sam was pretty well-realized in the earlier eps. JarPad was giving it some effort, and he was charming then with his boyishness -- the way he seemed like he hadn't fully lived into his physical real estate -- but the thing is, he never could really hold a candle to Dean who was just magnetic. All the interesting character development was given to Dean and Jensen killed it by always making it seem like Dean had so much going on under the surface, and like, to the extent I care about Sam, it's because Dean loves him.

I kind of wonder what happened. Was Dean always meant to be the dark horse hero? Or was Dean just...played by a better, more compelling actor, and they started writing for him instead? There are so many much more interesting things they could have done with Sam, and they just...DIDN'T.

I dunno, I suppose it could just be me, but I feel like the way Sam just SEEMS, Dean IS.

maybe this is me being a dumb overly literal autist stemlord who simply does not understand literary theory or some shit equivalent but why should i care about someone being coded as [X] when i can just. care about someone who is [X]. why should i care more about the conventionally attractive white woman with a job and mortgage because she's metaphorically othered due to being a supernatural creature when i could care about the actually othered addicts that she used as a source of food. help me out here.

[causeimcrayzeebee]

Wolfgang Akire through the lens of the law: an analysis

i would like to give a disclaimer that while im very interested in the law, im not a lawyer or in law school. my knowledge comes from the few law classes i have taken, participation in a couple mock trials, and some personal research, so please take this with a grain of salt! if im missing something or saying something inaccurate, please let me know! i am always open to learning more!! not to mention this is my understanding of law in the United States, so this may differ by country.

in the end, this isn’t meant to be too serious, just using the knowledge i do have and applying it to p:eg!!!

okay now spoilers for the prologue and all of chapter 1!

well ig before we get into it let me say rest in peace a king... I will miss you, you hypocritical bastard........

alright, so firstly, let’s consider Wolfgang’s character profile.

two things stand out to me here. the first is how he has “successfully defended over 200 of his clients without dropping a single case.” we can infer that Wolfgang is a criminal defense attorney. it’s possible he could be a lawyer in the civil law sector instead, but considering his strong feelings about murder and crime, and the fact that this is Danganronpa, it leads me to believe he is a criminal attorney for the sake of relevance (I don't think any of us would care if he were a corporate attorney after all).

now, that sentence you just read is particularly interesting in the case of Wolfgang Akire. From the prologue's mock trial, we can see that Wolfgang feels very passionately about murder, condemning the murderer even without insight as to why they committed the crime, instead big on retribution and justice (which the definition of could definitely be debated). Yet, as a defense lawyer, Wolfgang would have been defending people from criminal accusations, from anything to armed robbery, arson, or murder. we’re not particularly sure on his view of other crime, but we can assume he also has a similarly negative view of it that he has of murder. out of 200 people (within such a short time span of finishing law school too), what are the odds that out of all 200, not one of them was actually guilty? of course, lawyers have the ability to drop or not take on cases, but as his profile says, he hasn’t dropped a single case! it’s quite possible he had complete faith that every client was innocent, but with the evidence and files he’d have to go through, he had to have seen something that was damning and prepared accordingly to address in the most sympathetic way possible to avoid prosecution winning their case. and that's the thing with Wolfgang; his job requires building sympathy for the accused, and it requires sowing seeds of doubt in prosecution's case. there had to have been someone that he was defending from an accurate charge(s). so whether he knew it or not, he has very likely defended people guilty of crime; and yet, he still feels very adamantly against them.

Here's where I fall short on my analysis; I honestly do not know what to make of this conclusion. his behavior and his ideals are almost contradictory in a sense. is this insight to wolfgang's clear hypocrisy? but what does that really say about him? I'd love to know what any of y'all think in regards to this :0

Now, the second thing that stands out to me is that he wants to make sure that everyone is fairly represented and make sure logic and evidence drive the discussion. While this does seem to be true, the mock trial shows that he lets his feelings become a big part of the discussion as well. everything he does screams prosecutor to me, so it was shocking to find out he works as defense. Wolfgang has a very interesting way of viewing things, almost dichotomous, unlike what his profile says. it's similar to the format of a trial, where it's not meant to be a team working together to find the complexities and nuance within a certain issue, but rather an attempt to prove your point and disprove the other side. trials aren't supposed to be a discussion where everyone reaches the truth together (Danganronpa trials are not very accurate but of course I don't think they were intended to be in the first place), they are for you to win your case-- as a defense attorney, its poking as many holes into the prosecution’s case as possible. (little fun side note, this is very similar to how debate works; Wolfgang and Damon are a lot more alike than one would originally think.)

Considering all of this, it makes me wonder if Wolfgang was intentionally trying to split the group apart,,,, because it's easier. because it makes more sense. as defense, lawyers may pin the crime on another, but without the burden of proof that prosecution does, they can sling out accusations to increase doubt on prosecutions case without having to actually prove it (that would be left for a separate case). it's easier to divide a group and have a bunch of people follow you while isolating the 'other side', and with that division made, it's more likely someone you isolated will be the 'villian' anyways; and in this case, this was true-- Eva, who has been socially ostracized her whole life, was driven to murder to protect herself from the blinding fear that everyone was out for her (even if that wasn't entirely true). this could be just how Wolfgang has gotten used to going through his life. maybe the bad habits he picked up from his father were the divisive kind of us vs them mindset lawyers have to have in a courtroom.

speaking of his father, let's address the motive-- there's so many things that Wolfgang's blackmail could be about; faking his law degree, not taking the bar exam, defending horrible people, the list goes on. Honestly, a scenario i have considered is that it's about him defending his father for a crime he actually did commit, yet winning the case; or his father commuting a crime in general and winning his case, leaving Wolfgang conflicted as that is the sort of thing he does all the time, yet his father had just taken away his mothers life and gotten free (this is very much just me guessing a possibility though). when Wolfgang was hallucinating, he says he's not like them (to diana who he thinks is someone else) and he'll never be like them; It's most likely that he saw his father. the theory I'm going with right now is that his father was at the very least heavily involved in the likely murder of his mother (thus bring her back in reference to his mom). his father was probably also a lawyer and may have pushed wolfgang into going into the field himself, especially when he sent him to law school as a teenager. maybe Wolfgang wanted to live up to the expectations his father had of him. who knows exactly what Wolfgang wanted everyone to know him as, it was probably a long the lines of a competent lawyer. but, as of right now it's all speculation (objection! haha.... that was not funny my bad), so again, I'd love to hear some thoughts.

Another little funny thing i'd like to note is when Damon and Eva come back to the dinning hall and Wolfgang asks where they've been, Damon responds saying it was for discussing the motive. He's internally smug about how defeated Wolfgang seemed to be by that, and I thought that the funniest shit; very similar to being on cross examination, thinking you have the witness in your hands, when suddenly they wiggle out of your accusation. he's so real for that.

that is pretty much all i've got so far! let me know what y'all think and thanks for reading!!! :)

[latibulater]

i love think tank honestly i think he would have been better than a one-episode arch like his design? first of all is so fun. love his hover chair! love having another huge-head character (i wonder if billy knows of him at all). he such an emotive guy

he seems to really love teaching his non-interested students, and it's honestly very sweet imo how he reaches out to dean and suggests he avoid the tower during the time of his father's arch, and i mean you could interpret it as him saving his own reputation, but i think it's because he doesn't wish for dean to be harmed. and its funny and genuine to me the way he says to dean the essay is shit but he is one of the best students of the semester. ik when i went from home school to real school i struggled hard at first with writing papers, so i wonder if dean is the same like he's enjoying the class and is kind of grasping the concepts but he is plagiarizing by accident and has lots of run-on sentences (like this one). but it's sweet that nidaba still calls dean "one of the brightest" (even if you interpret this to be buttering up which i do not)

and he seems to be a moriarty without a sherlock from this little scene where he deducts dean's home life from different clues. i like that he says "i interpret the data" because that's much less wishy-washy then bbc sherlock. he's so handsome here genuinely

and his nietzsche quote "all great things must first wear terrifying and monstrous masks in order to inscribe themselves on the hearts of humanity." honestly is so relavent to the show and the way he is so exasperated no one knew that. professor dr. nidaba, i swear you just need a tumblr girlie in your class.

the tank just goes up? the wall?

imminent doom detected

i love how he gestures with the tank...nozzle(?) like the machine is really an adapted living device. and literally he has this awesome killer entrance to set up some chess like he literally just wants a nice game night

i feel so bad for him look

sweetheart 😭 his whole plan for the evening just got blown up like that wall. i feel so bad for him his little "who are you calling" like he's gotten in trouble 😭😭😭

but brock will play!!!! he's so excited now

and he can create a force field??? thats literally so cool. this scene with brocks arm is so funny like brock is acting a little unhinged but think tank is literally so bewildered

and who else got flirty undertones from this

and this was such a great scene him getting shot out the window while rusty's getting scammed by watch&ward. and then when warriana called think tank a "pompous son of a gorgon" a) love the insult b) their previous fights mustve been so funny think tank would use a lot of greek myth references and warriana would be like SHUT UPPPP *kicks him across the street*

look brock had so much fun with this fight and nidaba, while annoyed by warriana busting in, i think enjoyed it too! also i like this pic of him with just the undersuit.

i feel so bad for him he literally got his night fucked up by rusty's annoying silly ass and then got beat up by someone not even supposed to be there and now he's just trying to hail a cab bc his tank got trashed and then he gets WRECKED by a VAN. and what's this? stars n garters literally singing at nidaba's bedside?????

i loved this scene so much its so silly and off-beat, i love knowing that think tank's colleague/arch-rival cares enough about him to lug a guitar down to the hospital while nidaba's unconscious. WHY COULDNT WE HAVE HAD THINK TANK IN COMA TOWN?!

anyways thats about it :^) i just think it's a shame hammer&publick didn't develop or bring back think tank he's such a great and underrated character. also he doesn't even have a first name like wtf!!! i'm naming him dr. nathan (not nate!) nidaba

[tealvenetianmask]

Is anyone else worried that this

Is the beginning of Andealphus deciding that something needs to be DONE about Octavia?

Presumably, the time when she comes of age and her psychopathic uncle loses power is looming (whether that's at 18 or 25 or whatever...). And I think it's possible that he would be fine with that if Via were able to be molded and used as a puppet for some time. (Although his ultimate goal is clearly to be SEEN as powerful. Did you see all those ice sculptures he made of himself?)

But Via is not moldable. Not in the way that Andrealphus needs her to be- she'd need to be easily intimidated, and she'd need to value conformity, because that's honestly all that he and Stella have when it comes to getting her on their side.

Stella let Stolas raise Via. Stolas raised her to think for herself, to pursue her own interests, to speak her mind, and to love herself. And among other great things, that produced a snarky kid who can't be easily bullied.

So Andrealphus leaves the scene upset.

He goes from speechless to falling back on classism to malice very quickly. I think that "you will regret this" applies to every single character present.

But even more, I think he's starting to see Via as an obstacle, and this will only increase as they keep spending time in the same household.

Octavia is not safe, and this will be a huge threat in Season 3.

(@akirathedramaqueen your fic hits all the notes)

[backstage-autorin]

I will never not find it funny that although Zuko is the one I see mentioned the most often in discussions of autistic-coded characters, of the three who set off my "takes one to know one" sense on my first watchthrough of the series, he is also the one I picked up *last.*

I picked up on Iroh first when he firebent his tea while waiting to enter Ba Sing Se. The only way I can make that choice make sense is if he had some kind of sensory processing issue that prevented him from drinking tea at the wrong temperature, or if he was stressed from the trip, needed to stim, and playing around with flavors/scents/temperatures of tea was the only form of stimming he was allowed growing up, making it his default method of stimming as an adult. (If the school he attended as a child was anything like the school where Aang got in trouble for dancing in music class, it's not difficult to imagine autistic students getting in trouble for stimming). Over the years of using different scents/flavors/temperatures of tea as the one form of sensory input he was allowed to be in control of, he developed a special interest in tea. Adding the fact that caffeine is sometimes used to self-medicate ADHD, depending on the caffeine content of his teas it's possible that Iroh has inadvertently been self-medicating for undiagnosed ADHD (as far as I'm aware the vocabulary to get diagnosed doesn't exist in-universe). Overall, I headcannon Iroh as AuDHD.

Azula was the next one I picked up on, during the Beach episode. The moment that made the headcannon click was the "sharp outfit" monologue/flirtation attempt, but she also takes the "party from dusk till dawn" invitation literally and her observation about the volleyball opponent's childhood injury on the left side reminded me of my own (self-described) unhinged pattern recognition. She masks well but unfortunately for her the environment she built her mask for was extremely dysfunctional, which I think played a role in her eventual breakdown. (For a modern-day equivalent, it's not uncommon for autistic women to only get diagnosed after seeking treatment for mental health disorders.) Azula being praised/recognized as a firebending prodigy but struggling in other settings reminds me of the discourse around gifted education, the prevalence of undiagnosed neurodivergence in gifted programs, and the recognition of twice-exceptional students (students who qualify for special education and gifted education at the same time), and I would probably headcannon her as a technically twice-exceptional student whose autism went undiagnosed so on paper she's just considered "gifted" instead of "twice exceptional."

Zuko, on the other hand, flew under my radar until he practiced the "Hello, Zuko here" speech for that frog, vented to that same frog (or maybe the frog was just there while he was talking to himself) while analyzing his social interaction failure after he accidentally reveals that he hired Combustion Man, and then an episode or two later fails to make anyone laugh with the "leaf me alone, I'm bushed" joke. I sometimes rehearse social interactions beforehand, very frequently replay my conversation errors in my head, and have plenty of experience with messing up at telling jokes, so i guess seeing Zuko do the same is what it took for me to figure it out. Honestly, I wouldn't be surprised if the reason it took me so long to pick up on Zuko being autistic is because he was masking to the best of his ability when he was trying to regain and/or maintain his father's approval and then once he switched sides he no longer felt the same need to try to pretend to be neurotypical.

There's probably a lot more I can say if I were to analyze the show through the lens of Iroh, Azula, and Zuko all being autistic but tbh those thoughts should probably be their own post instead of commentary on someone else's meme.

[tubbytarchia]

Honestly, the whole idea that "if you criticize scott you're homophobic" is so terribly problematic. Basically giving him blanket clearance to do anything or say anything and if you criticize it, well, you're just homophobic. I can't imagine that's a good mindset to have as a person, let alone to see someone having as an impressionable young person.

I'm sure scott is a lovely guy in person but seeing how he acts online, frequently as a holier-than-thou type character, and looking down at others, like saying he interrupted a canon event by preventing scar and jimmy from pairing, is just upsetting. I find myself as the same as character joel in the life series, rooting for his death.

Something else that has really irritated me in the life series is how often he gifts deaths to other people. He did it so much in limited life. He literally gave every one of his deaths in secret life to someone else. And he acted so smarmy about it, too, like "oh I am taking this precious life and graciously giving it to you because otherwise I might never die to anything".

I was really happy when most of scott's deaths in wild life happened out of his control, like yes you are exactly the same as everyone else. Stop trying to act otherwise. Anywise thanks for being open about criticism. I don't know if I ever thought about toxic positivity until I saw you talking about it!

Oh I have so many thoughts on Scott's self-sacrificial nature. The toxic positivity is much more prominent on twitter but does still rear its ugly head on tumblr too. Especially concerning Scott's character, which I agree with you on. Him giving up his lives is doubly interesting and in the same vein frustrating to me because half the time it doesn't necessarily even leave the recipient better off

Gem did not want to kill him in SL, but because he has a martyr complex, he made it happen anyway, disregarding Gem's hesitancy. I'm sorry but to me, in that moment he was thinking about himself first and Gem second, which is how I think he regards every single one of his sacrifices. Especially when you contrast that with the Mounders, where Pearl rooted for Bdubs (and Joel but mostly Bdubs) and suggested herself being killed for Bdubs once things got dicey, but it never coming to it. Pearl so deeply wanted for Bdubs to win, and Bdubs, although not very confident, wanted to as well for Pearl. There was never any pressure involved in that unlike Scott's last minute and frankly kind of random sacrifice. He wasn't that low on hearts and Gem would have stood a much better chance against Pearl and Scar with him by his side

In Wild Life, Pearl didn't feel good about taking Scott's life, and Scott basically said he was doing it to quell Pearl. Something also about the fact that Pearl wanted to decide how to do it, just as some remnant of control when she really didn't have any for almost the entirity of Wild Life

In Limited Life, Scott was ready to give up that life he'd promised Jimmy, but then used it to try and coax Jimmy into telling him he loved him. And Jimmy has had a few other people give up their lives for him, Bdubs out of selflessness and Ren out of a promise for an allyship. And yet the only sacrifice Jimmy has even referenced after the fact, is the one Joel had planned but didn't even succeed with. That holds more importance to Jimmy than Scott's sacrifice, which I think says something

And of course, Scott blowing himself up in Double Life. Because Pearl deserved the win more than he did, he says without giving Pearl much opportunity to speak, taking control of the ending that was supposed to belong to Pearl

It's all very interesting to analyse, his character is super intricate and unique in this sense, but it does unfortunately become more frustrating paired with his unchanging selective framing of events and putting down of other characters through no wrongdoing of their own etc

[whatdidtheydotomygirljinx]

the problem is that it's so hard to really analyze anything about arcane, and draw any conclusions about the story, because of the way it was written and conceived in the first place.

to the people who're like "yeah season 2 was bad, but season 1 was a MASTERPIECE in story writing and PERFECT in every way", that's just not true. the cracks were already there in season 1. there's multiple things, especially overarching ones, that just don't add up, and several ways that the story progresses that seem like odd choices. the thing was that, to me, the rest of it was all so good... the small details, the contained scenes were so well done, so detailed, so touching, that i really believed that maybe those cracks were just hiccups after all, and it's not a big deal, and maybe they'll even make a lot more sense and all get tied up with a nice little bow in season 2 (ha)

to me, at this point, it seems obvious that the way season 1 came into being was that these three idiots (who should never be allowed to write anything ever again) wrote a script, that was so terrible that riot had to bring in help to fix it for them (cause they were that incapable) and then someone got handed their slop and told "save this as much as you can, but keep the main points the same", and save it THEY DID! but the overarching plot is still the original one. which is why there's this dissonance all across it.

season 1 often seems like it's trying to tell two different stories at once. the example that comes easiest to me is jinx's transformation from powder to jinx post time skip. to the people i know irl who watched it, me included, the difference between these two is jarring, to the point that it just doesn't seem realistic that powder would change that much. this is what most people's reaction to her transformation was. like, sure, she changed... but jinx is almost a completely different person. and we can sit here and analyze all we want, and say yeah, but look, in ep2 min37, powder laughs when an enforcer is hurt, so that shows that she is indeed attracted to violence even at this age, but like... first of all, im at this point fully convinced that these details were put in specifically for that, to attenuate the valley that is between powder's character and jinx's, and I also honestly feel embarrassed that i even have to do all of this at all.

other notable examples are whatever is going on between jinx and silco in their relationship. like, yeah, he was actually a good father to her... but actually, there's something weird going on between them... but actually, no... he was better than vander, but actually he was worse than vander and was actually the cause of everything bad in jinx's life..... and on, and on, because the literal story itself never actually makes up its mind on what it wants the relationship between these two characters to be. same as it never makes up its mind on whether powder was a cute, innocent kid who was just manipulated by silco, or if powder was born like that and was just looking for an opportunity to release her inner jinx. same way as it never makes up its mind on whether vi is a devoted sister, who would do anything to get powder back, as she herself says, or if she actually thinks this new enforcer chick she just met is kinda cooler, as her actual actions would indicate. does silco adopt jinx because he sees himself in her, or does he intend to use her as a weapon and then later on grows to actually care about her? there comes a point where "this is a complex story" just becomes an excuse for "we were actually working with three different ideas at once and we never really decided on which one we were gonna do and we kinda just prayed it would all work out somehow"

the one thing that arcane season 2 has on season 1 is that it doesn't suffer from any of these weird identity issues. it's bad and simplistic but it's bad and simplistic in its entirety and it doesn't ever seem interested in being anything else. the story has no continuity or congruence issues, except of course for the ghost of season 1 that haunts it, and especially haunts the writers, who so far have displayed nothing but dismay for the story that actually made this show so acclaimed, and have done all they could to bury it as much as possible in season 2.

now, personally, im a big death of the author truther. even more so in cases like these, where we're dealing with teams of people. power struggles happen in studios, and in writing rooms, and at every level of production. and these three people that have taken credit don't seem like the most emotionally (or intellectually) mature individuals.

so, to solve all these issues, just know that when im discussing or analyzing arcane, im going off the interpretation of the events that serves the story the most, and that leads to the most meaningful narrative and the one that is most worth telling. all of this weird lee and overton slop that snuck in im gonna be completely ignoring.

[evepack]

You know those fanfics were Mumbo is rich as hell, a lord if you will and the only human among the hermits and he continues to be this mess of anxiety and when he is doing family business he usually puts on a facade of bitter, bratty and fully okay with taking care of family business. But you is fake and he is totally on the hermits and hybrids side

But what about a Mumbo thats ACTUALLY a spoiled brat, not interested on hybrid rights, seeing them as pets. An artist with every material in hand and not having every material he needs and being the opposite of a starving artist, being AGAINST the hermits. Being a spy or something. VILLIAN MUMBO YOU ALL!

Honestly i got this idea because S10 Mumbo is just so diferent from the characterization people did before i joined the fandom like i said on one of my first posts about hermitcraft, it felt like SO out character lol