#hes so stupid i need to kill him

[luyo-mi]

the royals 👑

[hellonerf]

i'm so easily pleased by cute things. these designs and descriptions are so cute. like wow explodable... wow imagining encounters with cute creature girls... found in various locations doing cute things...

[mrmeepsmadmind]

i love when ppl draw bumblebee like the happy little creachure he is but also i love when people draw bumblebee like he's had 500 beers in the last 1 hour and still the pain won't even ebb

[cmkren]

HOUSE RAMMING INTO CUDDYS HOUSE SAVVEEEE MEEEEEEE 😭😭😭😭😭😭😭😭

WHATS HIS PROBLEM (ik it but god i gotta say this)

WHATS HIS FUCKING PROBLEEEMMMMM 😭😭😭😭😭😭😭😭😭😭

[tordoise-x3]

MY RESIDNET EVIL OC with his parasite thingy

Im kicking my feet fr

[mephoj]

nickel and balloon would be so much more interesting if people explored the way nickel became everything awful that balloon used to be but so much worse ironically all in the name of "protecting" everyone from that history repeating. and not softboy tsundere yaoi or whatever is going on in those tags rn

[sammygender]

i’ve never been as angry on behalf of a character as i am for sam winchester

[hermit-frog]

my personal delusion, that i'm not ready to let go yet, is that Armand was behind it all in order to get Louis all for himself (like in the book). Santiago is predicable, narcissistic, jealous, and greedy, very easy to manipulate. the rest would follow for obvious reasons.

[melancholymarrow]

Back in this fucking fandom again. This stupid idiot has taken over my brain like a parasite. /Pos I love him sm.

If you're wondering why I didn't give him arms it's bc I hate drawing them & idk how to draw bones very well.

Might make more of these w some other aus, idk.

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[dykedvonte]

My post about Anya is making like a little ruckus on Twitter and I think it’s crazy how many people like have a problem with it.

Like you don’t have to agree with how I characterize Anya and her actions but it’s more like, why are you focused on only one aspect of her character? Why are you removing nuance from the situation? I don’t see it as giving Curly the benefit of the doubt when it comes to doing better for Anya, but as exploring his character and hers relationship with a the very little authentic facts we get about them. In truth, there’s a lot more I wish Curly did, even if it wasn’t pragmatic but I realize the issue there.

The first psychological horror game in a while that’s real intricate in its storytelling and makes you need to really need to address the morality of intentions and its already getting torn asunder smh 😔

[ghostiezone]

"....Ashe?"

"Who's that?"

short-ish fic under the cut because I had to be in the tranches about this :)

The Wards received the invitation only an hour before they arrived.

i know where to find your friend :)

The crumpled piece of paper looked like it had been drawn in crayon. It was stapled to the front door of their home. Their civilian home.

"Aux-" Failsafe started immediately, but Imprint's hand over his mouth cut off the name before he could finish. The boy wasn't in costume.

Imprint addressed him instead, cautious. "Ashe...?" He lowered his gloved hand from Failsafe's face and stepped forward between his two teammates, slowly, like he was approaching a cornered animal.

Wraith had been a stoic, silent presence since they entered the room, but Failsafe could feel the tension rolling off of him in waves.

The boy sitting on the edge of the desk looked.... young. Younger than he should. The shirt he had been put in was too big for him. Not in the same way his dad's jacket was too big for him- he used that like a turtle shell, something to retreat into, pull over himself like a shield. It was safe, warm, all-encompassing. Despite the issues they knew Ashe and his father had with each other, the love was still there. No, these clothes... they hung loose on his already skinny frame, making him look exposed. Vulnerable. They were monochrome, pale in a way that made him look washed-out, almost ghostly. He sat with his legs crossed, hands holding his ankles. He wasn't wearing shoes. One of the sleeves threatened to slip off his shoulder.

He tilted his head as they entered the room. The movement made Failsafe think of the stray puppies he used to feed in the alley behind their house.

His hair had been washed recently.

Something was very wrong here.

Ashe's face was devoid of all emotion. Though he was looking at the three of them, making eye contact, something seemed... distant. Failsafe reached out with his power and found... nothing.

He felt his heart seize in his chest. He frantically grabbed Imprint's hand before he could take another step forward, and tore his gaze away from Ashe to lock eyes with Wraith He hissed under his breath, he didn't trust his voice not to shake "guys, hes-"

"Breaker state, yeah. I know." Wraith finally broke his silence, voice stony and cold. "Don't get any closer to him."

At the sound of Wraith's voice, Ashe's eyes locked onto him. They were burning with an orange glow.

His head bent further to one side, and his face split into a wide grin that looked almost painful. Failsafe felt Imprint tense, fingers twitching like he was getting ready to reach for a weapon. He squeezed the wrist he was already holding. "Don't. We can't. That's still Ashe."

In that brief moment of distraction, the boy on the desk began to laugh. It was a broken sound, distorted, not like anything they had heard from him before. That deep orange glow in his eyes shone even through his closed eyelids. Wraith's cape billowed as he stepped in front of the other two, barking a clipped "Incoming!" as the space behind the desk began to distort.

Wraith's own warping powers sprang up in response, a translucent blue barrier forming in the air between the wards and their friend. As they watched, unsure of how to act, a rectangular shape began to appear in the air behind where Ashe was sitting, growing clearer and sharper as it eventually formed a sort of doorway. It was hard to look at directly, the light in the room seeming to bend toward the corners. The walls and floor buldged and sank in response to the tear in reality. The door itself was more like a window- a vague, distorted cityscape slowly coming into focus on the other side. The barrier began to ripple, as if it was made of water, as a figure stepped through it into the room.

Ashe's laughing was suddenly doubled as it became clear that whoever had just entered was cackling as well. It was an eerie echo- they were taking the same pauses for breath and short hiccups between giggles. Their shoulders bounced in matching tempo and their heads tilted back toward the ceiling at the exact same time.

The new figure was dressed in a long purple-grey patchwork coat, sleeves torn off and bottom hem ripped to shreds. He wore a darker purple scarf up to his chin, which flared out behind him into a tattered cape. The coat was sinched at the waist with a faded green belt, the end of which swung loose around his legs to give the appearance of a long tail. He wore some sort of blood-red bodysuit which concealed every bit of skin that would otherwise be showing. His darkened silver hair flared out around his head in wild spikes. Over his face, a circular mask concealed any distinguishing features. The mask may have been white once, but was now more of a tarnished brown. Two horns curled upward on either side of the face, which consisted of a cudely painted-on cartoonish black smile with squinted eyes.

"Why, if it isn't the Wards of New Haven!" The figure exclaimed, suddenly dropping into a deep bow. "You can call me the Trickster. Oh, I've been waiting so long to meet you!" There was a sort of childlike excitement in his voice, but there was a strain to it as well, as if holding back the laughter was causing him mental pain.

He turned his head toward Ashe, who was sitting motionless again on the desk. The figure cleared his throat, then in a harsh voice, snapped "You'd best show some respect in the face of such powerful heroes!"

As if dragged down by force, Ashe bent forward, nearly losing his balance and falling face first off of his perch. When he sat back again, his deadpan expression broke into a wide grin again. The smile didn't reach his eyes.

"What are you doing to him?!" Failsafe snapped, voice cracking with the panic of seeing his friend so vulnerable.

"Who, me?" The villain straightened back up, bouncing on his toes as he did. He flung a hand up to his chest in an overdramatic show of offense... and Ashe's hand made the same motion. In a cheap imitation of Ashe's voice, the Trickster echoed "I wouldn't hurt a fly!" As he did, Ashe muttered the same words.

"He's some sort of Master." Imprint's eyes were locked onto the figure, tracing his every move. The subtle shift in his posture put the image of a panther in Failsafe's mind. His next words were directed at the villain. "What do you want with Ashe?"

"Better yet, what do you want with us?" Wraith added. The strain of holding up a constant shield for this long was starting to take its toll on him, hands starting to shake. Even though the Trickster wasn't outright attacking them, knowing he was a Master with this kind of power was enough to keep them all on edge. They didnt know his limitations yet. "You were the one that sent us the note, right? Why bring us here just to stand there and laugh at us?"

The villain started cackling again, bending at the waist with the sheer force of his laughter. "Ashe?!" He straightened back up, mimed wiping a tear from the corner of the eye of the mask. "Who's that? Never heard of them!" As he stood up to his full height, he ran a hand gingerly through Ashe's hair. The boy didn't move, didn't react, despite Failsafe's immediate short burst of anger at the action. The Trickster clicked his tongue, continued to run his hands through Ashe's silvery-purple hair. As his hands moved, a glow began to spread from them. The same orange glow emanating from Ashe's eyes was surrounding the Trickster's fingertips. As he waggled the fingers on his free hand, little orange strings no thicker than spider silk extended upwards from them, seeming to disappear into thin air. The strings reappeared, wound around Ashe's arms. There was a loop around his neck as well, giving the sickening illusion of a collar.

"I just wanted to introduce the three of you to my Muse." He put an odd emphasis on that final word.

It was a name.

"And, to let you know he's mine now, and you can't have him back!" The static smile on the mask somehow looked devilish. It was such a childish statement, as if they were fighting over a toy on the playground, but it sent chills down all three of the heroes' spines. "Finders keepers, he came to me first! That means I get dibs." His voice dropped an octave on that last sentence, suddenly becoming threatening and deadpan. "Try to take him from me if you can. It'll be fun."

Suddenly, he spun on his heel, facing the doorway he came from. The rippling effect was starting to get more pronounced, more unpredictable. "Ah! But it seems like playtime's over for now. We'll see you soon, Wards."

Before he stepped back through the door, the strings around Ashe's limbs tightened, and he was dragged by some nearly-invisible force toward the doorway. He moved stiffly, as if the puppetmaster hadn't gotten used to moving him yet, but eventually he was pulled through the fading doorway.

The Trickster gave them one last mock solute before ducking through as well. The lingering echo of laughter hung in the room around them.

And Ashe- Muse- was gone with him.

[s0fter-sin]

rewatching s1 and in ep2 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[ghost-bxrd]

Prompt:

Damian and Tim are trapped together in a cave system.

That itself wouldn’t be too bad (or too out of the ordinary) if Damian hadn’t been injured in the initial collapse.

Now he’s alone, with their comms transmitting and receiving nothing, with the pretender he’d been trying to kill on several occasion.

And Damian is only all too aware that grandfather’s “favorite detective” would have every right to kill him in retaliation. And the perfect opportunity to get away with it.

[mulders-too-large-shirt]

my favorite mulder moments from s3

when he’s dead in episode 1, in the afterlife being urged to return to his body, and it is only only hearing that his sister isn’t there which convinces him to come back to life (we can analyze this for years and we should!)

after their narrow escape from the disease center in episode 2, skinner asks what mulder could possibly hope to find in his wildest dreams. his answer: “why they killed my father. and what happened to my sister. and what they did to agent scully” which pretty much proved that she is part of his family to him <3 and he just wants to protect his family and keep everybody safe... i'll cry

and despite how badly he wanted the truth and was willing to risk it all, he agreed to turn the tape they had nearly died over so they could come out of hiding, so scully could see if her sister was okay (AUGHHH putting his life's ambition on hold for her...)

(this is more to do with behind the scenes stuff, but there’s a little moment in episode 7 where his hair is all messed up, and then in the very next shot it’s all fixed again, and i thought it was so funny to see, because you could tell he got retouched between takes)

in that same episode there’s also a moment where he keeps replaying a mysterious noise over and over again. scully asks if he has found anything, and he replies “no, but i’m really beginning to like the tape” with a big goofy smile <3

in episode 9, he has his office set up like a movie theater, with his feet tossed up on on the desk. he is SO excited to show scully the alien autopsy video he ordered from a magazine for $29.95!!!

then he comments that “it’s widely held that aliens don’t have blood, scully” with great seriousness which had me LOSING it. yes of course, mulder, she CLEARLY should have known!

(later in that episode, skinner comes down to scold them, and asks why they’re even in pennsylvania, to which he says that they’re here on a “video piracy case” <- LMAOOOO least convincing lie ever told)

also in episode 9: his line “you think believing is easy?” followed by letting that sit for a bit, exploring the tensions and implications- how hard it is for mulder to keep the faith that there are answers in this world, and perhaps even justice to go along with them. how it doesn’t come as naturally to him as you may think, it’s about hope and protecting your loved ones and doing whatever it takes, killing or dying, to learn the Truth, because the Truth is hope

(at this point in taking notes, i proceeded to ramble on for like a paragraph with Intense Emotions, and even talking about this episode again is making me want to go on a lecture tour about how fantastic it was)

in episode 10, a passenger on the train with her child sees the dead body of a doctor and screams. mulder pivots, tells the woman that the doctor is just sick, smiles, and ruffles the kid’s hair

(he ruffles another kid’s hair in episode 23… don’t think i didn’t notice)

angrily quoting scripture in episode 11

(and he also says he considers the bible to be poetry rather than a literal history in this one, which i think is fascinating)

sitting in his car, watching the night sky in episode 12, when he asks over the phone: “look scully, i know it’s not your inclination, but did you ever look up into the night sky and feel certain that not only was something up there, but it was looking down at you at the exact same moment, and was just as curious about you as you are about it?” goshhh what a wonderful way to see the world... a universe of mutual curiosity with answers that can be found if only you are dedicated enough to hunt for them

dr. ivanov’s little bug robot liking mulder and following him around <3 someone pls get him a cat!!

AND that episode wrapup: “the development of our cerebral cortex has been the greatest achievement of the evolutionary processes. big deal.” <- it had me absolutely giggling… as a profiler and student of the human brain, it really IS a big deal!! he knows that!! but he was so angry about how it all went down his bitterness won that day lmaooo

(BUT ALSO: he wakes up in his JEANS in this episode??? what kind of dude SLEEPS in his JEANS... we need to launch a full federal investigation)

when he tries to call to the kitty in episode 14 <3

and then he goes to the library to read up on gargoyles, but he was pulling so many all-nighters that he just straight up fell asleep on the table, and it was So Cute

in episode 15, he knows that "ronin" is the term for a samurai without a master, which made me laugh (and he claims he knows it from watching samurai movies… nerd!)

when he hops into an empty grave in episode 19 and starts digging with his hands while someone yells “what the hell is he doing!” and scully watches, knowing that is the sort of behavior he is just hardwired to do

mulder (possibly) eating an entire sweet potato pie in episode 20. narrative-wise we shall never know the truth.

how intensely attached he is to skinner being revealed in episode 21; how he believes whole-heartedly that he is innocent even when all of the evidence is against him. how when skinner dismisses his case as none of their business mulder counters with "of course it is", as if there was no other option. how he listens to skinner’s stories of terror in vietnam. how he is disappointed skinner won’t tell him what really happened that night. if you want to cry, go watch that scene where he leaves skinner's office realizing he won't talk about it. it made me emotional.

(he also pulls a giant book off his shelf in that episode and flips to the page talking about succubi, which makes me wonder what other kinds of literature he keeps in his office, pls let me come browse)

((there is also a moment where he gets really angry and pushes his jacket back with his hands on his hips and i swear my heart nearly stopped))

episode 22’s “i know the difference between expectation and hope. seek and you shall find, scully” it's just SO good and so Him

when he visits her motel room in episode 23 and gets all cozied up on her couch to talk case theories... i was giggling!!!

how he tries so hard to be brave and hold it together when she is missing in that one, too- calling her mother to check where she is, apologizing for disturbing mrs. scully because he knows how intense this must be for her after everything her daughter has gone through, bouncing his basketball in his apartment to keep himself moving, how he tells the lone gunmen with an even voice that she isn’t okay when he needs to go ID a body, and how he kicks the door of the man who got them involved with this case, forgoing answers for her. ripping my hair out from all my emotions btw.

mulder being convinced that he could talk scully back into her senses even after she shot at him (!!!) and refusing to accept her mother’s answers that she wasn’t at her home

when he visits scully in the hospital after her wavelength-induced psychosis, he enters the room with his hands up, jokingly surrendering after she had held him at gunpoint. because he cannot be serious ever, and he Needs to make a joke and lighten the mood, to try and make her feel comfortable. 

AND how he turns the TV off when he enters, knowing what the TV did to get her there. and how he leaves after a while, whispering “why don’t you try and get some rest?” on the way out, so scared to have seen her like that, wanting to give her all the time she needs to recover <3

in the finale he sits by his mom in her hospital bed; he holds her hand, notices she is cold and covers her with a blanket (gosh that one made me inconsolable- scully was talking to him and he couldn't even respond, because his mom was cold, and he needed to fix that, to make her comfortable)

he touches her hair and whispers “mom”, and smiles at her when she opens her eyes, saying everything is going to be okay; then later, he’s crying as he holds her hand to his cheek, and i’m crying too

and when they go to meet up with “jeremiah smith” later, he makes scully get behind him, holding the only weapon that could kill jeremiah in his hands and standing in front of her to keep her safe

[guidingthulite]

i finished yokai gakuen