#heroes and villains prompt

[amethysts-prompts]

Prompt #229

“Well?”

“Well, I can see the exhaustion on your face and I’m deciding this fight isn’t worth my time. I would win, and I want to feel as though I earned it. This”- Villain gestured at the baggy-eyed hero- “is not a win.”

[seaside-writings]

Prompt #1,254

"Told you I was smarter than you all gave me credit for,"

[krumsprompts]

prompt # 126

I know I said I was alright with your “vigilante” thing and that I wouldn't tell dad, but if your friends keep poppin' up here in furry suits then I can't be blamed when he inevitably finds out.

[stars-obsession-pit]

If anyone saw this for a moment earlier when i accidentally hit post, no you didn’t

The Ultimate Enemy ends a bit differently. Though Danny does still overcome his evil future self, Dan leaves him with a few parting gifts for his trouble.

Danny is thrown into another universe, and his obsession is distorted. Where it once was Protection, now all it is is Violence. One last-ditch attempt by Dan to make Danny into a monster like him.

However, Danny’s human mind is still intact. So despite feeling the perpetual urge from his ghost half, he can keep it in check. Somewhat.

But not entirely.

So he becomes a Rogue. He doesn’t like it, but what else can he do? He needs to do something.

Of course, he does his best to minimize real harm, to focus his attacks on those that deserve it - the polluting factories, the corrupt businessmen, and all others that exploit people. He tries to eke out as much nourishment for his core as he can from the engagements, especially the fights against the heroes that come to stop him.

But it’s not enough. He still knows he’s causing harm and hates every second of it, even as his obsession sings at being fed.

The heroes notice. How could they not? A powerful, young, villain who clearly doesn’t want to be doing what they’re doing but seemingly can’t stop? There must be something else going on. Some force pushing him to do this.

And they’re going to save him from it.

[ghostbsuter]

Very much inspired by this !!

—

Phantasm crashed into the side of a building, the rest of his team- the TeenTitans- stayed back. They were otherwise occupied, with the rest of the H.I.V.E. five attacking them.

They'd gotten a new member, one with a similar, nearly identical power set of their own new member.

Phantom.

Phantasm and Phantom, two mirror look alikes, they went absolutely feral whenever one was in sight. It was driving Robin mad, Beast Boy had joked about cloning but after they started to actually consider that option.

"Well, well, well." Phantom mocks, glowing green to Phantasm's red.

"Shut. The fuck. Up." Phantasm charges again, throwing the other into windows with a growl.

They kept bickering, hitting and injuring each other, until—

"Stop being so annoying!" Phantasm shouts, baring his fangs. Phantom, in return, stuck his tongue out.

"You're just jealous I got the Villain role!!"

At this point, their respective teams had called a draw and watched them fighting.

"You're a lousy villain!"

"I'm having the time of my life beating the shit out of you actually."

"I'm calling jazz."

At that, Phantom starts glaring. "I thought we agreed on not bringing this up to our sister?"

[puppetmaster13u]

Prompt in Memes 5

Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.

[creweemmaeec11]

Reverse Tropes

Soulmates - Your soulmate is destined to be your greatest rival in life.

Amnesia - Instead of losing memories, they start getting memories that aren't theirs.

Forced Marriage - Forced Divorce.

Captured Prince - They think they've captured the prince of the opposing kingdom, but they've actually just captured a normal, random civilian.

Chosen one Prophesy - There is a prophecy about *someone* saving the world, but it doesn't actually say who...

Born with Special Marks - It's actually a mark that tells a person what they *won't* be good at.

True Loves Kiss - True Hates Kiss, good luck convincing someone who truly hates you to kiss you.

Love at First Sight - Hate at First Sight.

Rags to Riches - Riches to Rags

Found Family - You need to find your actual, related family.

Misunderstood Villain - Misunderstood hero. They are trying to be evil, why does everyone like them!?

It Was All a Dream - They thought it was a dream, but it turned out to all be real.

Secret Identity - The secret Identity is the one everyone knows, somehow, everyone has forgotten your normal identity...

Villain Defeated by Friendship - Villain defeated by hatred.

Bad Boy & Good Girl - Good boy and bad girl.

Stalking/Obsessive Love - Avoiding the person they like to try and ignore their feelings.

Monster x Hunter - Hunter x Hunter, both thinking the other is a monster, or Monster x Monster, both thinking the other is a hunter.

Hero Gets Framed - The wrong villain gets framed.

Yandere - but it's two going after each other.

[the-cypress-grove]

Prompt: 220

"You've been stabbed, you're going to medical!"

"It's fine. I've been stabbed loads of times. I know what a serious stab wound feels like, this is more of a scratch."

"..."

"Ah."

"You've been stabbed 'loads of times.' "

"That sounded more reassuring in my head."

"You're going to medical."

[autocrats-in-love]

Prompt (410)

"Oh kidnap my therapist, why don't you?" the hero said, unamused. "You're not nearly as funny as you think you are."

The villain stared at them in confusion. "Uh. . .this is my therapist."

The tied up therapist--who, in fact, saw both the hero and the villain--breathed a sighed of relief. Keeping this secret was more than they had signed up for.

[bebx]

love the classic damsel in distress trope, but the damsel in question is a pathetic fictional man bleeding out in the dark somewhere on the floor before his ridiculously gorgeous knight comes for his rescue just when he’s about to pass out, and the ridiculously gorgeous knight in question is actually a deranged villain who is his archenemy. but they both have these frustratingly unresolved sexual tension going on where they both hate each other but are also super possessive and protective of each other in the sense that no one else can hurt this little guy but me!!!! and so the knight carries his pathetic damsel in his arms bridal style back to his goth castle where they have hot, kinky gay sex ever after (after he nurses his pathetic enemy’s ass back to health, of course, can’t risk bruising our fragile damsel when he’s already half dead).

[amethysts-prompts]

Prompt #238

Villain shrugged. “I’ve almost died enough times that I can’t recall one instance in particular.”

“That’s- that’s not a fact to be proud of.”

“Who are you to say when you haven’t lived the thrill of a near-death? To walk away, scathed, but victorious? How empowering.”

[villainousauthor]

Hero stares down at the paper in front of them with mounting dread. Their stomach is all tied in knots, and they feel a cold sweat at the back of their neck.

"You know, you don't have to do this if you truly don't want, I'm not forcing you." Villain purrs behind Hero, voice against their ear. The threat is unspoken. If Hero doesn't sign, they'll continue with their rampage. Continue killing, destroying, maiming.

The pen shakes in Hero's hand as they continue staring down at the paper. It's just a piece of paper, made of thick cardstock, cream white. Yet Hero has been staring at it for fifteen minutes, as if it'll bite them.

Certificate of Marriage

The font is too pretty, all stately and official looking. Hero feels as if they may throw up any minute.

"I don't understand why.." Hero finally finds their voice, asking the question that's been bouncing around in their mind since Villain first pulled the paper out as they suggested a truce.

"You already know my terms. In exchange for leaving your hero friends unharmed, for leaving the civilians of the city unharmed, I want you." Villain's voice is something possessive, filled with fire and heat. "This just makes it more official. More binding."

Hero shudders, and they feel as Villain steps closer behind them, a dark shadow looming over them. They know this goes beyond simply wanting to make their agreement more binding and they both know it.

"You know it's not legitimate- it's not legally binding without an officator." Hero stumbles over their words, not even sure if that's true.

Villain snorts, not usually one to be worried about legality of course. They put a hand to Hero's shoulder, warm and rough.

"I can find a priest to threaten. No one needs to know how and when we signed. Unless you'd rather make a big ceremony of this." Villain's tone is now teasing, amused by the idea of a wedding. "That could certainly be done if you prefer."

Flushing hot, Hero shakes their head quickly. No, they would not prefer that. This is already nerve-wracking and humiliating as is. A part of them wants to outright refuse, to tear the paper the shreds, and throw it in their face, but Hero knows this is the chance to get Villain to back down.

"I wouldn't be unkind to you." Villain says, voice suddenly softer and more serious. They lean forward, face resting against Hero's neck. The most terrible part is that Hero knows they mean it. They wouldn't be unkind or cruel, and that makes this all the more difficult. "You'd belong to me, but I'd take care of you."

Hero already knows there's no choice. They knew from the beginning that there was no other option. They have to do what is best for everyone else. Shakily, they finally nod.

"So selfless, so sacrificial to others." Villain says as they place a feather light kiss against the shell of their ear. "We'll have to work on that once you're with me."

They take Hero's hand currently holding the pen in their own, their grasp strong, as they lift it to the paper.

[thewriteadviceforwriters]

Villains vs. Antagonists (Guide For Writers)

Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...

Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?

First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!

An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.

A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?

Let's look at some examples to make this clearer:

In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.

In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).

In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!

Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.

Creating Antagonists:

Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.

Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.

Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.

Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.

Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.

Creating Villains:

Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?

Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.

Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.

Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.

Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.

Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!

In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.

Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.

In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).

Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.

In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.

Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.

In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.

Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.

In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.

Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.

Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:

Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.

Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.

Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.

Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.

Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.

Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.

Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.

Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.

Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?

Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.

Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.

But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.

Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.

One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.

Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?

Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.

As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.

And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.

Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.

I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.

Happy writing! 📝💖 - Rin. T

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[save-the-villainous-cat]

“I’ll admit,” the villain whispered, their hand slowly sliding along the hero’s leg - from their knee to their thigh to be precise - “I’m a bit rusty.”

“You?” the hero asked.

“We haven’t seen each other in six months,” the villain said. “That’s enough time to rust.”

“I thought you would have gotten your fun elsewhere.”

“Well, I didn’t.” Softly, the villain pressed a kiss to the hero’s throat and the hero (stupidly so) forgot their responsibilities very quickly again.

The hero didn’t consider themselves particularly greedy in bed. They took what partners threw at them and usually, that was enough. With the villain, it felt different. They felt more confident, they felt terribly secure. The hero wasn’t a passive party anymore.

“Six months are enough to move on,” the hero whispered.

Their stomach dropped when they realised that the villain was giving them a hickey. Instinctively, the hero grabbed their enemy’s clothes but only got a hold of one of the bullet proof vest’s straps. Though the hero tried to pull them closer, the villain didn’t move until they were done on the hero’s throat.

With a wet sound, they parted.

“You’ll understand how desperate I am right now, then.”

“Is it smart to continue this?” the hero asked. Six months. Six. Often, their thoughts would circle around the villain. As if they were an addict.

“…do you want to continue this?”

“Well, yes…”

“Then what’s the problem?” Again, they leaned in and this time, they left a trail of kisses on the hero’s neck.

Within milliseconds, shivers ran down the hero’s spine and their brain fried. Their heart was loud enough for both to hear.

“I don’t know…maybe something changed, maybe you changed.” The villain looked at them, their usually focused and serious eyes suddenly soft.

“Love, what are you talking about?”

“Maybe there is someone else you…” The hero took in a deep breath. Six months were a long, long time and if the villain had found someone else during that time…someone who was simply more fitting, the hero didn’t want to stand between them. The villain was charismatic, chatty, nice when they had to be. Surely there had been someone who had shown interest while the villain was in hiding.

“You’re aware I am extremely picky when it comes to my partner.”

“Yes, I know. But—”

“And stupidly loyal.”

The hero didn’t know what to say to that. They knew what loyalty meant to the villain. It wasn’t a term they used carelessly.

“Don’t worry,” the villain murmured. They pressed an innocent kiss to the hero’s lips and continued with another one that was a little more daring.

The hero had almost forgotten what it felt like to be kissed. What it felt like to have the villain’s tongue in their mouth.

Even as the villain pulled away, the hero couldn’t form a single coherent thought.

“You’re my nemesis,” the villain reminded them. Two of their fingers traced an invisible path down the hero’s chest. “You’re irreplaceable.”

The villain was methodical. They were gentle. Their hand stopped on the hero’s lower stomach.

“And now, be a darling and spread your legs. I’ve been craving the sounds you make for half a year.”

[stars-obsession-pit]

It turns out that if Danny switches from his ghost form to his human form while holding onto another ghost, he can bring them along for the transformation, forcing them into a physical form.

For some ghosts, this is horrible. But for others, though, it’s a prize of immeasurable valuable. And unfortunately for Danny, word spreads quickly throughout the Ghost Zone of this ability.

And thus begins the illustrious adventure of Danny the necromancer.

…running away from the restless dead that are trying to force him to revive them.

[call-me-strega]

Dc x Dp Prompt #22: the Respectful Catcall Guy

Have y’all seen the videos of the respectful catcall guy? The one who says stuff like “Hey girl! You look like you file your taxes in a timely manner!”, “Hey Dawg! Your eyebrows look like they are on point bro!”, or “Yo! You look like you know how to fold a fitted sheet!”. So instead of an unpleasant experience with harassment you get a nice complement? Y’all know those guys?

So that but it’s Danny and Tucker (Sam’s camera women) on their summer road trip to visit colleges. No on is safe from compliments, not civilians, not super heroes/vigilantes, not even rouges are safe.

Some of these interactions would include:

“Damn Dude! You look like you contribute equally to household responsibilities!” (To Barry out with Iris and his kids, he laughs proudly and Iris says “Yeah he does!”)

“ Hey Man! You look like you always pull up for you friends!” (To Wally picking up a drunk Dick Grayson, Donna Troy, and Roy Harper after an undercover Titan’s mission gone wrong. He smiles awkwardly while his friends laugh)

“Dang Bro! You look like you’re taking your meds regularly!” (Trickster/James Jesse tv show version, he says “I am!” not questioning how they would know he takes meds)

“Damn ma’am! You look like you love every dog unconditionally!” (To Wonder Woman after she stopped to pet a dog)

“Dang girl! You look like you could bench press your friends! I bet you give great hugs!” (To Cassie Sandsmark at a Core Four hang out. She proudly shows off her guns and Bart yells back that she does give great hugs)

“Wow Girl! You look like you know how to use healthy communication and boundaries in your relationships!” (To Black Canary, she smirks proudly)

“Damn man! You look like drink your respect women juice at breakfast, lunch AND dinner!” (To a Clark Kent treating Lois to lunch)

“ Wow man! You look like you make an effort to be and active and present part of your daughter’s life! (To Deadshot/Floyd Lawton and his daughter Zoe out for dinner)

“ Dang girl! You look you know how to find joy and whimsy in life!”(To Raven, she smiled and appreciated it, but did double take at the amount of extradimensional death magic on these kids which check with them about later)

“Dang sir! You look like you know how to properly season your cooking!” (To Alfred Pennyworth out on a grocery run)

“Damn miss, you look like you make environmentally conscious lifestyle choices!” (this is actually Sam to Poison Ivy, she follows it up with “I’m a big fan of your work”)

“ Damn boy, you seem like you’re super passionate about what you believe in and deeply care about the people you love!” (To a budding, upstart crime lord Red Hood who is shook by positive feelings at this time in his life. They track him down and explain liminality and help him deal with emotions before he does smth too drastic like decapitating ppl *cough cough* But he still becomes a Crime Lord to mess with his family and still have a dramatic reveal)