#here have some new writing

[gravehags]

“Copia.”

Natalie looks up quizzically from her phone and turns to look at her husband in their bed. He’s staring straight ahead, glassy eyed.

“What was that my love?” she asks carefully.

“She named me Copia,” the disdain in his voice when he says the last word makes nausea roil in Natalie’s belly. “A copy. I’m just a copy of him.”

Oh dear.

With a soft sigh, Natalie pushes the covers off her and turns to face him more fully.

“Is that why you were so quiet today?”

Copia sniffs.

“She never saw me a-as anything more than the spare, amore,” and her heart breaks when she hears the tightness in his voice that she knows is the preface to tears. “She named him Perpetua. She just—“

“Copia,” Natalie interrupts softly but firmly. “Copia. Copia, my beloved. Have I ever told you what I thought of when I first heard your name?”

He blinks and looks over at her.

“I-I don’t think so.”

She smiles, all adoration as she nestles into his propped up side. When she looks up at him, at the little mustache and long nose and the pointed sideburns, she’s filled with light.

“In an art historical context,” she begins, placing a hand on his bare chest, fingers carding through the abundant fine hair, “Copia is a term that is used to describe luxury and abundance, particularly in Italian Renaissance art. You know, copia like copious. That was what first came to mind when your mother introduced me to you. Copia was the perfect name for you - you are so filled with love and generosity and kindness. So I don’t think your mother ever meant for you to be considered as a copy to your brother. For all her shortcomings, she gave birth to the two of you and saw your promise and named her sons abundance and everlasting. She knew. And—“ she drags her painted nail over the dark lines of his tattoo “—I reckon if I summoned her via Ouija board she’d back me up on that.”

Copia lets out a sharp, damp hiccup of a laugh and Natalie pulls back, afraid she’s upset him further. There are tears on his cheeks, true, but he’s smiling at her so genuinely and with such love it makes her heart thud in her chest.

“You wouldn’t have to Ouija her, amore mio,” he says, “we both know you can see her just as well as I can.”

Natalie laughs.

“Yeah but she can’t know that otherwise how else am I going to get her to say shit when I’m around she wouldn’t want me to hear, huh?”

“I think she knows already, Natalia, from the last time when she made a comment about how bad your hair looked that day and you had to shove your fist in your mouth to stifle your indignant squawk.”

Natalie leans back against her husband again with a snort.

“Old bitch,” she says, not without a hint of fondness. “Do you feel better now, my love?”

She feels, rather than sees his nod.

“Thank you, dolcezza,” Copia says quietly, “these days it’s hard to see past the end of my own nose when it comes to my self esteem. You have eased that burden. You always have.”

She hums.

“Understandable how you’d find it hard to see past the end of your own nose though, that thing is fucking huge.”

Copia lets out a noise of outrage while Natalie shakes with laughter.

“Oh you will pay for that one Natalia Rosalinda,” he growls, crawling on top of her.

“That’s the plan,” she manages to get out before his mouth descends on hers.

[poorly-drawn-mdzs]

MDZS Severance AU: Get me out of here.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[alisadraws]

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)

[ralucus]

the whole world in my hands

[puckinghischier]

haven’t been doing great today and could really really use some comfort for one or all of the brothers.

they’re all so good at comfort in their own ways i feel like

like luke comes to mind first for me, because he’s such a sweetheart and just screams comfort to me. and he knows exactly what kind of comfort you need when. bad day? he’s ready and waiting with a warm blanket and your favorite movie. you’re sad? he’s yapping away and tossing jokes in every few minutes to make you laugh. you don’t know why you’re feeling off? he’s making an ice cream run and pulling out the board games to occupy your mind.

jack is a little louder with his comfort. he’s so finely tuned to you that he knows when you need comfort before you even do. he can tell by the punctuation you use in a text if you’re having a bad day, or the tiniest of inflection of your voice over the phone. so he puts together a distraction before you even get home. he calls your friends, organizing a whole girls night for you to come home to. of course, his buddies are going to come over too, bc he doesn’t want to be bored while you’re having fun, so the girls night eventually becomes just a weeknight get together, but you don’t even care. you didn’t know you were even stressed until you feel the relaxing nature of the room around you. snacks on the table, everyone (yes, even the guys because you roped them into it) wearing face masks. the guys are playing whatever the latest video game is while you and your friends take turns painting each others nails. you’re sitting on the floor, your back against the couch where jack sits, caged in-between his legs, loving how he seems to calm your storms before you even know it’s raining.

quinn is also quiet with his comfort, but he’s sneakier with it than luke. quinn knows how you are, not wanting to be bothered when you’re in a bad mood, but also too stubborn to ask for it when you want to be coddled. but like jack, he’s tuned into your whole being, so he’s figured out how to work the system that is you. it’ll start with him offering to order take out when you start getting overwhelmed with the idea of cooking dinner after a particularly rough day. then the offer of him going to get it, because he needs to ‘run by the nutrition store anyways’. and while he’s out, if he just so happens to stop by your favorite bakery for a large slice your favorite chocolate cake, well that’s purely coincidental. and when he plates your food as well as his and tells you to pick a movie, well it’s because you watch more tv than him, is all. but when he starts off sitting on the opposite end of the couch from you, only to gravitate towards you as the night goes on, inching closer and closer everytime he gets up and sits back down, well…maybe that’s on purpose. but asking to share your blanket was only because he was cold, too. and tucking you into his side was just for added warmth, duh. it’s not his fault if you cuddle back into him, asking him to lay down so you can lay on his chest so you can see the tv better. but when you thank him for such a relaxing, stress free evening before dozing off on his warm body, he basks in his triumph of another successful deception.

[landwriter]

Hi! I hope you feel better soon!

This is a great prompt by @academicblorbo about Hob Gadling being the landlord of the Dead Boys. It has a wonderful fill already by @omgcinnamoncakes but I’d love to see what you come up with for it!

Alternative prompt from me if that doesn’t work for your brain: remember the date between Jenny and Maxine? How about one between Jenny and Esther? Poor Jenny is going to really question her taste in beautiful blonde women 😭

Thank you! I saw ‘landlord’ and ‘decades’ and blacked out. I love Hob having them as tenants. Maybe even before the modern day meeting in Sandman.

The Sandman/Dead Boy Detectives, 2.4k, G Dream/Hob, pre-slash, alternating/outsider POV, found family, a reunion and revelations etc.

---

Hob did not, strictly speaking, have tenants. It was more of a minor haunting. Pun intended.

The small room above the pub and below his flat wasn’t worth charging anyone rent for; when he first bought the building he had put a handsome oak desk in there and some bookshelves before wondering who he was possibly keeping up appearances for. Who was he going to take back upstairs that would stop and say, Wait, can I see your office? So he’d left it as more or less an abandoned room.

When he realized a pair of boys were using it as their clubhouse, he didn’t do anything at first. He saw them quietly coming and going a couple times, disappearing around the corner of the first landing. Brazen things. He meant to call after them, but the shout had died in his throat. He’d been young once. He still remembered the need to get away from it all. It was only when he went to check if they’d been making a mess of the room that he discovered it was still locked.

He’d crouched down and inspected the latch and found no marks at all. Huh, he’d said, and jiggled it again, and been a little more interested in whatever clever way they were getting into it after they disappeared up his stairs. Then he didn’t see them for weeks, and assumed they had gotten bored and stopped.

Until they came back. In the middle of an argument, striding through the pub like they owned it. Hob straightened up as they passed him.

“I cannot believe you broke the mirror.”

“I was in a rush! It’s not my fault you forgot you needed Arcana Incantatum after we arrived at the church. And found the demon.”

“I hardly forgot, I only made the mistake of assuming you would know to pack it by now.”

Hob raised his eyebrows. The boys disappeared into the back hallway. He followed them as they went upstairs, too preoccupied with their drama to notice Hob. They turned onto the landing, still carrying on. Even as they walked through the door. The locked, closed door.

Hob blinked. Then he drew his keys from his pocket and opened the door. The boys were still inside. One of them was pulling a mirror out of a backpack that was several times too small for it. They didn’t even look up, and Hob wondered how he couldn’t possibly have put it together earlier. He cleared his throat.

“Hello, boys.” That caught their attention. Hob grinned. “Seems we’re neighbours.”

---

Edwin abhorred getting involved with the living. He and Charles got along perfectly well on their own. They were a duo. An intrepid pair. Best mates, like Charles often stressed whenever he was about to ask something particularly ridiculous of Edwin. They were solid together. As solid as two ghost boys could be. The living, though, were messy and unpredictable.

Perhaps the most salient fact at present: Charles invariably became attached to them.

“He’s sad, mate. I can see it in his eyes.”

“You said those exact words in ‘94 about a dog. At least ask Hob himself.”

Before you decide to adopt him too.

Hob Gadling, irritatingly, was unobjectionable on every ground Edwin could think of. He had made no imposition upon them. When he found them, he only asked them their business, and then told them he was usually downstairs, or upstairs, if they needed anything they couldn’t procure themselves. He had an interest in rare and old books, as it happened. In explaining this, he had also hinted at being far older than his looks would suggest, which vexed Edwin twice over. He knew his curiosity would not be slaked until he talked to Hob, but then he would be the one getting involved with the living, and Charles would hardly let him forget it.

“Do you think he’s really immortal? Mate’s far too calm. Last week I saw him stop a fight downstairs by stepping right between these huge blokes. He just said something and smiled and they backed right off.” Charles lit up. “Do you reckon he’d teach me how to do that? Conflict de-escalation, innit? I could show him some moves with the cricket bat, I bet. Oh, do you think he’s a cricket fan?”

It was obviously a hopeless case, and since the Dead Boy Detectives never took on hopeless cases, there was only one course of action that remained. Edwin had long since disabused himself of the notion he needed to breathe. He had no beating heart, yet when he was startled, he would find himself clutching his chest. Now, he exhaled slowly through his nose in an entirely superfluous sigh of resignation. “Well, Charles, shall we go talk to him?”

---

When the millennium came around, Hob found himself celebrating it with his accidental tenants. There was something gloriously satisfying about being able to make a toast to the next one and have it taken seriously. He’d asked them if they had something better to do - spectral trouble to get into et cetera - and they both looked at him with almost identical put-upon and incredulous expressions.

Hob had a terrible suspicion they thought they were taking care of him as much as he thought he was taking care of them.

Edwin, with his insatiable curiosity and, deep underneath it, something Hob thought he recognized from himself: a sharp animal ferocity and a refusal to go until he’s good and done, natural laws be damned. Charles, still brightly, painfully alive for a ghost - who should be alive still, by all rights, but nothing of this life was fair - who joked to cover up hurt in a way Hob knew too, and glowed any time Hob turned so much as a kind word to him.

He wondered what they saw when they looked at him.

The year ticked over, and technology kept working. Charles grinned innocently and said he could probably possess the telly and break it that way if Hob wanted?

Hob’s heart twinged. He knew they weren’t his, not to keep, but it seemed that teenagers didn’t change at all over the centuries, even if the boys were only sort of teenagers in the way Hob was only sort of in his thirties. It didn’t change that they’d been punted from the mortal coil before having a chance to grow up, and figure out the kind of men they were, and make their own choices and fuck up and try to be better than their fathers, and everything everyone deserved. Hob had made more than his share of mistakes. They hadn’t been given the chance to make nearly any at all.

So they made toasts to the new millennium, to the detective agency, to themselves, all stuck out of time in different ways and refusing to move on for different reasons, and Hob allowed himself to think of Robyn and privately pretend that they were his all the same.

---

A week later, Hob was reminded of the other universal traits of teenagers when he mentioned his stranger and both boys began to grill him with terrifying alacrity. Before turning to his dating life, like ravening bloody wolves. When Edwin had asked, in a specifically nineteenth century manner that Hob remembered all too well, if Hob had always been unmarried, he’d nearly put his head in his hands.

“It can be hard for me to associate with the living too, you know. For obvious reasons.”

Charles had turned to Edwin and hissed “See? I told you.”

Right in front of him. Nobody had taught them manners.

“Manners, Charles,” replied Edwin loftily. “We will, of course, respect your privacy. A man is entitled to his secrets.”

“You’ll go upstairs and rifle through my personal things, is what you’ll do,” said Hob.

Charles coughed to hide his laugh. Edwin flushed and looked away. Hob snorted, and told them about Eleanor and Robyn. Properly. It was a strange relief. He’d told the story wrong for plausibility’s sake so many times he had been worried he’d forget the truth of it one day.

They had listened, and been remarkably quiet until Charles piped up and offered to set him up with a ‘really fit’ ghost. Hob had roundly shut that down. Woefully, not all explanations were satisfying enough. Charles cornered him again the next morning while he was cleaning the bar.

“No, mate, I still don’t get it.” Hob was about to say he no more wanted to be with someone who couldn’t feel pleasure from his touch than someone who would grow old and be taken from him while he stayed the same, when Charles went on, bafflingly, to ask, “Why don’t you meet your mysterious friend more often than once a century?”

Hob sighed. “Adults are often busy, Charles.” Nevermind that he had begun to wonder the same since the eighteenth century. He’d always just assumed time passed differently for his stranger.

Charles just laughed and perched himself on the bar top. “Ooh, low blow. We’re busy too, you know. Plenty of cases to solve.”

“Really,” said Hob. “You’re busy. Right now.”

Charles waggled his eyebrows.

“Charles, I am not a case,” said Hob, sternly as possible. “I’m not even a ghost. He’s not a ghost. No ghosts.”

“We could investigate. Maybe ghosts are involved. What even is he? Why every hundred years? Is it some sort of Persephone situation?”

Hob bit his lip against shouting I don’t know! I don’t know anything about him! Instead, he tried to smile, and felt it come out as a wince instead. “He’s very private.”

Charles scowled. “Yeah, obviously. You don’t even know his name. He can’t be that good of a friend if he’s too busy to see you more than once a century.”

Hob couldn’t see the expression on his own face, but he saw Charles’ shocked reaction well enough. It was so long ago for him, and still Hob knew at once what Charles saw now: that first time you manage to visibly hurt a grown-up’s feelings, people who seemed too old and too stern to actually feel pain, when you’d been going around kicking at them like a new foal, just to stretch your legs.

“Sorry,” said Charles, instant regret chasing his surprise. He was a good kid.

“It’s alright,” said Hob. He meant it. He looked down at the shining bartop. His hands were restless with the urge to light a cigarette. He gave in. It wasn’t like Charles would be dying of lung cancer any time soon if he decided to follow Hob’s example. “I don’t think he would say he’s very good at being a friend either. Truth is, I’d love to see him more often. But we had an awful fight the last time we met. If he forgives me, I’ll have to ask.”

“Mates always make up,” said Charles earnestly. He was such a good kid.

“I suppose they do.” Charles still looked sorry, and Hob clapped him on the shoulder. “Hey. Thanks for looking out for me, Charles.”

Charles beamed at him. “Always. We’ve got your back, me and Edwin.”

---

Charles couldn’t bloody believe it. Hob’s friend was here. There was nobody else it could be. He and Edwin were watching from a nearby table, pretending to be absorbed in their own conversation. Neither man noticed them. They were too busy looking at each other.

He couldn’t imagine spending more than a century apart from Edwin. The way Hob had talked about him and his stranger over the years, it sometimes seemed like they were best mates too, no matter how little they saw each other. He was dead sure that’s what had Hob looking so gutted when he thought nobody was looking. He had known they would make up, though. Maybe now Hob would be happier.

“Charles, we really ought not eavesdrop,” hissed Edwin. Right as he scooted his chair closer, the cheeky hypocrite. Hob and his friend were talking too quietly to properly hear, their heads bent together. Lots to catch up on, Charles reckoned. A hundred years. He couldn’t stop thinking about the number. It seemed impossible. Funny, he couldn’t imagine that long away from Edwin, but he could imagine spending that long being best mates. There was nobody he’d rather hide from Death with.

Hob’s face was doing something strange as his long-lost friend talked. Then Hob moved and grasped him by the shoulders, so tight that his knuckles stood out in relief. The man said something in low tones and Hob shook his head, and then pulled him in for a hug. The man stiffened and then relaxed, and his arms came up around Hob’s.

Their cheeks both looked wet.

Charles swallowed and it felt suddenly a little like he was choking. He should look away, only he couldn’t.

“They must be great friends,” said Edwin softly.

“Yeah,” he managed to croak. We won’t ever need to have a reunion like this because I’m never going to lose you, mate. I won’t let them take you. It was stuck behind the phantom lump in his phantom throat. His hand, without him telling it to, reached out and grabbed hold of Edwin’s. Edwin squeezed it hard, and Charles knew he didn’t have to make his voice work after all.

Then the man pushed Hob away, but only far enough to grab his face and pull him back again, thumbing over Hob’s cheeks, and beside him, Edwin honest-to-god gasped, and then Charles momentarily forgot how thoughts worked too.

---

It happens thus: in the New Inn, just next door to the White Horse, some 639 years after they first met, Hob Gadling and Dream of the Endless share their first kiss. Neither, if they had bothered to think about it, would have intended to have an audience, but it’s a well-known fact that some kisses cannot wait, and theirs was chief among them, being that it had so much to say, and was so very long overdue.

I missed you, it said, and I came back, it said, and Please don’t go away from me again, and I could not.

And atop them, like blankets, were laid invisible the daydreams of those who saw them, including two long-dead boys, whose dreams were woven from the fresh and unaccounted-for possibilities of Hob kissing his mysterious stranger. Another man, thought Edwin. His best friend, thought Charles. Dream was the only one who could have heeded this, but he did not, because Hob Gadling was holding him tight and daydreaming loudly of this kiss and more, of this today and tonight and tomorrow, ever greedy and ever easily pleased, and Dream could hear nothing at all over their clamouring and comingled joy; the bright gold daydream between the scant space of their bodies that sounded so much like at last.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[slayerdurge]

Durgetash Resurrection AU

"Is that...? That's my body. I remember now. The Morphic Pool. The Elder Brain, it... I was dead. What did you do?" "I made a deal... with Lord Bane."

[im-kinno-hello]

and if i made a comic about them making a blog for the weird demon dog they found in the woods just because they are being brainwashed by it and it told them they need to spread the word of what word they don’t even fucking know?

[wandixx]

one-shot snippet

Duke was running out of fumes to run on. The last few days would be exhausting if it was just vigilante or just civilian stuff but no, he had to have it both. Because of Arkham break out, he had been called in three nights in a row, not for a whole patrol but he couldn't exactly sleep it off during the day like others did, especially not in a week when every teacher decided they needed to have test or quiz or what not. Naps meant he wasn't as sleep-deprived as he could be but he needed far more. But he couldn't because crime in Gotham never sleeps so he had normal patrol to finish and there were about two hours left.

Would something bad happen if he just stopped for a moment and laid on a roof? Ten up to fifteen minutes. It was a slow day too…

Yeah, no, he deserved a moment to rest and if something disastrous was to happen in the meantime he would shame other Bats for not giving him enough time to sleep.

It certainly said something that he found gravel covering this roof to be quite comfortable. He set a timer for ten minutes and let himself close his eyes.

When the loud screech of the timer jolted him awake, he was suddenly fully aware that he wasn't alone anymore. He sat up a little too quickly.

"Oh, you're awake" white white-haired girl around Damian's age chimed, sitting cross-legged just a few feet away from him. She wore something that could only be described as a lab safety hazmat suit, white and black with popping green accents. When had Gotham gotten a new vigilante/villain/whoever the girl was? "Good, I just returned from a snack hunt," she added, gesturing at a big textile bag lying next to her. Duke didn't have enough brainpower to do anything more than ask.

"What?"

The girl shrugged, take-out from BatBurger in her hand.

"You look like you have a bad day if not a few days, so I've got you my cousin's bad day combo or at least the closest thing I could. BatBurger burger isn't as good as NastyBurger but you certainly have better fries" As she spoke, a second take-out bag, 1 liter bottle of energy drink, juice bottle of the same size, and pack of convenience store brownies joined greasy paper bag sealed with a sticker.

"Is your cousin a speedster?" Excuse Duke, it was a totally valid question, he saw with his bare eyes both Wally West and Bart Allen when they visited Manor. No one else would be able to stomach the amount of food they inhaled during their stays.

"Nah, we're not that fast or that hungry. Though I think I may get closer to the speed of sound." So, clearly, a meta if white hair and weir aura that let his eyes rest weren't enough indication "My cousin when he has a bad few days often forgets to eat so this combo has to help with there too. But I'll steal your fries of course."

Duke was not going to look a gift horse in the teeth, so he grabbed one bag and tore it open. There was a classic combo with bigger fries and NightWings inside.

"Thank you…" he trailed off, hoping that the girl would take a clue and introduce herself but she didn't. She just drowned her fries in ketchup and started munching. She had her own juice.

"My cousin always said that each part of this combo has a different purpose." she explained instead, slightly muffled because of the fries in her mouth "This" she gestured towards the fast food meal "is to soothe your stomach. This "she tapped energy drink "is to soothe your brain and kick it back online. This "she raised a bottle of juice "is to soothe your taste buds because energy drinks are war crime against them and this "she nudged brownies "is to soothe your heart because Ancients damn it, this day is awful and you deserve it. At least that's what he told me when I had day bad enough to deserve that" she shrugged, licking ketchup of her finger. Suddenly she froze "You aren't allergic, are you?

"No, I'm not" he confessed bewildered.

"Good"

For a long moment, they sat in silence, devouring food the little girl brought. Duke distantly wondered if this was how the night shift spent their snack breaks. It felt nice.

He was finishing his part of the brownies when the girl spoke up again.

"Do you feel better now?"

"Yeah," he was a little surprised to realize that t it was true. He'll have to note down what she put in this 'bad day combo'. "Thank you"

"Don't mention it." she shrugged with a general gesture of dismissal "You're one of my cousin's favorite heroes because you're vaguely his age and handle Gotham alone during the day and I quote "She did honest or God air quotes at that" 'As only hero in Amity-' which is a lie by the way, Val is doing great and even if he suddenly got problem with how she feels about his alter ego, he still has Sam and Tuck even if they're usually more of moral support. And I helped when I visited, so no, he isn't the only one. Anyway as he said 'As the only hero in Amity, my heart goes out for anyone who deals with this type of bullshit so Dani if you absolutely have to prank heroes, leave them out of it, especially Signal, he can't be older than Jazz, he doesn't need any more mess to handle.' All aliens and lanterns are also off-limits because he is a space nerd. But you aren't space-related so I'm like 80% percent sure he has a celebrity crush on you" She slurped more juice, unbothered.

Duke was thankful he wasn't swallowing anything because for sure she would choke. He took a split second to consider addressing… this whole situation and choose against it. He was not ready to be anyone's celebrity crush.

"Your name is Danny?" he asked instead.

"Dani" she corrected" with an I"

"Ok. It's nice to meet you Dani-with-an-I" She giggled, nodding her head slightly.

"It's nice to meet you too Signal"

Duke stood up, stretching a little. Dani joined him after hastily putting all the trash in her bag. She was a little higher than expected.

"I have to get back to my patrol"

"Cool," she drifted back a bit, making him realize that she was floating a few inches above the ground. She fixed her bag on her arm.

"Hey, can I hang out a little bit more? My cousin will go green out of jealousy when I tell him" she added with a mischievous smirk but Duke could tell there was more to it. He took a moment to consider it, which apparently made the girl nervous "I can be invisible the whole time, like before." she offered, disappearing in the meantime. He could still tell where she was, because of her heat signature, and aura but for regular people, she would be no different than the surrounding air.

"Yeah, you can hang around and you don't have to be invisible. Just don't get in my way when I have to actually do some fighting."

She popped back to the visible spectrum and pouted like Damian whenever he got benched.

" I can fight, y'know? I stopped mugging on a snack run."

It was ten goddamn minutes, how could she get so much food and stop a mugging in such a short time?!

Oh, right, superspeed. Still, impressive.

"I haven't seen it" he started, channeling all Dick-trying-to-wrangle-Damian-into-socially-acceptable-activity' energy he could muster "So I don't know how you fight or even what powers you have. If we tried to fight together we would trip over each other" It was a bare-faced lie, Bat Training made sure of that but he knew for a fact that if he said anything else, the girl would be mad and probably did her own thing.

Was that what Bruce thought about all of them?

Oh no.

Dani still looked displeased but after a moment of consideration, she nodded with a defeated sigh.

Suddenly she straightened like she got struck by lightning and whipped around.

"Wha-"

She just shushed raising her finger to her mouth. Duke did indeed quieten.

"I have enhanced hearing" she whispered "There is a mugging somewhere this way."

"Let's go then" he shot his grapple, waving his other hand at Dani to come with him before he jumped off the roof. He heard the girl giggle as she flew right after him.

" After this, you'll show me the coolest gargoyles, okay? Sam asked for photos"

"Okay"

It seemed that the end of this patrol wouldn't be as bad as the start was. Hopefully.

And afterward, he was going to lock himself in his room until the sky fell or he was well rested.

Yeah, that was a good plan.

*******

how do you like it?

[youchangedmedestiel]

Friend: What are you doing right now?

Me: I have a lot of projects.

Friend: Oh so cool, what are those? New job, new business, new home, new relationship?

Me: Ok, I have a lot of SPN/Destiel projects.

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[ruvviks]

to celebrate nearly three years of posting about these bozos, have the clown brigade in all their glory (please for the love of god click for better quality)! bios are in order of the individual pictures! vincent "v" mayer [he/him] >> the living legend of the afterlife. a resourceful and skilled merc working for vitali dobrynin and many other fixers in night city vitali dobrynin [he/him] >> a high profile fixer from wellsprings, and v's partner. offers high risk / high reward gigs and is well known for joining his mercs on the job cato wu [she/her] >> one of kang tao's most wanted. becomes head of security for vitali after mikhail koshechkin steps down from the role shiro nakano [he/him] >> ex arasaka security turned assassin and security expert. handles vitali's most dangerous assassination gigs huxley byrne [she/they] >> skilled gunner and (getaway) driver. used to run with the moxes before becoming one of vitali's most trusted eddie wolfe [he/they] >> ex bouncer turned mercenary. handles most bodyguard-type gigs at vitali's office and provides on-site security lauren dimas [she/her] >> a skilled netrunner and techie from t-bug's circle. has known vitali since college and handles all of his office's cybersecurity mikhail koshechkin [he/him] >> vitali's ex head of security and main medic at his office. regularly tags along on gigs when no one else is available thibault lajoie [he/they/xe] >> ex doll turned mercenary. specializes in stealth operations and provides on-site security with eddie wolfe

taglist (opt in/out)

@nistarot, @deadrlngers, @euryalex, @ordinarymaine, @mojaves;

@shellibisshe, @dickytwister, @mnwlk, @rindemption, @ncytiri;

@calenhads, @noirapocalypto, @faithchel, @radioactiveshitstorm, @strafethesesinners;

@fashionablyfyrdraaca, @radioactive-synth, @katsigian, @estevnys, @devilbrakers;

@aezyrraesh, @carlosoliveiraa, @adelaidedrubman, @fromgotham, @wardenevka;

@samuraifics

[chateautae]

hi <3

my lovelies are you still here? i'm thinking of dropping something 🥺