#here for the energy

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[kociamieta]

a router is a type of beast. thumbs up

[wanologic]

reminder to take care of your loser human body

[poorly-drawn-mdzs]

Hey now, Let her cook!

[xxdigitaldream]

various album covers

[artseniccatnip]

is this anything

[illusioncanthurtme--art]

I wasn't expecting such a timely upload, but happy fourth everyone!! Here's the Dungeon Meshi print I RUSHED to finish before attending JAFAX artist alley last month! The whole gang's having a courtyard pool party.

I just put this print on my Bigcartel store! Here's the link if you're interested.

Ramble and uncolored pencil version below:

Because of the time crunch, I had a lot of moments where I felt like something needed tweaking, or i had an idea, but I dismissed it because I didn't have much time. I wish senshis skin was a little darker/warmer. I think it got washed out with the yellow overlay layers, and I didn't really realize until it was too late :/

Also, I thought it might be cute was having a crown somewhere in the scene. Cuz this is supposed to be a post canon thing, and it would be a cute nod to them still getting together and doing fun things after Laois becomes king. And I even thought that the pillow below Chilchuck would be a cute place for it, because it's close enough to be noticeable, and a pillow would make sense, AND Chilchuck would be perfect to guard it with his good ears. But I already shaded it in, and that paper was a huge ass pain. (it was paper made for relief prints. I found it in my old art school stuff. Thought it would be good for drawing on. It was Not.) The paper would've flaked all over the place if I erased it. But at least it makes for a good place to sign the print!

I haven't seen the anime, but I read the manga, and it was really quite enjoyable. The world building is positively sublime, and the characters and their interactions? *chefs kiss* Here's hoping I'll have time to pick up the anime too.

[tecochet]

mary jane's husband and his boyfriend

[feelo-fick]

...i promise i take him seriously i just keep finding shitposts that fit soooo well... i have folder with just shitposts that fit ominously well with him that i keep wanting to draw and then i never get to them HAHAHA

[lrndvs]

If you're a motorcyclist in LA and you heard barking, that was me, sorry, it will happen again.

[criticalrolo]

are you guys ready to admit that ofmd, good omens, and what we do in the shadows have Extreme SuperWhoLock energies or do I need to wait another year to post this take

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[vaxxildamn]

finally…… the legendary Level 20 Scissor Gal-adin

[hinamie]

someone asked if i had ever drawn gojo with his scars, now i have :>

[blackkatdraws2]

[Toon x Mobster] New character: the old guardian of the Huffman siblings! + LORE and COMICS

Sir. Wallace Kingsman. A retired hitman/boss in his late 80s who's a father figure to the Huffman siblings

He's rather old fashioned and stoic, only ever showing his much softer side towards the two kids, a few other close companions, and nobody else. He's both well-respected and feared by the people who knows him.

His stance on the relationship between the Toons and the Huffman siblings are vague. He does not reveal his true thoughts and feelings, only quietly observing them. However, by the end, he sees that being with the toons makes Gavriel and Grace happy so he chooses to just leave it be.

[Background Info and Comics:] (Warning: Injury, blood, dark topics.)

As little children, the Huffman siblings found Kingsman in the slums when the old gentleman was collapsed due to his injuries from a gunfight nearby.

Gavriel Huffman, accustomed to the violence, planned on leaving the dying man alone, not wanting to take the risk of potentially getting into trouble with his involvement. Grace was able to [hesitantly] change his mind due to her persistent begging to save the old man.

Gavriel Huffman during this time was 16 years old, with Grace Huffman being 7 years old. Both children have no parents and they live on their own, alongside the poor/homeless population of the area they reside in.

After the Huffman siblings saved Sir Kingsman's life, he eventually gets well enough to leave on his own and come back later to repay the kindness that was shown to him by the people of the slums, especially the Huffman siblings.

He takes the Huffman siblings under his wing and raised them as his own where they grew to become elite members of their organization through their unexpected talent and incredible hard work.

The three initially did not consider each other as family, more like friendly acquaintances. However, there were signs of their relationship developing to that route, which accelerated after a particular accident happened.

They only ever referred to each other with formality. This was the first time they've called each other familial terms.

Grace Huffman, upset at having experienced such a harrowing event, swore to become stronger so her old brother doesn't have to get hurt protecting her anymore.