#her soul into acting like shes dying ...

[chimmaddie]

ngl I cannot stop thinking abt watching rob lowe play opposite aisha hinds any time i consider watching lone star.... it just really showed the difference in acting ability 😭😭😭

[moonlight-prose]

a request, if i may, of praising old man logan as he filfthly eats you out and it makes him combust the more you praise him? okay running away again

speak of her over my grave and watch how she brings me back to life

a/n: look at him taking off his glasses in absolute shock of this ask- no okay does old man logan have a praise kink? i would raise it higher and say every version of logan has a massive praise kink. this is a man who wants to know he's doing good in life. his love language is acts of service so he might get to hear a pretty thank you. also i'm not sorry for how feral this got. i have no explanation.

summary: he knew he loved you when your words begin to piece his heart back together. he knew he loved you when he flourishes at your praise. he knew he loved you when nothing in this world could matter but the sound of your voice telling him you love him too.

word count: 3k+

pairing: old man!logan x f!reader

warnings: EXPLICIT SO MINORS DNI, oral (f receiving), praise kink, logan is obsessed, dirty talk via reader, he is so pretty when he blushes, manhandling, cumplay, cumeating, overstimulation, crying, he's needy in this one, angst, tortured soul of an old man, reverence, religious trauma + greek mythology hints.

He can feel the strings of fate pull tight around his broken heart. In a failed attempt to draw him back together. To piece together an organ that barely beat for him anymore. He might have felt it once, before it broke. Before it gnarled itself like the branches of a dying tree, one half twisting away from the other in a desperate attempt of survival.

He deemed it a useless part of his body until you came along. You with your smile that held enough cloying sweetness to choke him as he stood helpless. Silently begging for you to say his name. To bring him back to life.

Whatever horrors that plagued his mind—endless nightmares that promised nothing but anguish—suddenly came crashing to a halt at the sight of you. So pretty in your denim jeans and velvet top. An angel seated in the center of a bar that held more filth than you deserved to be near. Logan couldn’t fathom that luck struck him this hard.

Not when death had already claimed his soul; notched yet another tally in the endless wall of people that came before.

He felt the dirt pack under his nails as he clawed his way out of the grave he put himself in. Years spent alone—a man lost to the ravages of time—had turned him bitter. With rough edges and biting words that stung far more than he intended. How could he believe he deserved to live after he contributed so much to the endless pool of blood that tainted his soul? How was he allowed such softness after biting off bits of brutality his whole life?

Logan was pretty sure he survived on borrowed time that had already run out. He could feel death breathe down his neck as the days went on. A reminder that what little of his life remained would be spent suffering. And he found that accepting it was easier than battling against the will of God, or whoever toyed with his lifeline.

It was far easier to die than find a reason to live.

Until you said his name.

Softly. Sweetly. Reverence wrapped in a tight grasp of need.

You brought him back from the edge—took his hand and refused to take no for an answer. You and the safety of your touch; the promise in your kiss. You dragged him into a life he didn’t earn; one that almost tasted too sweet—too sour.

After near a decade of being buried beneath the dirt, he felt himself collapse above ground and suck in his first real gasp of fresh air. Alive, once more. Hell spit him out with a vow of love and who was he to argue against it.

His fingers dug into your plush thighs, tugging them open to see what lay between. He marveled at their softness, eyes wide and awestruck at the sight of you spread beneath him. You practically glowed in the dim light of the bedside table. Yellow, musty, yet angelic when it caressed your body with its heavenly touch.

He wondered if this was real life; your nails digging sharply into his shoulders gave him the answer.

"Logan," you sighed, voice high with need.

The strings pulled taught. A vice like hold that drew him to you.

Maybe that's what this unutterable feeling was. The gnawing pit at the bottom of his heart. A greed he'd never indulged before—too afraid of what it might ask for next. He wasn't a man who asked for much. Rather someone that found himself far too content with nothing. But tonight he found his lips forming the words of a false prayer that his mother taught him as a child.

Hail the angel in his bed. Hail every good fucking thing you brought into his life.

His teeth sunk into your thigh, body jolting at your responding moan. Fingers dug into his hair, tugging at the mussed locks with a high pitched whine. You were a needy little thing, but Logan found he desperately wanted to be needed.

He smiled laving his tongue over the tender spot, working his way up to where you dripped for him.

So slick. So perfect.

Saliva filled his mouth. "What do ya want baby?"

Your chest heaved; he could feel the heat of your body under his palms. "Your m-mouth Logan."

His eyes trailed along your brow covered in a sheen of sweat. The room was thick with the humid air of the outside world. But that didn't deter him from craving your skin near his. The pressure of your thighs around his head a welcome weight. If he sunk his teeth in where the curve of your leg met your hip he knew he could draw out that soft choking noise he longed to hear on days spent driving alone.

If he had his way he'd crawl into you to seek your serenity straight from the source. He'd never divulge about the ache that chewed him up on the inside, but Logan wondered if you knew. Could you tell how much he craved you? How much he couldn't live without you.

When your glittering eyes met his, the resolve he spent years building cracked like glass. You peered into him as if he was a stained glass window. A god you were more than happy to worship.

"You want me to lick this pretty pussy?" Fuck, he sounded drunk off your taste already.

His mouth hovered over your throbbing clit, your scent now filling his senses. Overwhelming him with what he wanted most. But he needed to hear it. The lilt of your begging; the soft echo of your need that washed over him like soothing river water.

He couldn't live without it.

"Yes," you sobbed, thigh twitching.

The string sliced his heart open, blood pooling onto the white bed sheets. Oh what a sweet death your love made. Oh...what a bittersweet way to go.

He'd die right now if you asked him to. Hand over his heart on a silver platter if you so wished it. Maybe that made him far too gone for his own good, but Logan couldn't remember a time in his life where he got this. Safety. The hope of love burning far too bright and far too hot for him to fly near it.

Yet there he was. Icarus happily soaring in your sun like glow.

"I got ya honey," he murmured. "Gonna take care of what's mine."

You nodded frantically—tears welling up in your eyes. "You take care of me Logan."

The breath in his chest stuttered, eyes dark as the words fell past your swollen lips. He wanted to explain why his cock twitched against his stomach. Why he now leaked into the sheet with heavy panted breaths. But every time he came up short with the words needed to form an answer.

"Yeah I do sweetheart," he breathed. "Don't I?"

"Uh-huh."

"Take care of what belongs to me."

There was no warning when his hands dragged you closer with a rough tug, mouth closing over your clit with a desperate suck. A cry wrenched from your mouth, sparks sharply traveling down your spine. He licked through your slick with a growl. Hands an unbreakable press against your thighs.

The sight of your body bowed, mouth open for small gasped breaths that never came, snapped something in his mind. He was an old man. Well past his years. But the taste of your pussy along his tongue brought back a ferocity he often tamped down in his younger age. He felt the feral want claw at his chest, and answered it with a broken snarl.

Swallowing down every drop you gave him, he plunged his tongue into your entrance, thrusting messily until a smear of your shiny slick began to coat his mouth. It covered his cheeks and clung to the hair of his beard. He'd clean it out later, taste you on his tongue until he was aching for another go. But for now he was preoccupied with the way you cried for him.

"Oh fuck!" Your thighs trembled over his shoulders, hips canting down to drag yourself along his tongue. "So good."

He shuddered, eyes rolling back at the sound of your praise. You caught it within seconds, lips pulling into a breathless smile that left him gasping for air. His teeth nipped at your thigh briefly as his hips ground into the mattress below.

"You like that baby?" you breathed, thumb smearing your own slick against his cheek.

Something hot washed over his body. A needy sick and twisted ache that he'd never indulged in before. He wanted to be a good man to you; longed to be needed. And fuck if you didn't give him everything.

You were his walking wet dream. His future handed off and wrapped in a neat little bow.

"L-Love your tongue Logan-" A high gasp tore from your throat when he dived back in. Slurping at your clit with a heady moan as you dragged him closer. "Taking care of me so well."

His hips canted down into the bed, fucking his cock along the warmth of his stomach, as you gushed into his mouth again. Eyes zeroed in on your face, pupils dilated as he growled into your flesh. You no longer could see the man you loved, but the feral side he tamped down during the day. The animal he longed to release in your presence.

"Fuck I'm gonna cum."

His arms looped around your thighs and with a sharp yank, he had his face buried deep enough to suffocate himself. You sobbed an incoherent version of his name. Nails clawed at his shoulders, but Logan could feel the pulse of your clit under his tongue.

He sucked it into his mouth with a grunt, rolling it along his tongue as you trembled with the oncoming shocks of an orgasm that threatened to destroy you.

Tears dripped down your cheeks and Logan felt the satisfying part of his heart begin to stitch itself back together. The strings were tight enough to numb his pain. To quell the flare of agony.

That used to be all he knew, all he counted on most days. When there was nothing left and he'd propped the shovel in the dirt—his grave open and waiting—he stumbled right into your arms. He found his reason for living.

Heat curled around his spine as you shook with the impending orgasm—the stimulation on your clit practically debilitating. He grunted into your soaked flesh, eyes narrowed as he chased the release that pulled his stomach taut. But this wasn't for him to indulge in; this wasn't his pleasure.

So with a throaty moan you felt reverberate along your body, he scraped his teeth along your clit and watched as your body went stiff.

"Logan!" you cried, fingers scrambling for purchase on any part of him you could reach.

You gushed into his awaiting mouth, praises of it's so good, you're so good falling upon his ears like the whimpered prayers of a devout worshiper thanking your god.

"Taste so fuckin' good," he mumbled, drunk on what you gave him.

He didn't care that you were jolting with each pass of his tongue along your pussy. He didn't care that you were shocked with overstimulation, small broken cries of his name muffled by the press of your thighs against his ears. He licked at you until he couldn't breathe. Buried his tongue into your twitching entrance and sucked out your cum with a happy hum.

"P-Please." You tugged at his hair, pulling him off you with a sob. "I-I can't anymore Logan."

"'M not fuckin' finished," he said, eyes glazed and face coated in your slick.

You made a mess of his face. The light catching along where you spilled into his mouth and along his throat. And still he wanted more. He'd spend hours between your thighs, burning your skin with his beard, if it meant he could divulge in your sweetness.

"It hurts-"

A grunt rumbled in his chest, his arms tugging you back even as your feet kicked along his back. "Just one more honey. Yeah?"

You shook your head. "B-But-"

"Thought you said it was good."

"It is."

"Then lemme be good for you." He wanted to tell you that the world went quiet between your thighs. That all his grief, all his pain, lessened when you sobbed his name.

He wanted to show you the string that looped his heart to yours—the only thing keeping him alive—and thank you for bringing him back from the dead. But words weren't his forte. Violence had become the only tenderness he knew and you didn't deserve the rough edges of an old man. You should have more.

But when you let him touch you like this—caress your skin and lick between your folds—he felt as if he was a man who finally was worthy of someone as precious as you. He could pretend he didn't bear the brunt of a fucked up soul.

The weight on his chest lifted when your tear filled gaze met his and you nodded. Small, barely there, but it was enough for him to seal his mouth back over you with a ragged moan. Your body shook as his tongue slid through the seam of your pussy. The tip nudging against your clit—careful to draw the pleasure from your body slowly.

He didn't want to give you pain. His heart wouldn't survive that. But he was a broken man; someone who begged for more even as his teeth sunk into what was already given.

You were his meal. His sacrament in the midnight hours until dawn broke across the darkened sky. You were the other half of his soul.

How could he not indulge in your sweetened tang until his tongue went stiff?

"I love you," you sighed, eyes rolled back when he sucked at your pussy, a wet low moan echoing in the air. "My p-perfect husband."

The cold press of his wedding band against your thigh drove him over the edge. You weren't officially married. Didn't have the backyard wedding with a preacher to match. But Logan had placed a ring on your finger near a year ago, sliding one over his own with the vow of forever cemented in his words.

Even if that didn't mean much in the eyes of a god who abandoned him near a century ago.

"Oh-"

Your head tipped back, mouth dropping open as his fingers dipped into your wet heat. Thrusting lazily until he found the spongey patch along your walls—driving the pad of his middle finger into it with a needy moan.

He knew it wouldn't take long for you to fly off the edge of a second release. That didn't make watching you climb to that peak any less satisfying. The sight appeased his soul. It gave him a chance to breathe; let him know that after so much bad—after so much pain—he could do something good. He could bring you to the edge of pleasure and drag you over again and again.

He could finally be the man you believed he was.

Not the animal they created.

"C'mon," he muttered. Eyes fixed on the shape of your breasts as your body curved off the bed. Hips dragging along his face with a stunted cry.

A wail bounced off the walls, piercing his eardrums with the symphony of your cries. His fingers rapidly pumped into you with a squelch that had heat burning his cheeks—lips pulling your throbbing clit into his mouth as you broke. The climax slammed into you; battering your already swollen pussy.

Logan could feel his cock swell at the sight.

"Fuckin' perfect," he grunted, teeth bared as he clambered to his knees and wrapped his fist soaked in your slick around his leaking cock. "'M gonna cum sweetheart."

Your eyes fluttered open, fingers digging into his thigh. "Please. Wanna see it baby. Look so pretty when you cum Logan."

His chest tightened, body shaking while you watched in rapture as he fucked his fist rapidly. He wouldn't fucking last, could feel the burning consume his body, but something held him back. The string around his heart yanked him away from the edge, tearing a cry from his throat when his frustration peaked.

You could see it—the glimmer of need in his dark eyes. This wasn't the first time he longed for your words. It certainly wouldn't be the last.

So you spread your legs and sat up slowly—arms wrapping around his shoulders to bring his lips down to yours. A soft moan was muffled by your mouth; the peak of his release within reach. He could practically feel the tips of his fingers graze it.

"Cover my pussy baby," you mumbled into his mouth. "Be good for me and mark what's yours."

The growl came from the very bottom of his chest when he finally came. Your name was a bitten out snarl pressed to your mouth in an open mouth kiss as he spurted over his knuckles. He pumped his cock to milk every drop; eyes fixed on the way it covered the swollen lips of your pussy. Dripping down to your entrance that fluttered at the sight of his sweaty and crimson tinged face.

"I fuckin' love ya honey," he murmured, hand cupping your chin to drag your lips back to his. "Best thing that's happened in my life is you."

You smiled, thumbs pressing to his cheeks. "Love you too Logan."

Clutching you close, he felt the string go loose. The breath finally rushing back into his lungs at the sight of your eyes glowing with the kind of light that brought him back to the first day The night he met you in that shitty bar—alcohol the only thing on his mind until he saw you.

The night you spoke his name over his covered grave and dragged him back to life with a smile.

[metamorphesque]

Aurora (Arshaluys) Mardiganyan was just 14 when the sky collapsed on her head. In 1915, as the Armenian Genocide began, her village was torn apart by turkish soldiers. She watched as her father, her brothers and all the men in her family were dragged away and murdered. The women and children, including Aurora, were spared only to be marched into the desert—a death sentence of a different kind.

The march was relentless. Day after day, Aurora trudged through the searing heat, surrounded by the dying and the dead. There was no food, no water—just the constant, gnawing hunger, thirst and sexual mutilation. Those who fell behind were shot or left to die under the unrelenting sun. Aurora witnessed countless mothers cradling their dying children, their bodies wasting away before her eyes. The air was thick with the stench of death, and the ground was littered with the bodies of her people, unburied, forgotten.

According to her story, the turkish soldiers decided to nail the 17 girls of her village in the group to crosses—in a grotesque parody of their Christian faith, but they miscounted and only constructed 16 crosses; Aurora was the lucky one who was not crucified.

She endured much, being sold into a harem as a teen, for 85 cents. She was beaten, assaulted and dehumanized in ways no child should ever endure. Aurora’s spirit was broken over and over again, yet somehow, she survived.

When she finally escaped, Aurora found her way to the United States, carrying the weight of what she had witnessed. She was alone, orphaned by genocide, but she was determined to tell the world what had happened. Her story, Ravished Armenia, recounted the horrors in graphic detail—images too painful for most to even imagine. But for Aurora, they were not just stories; they were the memories that haunted her every day.

She agreed to relive her trauma once more, acting in the film Auction of Souls, where she portrayed her own suffering and the atrocities she had witnessed. But even then, Aurora was exploited. The people behind the film saw her pain as a commodity, and she was never properly compensated. She gave everything—her story, her dignity, her voice—but received little in return.

In the early 1930s, both the book and the film faded from the public’s attention. The sudden and complete silencing of the film had two explanations: the growing U.S.-turkey alliances, and an agreement between Hollywood and Germany. Aurora had written about being raped by a roving gang of german soldiers in turkey before being sold into a harem

The film that was supposed to tell her story was lost, leaving behind only fragments, just like the memory of the millions of Armenians who were massacred.

Here you can find Aurora Mardiganyan's book, "RAVISHED ARMENIA".

[wife-of-all-dilfs]

bad idea, right? | f. odair

masterlist

summary: after receiving a late-night call from your ex-boyfriend, finnick odair, you can’t help but agree to meet with him. what happens when you mix a sound-proof train car and an ex you haven’t seen in months?

pairing: finnick odair x reader

warnings: rough-ish smut, a teensy bit of angry sex, swearing, unprotected sex (zon’t zo that), kinda ooc finnick, choking,

notes: based on 'bad idea, right?' by olivia rodrigo. i lost the person who sent the request so sorry this took so long to come out!! i don’t know if i like how this is written, but smut is smut so… enjoy :)

word count: 4.6k

Neon beams of light pulsed in time with the heavy bass blasting throughout your unnecessarily large home in the Victor’s Village. District Two. Masonry. Big houses.

Two shots of tequila and some other very unnatural concoctions were soaking deep into your brain. Everything was swaying—the room, the people, even you. Your small group of friends danced by your side, keeping together to avoid the creeps that might have entered your home. Although, to you, entertaining a stranger that night did not sound like such a terrible idea.

You felt lonely. Undeniably and pathetically lonely. The alcohol only enhanced your emotions and libido, leading you to search the room for anyone who interested you enough to take them upstairs. But there was no one, because in reality there was only one person you really wanted, and he was no longer yours. He hadn’t been for months.

Replacements had come and gone, but they never stuck. None of them made you feel the way he did.

“Excuse me!” an exasperated voice yelled. “Would you please get out of my way?!”

To your right, your housekeeper, bless her poor deafened soul, was pushing through a crowd of intoxicated partygoers and heading straight for you.

“Claudia!” you shouted over the music, tugging down your short black slip dress out of respect for her modesty.

The elderly woman stopped in front of you, her disapproval of the vibrant scene clear as day. You always paid her double in exchange for putting up with the chaos whenever you threw a house party, which was almost every weekend.

She hovered close to your ear. “There is someone on the phone for you!”

“Did you get a name?!”

After she shook her head, you escorted her through the thick crowd of dancers, into a quieter room and thanked her before beelining for the landline.

With a heavy sigh, you brought the corded phone to your ear and said, “Whoever this is, you better make it quick. I’m not nearly as intoxicated as I need to be and in dire need of another shot.”

Over the scratchy static, you could hear a quiet chuckle—a sound you had spent months trying to forget, along with the person attached to it. How many drinks did you have again? The alcohol must have messed with your mind because this could not be real.

“Hello to you too, sweetheart,” the caller said, his voice low and amused.

Everything you had longed to forget came rushing to the surface at an overwhelming pace. Wisps of hair the colour of a dying fire. Eyes resembling the sea. Arms that once acted as a life jacket. A dangerous mouth that had explored every inch of your body.

No. It couldn’t be—

“Finnick.”

********

Stupid. This was so fucking stupid. You were attempting to sneak out of your own party. A good old Irish Goodbye in your own house. With luck, you would make it out the front door without being caught by your friends, or worse, Claudia. Now that would be scary.

Water flushed through your system, a weak attempt you made at sobering yourself up because meeting up with your ex while drunk was a recipe for disaster. Then again, so was meeting up with your ex in the first place. Nothing will happen, you thought to yourself, we are just going to talk.

A thought even more unbelievable than thinking you would be able to be able to escape the watchful eyes of your friends.

Your high-heeled foot had just crossed the front door when someone called your name. “Damn,” you muttered, turning back around.

Valeria, your closest yet heavily intoxicated friend strutted over to you, her feet wobbling every few steps. “You sneaky little minx,” she slurred. “Someone said they saw you on the phone. It was him, wasn’t it? He asked you to go see him.”

“Just as friends. No, not even. As acquaintances.”

“Oh, my sweet, sweet silly friend.” She grabbed you by the shoulders. “We both know you aren’t that foolish.”

You looked away because you knew damn well that she was right.

“Look, I get it,” she continued. “Your hot, he’s hot.” You smiled. “You both have a history. I just want to make sure you know all the outcomes of what you're about to do. I’ll be here for you if things do get messy but expect a well-versed speech of me saying ‘I told you so’ afterwards.”

“I’ll hold you to that, Val,” you laughed, prying her hands off your shoulders. “I really do appreciate your concern, but I promise all we’re going to do is talk.”

“Alright, but if things go south, call me. Immediately!” she called a little too loudly as you took subtle steps away from the front door and onto the street. “Have fun with your innocent little ‘talk’!”

“Thanks, mum!”

You waved goodbye as you walked down the street, body buzzing with exhilaration and apprehension. Finnick had told you his train stopped in the district’s station for the night. He and his new victor were travelling throughout Panem for the Victory Tour and were currently in District Two. You didn’t know much about his tribute, only that they were a she. The thought of Finnick spending all his time with another girl had that green-eyed monster inside you writhing.

Enough to make you agree to meet with him after midnight while moderately drunk and slightly horny. What a fantastic plan.

District Two’s train station was a short distance from the Victor’s Village, but it was long enough to cause you to remove your heels. You finally reached the train, barefoot and with the wind softly blowing your hair. Finnick had specified a particular door to knock on so as not to alert the peacekeepers residing within the train. So, you knocked. And then you waited.

Your heart was pounding; your hands were trembling. Not long after, a dark figure appeared behind the door’s tinted window. With a click, the door opened and revealed a shirtless smirking Finnick Odair.

Oh, fuck me.

He was even more gorgeous than the last time you saw him. His crossed arms bulged with thick muscles as he leaned against the doorframe, gaze shamelessly roaming over your scarcely dressed appearance before settling on your face. The amusement in his expression was ever-present and ever-growing.

“Finnick,” you greeted.

“Y/N.”

He extended his hand, inviting you inside the train and hesitantly, you accepted. Sparks of electricity travelled up your arm, starting from where his and your hand connected. Some things never changed.

Empty silence welcomed your presence as you entered the train car. Patterned silver vases of white roses were placed atop every available surface. Meticulously crafted chandeliers lit up the room with a golden haze. To your left was an arrangement of black leather couches surrounding a small silver table; further down the car was a rectangular mahogany dining table decorated with fruit and unlit candles.

Somehow a single train car was more luxurious than your entire house.

“Is every one asleep?” you asked, running your fingertips along the pure gold that lined the couches.

“Yeah,” he said, eyes following your movements. “Every room on this train is sound-proof, so...”

You nodded, unsure of how else to reply. Conversations usually ran smoothly between you and Finnick. They were effortless. But that was when you were together. Four months must have passed now since you last spoke.

“Are you and what’s-his-name still together?” he asked.

“No,” you said bluntly. “I broke up with him last month.”

“My sincerest condolences.” His sympathetic tone was as transparent as glass. Sarcasm always was his favourite pastime. “Guess he just couldn’t satisfy your needs.”

Turning around to face him, you leaned against the couch’s arm, jaw clenched and eyes glowering with agitation. “Is there any specific reason why you called me here?”

He raised a glass of rich amber liquid to his lips. “Can’t two old friends just reconnect?”

“Old friends,” you scoffed. “That’s what you call it. From what I remember, the last time we saw each other, we were having goodbye sex in your bed. And in the kitchen and the lounge and on the balcony.”

Something sincere overshadowed his teasing nature, revealing itself in the tension in his facial muscles and the glassy haze that clouded his eyes. Reminiscence. “It didn’t have to be goodbye,” he spoke softly whilst holding your gaze.

You blinked. There was a short pause and only the quiet hum of the lights sounded in the room. You were the one to end the relationship, not the other way around much to your friends’ disbelief. Over and over, you had been asked the same question: why on earth would you break up with Finnick Odair?

Well, behind closed doors, he was incredible. He was loving, affectionate, and thoughtful. He would collect seashells for you that he found on the beach whenever he went fishing, leave hand-written poetry and heartfelt love letters whenever he left for the Capitol, and mother of fucking Christ was the sex just downright extraordinary.

But as previously stated, it was all behind closed doors.

Finnick never wanted to be seen together in public and on the off chance you were, he would practically neglect your existence. Only your most trusted friends and Finnick’s family knew about your relationship. No one else. Eventually, the secretiveness created a deep void inside you that not even the sweetest love letters and seashells could fill. You couldn’t remain with someone who seemed ashamed to be with you in public.

So, with a heavy heart, you said goodbye.

In fear of becoming too emotional, you disregarded his weighted words and crossed your arms. “So,” you began, “how’s the Tour been so far? You must be pretty ecstatic one of your tributes actually won.”

He bounced back fairly quickly. “I suppose it’s always nice to watch someone you trained live for a change,” he said, placing his drink on a nearby table. “Plus, she’s got a lot of charisma. A natural with the speeches and interviews, so I don’t need to do too much coaching.”

And there it was again—that green-eyed monster. “Charisma, huh?” You just couldn’t help yourself. “Is she pretty too?”

Finnick tilted his head, visibly surprised by your blatant jealousy. “She just turned sixteen,” he stated with a small smirk tugging at his lips. Well, no one told you that bit of information. Awkward. “Careful, Y/N. You sounded a little jealous there.”

You pushed off the chair, heading back toward the door you entered through. Maybe this was a bad idea. “Alright, I’m leaving now.”

Just as you turned the handle, a set of rushed footsteps thudded behind you. The door opened a mere crack, sending in a cold draft that caused your body to shudder.

“Wait, just—” A swift hand came over your shoulder and pushed the door shut, eliciting a startled gasp from your lips. You could feel Finnick towering over you, the warmth of his skin spreading onto your cold back and his breaths fanning down against the bareness of your shoulder. He was so close. “I just needed to see you before I leave tomorrow morning.”

Slowly, you turned around, coming face-to-face with the man you shouldn’t have loved. His burning gaze was a stark contrast to the icy metal door your back was pressed against. Tension pulsated in the small space between you and him. The intense attraction that had first brought you two together came rushing forth; trying to fight such a magnetic force was impossible. You needed connection—touch.

This night would not end with just a simple innocent chat, you knew that now.

You swallowed hard, your heart racing. “You needed to see me?” you asked. “Finnick, if you want me to stay, don’t beat around the bush. Tell me what you really want.”

Silence. He continued staring at you and you could see a scheme forming behind his mesmerising green eyes. Then the scheme was unfolding. He leaned down to your level, to your lips, his half-lidded eyes never leaving your mouth as he just barely allowed his lips to brush yours. On instinct, you tilted your head upwards.

“I want you,” he whispered.

You didn’t waste a second to respond. “Then take me.”

He was quicker than a bullet train. Finnick’s lips caught your own and were burning with fiery desire, evident in his haste to wrap you up in his arms and practically merge your body with his. Flames licked just beneath your skin, setting your nerves alight with passion and lust. You burned together in an inferno fuelled by each other’s touch.

Logically, this was wrong. Finnick was your ex-boyfriend and for good reason. But as your hands clung to every inch of him that they possibly could, as his tongue and yours danced fluidly with one another, and as your body buzzed with pure adrenaline, you were willing to abandon all your morals in exchange for five more minutes in his embrace.

A moan travelled from your mouth to his own as you felt him bite your lower lip. You could already feel that familiar throbbing sensation between your thighs and the wetness that exposed how much you craved him. You knew he felt the same. His sweatpants left little to the imagination.

Your hand slipped between your connected bodies, travelling down Finnick’s firm stomach, gliding over his small trail of hair and finally into his pants. Your fingers curled around his cock which already leaked with precum. He was just as desperate as you.

“Fuck,” he groaned, the sound sending tingles down your spine.

You left his lips to press a wet kiss to his neck. “I wonder how many times you pretended your hand was my own,” you purred, leaving another kiss on his clavicle. “How many times you tried to recreate the warmth you only feel when you're inside me.”

His mouth hung open, letting out quiet uneven breaths as you stroked his length, your pace so quick that he already felt an overwhelming urge to release into your soft unrelenting hand. The sound of your voice, so sexy and lustful, combined with your swift pressured movements had his stomach tensing and contracting with a devastating build-up of pleasure.

“Too many times,” he admitted in a strained voice.

You sucked on the warm pulsing skin of his neck, this time receiving a groan that buzzed on your lips. His hands grabbed at your hips for support, roughly kneading the softness and satin in his large palms.

“This dress—fuck!” his voice broke as another hand slipped into his pants, cupping his balls as the other twisted with each stroke of his cock. “Sweetheart,” he chuckled breathlessly. “You look like a fucking siren.”

Your soft lips pecked at his toned chest before pulling away and looking up at him through your lashes. Euphoric delirium was prominent in his eyes. “You should’ve seen everyone staring at my party,” you said. “I wish you saw how badly the men wanted to fuck me right there on the dancefloor; how they undressed me with their eyes. Maybe then you would understand the mistake you made by never showing me off.”

Aggravation blazed in his aroused eyes which only made you so much hornier. Before you could pump another stroke, Finnick had ripped your hands from his pants and spun you around, pinning your body against the wall with his own, his hard cock pushing against the plush of your ass.

“I do understand,” he growled into your ear.

He abruptly started sucking hard kisses onto the side of your neck which had you gasping for air and tilting your head to allow him further access. One of his hands cupped your breast, massaging it with rough fingers and pinching your peaked nipples between his fingertips. His other hand travelled around your hip, wandering beneath your revealing dress and slipping into your lace panties.

You cried out when two fingers plunged into your soaking hole without warning.

“Know what I wish?” he asked, fingers curling in and out of you at such a rapid pace that the wet noises could be heard throughout the entire room. Blissful tears threatened to spill down your face. “I wish those guys could see how you looked right now with my fingers fucking you.” The hand on your breast moved to your throat, applying enough pressure on your carotid to make your head pound with dizziness. “I wish they knew you only enjoy being fucked by me.”

Your walls squeezed around his fingers, pulling him even further inside. Your untouched breasts were squashed against the train door and the fabric of your dress rubbed against your sensitive nipples. Finnick’s cock twitched against you and his hand was constricting the blood flow to your head. Yeah. Nobody else could make you feel better than this.

Finnick plunged his fingers inside again with a hard thrust which forced a broken moan from your lips. “Isn’t that right?”

The heel of his palm dug into your clit and your entire body was overcome with pins and needles; your knees buckled and hit the metal door. That would definitely bruise. You hoped it would—you wanted a reminder of this night.

“Yes!” you gasped. “Finnick, only you. Only you.”

“That’s right.”

Your moans started to rise in pitch, signalling the orgasm which was rapidly closing in. But right before you could come, Finnick’s fingers slipped out of you and out of your now-drenched panties. Your orgasm began to fade due to the lack of friction until it disappeared completely, leaving you feeling frustrated and neglected.

Turning back around with a flushed face, you witnessed Finnick sucking your juices off his fingers with a pop. His grin was conniving, self-satisfied with his actions which proved how desperately you wanted him to fuck you. That smug bastard. You would give anything to wipe the amusement off his beautiful fucking face.

And, well, you did.

“Fuck you!” you exclaimed, shoving him backwards.

“Fuck me?” He raised an eyebrow, smirk twitching at his lips. “I already know you want to.”

With a frustrated cry, you shoved him again, but this time he caught you in his arms and fervidly crushed his lips to yours. You squirmed and writhed and resisted but eventually melted into his embrace when you remembered you wanted this. You wanted this so badly.

Your arms wrapped around his neck as both your bodies continuously curved into one another, neither of you being able to remain still for more than a few seconds. The taste of brandy and you were on Finnick’s tongue as it swirled around your mouth; the flavours, which were polar opposites, sweet and savoury, mixed together to create something utterly carnal.

With the knowledge that this was probably a one-time thing, your kisses became bruising and frantic. Finnick alternated between kissing your lips, your neck, your jaw, and any place he could possibly reach. You hung onto every sound he made, every hot breath he took.

The two of you stumbled around the train car, lips never leaving one another, hands grabbing at every inch of flesh they could reach. You bumped into walls and multiple glass ornaments and laughed together when Finnick just barely caught one before it shattered on the floor.

Eventually, you ended up down the opposite end of the train car. Your back hit something hard and you gasped in surprise. The dining table. Finnick gave a quick glance at the table before pressing another kiss to your lips, this time a little more tenderly.

“Turn around,” he said, and you did.

You immediately felt him press himself against your behind. You stared ahead, chest heaving and swollen lips tingling, waiting for any more commands. His hand walked around your thigh, over the mound of your pussy, and then grazed up your stomach. He left a trail of warm tingles between your breasts before continuing upward to move your hair from your shoulder where he placed another warm gentle kiss.

Finally, he splayed his hand flat between your shoulder blades and pushed, bending you over the table until your torso lay flat on the cold wooden surface. Finnick hiked your dress up to your hips and crouched down, caressing your outer thighs before sliding your panties down to your ankles.

The air hit your bare skin and you exhaled a shaky breath as you anticipated his next movements. As he rose to his feet, he trailed kisses up your leg, ending with a soft bite to your ass which earned him a small giggle.

You could hear him tug down his sweatpants which hit the floor with a muffled thud. Your breaths continued to shake with nerves, coming out in soft pants. Finnick held onto your hip with one hand and held himself in the other. No words were spoken. Both of you wanted this—needed this.

Next thing you knew, your panting breaths had stopped altogether. Finnick’s cock had slid between your folds, filling you up in one single movement, and you both released a relieved moan in sync. Your hands pressed against the tabletop as your body began to rock with his thrusts. You weren’t going to make love or whisper sweet nothings into each other’s ears. No. This was pure unadulterated fucking.

Finnick started off fast; neither of you had the patience for a slow build-up. You didn’t even bother caring about the fact that he wasn’t wearing a condom. His hand had lowered to your mid back and the other gripped your hip as your warmth swallowed him over and over.

“Oh god,” you gasped.

The sensations that overtook your body were eagerly welcomed. You had tried to replicate the sex Finnick gave with other men after your relationship ended, but none seemed to compare even the slightest. You weren’t sure how a single human being could provide the sensations of nirvana, how one could master the skills of bringing another person to such an incredible high, but Finnick could. He always could.

It was only at this point that you realised how badly your body had been in withdrawal from his touch. The feeling of him inside you was like a drug. Addicting. Definitely not healthy.

You had tried fingering yourself to replicate his cock, but it was a pathetic attempt. Finnick could hit a deep spot inside you that no one else could like it was some secret forbidden location that only he held the key to. He made your body feel full. Stuffed. Complete. In a way that made you feel like you were going to burst into an explosion of white heavenly light.

Your nails scratched at the wood as he continued to pound into you, cock gliding against the ripples of your inner walls. There wasn’t a single inch of space left inside you. He fit like your pussy was where he belonged.

“Always feel so fucking good,” he muttered between thrusts.

His pleasure was always vocal, voiced with heavy breaths, grunts, and groans. Sometimes he even whimpered, especially when you edged him. He didn’t mind you being more dominant at times, but right now was not one of those moments. Being bent over and fucked into a table was not in any way, shape, or form you being dominant. This was Finnick being in control and it felt incredible.

“Finnick,” you said. “Don’t stop. Please, don’t stop!”

In response he grabbed your other hip and pulled you back into him, burying himself even deeper inside you with each thrust which had you crying out his name again. He hunched over your body, hips still pounding behind you, and sucked harsh kisses on your shoulder. He left behind red and deep purple marks on your shoulder, moving to your neck, and then grazed your earlobe with his teeth.

He returned a hand to your throat, forcing the both of you into a standing position. His fingers squeezed, reducing the blood flow into your brain which enhanced the explosion building up inside you.

“Harder!” you cried.

Both his cock and his hand increased their vigour. Stars were sparkling in your vision. You were almost completely sober now, yet you felt entirely drunk. Drunk on Finnick. He reached his free hand between your legs and your body fell back into his, only remaining upright from his support.

His fingers rubbed side-to-side on your clit, so hard and fast that his hand almost blurred in motion. Your moans rose an octave as your stomach began to tighten. A fire burned within your muscles, so pleasurably excruciating that you thought they would liquefy inside you. Your pussy clenched around Finnick’s cock, walls fluttering with each of his pounding thrusts.

“Come, sweetheart,” he purred into your ear. You could hear how much he struggled to contain his moans as he talked. “Come on, I know you're close. I can feel you.”

You nodded mindlessly and curled your arm backwards around his neck, in need of something to cling to. As the feeling inside your stomach intensified, your eyes squeezed shut and your hold around his neck tightened until you were almost choking him. With every ounce of strength that he had inside him, Finnick increased his pace until he fit multiple mind-destroying thrusts into each second that passed.

He was almost animalistic with his pounding and unrestrained groans of pleasure. And you were so close, so, so close to falling over the edge. His hand was constricted around your throat; the other assaulted your clit, and his cock was mercilessly hitting that swollen spot inside you. Any second and—

“I’m go—I’m gonna come!”

A potent cocktail of pleasure, ecstasy, and release washed through your body, unravelling the tension inside your stomach and exiting through your stuffed hole. Your juices coated Finnick’s cock with warmth as you repeated his name over and over.

You could feel him twitching inside you, spilling himself onto your clenching walls whilst bending you over to senselessly fuck you into the table. His moans were so loud, so fucking attractive, but may God have mercy on both of you if the room wasn’t actually soundproof.

Neither of you could stop. You came an immeasurable number of times; your hands left marks on Finnick’s body as he did on yours, and every surface in the room had been tainted with your sin. You clung onto one another, desperately prolonging your night together that would most likely be the last. Ever.

*********

“Don’t leave again.”

Your fingers stilled as you strapped on your high heels. You glanced up at Finnick—who now had his sweatpants back on—from the gold-lined leather chair you sat in.

“Finnick…” you sighed.

“Please,” he said. Crouching down in front of you, he gently took your hand into his own. His face, which previously reflected nothing but pleasure, now looked at you with pained desperation. “I’ll explain everything to you. Why I was always in the Capitol. Why it was too dangerous for us to be seen together in public. All of it.”

The mention of danger took you aback. You had thought he never wanted to be seen together because he was embarrassed, not because it was… dangerous. Brows furrowed together, your eyes flickered between his, searching for any hint of deception, anything that might reveal malicious intentions. But when had Finnick ever been malicious towards you? Never. All you found in his eyes was sincerity.

“I can’t lose you again,” he whispered, lowering his head.

After a few seconds of contemplation, you realised there wasn’t a chance in hell you were going to walk out on him again. Life would mean nothing without Finnick beside you.

Your fingers sat under his chin, lifting his head to meet your gaze. The two of you exchanged a look of vulnerability, signifying an era of newfound understanding and reconnection.

You whispered in response. “You’ve got me, Finn.” 

tags: @tayrae515

[kyseya]

Once upon a time

‘Prince’ Yandere x reader

Imagine a reader in modern day society. She lives in a normal little town, went to your average school, lives in a normal house and has your everyday friendly neighbours. Like I said, her life is nothing out of the ordinary.

She feels lucky to have so many kind people in her life. Everyone knows everyone and isn’t afraid of lending a helping hand whenever someone is in trouble. The town is on the smaller side but very cozy. They have their own traditions like the annual Christmas market or the summer fundraiser. Nice stuff like that.

Everything is simply perfect! Or…well it would be if not for one tiny detail.

Unfortunately there’s one guy who just can’t seem to take a hint. Reader feels kinda mean thinking of him as a stain on the idyllic life she’s built. She doesn’t understand why he can’t take a ‘no’ for an answer. Everyday this hunk of a man walks right into her workplace like he owns the place and demands reader’s attention. With the way he’s acting you would think he’s dying and reader’s attention is the one and only cure.

It’s not like he’s ugly or anything, but a guy who doesn’t listen is just a 🚩

That’s not even the worst part. Another big issue is his…delusions.

Like, one time when reader was walking home she decided to stop by the market square since she needed some groceries. And guess who was in the middle of the square, somehow managed to climb onto the water fountain and proudly shouting at the top of his lungs? Part of reader’s soul disintegrated that day. What in the world was he doing!? He didn’t seem to be embarrassed either. No, with his nose pointed upwards he said he was going to reveal a big secret about the whole town. Silence filled he air, everyone was curious about what he was about to say.

What was this secret? Had someone committed a grave crime and was about to be exposed? Thoughts like that circled in everyone’s mind. Their imagination came to life and dreamt up various scenarios to what the deal was. People anticipated something foul, raw and sinful only to be met with grave disappointment.

You see, the man had suddenly declared himself as royalty in front of an entire audience. He claimed that the whole town was under a spell and had forgotten about their origins; being fairytale characters. And right now, only he was able to remember the truth. Alright, what the hell? That was ridiculous. What made it worse was the fact that he appointed himself as the towns prince and leader. Yikes. He said most- if not all- of the citizens where peasants and therefore his subjects. That’s why the had to listen to him from now on.

Reader wanted to peel off her skin and scream in that moment. The secondhand embarrassment was too much.

Bringing down shame upon yourself and your ancestors was one thing, but did he have to drag reader into it?? He claimed she was also royalty and should be treated with outmost respect. Why? Because he’s her husband! Of course his spouse need the 5-star treatment as well.

After the painful incident he’s always stopped by her workplace to talk her ear off. No matter what she said or did(or how much others complained) he never left. At least not permanently. In rare instances he did go with a downcast expression but he’d always be back full force the next day.

The man tells reader about the wonderful life they were going to have. If only the curse wouldn’t have been placed and they’d all been transported to the world they currently live in. It pains him so to know she’s forgotten all about him and the great love they shared. But it’ll be alright. After all, they found each other again and he refuses to let go.

Reader only half listens(he will throw a tantrum if he realises she’s not paying attention to him) as he drones on about how they first met in the forest. Of course he found her by hearing a wonderful song travel through the woods, he followed it all the way to her. They danced together and met every sundown from then on. It was so romantic. It’s impossible not to roll your eyes at the cliche imagery, it’s just so corny.

Yandere ‘prince’ also demands reader to refer to him by his royal, ‘real’ name. It’s not his real one, it’s something else. Everyone knows that- except him, apparently, since he refuses to respond to it. If you do use it, he’ll ignore you and pretend you didn’t speak at all. It’s very tiring, more so since he tries to enforce this delusion onto reader. He also won’t use her actual name and instead settles for this medieval one. Apart from that, he calls her ‘love,’ ‘darling’, ‘my heart’ and other cutesy nicknames that are far from appreciated.

It doesn’t matter what reader says, he won’t stop.

He insists he wants to be her saviour again. Sadly for him there is nothing to protect you from except the occasional spider that makes its way inside your house.

‘Well, it’s better than nothing.’ He would say before smacking and tossing it out.

He is willing to do anything for his lover. And that really does means anything. Nothing is off the table. It wasn’t before and it definitively isn’t now simply because of some lame curse. It can’t keep him form his soulmate.

He was your prince before, he’ll show you that he still is.

———————————

[This is kinda based of Once Upon A Time, though it’s been ages since I watched it. ]

[everythingseasoning]

Turbo Granny is actually so complex, I’m sorry for hating you Turbo Granny. TW: brief mentions of SA. And a few spoilers from episodes 1-7.

Why did Turbo Granny attack Okarun, hurt an innocent boy by stealing his privates? Turbo Granny is a yokai that resided in a tunnel where boys would discard the defiled, mangled bodies of girls they sa’d. She would comfort the spirits of those girls who couldn’t move on and find peace. The reason she attacked Okarun, and stole his privates was because she 1. Assumed he was scouting out the area to discard yet another poor girl, 2. She’s a yokai, which means she has lost some of her senses due to becoming a ghost with haunted memories. Her regrets became a driving force in all her motivations— death warping her when she was “reborn” as a yokai. So, she attacks all the boys who step foot in the tunnel, regardless of if it’s a misunderstanding or not. 3. Turbo Granny is a prideful old woman. She equates the living as trespassers when they enter her tunnel, and she gets PISSED. That’s also why she kept trying to kill Momo and Okarun (Ken), even after coming to know that they weren’t bad people.

Turbo Granny’s gift of speed and running makes sense with her trauma: she ran faster than all those who couldn’t get away.

Now, Turbo Granny, like all yokai, is morally gray. Death and trauma creates lenses that people/ghosts see the world through, and consequently, act through. She shows no empathy for Acrobatic Silky, saying that her life was worthless when Acrobatic Silky was dying. (And we allllllll know just how tragic and deserving of peace Acrobatic Silky is). She had earlier stolen Okarun’s (Ken’s) private part, despite him being an innocent kid who didn’t realize the rules of the living and dead meant he wasn’t supposed to trespass into their territory. But she is undoubtedly with nuance, and yet another example of “hurt people hurt people.” She acted unfairly, did something horrible to Okarun, and kept trying to kill the kids, and if we only look at that, we can easily hate her. It’s important to see that her trauma and her death made her into somebody deadly, angry, with a deep hatred for guys. Despite her evil actions, she still looked after the lost souls of sa’d and murdered girls. She was trying to do what she believed was good (aren’t we all? or, such is the case for many hurt people), though she was also a prideful cunt.

[dunmesh]

okay but did you think about the fact laios already feels responsible for taking her last breath... this story started with falin sacrificing her life for him, dying in front of his eyes- so that "worst case scenario" already happened. at the beginning he thought all he had to do to fix things is simply bring her back to life like they had done before, but then it was his decision that led her to a fate arguably even worse than death; a reality where the very reason he wanted to save her was erased from her mind, with her becoming a chimera puppet. a reality where he is forced to fight a monster in the form of his sister.

for that reason, his choice to kill falin on his own isn't about saving everyone else from the horror of this "possible" outcome as much as it is him finally facing his own guilt for all he had done: from abandoning her during their childhood to bringing her with him to the island and living a life of hunger and danger at the cost of the safe future she could've had without him, eventually resulting in her dying while being all alone. but unlike his choice to leave their village, this time she was the one forcing him to leave her behind- an act that was not only done out of pure love but was also the result of a lifetime of internalizing the notion that everyone she loves always takes priority over herself.

so when it came to that point in chapter 67, killing her was his way of not abandoning her anymore. taking her last breath to carry alone, so he can never let go of her again. even if they wouldn't have succeeded in resurrecting her, then at least he gave her one last precious memory, at least he didn't let her sleep starving again- which is in direct contrast with her death at the beginning of the series that was caused by their hunger and its effects. but more, or perhaps even most importantly, at least he didn't let her die alone this time- having her most beloved person experiencing the horrors of her death with her while her dear friends are witnessing her suffering that she was trying so hard to shield them from until now.

and in those moments, it was without a doubt falin struggling against him along with the dragon. because of her brother forcing her to make a choice once more, she finally revealed her most raw, selfish and intrinsic side by fighting him back, scratching and pushing and screaming and harming the person she always put first instead of quietly giving up her own life. dying by the hands of love instead of dying for love. in choosing herself this time, it might be what gave her soul the strength to choose living by the end of the series- living a life of her own. and for laios, this was just as essential to his personal growth as well as the first step in his atonement: redoing it "the right way".

[tainbocuailnge]

this is a final fantasy fourteen dawntrail post. it speaks incredibly for the desperation of the people of alexandria in its decline that they both couldn't bear to remember the dead and couldn't bear the thought of the dead no longer being remembered, and thus created this contradictory system where the dead are only remembered by something other than those to whom that memory is meaningful. so crushed by collective trauma and grief that they directed every effort to eradicating awareness of mortality altogether and it's resulted in a paradise where everyone is incredibly blasé about dying because the dead live forever in the cloud until they run out of spare souls and are completely paralyzed with fear of their own mortality.

but even more than desperation it speaks of a naive sincerity that the scientists and officials behind the project just actually genuinely built and maintained this giant memory database to preserve the deceased at increasingly large cost, rather than just lie that they totally did that to a populace who won't remember those deceased anyway. they're not harvesting souls to power the war effort while using a recreation of the beloved princess as puppet figurehead, they completely sincerely recreate the dead from their memories and simulate them living happily ever after, started by a sincere desire to not lose their beloved princess. living memory is an eternal theme park that actively goes out of its way to facilitate letting people who remember each other fondly meet again. it's the manifestation of a childish wish for a world where there are no partings, only reunions. it's a theme park rather than an actual city with a dmv and shit like amaurot was precisely Because it's a childish dream. it's fundamentally an artificial experience, but one which sole motive is to bring joy and relief from everyday sadness.

and sphene is the first and most prominent victim of that naive sincerity. she's the mascot of this theme park, and because she's the mascot in charge of providing this artificial but kind experience she can't ever break character. the people of alexandria couldn't bear the thought of her being forgotten, so they created a memory of her that would last forever, but they also couldn't bear to actually remember sphene, so she's a mascot instead of a person. she loves her people, and they love her, but none of them can possibly understand the weight that love puts on her shoulders. the sphene we meet is fundamentally trapped by other people's deeply limited understanding of her.

it's so so so important to her character that she's a small dainty feminine woman that exists to take care of everyone emotionally and be loved by them for being so nice and sweet and loving, and when she tries to arrange some kind of secure future she ends up with an abusive husband who ignores her wants and needs for his own ambitions, and she is fundamentally unable to act outside this highly gendered framework. sphene reads like the commonplace tragedy of the straight woman to me to the point where making her in lesbians with wuk lamat is like. I can certainly understand wanting to grant sphene the sense of liberation and comfort that many lesbians themselves feel at the realisation that they don't have to marry men, so far be it from me to say anyone is wrong to do so. but it's kinda ignoring part of what her deal is for the sake of that comfort I think.

not that lesbians have never ended up in abusive marriages with men but sphene very explicitly does not have other options, part of the tragedy is that you fundamentally cannot actually grant her that liberation and comfort. cahciua explicitly says there's no way to know what the real living sphene would have done because this sphene is a recreated memory of the beloved princess whose job is to sustain living memory. their darling sphene who will always listen to all their troubles and is always nice to them and will always take care of them. she's literally trapped by the role society assigned her, and that role is essentially to be their tradwife mother. the living sphene may have been into women, but the people who recorded her to create the sphene we meet never even considered the option.

do you guys know that tweet thread where OP describes going to a funeral for a woman they didn't know who'd died young of a heart attack, and the husband spent most of the eulogy talking about himself instead of his recently deceased wife, and by the end of the ceremony OP had learned nothing at all about what this woman was like beyond being a wife and mother? everyone fondly remembers the princess and queen of alexandria, but nobody remembers sphene. and just like all OP could still do for this woman was go to her casket and acknowledge that she too had been a full person in her own right before the stress of swallowing everything about herself killed her, all wuk lamat can really still do for sphene is think of her as the full person she must have been.

we're not told anything about what sphene was like as a leader, what her policies were, how she actually did her work, her vision for the future of her country before she died and was reconstructed. they only tell us everyone loved her so dearly because she was so kind to them. we're shown her dying moments and it's her using her airship to shield a civilian, so we can assume her love for her people was indeed true. but none of sphene's history that we're shown and nothing of how otis (who knew the living sphene) talks about her tells us anything about what she was like outside her role as beloved princess. her memories from after her "revival" are dissonant and corrupted and possibly not even real, and her policy of preserving living memory no matter what is a wish implanted in her by the people who reconstructed her. we don't even get to see what she looked like when alive. the only sphene the people know is the theme park mascot of living memory.

cahciua was exactly as erenville knew her and was true enough to herself to be able to turn against the system, so we're not given reason to believe any of the endless were tampered with. but sphene was already dead by the time they even tried to figure out how to preserve her memory, her actual soul and memories definitely long gone by the time the technology worked. we're explicitly told that nobody in everkeep really cared who or what sphene was as long as she adequately fulfilled this role of loving them all so much. she can't even tell you her favourite food, none of the people who labored so intensely and sincerely to bring her back bothered to write down even her most basic personal preferences when they reconstructed her. she has to deflect the question with "when I think of the people who make the food I can't pick just one" because the only preference she's allowed is loving all her people equally. she's completely thrown off that wuk lamat would even ask.

and it's precisely because she is remembered only as this kind loving woman who gave everything for her people that she is weak and powerless to actually do whatever it takes to keep them safe. she does not have the freedom to assert herself, let alone to be cruel or violent or take extreme actions. society does not give her that freedom, because she is a small dainty woman and (therefore) the only role allowed to her is to be their tradwife mother. so while her desire to protect her people is as real and true as it can be part of her plan to lobotomise herself in order to become someone capable of violence and cruelty also reads to me as that specific female frustration of wanting to destroy the sweet babygirl image of yourself by doing something extreme. like britney spears shaving her head. but in sphene's case destroying the babygirl image amounts to destroying herself completely, because the babygirl image of her is all that comprises her. and so when all is said and done the only fragment of sphene that is restored and lingers just a bit longer after that image is destroyed is the sphene that wuk lamat sincerely wanted to get to know.

[have-you-seen-my-sanity]

May you do yandere platonic gi hun team season 2 with young adult reader who is really sick and joined the game to pay for her sickness. The reader coughs blood sometimes and can barley even stand up or walk. When she eats she needs 2x the amount but she stills feel insecure

This is actually a very valid and reasonable to take part in them, imho.

Yandere platonic Squid Game team x sick!fem!reader

Squid Game masterlist

Featuring: Player 456 - Gi-hun, Player 001 - Young-il(In-ho), Player 390 - Jung-bae, Player 388 - Dae-ho.

Gi-hun and Jung-bae took you under their wing after red light, green light. Those two were the reason you made it out of there alive because they hooked their arms under yours and almost carried you over the finish line.

Especially Gi-hun was very concerned when he saw the state you were in. He immediately offered you his food ration, keeping a watchful eye on you throughout the time.

-----

Gi-hun:

Gi-hun is the one who's in a permanent state of panic in every game. He wants to be as close to you as possible incase you would need help with anything.

Gi-hun is clingy, very clingy with you. He can't help but act that way, it breaks his heart! He's almost overprotective of you, even wanting to walk you to the door leading to the bathrooms.

Gi-hun most of the times gives you atleast half of his food, he knows you need it. Gi-hun always tells you to sleep under the beds at night, while he and mainly Jung-bae keep watch over you.

Whenever you're coughing blood, Gi-hun is all over you and embracing you in his arms.

His expression rivals one of a puppy when he sees you still being insecure after everything the group has done for you. He will make sure to do anything possible for you to make it out alive.

---

Jung-bae:

Jung-bae tries his ultimate best in supporting you. He sees it as his responsibility to keep you safe, and most likely will throw himself in the way to keep you secure.

Jung-bae is a very kind soul and loves talking to you in their "freetime" between the games. He always gives you his jacket when you need it.

---

Dae-ho:

Dae-ho sees himself as his big brother to you, he's very protective over you, always helping you up, always taking you into his arms, always supporting you when you need the extra balance.

If you happen to cough up blood, Dae-ho immediately walks you to the bathroom, threatening and scolding the guard at the door.

Dae-ho is ready to spring into action and ready to beat the shit out of other players whenever they approach you.

Dae-ho gladly gives up on his food and hands it to you. You need it, and he can get along with a day or two without his food.

He feels guilty whenever you're still scared of them or uncomfortable. Dae-ho can't help it, but he just wants to be there for you.

---

Young-il/In-ho:

At first you reminded Young-il of his passed wife. This made him snap his senses towards you. The fact that you're sick and only joined the games to pay for your treatment only strengthened his feelings.

Young-il is so overprotective of you, maybe he feels some guilt inside of him but the guilt is easily suppressed by his protective nature.

He is the only one out of the whole group who always manages to get two rations of food and two milk packs. Jung-bae would whisper to the others how he notices he's always the one who can take two.

During the six legs game, you were right between Gi-hun and Young-il. Those two alone were so careful with you and Young-il feared how one wrong step might break you.

Young-il gave any player who so much as looked at you wrong, especially men, his coldest, piercing stare which told them everything they needed to know.

Young-il worships you with his gaze. The usual cold blooded stares he gives anyone else are replaced by pure love, admiration and maybe pity whenever he looks at you.

Even though you're so fragile and special to him, the sadistic smirk still forms on his lips when you're sad of other players dying and you can't do anything about it.

[rootspiral]

Agatha All Along deep dive: episode 9 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

wow this is another difficult one to go through. okay. okay.

it's been 57 years since we saw agatha kill her mother and the salemites - agatha should now be around 74, 75. how many of those years has she spent with rio? even if they met right away, that is a comparatively short time considering their long lives (rio's especially) and the almost 300 years they stayed separated afterwards.

the first thing we notice about the scene: just how damn green it is.

the forest and the river - rio, nature, is everywhere.

we're not told why agatha is running, but the obvious answer is that she is running from rio. she's in her shift, she was probably in their bed in the little cabin in the woods going through labor. and then rio told her that nicky was going to be stillborn and, in typical agatha fashion, she bolted, she tried to buy time, to bargain, to outrun the inevitable. but nature is all around, engulfing her. trying to escape is futile.

I so appreciate how bloody this scene is but I can't watch it, it's too much. she's run as far as she could, but the baby is coming now. she bites on a lemon and pushes. no family, no coven, no midwife. the one person in her corner, rio, has betrayed her.

that shot of rio so small between the trees, and yet the same exact color as the leaves? both one tiny person and the very essence of nature everywhere? I've got chills.

rio has brought her orchid so you know how serious the situation is. and I believe the costume department called this a shepherdess outfit? she chose this gentle look to guide nicky's little innocent soul to the other side.

you need to look at plaza's acting closely in this scene because while agatha's pain is on full display, raw and open, rio is keeping her pain close to her chest, she has no other choice. she swallows, she shakes her head ever so slightly. agatha is shaking her head too, completely and utterly devastated.

Rio walks closer, strong determined steps that don't match how difficult she's finding it to speak. her face contracts with pain before she smooths it back in a neutral expression. she shrugs a little, so small and apologetic. remember how formidable she was with alice, how clear she made it look that there was no escape? she can't quite bring herself to do that here.

you know by now what it means when agatha clutches her chest like that. you've seen her poor heart.

she licks her lips, she straighten up, vicious, ready to go into battle, ready to bite and hurt and beg and do everything, everything in her power to save nicky. we get this scene at the very end, when we know agatha and rio and their dynamic so intimately, and it's so easy to read what's happening. agatha will never go down with dignity, she'll fight till her last breath.

rio gives the tiniest of nods, she takes a deep breath. she knows agatha so well, she didn't expect anything less. while agatha is all over the place, rio is so still. her eyes are huge, and there's one stubborn tear that she's not allowing to fall. this has always been their dynamic - agatha's pain is too overwhelming, it engulfs all, there's no containing it. rio has to be strong and wise for the two of them.

this is rio losing her wife and child in one tragic swoop. this is rio being cast as the villain that took nicky's life.

this is futile. we can't fight Death.

oh, but she will try. she's been trying since we've known her. since she killed that poor dog to see if wanda could do something about it.

Death makes her decision.

not only does the grim reaper refuses to reap a soul. for the first time in all of history, she actively uses her magic to stop someone from dying. it goes against everything she stands for, and it's ultimately useless, because not even the power of the greatest Green Witch can heal nicky, she can only delay the inevitable. but she does it anyway, because she loves agatha too much. even if she knows perfectly well that she's just lost her forever.

rio is apparently impassible, but look closer: her nostrils are flaring, her jaw is trembling. if rio can't kill, by logic she can't generate life either. not that she's not able to - she's not allowed to, because she needs to be impartial. because if she lets herself fall in love with someone, it might just happen that their child will be stillborn in 18th century nowhere, massachusetts and Death might not be able to be selfless and impartial about it.

and then bye bye, sacred balance.

who the fuck came up with this story? and made it about lesbians, too? was it you, jac? I don't know if I want to kiss you or scream at you.

agatha doesn't recognize the world-shattering decision, the unprecedented sacrifice rio has just made for her. she can only think about nicky. how much time has she won? a day? a month? ten years? not knowing is torture.

and look, this is agatha, selfish to her very core. but can you blame her? can you feel anything but infinite pity and understanding for her at this moment? who is even to blame here? agatha, a mother begging for her child's life? rio going against every law and everything she believes in to give her beloveds one fleeting moment of reprieve?

there is no one to blame, not even nature - it has no concept of tragedy. (now that I think about it, agatha is the only person in history who could ever made nature feel.)

you did it, agatha, you made Death go away. you made your choice. it's you and nicky now.

oh god, kathryn, don't make that face. it's too much.

I spoke no spell, I said no incantation, you were made from scratch. the utter beauty that is agatha, the witch killer, the master of spells and craft, creating a baby (almost) the old fashioned way - the magic of life that no spell could ever improve.

this is agatha claiming nicky as hers. not rio's, only hers. she sought to have him for arguably selfish but deeply human reasons: because she needed to prove her mother wrong. because she wanted someone who would love her unquestioningly, unconditionally. because she was so, so lonely, and rio alone couldn't fill the chasm in her heart. she wanted her coven to grow from two to three, but looks like it's coven two again: her whole happiness is once again tied to only one person.

the little feetsies!

this shot, dear lord. green leaves and water taking over.

this entry was a lot. I need a hug.

go to episode 9 part 2

[r3starttt]

DOMESTIC! ABBY

CW: modern au. fluff. not proofread.

ꔫ domestic abby who always sets her alarm before you so she can make you the most delicious breakfast

ꔫ domestic abby who always asks to stay five more minutes with you in bed, just cuddling. Your hands brushing her hair, either undoing her braid or burhsing it to untangle it.

ꔫ domestic abby who always gives 'good morning kisses' on your temple

ꔫ domestic abby who always wakes up with the sleepiest face ever, all chubby and confused(? Yeah, that one

ꔫ domestic abby who drives you everywhere and goes outside for you if you're not in the mood but need to get something done or buy something

ꔫ domestic abby who makes sure to give you the most breath taking kiss before you leave to work

ꔫ domestic abby who never leaves you alone if you work from home?!?!?!

ꔫ domestic abby who hooks her chin in the crook of your neck and then puts her arms around you to beg you to take a break because you've been working all day nonstop and it's not good for you

ꔫ domestic abby who begs you to sleep when she picks you up from work. Swearing she'd hear anything you need to say once you're home because she needs you to rest

ꔫ domestic abby who hates seeing your stressed face even while you're sleeping and has internal wars with herself on what to do to make that disappear

ꔫ domestic abby who always makes sure you eat and sleep and rest. Sending you messages whenever you're at work, calling you if you have time.

ꔫ domestic abby who always makes sure the house is clean and tidy so you have to do nothing but work (she still thinks you do so much more than her)

ꔫ domestic abby who doesn't go to bed without you, who doesn't take naps if you don't, who doesn't eat if you don't. She absolutely adores taking care of you and be part of your wellbeing :(

ꔫ domestic abby who religiously has to rest on Sundays. Who makes sure there's always a show you'd like to watch and never ever peeks at the plot or the chapters or anything if she's not with you even when she's dying to get the minimum spoiler (hates not knowing wtf comes next)

ꔫ domestic abby who feels super extremely ridiculously tired after eating and sometimes begs you to take a longer break just to take the smallest nap with her.

ꔫ domestic abby who loves just cuddling and hearing you ramble and talk nonstop about anything (she always pays attention and remembers all details)

ꔫ domestic abby who adores resting her head on your stomach to let you brush her hair (loves more than anything scalp massages)

ꔫ domestic abby who love languages are acts of service and physical contact ofc

ꔫ domestic abby who feels so ashamed whenever you spoil her bcs wtf why would you do that if she does nothing at all and you do everything(??!?!?!?!?!

ꔫ domestic abby who always takes pictures of you working or walking towards the car after a looong day. Who's camera is full of pics of u and stuff related to u

ꔫ domestic abby who loves just staying in pijama all day

ꔫ domestic abby who secretly gets baby fever very very very often

ꔫ domestic abby who always talks about you, who always goes to the supermarket thinking 'what does the wife need?'

ꔫ domestic abby who always brings u snacks whenever she goes out (loves food with her soul that's a fact)

[hamliet]

Jentry Chau Vs Netflix

So, I watched Jentry Chau Vs. The Underworld.

If you like beautiful (and unique) animation, complex storytelling, themes of coming of age and grief, and references to my favorite band (shout out NCT127), this is a story you should definitely check out. I would recommend it highly, even though I'm going to critique later on in this review.

Complex People and Complex Love

Gugu was a very complex character whom you could both hate as someone who was clearly manipulating Jentry in an almost unforgivable way after doing the unforgivable to her family. And yet, the series opening literally had Gugu sacrificing her life for Jentry, so no matter what was revealed, you always had to handle the uncomfortable reality that Gugu really loved Jentry.

And therein the series explored complexities in love and life, an understanding that comes with growing up and brings on its own grief. The people who raise us, our heroes, turn out to have their own lives and worlds too, their own motivations, that are often not exactly altruistic. We are not at the center of their world as much as we, as children, thought we were.

Jentry's wrestling with her relationship with Gugu was complex and interesting. The handling of Gugu's character was consistently the best in the series, and I loved it even if I'm still not sure I like Gugu. That's a good character--someone you're left pondering the legacy of.

Grief

Jentry working through her grief was a major theme of the series--grief for her parents, and grief for Gugu, not just in terms of her actually dying (which does happen), but in terms of her understanding of who Gugu was and who her parents were.

Jentry's grief journey contrasts with Gugu's grief for Iris and of course Cheng's for Xiao Lan. Which is why Jentry reaching out and healing her inner child through saving Xiao Lan was ultimately a beautiful way of handling her arc. She saw a child who was scared and didn't know what was going on, and destructive in that pain, and saved her.

If you look at the series, Gugu was scared and didn't fully understand the consequences of her actions and destroyed Jentry's family as a result. Kit was scared and didn't understand how to be human and was destructive in that pain.J entry too grieves Kit and projects that fear onto the possibility of losing Michael, which leads to a rift in their relationship. And some of that fear is not understanding who they wanted to be. To quote C.S. Lewis after the death of his wife:

No one ever told me that grief felt so like fear. 

Grief and fear intertwine in many ways in Jentry Chau, including through Moonie allowing herself to be possessed by the Mogui to get her husband back. This also then leads to Gugu's second death.

Gugu's farewell at the end had me full-on sobbing. In a sense, Jentry's entire arc throughout the story is a symbolic way of working through her grief for Gugu, settling with her accepting via choosing to focus on Gugu's love for her, and carrying her memory on in a literal form (the necklace). After accepting Gugu loved her, Jentry loses her fear of the underworld and her powers, and her fear of losing the people closest to her as well.

A Soul Is What You Choose

Jentry's ultimate power isn't burning, but it's being able to see people for whom they want to be. Kit and being human. Ed and being scary. Michael and joining the band.

In a world where everyone, demon or human, is trying to be what they think they need to be, trying to please others, Jentry asks them to be who they want to be, to live how they want to live.

The Best Character and the Worst Writing: Kit

Kit is by far the most compelling character. He's continually sympathetic (while Gugu is somewhat not), conflicted, and torn between how desperately he wants to be human and the inhuman acts he believes he has to commit to be one. Plus, he doesn't understand what it means to be human, nor the complexities of human relationships.

The scene where he helps Jentry create a skinsuit is really a metaphorical sex scene--like fairly obviously. It isn't subtle.

It starts in a bedroom (and yes, animators know what they're doing when they choose setting and objects).

Then we have talking about looking under layers.

Then we have some yonic symbols and this.

Like. And he uses a knife (a traditionally phallic symbol), and the next thing we see is cloth falling... with literal the next frame being clothes (ie, clothes coming off).

Sticking a brush (another traditional phallic symbol) in a vat of wet paint (yonic).

Kit: I've never done this before. It's strange. Jentry: I stand by what I said in class. You do have a soul, and you're more human than you know.

Also note the hand clasped position.

It ends with them literally "becoming one" in Kit embodying a Jentry skin to help Jentry uncover the truth--in other words, they help each other be human.

Which is why what happens next really doesn't make storytelling sense, and is actually kinda offensive.

Love Triangle: What Not To Write

The love triangle pretty clearly was supposed to represent Jentry's links to the supernatural (via Kit) and her links to the human world (via Michael). Great potential for a love triangle, a trope I generally hate because it's almost never well done.

This was not well done. What makes it even more frustrating is that it had a ton of potential to be well done via the thematic and symbolic potential.

Having Kit suddenly go aggressive ex who can't take "no" for an answer was lazy writing, nonsensical within the characters they'd set up, and offensive. Offensive, primarily, because you absolutely should never introduce a triggering element like, oh, harassment and controlling men if you don't plan on dealing with it in the story. And they didn't. At all.

The only reason that element was there was to resolve the love triangle in a clear way--oh, Jentry should be with Michael because Kit acted threatening, even though he never had before. That's just bad writing, because if there's a clear choice in a love triangle, you gotta actually write it. Make Michael the more compelling love interest. (More on how they didn't do this later.)

The entire sequence with Kit makes no sense. Jentry tells him he's actually "hundreds of years old," parroting Tumblr-esque anti arguments about Twilight and every other paranormal love story ever. Except, the story had always explicitly framed Kit as a child being abused by Cheng and "parented" by puppets. His journey to understand who he was, that he mattered, that he could be a human too, was clearly a coming-of-age story.

You don't tend to end coming-of-age stories with death, but they did, pretty much because after the threatening scene there was no coming back.

Plus, Jentry's treatment of Kit actually was pretty bad. Now, there's never an excuse for a threatening ex, but--Kit was right about her hypocrisy in terms of how she treated demons like Ed and himself, something that Jentry isn't really asked to reckon with.

If they wanted Jentry to end up with Michael, that's fair, but her decision was taken away from her because they just decided to stamp Kit with a lazy and offensive development and then kill him off in a redemptive death that emphasizes everything that can go wrong with that trope.

Michael Deserved Better

I feel like they didn't know entirely what to do with Michael. He started off with a cool arc, torn between his desire to be a band geek and his talent for football. His indecision leading to conflict with Stella and Jentry was also a great flaw, especially given that he also has visions of the future. An indecisive teenager with precognition has a ton of potential.

But, Michael's arc vanishes after the festival. Instead he's just... kinda there. Jentry chooses him because she wants to be a normal, human girl. But this isn't a good reason, because she's not (and arguably, he's not either!). Yet this isn't unpacked--the idea that everyone in this triangle is both human and supernatural, to varying degrees.

One interesting idea I spotted during the scene where Kit (as Jentry) gets asked out by Michael is that--well, it's a romantic-coded scene with two men, even if Kit turns him down for Jentry.

But it also coming on the heels of the metaphorical sex scene kinda seemed to almost hint at a throuple. Plus the scene after Kit's death where Jentry views them as merging, and where Michael expresses that Jentry views them the same. This would have actually been a very interesting turn for the story to take in future seasons, if they get those (especially since Stella x Tokki is apparently a thing?).

Because ultimately:

Netflix: The True Enemy

Honestly, almost all of the writing flaws I've talked about come down to the writers just not having enough time. If they had a guarantee of further seasons, they wouldn't have needed to rush to finish the love triangle. They wouldn't have needed to kill Kit. They wouldn't have needed to abort Michael's arc and conflict with Stella.

And really, Netflix continues to disappoint me in emphasizing just how much they focus on profits and money over art. They prefer fast food over an actual nutritious meal. They give shows like one season to get record ratings and if they don't, they get axed. Of course writers are going to rush to cram their story into a single season, because there's no guarantee of another season. Series aren't given any leeway to explore their interesting elements, or to find their footing. It's bad for art. However, Warner Bros exists so Netflix can't fully win the crown for worst example of capitalistic corporations killing art just yet.

I continue to be disappointed that series with no actual story that the writers want to tell (merely a concept of a plan) get renewed for seven seasons based on the writer's reputations (that they then tank with their terrible non-writing) while interesting stories with beautiful art and animation, complex ideas on grief and growing up, have to scramble to beg for another season.

[violettathepiratequeen]

How could the Shanshu Prophecy NOT have been about Spike in Chosen?

The Prophecy states that a vampire with a soul would play a pivotal role in the apocalypse, and would be rewarded with becoming human when that happened. This was introduced in S1 of AtS, where it was also explicitely stated that the vampire in question isn't named, just that it's one with a soul. And since Angel was unique in that way, naturally it's assumed that he's the one they're referring to (but then why not name him if he was the only one it could apply to hmmm?) Wolfram and Hart took the extra step of research to learn that it was unclear whether the vampire would play a pivotal role on the side of good, or the side of evil, so they tried their darndest to get Angel on the side of evil through all five seasons.

But, hello? Angel has had a soul for a hundred and something years. And he's been through an apocalypse or two, first with Buffy, then on his own show. What's he been doing all this time? Which apocalypse are we talking about here? Lindsey claims the apocalypse has been going on all around them in Season 5, but the Buffyverse has always had clearly marked events signalling the end of the world that had to be prevented. The world being a mess is NOT an apocalypse in and of itself.

And then another vampire gets himself a soul, that could only have been forseen in prophecy, because he decided on his own to go and fight for it. After getting said soul, the First Evil immediately latched onto Spike and started grooming him, manipulating him, and brainwashing him into killing people. Random bystanders at first, probably testing to see if it could work on Buffy and her friends.

So Spike could very well have been on the side of evil in S7, if he didn't work so hard to resist the First's influence, if he didn't ask Buffy to help him, if he didn't break through his trigger. Or hell, even if he'd left town.

And then Angel is handed a mystical amulet and some info meant to help with whatever is going on in Sunnydale. He hands it over to Buffy and offers to be the champion in question, but she says no, and chooses Spike instead.

I'm not gonna get into the whole Spuffy side of this, haha, but S7 was about Buffy choosing Spike, every single time, in every aspect of her life, in love, and in battle. And this universe did originate with her, so she ought to be the one to determine this, within the confines of the show, anyway.

Spike takes it willingly, they both know he's probably going to die, Buffy does try to get him out of there when she sees he IS dying, and he stays, giving his life so that she and everyone else can live. His soul powers the amulet, his love sets their hands aflame, and his heroic act bathes him in sunlight before he's destroyed.

In the battle against THE FIRST EVIL. If I was gonna pick which apocalypse the Shanshu was talking about, I would choose one that had a villain called THAT. Plus it's Spike's first apocalypse with a soul, so that would also make sense that it's the one the Prophecy is referring to. No resting on his laurels for THIS vampire.

Except, instead, he dies and shows up on Angel's show disoriented and alone and without Buffy and with a complete 180 personality, battling with Angel on who the Prophecy is about, and you'll notice the show never does answer that question. Because Spike objectively makes the most sense. But it's not like they could make Angel play second fiddle ON HIS OWN SHOW.

No, what they should have done, is let the finale of Buffy cross over with Angel properly. Not just a cameo, but bring the whole Angel crew in, so that anyone watching the show would be forced to watch that specific episode of Buffy just to keep up with the story.

And Spike should have Shanshued. And Angel would have been disappointed, sure, but hey, he's BEEN human before. And he didn't like it. He even got a ring that made him impervious to harm. And he didn't like it. He loved Cordy more deeply (and more recently) than he ever loved Buffy. So it's not like he's really waiting for her anymore. Plus Cordy is part demon now, so Angel doesn't have to worry about not being enough for her. (Oh yeah, they should have brought Cordy out of her coma for this ending, to make any kind of cohesive sense).

But Spike... Spike was always more human to begin with. He may not have ever thought becoming human was on his bucket list, but he didn't think that about a soul either, until the time came where he needed it. He would LOVE to take Buffy out in the sun, and grow old with her, and give her the family and white picket fence that she's always secretly wanted and didn't think she could ever have. He would have still died, the same way soulless Spike died the minute he got a soul, but without all the heartbreak the canon ending gave us.

I'm partial to the stories where the Shanshu means some vamp powers like extra strength and healing remain, but those are just semantics.

As a cherry on top it would prove to anyone who's ever called it into question, and I include Buffy and Spike themselves on this list, that it's not that Buffy wants normal, nor is it that she wants a demon. She loves Spike for who he is, demon or not, human or not, but the soul and humanity would have helped him be the best version of himself, a man worthy of loving her and living with her, and after all the battles they've fought in their relationship to get here, it feels like it would have been kind of a sign that someone out there gives their blessing on this pairing. And Buffy could have said she loved him and chosen him AGAIN, in front of everyone, including Angel, and that would have been our endgame ending. (Though... to be honest if the comics still happened after this and Spuffy broke up at any point I would have been betrayed in a whole different way.)

And that's how BtVS could have ended. Angel could have gone on to have another season more or less the same, without any Spike or Buffy or Shanshu to speak of. And it could have ended EXACTLY the same.

The writing was literally so perfect and set it up for Spike so beautifully and unexpectedly. It wouldn't have even had to be a slap in the face for Angel because a. neither show was afraid of disrespecting a character at any point, and b. if it had been done on Buffy's show, it would have been less of a blow and made more sense, that Angel went back to BtVS to watch this unfold, where he wasn't the main character anyway. The Prophecy introduced on his show was really intended to be in service to hers, as any spinoff show ought to be.

Plus the episode title Chosen is such a beautiful one that has so many double and triple and quadruple meanings that one more would have been awesome.

So yeah. Those are my thoughts on the Shanshu this fine evening. Obviously many, many Spuffy fics (including my own) have given it to Spike or Angel or neither, all with their own reasons. And of course there's lots and lots of opinions on whether we would even want that for Spike, or if Spike and Buffy would want it.

But I think it just needed to be spelled out that from a writing standpoint, this would have made the most sense, and why.

[gooperts-gunk]

post-qsmp q!bbh's story so far...

back to back we have had new q!bbh story pieces, on mythcraft with lilithluvsya and as mr. x on arkanis, so im going to write down all of my own notes of what we have learned so far + my crazed theory talk :) this will be long!!! note: this is from the perspective of someone who doesn't know mythcraft lore and the only arkanis lore i know is from what i pick up in passing lol. i will do my best!!

starting with the halloween special on mythcraft with lilith and rurus in which bbh helps lilith solve a puzzle that leads to her finding and adopting a new child, we get to see an actual bbh summoning!! im unsure if the treats are a necessary offering or just a kind gesture, but the soulfire-esque flames or wisps seem to be a very specific detail...

the chant lilith says is "hear these words, hear my cry, spirit from the other side! come to me, i summon thee, cross now the great divide!" implying that if he's summoned, chances are, he was in the underworld or somewhere else. later on during technical difficulties, lilith mentions that "i don't even know the state of his soul at the moment! because usually whenever i summon a chant through those words," she repeats it, "his soul just acted a bit... weird! he usually doesn't act like that whenever i summon him. usually, the magic feels a bit more smooth, and it was very choppy this time. his soul just felt different from the last time i saw him. i can't put my finger on it." it's hard to say what exactly this means, (i've seen some people think it's about how he died with a split soul, he never got the other half back from purgatory as far as we know...) as we've never seen him be summoned before, but in this case, he just showed up on the chest crying out a confused "HELLO...?" but later on says "i could sense something was off, that's why im here." with his trickster confidence. he also mentions he's "been around, doing my thing. im very busy," and no concrete answer is ever stated. another detail is that halloween is said by lilith to be "the veils between our world meet once a year," meaning as far as we know he can only be summoned on halloween.

when he accepts the treats and attempts to leave he says "im trying to get back home!" a place of residence for q!bbh is implied, whether or not it's one we know of or even if it's an actual house is uncertain. when bad comes across a haunted house he says "oh my gosh! i had a house like this once, only it was red." which might cross out the place of residence being on the island. might, considering the house was later changed because most people hated the red lol. when bad is downed from fall damage lilith comments "why are you so fragile?! you're not usually, like, this breakable." bbh says "oh, as soon as i die, i get to go back home, so..." since we know how !bbh deaths work, (he can only perma-die once from a unique death, e.g. the combination of soul vulture infection and nuke radiation slowly ate away until perma-killing that version of himself, which means it was an entirely unique instance of death. so it's safe to assume that ever since he had fallen, he would have perma-died from simple things like starvation, but then can no longer perma-die from it again, with a possible exception of if it's starvation along with something else at the same time) we know that him dying wouldn't be enough to bring him 'back home' if it's implied to be the underworld or the mind desert, therefore, it would mean that if he dies during a summoning that the connection is immediately broken and he's back to wherever he was at the time. he's sometimes even excited whenever he gets downed, even saying "take me! take me home!" either because 1. he just really wants to get home for some reason or 2. he just really doesn't want to work for lilith.

but, we know he doesn't HAVE to work for lilith, because lilith states at the end after he's left to fellow mythcraft member nex that, "you know how im a witch? ... WELL... a long, LONG time ago... i made a mistake with my magic and i MIGHT have summoned a greater demon who turned out to be a TRICKSTER demon instead and KINDA reversed the contract on me and NOW im stuck with him until i die and i have to do his bidding whenever he comes around, but only whenever i create the first kind of contract for him to flip around. and he kind of... is around, and changes rurus a lot, and i have to work to make sure that rurus can transform back into a human one day because they're stuck in their bunny form..." which is a LOT to digest and she said it all in like two breaths lol. so in reality lilith is stuck with bad, not bad being stuck with lilith, and bad could peace out whenever he wanted because it's trickster demon rules and on top of that he can also transform humans into bunnies??!!

going back to where my previous notes were, when they arrive at rurus' house and bad seeing a painting of himself with 5 cracked eggs around him, he exclaims, "what the fudge is that?! THAT'S CRAZY!! who's the monster who made this??" meanwhile lilith is oblivious to whatever this means. he also steals the painting. rurus shows up! (rurus says he smells like sulfur, which is definitely the 'demon smell' ak!bagi mentions once she has a moment to speak with him after the chaos) rurus mentions making the painting and it was likely a gag that bad wasn't supposed to see during the lore stream but it's there now LOL and bad repeats the same horror to them as they're oblivious too, "it's you blowing up the moon! all the moons that you've blown up?" "oh, yeah, im sure it's blowing up the moon!!" he says in angry sarcasm, and then sobs a little. "i had eggs once..." both lilith and rurus inquire, and lilith is the one to say "you became a father?" in myth!lilith's defense, the residents have a lot of adorable baby creatures they care for and might sooner assume the eggs in question are cute creatures LOL "well i just said i had eggs, so..." "oh, you hatched them?" "ohhh he HAD eggs- lawren, he- he hit menopause, he said something about that..." I HEEHEE'D. idc if it's just a goof and not entirely canon im keeping it in here.

later on, when the trio complete the puzzles and find a well-decorated baby ghost named willow inside a willow tree, bbh's behavior to willow is very endearing and also straight-forward, casually offering some steak that he stole from rurus' house. he finds the way out of the tree for them by hearing a raccoon's chitter, and lilith comments "you're really good at talking to raccoons for some reason..." and rurus pokes further with "did you have a special relationship with a raccoon?" "yeah i- i speak raccoon." this of course is brought up from the perspective of both of them knowing his lore out of character and wanting to poke fun, but it's also a fun coincidence that it was a raccoon, as raccoons are very special to pomme. it starts storming, and rurus tells bad to give willow his hood but alternatively gives willow his soul lantern instead since his hood is a "...non-removable item...".

when they bring willow back to lilith's house, he continues stealing like he has been since he was summoned, but this time he takes a cookie from a cookie jar and passes one to willow before taking one for himself. when willow thanks him and says she loves cookies, he gives her another and says "you can never have too many cookies!" which would immediately make you think of his kids and their cookies, dapper especially as they're a total cookie fiend. as willow settles in he teaches willow the first and only lesson he's given to her so far: "whenever someone invites you into their home, you get to take whatever you want!!" he goes upstairs and shows himself and willow around lilith's house, rurus mentions a gaming chair, of which was a toilet. bad takes it and says, "i know someone who would love this!" which of course would be richas' gaming set-up that had a toilet for a chair because of a prank, if i remember correctly.

bad asks where his room is, making an assumption that his summoning meant he was going to move in. when lilith says he could stay at rurus', REALLY not wanting him here, he says "i can't have a room at both??" like the greedy little man he is. <3 willow is then shown her own room, where bad then proceeds to place the furniture he stole from lilith into the room for her.

the birth certificate is revealed! willow is lilith's daughter, and bbh is her guardian demon. (many were unsure if he was a parent to willow but lilith clarified on twitter that he's a guardian demon that will show up from time to time) rurus inquires if HE scribbled his name there, and he says "no, no! that's crazy. that'd be ridiculous." in a bit of a liar voice.

when he accidentally picks up willow's sign, he courteously says "im sorry," and gives it back, prompting rurus to tell lilith she could just ask and he'd give her stuff back. when she does in a cutesy way, he dodges it entirely by saying "no hablo inglés" and when lilith demands for the furniture in spanish, he says "i don't speak spanish". i wouldn't call it entirely parental as willow's not his kid, but as you can tell bbh has shown far more care and respect to this child he just met than his contractors. the trickster has priorities!

they tuck willow into bed, and bbh falls asleep standing up, when lilith starts shoving him saying it's time to get him to bed, he wakes up suddenly, yelling "night terrors!! night terrors!!" we know he's gone long periods of time without sleeping, but he's having night terrors when he does...

bbh has technical issues, and during that time, rurus and lilith have a back and forth about him and their contract which is summarized in the bout with nex above. rurus says "you know, i used to be able to swear before i knew him, and now i can't." "huh! that's a weird incantation." this itself is likely a joke about their out of character friendship, but they come up with the idea that he might have a literal swear jar that he puts people's swears in, never to be said again lol.

lilith decides to keep the portal open as bad loses summoning connection to their world (aka technical difficulties) so he can visit whenever he likes to be a guardian demon for willow.

this wraps up the mythcraft section of new q!bbh pieces! onto arkanis!

a lot of people were unsure if mr. x would be q!bbh, but it becomes VERY clear based on how he acts with familiar faces, and some late night conversations...

not much to note when bad / mr. x greets fit, but there's a very silly familiarity when he says he'd like to take fit out to brunch right before talking about torturing him... yeah sure man why not O_O when fit asks if he's considered being GOOD and not murdering people, bad says "i considered it, but my therapist says i should embrace my hobbies. im trying to listen to my therapist more." so he at least had a therapist in recent times to tell him this, because on quesadilla island when asked about therapy, he mentioned something along the lines of that he tried therapy once, but he'd get chased out of town by people with pitchforks.

to briefly dissect the cutscene, from what i've learned, bad floating is a sign that he's powerful in valigma! only people with magic in valigma can float, examples being araldo when we get to see him later, and also bia raux who is also brought up to bad when telling him the current lore after the event. also. the manor. the banquet. i love you builders, it's so eggpire-coded. that man can't escape the aesthetic of red vines even if c!bbh tried LOL and another fun detail, he has ghosties/souls bursting around him! it's become integral to his character :)

when mr. x encounters the brazilians and his escaped captive fit, all the fantasminhas float around him! it's super cute that the grim reaper got little ghost sidekicks, and then doesn't even recognize that they're ghosts <3 he mostly called denix a gremlin or goblin, but that's because out of character he DEFINITELY knew who the admin was, that's why he bullied them so much and not the others lol.

even though he's having fun annoying everyone as mr x., bad still takes moments for the little ghosts, like spam crouching with amora when she creeps up to him, him and denix bonding by killing a penguin?? and playing songs on the flute and they all surround him and dance. :)

when the find the button room starts, and bad does his npc voice, bagi immediately starts yelling, knowing the "you got this! you can do it!" all too well, and bad keeps saying it in recognition. while it was already true that ak!bagi is a continuation of q!bagi, this interaction itself can be enough to assume that mr. x is q!bbh if he remembers it like she does. when it's revealed it's a find the button room, she's even MORE distressed, "are you responsible for this? please- please tell me you don't..." "i would never!" he says like a liar, and then maniacally laughs. bagi also frequently calls him "bad" and not mr. x unlike mostly everyone else, seeing through the silly alias.

one interesting detail is how hungry mr. x is for totems!! every once in a while he'll mention how he wants more totems popped, in the valigma cemetary / cemetario do valigma, he asks quel for how many totems they have, when they say a hundred, he says "passa tudo!" and drops mobs on them. he really wants totems for some reason!! does he absorb something from it or did he just really hate foolish that day? lol

once the event is over, bad and bagi get to talk! bad becomes uncle to amora, bagi's daughter. amora is immediately very sweet to bad! bagi catches bad up on what's going on in valigma, telling him about araldo and bia, and bagi thinks because he's a demon that he could help the specialists understand and handle the magic themselves, "you see those pink blocks glowing that way? they're like some of the magic powers that this land has, but we can't just touch it and start doing magic all the way through the town. so, basically, there's powers everywhere that we don't know how to use and those two entities fighting each other, they use different kinds of power. so maybe you, being a demon and stuff... maybe you can teach us how to handle this." which, upon mention of him being a demon, he deflects by admiring a streetlamp. bad didn't act this way with lilith and rurus because they were already aware he was a demon since they summoned him, but he never confirmed anything to bagi other than the vague vastness of his age and his immortality, if i remember correctly. which is more than he's confirmed to other people!

bad points out bagi's smoking, "you've taken up smoking, im guessing it's been really hard?" "yeah! yeah, no, that was because, the things i lived before, you know..." "yeah i understand..." "it caused me a lot of trouble." if im correct in assuming this is about the island and losing the kids... :( which bad then segues into asking if there's an ikea. LOL

when jvnq starts taking bad to pac's house to steal furniture, he says "oh wow! you guys are all nice and close together, i like this. yeah, i hate having to walk really far." knowing that q!bbh tried really hard to get people to live close by to him when he was dying so someone would take care of his kids recontextualizes this as living far away being a regret he still holds </3 (not to mention, cc!bad himself regrets building his bases so far away)

when pac says he'll give bad more muffins and furniture if he teaches him how to fly and such, bad deflects by saying "yeah! it's easy, you just got to... you got a- you got a nice view!" and looking at the black hole outside his house.

later on, when bad gets transported by araldo, they seem to get along nicely and araldo wants him to do MORE chaos at some point, which i believe is worrisome if it's true that araldo is the problem in the fight between araldo and bia raux... but also very fitting for him. meanwhile, sent back to his friends, he has only good things to say about him, and also inserted some of his silly lies. the entire interaction feels reminiscent of the times he'd talk about the 'eyeball guy with the snatched waist' aka the watcher, or even cucurucho to a certain degree LOL

when gabe takes bad to space, bad comments that it's a first for him! "the moon is just like i imagined it'd be..." congrats !bbh for having your first moon experience, at least, as far as you can remember!

meanwhile, transported to the mr. x manor, bad gives a dizzying tour to gabe, denix, and amora! he introduces the skeppy room when asked about his bedroom, mentioning he doesn't really need to sleep, and he instead meditates on top of the skeppy. (someone PLEASE feed this man dapper's special cake recipe) he also introduces his chair and i have no doubt that people have shown a comparison of his chair here vs. his chair in the hall of grim but i'll put it here anyways lol. he's also very consistent because the vod i went to to get a screenshot of his hall of grim chair is the near exact same "and this is my chair..." when he introduces it.

when bad, gabe, denix and amora are in the maze that the experts + fit went through to get to the cemetary, they stop at a corner to chat and gabe asks bad "changing the subject a little, if you had a son now what would his name be?" (possibly more gender neutral than the translator says, which is how bad interprets it,) this likely was on the mind because a bit earlier while exploring the manor, denix asked him to give him a second name or middle name and bad hadn't answered. bad stops to think about it, before prefacing "well, i- i've had kids over the years, a couple, but you're saying if i got a new kid, right? what would i name... him... probably... how do you say 'gremlin' in portuguese?" it's the same, but alternatively gabe offers "duende." meaning denix's second name is probably duende now LOL but more importantly, for the first time, at least directly tonight, q!bbh was reminded of his children. gabe contextualizes why he asked, "it's because in this city... anything can happen, you understand? one day you're single, and sad, and the next you have a family." "no, that's true... yeah. i- i understand what it's like, one day you just wake up and you got kids, i totally get it... and then everybody dies, and you're left alone." OOGH. EEYOWCH. we don't know for certain how long q!bbh has been living after escaping quesadilla island, or if even in the end cc!bad is planning that he escapes at all, he might still be bound to it. but however long it's been, he's been carrying onto the weight of everyone disappearing, with only strange creatures (the bunnies, the penguins, cucurucho...) to keep him company once everyone is gone. gabe inquires about if his family died, and he covers up with "oh, no, im just saying that's the inevitable. that's what happens, sorry." ...top 10 sentences that are more depressing when contextualized by an immortal demon with a heart too big for people to comprehend... :( something that bad misses here is denix asking if he wants to adopt amora, but this comes back around!

transported again, while gabe walks bad towards the boat the experts arrived on, he says "valigma keeps many mysteries and lots of trouble, right? fights, in this case many fights, problems, death, pain, suffering, and then we decide to have a child despite all these problems; how can this be, right? it's a weak point." bad says "yeah, love tends to lead to lots of problems..." which would be specifically commenting on taking care of children. and from the perspective of his current situation, being without them... yowch. :( then bad falls into a ravine, shoved by denix, and amora saves him. :) but when he fell he purposefully avoided landing in the water. :(

later on they go to the leaderboard! there amora offers that bad can adopt her for a while, since she's "kinda an orphan" based on the activity of her parents other than bagi, and he accepts :) though knowing he literally can't be active either lol. from then on, amora calls bad "dad" for the rest of the night, and "pai bad" the next day when talking with some of the experts :)

some more fun stops later, they pause in the gallery as gabe explains more of the araldo and bia beef, to which bad says once more to "wine and dine" araldo... if u want it done right, do it urself, geez... chat, beat this guy up for me... he has a weakness for guys with power... another moment in this stop to goof around, bad says "yeah, im really good at cooking... people. meals." which is normal q!bbh and the least surprising thing he's said or done all night.

the night slowly comes to a close, after running into guaxi for a small reunion, he says goodbye with a bang when denix kills him and he logs out. they then contain mr. x's corpse in a box of glass, preserved for memories <3

if this is what post-qsmp has been like for q!bbh so far, IM SO EXCITED FOR MORE!!! and yes i HAVE spent at least 5 hours writing notes as i vod review!!! q!bbh on arkanis felt a lot like a classic day on qsmp with his character plus some pain and suffering, and q!bbh on mythcraft gave us some extra lore bits to think about!!! very very fun, im sooo excited for whatever ending cc!bad has been wanting to make for q!bbh, because if it means he's still kicking it going around to other worlds, all of his pain in tow, IM SO READY!!! thank you if you went through everything here it was a doozy and mostly for yelling about with other people since i haven't been on tumblr for a while and i miss the screams from here. :)

[ravengards-rogue]

✧ tags : afab + fem!reader, top karlach, bottom reader, strap-ons, breaking the bed, act three spoilers (vaguely), karlach is the weensiest bit of a bully, 18+

.𖥔 ݁ ˖˚☽˚｡

Karlach can't keep her hands off you.

Not her fault, in her defense. She had to spend an incredibly long, incredibly daunting leg of your journey not being able to touch you at all. Really, some of the hardest shit she's ever done in her life - even with her time in Avernus being Zariels' little lapdog.

Now that she has the privilege, she has to make the most of it. Her engines burning her up from the inside so she ought to make the most of everything. You especially. Who knows what will be left of her memory when her soul ends up in fugue plane? She hopes and prays her last memory is the feeling of you tucked in her arms all safe.

That being said, she's always on you. She likes fucking you whenever she can, wherever you'll let her. You're proper cute when she sneaks into your bedroll and lets her hand underneath your waistband, muffling little moans into the side of her neck as she holds you. Got the prettiest little voice she's ever heard when you whine for her, grip her forearm and beg all teary eyed.

That's been good and well - fucking amazing really. But there's been one thing that Karlach has been dying to do since she's gotten back to Faerun which is fuck you. Like, really fuck you.

She makes you cum in other ways. Whatever available, really. Hands, mouth, the muscle in her thigh when you're especially needy. Gods, she's grateful to see you like that. Leader of the pack all soft and trembling her bedroll all night, a sight for sore eyes.

But she wants to fuck you. She needed a strap to do that, and those sorts of things are only easy to find in the city - not in the middle of nowhere in the backwaters of the Sword Coast.

She knows you want it too, always begging for more.

You're in the city now, though - and you've visited Sharess' Caress, and now Karlach finally has something to fuck you with. You're finally in Elfsong song now (no more sleeping on dirt!) and the rest of your party has gone off to explore the city. There's plenty of business to attend to. The two of you offered to stay behind, hold down the fort.

(And well, no one was really going to stay after that were they? Not with the happy couple around, with Karlach eyefucking you as openly as she possibly can at least.)

She really is glad that you have all this time to yourselves for now.

Now that she's finally, finally fucking you - she isn't sure it'll be easy for her to stop.

You're pretty laying underneath her. Naked, sweat making your skin sheen as Karlach stands back on her knees and fucks you on your back. Your chest bounces every time your ass meets the thrust of her own hips, your voice trembling as she gets into proper pace to fuck you.

She gives you a wicked little smile, watching with abject fondness as her cock slides into you again. Shiny with your arousal, your cunt is tight with resistance even as she goes slow. You mewl, your hands reaching to push against Karlach's abs.

"Too much, Karlach, can't—" You gasp as she bullies the swollen head back into you. "S-senstive,"

"Didn't take you for such a quitter, soldier. You were just begging for it and now it's too much," She goads, fucking you deeper. You groan as your spine arches, nails scratching at her waist. "Try a little harder, baby."

Your voice breaks into a pathetic moan, weakly trying to push her out. Legs shaking as she fucks another inch into you. You're so wet she can hear it, hear how soft your pussy gets trying to accommodate around her length. Whimpering you close your eyes and shake your head.

"Too much. I c-can't cum again, can't."

Fuck you're delightful. It's nice when Karlach gets the chance to render you as helpless as you always make her feel. Pitiful and tender, she hums a little as she bottoms out again. Her eyes go lidded with want as she looks at the place in where she's inside of you, stretching your tight little hole. Fucking pretty thing you are. Pretty face and pretty heart and the prettiest pussy she's ever seen in her life. She's mesmerized how something so big can fill something so small. You stretch around her cock so well, so perfect.

"Of course you can." She murmurs. Hot hands curl around your wrists, your arms straightening out in front of you as Karlach holds them. Your fingers brush against your abdomen again but don't find the same purchase as Karlach holds you down. "A little more and you'll make another mess for me to clean up like always, huh?"

"Karlach," You whine, your eyes fluttering open. Your lashes are wet with overstimulated tears, mouth curled in a soft and pouty flush. "Karlach,"

She laughs, sharp teeth showing as she rolls her hips - undulating slower. A soft pace to ease you into it again. She knows just the right angles. You like two ways. Hard and heavy, her hips fucking into yours

She steals a glance at your desperate face and settles on the latter. "I'm right here, pretty girl. And I'm not going anywhere, either. Now hold on,"

It's the most she spares as a warning before she sets a brutal pace. She use your hands for purchase as she pulls her cock out, and thrusts all the way back in with a loud, unforgiving groan. Her clit digs into the leather backing of the strap when she does, delicious friction making her head feel numb.

You cry out as she thrusts deep and hard, cock buried to the hilt again.

She keeps the same brutal, unforgiving pace. The room sounds with the weight of her thrusts, skin smacking against skin and the soft internal whirr of her engine noisy. Lewd, wet sounds mix with the visual of you laid underneath her, tits bouncing with every smack of hips.

She throws her head back back, euphoria washing over her in a haze.

"Fuck yeah, that's it baby. Feels good. Feeling me right in your stomach?"

You nod deliriously as your hand curls into a fist, struggling to keep up. She laughs at you as she ducks her head to meet your mouth. You kiss her with immediate fervor chasing her lips aimlessly while she fucks you hard and deep.

Her name sounds so good from your mouth, she doesn't think she'll ever get sick of it.

.𖥔 ݁ ˖˚☽˚｡

[linkspooky]

It's not just the fact that Hori decided to kill a lifelong victim of grooming.

My two favorite comic book storylines are New Teen Titans Judas Contract, and Uncanny X Men's Inferno. They both feature villains / victims (Madelyne Pryor and Terra) that die at the end of the story. Terra is specifically fifteen years old and a victim of sexual grooming.

However, both of these stories are clearly written as tragedies. It's clear from the start that these are tragic stories not only meant to get us to sympathize with the victim turned villain but also the failure to save a clear victim is meant to make the heroes look bad.

Let me just list off all the shit Scott Summers put Madelyne Pryor through.

Fell in love with her only because she looked like his ex girlfriend Jean. Even though Madelyne specifically stated before getting into the relationship she didn't want to be jeans replacement.

Married her, and refuses to take time off to the point where he misses the birth of his own son leaving Madelyne at home to deliver her baby on the floor.

When he finally retires and they move to Alaska together he gets a phone call that Jean is still alive and abandons his wife and daughter for weeks to go back to his high school girlfriend.

Madelyne is attacked by a group of supervillains while Scott is away and just barely manages to escape but loses her baby.

She joins up with the x men to look for scott only to find out in the time she's been gone Scott had already gotten back together with Jean.

She is tricked into making a deal with a demon who wants to overthrow ilyanas control of limbo (she thought it was just a dream and the contract to sell her soul didn't matter).

She used her newfound power in order to find her child Nathan only to find Mr sinister there who reveals that Madelyne was a clone of Jean Grey, her entire life was a lie, she was made to breed with cyclops and produce a baby for sinister.

At which point madelyne snaps and decides to burn everything to the ground and kill her own child.

It's clearly telegraphed as a tragedy. The reference to Medea is pretty obvious. Madelyne had no chance from the beginning, however even in this tragedy Scott specifically forbid any of the heroes from using lethal force on her. Jean and Maddie mindmeld at one point and Jean literally begs for Maddie not to die and that she should live on to raise her son. They even throw a funeral for Maddie afterwards because be no one else would ever mourn her.

Not only do the heroes look bad, especially Scott for not being able to save her, they do at least try to talk with her, use non lethal force, and beg her at one point to let them help her.

On the other hand not only did Deku never engage Shigaraki Tomura once, just the vision of a crying child in front of him. Deku doesn't look like a failure for failing in his goal to save him he's still the greatest hero, they don't hold a funeral for Shigaraki, Dekus last words are about how he doesn't forgive Shigaraki (and therefore he deserves to die i guess because deku is the punisher now). Deku doesn't even give Shigaraki the respect of calling him by his preferred name he just calls him Tenko who was the only person Deku cared about saving.

It's not just about a victim dying it's about how the story promised us over and over again the kids were going to save the villains in the final act, that this was going to be an optimistic story about the new generation being better than the old.

Only for Horikoshi to deliver something entirely different. If I'm watching punisher I know what I'm getting into. I'm here to watch Frank Castle shoot mobsters. If Batman picks up a Tommy Gun and starts shooting mobsters that's bad because Batman wouldn't do that shit.

There's writing a story that's tonally inconsistent, or changing your plans for how a character is going to end late in the game and then there's this.

Which is basically narrative gaslighting. Where one thing is clearly happening onscreen but the narrative needs you to believe those gaslights clearly are not dimming.

I know Deku made no effort to save Shigaraki when he explicitly said they OFA is a power for saving but not killing, but don't worry Deku became the greatest hero anyway, and this is still a happy optimistic ending!

Horikoshi isn't looking for treasure in the house. Those gaslights aren't dimming. You're clearly being hysterical, woman.