#her main purpose was to just keep people alive

[paterday]

👁👁

You uh getting some ideas for Aura and Omen?

Don’t look at me with those big ol eyes I’m SHY

Here’s an image of. The silly for your troubles

that being said.

[rubysparx]

Honestly I don't think I'm qualified to make this post, I just don't know if I can make coherent enough words man. But the thoughts are in there and I will try to articulate them. This is probably going to be mostly images though. anyway yeah KABRU POST.

A couple nights ago (at approximately 2:30am, lasting a little over half an hour) I had a bit of a moment about Kabru. That, too, was mostly images- most of what you see in this more concise post were presented then as well. I think my main points of the "moment" were about Kabru's trauma + self hatred, his autism and/or general otherness, and also a little labru if you'd like..

I think something easy to start with is I wanna point out Kabru's constant back and forth and conflicting opinions of demihumans and how, I believe, thats a reflection of how he goes back and forth on what he believes his purpose of living is- and the general worth of his own life. I've said it before and i've just kinda shown it in images; Kabru is "i think im a monster and it disgusts me" where Laios is "I know im a human and it disgusts me" (i could go more into the latter on another post)

the above are both from the world bible, with the left being from the section on kobolds and the right being from the section on Kuro specifically. Utaya was very near to the desert where most of the kobold population is, this is likely why Kabru is able to speak Kuro's language- he grew up around demihumans. (chapter 48 cover, kobold chapter in the world bible) I won't try to speak for how his mother or the rest of utaya felt about the kobolds but I can say that Kabru was very much othered as a child, as was his mother, purely for the way her son's (kabru) eyes looked.

I feel like its fair enough to say that both kabru and the kobolds were othered, and possibly for similar reasons (villager's seeing them as nonhuman, as monsters) and the fact that Kabru learned their language probably didn't help his case. I think his perception of kobolds (and all demihumans, subsequently himself, as he probably still views himself as nonhuman or not human enough.. deep down) was damaged by the Utaya incident. at 2:30am when I first started this ramble my main comment was that "had the utaya incident not happened kabru would have little reason to feel ashamed for his connection to monsters. and may have ended up similar to laios in that he couldve had otherkin swag" which is just a sort of silly way of saying Kabru could've learned to love the thought that he is possibly nonhuman or at least not hated himself so much for it.

in the original ramble I said, and quote, "he has been STALKING laios. laios is his hyperfixation to learn how he can ever be loved. he keeps going back and forth so harshly on wether or not he wants to kill Laios and he clearly sees his survival from utaya not as an unfortunate trauma [*] but as a necessary, deserved fate. a punishment for his mother's witchy sins, and for his sin of being non-human. to atone for it all, to apologize for being alive, he tries to better the lives of all humanity. He was set on his way to dethrone the governor of the island . do you understand? im going insane" *i also said somethings about the way he processes other people's traumas and not his own. He's able to understand and even help some people, but he struggles to process his own issues and see himself as worthy of love and life.

^some examples of Kabru being understanding of or helping others who have suffered greatly. I think its also worth mentioning that with Rin (called "Lynn" in that translation) he says "I wish there was a way to get her out of this" though he's insisted and pushed for himself to go into a dungeon;

In chapter 94, Mithrun says "The desire I had left wasn't revenge. All I wanted.. was for it to finish devouring me." and I don't feel like it's a stretch to say Kabru was in a similar situation. Mithrun sought out the demon with no plan on how to kill something like that because deep down he wanted it to end his (Mithrun's) own life, to finish the trauma it caused and kill him. I think Kabru went into the dungeon in part with the hopes that it'd kill him. That the same thing that destroyed Utaya and caused him so much trauma would just.. finish him.

I just think Kabru is a beautifully complex character, I have a lotta thoughts on him and I don't see nearly as many analysis posts for him than I do Laios (despite labru being such a popular ship)

there is no tldr for this post idk how to summarize it. do what you will with this collection of images. have fun. go crazy

fun fact the woman in the bottom left corner is his mother, she is labeled here as "witch"

[daggersandarrows]

the thing that people don't acknowledge about caduceus is that he's a 19 year old accidentally goth homeschooler (in the way that only people who don't know what goth is can be like the truest fucking goth) whose main hobbies are being the most gossipy, judgiest bitch in the mighty nein, talking to plants as if he can understand them in a universe where he canonically CAN communicate with them, he just doesn't fucking get them, and making tea. he dyed his hair pink. he is terrified of water. he carried a bone flute hundreds of miles for the specific purpose of terrifying his sister out of her mind before he even knew she was alive for sure. his response to a one night stand with a hot but evil girl was "sleep well with your bad decisions". he's a middle child. he keeps getting stuck in mud puddles. he spends 90 episodes teaching fjord about how to accept death and then while fjord was extolling how great caduceus was at acceptance, caduceus was pleading with god to resurrect a dude he never even met. "wise old guy who counsels the group" couldn't be further from the truth. that's what he WANTS you to think. plus this is objectively funnier

[seresinhangmanjake]

Main Masterlist

Tag List or follow @seresinhangmanjake-library

The Harkonnen's Sweet Thing: Part 1, Part 2 - (Atreides!Reader) You watched your brother kill the man you love--a man you were once gifted to by the Baron--and now that he is gone, you think Paul will use you as a political pawn in his war. And you're right. But you're shocked to discover who is demanding to have you.

What Comes at Night: You have nightmares of Feyd's death and he's there to comfort you. *can be read alone* Mark of Luck: You give Feyd your mark of luck before he enters the arena. *can be read alone* Overprotective: Your son is due to be born any day now and Feyd is very protective. He kills anyone who so much as lays a finger on you, but it’s gotten out of control. *can be read alone* The Harkonnen's Loves: Feyd gives his four-year old son his first blade. (Mostly sweet family stuff)

His: You used to be a Lady, a daughter of a Great House until Feyd took you. Since then, your sole purpose has been to warm his bed, but when Rabban asks about having you for himself, Feyd makes a choice that changes your future.

Forever His: Post-marriage stuff His and Yours: When you're told your pregnancy could cost you your life, Feyd demands you do whatever necessary to keep yourself alive. Protecting His: One of Feyd's harpies saves you. His Boy: Feyd is worried his son is too much like him. Defending His Lady: Both Feyd and your son take issue with the people of Giedi Prime not accepting you as their Lady More of His: You want another child, but after what happened with your first birth, Feyd is less than thrilled at the idea. Prequel Fics: Becoming His: Feyd chooses you as his concubine. Don't Touch What's His: Feyd's harpies attack you while you're both asleep in his bed and he gets real mad. Only His: A diplomat from Caladan wants to borrow Feyd's concubine. He doesn't like that very much.

Fremen Girl: The potential wife of any future Baron must prove herself by surviving in the arena before the current Baron will permit the marriage. In this case, Feyd-Rautha Harkonnen wants a wife, and he might have just found a woman capable of meeting that challenge.

Part 2 Part 3

Feyd x reader on her period: Feyd doesn’t like anyone keeping him from his wife’s side, especially when she’s in pain.

Unexpected: No one expects Feyd's bride to like him.

Anniversary: Giedi Prime doesn't celebrate anniversaries, but you show Feyd a tradition from your planet.

Respect: Your betrothed is a son from one of the Great Houses, an awful man who has enjoyed threatening and scaring you since you were children. Feyd makes it known he doesn't appreciate such disrespectful treatment of the woman he loves.

Do You Love?: Feyd is soft for his wife and only wants to know if she loves him. His wife just wants him to come home.

He Will Hope: Feyd is obsessed with his bride from the moment he sees her, but on their wedding night he finds out she might not feel the same. (Angst, but hopeful ending) *also serves as a very early prequel to Do You Love?*

Staining: You think your husband is heartless, but maybe you're wrong.

All He Knew: Feyd deals with the emotional aftermath of protecting you from his uncle.

[alicesivory]

Old Habits Die Hard [4/?]

Previous Chapter // Main Masterlist // Next Chapter

Pairing: Nightwatch! Aemond Targaryen x wildling female! Reader

Genre: Historically accurate Aemond

WC: 3370

Summary: Aemond ventures beyond the Wall.

“Your hair looks nicer when it’s braided now.”

It seemed that the she-wildling could not keep her mouth shut. Rolling his eyes, Aemond changed the subject quickly, “How long ‘til we reach your people’s camp?” Aemond asked. “Just keep the horse in a steady pace up ahead and we’ll reach them in no time,” she answered him whilst comfortably sitting in front of him, between his arms that held the reins of the stallion. The reins were relaxed, and the stallion responded effortlessly to his light guidance through the cold and dark forest. The forest stands in eerie silence, its dense canopy casting a perpetual twilight over the twisted, gnarled trees. Shadows dance menacingly across the forest floor, where fallen leaves and branches lie in disarray, as if disturbed by some unseen force. The trees themselves seem alive, their bark scarred and contorted into grotesque shapes, carrying with it the faintest whisper of forgotten secrets, and the occasional creak or groan of the wood echoes through the stillness, adding to the sense of foreboding. 

No wonder they call this the haunted forest. 

“What lies in these woods?” Aemond asked once again. “Wild animals, mostly. But we don’t really hunt at night. It's a bad omen,” she replied. “Sometimes we see them at night, that’s where they emerge.” Her words made Aemond wonder, “Who do you speak of?”

“What do you think the walls were made for?”

Aemond thought for a moment. 

“To keep your kind away from entering the realm,” he said, hesitantly. Not quite confident with his answer. For he knew that the wall’s purpose was more than just keeping a few wildlings out of Westeros but, he does not know what. “It wasn’t even built because of us. My people were separated from yours because we were unlucky enough to live beyond the wall when it was built,” she explained. “It was the others that they were afraid of.”

“Others? Other tribes?”

“No. The undead.”

Chills ran down from Aemond’s spine.

The White Walkers. 

He has read countless books about the white walkers and the long night. How the battle for the dawn unfolded, yet all he knew was that it was all a myth. A fairytale. Stories to scare your child so they would sleep for the night. He recalled how the White Walkers were first written and mentioned during the Age of Heroes. Born of powerful and untested magic, they were created to protect the Children of the Forest during their war with the First Men. What once used to be puppets and soldiers for the Children of the Forest, the magic within the white walkers took a turn and rebelled against their creators and brought nothing but destruction to the realm. 

“But they were nothing but old stories. Fiction, even,” Aemond protested. 

“They are far from fiction, snow-hair.” 

The wildling looked back to him, surprisingly close since they were cramped at horseback. 

“What did they call you back there? I couldn’t recall. Was it Almond?”

“Aemond,” he grunts. 

She chuckled, “I like snow-hair better.”

“And what of you?” Slowly speaking her name which seemed foreign to his tongue. 

“Close enough,” she shrugged with a smirk, looking back into the road. Aemond wondered once again of the undead she mentioned. Were they lurking behind the old trees of this very forest? Were their lives at stake when they stepped their foot to this forest. “They took my brother,” she said, capturing Aemond’s attention. “The undead?” She nodded at his question. “He seemed to forget about time that day. But what kind of child remembers time, really? They wanted to play all day. So he did, running inside the woods without me or my mother’s attention, wanting to become a great hunter who enters the forest with no fear like my father. And he never came back.” 

He felt sorry for the girl, for he himself had felt the same kind of grief when he heard of Aegon’s death. Especially when they could’ve done something to prevent their deaths. “Sometimes I wonder if they buried him at all. If they did, I wonder where they buried him,” she said, spacing off into the distance. “There is no sympathy from the dead. Nor do they care for the living,” he said to her. “I know. But I’d like to think they did. He was just a child.” 

The whole ride quickly became gloomy and sour as the pair battled their grief as bad memories and remorse overcome their thoughts. “Does that stop you from hunting in the forest?” Aemond asked, trying to bring peace to her. “No, not really. I think I became eager to hunt here. Maybe one day I can find him well and just…cleverly hiding between trees,” she said with a bitter chuckle, sensing her denial of her brother’s disappearance. A sense of protectiveness washed over Aemond, knowing what it felt like to see light in the midst of darkness. Denying the truth to comfort yourself. He knew of that feeling. 

“Maybe one day you would. One day.”

Crack. Swish. 

“What was that?” 

Crack. Crack. Crack. 

“A wild beast?” Aemond asked. 

A figure emerging slowly behind the tree as they pass. “That is no beast,” the wildling alarmingly said, taking over the reins and snapped it making their horse gallop through the dark forest. “I would’ve preferred it to be a wild beast so we can take it home, yet you and I know that is no beast, snow hair,” she spoke as the harsh winds of the north hits their faces. Aemond looked back, seeing two..three...four figures catching up onto them. 

“How do we escape them?” He asked. 

“Hold on tight.” 

She took a turn in a swift motion, galloping off the road going between trees. In hopes for them to stop gaining on them. The wildling kept snapping the reins ordering the horse to go faster with only the moon being their source of light. “C’mon…c’mon…,” he heard her grunting as she took a glance behind and saw some still following their tracks. Galloping between trees, their horse finally took them to safety at the edge of the forest, to a clear opening. 

Making Aemond have a clear vision of the undead. 

Their skins were pale, almost blue. 

They look like humans yet they were not at the same time. 

The creatures frightened him more than anything else, but as they neared the edge of the forest, the White Walkers ceased their pursuit and vanished behind the trees. Aemond exhaled deeply, relieved that they had escaped the forest unharmed. Suddenly the horse neighed, abruptly stopping. Making both of them grunt in pain when they nearly fell. “What’s wrong?” The wildling asked the horse before an arrow striked a tree behind them. They looked around, trying to find any signs of life. 

“What are you doing?” Aemond hissed when she stepped down from the horse. “Where’s my dagger?” She whispered, ignoring his previous question. Aemond sighed, tossing her the dagger beneath his black cloak. Catching it with ease, she spoke into the air,

“It’s only me! Gruff? Yuri?” Aemond was curious about those people she called out. Were they one of her people? Who were they?

“Blimey kid, you scared the shit out of us!” 

A loud booming voice suddenly said, emerging from the snowy ecosystem. Their thick fur coats also seemed to be efficient for camouflage. Aemond saw how his peculiar she wildling smiled brightly when she spotted her friend, running towards the tall red haired man giving him a tight hug making them both laugh as he picked her up in his arms. 

Aemond rolled his eye.

“Thought you were gone for! We saw those creepy dead people- thank the gods!” The red haired wildling said, ruffling her hair. “Oww! No! Do you think that low of me, old man?!” She asked with a laugh, shoving the man away from her. “Oi, I'm not that old, young lady.” Locking her head once again with his arm. “Yuri! Look who just came back from the dead!” The red haired shouted, now another wildling emerged from the opening. His hair was blonde, almost as light as the hair of the Lannisters. “We really thought you were dead, kid,” Yuri said, patting her shoulder. 

Who were they? Why were they awfully close with her? 

From what he witnessed, a young woman could only interact like this with the opposite gender if they were siblings or wedded. Even he never saw any of his wedded acquaintances interacting this way. Were they her siblings? They don’t seem to resemble one another, were they bastards? Did they came from different mothers?

Aemond cleared his throat, stepping down from his horse, interrupting their reunion. 

“Ah yes- Gruff, Yuri, this is ehm..Aemond Targaryen. The man that I spoke of to the both of you,” she said. The red haired, who was named Gruff looked Aemond from head to toe. “Gruff and Yuri are my hunting friends. We’ve been hunting together since we were children and fun fact, we have the same grandsire.”

Gruff slowly approached the one eyed prine, keeping an eye on him. Aemond straightened his back to appear taller, gripping the handle of his sword, preparing himself. Once Gruff stopped in front of him, their noses bumping into each other, he spoke, 

“Did your mum fucked a snowman?”

“I beg your pardon–,” Aemond stepped closer, ready to draw his sword out.

“–Alright that’s enough!” She quickly stepped between the two men. “What Gruff was trying to say was, how is your hair silver?” She asked. "My father, my grandsire, my great-grandsire—all of them had silver hair," Aemond hissed, his gaze fixed on the red-haired wildling. "How did they end up with silver hair?" the red-haired wildling asked, crossing his arms. Aemond couldn't believe how absurd this conversation had become. Frustrated, he let his hands drop. "We're from old Valyria," Aemond explained with resignation. "It's simply a trait we have—silver hair is just part of who we are."

“Valyria? What’s that?” The blonde wildling asked curiously. “It's a place far from the north, Yuri– Now come on! We must bring him to the Chief.” Walking past them, she held the horse’s reins and started walking ahead. Gruff purposely bumped Aemond’s shoulder as he passed through the one eyed prince. Aemond rolled his eyes again, resigned to the childish behavior of these people, before catching up and walking alongside her. Compared to the two wildlings, he found her more tolerable. At least she didn’t ask pointless questions.s. “I have told our Chief about you,” she said. “I am sure he will take it easy on you,” she said.

 “Does he takes it easy with anyone else?”

“No, not really. He’s quite rude if you ask me.”

“As rude as your friend there?” Aemond chuckled bitterly.

“You’re in for a ride,” she chuckled, patting Aemond’s shoulder. 

As much as Aemond would like to worry, he could not as he knew that she was the one who brought him to her people. For her people needed him, not the other way around. He hoped that this agreement would be the means for her to fulfill her promise and return him to Westeros once and for all. Additionally, he couldn’t help but notice her diminutive stature compared to his own—she barely reached his shoulder, smaller than any lady from Westeros yet possessing a fierceness and demeanor that defied conventional femininity. A smirk tugged at his lips.. 

And there he saw it. In the vast expanse of snow-covered terrain, a tribe lives a nomadic life, their existence marked by resilience and adaptability. Their tents, typically made of sturdy animal hides or woven materials, scattered across the field. The tents are insulated with layers of fur and cloth, designed to withstand the biting cold. The camp itself is a lively hub of activity despite the harsh environment. Smoke curls up from several central hearths, where fires are kept burning to provide warmth and to cook meals. The scent of roasting meat and simmering stews mingled with the crisp, cold air when he stepped closer to them.

Like when he first entered Winterfell, all eyes fell upon him, following him as he walked side by side with her. “It seems you have captured the people’s attention,” she teased with a cocky smile. “Why is it because of my hair or my eye?” He asked. “Neither. It’s your attire.” Aemond looked down to his clothing. Of course, he’s still dressed like a member of the night’s watch.

“We hate the crows in here, so it’s better for you to strip those clothes after you meet our Chief,” she said, giving him a wink. Before he could protest, a snow hit his cloak, making him flinch. Turning around, he saw a couple of children running around, even snickering at his presence. “Careful now boys!” She chuckled, greeting some of those children. “Never seen a crow, huh?” She crouched down, talking to the children surrounding her. 

“He only has one eye!” One of the children tried to whisper to her. “Scary, isn’t he? Tell you what, I’ll let you pick on him when I’m not around,” she said to the kids, making them snicker and giggle in excitement. 

She was really good with children. 

Throughout his life, he rarely sees his mother or even his sister being this natural with children. It makes him wonder if she has one. 

“For the meantime, can all of you keep an eye on our horse?” Offering the rein to the children, in which they eagerly accepted before taking the horse away. Aemond curiously kept his eye on the horse as the children led it away. “Don’t worry, they are very gentle with horses. They know their purpose,” she reassured him before she started to walk once more. 

Approaching one of the biggest tents in the area, the spearwife stops beside him, “If the Chief likes you, you’ll live another day.” Before smiling mischievously stepping inside the tent. Slightly on edge, he hesitated to follow them inside. But he would not cower in fear and enter anyways. Reminding himself to keep himself in check if he wants to go home. He stepped inside, his eye falling onto a man sitting in his chair as his companions surrounded him, whispering to each other. 

“Chief, I would like you to meet the crow I spoke of. This is Aemond Targaryen,” she introduced him. Aemond nodded with respect to their chief, an older wildling who carefully inspected Aemond, standing up from his seat. “Targaryen,” he said. “A peculiar tribe. Was it true that your family had power over dragons?” The Chief asked in which Aemond instantly nodded, “Yes, my Lord.”

All of them chuckled humorously. 

“Lord? I’m flattered to be called a Lord,” the chief said in humour. 

“So, where is your dragon now?”

Swallowing a lump in his throat, Aemond spoke. 

“She was killed at war.” A sense of bitterness, trying to mask his grief and sadness for Vhagar’s death. 

“A shame,” the Chief said. 

A pregnant pause.

“I want everybody out of this tent.” Aemond’s eyes widened. Was he going to be murdered? Did he not fulfil the Chief’s expectations? 

“But Chief–,” 

“–Especially you, girl. I shall talk to you when I’m done with this crow.”

Aemond instantly locked his eye with hers. Even her expression was unreadable as she hesitantly turned around to exit the tent. She gave him a nod, giving him support before leaving him alone with the Chief. Aemond turned his gaze back to the Chief who was crossing his arms inspecting Aemond from head to toe. 

“The girl likes you,” the Chief chuckles. “If it wasn’t for her you’d probably be dead by now. Killed by those crows.” Aemond kept his expression stoic as he brushed off the Chief’s words. “Speaking of crows, she told me you were forced to be one. Was that true?”

Aemond nodded.

“Yes, Chief.”

“What was your crime?”

“I was called a traitor to the Starks. Yet I beg to differ, for it was them who were traitors,” Aemond bravely said. 

“Traitors to whom?”

“The Throne. My brother.”

“Your brother? Your brother sat on a throne?”

“Yes, Chief.”

“That makes you a prince, then.”

A title he deeply missed. Aemond stood proudly, straightened his back as he kept his chin up high. 

“I am–,”

“You were.” 

“For you are currently not in Westeros, my boy. You are beyond the wall. Everyone beyond the wall fights for survival. For nature does not care if you’re a king or a criminal. And so far as I know, you stand before me,” the Chief said, telling Aemond to abandon his title as prince. “Where does your loyalty lie, boy?” The Chief asked, stepping closer to the one eyed prince. “To the crows?–”

“–No,” Aemond spoke with no hesitation. 

“The Starks?”

“Never.”

The Chief hummed in agreement. “The girl told me you wished to be rewarded. To go back to your family.” Aemond nodded, wishing nothing more than that. “So you’re loyal to your family,” he pointed out.

Aemond nodded. 

“Good. A man should always stay loyal to his family.”

He poured his drink onto his cup, “But will you stay loyal to us as you serve my tribe? And lead us to victory?” Aemond looked down, seeing the cup lent to him. Offering a friendship– an alliance– trust. Trusting a wildling. It seemed impossible for him, but he recalled simple questions by those wildlings about his hair. They were a simple tribe, living out of the complicated politics of Westeros. He could outsmart them easily and they’re offering him friendship. 

She paced back and forth in front of the Chief’s tent, waiting for the Targaryen to exit the tent unharmed. “You seemed stressed, kid,” Gruffed snickered, crossing his arms as he took notice on worried expression. “Of course, I am,” she said, stopping her steps abruptly. “May I know why?” He chuckled.

 “Is it because of the crow?–”

“–He is not a crow. He loathes the crows as much as we do.”

Gruff chuckled amusingly. 

“And? I bet Chief will tolerate him–,”

“–What if he doesn't? What if he beheaded that man and puts him on a spike?!–”

“–So what? What if he were beheaded? You should not care for that outsider—,”

“–I don’t care about him! I-I-I just want what’s best for our people–,”

“–You like him,” Gruff points at her with a mocking laugh. “I don’t! You pig!” She shouted defensively, quickly slapping Gruff’s arm repeatedly. “You do! You like that snow haired boy!” Gruff kept pointing at her as he teased her. The young she wildling grunts in frustration as he denies her feelings for the Targaryen. “If you speak of this one more time, I will kill you in your sleep, Gruff.” 

“Oooh you’ll kill me in my sleep, eh? Right, sure you don’t like that boy, surely if he one day betrays us will you kill him in his sleep?”

“I will. And I’ll cut off his cock and hang it in front of your tent,” she speaks bluntly. 

“Right, you sure you won’t use that for anything else?”

Her face turned red before she threw a hard punch across the red haired’s face. Groaning in pain, Gruff still laughed at her being so flustered with his words. “Why do you like him anyways? Is it because of his hair? His eye? Ooh his other eye, the sapphire?” Gruff asked, sitting up curiously looking at his friend. “For the last time, I do not like our new comer,” she repeated herself. “Keep telling that to yourself, kid. If I see silver haired babies one day–.”

The tent opened, Aemond stepping out of the tent.

Unharmed. 

“Ah, so he gave you a chance to live another day,” she said quickly, changing her once worried demeanour into the confident young wildling she is. Aemond could only nod, towering over her. “I shall, and I will.” 

His purple eye fixed on hers, “Where can I find new clothes?”

a/n: stay tuned for the next chapter and I apologize if this is not my best work but😊✨

[space-blue]

A Radical Messmer Theory

OKAY so hear me out.

I think we're all on top of things regarding how much Marika used to care for Messmer despite the embivalence of their relationship.

On one hand you have the OP healing vials she created for him and him only. You have his love and dedication to her. You have her taking his eye and giving her a seal that both locks the serpent but also hides the fact that he is GRACELESS.

Then you'll have things like how he hates his flame and tried to be rid of it, yet was clearly made to fight with it, in her name. How he wishes for hate and resentment to come to him and not her, yet she seems to have abandoned him.

BUT CONSIDER THIS!!

What if Marika sealed him away to keep him safe?

Because... If you are of the opinion that Marika has orchestrated the entire thing. That she exiled Godfrey and his people asking them to come back stronger because she was laying out a plan... That she hooked Ranni up with numen warriors to engineer Godwyn's death, then broke the Elden Ring purposefully...

And then took her punishment and set out to *wait* for the Tarnished to return and free her from the control of the Elden Beast...

Then it's possible that she veiled Messmer and exiled him to protect him FROM US. From the Shattering War.

After all, we can completely skip the DLC. Killing Mogh is completely optional. And the only reason we enter the shadow realm is because Miquella has discovered something of the gate of divinity and has been cooking up a plan for ages as well.

Miquella got thwarted and has been forced to wait in stasis until someone killed Radahn AND Mogh for ages. The moment he does, we have the opportunity to enter and follow, and because of that we have to kill Messmer.

But Marika's grace leads the way! you argue. Not until a certain point though, and most importantly: once Miquella is on his way to become a god (partially through your actions freeing the tower from shadows) then he becomes someone you need to kill because he's threatening the old order.

Marika is gambling on us, and when Miquella rises, she leads the way towards us defeating him and his consort, and then back to the main purpose.

But there's no reason to go kill Messmer. And if we don't, we can easily stipulate that Miquella's happy go lucky band of misfits also wouldn't have managed to bring him down, trapping Miquella's soul in the of shadows, once more in stasis waiting for a hurdle to be overcome for him.

It makes sense then, that the land of shadows, all considered, is the safest place for one of Marika's children to be. Out of the way. Without a great rune. He protects something she wants to keep secret, but maybe the secret itself protects him.

She sent him on that crusade around the time she married Radagon. Everyone theorises she wanted him out of the way to either have his true nature hidden out of shame or to protect him from backlash at the time, but imo she sent him to seal him away because :

1- she knows he's endlessly loyal and devoted

2- it gets her revenge underway and keeps her secrets

3- it gets Messmer out of the public eye in the moment

4- it keeps Messmer SAFE from the dark shit she's got planned that will wreck the lands between.

The Messmer most beloved son theory! The good Tarnished doesn't play the DLC, or does just long enough to run around but leaves Messmer alive and Miquella forever blue balled.

[fsfghgee]

Bi-Han Breakdown: because I think he deserves it. And unfortunately, he's receiving a lot of hate for no sane reason

Bi-Han is not a saint, but clearly complex and misunderstood. I hope this post can help you to understand his character and alignment in MK1 better.

1° HE LET HIS FATHER DIE, HE IS EVIL!

Bi-Han letting his father die is the main reason that make people think he is evil, but let's think about it...

Bi-Han let his father die, he didn't kill his father in cold blood and Liu Kang knew about it! Why he kept Bi-Han close, had high hopes for him (his words) and still wants him back if he is so evil?

Liu kang: Come in from the cold, Bi-Han. ("Come in from the cold" Definition & Meaning: to become part of a group or of normal society again after one has been outside it.)

Bi-Han: And again kneel before you?

Liu kang to Scorpion (about Bi-Han): I had such high hopes for your brother.

Scorpion to Geras: I want to see the moment my father died. (so yeah, Liu Kang knows how Bi- han/Tomas/Kuai Liang's father died. And he doesn't blame Bi-Han for his death)

Besides, who said his father couldn't have done the same thing with Bi-han's mother, since she was also a warrior who followed Liu Kang and letting someone die is not a big deal for Lord Liu Kang...

Tomas: Did you intend for me to be orphaned?

Liu Kang: Some threads must be cut to weave time's fabric. (Translation: YES, I DID. WHAT YOU GONNA DO ABOUT IT?)

Why doesn't he resent his mother for following Liu Kang like he does with his father? Why does he genuinely believes that she would be pround of his actions?

Tomas: If mother were alive...

Bi-Han: She would applaud my actions.

C'mon, look at his eyes! You can see the pain in them:

Bi-Han to Kitana: Your mother's death is regrettable.

He never shows remorse for anything, but he's truly sorry for Sindel's death, because he wasn't there to help them defeats Shang Tsung's god counterpart and maybe prevent her death. He truly admired Sindel. Also, Sindel was a mother. And he loves his mother.

Bi-Han to Sindel: You wield the power that I aspire to.

Bi-Han to Sindel: I don't want your throne. Just part of Earthrealm.

He only despise his father and Liu Kang's authority...

Bi-Han to Liu Kang: My father was a fool to follow you.

Kenshi to Bi-Han: Why do you so resent Liu Kang's authority?

He keep saying to everyone:

Father was a fool, lacked vision, never saw the Lin Kuei's potential etc. Then, you can say BUT HE NEVER SAID HIS FATHER WAS EVIL...

True. But who knows? He doesn't see himself as evil for not trying to save his father (nor Liu Kang, a GOD.) when he had the chance, but a lot of people thinks he is evil for it. And his father was a man of many secrets...

That demon who thinks it's cool kill "evil creatures" whithin her parameters to get what she wants "a pure form/soul": There are many in the Netherrealm (hell) just like you.

Bi-Han: You conflate ambition with evil, Ashrah.

Bi-Han to himself: Our father was a man of many secrets.

2°

HE IS MEAN TO TOMAS AND TRIED TO KILL HIM, HE IS EVIL!

I truly love Tomas, but Bi-Han not accepting him as a brother in front of him, doesn't make him evil. Tomas's family was murdered by Lin Kuei's warriors in front of him and the grandmaster (Bi-Han's father) took him in to make of that broken child a powerful warrior who could also kill! In Bi-Han's eyes, Tomas was always a potential threat to the clan and he state it in his face:

Bi-Han to Tomas: Your treachery does not surprise me.

But despite everything, he also, multiple times, recognize Tomas as a worthy fellow Lin Kuei and even as his brother:

Look at how proud Tomas seems to be 🥺

How could Bi-Han think about harm Tomas when everything happened so fast?! He couldn't even see where Tomas was, he rushed to check where he was and not even looked at the ground to purposely kick a rock on him:

Liu Kang: Your brothers regret losing your fellowship.

Bi-Han: Then they shouldn't have disobeyed my commands.

He clearly recognize Tomas as his youngest brother, just not in front of him. You ask me why he doesn't do the same in front of Tomas? Firstly, he always had a foot out the door in his relationship with Tomas because of his background (TOMAS'S BIOLOGICAL FAMILY WAS MURDERED BY HIS CLAN); Secondly, Tomas was supporting all that Kuai Liang's mourning for their father's death and Bi-Han was clearly fed up and lost it. You can even see how surprised Tomas was:

He clearly wasn't expecting to hear him talk like that.

And we can't forget that Bi-Han was Tomas's idol before his betrayal. I don't know about you, but I wouldn't idolize and really miss someone who is constantly mean to me, so yes, I don't believe that Bi-Han was constantly an asshole to Tomas, just cold how his own statement:

Tomas: You've always been cold to me.

Bi-Han: Because your blood is not Lin Kuei.

And after defeating Nitara and Ermac the first thing that comes to his mind is the physical integrity of his brothers. He checked BOTH of them:

3°

HE TRIED TO KILL KUAI LIANG, HE IS EVIL!

We must have been watching different things, because there's no way that the GRANDMASTER of an ancient warrior clan, who can easily kill and is trained for it since childhood, would miss this chance if killing his brother was his true intention:

They trained since childhood, Tomas not even tried to separate them...

You ask why? Because he is used to it! They trained since childhood, they fight against each other since childhood too.

He only shows up to check Kuai Liang when he worries that Bi-Han could have blinded him, that is, gone too far.

And he quickly goes back behind the scene when he sees it was just a scratch:

End this, brother! Embrace the future!

He wasn't trying to kill him (look how he deliberately made this blow go soft here), he was trying to PUNISH him for disobey. And then, I ask you, with whom do you think he learned to do that?

And after this blow, he was holding back so much that he lost to him

4°

HE BETRAYED HIS BROTHERS! HE IS EVIL!

They feel betrayed by him, Bi-Han also feel betrayed by them, but Bi-Han actually betrayed earthrealm and more than once offered them the chance to join him, which they refused because they just want to defend earthrealm not govern it. Which hurts Bi-Han so much, since the entire clan and his best friends (Cyrax and Sektor) believe in his vision, make the clan great again (lol, I mean, achieve greatness, bring glory and respect to his clan etc), but his brothers don't:

Kuai Liang to Tomas: You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute.

Tomas to Kuai Liang: That the Lin Kuei won't aid us is unforgivable. Bi-Han has corrupted them totally.

His only wrongdoing was trust in Shang Tsung and Shao. They fooled him with false promises. And he already regrets having believed in them:

Bi-Han: I was wrong to trust you.

Shao: Yes, Earthrealmer. You were.

Shang Tsung: You have been cold to my entreaties.

Bi-Han: Because you proved you can't be trusted.

Havik: We were both played for fools.

Bi-Han: Shang Tsung and Quan Chi will pay.

But, unfortunately he has been hunted for helping Shao break out of prison and they are calling him a traitor for it, nothing more:

Sindel: With one act you betrayed two realms.

Bi-Han: Neither deserved my loyalty.

Bi-Han: I helped you, but I've earned no respect.

Shao: Because there's nothing lower than a traitor.

Bi-Han: You would still be in prison, were it not for me!

Raiden: I never thought you would betray Earthrealm.

Bi-Han: My only loyalty is to the Lin Kuei.

[adhdnojutsu]

"Stop making them gay"

The main reason a lot of male characters in Naruto didn't have a chance with each other despite being written like lovebirds, is because Shonen doesn't do "gay". Itachi was canonically more attached to Shisui than to Izumi and Naruto more to Sasuke than to Hinata, but Shonen insists to be traditionally masculine, and traditional masculinity rejects what it assumes of homosexuality minus its allowance for "manly tears" or flamboyant outfits. Instead, it exaggerates male friendships/brotherhood to a point that is far from credible and has to screech "no homo" as a constant disclaimer. The Naruto franchise may have started "low key shipping" SNS as a joke, but it's not a baseless one at all.

ShiIta are so similar to Romeo & Juliet, it's ridiculous. While they weren't from warring clans, they were loyal to warring entities and bound to be pitted against each other in the coup if it had gone down and Shisui been alive. The conflict between the Uchiha clan and Konoha was in the way of them being as close as they wanted to be, with Shisui being tasked to spy on Itachi and Itachi tasked to spy on the clan Shisui was loyal to, so they had to meet secretly. Ultimately, they were both sacrificed for peace and for what was left of their respective allegiances (Sasuke and Konoha).

Naruto stepped in repeatedly when Itachi was beating up Sasuke, but kept pushing Hinata to fight Neji against whom she clearly stood no chance and who was intending to kill her, because he is pathologically ready to disrespect Sasuke's wishes to save him, but projected his own, naive ideals onto Hinata with no regard for her life, just because it made HIM mad to watch. I mean, he was visibly shocked when Hinata confessed to him 16 years into their lives... She was never a priority in his life before The Last, and he probably would have equally lost it if Pain had beaten up Moegi that way, because he was already livid over Jiraiya, Kakashi, the village etc. and wasn't about to stand for one more friend getting killed by this terrorist. Hinata, at that time, meant little more to him than his other classmates, Sasuke did and always has. He literally asked her why she'd risk her life for him because he did not see or feel anything that would make that question redundant. Izumi wasn't mentioned once post-mortem except vaguely, by Obito, while Shisui's influence on Itachi, both ideological and emotional, is canon gospel. It's so great that I can't help but wonder if he used Kotoamatsukami on Itachi before giving him his remaining eye. "Friendship" and "brotherhood" are NOT "emotional co-dependency and self-destructive emulation". Neither is a healthy romantic relationship, but people in fiction more typically go insane over or sacrifice their authentic self for, (lost) romance than (lost) friendship or siblings.

There's also nothing platonic about stalking your "friend" to a point where he feels compelled to kill you while you're screaming that you're gonna break all of his bones if that's what it takes to keep him by your side. Nothing cute or sane either, mind you. Sasuke and Naruto are a lot like Sarah and Setsuna of Angel Sanctuary. Sure, they're meant to be siblings or sibling-like, but DAMN that's not a sibling-appropriate degree of obsession.

Shonen has a tendency to exaggerate the importance of bonds and convictions, but Kishimoto took it to a level that has licensing companies make jokes in the form of couple-coded merch or fan service scenes. Even if he didn't do it on purpose, he clearly did it on such a blatantly obvious level that you get shit like this:

[all-purpose-dish-soap]

How about reader, who is a seasoned gamer, invites Gaz to play something like Valorant or Fortnite etc. She says "dw it took me a while to get good too" but he picks it up stupid quick. He spends the rest of the time enjoying winding her up more than the actual game.

absolutely absolutely. gaz can and should get away with everything.

1,833 words / lucky number 13

...

"Gaz... you know most people play video games to escape their responsibilities."

"So you've told me." Gaz's voice crackles over your headset.

You're staring at your screen, watching as he confirms his character selection in the game's lobby. "You're absolutely sure you want to play tank?" you ask him.

He locks in his character, and it appears in the pregame lobby: a bald-headed, square-jawed guy with a muscular build and heavy armor.

"Positive. You're playing healer, aren't you?"

"Yeah."

"Then I'm playing tank. Pocket me."

"You've never even played this game. We'll both get obliterated."

"Come on. How hard can it be? Shoot, use ability, reset. I take the damage; you heal me; I dish it back out; we win; you thank me for carrying you as always. It's just like our usual game."

"Repeat that last one. I think your mic cut out on account of the bullshit."

"You don't think I can keep the heat off you?"

"I don't need you to keep the heat off me. I just want you to have fun and not die in the first five seconds of the round," you tell him. He did buy this game specifically to play it with you. After a totally reasonable amount of prodding on your part. It's been your go-to for weeks.

"Then pocket me and I won't die. I'm not having fun if I'm not in the thick of it. You know me."

"Fine. For one game."

"Bet," Gaz says, sounding smug about it. "I'm not gonna disappoint."

During that first game, he's getting his bearings. But he takes to it rather intuitively, especially with your help over voice chat. His tactical skills are whip-sharp as always. As you pocket him, you focus your character's abilities on keeping Gaz alive. But you switch to upping his damage output when you realize he's holding down a choke point by himself, taking on enemies and laying out a field of fire for your team. It's impressive, considering this is his first time playing the game.

When an enemy sneaks up on you, his pocket healer, he disposes of them with slightly more prejudice.

"You're pretty good at this," you tell him, scanning the results screen. "I mean, maybe mid-tier if you were on your own."

"Mid-tier?" he says, a little affronted. "It's called being adaptable. Not that you'd know. Hundreds of hours in this game and you're mid-tier support at best."

You cross your arms, leaning back in your computer chair. "Because I don't play support. You know what? I'm switching to DPS. See what you carry without me patching your ass up every ten seconds."

Back in the lobby, you select your main. Gaz eyes the character with a bit of respect. "A rogue, huh? You must think you're pretty good. Gonna need a lot more healing."

"Only if I get hit."

"I could sponge that damage right up for you. Keep you nice and safe."

You scoff. "Won't need it."

"Let's see."

In the next round, you weave in and out of combat, gleefully dodging attacks and landing devastating blows before you disappear. Your bread and butter. Meanwhile, Gaz does--at worst--an admirable job tanking. Still, when you look back and see enemies surrounding him, it's clear he could use an assist.

You double back and flank two of the enemies on him, picking them both off one by one. But before you can gloat, his voice in your headset interrupts you.

"Good kills, baby."

That's not the reaction you wanted. It immediately ticks you off. "I know."

He chuckles and takes down another enemy. He's tunneling in on the fight now that you've got him back on his feet, but clearly he still has time to talk to you. "Can't take a compliment."

The face that he's purposely pushing your buttons just irritates you more.

The next few games, he makes himself indispensable as a tank. It should be a good thing, but he keeps getting in your way specifically. You'd swear it's on purpose. He tanks hits for you and then acts like you'd lose the game without him. His cockiness is insufferable. Worse--you can't ignore how deftly he's scaling the difficulty curve here. He's holding the attention of the enemy players, keeping them away from you while you deal the damage. And you'd never admit it, but the way he's holding aggro is saving your ass.

You shouldn't need him to do that, though. You tell yourself the only reason you're not playing better is because he's forcing you to maneuver around him.

Then he offs the enemy rogue right as you're finishing her off. You swear into the mic. "Gaz, come on! You stole my kill."

"I'm giving my little rogue the help she needs. Besides, you know it's not about getting the most kills. It's about the team's collective score," he teases, and you have to remind yourself it's just a game.

It's like he can tell exactly what to do to piss you off in record time after that. Bossing you around, telling you to take this point or make that kill. He even pipes up once to remind you it'd be a good time to use your ult. You open your mouth to tell him it's not ready yet, but to your chagrin, you glance down and realize it is. Somehow he's keeping track? Unreal.

You're a little impressed about that one, but you'd never tell him. In your defense, he's distracting you with all this banter and teasing. He's making it hard to focus.

"No backseat gaming," you tell him.

"Wouldn't have to backseat game if you played better."

"I would be playing better if you weren't crowding me!" You sigh out your nose. "You're only doing this to get a rise out of me. Micromanaging me. I swear you get off on it."

"You're giving me too many opportunities to obsess over you." He sounds smirky.

The way he says it makes something in your lower stomach flip. You lose focus for half a second--long enough for the enemy rogue to slip past Gaz and smack you.

Gaz slams into her with his shield to stun her, then spins around and uses his special to deal more damage. That last hit downs her. You don't even have a chance to react.

His voice in your headset is smug still. "Like I said."

"Fine. Thanks."

"You can thank me by not dying again."

After the game, you sit back in your chair, arms crossed. "You sure talk a lot of shit."

"Am I?" You hear him grinning. "I hoped you'd give me a little more attitude than that."

"Oh, I know. You're not subtle."

"Neither are you. You get riled up so easy."

"You want me to fight you? Because it sounds like you'd rather me just roll over and bite the damn curb."

"No, you want that. You're a masochist."

"Thank you."

"It isn't a compliment."

"I know. Keep bullying me," you snark into your mic.

It's hard to resist teasing you when you say stuff like that. "Okay," he says, his tone turning playful. He leans back, crosses his legs, and situates himself in his chair. The game's results screen idles on his monitor, forgotten. "You've gotta stop making it so easy for me, though."

"I get that a lot."

"I'm sure you do, sweetheart."

"Ooh, are we doing condescension now?"

"I've been condescending to you since minute one. I can turn it up if it's not obvious enough."

"Keep going and I'll get off."

"Off voice chat, you mean?"

You smirk. "No."

He smiles, rolling his shoulders back. "I can absolutely be more condescending to you if that's what your incompetent little heart desires."

You laugh. "You were just waiting to bring that one out, weren't you?"

"I've got several of them tucked away just in case you got mouthy, But let's be honest--you're always mouthy."

"You're one to talk. You talked hella trash that last match."

"Only because I had to pull your ass out of the line of fire all the time. If you were better, I wouldn't have to. You're giving me ammunition, here."

"I just think it's telling that you play tank."

"Are you saying I'm compensating for something?"

"You said it. Not me."

He rolls his eyes, smirking. "You want to talk about projecting? You're the masochist, and you play a rogue? The one class known for being fragile? You're putting a target on your own back. What does that say about you?"

"Better than a tank main," you quip.

"I'm taking all the hits so you can DPS your way to getting play of the game. Makes me sound proper generous."

You examine your nails. "Makes you sound like a control freak."

"Why don't you look me in the eye and say that? Turn on your cam."

Your grin widens. "Gaz, please. If I turned my webcam on every time some guy online asked me to, I'd never have time to play."

He leans forward, lowering his voice. "Who says I'm kidding? Come on, baby. Give me eye contact. Look me in the eye and tell me I'm a control freak."

"Nope." You know he hates that you're not budging.

"Why? Aren't you decent?"

"More like I have Cheeto dust all over my hands."

"Doubt that."

"It's true."

"Come on. Prove it."

"See? Control freak."

"Fine, I'm a control freak--withyou. But you like it, don't you?"

"Oh, I love when you order me around. I love knowing exactly what you want me to do so I can avoid doing it forever."

He sits back in his chair and stares through his screen. It's not like he's never seen your face before. You've posted a selfie or two in shared chats. But he's never seen you cozied up in your pajamas. Or in a cute little robe. Or maybe a big t-shirt, the soft kind. Like he wears.

Yeah, he's realizing he's down bad. Worse than he thought.

"You wanna make the next round more interesting, then?" he asks.

You arch a brow, propping your sock-covered feet up on your desk. "Like how?"

"You lose, you turn on your camera, obviously."

You snicker. "I don't know what you think I get up to on a Friday night, but you're gonna be sorely disappointed." You pop another Cheeto in your mouth, knowing he'll hear it crunch.

Gaz laces his fingers behind his head. "I've already curbed my expectations. Bet you're sitting around in sweats and a hoodie with some anime character on it." Not that the thought of that isn't appealing. He suspects you don't let many people see you that way.

"You're... uh..." You look down at what you're wearing. "Not far off, actually."

"I know, baby. I've seen your Discord handle."

"So what if I win?"

"Then I won't tell anyone how hard you got stomped these last few rounds. And trust me, I'd be telling everyone. It's embarrassing how much of a load you were. Don't take that the wrong way, though--by all means, just sit there looking cute while I carry this next game."

"Oh, you're on."

Gaz grins, leaning forward. "Yeah, we'll see how cocky you are when I put you back in your place."

You pull your chair back up to your desk, hands poised over your mouse and keyboard. "Promises, promises."

Gaz readies up, too. "Don't worry, baby. I'll keep my word. But once I humble you, you're gonna regret ever doubting me."

...

more Gaz / masterlist tag

[littledeathdove]

Little Mother Miranda Headcanons

From the state of how her laboratory looked in the game shows that she is most likely messy. I will say that she is clean for the most part, but I believe that after certain documents and papers lose their value she loses them and they eventually end up…somewhere. She doesn’t want to get rid of them just in case she will need later on.

She can draw and does it really good, I mean she literally had like a whole table dedicated to drawing. I believe she would draw things she finds interest in, and that she also draws little drawings of moments she shared with Eva in the corner of papers.

Her voice softens when she talks about Eva, it’s not completely noticeable since Miranda doesn’t mean to do it, it’s a unintentional thing. Unless you’re actively paying attention to her, you won’t be even able to notice it.

She doesn’t have many interests, and her interest is hard to earn AND keep. Simply because her mind is always on two main things, her dear daughter and advancing her knowledge on the mold. So when something does somehow catch her interest, she tends to become obsessed with it. Like badly obsessed, and this doesn’t shy away from people too.

She doesn’t talk much unless she is giving out speeches to villagers, or talking to the lords. But she does talk likely a lot when it’s about scientific topics, especially the mold.

Miranda can cook, and she does it very well. Cause when she was still a mortal and Eva was still alive, Miranda didn’t have a steady income source, so money was almost always small. Meaning she had to cook with whatever she was able to afford. Which led to her becoming good at making random ingredients into a delicious meal.

Miranda is the closest to Donna out of all the lords. Out of all the other lords, Donna is the only one who will ever be able to spend a peaceful moment with Miranda without it involving something of business. Miranda also enjoys Donna’s nature to stick to the shadows and not cause any problems.

Miranda also ordered Donna to make multiple dresses and also a few dolls in the past. Both items show the luxury of materials and the beauty of time put into them. These items are for Eva when Miranda brings her back. The reason they are so luxurious is that Miranda wasn't able to afford such things for Eva when she still had her due to her being a peasant during her mortal hood.

I have this funny idea that Miranda only prepared things that Eva would ever want when Eva returns, and not things she would need. For instance, Miranda doesn't have an actual house for Eva and herself to live in once Eva comes back. She just didn't think that far when it came to the whole rebirth. And one could blame it on the fact she is always too engrossed in her research to think of all of it.

Miranda doesn't know how to flirt. She was the one getting flirted with in the past when it truly mattered. But now Miranda is the big, powerful woman who most people fear so no one is going to be stupid enough to do such a thing now. This means if she now catches some type of romantic attraction to someone, she is going to have to be the one to initiate it. This is horrible for poor Miranda cause her flirting would make the person believe they are next to be killed instead of giving them butterflies.

Eva does come in her dreams, and no she doesn't appear in Miranda’s dreams, but Eva's soul purposely comes in her mom’s dreams. It is the real reason why Miranda has such strong faith in the mold to bring her daughter back. Sometimes Eva tells Miranda riddles, that Miranda always forgets in the morning or doesn't understand.

Miranda was forced to marry Eva’s father, but I wouldn't say the marriage was horrible. Eva’s father was a kind man and had died due to the same sickness that took his daughter. Unfortunately, he was the reason Eva caught the Spanish Flu since he passed it on to her before his passing. Miranda had a hatred towards him for many years because of this, which is also the reason why she doesn't work to bring her daughter and her father back.

Miranda finds it funny to annoy people or piss them off. She especially does this toward the lords because they are her easiest targets. Miranda finds it most funny to secretly annoy Alcina since Alcina gives the best reactions to being annoyed, except for Karl. Karl is her second favorite to annoy since he keeps his anger within, and it looks like he is a vibrating machine with how his body trembles out of annoyance from Miranda’s antics. Moreau is her least favorite because he just whines when he ever notices Miranda purposely annoying him. Miranda doesn't even know how to annoy Donna when that veil is in the way of seeing Donna’s reactions, so Miranda just gives up on that most of the time.

Miranda had forgotten part of Eva’s face for some time until Eveline was created, and Miranda finally remembered Eva’s full face from looking at Eveline’s.

Also after she remembers, Miranda takes a day to sketch out Eva's face as much as she can. Doesn't matter what type of paper or what type of writing utensil, Miranda would sketch her baby’s face out with whatever she can get her hands on at the moment as long as it helps her not forget ever again.

Miranda has been a tad bit…unhinged since she was mortal. It’s probably due to how she looked in that picture when she was holding baby Eva that I believe this. I don't know if it's just me but it just looks like she would do some outlandish shit if you give her a good reason to do so.

Like come on, look at her eyes.

Those don't look like crazy eyes to y'all? Just me? Okay 😔

Miranda forgot like a lot of her memories, the only ones she remembers is her favorite ones with Eva. And that’s only because she draws them — well sketch’s them — during her free time.

Am I tying this headcanon due to Miranda having short hair which means she probably cut it?

Yes.

(If you don’t understand, it’s because of the theory, I believe it is, that when you cut your hair, you are cutting off memories of your past.)

ANYWAY THATS ALL MY CURRENT HEADCANONS 😋🫶🏾 this is me also clearing out drafts since it’s been here for a longgg time.

[raven-at-the-writing-desk]

the shroud family curse and its implications for intimacy

I was thinking about what the Shroud parents must look like under their helmets and then I started wondering how they met and fell in love 🤔 While wondering about that, I came to the realization that Mr. and Mrs. Shroud's romance must have been a complicated one.

***Spoilers for books 6 and 7 of the main story below the cut!!***

Idia’s grandmother, Aidne, was the previous director of STYX. She was succeeded by her son (Idia’s father), which implies that the Shroud blood and the curse that comes with it are from the paternal side of the family. Idia’s mom, then, is the one who married into the family. (It’s not clear at this point if those that marry into the Shroud family are also magically afflicted with the same condition, but for the purposes of this post whether it is or not isn’t relevant as my point will still stand either way.)

The Shroud curse quickly burns away any blot the individual has in their body without the typical means of recovery (ie rest and self-care). If there is no blot to incinerate then the curse will turn to consuming the magical energy of the individual themselves, which could pose a threat to their wellbeing and even their life. Because of this condition, ancestors to the Shroud family threw themselves into research on blot in STYX. This would ensure that Shroud members were always around blot that could be burned in the place of their own energy, and provided a sense of false hope for them. They believed that if they worked hard enough, they may be able to find a cure for their curse--but over time, that belief waned, and instead it seems they are all now resigned to their fate and don't try to defy it. We see this is true of the latest generation of Shrouds, as Idia was groomed to become the next director of STYX from a young age even when he disliked the idea and how his responsibilities restricted his freedom. In fact, the Shrouds in general are described as being gloomy people, and this is possibly the result of the hopeless feelings they have about their curse.

A secondary consequence of the curse is that it socially isolates members of the Shroud family from society. Idia is somewhat of a special case since we also have to consider the mental and emotional anguish he experienced following his involvement in Ortho's death. However, even disregarding this horrific tragedy, it can be inferred that the Shrouds are forced into positions which make them more alone than others. For one, their jobs seem to be very demanding and literally physically keeps them away from others (besides colleagues) since the headquarters are located in bottom of the sea. In Idia's post-OB flashback, we get dialogue which implies that he is not allowed outside very often--something which we can attribute to his being the heir to STYX. This may imply that previous Shrouds experienced similar childhoods, and this is just a continuation of the cycle. (I do want to point out here that Idia says his family used to go out to various places together when Ortho was still alive, so it's not a strict requirement that the Shrouds have zero outside interaction. They obviously do go outside the lab, but we cannot say for sure how frequently.)

More importantly, there is also an emotional and psychological component to isolation. You do not need to actually be alone in a room to be considered "isolated" from others. You could, in fact, be in a room full of people and still feel "isolated" because you haven't made any meaningful connection with them. This is what I think it must feel like to be a Shroud out in the world. You may technically be considered a part of the population, but you still don't quite fit in. For example, Idia has previously expressed worries that people will stare at his hair and recognize him as a Shroud, then ridicule his appearance and attitude. Indeed, the gloomy presence that the Shrouds give off seems to be a major deterrent for others to interact with THEM. All that time spent in physical isolation must have also had an impact on the Shrouds' ability to socialize. Idia is a strong example of this; he is an avid gamer and feels comfortable with taunting people via a screen. His face-to-face manner of speaking, meanwhile, can be incendiary and often rubs his classmates the wrong way. His father is not the exact same as him, but Mr. Shroud seems to have his own issues communicating affection and tends to describe things in a serious manner or in terms of work. Thinking about the way the curse is constructed too, there is a built-in fear that the Shrouds can never truly form long-lasting relationships with others, nor completely reveal their true selves to friends. Idia exposits as much in book 6. When Ortho tries to get his big brother to be friends with the OB boys, Idia dismisses the idea and says it won't matter in the end because they will be "sent down the river" and have their memories of those fun times completely purged. This illustrates a defeatist mindset which may be pervasive in all or most of the Shroud family: if this is going to be the fate of my loved ones, why bother getting close to anyone at all? It will just be more painful for us in the end.

SO LIKE. What was Mr. Shroud probably going through when he was seeing his then-girlfriend????? ??? ??? ??? ? ? ??? ? ?? He was probably so frustrated that he couldn't tell her anything about who he really was, and probably even more frightened that if he did ever tell the truth, he might lose her forever (via River Lethe memory wipe). And even if she still accepts him for it, then what??? Then she has to join the Shroud family, and that's basically damning her to the same mopey life he has, researching blot in the middle of nowhere until they're nothing but bones. Imagine how intense that guilt must be, knowing that you (yes, YOU) are responsible for "dragging down" your beloved into the same miserable circumstances that you're in. Not only that, but surely then you'd also have to tell your S/O that any children you conceive together will have the exact same destiny in STYX. It's not just Mr. Shroud either, it must be generations of Shrouds going through this same thing.

But, but, but!! In spite of his fear, Mrs. Shroud must have said yes because she truly loves him with all her heart… Their relationship must be built on such a strong foundation of trust and loyalty 😭 (From here, this is all speculation/headcanon/me rotting about the Hades-and-Persephone-esque romance I picture Idia's parents having. YOU HAVE BEEN WARNED.) I don't think that Mr. Shroud would be the one to initiate or to be affectionate. At most, maybe he had a shy sort of crush on her. More likely it was Mrs. Shroud that first expressed a romantic interest and passionately pursued him. And then maybe over time his feelings blossomed but he was still too afraid to put this massive burden on her shoulders, knowing the responsibility he bears as the future director of STYX... BUT HE HAS ALSO BECOME TOO ATTACHED TO HER TO CUT HER OUT OF HIS LIFE COMEPLETELY... Her very presence is screwing with his usual sense of cool, calculated logic 💀

AND WHAT ABOUT "THE TALK" THEY'D HAVE TO HAVE TO FULLY DISCLOSE EVERYTHING???? HOW MUCH MR. SHROUD MUST'VE BEEN SWEATING WAITING FOR HER ANSWER????? ?? ?? ? ? ? Oh, Sevens. Now I've done it. Here comes the moment where he gets dumped and his mom sends in a whole squadron of men to kidnap his girlfriend and clean her brain up. But NO 😭 Instead Mrs. Shroud just clasps his hands and insists that they should get married so he'll never have to wallow in those miserable thoughts all alone... He's confused and keeps begging her to reconsider, because this decision will inevitably throw her entire life off course.

"Are you sure about this? If you say yes to me, your fate will be sealed. You can never turn back. Your life will be sworn to the Isle of Woe." "Yup, I've never been more sure of anything in my whole life! Let's burn in the Underworld together, darling <3"

She provides a response that’s so easy and devil-may-care that he doesn’t know what to say back, so he just quietly laughs… and slowly those quiet laughs morph into quiet sobs… (like how flashback!Idia transitioned from laughing to crying when he was bragging about how indestructible the “new” Ortho is 😈 LIKE FATHER, LIKE SON—)

Idia drops this line during his extended post-OB flashback: "So it's romantic when a hero rescues his ladylove from the Underworld, but when I do the same for my brother it's wrong?" WHAT IF THAT WAS TRUE, BUT WITH THE GENDER ROLES REVERSED, FOR HIS PARENTS???? ?? ? ?? ? ? ? ? ? ? ?? Mrs. Shroud willing to literally throw herself into the Underworld to "save" Mr. Shroud... like how Persephone was willing to stay there with Hades... 🙃 I'LL EAT THAT SHIT UP, JUST DROP THE "HOW I MET YOUR MOTHER" UPDATE OF TWST, DEVS..... . . . .. ..... . . .. . .. . . . . . . .. .... . . .. . . .... . . .. . . . .

Okay, I'm done screaming and sobbing at the wall for now--.

[dark-frosted-heart]

Roger Barel Main Route - Both Ends Cleared Special Story

As usual, can’t guarantee 100% accuracy on this. I’m doing this for archiving purposes and you can probably find a better translation out there.

This is in his POV

nsfw, minors dni

Today, I’ll tell you a story about me, a man named Roger Barel.

Someone, whose face I don’t remember anymore, once asked me something.

“Why do you live so recklessly?”

I absolutely don’t like wasting anything or being idle.

“Finding a way to get rid of curses” is a huge research project, and time keeps ticking away.

Even with a shortened lifespan, I wanna dig even deeper with my research.

Going on missions for Crown’s like gathering information, and my trivial everyday interactions, research.

With my boxing hobby to train my body and long hours of research, the only rest I get’s when I sleep or drink.

If my brain could stay in a fresh state, then I’d do research forever.

—At least, that’s what I thought. But apparently I’ve been changing lately.

--

Only “her” footsteps were distinct to my ears.

When the basement opened, I saw her face before I heard her voice.

Kate: Roger! I’ve sorted all your data on the Cursed by year!

Roger: Done already? That’s my dog-assistant-partner for you.

Kate: …What about lover.

Roger: Haha, I left it out on purpose. Thanks Kate, you’ve been a big help.

With the way Kate was beaming, if she were a dog, her tail would be wagging.

(You’re as cute as ever)

Kate: So…Do you remember our “promise”?

Roger: Yeah, “after finishing a task I assigned you, I’ll grant one request.” What did you want so badly?

Kate: Um, there’s a place I want to go—

--

Kate dragged me to—

(...The hell?)

—A group of people lying down on the grass.

They weren’t just lying down, they were all spacing out, as if their souls were sucked out.

Kate: It’s an “do nothing party” where busy people gather for a short break.

Roger: Do nothing?

Kate: Yes, Ellis told me it’s been secretly been in fashion in London.

Roger: Where does that guy even learn about this kind of stuff?

Kate: Hehe. Roger, you lie down too. Come on!

Kate spread out a large blanket she brought and lay down. 

(...Just doing nothing, huh? If Kate wants to, then I’ll go along with it)

I lay down next to her…

A blue sky filled my vision.

(...)

(...Has the sky always been this blue?)

(And I can hear the wind)

Despite the sky being around forever and my abnormal hearing, it felt as if I was experiencing these things for the first time.

Kate: …I’m sorry.

Roger: …What for?

Kate: I know you hate being idle and that you’d rather be spending your free time doing research. But we still have to live… The fight against despair never ends. Which is why if you keep running at full speed, you’ll run out of breath.

Roger: …

Kate: Sometimes you just need to pause, breathe, take a break.

Kate glanced at me and smiled.

Kate: Let’s run together again.

(So that’s it. That’s what Kate wanted to tell me.)

She said it casually, but the kindness in those words made it sink in.

It’s like I realized I hadn’t noticed the blue sky or sound of wind in a while.

(...Ah, I see. I’ve been acting reckless ‘cause I might’ve been “scared”)

For some time, I’ve felt like if I didn’t find a way to get rid of curses, then there was no reason for me being born.

I definitely felt that if I didn’t pursue my ambitions, I’d be betraying the people important to me.

So I continue to egoistically devote all my time into pursuing my ambitions.

(But humans aren’t kept alive only because they have meaning)

Every human’s existence was equally meaningful.

Though I came to realize that I didn’t apply this to myself.

(Having free will and fulfilling your ambitions makes you a villain)

(So I’ve been living life by getting rid of all the wasted needed to feel alive)

I don’t know if Kate did it on purpose, but she taught me some important things. To pay her back for these important lessons—

(Let’s enjoy this lovely idleness to the fullest)

Roger: Kate, let’s go.

Kate: Huh? Are we going back to work?

Roger: Nope. Sitting idle’s fine , but I wanted to spoil my cute lover. We can go shopping, eat, or go on a sightseeing cruise. What do you wanna do?

There were sparkles in Kate’s widened eyes.

Kate: All of the above!

Roger: Pfft, hahaha! Alright, we’ll do all of it. Come on, let’s go. Take my hand.

--

Kate: Roger, your shooting skills were amazing! Hehe, you shot down all the targets and the carny was at a loss.

Roger: You taking one prize and giving the rest back to the carny was admirable.

Kate: …There you go treating me like a child again.

Kate was in high spirits after playing all those games and held a large corgi plushie, the top prize from the shooting gallery, in her arms.

Roger: The stuffed toy’s nice and all, but I think it’s about time you give me a hug too.

Kate’s face fell, making her look like a scolded puppy.

Kate: …Don’t want to.

Roger: What, you going through a rebellious phase?

Kate: Because! Even though I took up a lot of your time today…I want to take more. If I hug you, I don’t think I’ll ever let you go…

(...*sigh* Why’s her reason so damn cute)

She wasn’t even trying to flirt with me, but that unconscious spoiled act aroused an animalistic desire.

Not one to hide my desires well, I sat on the bed and laid my sweet trap.

Roger: You’re a villain’s lover, remember? If you wanna take it, then take it—come here, Kate.

Kate: …Are you sure I can take up more of your time?

Roger: How insensitive. And if I say “I want you to”?

Kate: ~~...!

Kate squealed and threw herself onto the bed.

Roger: Heh, as usual there’s nothing sexy about the way you try to seduce me.

Kate: Sorry, your glasses—

Roger: Don’t need to put them back on—I’m gonna do this anyway.

Kate: Mnn, nnn…

I kissed Kate deeply and she sweetly sighed out my name in between breaths.

Kate: Roger…

(Early I said your seduction wasn’t sexy)

(...But when you’re like this, it’s enough to turn me on)

As we kissed, I stripped and caressed her, making her heat up and easily melt under my touch.

The more often we did this, the more Kate’s body became receptive to pleasure, which was also cute.

Watching Kate moan on top of me ignited a wicked desire.

Roger: Oh right, how about I teach you something we haven’t done before?

I pulled my shirt out, undid the front of my pants, took my cock out, and stroked it.*

I rested against Kate’s dripping wet entrance.

Roger: Tonight, you’re gonna put “this” in by yourself.

Kate: I don’t think…

Roger: Then I guess we won’t do it then. I’ll just have to take care of myself.

Kate looked like she was fighting against her shyness as she put her hand on me…

Kate: …Please don’t laugh if I’m not good at this.

After positioning herself, she slowly sank down onto it.

Kate: Pfff…

(...I told her to do it herself, but now I’m feeling impatient)

Roger: Come on, just a little more. Keep lowering your hips.

Kate: I don’t think I can…Roger.

Roger: Heh, alright. I’ll help you.

I might’ve sounded like a sensible adult…but I was already at my limit.

Her walls fluttered around me when I grabbed her hips and lowered her down.

Kate: …Haaa…Nnngh

Roger: Come on, don’t cum without saying anything.

Kate: But…

Roger: You might feel light-headed after just cumming, but…there’s more pleasure to come.

I took a nipple in my mouth and rolled it around with my tongue while still holding onto her hips, slowly thrusting in and out of her.

Kate: Ahh…Roger.

(Ahhh, I can only think about her right now)

(No, not just now)

(Come to think of it, I never thought that she wasted my time)

~~ Flashback ~~

Kate: Strong…I want to be strong. Because I…don’t want to hate myself. Besides…life’s too long to live in despair.

Roger: …O_O Pfft, hahahahaha!

(I thought it was amusing how she was sobbing when she felt down, but didn’t despair)

--

Kate: Next time you do something perverted, I’m breaking our friendship!

Roger: Pfft, haha! Are you a kid or something? Dummy.

(We had a lot of pointless, childish arguments)

--

Kate: …Huhu…

Roger: Ah…you’re trying to hold your tears back.

Kate: B-because…You’ve acknowledged me as your partner…I’ll ruin it if I cry.

Roger: Pfft…

Kate: Besides, I know my crying face makes you happy.

Roger: Pfft, ahahahaha! You…You’re really… You’re so damn cute!

Kate: W-waaahhh~ Roger you bully!

(I bullied Kate so many times just to see her cute reactions)

--

Kate: Pull yourself together, Roger Barel! You’re the strongest egoist out there! This despair’s nothing. Just give it the middle finger and laugh it off like you always do!

Roger: …O_O

~~ End flashback ~~

(And when I didn’t believe in love, she proved to me that it existed)

(Kate, I don’t think any of the time I spent with you was a waste)

(To me, the time I spent with you’s a lovely idleness)

It’s thanks to this idleness that I was still able to escape despair and continue pursuing my ambitions.

Kate and I lost ourselves to passion and pleasure, savoring this lovely idleness.

Kate: …Roger, love you, I love you.

I stroked Kate’s hair as she lost herself to this heat and pulled her into my arms.

Roger: …I know. It’s an emotion you taught me.

--

A few days later, I heard Kate’s footsteps as she ran down the stairs to the basement.

Kate: Roger.

Roger: Yeah? What’s up, Kate?

Kate: Ah, you’re working right now, aren’t you?

I heard the sound of paper crinkling behind her back.

(Ellis did mention something about the circus being in town)

I guess Kate was holding the flyer behind her back.

Roger: Let me guess what you’re hiding behind your back. A circus flyer?

Kate: How did you know?!

Roger: Who knows. Gimme another half hour and then we can go.

I couldn’t help but smile at how adorable Kate looked as she blinked at me.

Roger: Research is important to me and I still don’t like anything wasteful. I’m sure there’ll be more times in the future when I get so absorbed with research that I neglect everything else. I’m not exactly the most considerate.

Kate: Hehe, I know that a little too well.

We looked at each other and exchanged conspiratory smiles.

Roger: —However, Kate, I can change. I’ll try to change for you, so— Let’s be together forever.

(I want to love you until the moment I take my last breath)

(Even if I spend my whole life searching, I’ll never find another woman like you)

Kate: …What do I do.

Roger: Hm?

Kate: I love you so, so much. You’re glittering.

Roger: Pfft, hahahaha. You’ve said something like that before.

~~ Flashback ~~

Kate: The person I like is different from everyone else. They’re especially glittering.

~~ End flashback ~~

That’s what Kate told me when I didn’t know what love was.

(Back then, I thought it was completely unscientific and impossible)

When Kate blushed and smiled at me, she also seemed to glitter for a moment.

Like gold dust glittering in the dark.

I wanted to touch the light, so I pulled Kate into my arms.

Kate: …Roger, what about your research?

Roger: …Just let me hug you for 3 minutes. Then I’ll continue my research.

Kate: …I’d like to extend it to 4 minutes. 

Roger: How about 5 minutes then.

(Ah, what the heck. It’s a complete waste)

(But I can’t live without moments with her like these anymore)

(This lovely idleness is necessary to live)

Roger: Kate, I love you so much.**

-

*I’m not using their “mass” euphemism anymore. Time to free the cock. Especially since this is Roger’s POV

**Whenever “I love you” was used, it’s been 大好き (daisuki). But here, Roger said 愛してる (aishiteru). Unfortunately, English doesn’t have as many ways to say “I love you” with different meanings and feelings so…”I love you so much” it is.

[writingwithcolor]

Am I handling the black woman character’s murder well?

@selfdxd2 asked:

Hello! My current project is a crime fiction set in KY, USA in which the instigating action is the death of a young black woman (W), with the first half being another young woman (L) investigating her disappearance and how it correlates with the disappearance of her close friend. That friend (P) is later found alive after having been kidnapped because he witnessed the crime, and is the POV character of the second half. He is also a white man, and him being white is relevant to other aspects of the story. My intention is for the "credit" for solving W's death to go almost entirely to L (who is also a woman of color, specifically Romani), and for the tragedy to be centered around the unfair loss of life and the pain of her parents and others who knew W rather than how bad P feels about it. My main cast also has two other prominent black women with arcs that extend outside this tragedy. All of this is intended to lend to one of the story's major themes of social invisibility vs visibility. So does this exploration of that stray into harmful territory from the outset? I know successfully keeping away from any white manpain traps will take active caution while actually writing the story and I intend to get sensitivity readers as I work on it, but I wanted to get some feedback on my starting point before going too far down that road. Thanks so much for all you do!

It is important for us to know why this young Black woman was murdered to give specific advice. 

Was it racially motivated, gender motivated, or both? 

Wrong place, wrong time? 

Did someone take revenge?

Was she involved in something insidious? 

Was it truly an accident?

Depending on the reason, you should explore and acknowledge this violence and the existing societal problem behind it. For help, see the crime stats on violence against Black women.

…and for the tragedy to be centered around the unfair loss of life and the pain of her parents and others who knew W rather than how bad P feels about it.

Yes, give a voice to the people most affected by her death. Other Black women, people, and Women of Color. This will help further not make it about the feelings of a white man. He is absolutely a victim of the crime too, being kidnapped, so his trauma does matter and should be tended to. But ultimately, he gets to live.

On that note, his life being worth kidnapping vs. ending begs the question; why wasn’t he murdered while the Black woman’s life had to end? And for representation purposes, why couldn’t it be the other way around (Where the Black woman lives and witnesses the crime, and the white man dies)?

This is why knowing your reasoning for her death is so important. 

Otherwise, if she was thoughtlessly murdered, it does feel like her life was incredibly devalued in your story due to her being a Black woman. It’s a serious and true problem, so I'm not saying not to write this. This just needs careful exploring. If you’re choosing to bring this real life problem into your story, it deserves full and respectful acknowledgement. 

Please check out our resources on writing tragic material, Black suffering and abuse and avoiding exploitation. 

More reading: tragedy exploitation tag

~Mod Colette

[aleebeesplats]

Soul bond[OUTDATED]

“An eternity alone is a cruel thing to be subjected to. To be surrounded but isolated, heard but forgotten, so powerful, yet so weak at the same time. The story is your life, but is that really all there is to it? Is that why you did it? Allowed them to exist despite the obvious growing issue? You wanted to feel understood despite not knowing who you were or where you began. You’ve crafted life at the expense of their freedom. You’ve replicated freedom through life.”

More info about this au under cut

This really started as a joke cuz I wanted to draw more Stan and Mari friendship art but as god has it it’s not so much a joke anymore(yay). This whole AU centers around Stanley and Mariella “becoming human”.

Character refs for Stan and Mari. I might change some stuff up with their colors and designs but this is the main idea for now.

In this AU Mariella now works in the same building as Stanley and her job is to attend meetings. Employee 317 did this everyday of every month of every year. She first meets Stanley while waiting for those who were supposed to attend, surprised and confused at the sudden disappearance of everyone.

Mariella and Stanley are creations of the Narrator, so they don’t look exactly human because of that.

(They have normal noses in side profiles)

I was inspired by Friday Night Funkin for their stylized faces. In terms of expression they are much more animated in comparison to the Curator or the Narrator.

Speaking of Nar-Nar, here’s the man himself. His first form is more like a “concept” than an actual “appearance” as he didn’t really care about what he looked liked and cared more about getting through with the story. His current form is much more human and he often spends time in it outside of the parable in his office. I wanted to keep his figure blocky and sharp cuz I went by squares as his main image.

Now the Parable wouldn’t be anything without the building, lo and behold “Coworker”.

I suck at drawing buildings, but for all you need to know for now is that it always expanding in the inside (where the story takes place), and also it is alive, capable of thought and emotion to some extent. Yayyy living infrastructure.

Some additional early sketches I made while trying to figure out stuff.

I thought it would be funny if Nar and Curie dated for a week before realizing they swung different ways. Things are good between them but it’s a little awkward at times. I was stuck between making Nar-Nar an eldritch creature or just an old man, but then again why can’t he do both.

Quick height chart doodle. The egotistical old man strikes once again, he really made himself so tall because he thinks it’s funny being able to see over people’s heads. In a way they look like Kirby to him.

That’s it for now. I’ll try to not burn myself out so that I can draw more for this au. It seems shallow right now but that’s on purpose‼️

Also, none of the things I draw in this AU are meant to be romantic. They are Queer-platonic at most. This is just me exploring bonds in hard times +what it means to be human (self-projecting like hell).

[acourtofthought]

Just to address a few things first -

I love Feysand together and I don't hold their (Rhys's) past mistakes against them.

The way Tamlin spoke to Feyre at the High Lords meeting was petty and childish.

But for those who claim Lucien's actions with Hybern are unforgiveable and therefore will forever make it impossible for Elain to forgive him in order to accept their bond, I think we should compare two scenarios:

Rhys admits that he forced Feyre into their bargain as a way to defy Amarantha, a way to get back at Tamlin, and yes, a way to keep Feyre alive. Feyre acknowledges that she was a pawn in his schemes yet still fell in love with him.

Versus:

Lucien had no idea the sisters would be brought into things, that was all Ianthe.

He tells both Feyre and Elain that what happened was a mistake, that the sisters being brought in and how things went down was not their plan. One of Lucien's main goals was to try and save Feyre.

Rhys, in comparison, admits that it was his plan to use Feyre as a pawn to serve his purpose. There were aspects that benefitted her but most of it was for himself and his people.

Tamlin and Lucien believed Feyre was being brain washed and tortured, something she let Lucien continue believing when he found her in the woods, when she felt it was more important to protect the secret of who Rhys was under his mask. So they worked with Hybern in exactly the same way Rhys worked with Amarantha, with the end goal of protecting Feyre and helping their people:

The differences in these scenarios are:

Lucien and Tamlin never used Feyre or her sisters as a pawn versus Rhys who actively used Feyre as one. For good reasons yes but it doesn't change the facts.

There was no "Ianthe" in Rhys's situation. Rhys, as High Lord, made the decisions on his own and did not risk betrayal by sharing his schemes with others. He clearly made the smarter play compared to Tamlin who trusted Ianthe but.....

Lucien never liked Ianthe. Never really trusted her, never wanted her around. Just as Cassian, Az, etc. followed their HLs orders to hide Feyre's pregnancy, just as Amren and Mor chose to keep the mating bond a secret from Feyre, just as the IC all hid the information about Nesta's made weapons from her, those under a HL are subject to following the orders of said HL. It didn't matter if Lucien agreed with Tamlin about Hybern, about Ianthe, he had no power to challenge him. In the end, the decision to do what they did was not his call.

I think everyone in this fandom knows that the events of Hybern would truly not stand in the way of an Elucien endgame.

When Rhys used Feyre as a pawn on multiple occasions.

When Cassian told Nesta that everyone hated her and initially hid the knowledge of the swords from her.

When Bryce initially thought Hunt betrayed her in CC1.

When Rowan punched Aelin in the face and told her the world would have been better had she died as a child.

When Feyre fell in love with Tamlin even after he kidnapped her.

When Ruhn fell in love with Lidia despite the sins she committed for the Asteri.

I think everyone knows Elain's current behavior towards Lucien is not preventing an Elucien endgame.

Not when Nesta told Cassian she wanted nothing to do with him and slept with other males.

Not when Feyre was initially afraid of Rhys, said the night she kissed Tamlin was the happiest of her life, admits she wanted Rhys even UTM yet still accepted Tamlin's proposal.

Not when Yrene thought Chaol was to blame (by association) for the death of her family.

Not when you consider what Elide believed about Lorcans loyalty to Maeve.

Not when Aedion found out about Lysandra and Aelin's plot to deceive him in marriage and children.

Given the history of SJMs writing, there is nothing preventing an Elucien endgame aside from Elain's reticence over the bond and when an author like Diana Gabaldon turned an unwanted arranged marriage (for Claire) into a love story that has one of SJMs favorite male love interests, I think Elucien is going to be just fine.

[kurigohan0909]

Rewatching Link Click: Easter eggs in your noodle soup?

So I've just finished watching both seasons of Link Click/Shíguāng Dàilǐ-rén, which means that obviously I'm watching it all over again. What did you expect me to do, sit around waiting for Bridon arc while the Bilibili official account taunts us with replays??

Besides, Link Click is one of those dishes that is best served twice. The early episodes are packed with hints and foreshadowing that only become clear once you've gotten up to date, so I've made it my mission to catch 'em all.

You don't say.

It's well known that certain early mini-arcs (for instance Chen Xiao's basketball match, and Doudou's kidnapping) have implications for the larger plotline or at least contain important exposition/character insights that the story would not feel complete without. There are also several that get written off as filler, or are generally considered to not have any purpose beyond familiarising the audience with the characters and setup, and lulling you into a false sense of comfort before everything goes to shit. Episode 2: Secret Recipe, AKA the Noodle Lesbians episode, beloved as it is, tends to fall into the second category.

Or does it?

On a rewatch, I still don't think it does anything to advance the main plot. We don't even really know where it fits into the timeline, because we're never told what day it is and Lu Guang's watch is never shown on screen (I'll get around to a longer analysis of this another day). However, I'm instead inclined to believe that it's one of the most important episodes in the show - if not THE most important - because it's essentially an allegory for the story of Cheng Xiaoshi and Lu Guang, and gives you a bird's eye view of how the relationship between them is going to develop - which, as you know, is what the show is all about. And the fact that it's not situated in a specific time, in a show that cares heavily about timeline construction, makes it better.

The episode starts with this quote from German photographer August Sander, who believed that, through photography, he could reveal the characteristic traits of people. "The portrait is your mirror. It's you." It's pretty explicit, when you think about it. This episode is a mirror of the entire series, specifically of its protagonists.

Moving on. The episode's storyline is quite simple: two college "roommates" start a noodle shop together, and as time passes, they drift apart and eventually fall out as their priorities change. Yu Xia, the business-oriented one between them, wants to get hold of the secret ingredient used by Lin Zhen, to whose cooking the shop attributes its success. Does Yu Xia really want to steal the secret recipe? Or is it just one of the many things that the quieter Lin Zhen keeps hidden from her that she desperately wants to know, along with everything that went wrong between them? Your guess is as good as mine. Either way, there are lots of indirect parallels between Xialin of the noodle shop and Shiguang of the photo studio, even if for now they're very distinct individuals with their own personalities and struggles. It does, however, give some indication of what's to come.

This question isn't purely rhetorical, as we find out in the very next arc, where Cheng Xiaoshi has a fight with Lu Guang over letting his client's loved ones perish in the Wenchuan earthquake. Even if they eventually come to a consensus, they have fundamentally different life philosophies and approach their missions in very different ways. Cheng Xiaoshi is a hyperempathetic idealist who keeps trying to use his forays back into the past to fix his clients' personal problems, while Lu Guang remains utterly indifferent and staunchly against interfering, even in life-or-death situations. Which turns out to be a facade, because we later learn that he's just as much of a meddler as Cheng Xiaoshi - except he's focused on a singular, selfish goal, which is to keep Cheng Xiaoshi alive at any cost.

Let's go back to the noodle shop. After ten years of running the business together, it becomes clear that the ladies' aspirations are no longer compatible. Yu Xia has big plans for the shop. She wants to broaden their customer base - for profit, of course, but also so that more people can be made happy by the chance to taste their noodles. Lin Zhen's dreams, however, are on a smaller scale - perhaps only on a personal scale. Throughout the episode, it seems that she only really cares about making noodles for one person.

Sound familiar?

At the risk of digressing, it needs to be said that Yu Xia and Lin Zhen are absolutely very much a WLW couple. This isn't bait, it's elegant and really quite unsubtle queercoding that says 'to hell with censorship' loud and clear. Honeymoon jokes, the taxi driver assuming Lin Zhen had fought with her husband, and Lin Zhen's very bold attempts at flirting... we see you.

More to the point of this post, I think it's important to point out that Lin Zhen does not actually care for too many people other than Yu Xia. She's all worn out from making noodles for customers, but she forgets all about that when it's time to make a bowl for Yu Xia. She also keeps her special ingredient - which is one of the secrets she shares with Yu Xia, as we find out - highly guarded. She's never going to let these pesky reporters in on something so intimate.

Why is this important? Because, as it turns out, the episode's storyline - and Lin Zhen's motives - are all about saving Yu Xia.

We learn that the secret ingredient is a local specialty from Yu Xia's hometown. Lin Zhen has been using it for years, keeping the taste of home alive while Yu Xia's drifted further and further from home to the point where she can no longer remember where the ingredient came from. At the end of it all, when Yu Xia returns home, she finds Lin Zhen there waiting for her. Lin Zhen, mind you, does not hail from the same town. The girls met in college. It's home to her simply because it's Yu Xia's home.

This comes directly after a pilot episode that establishes the contrast between urban isolation and rural/familial warmth, through Emma's eyes, and in a show that continually reinforces the concept of longing for home and loved ones. By forcing Yu Xia to reevaluate her priorities, Lin Zhen manages to bring her back home - which is a place that includes herself.

Perhaps it's too early to say. But to me, it's a pretty neat thematic parallel of Lu Guang's solo quest to save Cheng Xiaoshi from death; which is intertwined with a greater goal of giving Cheng Xiaoshi a home, one that is safe and secure and surrounds him with those that love him and are there to stay.

But in the process of achieving this, one of his biggest obstacles is Cheng Xiaoshi himself - his insistence on interfering with the timeline so that Lu Guang can't predict events with certainty, his objections to the way Lu Guang does things, and the definite resistance Lu Guang will come up against if Cheng Xiaoshi learns about his plan. Pretty much every minor mission they undertake is a rehash of the same argument; Cheng Xiaoshi wants to use their combined powers to make a difference to other people's lives, and Lu Guang just has one goal in mind which means that he's going to ignore absolutely everyone else.

Notice how Yu Xia's looking to the future, while Lin Zhen's dream is to go back to a point in the past? Neat.

And when they finally part ways because it's clear Yu Xia is not going to support Lin Zhen's goal? Yu Xia asks her where she's going to go after they part ways, and Lin Zhen says:

I wonder where we've heard that before.

And if you need any more proof that this episode is in fact intended to be a mirror, do consider:

Their seating positions are mirrored too. Yeeeeaaaaaahhhh.

In conclusion: if this allegory is to be believed, then trust that Lu Guang will eventually succeed in his mission and Cheng Xiaoshi will find his way home to him. It'll happen, guys. In the meantime, at least our beloved noodle ladies will be living a peaceful life out in the countryside.

Since I don't know how to shut up and this website seems to be giving me infinite space to yap, let me include some more details about this episode that I found cool. There are so many.

Lin Zhen and Lu Guang are both shown while this line is being said. What with all that the fragrant flowers represent, it makes you think about what these characters' best memories might be and how much they treasure them.

This is such a tiny detail that you'd almost definitely miss it on the first watch, and it seems insignificant - until it isn't. When Cheng Xiaoshi hops into the girls' picture taken during their college days, he screws up and suggests they'd be better off dabbling in tech stuff like apps or intelligent management than running a noodle shop. Lu Guang makes him quickly eat his words, but they seem to have still struck a chord with Yu Xia - because later we see that she works over years to integrate an intelligent supply chain management system into their business. In fact, one of the reasons for Lin Zhen to alienate herself from the business is because she feels like it's gotten too techy and lost its human touch. Not really fair considering it was her own idea, is it?

I mean. This is probably a stretch. Digitization is pretty inevitable for big businesses nowadays, so Yu Xia, being as enterprising as she is, might have gone for it whether Lin Zhen suggested it or not. But it's interesting to think that it might be Cheng Xiaoshi's tiny alteration of the past that unfurled outwards like a hurricane from the beating of a butterfly's wing and catalysed their falling out. Especially because these kinds of bootstrap phenomena very much occur in later episodes and are a core feature of Link Click's time travel model.

Some suspicious behaviour on Lu Guang's part. He's quite certain there are no useful clues in the last picture Yu Xia and Lin Zhen took in front of their shop, despite it being the only one taken by Lin Zhen (seriously! you could go to her house, look through her phone, the possibilities are endless!) and the fact that this is the photo Cheng Xiaoshi did end up solving the mystery in, thanks to the ticket stubs he found in her purse (see?) Secondly, they outright miss a picture in the envelope - the most important picture of all which would have given them the answer right away, since this was when the fragrant flowers were first used. Not your best work, Lu Guang.

...or is it? Lu Guang is pretty meticulous, and it's unlike him to slip up in such obvious ways. He's also skilled at slipping things back into envelopes when he doesn't want them to be seen, as we know. Could it be that he didn't want Cheng Xiaoshi to solve the mystery? But why? Maybe it's metaphorical, like so much else of this episode: he doesn't want Cheng Xiaoshi to uncover his true intentions. The fact that all this is ultimately for his sake.

Interestingly, Lu Guang was very dejected at the idea of them seemingly being out of luck - they'd tried so many times and failed to fulfill the mission. Was he, perhaps, thinking about another mission he'd hate to fail? Anyway, it falls to Cheng Xiaoshi to cheer him up and give him hope for another try, which he accepts, with a small but genuine smile. My heart.

If you've scrolled this far, I'm glad you enjoyed my ramblings! I must say I don't know much about how Tumblr works so apologies if I mess up on formatting or tags, but I'll probably get the hang of it soon enough. I'll also probably end up enjoying Tumblr more than Twitter since it allows me unfettered yap space and won't feed my writing to the machine (yet). It's late and I should probably stop stop thinking bout it around now... but look forward to more random ramblings and thank you for reading!