#her dialogue in act 2 really is great

[scrybeofvibes]

replayed inscryption today, grandma kicked my ass

[luxsea]

i had no idea you could trigger karlachs first romance scene like an hour into a new save 😳

[deus-ex-mona]

i j u st. want my funny idols jrpg back p ls—

[hazelcallahan]

ok “all vi needed to do was call caitlyn cupcake to make her turn on ambessa” is a fun little bit that i will participate in but i really feel like it’s contributing to two major misconceptions/complaints:

1. that caitlyn’s heel turn was sudden, and

2. that vi and caitlyn have reconciled

so let’s break that down, shall we

1. every single hint was there that caitlyn was chafing against ambessa’s regime and doing every little thing in her power to resist without putting herself and her loved ones at great risk. from the first scene with maddie - hell, the opening montage - you can tell cait is fucking EXHAUSTED. weary. that’s a woman who has spent months suffocating, doing desperate damage mitigation when put into an impossible situation. she didn’t want the mantle of leadership, and what was she going to do, say no and let someone worse take it? so she’ll take it. she’ll ban the use of solitary confinement cells. she’ll argue against ambessa’s soldiers attacking civilians. she’s in too deep to really do much else.

additionally, there are hints that she’s been planning on ways to take down ambessa for months. that one scene with dialogue over them sparring is literally there to symbolize how every single conversation between them is a battle, both of them looking for openings, and no matter how hard caitlyn tries ambessa always seems to come out on top. you also don’t just come up with the plan she did entirely on the fly - tracking things like guard rotations is something only a schemer does.

2. sure, “cupcake” is a fun little pet name, but it’s so much more than that. the most obvious is an olive branch. vi doesn’t want to hurt caitlyn. there’s so much affection still there.

the bigger thing, though, and the thing i believe caitlyn is reacting to there, is it’s a sign of distance. vi used “cupcake” as a way to needle at caitlyn when they first met, when she didn’t quite trust her even though she’d broken her out of prison. after that, we hear her use it twice more in s1: on the bridge during their parting hug, and after the council meeting as she’s trying to leave. both instances where she, in that moment, believes they’re never going to see each other again, and so she has a vested interest in creating that distance. on the other hand, we hear her use caitlyn’s name after she hears the gunshot on the bridge, in a moment of genuine fear and affection.

come s2, vi doesn’t use “cupcake” at all in act 1. she used “cait” a lot. still a nickname, but also caitlyn’s actual name - i know you, i see you, i care about you. caitlyn’s observant enough to notice this, even passively, even if she didn’t realize it until she heard “cupcake” months later, but i can’t help but feel like she takes that nickname as a sign of how they’ve drifted. she feels like she has to start over again with this woman she clearly loves. the meaning is clear to her: i won’t hurt you unless you give me a reason to, i’ll work with you if that’s what you need, but i’m not going to let myself get close to you just yet.

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[hiitsm]

Transient Connection: A Meeting of Worlds

Part 2.

You meet a beautiful woman at your workplace, who isn't a professional actress like you.

Fluff

Note: I'm not very well-versed in the acting world, so it's not described in great detail.

Request here

-

Transient Connection: A Meeting of Worlds Series

-

As you and Alexia make your way to the set, you can't shake the feeling of anticipation mixed with a hint of nervousness. The connection you felt with her during your impromptu dance was undeniable, and you hope it translates well into your scene together.

The set is a picturesque stretch of beach, with the sun setting in the background, casting a warm, golden glow over everything. The director, a tall, energetic woman named Lisa, greets you both with a wide smile.

"Alright, ladies, this is a simple scene. It's all about natural chemistry and conversation. Just be yourselves, and remember, less is more," Lisa explains, her hands gesturing animatedly.

You and Alexia nod in understanding, taking your positions on the sand. The scene is supposed to be an intimate conversation between two strangers who find solace in each other's company at the end of a long day. It's a pivotal moment in the movie, meant to showcase vulnerability and genuine connection.

"Action!" Lisa calls out, and you both start the scene.

You look at Alexia, and for a moment, you forget the lines you had memorized. Her eyes, still shimmering from your earlier encounter, draw you in. You remember the dialogue and begin.

"You know, sometimes it's easier to talk to a stranger than to people we know," you say, your voice soft and contemplative.

Alexia nods, her gaze fixed on the horizon. "Sí, strangers don't have expectations. They don't judge."

You pause, letting the gentle sound of the waves fill the silence. "But sometimes, talking to a stranger can feel like finding a kindred spirit."

Alexia turns to you, a hint of a smile on her lips. "Like meeting someone who understands a part of you that others don't."

The conversation flows naturally, your characters' lines blending seamlessly with your own thoughts and feelings. You feel the connection deepening with each word, the vulnerability you both share palpable.

"I think everyone needs someone like that," you say, your eyes meeting hers. "Someone who can see them for who they really are."

Alexia's smile widens, her eyes reflecting the warmth of the setting sun. "It's rare to find, but when you do, it's worth holding onto."

The director, Lisa, watches from a distance, a satisfied smile on her face. She can see the authenticity in your performance, the real emotions shining through.

As the scene progresses, you feel a sense of ease, as if you and Alexia are the only two people on the beach. The script fades into the background, and you find yourselves speaking from the heart.

"Maybe that's what this moment is," you say softly. "A chance to be real, to connect without any pretenses."

Alexia nods, her expression serious. "Maybe it is. And maybe, it's a moment we'll both remember."

The scene ends with a shared look of understanding, a silent promise of more to come. Lisa calls cut, and the crew erupts into applause, impressed by the genuine connection they witnessed.

"You two were amazing," Lisa says, walking over to you both. "The chemistry was perfect. It felt so real."

You glance at Alexia, a shy smile on your face. "Thank you. It felt real to us too."

Alexia nods in agreement, her eyes twinkling with a mix of relief and joy. "Gracias. It was… special."

As the applause dies down and the crew begins to pack up, you and Alexia exchange a look filled with unspoken words. The connection you felt during the scene lingers in the air, almost tangible. However, the reality of the situation quickly sets in as Joseph approaches.

"Great job, Alexia," Joseph says, a hint of urgency in his voice. "But we need to get going. The plane is waiting, and you have an important match to prepare for."

Alexia's expression shifts from joy to reluctant acceptance. "Sí, I know," she replies, turning to you with a wistful smile. "Duty calls."

You nod, understanding the demands of her career but feeling a pang of disappointment. "It was amazing working with you, Alexia. I hope our paths cross again."

"Me too," she says softly. "Maybe next time, we won't be so rushed."

Joseph checks his watch, his impatience growing. "We really need to go, Alexia."

"Right," she says, taking a step closer to you. "Thank you for everything today. You made it… special."

You smile, feeling a warmth spread through you. "Likewise, Alexia. Good luck with your match. I'll be rooting for you."

She grins, a spark of excitement in her eyes. "Gracias. It means a lot."

With a final, lingering glance, Alexia turns and follows Joseph towards the waiting car. You watch her go, the sense of longing returning. But you also feel a sense of hope, a belief that this isn't the end of your story with Alexia.

Valentina walks over, a knowing smile on her face. "She likes you, you know."

You chuckle, shaking your head. "We barely know each other."

"Sometimes, that's all it takes," Valentina says with a shrug. "But for now, let's wrap things up here. You've got a big day tomorrow."

As you help the crew finish packing up, your thoughts keep drifting back to Alexia. You replay the moments on the beach, her laughter, and the way her eyes lit up when she smiled. The connection you felt is undeniable, and you can't help but hope for another chance to explore it.

Later that night, as you lie in bed, you check your social media. To your delight, you see a new post from Alexia. It's a picture of the sunset from earlier, accompanied only by a single heart emoji. You instantly recognize the photo, you took it for her. Seeing it there, shared with such simplicity, makes your heart flutter. You know exactly what it represents, and it stirs a mix of emotions within you, hope, connection, and an undeniable sense of something special just beginning.

You stare at the image for a long moment, a smile playing on your lips. The fact that she posted it, even without words, speaks volumes. It’s a silent acknowledgment of the bond you felt today, a reminder that maybe, just maybe, this is the start of something wonderful.

Feeling a warmth spread through you, you double-tap the photo, leaving a discreet like, hoping she sees it and understands that you felt it too.

Several weeks later, you find yourself with a small break in your hectic schedule. After the whirlwind of filming, promotions, and interviews, the idea of escaping to Barcelona feels like a breath of fresh air. You've always loved the city, its vibrant culture, and beautiful architecture. More importantly, it's where Alexia lives, and the thought of possibly seeing her again makes your heart race.

Despite your excitement, there's also a nagging nervousness. You and Alexia had exchanged only a few messages after the shoot, mostly polite and friendly, but nothing deep. The connection you felt on the beach still lingers in your mind, but you're unsure if she felt it as strongly as you did. You've been contemplating whether to message her and let her know you're in her city, but the fear of making the first move holds you back.

Settling into your hotel room, you unpack your bags and take a moment to relax. The memory of your brief but memorable encounter with Alexia lingers, and you wonder what she's been up to. Your thoughts drift back to the sunset photo she posted, and the connection you felt.

Taking a deep breath, you open your social media app and navigate to Alexia's profile. You hesitate for a moment, your fingers hovering over the message button. It's been a few weeks since you last saw her, and although you've thought about reaching out, you haven't had the courage to do so.

Gathering your resolve, you start typing a message:

"Hey Alexia! I'm in Barcelona for a few days and was wondering if you'd like to catch up. Would be great to see you again if you're free. 😊"

You read the message over a few times, feeling a mix of excitement and anxiety. Finally, you hit send, and the message is on its way. The next few minutes feel like hours as you wait for a response, your mind racing with possibilities.

A notification pops up on your screen. It's a message from Alexia.

"Hey! That's amazing, welcome to my city! I'd love to catch up. How about we meet for coffee tomorrow? ☕"

After setting a time and place to meet with Alexia for coffee, you decide to take a leisurely stroll through a nearby park. The evening air is crisp and filled with the aroma of blooming flowers, adding to the sense of anticipation bubbling inside you.

As you walk, you find yourself lost in thought, replaying the upcoming reunion in your mind. You can't help but smile as you imagine catching up with Alexia, wondering how the conversation will flow now that you have the chance to talk without the distractions of a film set.

Finding a cozy spot at a café in the park, you order a coffee and settle in. Pulling out your phone to check the time, you become engrossed in a message from a friend when suddenly, you feel a slight bump and hear a soft apology.

Looking up, you're surprised to see Alexia standing before you, a small Pomeranian dog on a leash beside her. She looks equally surprised, her eyes widening in recognition.

"Hey! I was just…" you start to say, but your voice trails off as you realize she's on a phone call. You catch snippets of the conversation as she continues speaking in Spanish.

"… sí, mañana," Alexia says with a grin, clearly excited about something. "Sí, creo que sí. Gracias, María. Nos vemos mañana. Intentaré invitarla a salir. Adiós María, que tengas una buena tarde. Hablaremos pronto, sí, te avisaré cómo fue, sí, es mañana. ¡Adiós!"

"Hey!" Alexia exclaims with a slight blush when she put her phone away, momentarily caught off guard by the unexpected encounter. She quickly composes herself, flashing you a warm smile. Her small Pomeranian dog, Nala, wags her tail happily at your feet.

"I was just… talking to my friend María," Alexia explains, her cheeks still tinged with a hint of shyness. "She was… uh, teasing me about something."

You chuckle softly, feeling a rush of relief that she's just as flustered as you are. "Sounds like an interesting conversation," you reply, trying to ease the awkwardness.

Alexia nods, regaining her composure. "Yeah, she's… Maria always has a way of getting straight to the point," she says, her smile returning. "But I'm glad I ran into you tonight. I was actually hoping I'd see you."

"Really?" you ask, pleasantly surprised by her admission.

"Yeah," Alexia admits with a sheepish grin. "I mean, I wasn't sure how to reach out after our last chat. And here we are, bumping into each other."

You smile back, feeling a surge of happiness at her candidness. "Well, I'm glad we did," you say sincerely. "It's nice to see you again."

Alexia nods, her gaze lingering on yours for a moment longer than necessary. "Would you like to take a walk together?" she asks, nodding towards Nala. "Nala could use some more exercise, and I'd love the company."

As you walk together through the tranquil park, Alexia shares stories about Nala's antics and her favorite spots in Barcelona. The conversation flows effortlessly, punctuated by laughter and shared interests that make the time pass too quickly.

As the sun begins its descent, casting a warm orange glow over the park, Alexia suggests heading towards your hotel.

"Let me walk you there," she offers with a gentle smile. "It's getting late, and I want to make sure you get back safely."

You agree, feeling a flutter of anticipation as you walk side by side. When you arrive at your hotel, Alexia looks around, taking in the quiet street and the dimming light of the sunset.

"This is my stop," you say softly, gesturing towards the entrance. "Thank you for walking with me."

Alexia's gaze lingers on yours, her expression softening with a mixture of fondness and something more. "It was my pleasure," she replies, her voice barely above a whisper.

Standing there, the air thick with unspoken desire, Alexia takes a small step closer. The intensity in her eyes draws you in, and without a word, she leans in slowly. Her lips meet yours in the gentlest of kisses, sending a jolt of warmth through you.

Time seems to stand still as you melt into each other, the world around you fading into insignificance. Alexia's touch is tender yet filled with longing, her lips soft against yours.

When she pulls back, a blush colors her cheeks, and she chuckles softly. "I've been wanting to do that since I first saw you again," she admits, her voice husky with emotion.

You smile, your heart racing with happiness and anticipation. "I'm glad you did," you reply softly, reaching for her hand and intertwining your fingers with hers. Leaning in for another kiss.

"So, this means that we are still on for coffee tomorrow?"

[dr-spectre]

I saw this really great thread on twitter by Grungygrim and it definitely highlights my thoughts and frustrations with the story of these games and the Splatoon fandom as a whole. (be forewarned, i get really tilted in this blog post fyi.)

I made a blog post about 2 weeks ago where i said that i was happy that the narrative online that "Callie is an idiot who got kidnapped and then brainwashed/mind controlled against her consent" is going away. (Here's the link: https://www.tumblr.com/dr-spectre/749710338672525312/im-so-happy-that-the-narrative-online-that?source=share)

Unfortunately I'm gonna have to retract a lot of the stuff i said. I'm still seeing, TILL THIS DAY THAT NARRATIVE ONLINE! IM STILL SEEING SO MUCH MISINFORMATION AND IT MAKES ME REALLYYYY ANGRYYYY!!! As a big fan of Callie, people completely outright ignoring her character arc THAT WAS SET UP SINCE SPLATOON 1 BY THE WAY!!! and not even bothering to look at outside sources for more information and lore genuinely pisses me the fuck off to no end.

No, hypnosis is NOT MIND CONTROL/BRAINWASHING! I DONT WANNA KEEP REPEATING IT! YOU CAN LOOK IT UP! if a person is genuinely uncomfortable and doesn't wish to take the suggestions to heart while hypnotized, THEY WONT DO SO! THEY STILL HAVE CONTROL! Yes, Marie did say "kidnapped" in some of her dialogue, but from her perspective, OF COURSE SHE'S GONNA THINK CALLIE GOT KIDNAPPED! She's known to worry about Callie all the time and ruminate about her, of course she's gonna think of the worst case scenario, doesn't mean she's right though. Was Octavio still in the wrong for hypnotizing Callie in the first place and allowing her to bring out her darker traits more easily? YEAH! NO SHIT! HE'S A BAD DUDE! Not a totally evil person but he has made some awful decisions out of desperation for his people. Why do you think he was so quick to help out the New Squidbeak Splatoon in the finale of Splatoon 3? His people got turned into fluffy monsters by a giant bear, he's all about helping his people.

Hell look at how Callie acts while under the Hypnoshades, she decorates Octo Canyon and her peppy and energetic self is still in tact even during the final boss, she's just more mean and violent. Callie was in an emotional and mentally unwell situation due to her overworking herself and being incredibly lonely as her relationship with Marie was damaged overtime. Callie accepted the suggestions of DJ Octavio and heard him out, AS SAID BY HER FROM THE RELATIONSHIP CHART! She wasn't forced into anything. She didn't suffer "sexual abuse" from Octavio by being forced into skippy clothing as some psychos say online, if she didn't want to wear that outfit she wouldn't cause hypnosis is NOT MIND CONTROL!! I hate having to repeat this over and over again, i hate how the developers basically rushed and ruined this interesting villain arc with stupid shades, only to try and hastily fix it later with an obscure post about A GOD DAMN RELATIONSHIP CHART THAT PEOPLE EITHER DONT KNOW ABOUT OR DONT CARE TO LOOK AT BECAUSE THEY SEE SPLATOON AS SOMETHING FOR KIDS AND TO NOT GIVE ANY CARE TOWARDS!!!!!!!!

I made a god damn giant blog explaining Callie in Splatoon 2 because i felt so frustrated about how my favorite character in the series was being treated and i tried to salvage the story that the writers tried to make. The way that people made her situation worse by saying she got kidnapped and forcibly ""mind controlled/brainwashed"" actually gave me chest pain, thinking about that kind of scenario for Callie actually hurts me... Heck i cant even listen to the Splatoon 2 stage music or final boss music because hearing her reversed vocals makes me feel uncomfortable due to the misinformation online. I hated all the misinformation and i wanted it to stop. HELL EVEN IN GIANT TIMELINE VIDEOS WHERE PEOPLE DO TONS OF RESEARCH THEY STILL GET IT WRONG!! UGHHH!!!!!!!!!!!!! i guess it'll still be the common and popular notion that Callie is an idiot that got kidnapped and then ""mind controlled"" by some shades... oh well... ugh...

I'm sorry if I'm coming off as really angry, i am. It's just, my brain is really hyperfixated on this squid and she means a lot to me. Seeing the way the fandom as well as the writers treat her makes me really mad. I hope i can find some peeps who feel the same way as i do. Misinformation is so frustrating man... i dont even wanna get into the Octarians because that's a whole other can of worms... anyways im done ranting. have a good night or good morning wherever you live y'all.

[guiltycorp]

Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.

[angrykittybarbarian]

A list of things that bother me about Dragon Age: The Veilguard Part 2

I already touched on a few things that caught my attention and personally irked me about the game. After getting through some more of it naturally a few more points have come up. Though I think they are not really new aspects but more concrete examples of what I had touched on last time.

Without further ado, let's get into it.

!Spoilers below the cut!

The dialogue is repetetive and at times contradictory

Like I already discussed last time the dialogue is bad, to express it in the simplest of terms. As I progressed through the game I stumbled upon a glaring example for what I mean.

In the questline where you infiltrate a Venatori meeting there is a part where Neve in disguise and in company of Rook and another companion gets a Venatori to admit that Elgar'nan was present but not Ghilan'nain. For some inexplicable reason Neve turns around and repeats this twice as if Rook wasn't present.

I stated in my last post that the game feels the need to state the obvious. This is what I mean. It makes the dialogue feel like a rough draft that was incorporated into the game without further polish.

As of its contradictory nature two examples come to mind.

In Harding's companion quest you meet this dwarf of Kal Sharok. His dialogue is stoic, no bullshit straight to the point and passionless. Which was fine. But after several minutes of him being that way they get to stone statue Valta who speaks in these misteryous riddles and suddenly he switches to this unserious tone of "Oh that weird statue, we never know what she's saying, ain't she funny." (I'm paraphrasing here). I was confused for half a minute because of his sudden change in attitude and left wondering what his characterization is supposed to be now: serious or quirky?

Same thing with Taash's whole story. This is especially upsetting because I feel like they could have done such great work with it.

Instead it suffers so much from several inconsistencies that I felt sorry for the VA because they actually did a great acting job.

Taash has a coming out scene with their mother where they reveal they're non-binary. Ignoring the usage of modern terms in a medieval-ish setting, the conflict about their gender makes no sense.

The writing wants you to believe Shathann is not okay with her child being non-binary but she never actually expresses such a thing. Actually Shathann sort of had an inkling that Taash was no ordinary woman ("Behaves more like a man...") and she never passed any negative judgement on it. When Taash told her this she even tried to understand by categorizing their identity into qunari vocabulary she knew (remember the term aqun-athlok?).

I get how hard it is to have an overly critical mother and the feeling of not being good enough but that was not what Shathann was about in that scene and it did Taash so dirty because they looked more like an entitled teenager than someone suffering from trauma and perfectionism.

But moving on.

Some old characters are mischaracterized

It's Scout Harding. I mean Harding.

I was really excited to have her as a companion in the new installment but they sort of butchered her character that I found myself annoyed everytime she opened her mouth.

And this is because they make her sound so immature. Really think about it. DATV somehow makes Scout Harding sound younger and more childish than she was in DAI despite the fact that she is supposed to be a whole decade older in DATV than in DAI.

I don't know what direction her VA recieved while recording but everything was pronounced so slowly and extra clear that it seemed at times that Harding was either talking to a confused elderly person or a child.

She herself uses expressions not fit for her age. The most jarring moment was when she called the Blight in D'meta's Crossing 'weird' and sounded like a teenager who has stumbled upon furry art for the first time on deviantArt. This pattern pretty much continues throughout the game. And it hurts so much.

Also Morrigan. She at least still uses her even for DA setting standards antiquated vocabulary but she is too happy and cheery and friendly.

Morrigan is not a nice person to those she does not know and like personally. But to Rook she was so nice despite having met them for the first time.

The Morrigan we have come to know love/hate should have been more snarky or at least more neutral in her demeanor.

The Venatori

I don't know why they are still a thing honestly. I was under the impression they have lost all footing after the death of Corypheus. Why would they follow the Gods of the people their country systemically abuses anyway?

Bonus: Why would the Antaam for that matter, as the qunari are so notoriously arcanophobic that they leash their mages, sew their mouths shut and literally call them "dangerous thing"?

Solas' spy network and agents

What happened to them? Where are they? Shouldn't he have a small army? Why weren't they used as the gods' agents instead of the Venatori? Surely, Elgar'nan and Ghilan'nain would have an easier time simply controlling Fen'Harels elven army after imprisoning him in the fade.

The Chantry

It is just not present. Sure there are some Chantry buildings but there is no discussion of faith. In all previous DA games the Chantry has had a constant influence that could be felt everywhere. Faith was discussed and explored from various angles and perspectives, ranging from ultra conservative to progressive. But in Veilguard it's not there.

Why are we not exploring the Tevinter Chantry more? Why doesn't Emmrich discuss the nevarran Chantry, who follows the Sunburst Throne in Orlais, in regards to the Mournwatch, their necromancy practices and magic? Why was he not affected by the mage uprising that started in Kirkwall? How does he deal with faith and the Chantry? It is simply never mentioned.

By all accounts, this game avoids delving into the world like the plague.

Part 3

[shapelytimber]

Wdym it's been 5 months ? Anyway, here is the end of my little comic serie about this niche Skyrim mod

*Insert me 100%ing the 4th arc of the hit mod 'vigilant' for the elder scrolls V Skyrim with little difficulty having a grand ol' time*

I messed up my files so Teldryn divorced me while I was away ckgkckkc And you know what good for him, he got a cottage and a kid out of it

[PART 1] - [PART 2] - [PART 3]

[COMMISSIONS]

If you're interested in my thoughts about this mod, you can read that below (it's fucking long so I'm sparing you all just here for the art to have to scroll through all that) vvv

A fantastic mod for sure ! I had so much fun, the voice acting was (for the most part) quite impressive, the music !!!!!!!!! Excuse me who gave this mod permission to have this fucking banger of an ost ???? Loved the new environnements, and there was so much of them !! Especially in act 4, I felt that all the locations had a unique and gorgeous aesthetic (frankly it was the most fun I had doing dungeons in skyrim... the bar is on the floor tho- if I ever see another nordic tomb or draugr I'll not be responsible for my actions), and fucking impressive mise en scene.

And the fights were so fun ??? In skyrim ?? Incredible.

But I still have some problems with it- first let's get the elephant out of the room : act 1 and 2... Boy oh boy were they not so great- I get that the begining is a slow burn to 1) get to know the vigilants of stendar, and 2) drive home the fact that the vigilants are quite incompetent and stendar hates them. Ok this is cool ! And they definetly were some highlights, like with the story of the three kajiits (I'm not good with remembering names (forshadowing for later-)), the ending of act 1, and uuuuuuuhhhh underground windhelm looked sick in act 2 !

But the quests in general were not very fun, at least not fun enough to distract me from the parts of the scenario I understood- which were kind of sexist and not that interesting (the sexism doesn't get better with act 3 and 4 but at least I'm having fun)- like I don't expect great women characters, this is still a tes mod, and it definitly doesn't get to "the man writting this is a fucking creep and I'm not playing this any longer" territory... But all the women we interact with are either : prostitutes, mothers/wives, or abuse(it's nearly always rape) victims- like I don't really mind that the first quest is to track down a vampire prostitute who propose to show me her sweetrolls, but it gets pretty tiresome after a while (and kinda ridiculous, like do all the big musley men I'm fighting in act 4 have to angst about their wives ? Can't a big musley woman angst about her partner too...). The worst one is Lamae Bal. From the charadesign, to the dialogues with her, to her story- hated that.

And also we don't have much dialogue choices and ways to influence the story in these 2 (3) first acts. Which I understand like this is a lot of work for fan content, but it's such a stark contrast to act 4 it's a bit jaring.

But speaking of the story... I get this is a very thoughtful and well researched story. A lot of work reading the tes wiki as been done by the author... But I, on the other hand, did not read the entire extended lore wiki- and I admit I was not understanding any of it during Act 4. Like I got a general idea, and the epic, dramatic and emotional moments were still impactful ! But I really don't think the author did a great job getting the story accross, and the more the mod progress, the more this problem becomes relevant. The recuring problem of tes games is that they have really deep interesting lore that we rarely get to see in the games ; the problem of this mod is that we get presented with this lore as if we already knew it.

And after watching an explaination of the story, it's such a shame because it's really good !! And well written ! But I don't think I should need a youtube video to understand it...

Also omfg I am not good with names mod please- everything has like 2-3 different weird fantasy names (but it's never explained it's the same thing, and what the thing is is never explained-), there is a billion men characters with weird ass long names, and the mod expects me to remember them all 5-6 hours after they got killed ??? I don't remember them 5 seconds after I'm done talking to them-

But I had fun playing it, and that's what matters <3 and I'll never get other twink molag bal <3

Also, my mage dragonborn is even more op now omg I can summon an army of 8ft musle men + molag bal + Jyggalag ??? The only fight I had a bit of trouble with was Pelinal's, the rest got obliterated easily (by Pelinal) kgkgkfjfifb

I'll probably need to nerf Elaris at some point in the future-

[not-that-n]

I think Kotor 2 is a really funny game when it comes to the average analysis of it's themes, because it managed to create such a compelling antagonist that most people just kinda get lost into trying to analyze her words and actions through her apparent philosophical stand when she is just written to be a great hypocrite, something that they almost always fail to mention in the average analysis of Kreya's character.

Like she makes some points, that sometimes helping others without thinking about your actions can hurt them more than you could imagine and says some other things that are almost true but she frames them as a philosophy of might, you shouldn't help others because you are depriving them of their strength, because through suffering there's growth, through struggle you reach enlightenment, through individual freedom you reach apotheosis. She then reaches the conclusion that God, aka the Force, is the biggest chain of all and to be truly free is to kill the force, to reject fate completely.

She acts like she has some sort of moral high ground over the sith and the Jedi when in reality she is not much different. In a way, she does have some beliefs she follows without question, she still uses the force and if you ask her about it she admits the hypocritical nature of her argument, first comparing to a poison and then saying that that's just an argument of an old woman trying to justify it. She always talks about how there are no chains, how you must be completely free of fate because there's no determinate outcome, whatever happens being a result of your strength, yet she still betrays you by the end because there must always be a Darth Treya, there must always be someone that directly betrays the order in it's moment of need. That's fate, that should, and will, always happen.

I always read her admiration for the player originating from our achievement of her goals without becoming hypocrites like she is, something I'm sure she is aware of as hinted by her dialogue in her last fight. The player rejected the force, reject fate, through strenght of will alone, using it more alike a weapon than a dogma, but the player, in a way, still uses the force mostly as a way of unknowingly influence others, their strength is not in self isolation in pursue of the strength of an individual through the death of morals and complete freedom, but instead in connection with others.

In the dark side ending the player becomes Kreya, a hypocrite that acts on their own desires, on their own impulses, because they can, afterall they had the strength to reject the force once so they are strong enough to do whatever. On the light side ending the exile takes the correct path, not following Kreya but transcending her, becoming better than her, understanding that you can overcome the chains of fate not through individual freedom but through connection, in the light side ending you archive what Kreya never could.

I always read Kotor 2 as a story of abuse and trying to grow out of it, in this case Kreya being the abuser, breaking both Scion and Nihilus causing them to become what she hated the most, and the player character being her new target, the exile being able to either follow the narrative's themes and be able to grow despite the abuse or fail and become the abuser themselves, perpetuating the cycle, the chain, that I always read as what the force is supposed to symbolize in this story.

Kreya is a spiteful person that believes that she can not grow, that she can not change and become better, she accepts herself in her own hypocrite nature because of this belief, she understands that through her own argument, one of complete freedom and transcending any chains that bind us, she is a failure like the rest of her students because she follows her own chain, she believes she most perpetuate the cycle of abuse.

That's the reason why I always disagree witht he concept that Kreya steals the show from both Scion and Nihilus because both of them are different outcomes that the exile could have become, both are victims of abuse that thought they couldn't change.

There's this one study I always think about, how kids that came from abusive households were more reluctant to let go of their parents, and Scion reminds me of this, rejecting Kreya at every opportunity but being unable to let go of her, she defined who he became as a person, a failure in both of their eyes. That's why he is so mad when you are going to confront Kreya, he thinks of you as her favorite, as the one that didn't become a failure, as someone who could reject and grow from their abuse when he couldn't. And I always found so interesting that the way you beat him os through words because, well, because you try convincing him that he can change, that he can grow, you beat him not through a fight, through a show of strength, but through showing, arguing, that the abuse he went through is not an unmoving chain, that he has the capabilities of change. And he doesn't believe you, never does, he would rather die than think about that, that admit you are right, he reacts the same way Kreya does, dying rather than admit they were wrong. It feels incredibly tragic that this happens because you know it could end up in another way, you are that other possible outcome.

And Nihilus is a simpler character because most of the content related to him was cut, but I always read him as the complete rejection of Kreya, as doing the exact opposite of whatever she said even when it still ends up hurting him, becoming a shell of what he was once. That said, most of that is just me guessing something that would fit with my reading of the themes and is never actually said in the game, it's kinda hinted but I admit there's not enough information to confidently say that.

Anyways, my point is that I find kotor 2 quite a compelling story and, while I understand why most people only ever discuss Kreya, I feel slightly disappointed that most discussions of the game never really talk about anything else the game presents

[whateverisbeautiful]

♥️ Ranking Richonne

#19: This Is Good (S6E15)

I mean...do I even need to explain? 😏 I always love this scene for its relaxed, happy, and intimate vibes and for really solidifying that all the romantic sexual tension Rick and Michonne had pre-canon would play out just as perfectly once they could finally act on it and be in love out loud. They do intimacy so well and naturally. The best word to describe this scene is straight-up sensual. And as they let themselves be fully immersed in their Richonne bubble in this scene, I truly believed what they believed - the world is theirs...

I didn’t realize how much opening minutes really used to be blessing us in this series. Cuz in 6.15 we get to see Rick and Michonne cuddled up again for the first time since their canon ep.

And I love that after seeing some couple-y moments with Glenn and Maggie and Abe and Sasha in this episode opener, we get this scene that reminds you there are some powerhouse newlyweds a part of this TWD couple list now. Won’t He do it! 😊 

The scene opens with Judith on the baby monitor, which lets you know this is the bedroom of her parents. Plus the baby monitor made an appearance in Rick and Michonne's 6.10 canon moment as well so it sorta connects the two scenes in a way. And their family truly feels so whole now that Rick and Michonne have embraced that they’re meant to be.

I adore the way they're wrapped up in each other, and Michonne’s smile, and the way Rick's kissing her shoulder and like being as close to her as possible. 😍 They just both seem so genuinely content. And even half asleep they can’t keep their hands off each other lol. When I tell you these two are magnets - all you have to do is watch their body language in this scene to know it’s true. 🧲

And then Michonne takes that apple and bites it, and I love the subtle expression Rick makes when she does that. And then this show said, if y'alls' glasses somehow ain't fogged up yet then let’s just keep serving steaminess and have Michonne feed Rick the apple lol. They're wild for putting this moment in, and I'm here for it. 😋

Just their breaths and laughs in this, I love that in this quiet moment, their love is so loud and clear. And the apple suggests two things - 1) Adam and Eve fall-of-man foreshadowing and 2) that they are the hottest couple in all of television. 🔥👌🏽

It’s additional perfection when she runs her hands through his hair, and he immediately goes back to wrapping her in his arms. Um every second of this scene is a blessing. 😍 And of course Rick kisses her again, and the way she rubs his hand that’s holding the apple...Cup runneth over, y’all. It’s so great how natural and comfortable they are to be like this so soon after making their feelings for each other known.

It really does go to show that now they get to do what they've always wanted to do.

Like this feels like a whole passionate morning routine already and the married vibes are immaculate. It confirms how the physical aspect of this relationship was truly the final piece of their already perfect union. They’re happy and fed, and so are we. 😌

And in Rick’s first dialogue of the scene he says the only fitting thing to say on a blissful morning like this. “This is good.” And Michonne agrees it is and notes how Jesus came through. And did. Won’t he do it. 🙌🏾

Rick is really confident saying, "They all did, and they’re going to keep coming through." Homeboy is feeling really hopeful and confident during this period of the show and part of it is def cuz he’s now officially in a relationship with the baddest chick in the game. IJS. 😌

Michonne mentions how Maggie wants her and Glenn to set up watchpoints and Rick is in that lovely 'take a break' mood so he tells her to 'stick around.'

I love that it’s such a common theme for Rick to always want to extend his time with her. I repeat - the world can always wait when Rick is with Michonne. 

It’s cute that part of his pitch for her to stick around is that 'Judith isn’t even up yet.' Mom and Dad, y’all. And then Rick really makes his pitch enticing when he starts kissing all over her and making her laugh. 😊

The way they can make each other smile and laugh like no other is the absolute best. (and Rick is more hungry for her than the apple ijs) I love that they’re so unabashed in expressing their love and desire for each other. And you know I’m always happy to see Rick and Michonne's playful side.

Like how great is it that we get to watch a couple that's so grown and mature while still having something youthfully energetic in their want for each other too. 🙌🏾

Michonne is disciplined like no other tho so she laughs and says, "wait no." Rick stops and looks at her asking, "yeah, why not?" in that fine voice and idk how Michonne remembered what she was saying with Rick over her like that lol. But, like I said, Sis is more disciplined than most so while her body language is certainly saying she'd love to stay in bed with him, she also wants to keep her commitment to Maggie and Glenn.

I love how she again runs her hands through Rick's hair while saying  Maggie has them on a schedule and she doesn’t want to piss off a pregnant lady. And then Rick’s subtle pout. Every cute choice was made in this scene, I’m telling you. 🥰

Also I was like Michonne, sis, this is your chance to enjoy yourself and maybe even be a pregnant lady too, Maggie will understand lol. Like tell me Maggie wouldn't be like...

But Rick understands and doesn’t want to piss Maggie off either lol so he playfully tells her to go. It’s cute the way he says, "not that pregnant lady," and Michonne says, "right." Always in agreement.😊

And as we know, mornings like this blissful s6 one with Rick will have Michonne also one day being a pregnant lady who's nothing to mess with in the future. 👌🏽

(Side note: I’ve noticed every time Rick and Michonne have a scene chatting in bed together, the one person who comes up each time is Maggie. This scene in 6.15, the bedroom scene in the Sanctuary in 9.01, and their gorgeous bedroom scene in their home in 9.03. Rick and Michonne express care for Maggie's well-being every time, which is part of why it's so unfortunate that Maggie’s relationship with Rick and Michonne ended with a falling out. And the fact that all we know is something vague occurred and somehow Maggie and Michonne grew distant after Rick was gone. It's sad cuz they were shown to mean a lot to each other but then ended on a sour note.)

Rick says go and Michonne laughs as she starts to get up, and Rick again looks so rested and satisfied eating his apple and laying in bed. Michonne be giving that man life, y’all. 😊

Michonne notes that Maggie is worried about an attack and again Rick is confident saying when they come for us, not even "if," but "when," they’ll be ready. He’s extra confident saying this won’t be like before, and "the world's ours, and we know how to take it."

It’s sweet that Rick again takes his time to really reassure Michonne. It’s like he can sense that Michonne too might be having some concern about the looming fight, and so he’s so gentle but certain when he tells her everything they need is inside these walls and they aren’t losing any of it again.

I love that Rick feels they have everything they need, and I know he and Michonne having each other is very much included in that for him. And you can’t fully see it, but you can tell he comfortingly places his hand on her, really wanting her to know, “we’re not losing any of it again.” 

And then I love how Rick says, "I’m not." Basically saying, trust me whatever is trying to take from us is going to have to go through me, and it won’t end well for them. And Michonne knows it too so I love the way she believes him and boosts him up saying, “No you’re not.”

She knows Rick is a fighter and a force to be reckoned with. It’s part of why she fell in love with him, and you can see that in this moment.

Also hearing Rick just eating the apple again lol, homeboy ain’t worried about no outside threats in this moment. He’s too busy on cloud nine. Having good fresh food, a strong community, a healthy family, and a goddess of a wife has Rick like...

And because she’s a fighter too, Michonne takes his hand and also says, "I’m not," cuz they’re cut from the same cloth, really and truly. And you just believe the two of them so much when they say this.

Even knowing Negan is coming, you just feel like ultimately he’ll be no match for Rick and Michonne because those two together are unstoppable. 💯

I love that they got this peaceful morning moment to just fully enjoy each other's presence and affirm to each other that what they have is good and not going anywhere. These at-home scenes always paint such a great picture of why Rick and Michonne make for the absolute best husband and wife.

And again, the sensuality of this whole scene is A1. In every inch of every frame. And I remember loving this scene back then but watching it back now it’s even more sensual and sweet than I remember. Like it’s so good from beginning to end and solidified that Rick and Michonne really do work perfectly as a couple. I love the way they talk to each other and so visibly want each other. I’ll say it 1000 times. 

Two more cute moments I just want to note in this 6.15 ep are Rick ratting out Michonne and low-key himself too, when he reveals to Morgan that Michonne did steal that protein bar back in King County. Like he thinks he's telling on Michonne but also Rick,...

Cuz Rick stayed letting the world know he remembers pretty much every detail about Michonne. 😋 I love that Rick remembers so much from his first run with Michonne in Clear and then Morgan’s smile like 'oh I know your girl took it.' Also, I just love any time Andy and Lennie get to act together. Legendary talents. 👏🏽

And then I really love the Rick and Abe scene towards the end of the ep too. It’s one of the most heartfelt exchanges between two men on the show imo, and I like how Abe was the tf member who always most wanted the Richonne tea. He’s one of us lol. 

It’s always heartwarming seeing Rick ask Abe specifically if Michonne is back yet. Like I’ve said before, some of Rick's Day Ones are out there, but of course, his wife is his utmost concern. And Abe is so compassionate when having to reveal that Michonne is still out there. It’s heartrending that Rick can’t even hide the concern he feels and wants Michonne back home. 

I appreciate that Abe seems to notice this and wants to talk about love when asking Rick if he’s scared to go back to it and let someone in close. We know from the "rules keep changing" scene that letting someone in is big for Rick. So he pauses for a moment and answers "yeah" twice.

Abe brings some levity saying how he’s basically ready to blaze a path of his own (with Sasha 😊💜) even despite this world's penchant for taking things away. And Rick’s amused face at Abe is cute.

Then the way Rick stays standing at the gate, almost wanting to will Michonne home. So sweet. 😭

And extra sweet is Abe kindly saying, "any second now" to reassure Rick while he’s in this state of feeling off because Michonne's not okay somewhere, so even from afar, Rick's not entirely okay right now either. 

Rick had been feeling so unshakeable all ep, but Michonne being out there while the looming threat of the Saviors is high shows that there are still things he worries about, and of course, Michonne and her safety are high on that list.

I love that despite the scary aspects of letting someone in, in that world especially, Rick and Michonne still dared to do so fully with one another. And because of it, they get to enjoy blissful mornings filled with love like this one here. It was giving newlyweds and married-for-years all at the same time, and I'm eternally here for it. 😌

[flower-boi16]

Bring the thunder down

Well time to give my thoughts on the latest episode.

POSITIVES:

-Seeing callbacks to previous episodes in season 1 was pretty nice

-Holy shit Verosika development? HELL YA!!!! I'm just going to say it; Verosika is the best part of the episode hands down. I like that we get to see a real side of her beyond just being a one-dimensional bitch, her being friendly towards Stolas due to seeing him, and how SHE felt when she was hurt by Blitz.

And she deeply empathizes with people who were also hurt by Blitz and holds this party so people can cope with their experinces for how Blitz damaged them, a place where they can all get together. Viv developing a female character...? That's insane! Verosika feels like an actual person in this episode, not just a one-dimensional bitch.

-We don't get a rushed resolution to Blitz's feud with Verosika like we did for his feud with Fizz, which I am very happy for. I liked how they handled the reletionship between the two here,

-The development for Blitz here is genuienly great...? Like, the episode does a good job of showing him finally realizing how his actions have hurt others, and shows him trying to play victim here in the final scene of the episode before accepting that HE IS THE PROBLEM. And it's now the begining of him finally deciding to grow and become a better person, which is probably going to be a major arc in both season 2 and the rest of the series.

-The characterization here for Blitz is also great. Again it shows him playing the victim here because he's too much of an asshole to accept how he might have hurt others, until he realizes how his actions actually affect those he hurt. He feels genuine remorse now for his actions after the song that Stolas' sings on the stage.

-SPEAKING OF THAT SONG NUMBER; I have some issues with it when it comes to Blitz victim blaming but for the most part it's not bad. The visualls during it look quite nice and the singing is really good. This also serves as a good moment for Blitz as a character; as he sees that actually did, genuinely, have real feelings for him, and it helps Blitz realize all the mistakes he's made throughout his life and how his actions have genuinely hurt others.

-The episode, generally, does a good job of showing how Blitz's actions have hurt others.

-The finale scene in the episode is fantastic. Like I said we get some great development for Verosika and some insight on how she felt when Blitz ran off, characterization for Blitz and growth with him finally realizing his mistakes and the begining of him growing as a person. The voice acting from the two especially sells the emotions in it.

This episode has a suprising amount of good stuff in it when it comes to Blitz and Verosika...unfortunetly there are still some issues.

NEGATIVES:

-Unsuprisingly the Stolas stuff here is awful. The episode constantly frames him as another one of Blitz's victims who was hurt by him which just shows more Stolas victimization. Whopee. The begining scene is especially awful when it comes to this. The thing that really gets me is the line "since when have I ever looked down upoun you", like, dude, YOU CONSTANTLY BELITTLE HIM THROUGHOUT THE FIRST SEASON. OF COURSE HE'S GOING TO THINK YOU LOOK DOWN UPOUN HIM.

And then he says that Blitz is like Striker which is fucking stupid.

(though tbf Blitz is deffiently an ass in this scene so I can get Stolas' perspective to a slight extent, but some of the framming here and dialogue is still questionable)

-Speaking of that begining scene, its...eh. It has the issues with Stolas victimization as I already talked about here but then there's the fact that they used Blitz not telling Stoals about Striker as a way to create cheap drama. YAY! Also this...never gets resolved in the episode btw.

-The stage scene where Stolas sings his "motherfucker" song is good enough in terms of development for Blitz but since Blitz isn't in the wrong here for not believing Stolas loves him it still come across as another instance of Blitzo victim blaming to a slight extent. I already expressed my opinions multiple times about why Blitz is not in the wrong for not thinking that Stolas has real love for him so I'm not gonna repeat myself here, but I'm really sick of the Stolas victimization in this season and I just wish the show would stop pretending that Stolas is the victim here.

-The conversation the two have after the song isn't an awful scene but still shows Stolas victimization. Again, more Stolas victimization and a lot of the dialogue from Stolas here really seems to point to this. Like the scene has Blitz apologize to Stolas and act like the latter deserves better than the former because the former was soooo mean to him UwU, and it just. Ugh. And then the episode has Stolas whine about how he just wants someone to care about him and I'm just like. Viv. You aren't going to make me sympathize with this stupid fucking owl. You just can't.

-The episodes seems to be implying that Blitz has feelings for Stolas...? Huh???? Since when??? And also why does Blitz even have feelings for Stolas to begin with? Like everytime Stolas and Blitz interact Blitz always shows physical discomfort around Stolas, why tf is he suddenely interested in him NOW???

-How exactly was Verosika able to know of Stolas' reletionship with Blitz?

-Blitz decides to go into the party WITHOUT A DISGUISE. Like he takes one eventually but why didn't you bring one to begin with...?

-Is there no one guarding the entrance to this party? Because Blitz should have not able to get in here.

-Blitz comeing in without a disguise doesn't bring any attention for some reason???

This episode was...actually kind of good. Like, I'd say this is probably the best episode of season 2 so far. It mainly suffers from more Stolas victimization and some very weird plot holes and the out of nowhere development of Blitz getting feelings for Stolas but there is genuinely fantastic stuff in here that's good enough to make the episode at least a 7.5/10, hell maybe even an 8. I could forgive a small amount of plot holes if there's enough great stuff in the story and in this episode there is.

So ya, I actually kind of enjoyed this one.

[rinndjarin]

A Shot Breakdown of the new TLOU S2 first look!

*Cue Little Sadie* Ellie at the dance. Looks like it’s ripped directly from the game. No notes. Though this does make me wonder if we’ll be getting this scene sooner rather than later. In the game, we don’t see this scene until the Farmhouse. I think I read somewhere that Craig Mazin isn’t a big fan of flashbacks, so we might be seeing some stuff in chronological order. 

The tattoo! And the chemical burn. No idea where this shot is, but it looks like Ellie is either drawing or at a workbench. Either way, it looks great. 

The great Catherine O’Hara! I’m so excited to see her here. When her casting was first announced, many people, myself included, believed that she would be playing the Seraphite prophet, but then in an interview she mentioned that she was doing scenes with Pedro, so that wouldn’t make sense. I’ve seen others say that she’s might be playing a therapist-type character in Jackson. The editing in the trailer definitely makes it seem like that! But I think this is a misdirect. Joel’s dialogue in this trailer is definitely him talking to Tommy like at the beginning of the game. I don’t think he’s talking to Catherine there. So who is she talking to? It could be Joel in a different scene. It could also be Ellie. It could also be someone completely different. What a mystery! I’m so excited to learn more about her character. 

Oh Joel. My sad old man. He looks so broken here. Pedro, your Emmy is coming! Like I said before, the editing makes it look like he’s talking to Catherine, but I believe this scene is with Tommy. 

This shot is going to keep me up at night. What is this?? When is this?? Why is my daughter screaming? She has a bandage around her chest, she’s on a gurney, and someone is holding her shoulder. Could be Maria? My prediction is that this is Ellie right after being brought back to Jackson after Golfing, and she’s having a freak out. It seems like she’s looking at something (someone?) What if Joel’s body is in whatever room that is? I’m not sure. I’ve seen some other people suggest that this could be some kind of nightmare sequence which could also be very possible. I saw another suggestion that this could be Ellie getting the chemical burn to cover her bite mark but I’m skeptical of that. That scream is way too emotionally charged in my opinion. Whatever the case may be, Bella is showing their acting chops here and I see awards in their future. 

Another shot that has me stumped. This must be Jackson right? Let’s say for now that it is. Is Jackson under attack? By who? Raiders? Infected? This looks like way too many people to be Abby’s crew. Maybe this is a flashback. I saw someone suggest that this could be a a flashback to Tommy defending Jackson so that we can see his sharpshooter skills. That’s definitely possible. If it’s not Jackson, then could it be a flashback to a Seraphite conflict? Those wooden walls could suggest a Seraphite village. I’m not sure. This one is a doozy.

Tommy!! He looks so good. I cannot wait to see more Gabriel Luna in this role. He’s gonna kill it. So this shot comes right after the one with the people running towards that wooden gate (possibly Jackson) and with the editing, it looks like Tommy is on top of that gate. It could very well be the same scene or it’s two different scenes spliced together. I think it’s very possible that this shot is from the scene where Tommy and Joel save Abby. I doubt this is Tommy in Seattle since this is very clearly winter. 

The Seraphites! They look awesome. I’m thinking this must be the scene with Ellie in the park on her way to the Hospital on Day 2. It could also be Abby’s Day 1 when she meets Yara and Lev, but I’m starting to think we won’t be seeing Abby’s Seattle days until Season 3. There have been no casting announcements for Yara and Lev.

Dina! My lovely Dina. Okay so I’m not really sure where this shot would be, but I’m thinking it’s somewhere in Seattle because of the coat she’s wearing. Isabela Merced was wearing it while shooting with Bella in Vancouver for Seattle scenes. In the tunnels maybe? The theater? Not sure, but she looks great! I love Dina, and I think Isabela is gonna be great. After seeing her in the Alien: Romulus trailers, I’m confident that she’s going to knock it out of the park. 

Ellie unleashing Hell? Amazing. You go girl. 

If you look closely, you can see a person standing on the ridge in this shot. My guess is that it’s Abby or Owen scouting out the Jackson area. 

Jeffrey Wright is back as Isaac! Let’s go! One of my few complaints about Part 2 is not seeing enough of Isaac. He’s such an intimidating character and I need more. Jeffrey Wright is going to DELIVER. 

First look at Kaitlyn Dever as Abby! Another shot that could’ve be ripped right out of the game. I think Kaitlyn is going to be an amazing Abby, and I hope for her sake that she doesn’t go on any social media when Season 2 premiers. IYKYK.

Nothing much to say here except that this is most likely Jackson/early game. It’s hard to tell who the riders are. It could be any combination of Ellie, Dina, Jesse, Joel, or Tommy. Or maybe they’re random patrollers from Jackson; who knows?!

This has to be the subway scene in Seattle Day 1! I love that level; the introduction of the Shamblers, the red flares, clickers and WLF everywhere. It’s gonna be good.

Clicker in the subway! Makeup looks amazing, but of course I’m not surprised. This show cannot and will not miss. 

“I saved her.” Yes you did, Joel. You saved your babygirl. Like the first shot of Joel, I think he’s talking to Tommy here. Most likely not Catherine O’Hara (but I’m open to being surprised!) Pedro just brings so much vulnerability and softness to Joel. He’s the same character from the games, but he’s also not. It’s not better or worse, just a little different, and I applaud Pedro for his performance. 

[meanbossart]

i appreciate you as an astarion Understander, but shadowheart is my pookie so i gotta ask what you/du drow think of her...i mean they're bestfriends obviously but what did he make of her pre-shadowlands? what about during act 2? post gauntlet of shar? personally, the shar temple really endeared me to her even if i found the act of doing some of the trials a bit annoying.

Oh I found Shadowheart to be the Most annoying character when I started to play the game and disregarded her as "the hot goth with no substance that they put here for the Morrigan fans" of the story, at least for the majority of act 1. She very slowly became one of my favorite companions though - her development is Wonderfully paced and I love the "open-endedness" of her quest (at least as I went about it), she's facing a similarly terrifying predicament as Astarion and DU Drow where, yes, she may have freedom now - but she has nothing else at all. Not her parents, not her memory, not her god (since I dont personally like the idea that she would just flip to Selune immediately).

What I find kind of interesting about her is that she gets... Less confident in herself as the story goes on? And how, in her particular case, that's both a bad and a good thing. She learns that the world isn't so black and white and that she's been fed lies through most of her life, but that seems to leave her with this frightening uncertainty that she must now contend with, instead of turning into anger or righteousness. It's a surprisingly faithful representation of what's like to escape a cult mentality. In a lot of ways she gets a lot LESS cool as her story progresses - but In a way that I really like, if that makes any sense.

DU drow would have found her similarly annoying at the start (Just took her as a naive religious nutbar) but she slowly endeared herself to him by having a mean streak of her own. They often saw eye-to-eye in their "fuck you, got mine" kind of attitude and DU Drow would have really appreciated her straightforwardness. The moment where I realized those two would get along was during a dialogue you have about her mission, I don't recall the exact wording, but she says something in defense of her blind faith and you have the option to reply along the lines of "Spoken like a true pawn", which I did, because I was playing an asshole. But instead of getting mad she just... Acknowledged it with a little humor and then let it roll right off her back. DU drow really appreciates people like that 🤷

I surmised that, with that attitude plus their shared memory affliction, they would have grown found of each other pretty quickly. If she had been the one to turn me down at the tiefling party instead of Astarion, I would have probably romanced her instead, which is a funny alternate reality to think about.

Then, her and Astarion egging him on with the Loviatar priest pretty much cemented their threeway dynamic for me LOL

Past that point, Shadowheart played a key part in DU drow's own "questline" as the person he later mirrored himself off of. She defied her deity of her own will (I didn't persuade her to spare Nightsong, I just let go and let god) she gave up on her own destiny and greatness in favor of just... Being her own person. It would have gotten DU drow thinking a little more deeply about these things, specially once he found out he was Bhaal's chosen.

Also, they both have a soft spot for animals.

[doodler16]

To HB credit, Brandon did the bulk of the writing for s1 and established that these characters are friends or at least chummy with each other. Than s2 happened and it’s been the stolas cry baby show ft fizz.

In HH none of the characters moments are earned. They all just sit (I swear to god there’s more time of them sitting and doing nothing than there is of them actually doing something) react to shit happening around them or wait for the story to happen. I don’t get friendship strangers who are forced to live with a coddled sheltered rich woman and her codependent gf. Angel and Cherri are established as “friends” but all Cherri did was call Angel a nerd for not taking drugs and caring too much for nifty. Didn’t do shit when valentino was hitting Angel. Husk is just there to guilt trip Angel for taking drug and being promiscuous, sir p gets shitted on by all these assholes I legit got mad when they cried and acted like they cared. (Fuck all of you, you didn’t treat sir p with respect) nifty is also just there to be funny, I guess. She didn’t make me laugh she got annoying real quick. Alastor is the worst fucking character, I don’t wanna get into a rant about him but he sucks so fuckimg hard. Angel is ok, would’ve been nicer if we saw him actually progress and if his “friends” cared he was getting SA’d on a daily basis but they don’t care, if they did we would get more poison mv. Vaggie exist to serve Charlie, which sucks because she had so much potential but she’s a nothing burger and Charlie is just a selfish brat who cries till people give her what she wants and tells her she’s great when she isn’t

Yeah, during season 1 Brandon carried in more ways than one especially guiding Vivziepop. Vivziepop admittedly has her moments in season 1 where she can read the room. Honestly, in retrospect for Helluva Boss season 1 and 2 regarding the IMP gang I see them being more chummy/tolerating each other than being friends.

They had their moments I will admit but most of the questionable stuff they do each other feels more out weighed than the good. Luciferanalyzestar and Tooningin say it best:

If Stolas and by extension Stoliz drama wasn’t hogging all the screen time, IMP could’ve been something more. As for Hazbin Hotel they can pretend all they want how close and how they care for each other but their actions and dialogue say otherwise. In the pilot and addict while Cherri was a bad influence in a different way, she had a heart of gold, and cared for Angel. Now in the show, she is shallow.

I guess Cherri Bomb is a nerd by her logic for caring about Angel Dust and trying to take care of him in Addict. Yeah, Angel Dust’s arc is super rushed and don’t get me started on the timeline of it, it’s extremely janky the more you think about it. The aftermath scene of Valentino and Angel Dust in episode 6 was crazy. Cherri and Husk didn’t even help, they just stood there then once Angel Dust walks away from Valentino, now these chumps want to do something and do the bare minimum by congratulating him.

If Angel Dust’s arc is rushed, then Sir Pentious is a background character. Not only was his character development nonexistent but no one attempted to helped him or even try to wonder where he was. They just forgot about him. The most tonal whiplash, Vivziepop love her cake and want to eat it too. Haha, Anons never change it’s so funny when y’all drag Charlie.

With Vaggie there is so much you can do with her character and story wise, it’s not even funny. She’s not even my favorite yet I can think of so much. If Vivziepop and writers are going to go with the direction like purposefully have be Charlie’s bootlicker only for her to realize she’s been following orders her own life then slowly does things outside of Charlie. Then Yeah, I would love that. I really hope isn’t completely static.

Series Alastor will always be a loser bum, but the fans will eat it up. I wouldn’t mind listening to some Alastor slander. 😗