#henry iv of england

[harryofderby]

You want Henry V to live longer so that he could finish conquering France.

I want Henry V to live longer so that he could finally compose music for all parts of the Mass and not just the Gloria and the Sanctus.

We are not the same.

[joanofnavarre]

On this day in History, 10 June 1432, Jeanne d'Évreux, daughter of Navarre, died at Havering-atte-Bower. She was formerly Duchess of Brittany by her first marriage, and Queen of Enfland by her second marriage, which was a love union. Despite being imprisoned for some years by her stepson, Henry V, Joan (as she was better known by her English subjects) still received visits from her stepchildren such as Humphrey of Gloucester and John of Bedford, but more often her Beaufort in-laws like Cardinal Beaufort. She was buried next to Henry.

[historicconfessions]

[eve-to-adam]

Elizabeth of York, fashion character design, c. 1481.

[captainsamta]

Something I had done years ago on A4 size paper. I think I skipped a few due to lack of space. Kings and Queens of England (after king Henry IV)

[blueberry-bubbles130]

We are back for another historical hypothetical folks!

And this time it is:

Think of it as a Midsomer Murders/Clue style thing.

I don’t have an answer for who the victim is. You can choose anyone you want, for the victim.

[bestnoncannonship]

We just dropped the first song on our new musical's album and I'm SCREAMING!!!

And it has a TITLE!!

Meet "Brave Sons of England" an Epic New Musical based on Shakespeare's Henriad!

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A post shared by Francesca and Ann (@tea_time_for_mad_girls)

@socialshakespeare and all the Henriad readings during the pandemic heard me carrying on about it back when we were starting it and NOW ITS HERE! (I promised I'd tag you guys back in 2020....so here ya are!!)

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[apenitentialprayer]

Some major takeaways: First, the coronation ceremony includes aspects that reflect the act of being invested a knight, the act of being married, and the act of being ordained a bishop. Second, and I think this is pretty cool, while the basic structure of the ceremony has been the same for at least a thousand years, we can trace the inclusion of specific elements included in or artifacts used for the ceremony, including:

the investing of knights by the monarch on the eve of their coronation, first started by Henry IV in 1399.

the use of anointing oil, including at one point miraculous oil purported to have been given to Saint Thomas Becket by the Virgin Mary, first used by Henry IV in 1399 and sporadically used since (though I found an article here that says the oil was used actually used in 1318, 1399, and at least once more in 1413)

the playing of Frederick Handel's Zadok the Priest, performed at each coronation since George II's in 1727.

the bestowing of a Sovereign's Orb, "representing the Christian monarch's domination over the secular world," with the orb currently in use being made for the coronation of Charles II in 1661.

the bestowing of a ring on the wedding finger, with the current ring (containing a relic of Saint George) being made for the coronation of William IV in 1831.

the bestowing of a scepter as a symbol of power and justice, the current one being made in 1685 for the coronation of James II in 1685.

the coronation itself, made with a crown. The two most important modern crowns are the Imperial State Crown, created for the coronation of Victoria in 1838 which includes a sapphire taken from a ring of King Saint Edward the Confessor (d. 1066). The other crown was created for Charles II in 1661, incorporating the remnants of a crown destroyed in 1649, a crown that had been made in 1216 for the coronation of Henry III but in turn likely incorporated parts of an earlier Anglo-Saxon crown.

King Charles III will be crowned today. Here's the historical background on the coronation ceremony, and what to expect!

[cesareeborgia]

↳ richard iii of england + alphabet

[harryofderby]

Started watching the Borgias and then I remembered speculations about Henry IV intending Humphrey to become a clergyman and now I am annoyed at the universe for not giving a timeline where Humphrey becomes the Pope. Humphrey's inherent Humphreyness and his active and disastrous love-life ( in comparison to the other Lancasterlings) would have made for a dramatic papacy.

[joanofnavarre]

“Whenever I am able to hear a good account of you, my heart rejoices exceedingly”

[une-sanz-pluis]

Philippa of England, Queen of Norway, Denmark and Sweden

Philippa of England was the youngest daughter and last child of Henry of Lancaster and Mary de Bohun, Earl and Countess of Derby, and was born on, or shortly before, 1 July 1394, when her mother died from complications in childbirth. Little is known of Philippa’s early childhood but when her father usurped the throne in 1399, becoming Henry IV, her future changed dramatically. No longer the youngest daughter of an earl, she was now a princess.

The new king almost immediately began searching for marriage alliances for his two daughters. 1401 saw Henry enter into marriage negotiations with Margrete of Denmark for Philippa to marry Margrete’s adoptive son and heir, Erik of Pomerania. Like Henry, Margrete was hoping for an alliance to strengthen her domestic position and that of the fledgling Kalmar Union of Norway, Denmark and Sweden. It wasn’t until 1405 that the marriage was formally agreed upon and in December, Philippa was proclaimed Queen of Norway, Denmark and Sweden. In August 1406, the 12-year-old Philippa sailed from England in August 1406. She married Erik at the cathedral of Lund, and her coronation soon followed. Famously, Philippa is the first documented European princess to wear white at her wedding.

She spent the next three years at Kalmar Castle in Sweden, the first year under the guidance of Katarina Knutsdotter (the granddaughter of Saint Birgitta of Sweden), and probably owing in no small part to her youth, Philippa remained in the sidelines of rule until Margrete’s death in 1412. She retained close ties to Sweden, serving as Erik’s de facto regent there, and was the only queen of the Kalmar Union to ever achieve popularity in Sweden. Of particular note is her patronage of Vadstenna Abbey, the motherhouse of the Bridgettine Order. She often stayed there when in Sweden, was a generous patron, and petitioned the pope multiple times on the Order's behalf, even enlisting the support of her brother, Henry V of England. In 1425, Philippa donated a choir dedicated to St. Anne, where she was later buried. This may have had particular significance for Philippa, as she had no surviving children..

Philippa was deeply involved in the rule of all three kingdoms of the Kalmar Union. In 1420, demonstrating Erik’s trust in her, it was decided that she would serve as regent to his heir, Bogislaw of Pomerania, should the marriage remain childless, and her widow’s pension would effectively give her a ‘queendom’ in Sweden. In 1423, Erik went on pilgrimage and Philippa served as his regent, with all power that entailed, until his return in 1425. She also obtained the resources and support Erik needed for his war against the Hanseatic League. Indeed, it was Philippa who organised the defence of Copenhagen against the bombardment of the Hanseatic League in 1428 to great acclaim.

In late 1429, Philippa, apparently in good health, travelled to Sweden to secure further support for the war against the Hanseatic League. She was staying in Vadstena Abbey when she fell seriously ill and died on the night of 5 and 6 January 1430, possibly following a stillbirth. Philippa was remembered almost universally favourably, a reputation that was surely deserved.

Sources: Paris, Bibliothèque Nationale, MS Lat. 17294), "Filippa, drottning", Svenskt kvinnobiografiskt lexikon (article by Charlotte Cederbom), Steinar Imsen, “Late Medieval Scandinavian Queenship”. Queens and Queenship in Medieval Europe, Mary Anne Everett Green, Lives of the princesses of England from the Norman conquest, Vol 3.

[eve-to-adam]

Elizabeth of York, fashion character design. Mourning outfit, c. 1482.

[sparklyshakespeare]

the case for hyper-femme hotspur

this is my tumblr blog and this is like kind of just what we do heresies

OK so basically okay so

first of all i think anytime there is a character who is so strongly associated with an extreme form of gender expression in our collective zeitgeist (i.e hotspur and hyper-masculinity) there’s something not only extremely fun to play with but incredibly valuable about analyzing the story from the opposite end of the gender performance specturm. also canonically there are like 3 female characters in 1h4 and that sucks. also also don’t you want to see hotspur in pink glitter? i know i do and this tumblr is not a democracy!!

in this hypothetical dream sparkly version of the play, both hotspur and worcester would be women. not played by women, i mean textually explicitly women. this is important!! 

worcester should be very nancy pelosi hillary clinton-esque in the way that this is a middle-aged woman who has been taught that to be successful in her field (politics) she will have to strip herself of most of her femininity and perform a certain level of masculinity in order to be taken seriously. this creates a whole other layer to the hotspur/worcester dynamic when all of a sudden this young, hyper-feminine woman is being taken more seriously and being given more praise than someone who has worked and fought through the bullshit and done it all “right”. she hasn’t earned her place, she hasn’t had to struggle - and worcester resents her for that. (there’s like a whole dissertation to be written about how much of 1h4 changes when only worcester is genderbent, i love you queen worcester you are everything not in this version here you kind of suck lowkey)

henry iv is just a misogynist he just kinda sucks but like this is something we all knew screw that guy

ok now we can talk about hal because i know hes like the one all you little gay people care about. 

to me, it’s never made sense why the Henriad is framed as hal’s hero’s journey. maybe it’s because i’m queer (i’m like actually positive that’s why), but leaving home and finding acceptance and family from a group of outsiders who society has deemed as worthless is the path i’ve watched so many friends walk. having to leave that and return to your shitty dad because “duty calls!” and THEN leaving behind and disavowing the same community that opened its arms to you? i don’t see that as an awesome coming-of-age about learning how to handle responsibility, that’s deeply, deeply tragic. and far farrrrr too true a reality for most members of our LGBTQ+ community here (Bible Belt). SO guess where this version of 1h4 is set!!!!!! anyways, its the Medieval Revival of the ‘70s in the Bible Belt south, the Boar’s Head is a gay bar, and hal is trans. 

hal is trans-masc in some way and this needs to be incredibly explicit (like pronouns pin with trans flag on costume explicit). and then when the news breaks, when “I’ll to the court in the morning.” (we’re cutting the text so this is where that scene ends. cool? cool. cool!), hal takes the pin off. it needs to be like A Moment. it should make me cry, and i cry really easily so that’ll probably be pretty easy to do, but this is a gut punch. 

oh and lady percy is still a woman, they’re gay, because i said so. blah blah blah because look hotspur and hal really were so alike all along and look hotspur is fighting so voraciously because she’s hungry for a world where she can openly and unabashedly be with the person she loves but ultimately because i love lady percy and i love lesbians and this play doesn’t need another man. but also because look hotspur is fighting so voraciously because she’s hungry for a world where she can openly and unabashedly be with the person she loves. worcester and vernon should also both be women and have the blossoming of a relationship but be a lot more discreet about it (worcester should be extremely hesitant). now we get a cool split between younger and older generations of activists in both the feminist and the gay rights movement oooo themes oooo motifs oooo lady gagita 

as far as hal/hotspur parallels go, it’s probably pretty obvious at this point. your dad constantly praising someone who represents, at least in his mind, the ideal concept of a woman, disappointed you can’t be more like her, all the while you’re coming to terms with the fact that you’re not a woman, but he’ll never see that, so what the fuck are you supposed to do?!? it’s a LOT! but i think there’s also something to be said about the less obvious parallel. which is that hyper-femininity is NOT an attempt at ideal polite womanhood or self-Stepfordization, hyper-femininity is in fact the extreme performance of womanhood in rejection of that. hyper-femininity is queer in nature (also hotspur quite literally has a wife but i guess hal wouldn’t be able to tell that just by looking at her) there’s something to be said about the moment hal and hotspur see each other, and then the moment hal and hotspur seeeeeee each other. and go hey, you’re just like me. this person who you’ve been constantly compared to and made out to be lesser than  because you dare to be deeply wildly madly truly you is in fact exactly the same. we’re the same. and oh my god, in another world wouldn’t it have been lovely to just like go dancing together? sucks it’s not another world now we’re going to gay fight each other i guess

[actualshonenprotagonist]

This demo album is literally all I can think about right now.