#help my artstyle is always changing
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soukiismet · 9 months ago
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Idk why my artstyle always changing-
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bumblebug5 · 1 year ago
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i think it’s very disappointing how much i see mae drawn skinny. the majority of nitw art i see depicts her as such, despite her describing herself as round in game. it’s a dialogue option that you literally can’t miss since the mirror scene is unavoidable
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you can choose the other option, but you still see this one regardless of what you pick. mae is ROUND. this means she is NOT skinny. i guess some would argue that because her arms and legs are smaller that she is, but that’s literally just because of the game’s artstyle. EVERYONE is depicted that way, so it doesn’t change the fact that she is fat
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another piece of dialogue describes her as “sturdy.” being a chubby person myself, this is literally what my mom called me when i was little. it’s really upsetting to see a character i love and relate to so much misrepresented this way when she is canonically built like me. it’s already rare to see good representation of fat people, so erasing the ones we get doesn’t help
next time you draw mae please try to keep this in mind. and to everyone who draws mae chubby already, i love you forever and always. thank you
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cripplecharacters · 7 months ago
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Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)
I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.
Sorry if this is a bother, and thank you for all that you do!
Hi!
I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?
For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;
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It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.
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It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.
Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.
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[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]
This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.
Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.
Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.
I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.
Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!
Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]
If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)
Hope this helps!
mod Sasza
Edit: apologies for the lack of alt text on one of the images, it has been fixed!
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candyje11yfish · 2 months ago
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ty! \(^_^)/ feelin good so ill try answer in detail for ya!!!! 
most of the time i just do basic cell shading. here ill explain my rendering process after i choose my base colours, ill try keep it short & sweet!! nvm warning buckle up its really super long.
flat colours -> fully shaded!!
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⭐️Picking shading colours!
usually it's just the base colour with +saturation OR a hue shift! i dont really lower brightness.
This is what i mean by HSB, i never use the colour wheel i prefer the sliders!!!
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i like my art to look super colourful so i do things like shading pink with blue instead of with a darker pink or red, as shown in the above callie piece.
examples ft lumity:
skin: i always keep it very simple & cartoony! over the nose, below the eyes, the neck & sometimes the tips of the ears is where i'll put shading
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hair: as u can See, it's not darker than the base colour at all!! for dark hair like luz's, i brighten & saturate the colour, and for light hair like amity's i just shift the hue a little!
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⭐️more kewl tips:
colourpick from yourself!!!! instead of making a new colour for everything, try using a colour u already have down!!!! like below: by limiting my colour palette, it looks more harmonious
really messy image but i hope u get what i mean. also the "off white / black" thing is a separate choosing base colours thing!! i can expand on that if anyone's interested 😙
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shove halftones in wherever they fit. here are the 2 pngs i use!! there a rlly good alt to gradients, i used a LOT of them in that callie piece!!! clipping mask over where u want it & alpha lock to change colour.
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⭐️here's a WHERE i put the shading:
look st the environment ur guy is in!! pick where your light source is coming from & look where that light will hit and where it is blocked by something.
bounce light: the sun's light is also shining on the grass! so powerful the green reflects right back!
this is kinda more realistic lighting now.
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i kinda just put a circle wherever theres a corner!
and i put that Beautiful Shape a lot wherever. i change it a little depending on the character, sometimes its triangular or squarey but thats the base shape! i dont even know what its called but i love it.
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look at this hello weird shape guy!!!
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actually, my grandfest art are probably some of the most detailed art i have! u can see urself where i put shading & stuff - they do have more desaturated colour palettes though:
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& here are some additional examples ^_^ flat colour -> shaded -> multiply layer -> lighting
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in this one u can see the hand & leg at the back are completely in shadow too :)
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anyway i think that's kinda it? i dont really know how to explain it, i just do what feels & looks right to me??? remember that im Not an expert & this is just how i do things :)
i will always repeat my no1 tips tho: keep drawing!!! and copy ur fave artists!!!!!! it really will hell u find what u like!!!!!!!!!!!!
i hope this post helps a little & answers ur question😇 never be shy to ask me anything cuz i love answering & chattin w u guys!!!!
EDIT: just saying these arent set rules or anything!!!! u can see just how many times i Dont follow my own advice LOL. my artstyle is super inconsistent, i rarely draw things the same every time
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entiqua · 3 months ago
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I love your artstyle!! Do you have any tips for drawing?
thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:
draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer
that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.
don't get too caught up in having a consistent art style. in my experience this 1000% hinders you
having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety
follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media
my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands
if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing
related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon
if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!
don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha
look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons
of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)
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starrysharks · 2 years ago
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OK heres zeno coloring tutorial 2.0 !!!! i'm gonna do it kind of in chapters i guess?
chapter 1: choosing base colors
when i'm choosing base colors i always pick everything based on a specific off-white! my 'default' off-white is this kind of very light cyan color but i change it regularly based on character designs/environment/lighting whatever,, examples here!
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for callie in this piece, i based everything off of this pinkish color! her skin tone, tentacles, outfit etc are all chosen to harmonise/contrast with the pink color
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and with this piece, i used a slightly darker blueish color as they're in space but there's still a lot of light... and the lighter colors in the background (the explosion) make a sense of depth i guess? i used that blue color and chose similar cool colors to harmonise with it!
so i more or less base the tone of the colors in the piece off the off-white! warm off-white = warmer colors (like the nova valentine's day art) and cold off white = cooler colors (like the explosion nova and paro art). but i switch up this formula often !!
chapter 2: coloring specific things
here i'll go over some specific textures and stuff like skin and hair ... skin first !!
for skin, i like to use a variety of tones! there are different ways to draw cooler and warmer skintones that other people have gone over way better than i have but basically for skin i use this part of the color wheel and pick the darker tones of oranges/reds/pinks etc. (for darker skintones, i go to the middle of the color square thingy, and for lighter tones, i usually slide down the upper-right side)
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when it comes to shading skintones, it's pretty straightforward, just a darkish-purple and a pinkish color on 100% multiply, and i always add a little shadow on the nose and blush becuz i think it's cute
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(also i like to add reflective spots on darker skin tones sometimes because 1. darker skin tones reflect in real life and 2. it's fun)
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next up is hair... this is very specific to my artstyle but i like to add 3-6 long oval line thingies to the hair to mimic reflection ! it looks cool, it's a good way to show off different colors in the design and i like to switch it up sometimes based on a character's personality!! (like how the frye pic above has a lighting bolt shaped hair thing, or how my teto design has a wing shaped hair thing to mimic her wings in her chimera form!) (note: it doesn't always need to be lighter than the actually hair color and it usually isn't)
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for other materials like metal, screens, etc etc... i just add random X marks lol... and reflections!!!
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(also, just a general thing, but adding little saturated lines to shading really adds depth and color imo!!)
i would put more tips with refs but tumbles only allows 10 images per post ;w; so i will simply close off by saying don't be afraid to add overlays and filters to your art!! overlays can really help harmonise colors and filters like brightness and contrast can help colors pop... try not to completely rely on them for color choice tho!!
and that's basically it !!! this is not a definitive 'how to draw/color' post... i am not a color theorist... i just wanted to show people how i choose colors cuz a lot of people say they like my color choices! honestly i don't know much myself but i hope that this and the philosophy of 'do what looks good' will help you all o_ob thank you and goodbye
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dinakisss · 4 months ago
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How do you draw so well? I really love your artstyle(it’s so expressive and just tickles my brain in a way)! Can you share me your secrets?
Oh thank you! I'm glad you like my work!
I can share some tips even though I really don't think I posses the skill set nor am I in the position to give out advice
I think you should always prioritize stylization. Your aim should be to create something new and unique. Make your art distinguishable, put your soul in it.
And your art style will change, my work will definitely look different next year, but it grows with me. So it's really a never ending process.
But don't be afraid to experiment, take ideas from others, make ugly art, draw ugly people, incorporate elements from other works into your style be creative and of course have fun.
Also sometimes take breaks from drawing, it helps a lot.
AND DONT FORGET TO FLIP YOUR CANVAS❗️❗️❗️❗️❗️❗️❗️
And use references ofc( I rarely use them not because I’m so talented amazing and cool but because I’m lazy as hell!!! I ain’t gonna spend 20 minutes searching for a fuckass pic😭(and I can always tell if I used reference to draw or not so pls))
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First time posting non napoleon related art here omg(oc’s👅👅😝)
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all-lee24 · 3 months ago
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I also wanted to say your art is really inspiring. As someone who's a perfectionist I often end up not posting art because I keep on fretting over certain things in my art looking messy. So seeing how messy and beautiful your art is has helped me overcome that (and even inspired my own artstyle!)
Thank you this makes me so happy the hear!! I’ve had a similar issue, my art never felt “done” and I’ve always stressed over it.
Oddly it was AI that made me change my mindset. AI art was all smooth and perfect but it lacked the sort of charm or dynamic of a creative output.
And I just realized “who even cares about perfectly rendering anymore if AI does it, AI can’t do THIS”…this being keeping things intentinally loose and messy haha
Art will never be perfect, which is fun, it means it’s an endless game, but also stressful that’s for sure. Happy drawing my friend!
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anzuhan · 3 months ago
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ANZUUUUUUU PALLETTE REVEAL PLEASE, MY LIFE IS YOURS😭🙏🏻🙏🏻
(im trying to learn ur artstyle cus it looks so cute😞😞)
good luck with it !
dont really know how to explain this or what you're even asking for ... if its color picking, anzu always picks all colors manually by eye. there are some filters applied (gradation maps at the end of the process) but most of the time its not that big of a change (see below, first is unfiltered and 2nd is after the gradation map applied)
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also dont really go that much off refs for colors and always tend to edit them accordingly to what anzu feels like it fits for the current piece at hand. art above is kaneko lumi (vtuber in first pic below) dressed as mayfair from the upcoming phantom brave game (woman in second pic below);
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the colors anzu picked for either lumi or the outfit dont match 1:1 with the refs, because anzu prefers to keep a reduced color palette for most pieces (here its black & those blues for the darker ones and red to peachy yellow foe the light ones); given the warm colors were dominant, picked a blue for the bg as well to contrast the chara silhouette.
dont know what else to say, anzu just sort of does all this stuff 'automatically' by now ^^; so hope maybe it helped in the slightest
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itsnotmourn · 7 months ago
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Not ship chart related but I think your art is so pretty!! Do you have any tips? Especially with coloring if it’s okay <] (/nf)
waah thank you very much! i'll try and explain but here’s my colouring-specific tips, or at least how i choose my colours !! <3
unless for stylistic reasons (e.g. greyscale drawing), i personally avoid pure black, greys and white for colouring. go and choose off-colours instead! for lineart, black is okay but i always go for an actual colour anyways heheh. for the background colour of your canvas, sometimes an actual colour (rather than white or grey) may help you pick your palette to be more harmonised!
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following this, i also don't like using pure/neon for colours, unless it's for a certain aesthetic or artstyle (e.g. the character has a "toxic/radioactive" aesthetic; the character is a scenedog (or similiar); or highlights). see below for examples! they may be subtle but sometimes the subtly can make the difference you are looking for... if you're looking for a natural look. if you're aiming for the bright/old 2000's artstyle, then pure/neons may be your friend!
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when i'm casually drawing characters (oc or not), i rarely colour-pick from the reference image. i find that when you're "forced to make the palette", it can come out more pleasing to your style/atmosphere of the drawing! it’s more personalised that way... like yea, that’s my favourite versions of those colours! i'm not saying that my colours are better though, only that "hey that's me! in those colours!!" you can have the reference image on the side or go by memory. here’s me doing this with pride flags:
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nowadays, when drawing the spooky month characters—who have simple designs god bless—i can just imagine their reference and adjust the colours in my head lol example: if i know that Lila's colour palette is purple, and that her winter sweater is coloured lighter than her hair, then i can just go ahead and pick whatever shade i want following that rule!
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(of course, always double check with the actual reference for physical design inaccuracies and skin tone if it applies. my advice above is just for general hair/clothing colours! …because yknow you don't want to accidentally whitewash a character's skin in the name of aesthetics lol. if you’re unsure and want to be on the careful side, please do colour pick the skin at least !!)
moving on... gradient maps and certain blending modes (like exclusion, luminosity and darken) can be a game changer too. for normal drawings (e.g. drawings with no environment), i use darken the most because it changes a few colours rather than the entire piece... (the percentages are opacity levels!)
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oh and as a really basic shading tip without using blending modes: sometimes, you just gotta go for grey. shading a warmer colour? use grey to make a cool tone. shading a cool colour? use grey to make a warm tone. not all the time (because you don’t wanna make your shading seem muddy), just sometimes…
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and that's that! there's always exceptions to rules and often times, your headshot doodle ends up as one big experimental mess (in a fun way, hopefully)!
this is how i choose my colours though most of the time, it is just me going “good enough”
i think we're pretty similar on how we like warm colours! i enjoy going the simple/lazy route and avoid blend modes but then again, shading is a whole different thing…
hope this helps in any way !! <:3 !!! <3
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alvaroz-starrs · 25 days ago
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Unoriginal tips for drawing Byron's hair!
(I am not an art professional and I took art in school for like two months, but then again there's always next year)
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Here's the outline of Byron's hair! Riveting studd, I know. It's a pretty basic thing to do to understand a character's hair shape.
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Try to distract yourself from how hot he is by studying his hair. A prominent detail in his hair is about how pointed it is, there's a lot of triangle-ly shapes.
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Byron is very snake-like in general, his pupils, his clothes, the way he talks almost sounds like hissing, his collar flared up like a cobra's. He's the peak of low support needs autism.
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Make sure to simplify the shapes, just figuring out where to start. You can add detail once you know how the shape of the hair. Keeping in mind the texture of the characters hair will help you shape and adapt it to your artstyle. Also, don't be afraid to let your headcannons seep in on how you draw his hair. I headcannon he's half British half Chinese, which wouldn't really change the texture of his hair so I keep it the way it is usually depicted, but say you want Byron to be Hispanic and you give him curly hair? Yes.....yesss..........
I hope this shitty advice helped at least one person? My head feels kinda empty right now but at the very least I hope the pictures will help.
I spent too much time on this
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soukiismet · 7 months ago
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Transferred student AU × Female SKK AU
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kokoasci · 4 hours ago
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How do you get so good at perspective and proportion and everything honestly... 😭😭 I've always wanted to draw a whole scene in a room or something but I just can figure out how to perspective
to be Completely honest, i usually am looking at a bunch of references for almost everything i draw, either in batches for background or specific poses, etc. it speeds me up a lot! i also recommend sketching quickly and not worrying about things being super accurate, since i prefer to refine over time while making sure you have a good base. for example for the aventurine art that's like my most popular on here lol, i used a pose ref while changing a few things to suit my artstyle (proportions, pose, bg, etc.) it's really just about tweaking stuff until you find things that better fit your style imo
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What i do highly recommend trying out if you're having trouble drawing scenes and placing objects (especially if adding characters without a strict reference) is to draw the characters first. this is usually frowned upon but ive found that it really helps imagine the scene and then draw everything around it to fit the poses and mood you want, and also provides a better frame of reference to place the angles of the objects
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squidpedia · 3 months ago
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Hi! I wanted to ask for advice on finding an artstyle, I've been drawing for sometime but I still dislike my style.
Thank you in advance :D.
Hi hiii
Whenever my artstyle gets kinda boring to me, I try asking myself questions to figure out what exactly is it about my artstyle that I don’t like. Things like what is it about my art that feels boring to me while this other’s artist’s work excites me? What makes me most insecure about this piece? What do my favorite artists do in their artworks that I don’t do?
This isn’t to put yourself or your work down, make sure to go out of your way to still note anything you like or are particularly proud of in any of your artworks, you work hard on your art and that deserves to be appreciated, even if your artstyle isn’t quite at where you want it to be yet! But this is mainly what I do to try to address reasons my artstyle isn’t giving me as much joy, and what changes I can make that might make me happier. Most of the time I can’t really put my finger on what it is that I dislike about my art, so I keep these questions in the back of my mind while I try experimenting through doodles and messing around with my style in each one. Have some doodles dedicated to things you dont normally try in your artstyle. Varying eye sizes and distance from each other, some doodles with different ways of stylizing noses, trying varying levels of realism vs cartoonishness when drawing characters, and trying different brushes if doing this in digital art. If any specific doodles jump out to you as kinda neat, take note of whatever you did in that doodle and try it more often!
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(Sorry i was doing this in a hurry but definitely couldve utilized more full body shots, varying poses, face at more side angles, coloring styles, would 100% reccomend experimenting with that too. But this is mostly what those batches of experiment doodles usually look like for me)
As always, it doesn’t hurt to also study other artists’s whos stuff makes you so happy and figure out what it is about their art style that excites you so much. Whatever that may be, think about if its something you want in your own art style and try replicating and practice doing it if you do want to take your art in that direction.
Quick example from me but november 2023 i remember starting to feel super uninspired with my artstyle. I asked myself what felt like the most unrewarding part of the process for drawing and realized the answer was my lineart. At the time I was seeing a lot of @/bixels ‘s artwork of drawing mlp characters as humans from the 1920’s americana and was so delighted by their lineart. I kept experimenting with brushes in my doodles and realized that using the gel pen reminded me somewhat of bixels’ art, so I took that and ran. It was a neat change after a while of having thicker lineart and actually having fun with pressure sensitivity and how the brush is able to taper.
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This is what i found works for myself so im not sure how well it applies to other people or if i worded everything well, but I hope its at least a bit helpful in some way!
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pwyzzaori · 4 months ago
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Where do people think they're going to get by harassing old Hellpark Ri mods?
NOBODY CAN STAND THIS ANYMORE, IT'S ALREADY REACHING AN ABSURD LEVEL, and the most we can do is write loooong texts asking these people to stop AND THAT'S NOT ENOUGH
It's okay if you don't like the project, no one is obliged to like it, BUT ANY NORMAL HUMAN BEING WOULD DO IS IGNORE IT AND MOVE ON, BUT NO, THERE ARE PRIMATES DOXING US AND SPREADING LIES
in fact, you don't even need two brain cells to realize that you won't get anywhere doing this SINCE THESE PEOPLE NO LONGER HAVE ANY CONNECTION WITH THE PROJECT
I don't know what goes through these people's heads to commit this type of act, because it is a VERY SERIOUS thing
We already have to go through so many things every day for countless reasons and now this?
The worst part is knowing that many of the mods that were there were minors who just wanted to have fun drawing their favorite characters, doing redesigns and giving ideas for the story
I really hope this doesn't affect them like it affected me some time ago and recently it's affecting more people
Please leave us alone, we no longer have any involvement with this project, stop doxxing old mods, it won't get you anywhere
thank you(my english sucks sorry)
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I also wanted to vent a little, it's not a very recent situation but it started happening again these days and it's bothering me A LOT
When I discovered Hellpark I fell in love with the artstyle and started to practice drawing with it, consequently I reached a level where if someone saw my drawing without analyzing it, they could come to the conclusion that it was an official drawing (people have actually told me this already)
At first I felt very special about it, but as soon as I joined the project, DMs from all my social midia (except Discord) started to arrive from people asking if I was Wire
I always answered: no, I'm not Wire
and I started to get afraid that people would start to bother Wire themself, or idk some of the og mods from Hellpark (I don't know if this kind of thing really happened, but I hope not)
These messages didn't stop until I completely disassociated myself from the project (after the old mods left I ended up staying on the project for a few more months to help peeks while new moderators didn't join), but a week ago not only ppl started asking if I was Wire again, but they also started literally insulting me or asking me to come back to the project via discord like whaaaat
I've never given my primary Discord account username to anyone other than acquaintances
and now I'm a little scared to be honest
like this morning I got one message from a person I've never even seen in my life
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I just changed my username and left some servers related to Hellpark. I hope this solves it, I really don't want to have to change accounts
I just wanted to vent about this, on one hand it's kind of worrying because someone literally leaked my old username, but other than that nothing too "horrible" happened to me :p
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beehunterkisser · 4 months ago
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hi, I always feel amazed when seeing your art, the artstyle, the way you color, everything. Something I feel very impressed is the way you make the effect like it's a traditional drawing, and I really wanted to apply this for my finished artworks, if you don't mind, could you tell me how you make this effect?
Thank you SO much for the sweet words <3
I get my texture effect using a layer mode in Clip studio paint! I dont really know how itd work on other drawing programs but i can walk you through getting it on CSP anyway.
I get a paper texture (there are a ton of great free ones on the Asset store) and drag it onto my drawing from the side bar (i picked Jeans for this)
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After the texture is over the drawing and semi-opaque, you gotta find the Layer Properties tab (if its hidden i think you can get it back using the window tab at the top of the screen) and hitting the overlay texture button i have circled.
You can change the strength of the texture if you want but I always find the default is the best..HOPE IT HELPED
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