#hebrews 6 interpretation

[trashcanlore]

Kabbalah in the Worldbuilding of Genshin Impact; Part 1: The Tree of Life, the Universe, and Everything

Edited for clarity, 12/6/23

Written by Schwan (@abyssalschwan on twitter) and Sabre (trashcanlore, @paimoff on twitter)

During the Sumeru Archon Quests, we learned that the Irminsul is a (real! (ish)) tree that grows upside down, seemingly underground, and that the roots of the tree are the Ley Lines, which extend throughout Teyvat and the Abyss. Irminsul stores all knowledge and memories in the world, and the Ley Lines are the mechanism by which the tree acquires this information. Ley Lines move elemental energy through Teyvat, and this energy acts as both a storage medium for information but also a resource that can be utilized for combat, alchemy, an energy source (Azosite), etc. 

The origin of the name Irminsul (unique to the Western localizations) in combination with the many names from Norse mythology associated with Khaenri'ah, suggest that the inspiration for Irminsul is Yggdrasil, the world tree and central axis of the cosmos in Norse mythology. Here we propose an additional inspiration for Irminsul and the associated worldbuilding and elemental system of Teyvat: The Kabbalistic Tree of Life. In this model, Teyvat’s elemental energy is comparable to the creative energy described by Kabbalah as the foundation for the creation of reality and the spiritual world. Specific attributes of elemental energy can be channeled by unique individuals in Teyvat and these attributes manifest as distinct elements, which can be directly compared to the 10 sefirot, or emanations, described in Kabbalistic literature.

What is Kabbalah?

Kabbalah (lit. received, tradition) is a school of thought originating in Jewish mysticism. In general, Kabbalah focuses on the relationship between the infinite (God) and the finite universe and how it was created. The goal of studying this mysticism can vary depending on the school of thought and their motivations. Many of the esoteric and religious influences on Genshin lore and worldbuilding were influenced by Kabbalah, or vice versa. These include Gnosticism, Hermeticism, alchemy, Freemasonry, the occultist branches of Theosophy and Thelema (Golden Dawn), astrology, symbolic interpretation of the tarot (also specific to the Golden Dawn) and more [2]. In short, Kabbalah is everywhere. Additionally, its concepts are used as symbolism in several pieces of media that directly or indirectly inspired Genshin and other games in the Hoyoverse.

If you have frequented Genshin lore topics, you might have heard that one of the main sources of inspiration for its worldbuilding is Gnosticism. The problem is, Gnosticism is a bit vague or contradictory when it comes to how the world was created and how the whole existence thing works. At this current moment in the storyline of Genshin, we have very little information on the very beginning of existence in Teyvat. This information seems to be a crucial part of the “truth of the world” and appears to be purposefully hidden by powerful factions like Celestia. This entire theory was born out of trying to make sense of what little we know about the creation of Teyvat and comparing it to esoteric commentaries on the well known creation myth of the Torah (Old Testament). The “Biblical world structure” interpretation of Teyvat has been around since the early days of Genshin lore and with good reason; there are frequent mentions of the firmament, as well as the name Teyvat sounding very similar to the Biblical Hebrew word for ‘ark’ (although the grammar is a bit mangled). There are also several references to stories from the Bible in in-game texts, including Before Sun and Moon.  

Kabbalah literature spends a lot of time trying to understand and describe the process of how the world was created and the underlying principles of reality, as well as how spiritual practice can change that reality (either metaphorically or literally). Kabbalah intends to describe the “true nature of God,” which is equal to the entirety of existence, as something very vast and completely impossible to grasp. This incomprehensible infinity emits an “limitless light” that is the origin of all creation. Elemental energy (the ubiquitous source of everything in Teyvat) is often found compared to light, something we’ll discuss in more detail later. The “limitless light” of Kabbalah is way too powerful for existence to bear, much like how elemental energy is to normal, non-Vision having humans. That’s why this light needed to be “filtered” down. This happens through the process of creation, which passes the light through the spiritual attributes that form the Tree of Life, which is like a sort of diagram for how the universe came into being [3].

The Tree of Life

The tree of life and its 10+ nodes, known as sefirot, is one of the most well-known concepts from Kabbalah to make its way into popular culture. As mentioned previously, the tree has been used as rule-of-cool symbolism in anime such as Neon Genesis Evangelion and Fullmetal Alchemist, two pieces of media that likely are significant influences on Genshin (If you doubt that HYV loves NGE, play some Honkai). The sefirot are also depicted on the floor of the Schicksal HQ map in Honkai Impact 3rd, for some reason.

The sefirot and their organization and interactions with each other can be found depicted in many ways, such as the tree format that is the most popular, or a spiraling nested scheme that is really cool, or even very stylized, like the work of Robert Fludd.

Sefirot

Sefirot comes from the root word in Hebrew meaning “to count,” but you can also find it translated as “sphere” in some texts. The term originated in a book on Jewish mysticism called the Sefer Yetzirah, or “Book of Formation/Creation.” which describes the combination of the “sefirot of nothingness” and the 22 letters of the Hebrew alphabet as the foundation of reality (remember the hypostasis codenames?). 

The Sefer HaBahir (lit. the book of brightness, 13th century France) introduces the idea that the sefirot are emanations of the divine. Interestingly, this book refers to the sefirot as ma’amarot (sayings), which builds on an important concept in classical Jewish philosophy – the idea that God spoke the world into existence. [We’ll get back to the Sefer Yetzirah and the role of language in creating the world in a subsequent part of this theory]. Fontaine 4.2 era edit: HELL YEAH stay tuned for more about Oceanids!!

Historically, Kabbalah might have taken this rough concept from a very different school of thought: Pythagoreans or neo-Platonists. Briefly, the connection between the Pythagoreans and the Kabbalistic sefirot is that both groups considered the world as being made of numbers. This ties back into Genshin worldbuilding because of how much Platonism is related to Gnosticism. Something else to keep in mind is that Pythagoreans (who had a cool history that connected Egypt and Greece to the magic of ✨math✨ but also hey Genshin lore hello Deshret) were known to use lyres as their instrument of choice while making mathematical studies of music. More sus Venti lore for the collection? This is also interesting to consider in the context of Nahida, who is deeply connected to the Irminsul, and has animations that are reminiscent of computers.

Later in the 13th century, the Kabbalist Isaac the Blind would 'canonize' the list of sefirot (there’s still some variation to this day) and organize them into a sequence that would become the basis for the famous Tree of Life structure. His writings described the sefirot as attributes of the divine and their role in the creation of the world. In his model, the sefirot originated from lights that emerged from a primordial soup of potential, and these sefirot/lights would then ‘flow’ and emanate into each other. His student, Azriel of Gerona, expanded on this with a neo-Platonic lens and introduced the concept of the Ein Sof, the infinite nothingness that cannot be comprehended and is the origin of everything. In this model, being flows from an infinite resource of potential, which the divine can utilize through the framework of the sefirot, eventually creating the world [4]. In simple terms, the Ein Sof, which contains everything, emits a primordial light that then differentiates into the sefirot. In our Genshin analogy, this primordial light would be like extremely pure elemental energy that differentiates into elements, like light passing through a prism.

Moses Cordovero, an important figure in the development of Kabbalah, described the process of the sefirot differentiating with the analogy of light shining through a stained glass window: 

Imagine a ray of sunlight shining through a stained-glass window of ten different colors. The sunlight possesses no color at all but appears to change hue as it passes through the window. The light has not essentially changed though it seems so to the viewer. Just so with the sephirot. The light that clothes itself in the vessels of the sephirot is the essence, like the ray of sunlight. That essence does not change color at all, neither judgment nor compassion, neither right nor left. Yet by emanating through the sephirot -- the variegated stained glass -- judgment or compassion prevails. (Pardes Rimmonim by Moses Cordovero, translated in Essential Kabbalah by Daniel Matt)

Cordovero considered the sefirot to be completely independent of each other, but the later Lurianic school of Kabbalah (we’ll get into them more in later parts) considered the sefirot to be constantly dynamically interacting with each other and also assigned them personas. 

Achievement grinders amongst us may recall the descriptions of the namecards you get upon completing the Elemental Specialist achievement series:

Achievement: Colors of the Rainbow: Light can refract into countless colors, but people stop at seven because they're too lazy to count. Perhaps the elements are like that, too. Achievement: Seven Lights: Anyone can play a tune that belongs just to them, and like the dew under grass, can reflect the seven lights of heaven. 

Another example of the elements being compared to light is the Latin text found on the magic circles on the door of Mona’s future house in Mondstadt and generated by the hypostases during their missile attacks. The text reads:

Ex culmine lucis in magno elementorum, which translates to "From the peak of light, to greatness of the elements."

It’s interesting to see this text appearing in association with the hypostases since they are described as “life forms which have completely abandoned their former appearance and biological structure, making them able to reach the highest level of elemental purity. They are ultra-compact structures with a high mass, and are the highest forms of elemental structures.” The hypostasis code names are also all Hebrew letters, as mentioned earlier.

Mona’s astrolabe during the Unreconciled Stars event features a similar text:

Ex culmine locis in magno elementorum; Lux se effundat in mentes dei, which translates to "From the peak of light, to the greatness of the elements; May light pour out, into the minds of god."

The Abyss Lector catalysts contain a text that mirrors these two examples:

Ex culmine lucis in mango obscuritas. Lux se effundat in mentes abysso, or “From the peak of light, to the greatness of darkness. May light pour out into the minds of the abyss.”  

The Genshin elements are also described as flowing. For example, a loading screen tip specifically describes the Ley Lines as “A mysterious network that links the whole world together, within which flow the elements.”  The Silver Twig description states: "All knowledge, memory, and experience flow through this giant tree, just like a stream flows into a river, the river joins a sea, the sea turns into clouds, and the clouds rain onto the ground — just like life itself."

Sefirot and the Genshin Elemental System

The 10 (sometimes 11) sefirot are: 

Keter: Crown (this one is even more symbolic that the rest, is described as “the most hidden of all hidden things" in the Zohar, represent things that are above the mind’s comprehension and the very beginning of the process of turning potential into reality)

Chokhmah: Wisdom

Binah: Understanding/Reasoning

(Da’at: Knowledge, as a fusion of Chokhmah and Binah)

Chesed: Loving Kindness or Mercy

Gevurah: Strength/Severity, (sometimes Din, Judgement, or Pachad, Fear)

Tiferet: Beauty/Harmony, is associated with balance of the Tree of Life

Netzach: Eternity/Endurance

Hod: Splendor/Glory

Yesod: Foundation (as in, foundation of reality)

Malkhut: Kingdom/Sovereignty

You’ve probably noticed by now that while we are claiming that the concept of the sefirot applies to the elemental system in Genshin, there are 10 sefirot and only 7 elements (for now). Fortunately for us, the Kabbalists love metaphors and categories. In addition to the sefirot representing the procedure used to ‘emanate’ and create the world, there are other methods of interpretation that further subdivide and rank the sefirot. For example, one metaphorical interpretation of the Tree of Life assigns each of the sefirot to a part of the human body.

In some Kabbalistic traditions of interpreting the tree, the 10 sefirot are divided into two categories: Intellect (Keter, Binah, Chokhmah) and Emotions (they’re actually more like character traits), which contains the remaining seven. These categories are meant to parallel how the soul is also divided into the intellect and emotional components. The first three sefirot are also referred to as the “three mothers,” because they are the source of the lower seven [5].

Having a group of seven sefirot is very convenient for comparing their traits to the elements and their ideals, but what about the role of the higher three in Genshin worldbuilding? This next section requires a bit more conjecture than some other comparisons here.

The source of all elemental energy in Teyvat, whatever that actually is, could be compared to Keter (crown), the most hidden and incomprehensible of the sefirot. (Big stretch, but think of the crowns over the Irminsul trees in domains.)

Next, we have the Ley Lines, which contain dreams and memories (these are basically the same in Teyvat, see Dream Solvent description), and these can be compared to Binah (understanding/reasoning) and Chokhmah (wisdom). During the Sumeru Archon Quest, Rukkhadevata says that dreams are the source of the wisdom she upheld as her ideal. Memories play an important role in discerning the truth of the world, as the traveler has now found themselves to be the only person to remember certain people/events, and has been told to trust their memories rather than what they can see.

Comparison of the 'Lower' Sefirot to the Genshin Elements and Their Ideals

Chesed (loving-kindness); Cryo (unknown, theorized to be love)

The Cryo Archon’s ideal is theorized to be love, as it’s the only characteristic mentioned in relation to her in the Travail trailer. Wanderer’s voiceline about her directly mentions love and describes her as being kind and benevolent, while Childe describes her as extremely gentle. These are the characteristics of Chesed, which represents the trait of completely selfless love: the all forgiving, all giving love of a god towards their creations. When it comes to the Cryo element itself, two things are worth mentioning: one is the way that all of Snezhnaya is perpetually covered in snow, as if this were the (ironic) physical expression of the Tsaritsa’s love blanketing them. The second is the promise of a world-encompassing snowstorm that will envelop everything as the Fatui advance on their war against Celestia. Although it’s hard to find one absolute constant in Vision granting stories, it’s notable that most Cryo users got their Vision at a moment when they had to selflessly be there for others (Diona, Chongyun, Mika), or after a decisive moment where they put aside their personal comfort for an ideal that would result in benefit for others (Kaeya, Eula, Layla).

Gevurah (Severity); Hydro (Justice)

Gevurah is associated with divine judgment, the kind that punishes humanity and causes world-altering catastrophes like the flood or the expulsion of Adam and Eve from the Garden of Eden. The Hydro Archon organizing her nation around a Court that attempts to judge both deities and humans parallels this. In a more positive sense, Gevurah is also related to moral judgment that allows one to tell good from evil. Likewise, Hydro in-game is often associated with purity and separation of clean and unclean matter. When it comes to Hydro Vision wielders, one common characteristic is that they all live by a personal ethical code, and their commitment to it is what granted them their Vision.

Tiferet (Beauty/Harmony); Anemo (Freedom)

Tiferet balances the other sefirot on the tree and has direct connections to almost all of them (except for Malkut). Similarly, Anemo can facilitate many elemental reactions via its Swirl reaction. In our opinion, something almost all the Anemo characters share is that their moment of receiving a Vision coincides with a moment of balance and harmony with themselves or their environment. See Jean and Kazuha’s Vision stories and the cutscene where Scaramouche/Wanderer gets his Vision. As an aside, comparing harmony to Anemo is funny because Venti is a bard and harmony is also a musical term: in music theory, harmony is the way we analyze the interactions between different voices that can be heard at the same time.  

Netzach (Eternity); Electro (Eternity)

The quality of “Eternity” in Netzach is related to victory against enemies, referring to eternity as being the most powerful combatant remaining among defeated adversaries. Likewise, in Genshin the story of the Electro Archon features many battles during the Archon War where Ei and Makoto ended up victorious. As for Electro users tend to have their Vision granted at a moment when their ambition “defeated” the obstacles of reality, as was the case with Fischl, Kuki and Lisa. Cyno’s Vision story makes sense when you compare it to the illumination of Buddha during meditation, and how this was victory over the temptation of the demon Mara.

Hod (Glory); Pyro (War)

Natlan and its Pyro Archon are possibly the most mysterious of all the regions, so we can only speculate. We know that the Pyro Archon is called the God of War, and that the Pyro Gemstone mentions battles, pilgrimages and truth. The sefira of Hod, translated as Glory or Splendor, is linked to being able to connect with God and therefore also associated with prophecy (as in the way a human can carry a message from God). In the Travail trailer, the Pyro Archon tells the traveler that “the rules of war are woven in the womb.” It's also theorized Natlan will be based on Mexica culture (where sacrifice of both enemies and self sacrifice was a way to connect with the gods) and via Iansan's name, the Caribbean diaspora version of Yoruba religion (where many rites involve the gods making themselves present in the material world). 

Yesod (Foundation); Dendro (Wisdom)

Back when we started to think about this theory during version 2.8, we decided on Yesod largely via process of elimination. One piece of our rationale was that in the Jewish tradition, each of the lower seven sefirot are used to represent a primary personality trait of seven archetypal figures in the Torah. The person related to Yesod is Joseph, who is well known for his prophetic dreams, and because of the events of the Golden Apple Archipelago, we decided that was close enough. However, the 3.x version confirmed that a) Irminsul did actually exist, b) Dendro as an element has a deep relationship with the tree, with the Dendro Archon acting as its avatar, c) the ideal of wisdom as both Dendro Archons interpreted it has a lot to do with dreams, and d) Irminsul and the Ley Lines act as the foundation for how reality is perceived in Teyvat. Yesod is also associated with biological life, as it represents the reproductive organs in the human body scheme of the sefirot.

Malkut (Kingship); Geo (Contracts)

Malkut is associated with the connection between the spiritual "above" of the Tree of Life and the concepts it contains, and the "below" of the material world, where these concepts manifest into material reality. For this reason, Malkut is associated with the earth [6]. In many Geo item descriptions, like the Geo Hypostasis drop or Albedo's elemental skill, the motif of geo trying to reach the sky is a constant. From a religious POV, the relationship between the divine and humans living in the material world has also been one of "covenants," or "pacts", in a similar way to how the Geo Archon is the God of Contracts. Furthermore, contracts are the basis to have a working state (government), and a kingdom is one of the first forms of a state. Malkut also being related to earth and everything material parallels how Geo is an element that works in making constructs. Geo Vision users are likewise involved in making or maintaining structures, like the Knights of Favonius is for Noelle, or the tradition of alchemy is to Albedo, as well as opera to Yunjin and in a way, even the Oni identity for Itto.

The Origin of Evil and Why Irminsul is Upside Down

Tighnari tells us that Irminsul is a tree that “grows downward rather than upwards,” or in other words, it’s upside down. This isn’t the only time that we’ve encountered things in Teyvat being described as upside-down or mirrored, and as it turns out, there is a similar scenario described in Kabbalah. Throughout Kabbalistic discussions on the origin of evil in the world (both material and spiritual), a central idea developed is the existence of a mirrored or inverse Tree of Life that forms the demonic realm of evil. The Zohar, a foundational work of Kabbalistic literature, spends a considerable time discussing the origins of evil - there are more than 5 creation myths for the concept of evil! Two of these myths describe the formation of an inverse Tree of Life, called the Sitra Achra (literally “other side”). This tree is constructed out of corrupted fragments of divinity that did not make it through the creation process, and therefore became evil forces [7]. Evil is typically represented as either a shard (like of broken pottery) or as a husk/shell (Qlippoth in Hebrew). Sound familiar? We actually have an enemy with this name in-game; the "shadowy husks" (the CN name for these enemies literally translates to "empty shell"). 

Unlike the very well defined 10 sefirot of the Tree of Life, Kabbalists don't agree about the identities or number of the demons that form the Sitra Achra. Some names for these demons are consistent; such as  Lilith, Samael, and Asmodeus, who make a sort of "mother, father, son" trio. As for the rest, scholars generally agree that Kabbalists blended traditions from nearby cultures depending on where they lived, leading to Arabic, Spanish and Germanic legends mixing into the Jewish tradition [8]. There's a strong possibility Hoyoverse did something similar and filled in the missing names with the names of the demons of the Ars Goetia, creating a system where the mirrored sefirot are “ruled” by demon gods, aka, the Archons. This implies that the reason Teyvat is upside down is because it is actually on the “other side.”

Neuvillette, About Us: Witness: Since you hail from beyond the stars, I invite you to be my witness as I judge this upended world…”Though we live in a world of disarray, I shall undertake to restore all that has been broken”. 

[Fun Fact: The Zohar describes the construction of the Sitra Achra as a series of knots that arrange the demonic equivalent of sefirot, called either crowns or “breaths,” into a mirrored Tree of Life configuration [7]. ]

The primary goal of the Sitra Achra is to steal and absorb the divine energy of the Tree of Life to maintain its existence, in the hopes of gaining enough energy to destabilize the system [9]. The way Genshin's Archons use their Gnoses is similar to this system. In the Flower of Paradise Lost artifact lore, the Goddess of Flowers explains to Deshret and Rukkhadevata that when the Seelie race was disgraced, they lost their connection to Heaven and their power of "enlightenment". Later, Celestia would facilitate the Archon War with the promise that each winning god would be granted a Gnosis that would give them exceptional power. Both Nahida and Venti have described the Gnoses as being a very advanced tool that concentrates elemental energy. So far, Archons have had inherent elemental powers related to their nature, but when it comes to using large amounts of elemental energy through their Gnoses, they aren't creators but channelers of it, just at a much larger scale than humans who have Visions. Edit: and yes, there is the most recent revelation about the origin of the Gnoses that is extremely relevant to this comparison, but deserves its own space to be properly expanded on.

However, this doesn't mean Teyvat is condemned. Just as the Traveler has slowly been setting the chaos of elemental energy back into order (by, for example, returning the elemental Oculi to the Statue of the Seven, among many other things), so too is there a concept in Kabbalah describing the importance of righting the wrongs of the universe so that the sefirot are stable and creation is in harmony with the divine. This is called Tikkun Olam, or the repairing of the world.

Stay tuned for part 2 where we go into wayyyyy more detail about what this means for the Traveler's journey through Teyvat! 4.2 Edit: and of course will we will be talking about the most recent Gnosis revelation, as well as the Narzissenkreuz Ordo antics :D

References:

https://www.chabad.org/library/article_cdo/aid/170308/jewish/What-is-Kabbalah.htm

https://en.wikipedia.org/wiki/Hermetic_Qabalah

Kabbalah - Origins of the Sefirot and Tree of Life - Isaac the Blind Saggi Nehor & Azriel of Gerona

Mystical Concepts in Chassidism - Schochct, Jacob Immanuel, chapter 2

  Mystical Concepts in Chassidism - Schochct, Jacob Immanuel pg 66-67, Tanya ch. 3

Rebbe Nachman of Breslov, Likutey Moharan I, 12:1 via Wikipedia

The Origins of the Klippot / Qliphoth & Sitra Achra in the Zohar - Kabbalah on the Problem of Evil

https://www.jewishvirtuallibrary.org/demons-and-demonology

9. Evil in Early Kabbalah - Emanations of the Left Hand Side - Origins of the Qliphoth / Klippot

[windvexer]

Deck Review: Under the Oak Tarot by Ofride and StregaDelleMele

This is a borderless deck featuring a sometimes-sightless girl named Anima as she traverses a fantastical otherworld.

Physical Concerns

Overall: 10/10, so far very satisfied (especially for the price), would buy again if I lost it

RWS Clone? No, but RWS symbolism is obvious in a handful of cards, notably the High Priestess and many Major Arcana cards. Other cards are completely unique.

Cost: 10/10 for quality. As of this review, $26 without shipping

Card stock: 10/10, the card stock has a nice texture and feel sturdy. But it isn't the super thick stock that's stiff and difficult to bend. It doesn't feel cheap and it's nice to shuffle. Also, gilded edges, which we love. It's a standard size deck.

Box: The box is nice and relatively sturdy. It's not a huge box (like we see with Woodland Tarot or Animal Totem Tarot) which I like, because my storage isn't unlimited. The box has an unattached lid and you can dump the cards out for easy access. The LWB fits in the box. Sometimes I struggle with hand pain and it feels like an easy access box.

Little White Book (LWB): It's a 128 page book with translations for English, Italian, Spanish, and Portuguese. It includes meanings for each card, and three spreads with very little explanation. More about LWB meanings and card interpretations below.

Deck Theme and Symbolism

Per the introduction in the LWB, this deck follows the journey of Anima, a visually impaired child who travels through a fantastical otherworld and learns to develop a second sight.

While many of the cards that feature Anima show her being blindfolded, the deck clearly uses sightedness as a metaphor for spiritual enlightenment or "second sight." All of the 10s cards and The World XX show Anima as seeing clearly without her blindfold, and some other cards show partial sightedness as well.

Beyond that, this is an eclectic deck, no two ways about it. This is primarily present in the court cards and some of the Major Arcana cards.

The Pentacles cards feature Basque mythology; Wands are Welsh and Celtic, Swords are Norse, and Cups are Greek. There's also Hebrew symbolism (notably the High Priestess II), and probably other stuff I haven't picked up on because I'm not the most well versed in mythology.

A lot of the cards feature mythical beings, but there are also statues and woodland creatures.

Sorry for photo quality, I don't have a great camera.

I think the symbolism is nice. Sometimes the cards are more heavily re-imagined (like the Star XVII and Moon XVIII), while some of them are more or less exactly what you'd expect from RWS symbolism (Devil XV).

The Minor Arcana takes more symbolism liberties, and some of the cards are very different from RWS.

Overall, I really enjoy how it reads. I love a good borderless card, and this deck is A) fun and B) really pretty to look at. It's got enough familiar symbolism to ground me, but a lot of the cards are very different and with enough wiggle room to explore my own interpretations.

Card Interpretations

The LWB interpretations are all about a spiritual journey, healing, and transformation. So if you're looking for a spiritual journey deck, this one might be for you.

At the same time, there's enough going on with the cards that I didn't find it to be difficult to link the meanings to a wide variety of topics.

The one thing I've got no idea about is the runes, which feature heavily in the Swords suit (which is also the suit where all the court cards are Norse entities). I don't know if the runes are thematically relevant to the card at hand or not. Hopefully they are, because I can imagine how irritating that would be if you read runes and it doesn't match.

Here are a few Minor Arcana honorable mentions. Note the familiar symbolism of the 6 of Pentacles (bottom row, second from left), but the unique symbolism of the 5 of Swords (bottom row, far right).

Overall I found the cards to be evocative and easy to connect to, with enough symbolism in each image to facilitate intuitive reading.

[just-1-scorpio]

2.6 NEWS! And deepdrive

I don't know if anyone have made a post about this, but anyway here is what was in the broadcast. But eather way. I decided to write a little deep drive to the CN 2.6 Dev Broadcast.

1. Therelease date of the PV.

The PV will be released on February 21.

2. Story, place, and title of the new chapter

And 2.6 will be a main story update. The story will take place in Argentina, more specificly in Ushuaia.

The title of the new chapter will be "Madness and Civilization", which is a refrenc to the book Madness and Civilization by the Franch philosopher Michel Foucault.

2.a) Madness and Civilization, and the posible themes the new chapter will have

Madness and Cicilization, or Madness and Civilization: A History of Insanity in the Age of Reason as it's full name, is an examination of the evolution of the meaning of madness in cultures, laws, politics, philosophy, and medicing in Europe from the middle ages to the end of the 18th century. The book is also a critique of the idea of history and of the historical method.

The books uses the language of phenomenology, a part of sociology that examines the concept of social reality as a product of intersubjectivity, in order to explain the social structeres in the history of Othering of insane people from society. This book is Foucault's philosphicall progress from phenomenology towoards something similar to structuralism, which is also a part of social sciences and is about interpreting elements of human culture by way of their relationship to a broader system.

Although Foucault rejected the label.

3. New characters, and the things they refrenc or are based on.

We will get 2 new 6 starts characters. Ficciones and Aleph.

3.a) Ficciones

Ficciones is a refrenc to a book writen by Argentine writer and poet Jorge Luis Borges. The book is a colection of short stories, and was written and published between 1941 and 1956. The book is dedicated to Esther Zamborain de Torres Duggan a firned and collabrorator of Borges. The writing style of Ficciones emphasizes and calls attention to it's fictional nature.

The labyrinth is a recurring motif throughout the stories. It is used as a metaphore to represent a variety of things. The overwhelmingly complex nature of worlds and the systems that exist on them. Human enterprises, the physical and mental aspects of humans, and abstract consepts such as time.

Other themes that can be found throughout Borges's stories include: philosophical issues, deterioration and ruination, games of strategy and chance, conspiracies and secrets societies, and ethnic groups especially those in his own ancestry.

3.b) Aleph

Aleph s the first letter of the Semetic abjads. An abjad is a writing system in which only consonants are represented, leaving the vowel sounds to be inferred by the reader.

Semetic abjads include Phoenician, Hebrew, Aramaic, Syriac, Arabic, and North Arabian.

4. Series of Dust update, and expension

Series of Dusk will get a new expansion called Ephemeral Coda. Once this expension is enabled, a new choice and cost mechanic will be introduced when selecting route. Different routes will offer diffrent busss and artifacts. But selecting an artifact will require paying a cost, which in turn will strenghten enemies.

Additionally even withouth enabling the expansion, a new Goldsmith Prohecy system will be introduced, allowing players to earn actra keepsakes each week, up to a storage limit.

This update will also add a new ending, which lucly can be triggered withouth needing to enable the expansion.

If anyone wants's to read the Dev Broadcast here is the link:

And here are links to my sources:

[talonabraxas]

Kabbalah - Tree of Life

Kabbalah (Hebrew קַבָּלָה “reception”, Standard Hebrew Qabbala, Tiberian Hebrew Qabbālāh; also written variously as Cabala, Cabalah, Cabbala, Cabbalah, Kabala, Kabalah, Kabbala, Qabala, Qabalah, Kaballah) is an interpretation (exegesis, hermeneutic) key, “soul” of the Torah (Hebrew Bible), or the religious mystical system of Judaism claiming an insight into divine nature.

Kabbalah became a reference to doctrines of esoteric knowledge concerning God, God’s creation of the universe and the laws of nature, and the path by which adult religious Jews can learn these secrets. Originally, however, the term Kabbalah was used in Talmudic texts, among the Geonim, and by early Rishonim as a reference to the full body of publicly available Jewish teaching. In this sense Kabbalah was used in referring to all of known Oral Law.

Kabbalah, according to the more recent use of the word, stresses the reasons and understanding of the commandments in the Torah, and the cause of events described in the Torah. Kabbalah includes the understanding of the spiritual spheres of creation, and the ways by which God administers the existence of the universe.

According to Jewish tradition dating from the 13th century, this knowledge has come down as a revelation to elect saints from a remote past, and preserved only by a privileged few. It is considered part of the Jewish Oral Law by the majority of religious Jews in modern times, although this was not agreed upon by many medieval Talmudic scholars, as well as a minority of current Orthodox rabbis.

Origin of Jewish Mysticism

According to adherents of Kabbalah, the origin of Kabbalah begins with the Tanakh (the Hebrew Bible). According to Midrash, God created the universe with “Ten utterances” or “Ten qualities.” When read by later generations of Kabbalists, the Torah’s description of the creation in the Book of Genesis reveals mysteries about the godhead itself, the true nature of Adam and Eve, the Garden of Eden, the Tree of Knowledge of Good and Evil and the Tree of Life, as well as the interaction of these supernal entities with the Serpent which leads to disaster when they eat the forbidden fruit, as recorded in Genesis 2.

The Bible provides ample additional material for mythic and mystical speculation. The prophet Ezekiel’s visions in particular attracted much speculation, as did Isaiah’s Temple vision (Chapter 6). Jacob’s vision of the ladder to heaven is another text providing an example of a mystical experience. Moses’ experience with the Burning bush and his encounters with God on Mount Sinai, are all evidence of mystical events in the Tanakh, and form the origin of Jewish mystical beliefs.

Jewish mystical traditions always appeal to an argument of authority based on antiquity. As a result, virtually all works claim or are ascribed ancient authorship. For example, Sefer Raziel HaMalach, an astro-magical text partly based on a magical manual of late antiquity, Sefer ha-Razim, was, according to the kabbalists, transmitted to Adam (after being evicted) by the angel Raziel. Another famous work, the Sefer Yetzirah, supposedly dates back to the patriarch Abraham. According to Apocalyptic literature, esoteric knowledge, such as magic, divination, and astrology, was transmitted to humans in the mythic past by the two angels, Aza and Azaz’el (in other places, Azaz’el and Uzaz’el) who ‘fell’ from heaven (see Genesis 6:4).

This appeal to antiquity has also shaped modern theories of influence in reconstructing the history of Jewish mysticism. The oldest versions of the Jewish mysticism have been theorized to extend from Assyrian theology and mysticism. Dr. Simo Parpola, a researcher at the University of Helsinki, has made some suggestive findings on the matter, particularly concerning an analysis of the Sefirot. Noting the general similarity between the Sefirot of the Kabbalah and the Tree of Life of Assyria, he reconstructed what an Assyrian antecendent to the Sepiroth would look like.[2] He matched the characteristics of En Sof on the nodes of the Sepiroth to the gods of Assyria, and was able to even find textual parallels between these Assyrian gods and the characteristics of god. The Assyrians assigned specific numbers to their gods, similar to how the Sepiroth assigns numbers to its nodes. However, the Assyrians use a sexagesimal number system, whereas the Sepiroth is decimal. With the Assyrian numbers, additional layers of meaning and mystical relevance appear in the Sepiroth. Normally, floating above the Assyrian Tree of Life was the god Assur, this corresponds to En Sof, which is also, via a series of transformations, derived from the Assyrian word Assur.

Furthermore, Dr. Paropla re-interpreted various Assyrian tablets in the terms of this primitive Sefirot, such as the Epic Of Gilgamesh, and in doing so was able to reveal that the scribes themselves had been writing philosophical-mystical tracts, rather than mere adventure stories. Traces of this Assyrian mode of thought and philosophy eventually makes reappearances in Greek Philosophy and the Kabbalah.

Skeptics would point out that the doctrine of the Sefirot only saw serious development starting in the 12th Century CE with the publication of the Bahir. To argue that the concept of the sefirot existed in an occult and undocumented form within Judaism from the time of the Assyrian empire (which fell from cultural hegemony in the 7th Cent. BCE) until it “surfaced” 17-18 centuries later strikes some scholars as far-fetched. A plausible alternative, based in the research of Gershom Scholem, the pre-eminent scholar of Kabbalah in the 20th Century, is to see the sefirot as a theosophical doctrine that emerges out of Jewish late antiquity word-mythology (as exemplified in Sefer Yetzirah) and the angelic-palace mysticism found in Hekalot literature being fused to the Neo-Platonic notion of creation through progressive divine emanations.

[merymoonbeam]

Truth

just a compilation of quotes and some information. (Hofas spoilers but I cant add read more so just ignore the post if you want idk)

Mor quote from Acomaf:

She lifted the orb from its velvet nest. It was no larger than a ripe apple, and fit within her cupped palms as if her entire body, her entire being, had been molded for it. “Truth is deadly. Truth is freedom. Truth can break and mend and bind. The Veritas holds in it the truth of the world. I am the Morrigan,” she said, her eyes not wholly of this earth. The hair on my arms rose. “You know I speak truth.”

Acomaf Book Of Breathings

Unmade and Made; Made and Unmade—that is the cycle. Like calls to like.

Acomaf Book Of Breathings Prophecy

Life and death and rebirth

Sun and moon and dark

Rot and bloom and bones

Hello, sweet thing. Hello, lady of night, princess of decay. Hello, fanged beast and trembling fawn. Love me, touch me, sing me.

Acowar Elriel TT scene:

Elain looked up at Azriel, their eyes meeting, his hand still lingering on the hilt of the blade. I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her.Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection … that knife.(acowar)

Crescent City2 TT and Gwydion:

The male drew it, and Bryce flinched. Flinched, but—“What the fuck?” The knife could have been the twin of the Starsword: black hilted and bladed. It was its twin. The Starsword began to hum within its sheath, glittering white light leaking from where leather met the dark hilt. The dagger—.The male dropped the dagger to the plush carpet. All of them retreated as it flared with dark light, as if in answer. Alpha and Omega. “Gwydion,” the dark-haired female whispered, indicating the Starsword.(hosab)

Alpha and Omega meaning:

Alpha (Α) and omega (Ω) are the first and last letters, respectively, of the classical (Ionic) Greek alphabet. Thus, the phrase “I am the alpha and the omega” is further clarified with the additional phrase, “the beginning and the end” in Revelation 21:6, 22:13. The first and last letters of the Greek alphabet were used because the book of Revelation is in the New Testament, which was originally written in Greek.This phrase is interpreted by many Christians to mean that Jesus has existed for all eternity or that God is eternal. 

In Hebrew, the word emet (אמת, meaning “truth”), is referred to as the “Seal of God.”[8][9][10] [Cf. Isaiah 44:6[11]] The word is composed of the first, middle, and last letters of the Hebrew alphabet. The midrash explains that emet is made up of the first, middle, and last letters of the Hebrew alphabet (aleph, mem, and tav: אמת). Sheqer (שקר, falsehood), on the other hand, is made up of the 19th, 20th, and 21st (and penultimate) letters. Thus, truth is all-encompassing, while falsehood is narrow and deceiving.

Hofas Gwydion and Truth-Teller information

“The Starsword is Made, as you called it.” He waved an idle hand, sparks at his fingertips. “The knife can Unmake things. Made and Unmade. Matter and antimatter. With the right influx of power—a command from the one destined to wield them—they can be merged. And they can create a place where no life, no light exists. A place that is nothing. Nowhere.”

Hofas Gwydion and TT singing

Because the sword and dagger weren’t merely tugging now. They were singing, and all she had to do was reach out for them—

[al-zel]

Explaining every H:SR characters name, Part 1-- The Astral Express Crew!

I’ll put a symbol →(!!!) on every section that has a potential spoiler.

Stelle: A shortened version of the French name Estelle, meaning “star”. This name was derived from the Latin word “stella”. As for how it applies to the character, I’m sure it’s meant to show that the trailblazers true place is among the astral express exploring the cosmos. It might also be a reference to the Stellarons appearance.

Caelus: Derived from the Latin word “caelum”, Caelus is a name that means “sky” or “the heavens”. This name also belonged to the Roman god of the sky. It’s a little more convoluted than Stelle’s more straightforward name, but I think it holds the same narrative meaning as Caelus (the god) has heavy ties to the planet Jupiter, fitting the space theme. It's also the most yellow planet aside from Venus, (which is more associated with the color green due to how it appears in the sky anyway).

March 7th, DH, WY, and Himeko under cut!!

(!!!!) March 7th: It is the day March was found, but the specific date can bring some symbolism to mind. The month of march signals the beginning of of spring, a season full of new growth and revival from the stasis that winter brings. This fits into March’s character arc in her companion quest, as the garden of recollection locks away her past, essentially saying that It’s not something March should be remembering or looking for, implying something awful or traumatizing has happened to her. This shows that without those memories, March may have turned from a cold, "icy" character into a warmer, healthier one. 7 is also a lucky number, as it was very lucky that March has survived so long drifting in space and frozen, even if it was in 6 phase ice.

(!!!) Dan Heng: The character 丹 (Dān) simply means red, although it can also be pellet, powder, or cinnabar. I think this is mainly to tie in with Dan Heng’s maple leaf theme. The character 恒 (Heng) means “constant” or “persistent”, a nod to Dan Heng’s collected and steady nature compared to his eccentric companions. It may also be a reference to Dan Heng’s rebirths as a Vidyadhara or the number of years he spent inside of the Shackling Prison as Dan Feng.

Welt Yang: “Welt” is said to be the “name of the world”, but it’s really just the German word for world. “Yang” (杨) is Welt’s mother’s surname, meaning willow, poplar, or aspen, all three of them different trees. I don’t think that either of these names imply anything about Welt’s story, aside from the mantle of "welt" given to him by Welt Joyce, whoch is another post altogether. I think they highlight his responsible, powerful, and thoughtful character, as well as his sentimentality.

(!!!) (Welt Yang) Joachim Nokianvirtanen: Joachim is an abridged or contracted form of the biblical name Jehoiachin or Jehoiakim. They mean "Yaweh will establish" and "raised by Yaweh" respectively. Yaweh is a name of the Hebrew god, with possible roots to the old Semitic root הוה (hawah), meaning "to be" or "to become." This name is a probable reference to Welt inheriting his mentors Herrscher core and becoming the second Herrscher of Reason. His surname, Nokianvirtanen, is not an actual last name, but a mix of two names. The first part, Nokian, is a town in Finland. The second, Virtanen, is a common surname in finland derived from the word "virta", meaning "stream." I don't interpret this surname to have any meaning aside from establishing that Welt is (not confirmed outright, but heavily implied to be) ethnically half Finnish and half Chinese.

(!!!) Himeko Murata (無量塔姫子): Her first name is comprised of the characters 姫 (hime), meaning princess, and 子 (ko), meaning child. Put the whole thing together and it means "princess child", though I'm sure I didn't have to tell you that! I think it's less about her personality and story (especially in regards to Honkai Impact 3rd), but I think it represents her parents live for her, particularly her father's, as he's the one we know most about. The characters for her last name are-- 無 (Mu; nothing/nothingness), 量 (Ra(?); measurement, but with two connotations. First, it can mean a measurement, like weight or quantity, or it can mean "to measure" by estimate or actual documentation, or "to consider."), and 塔 (Ta; pagoda, tower, steeple). I think the most important part of her name is that last part-- in both universes, Himeko acts as a rock or mentor figure to many characters, being a motherly/older sister type towards the young trio of the express, and a teacher and squad leader toward Kiana, Mei, and Bronya, going as far as to strap a bomb to Mei's heart to keep her powers in check (with Mei's consent) should she lose control. 

And that's the Astral Express crew! I'm going by groups of characters divided into: Stellaron Hunters, Herta's Space Station, Belobog, The Xianzhou Loufu, and Penacony! (Characters are ordered by introduction. Characters will be put where they were first shown, despite their relevance in other places. Dr. Ratio, for example, will be put with the HSS characters instead of the Penacony category.)

[bymeraki]

While I am an atheist and do not agree with the condemnation of homosexuality, the idea that biblical condemnations of it are purely a misinterpretation isn’t accurate.

One misconception that has spread is that Leviticus 18:22, translated in English as “You shall not lie with a male as with a woman; it is an abomination.” is actually meant to say “You shall not lie with a boy.” However, the original Hebrew phrase “mishkav zachar” (מִשְׁכַּב זָכָר), literally means “the lying of a male with a male.”

The confusion around these terms stems mainly from a misunderstanding of terms malakoi and arsenokoitai in the context of ancient Greek. In 1 Corinthians 6:9-10, malakoi and arsenokoitai are listed among those who will not inherit the kingdom of God. The term arsenokoitai is a compound Greek word made up of arsen (ἄρσην), meaning “male,” and koite (κοίτη), meaning “bed” or “sexual intercourse.” So, arsenokoitai literally translates to “those who lie with males” or “male bedders.”

Malakoi is being mistaken for meaning boy, but it is actually translated as “soft,” “effeminate,” or “passive,” and is not inherently linked to age. In ancient Greek, malakoi originally referred to softness or weakness, particularly in a physical or moral sense. It was used to describe people considered effeminate, weak, or passive in nature. The mistaken association with “boy” comes from the context of certain Greco-Roman cultural practices, where relationships often involved age and social status dynamics. For example, in pederastic relationships (which involved an older male and a younger male partner), the younger male was often the passive or malakos partner. This may have led some to erroneously associate malakoi with “boy.” However, malakoi itself does not mean “boy”—it refers to someone in a passive sexual role, regardless of their age

1 Corinthians 6:9-10 suggests that both malakoi (the passive partner) and arsenokoitai (the active partner) are held equally morally responsible. If the Bible was solely referring to pederasty—sexual activity involving a man and a boy—the passage would effectively be condemning both the adult perpetrator and the underage victim. This would imply victim-blaming, which would be inconsistent with biblical principles of justice and the protection of vulnerable individuals. For example, Matthew 18:6 states, “If anyone causes one of these little ones—those who believe in me��to stumble, it would be better for them to have a large millstone hung around their neck and to be drowned in the depths of the sea.” This highlights the seriousness of harming children, not blaming them as morally responsible participants.

You are free to interpret it as you wish, of course, but I find it more likely that the condemnation of malakoi and arsenokoitai in 1 Corinthians 6:9-10 is addressing homosexuality, not pederasty. Specifically, with malakoi refering to the passive sexual partner (the “bottom”), and arsenokoitai refering to the active or dominant sexual partner (the “top”).

[steveezekiel]

LET US RETURN TO THE LORD

"COME, AND LET US RETURN TO THE LORD; For He has torn, but He will heal us; He has stricken, BUT HE WILL BIND US UP."

Hosea 6:1 (NKJV)

Comment: A call to repentance. If a believer had done anything wrong, let such find his or her way back to God. If God had torn or stricken or disciplined, He will heal and bind up again.

When a believer misses it, let him or her not move away from God, instead, such should seek a way of reconciling with Him.

There are a number of things that can bring separations between a believer and God:

a. Living in Sin is one of it

b. Walking not in love is also one.

God is waiting for any erred or strayed child of His, as the father of that prodigal son waiting and longing for him, ever before he returned home (Luke 15:20). God is equally waiting for you to return to Him.

God is thorough, a disciplinarian par excellence, however, He is still a loving Father.

Note:

a. If God torn or disciplined; It is because He loves and wants the person to come back or return to Him.

God is stern, thus, If He is severe with you, It is because He loves you (Hebrews 12:5,6).

b. If God's love for you is deep, affectionate, He would show it through how He disciplines you when you missed it. In fact, your own chastisement would always be severer than that of those whom His affection for is not all that strong. The stronger the love of God for you, the severer He would be when He is correcting or disciplining you (Hebrews 12:7,8).

Those who do believe that the love of God is known through His blessings in one's life do not have full understanding of Him.

Truly, His blessings your life could be one of the ways through which you know His love for you, but that is not all.

The way God blesses you when He is delighted in you, that same way, If not more, He disciplines you, when you rebeled or disobeyed Him.

A good number of people; so-called believers and ministers, who preach or teach about God, or tell others about God, do not really understand Him.

Someone may know about God, but may not actually know Him. Knowing about God is different from knowing God personally and intimately.

There are many who study the Bible, they even know It in Hebrew and Greek; but they do not practice the Word neither do they have pratical knowledge of walking with God in communion or fellowship.

Such people might truly know about God, but do not know Him. They can teach about God, but do not have a pratical knowledge of God. What they do have is the head knowledge, not experiential knowledge of God.

Someone who knows God is someone who practices the Bible to the letter, and at the same time had a working relationship known as communion or fellowship with God.

a. The person may not even know the Bible in Hebrew and Greek, and may not be as knowledgeable as the other person who is a Bible scholar; but such had an intimate fellowship or communion with God.

b. Such a believer may not even know anything about exegesis—explanation or critical interpretation of a text, the Bible—but he or she knows God.

c. Such may not be able to quote hundred verses of the Bible offhandedly or impulsively, but he or she has pratical knowledge of God—he or she had intimacy with God.

d. Such a believer sleeps and wakes with the thoughts of God in his or her heart.

Back to the point we started with, If you had missed it or done any wrong, repent, which is, change your thoughts or ways and be reconciled with God—He will heal you and bind you up (Hosea 6:1; Hebrews 4:15,16).

Peace.

[nastasya--filippovna]

WHO IS CROWLEY AFTER THE FALL (PART2)

Here it is finally.

So what is the Leviathan.

In mythology and theology the Leviathan is a sea-serpent and is mentioned in several books of the Hebrew Bible such as the Book of Job and Book Isaiah and Book of Enoch. The Leviathan of the Book of Job is a reflection of the older Canaanite Lotan, a primeval monster defeated by the god Baal Hadad. Parallels to the role of Mesopotamian Tiamat defeated by Marduk have long been drawn in comparative mythology, as have been wider comparisons to dragon and world serpent narratives such as Indra slaying Vrtra or Thor slaying Jörmungandr.

Once again we see the pattern of Biblical creatures being “inspired” from pagan ones.

Thomas Aquinas described Leviathan as the demon of envy, first in punishing the corresponding sinners. Peter Binsfeld likewise classified Leviathan as the demon of envy, as one of the seven Princes of Hell corresponding to the seven deadly sins. Leviathan became associated with, and may originally have been referred to by, the visual motif of the Hellmouth, a monstrous animal into whose mouth the damned disappear at the Last Judgment, found in Anglo-Saxon art from about 800, and later all over Europe.

In the Book of Enoch, The Leviathan is a female giant chaos serpent that lives deep in the ocean, while her mate, Behemoth, is a male giant chaos beast (based off of a hippopotamus or water-ox) who lives in the mythical desert of Duidain, East of Eden.

Ring any bells. Chaos mongering (fomenting), ox, eastern gate of eden…. 

The Hebrew word that translates to Leviathan (Livyatan) appears six times in the Old Testament. One of them is in Job 41. The word is derived from the root Iwy or ‘ twist, coil’ and means ‘the sinuous one.’ So I think we can establish that this creature is at least indicated to be snake-like. Scholars trace the etymology of whale and crocodile 

In the Book of Isaiah it is mentioned that the beast will rise from the water and will be defeated by God on the Last Day. However, quite interestingly nowhere in the Old Testament is the Leviathan written as evil. Only later scholars have equated it with the devil so that the battle between God and Chaos can be interpreted as the battle between God and the Devil.

Now let’s make this more interesting: The Gnostic sect venerate the biblical serpent of the Garden of Eden as a symbol of wisdom, which the malevolent Demiurge tried to hide from Adam and Eve. They identify the Leviathan as the serpent of Eden and in this belief system the Leviathan appears as an Ouroboros, separating the divine realm from humanity by enveloping or permeating the material world.

I mean I don’t even need to say anything further.  

And he does show up in GO Season 2. The matchbox.

Here 

When did this happen, I wonder……hmmmmmm

Oh YES!

Crowley wearing Aziraphale’s face

     

Here’s the rest of the passage from Job

1 Canst thou draw out leviathan with an hook? or his tongue with a cord which thou lettest down?

2 Canst thou put an hook into his nose? or bore his jaw through with a thorn?

3 Will he make many supplications unto thee? will he speak soft words unto thee?

4 Will he make a covenant with thee? wilt thou take him for a servant for ever?

5 Wilt thou play with him as with a bird? or wilt thou bind him for thy maidens?

6 Shall the companions make a banquet of him? shall they part him among the merchants?

7 Canst thou fill his skin with barbed irons? or his head with fish spears?

8 Lay thine hand upon him, remember the battle, do no more.

9 Behold, the hope of him is in vain: shall not one be cast down even at the sight of him?

10 None is so fierce that dare stir him up: who then is able to stand before me?

11 Who hath prevented me, that I should repay him? whatsoever is under the whole heaven is mine.

12 I will not conceal his parts, nor his power, nor his comely proportion.

13 Who can discover the face of his garment? (penetrate his coat of armor)  or who can come to him with his double bridle?

14 Who can open the doors of his face? his teeth are terrible round about.

15 His scales are his pride, shut up together as with a close seal.

16 One is so near to another, that no air can come between them.

17 They are joined one to another, they stick together, that they cannot be sundered.

18 By his neesings a light doth shine, and his eyes are like the eyelids of the morning.

19 Out of his mouth go burning lamps, and sparks of fire leap out.

20 Out of his nostrils goeth smoke, as out of a seething pot or caldron.

21 His breath kindleth coals, and a flame goeth out of his mouth.

22 In his neck remaineth strength, and sorrow is turned into joy before him.

23 The flakes of his flesh are joined together: they are firm in themselves; they cannot be moved.

24 His heart is as firm as a stone; yea, as hard as a piece of the nether millstone.

25 When he raiseth up himself, the mighty are afraid: by reason of breakings they purify themselves.

26 The sword of him that layeth at him cannot hold: the spear, the dart, nor the habergeon.

27 He esteemeth iron as straw, and brass as rotten wood.

28 The arrow cannot make him flee: slingstones are turned with him into stubble.

29 Darts are counted as stubble: he laugheth at the shaking of a spear.

30 Sharp stones are under him: he spreadeth sharp pointed things upon the mire.

31 He maketh the deep to boil like a pot: he maketh the sea like a pot of ointment.

32 He maketh a path to shine after him; one would think the deep to be hoary.

33 Upon earth there is not his like, who is made without fear.

34 He beholdeth all high things: he is a king over all the children of pride.

The Leviathan is a magnificent creature. And the very fact that God goes to so much trouble to describe the magnanimity of this creature is to show what God has created and hence Her magnanimity must be even greater in comparison for the Creator is always superior to the Creation. And if God can so easily abuse and humiliate this beautiful monster, then God must be worshipped and feared.

Though to the unsuspecting eye these passages may ring no familiar bells, a closer look makes you realize how Crowley-coded they are. And to think that in a story where Neil has never witten or shown anything that wasn’t woven in finely with the characters, I alwsy wondered why he chose the Book of Job for the minisode when he could have included any other one.  

But it reminded me that Crowleys character is truly unrelenting. He’s a nether millstone. He won’t give up that easily. He absolutely won’t submit to anyone, and he’s shown time and time again that his vociferous litanies about running away disappear as soon as someone or something he cares about is in danger (i.e. Aziraphale). And the second coming will also threaten his creation (the universe). His refusal to submit to authority, the refusal to be subjugated is the reason he fell in the first place. And quite interestingly he doesn’t own Hell either. He resists that too. For him it’s not Heaven or Hell that matters but the resistance to Power.  

I also think it’s also fitting that the Leviathan is perceived to be a monster that must be slain or enslaved but in reality is another of God’s creations just like the sun and the stars and the rivers and the mountains.  

And it makes me think of how Crowley has always been labeled as evil because he fell. I think of how, at heart, he is truly gentle and kind, he’s a starmaker. But his fall, his appearance, his desire to be autonomous and his grey moral campus make him feared and a target. And that has made him the embodiment of chaos. His refusal to submit himself to the uniformity of both worlds, to the rules and guidelines that create this illusion of order sets him apart from them. He embraces the chaos that grayness offers, that being ‘human’ brings. And hence the final battle will be between God and chaos with God justifies as being the battle between good and evil because, well, he’s a demon.    

The Leviathan being historically associated with the sin of envy is again I think written into the plot very carefully. He is envious of humanity’s ability to question God, to have choices to not be doomed to heaven or hell for all eternity. He is envious of what Maggie and Nina have. He’s envious of what Beelz and Gabe have.

“I mean if Gabriel and Beelzebub can go off together…..”

And then him rejecting Azirapahle’s offer— he has spent his life (a long, long life) rejecting power and authority. In his relationship with Aziraphale he found his sanctuary, a relation clean of power dynamics. Up till now they were both equal. But this new offer jeopardizes that.

And I love how his ego and pride come to play here. He would never accept being “second in command to anyone”. And his envy of how God’s mercy is free for some but wholly denied to him.

[mintmillipede]

things i noticed in the good omens 2 opening title sequence part 1

i watched this frame by frame and have had many thoughts. i'll put things which are interpretation or my perspective in purple. feel free to watch along whilst you read if you haven't seen it yet.

also couple of disclaimers which u may feel free to skip: i grew up with chrisitan iconography but am not christian but because of that i know more about that perspective of abrahamic texts so keep that in mind! i'm using guy as a vibe more than a gender but am happy to take criticism on that bc i'm not sure myself yet. also i haven't looked at any other analyses because i want this to be like a fun little puzzle so apologies for overlap/missing things/being wrong. ok enjoy!

ok, scene 1. mountain range, not sure which one but it could be a biblical reference? so possibly judaean mountains but that is a big stretch. aziraphale is coming down from the heavens whilst crowley emerges from a glowing orange crater, which looks a lot like hell especially with the context later in the intro.

they emerge behind a rock into scene 2 into a tunnel and crowley lights a match with his hell powers? this actually interests me because why use a match if you have fire powers? perhaps he's conserving miracles.

scene 3: we don't actually see them emerge from the tunnel, they're seen up ahead later. we start with an animal's skull in the foreground, and i think it's a ram. there's other ram skeletal remains later and there are various rams eating on the hills. from stage right enters: a delivery guy. they've got a delicate package. it's giving me like holy land vibes? idk i grew up christian and it's like christian movie landscape to me.

anyway the delivery guy is trailing behind a figure all in black who is almost camouflaged in the murky landscape. there's also a tree by them which i think is a mustard seed tree!!! there's a parable about it and it's the vibe of starting from small beginnings like the small little mustard seed grows into a tree which birds chill on.

the figure in black is following a couple of steps behind aziraphale and crowley, and they pass a little ram on a rock which has a fleece which reddens. rams were often used as sacrifices in the old testament and probably in other abrahamic texts. not a good omen.

a raven is on a cart with bags which look like they are full of coin. they are having a little snack. this may be about matthew 6:26 where jesus basically says don't worry so much about money look god's feeding the ravens (sometimes translated as birds in general) and they suck (bc they are seen as unclean maybe because they eat carcasses) and you're better than them. it's like god cares for fucking ravens so he's gonna care for you sinners. also they're omens of death. this will be important very shortly.

there's also some real funky looking birds with four legs on the mountain and those were not in the bible (/j idk if they are or not but i couldn't remember them and i feel like i would have). and the paths on the mountains are scrolls, suggesting maybe that the world around them is literally made of scripture.

crowley sets fire to a little bb ram and now they're all on fire it's very mean of him. no i am not colouring that in purple. i think in this context it might be to cleanse the sins of humanity?

scene 4! finally ok immediately wtf aziraphale why are you secretly a lamp??? my bf thinks this is a supernatural show so i looked it up to spite him and there's a bunch of references to lamps in the torah and talmud but bc english-speaking christians can't be bothered to learn hebrew or greek the bible has the most direct reference i could find: 'the spirit of man is the lamp of the lord'

also crowley is a vibe! not sure what gender she's presenting as here but i'm hazarding a guess as femme. blue has a bunch of meanings but none i was sure about, but i saw a bunch of references to the sky. the funky guy behind him does have a human face with a helmet of black hair i think and is carrying something big that i cannot make out. the person in front of them is giving zombie and they are in a graveyard and there's more context later imo for that being accurate.

going stage left, we have another aziraphale and crowley, not in disguise. if i had to guess, these would be muriel and another new ally who are disguised as them to take the heat off of them. i think.

everyday on a gravestone? could be a reference to the song everyday by buddy holly which has been used in promo so far. it's a song about working up the courage to ask someone out... which could signify a development in aziraphale and crowley's relationship but also could signify something coming in the plot relating to heaven/hell. on a gravestone, the song could reference the fast approach of death. could be a combo of these things too. or could be none! i am no oracle. or am i...

at the back, a bucket of pickled herring is being transported by a skrungly little guy. pickled herring does have links to jewish culture but we know there's a pickled herring scene in edinburgh which maybe more suggests scottish fishing culture (not that the two are mutually exclusive of course). the guy travelling alongside the cart with a goth vibe has a shovel suggesting he's a gravedigger.

jane austen! suggests some of her themes popping up in the show but also suggests they're around winchester cathedral, and it does look like they're going into a building but it looks more like a crypt/mausoleum to me. i tried to find more information about a building like this in winchester but i was looking on ecosia and thus found nothing.

here lies the former shell of beelzebub is a canon reason for the change of actors, but here lies adam?!?!??! i know time could have just passed, but it's still mean!!!!! maybe it's a different adam?

scene 5! i think they've entered down a secret passageway in the crypt - you can see some coffins there and i think the masonry fits well enough. we've got some more people following behind the ones who are dressed like azi and crowley. it's a bit too blurry but i've spotted a few who could be aziraphale in disguise as the odd lantern is gone - i think though he is dressed as the gravedigger now as the original gravedigger seems to have changed their garb. a few more could be crowley although crowley's original form with the blue headscarf is still there. the figure in white near the front gives me undead vibes. helmet hair guy is more visible now. we've got someone holding a lantern near the back who is a vibe (could be religious or in some way guiding the souls of the dead). they're followed by a real funky looking guy who i think is wearing a mask??? hard to tell

ok so so so there is so much around them. skeletons and gravestones suggest we're still in a cemetery. if you look on the left, it's the box the delivery guy from the beginning had!!! so many thoughts about this. mentions of a delivery are everywhere. this box is in the recent prime insta post with angel and demon feathers emerging from it. basically this is very very important, so how did it end up here? was the delivery guy buried with this on his body?

we see a web. we'll come back to that!

little feature i like the skull we see has a backbone and a ribcage which is a vibe

scene 6! a lot of ppl too many to talk about in full but def some skeletons. i think religious figures. there's a cool looking punk? too many things so many stimuli. anyway i think this is a crowd of undead people being led into hell to assist on a mission. why just the undead?

they're exiting something that looks like the crypt they came in from, suggesting it's a secret entrance to hell. might this be where hastur met crowley in season 1?

we've got a big wheel which looks like it's used for some kind of pulley contraption imo, but i don't think it would be for the guillotine unless they wanted to adapt the guillotine somehow, perhaps automate it? big stretch

we've got the pyres of files and computers and office chairs. this is a metaphor for capitalism sucking balls.

web! like before. ok so theories perhaps it's a metaphor showing the web of all of the connecting entrances. perhaps it's a big magic hell thing drawing power from everywhere to its centre. perhaps hell listens to people from webs. maybe demons can travel through webs? idk maybe one of these is 25% right. also later we see a spooder so maybe she has laid eggs?

oooh mysterious fire cave. mayb that's where satan is chilling. the inverted pentacle's outside of it. could also be the government of sorts. my boyf thinks it looks like a skeletal face in a witch hat and i think he is festering with lies.

leetle dragon gargoyle!!!! i love her she can do no wrong

i like to think we see the different stages of their headquarters. the castle was the first, the grey building is the current/s1 one, and the blueish lighting is coming from what they're upgrading to. this may also be why there's the pyres of stuff: they're doing a little clear out!

also the crushed metally thing in the foreground... i don't want to say it's the bentley.............. so i will not i refuse to be devastated before the show has even begun

scene 7: we come out of the stairs leading up to the public loos by liberty's london which is right next to soho, the implication being that that's another entrance to hell which is in fact true irl. the old-timey underground logo (probs oxford circus) suggests we're not in present day (so maybe adam is fine! or maybe they're time travelling?) which suggests we're in the blitz (ww2) because of the barrage balloon and the aircrafts. this is also suggested by the old routemaster bus.

ok we're up to 0:33! coffee break meet back in like a day i did not expect this trailer ok i have things to pretend to do

[walkswithmyfather]

“Lately, I've come across a few people who don't know what the armor of God is.

The phrase “full armor of God” comes from Ephesians 6:13-17: “Therefore put on the full armor of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand. Stand firm then, with the belt of truth buckled around your waist, with the breastplate of righteousness in place, and with your feet fitted with the readiness that comes from the gospel of peace. In addition to all this, take up the shield of faith, with which you can extinguish all the flaming arrows of the evil one. Take the helmet of salvation and the sword of the Spirit, which is the word of God.”

Ephesians 6:12 clearly indicates that the conflict with Satan is spiritual, and therefore no tangible weapons can be effectively employed against him and his minions. We are not given a list of specific tactics Satan will use. However, the passage is quite clear that when we follow all the instructions faithfully, we will be able to stand, and we will have victory regardless of Satan’s strategy.

The first element of our armor is truth (Ephesians 6:14). This belt immediately sets the believer apart from the world, since Satan is the “father of lies” (John 8:44). Deception is high on the list of things God considers to be an abomination. A “lying tongue” is one of the things He describes as “detestable to Him” (Proverbs 6:16-17). We are therefore exhorted to put on truth for our own sanctification and deliverance, as well as for the benefit of those to whom we witness.

Also in verse 14, we are told to put on the breastplate of righteousness. A breastplate shielded a warrior’s vital organs from blows that would otherwise be fatal. This righteousness is not works of righteousness done by men. Rather, this is the righteousness of Christ, imputed by God and received by faith, which guards our hearts against the accusations and charges of Satan and secures our innermost being from his attacks.

Verse 15 speaks of the preparation of the feet for spiritual conflict. In warfare, sometimes an enemy places dangerous obstacles in the path of advancing soldiers. The idea of the preparation of the gospel of peace is that we need to advance into Satan’s territory, aware that there will be traps. The message of grace is essential to winning souls to Christ, and we must be prepared with the gospel. Satan has many obstacles placed in the path to halt the propagation of the gospel.

The shield of faith in verse 16 “can extinguish all the flaming arrows of the evil one.” When we bear the shield of faith, Satan can cast all the aspersions, doubt, and dismay he wants, but they will be ineffective. Our faith—of which Christ is “the author and perfecter” (Hebrews 12:2)—is like a shield, solid and substantial.

The helmet of salvation in verse 17 is protection for the head, keeping safe a critical part of the body. We could say that our way of thinking needs preservation. The head is the seat of the mind, which, when it has laid hold of the sure hope of eternal life, will not receive false doctrine or give way to Satan’s temptations. The unsaved person has no hope of warding off the blows of false doctrine because he is without the helmet of salvation and his mind is incapable of discerning between spiritual truth and spiritual deception.

Verse 17 interprets the sword of the Spirit as the Word of God. While all the other pieces of spiritual armor are for defense, the sword of the Spirit allows us to take the offense. The sword analogy speaks of the holiness and power of the Word of God. There is no greater spiritual weapon. In Jesus’ temptations in the desert, the Word of God was always His overpowering response to Satan. What a blessing that the same Word is available to us!

In verse 18, we are told to pray in the Spirit (that is, with the mind of Christ, with His heart and His priorities) in addition to wearing the full armor of God. We cannot neglect prayer, as it is the means by which we draw spiritual strength from God. Without prayer, without reliance upon God, our efforts at spiritual warfare are empty and futile. The full armor of God—truth, righteousness, the gospel, faith, salvation, the Word of God, and prayer—are the tools God has given us, through which we can be spiritually victorious. Satan is a defeated foe.”

[From Got Questions via “Inspirational Bible Verses, FB”]

[mybeautifulchristianjourney]

Joseph Interprets Two Dreams

1 And it came to pass after these things, that the butler of the king of Egypt and his baker had offended their lord the king of Egypt.

2 And Pharaoh was wroth against two of his officers, against the chief of the butlers, and against the chief of the bakers.

3 And he put them in ward in the house of the captain of the guard, into the prison, the place where Joseph was bound.

4 And the captain of the guard charged Joseph with them, and he served them: and they continued a season in ward.

5 And they dreamed a dream both of them, each man his dream in one night, each man according to the interpretation of his dream, the butler and the baker of the king of Egypt, which were bound in the prison.

6 And Joseph came in unto them in the morning, and looked upon them, and, behold, they were sad.

7 And he asked Pharaoh's officers that were with him in the ward of his lord's house, saying, Wherefore look ye so sadly to day?

8 And they said unto him, We have dreamed a dream, and there is no interpreter of it. And Joseph said unto them, Do not interpretations belong to God? tell me them, I pray you.

9 And the chief butler told his dream to Joseph, and said to him, In my dream, behold, a vine was before me;

10 And in the vine were three branches: and it was as though it budded, and her blossoms shot forth; and the clusters thereof brought forth ripe grapes:

11 And Pharaoh's cup was in my hand: and I took the grapes, and pressed them into Pharaoh's cup, and I gave the cup into Pharaoh's hand.

12 And Joseph said unto him, This is the interpretation of it: The three branches are three days:

13 Yet within three days shall Pharaoh lift up thine head, and restore thee unto thy place: and thou shalt deliver Pharaoh's cup into his hand, after the former manner when thou wast his butler.

14 But think on me when it shall be well with thee, and shew kindness, I pray thee, unto me, and make mention of me unto Pharaoh, and bring me out of this house:

15 For indeed I was stolen away out of the land of the Hebrews: and here also have I done nothing that they should put me into the dungeon.

16 When the chief baker saw that the interpretation was good, he said unto Joseph, I also was in my dream, and, behold, I had three white baskets on my head:

17 And in the uppermost basket there was of all manner of bakemeats for Pharaoh; and the birds did eat them out of the basket upon my head.

18 And Joseph answered and said, This is the interpretation thereof: The three baskets are three days:

19 Yet within three days shall Pharaoh lift up thy head from off thee, and shall hang thee on a tree; and the birds shall eat thy flesh from off thee.

20 And it came to pass the third day, which was Pharaoh's birthday, that he made a feast unto all his servants: and he lifted up the head of the chief butler and of the chief baker among his servants.

21 And he restored the chief butler unto his butlership again; and he gave the cup into Pharaoh's hand:

22 But he hanged the chief baker: as Joseph had interpreted to them.

23 Yet did not the chief butler remember Joseph, but forgat him. — Genesis 40 | King James Version (KJV) The King James Version Bible is in the public domain. Cross References: Genesis 14:13; Genesis 37:36; Genesis 39:1; Genesis 39:22; Genesis 41:1; Genesis 41:10-11; Genesis 41:13; Genesis 41:15-16; Genesis 42:17; Numbers 17:8; Joshua 2:12; 2 Kings 25:27; Nehemiah 1:11; Nehemiah 2:2; Esther 7:10; Job 19:14; Psalm 31:12; Psalm 105:19; Proverbs 16:14; Ecclesiastes 9:15; Song of Solomon 6:11; Jeremiah 52:31; Daniel 2:36; Daniel 4:18-19; Matthew 14:6

What does Genesis chapter 40 mean?

[lepertamar]

the most repeated metaphor for israel's exile in the nevi'im (prophets) in the tanakh is that of an adulterous woman punished by her husband. basic logic: g-d promised us in exodus that we would live well in the land of israel and be protected by It (g-d), but we were not. our enemies said this showed g-d the god of israel was unable to protect us, but we could not abide this, and counter-claimed that g-d was punishing us for our unfaithfulness and that It had sent the nations to destroy us, and It had the power reestablish us when we had repented. the adultery metaphor is obviously tuned to the psychology of its times and audience, but more foundational and less criticized is the assumption g-d can make such promises, that it's preferable that It determines the actions of third parties in the world, that if It can't, It's worse than worthless, a used tissue, because the only people here who should have free will and the power to exercise it are the jews and g-d.

this question continued through the repeated exiles and genocides of the jews in the next 2,500+ years, but began to become increasingly complicated and ambivalent over time, including with the interpretation in kabbalah that g-d was shattered and exiled alongside us.

look closer.

much post-holocaust theology rests on the existential question of g-d's impotence, for the hebrew bible does not present evidence that g-d is omnipotent.(1)(2)

so look closer at this metaphor, back in its times. play with reversing it:

g-d is not your husband (patriarchal definition) but g-d is also not your spouse, husband, or wife (modern egalitarian definition). g-d is your wife (patriarchal definition).

g-d cannot take you in or cast you out g-d cannot save or feed or clothe you g-d cannot give you land or defend you in battle g-d cannot divorce you even though It/She/They rages It will in Its besotted-mortified-crazed grief and abjection after you are unfaithful.

perhaps g-d can make your life hell from jealous sabotage g-d can drive you mad with lust and longing for It's beauty, as you have done to It. g-d can make your people survive forever through being the catalyst for all your children(writings/cultural handing-down/mitochondria). g-d can commit adultery against you and betray you. but if you die by your enemy's hand, g-d has permission to die in your house, for you will need it and It no longer.

(and many jews think this option is the worst one tho lmao.

'i can excuse being malicious and cruel and unjust or nonexistent, but i draw the line at being not-omnipotent!')

let me rewrite some of the prophets:

I G-d, take a millstone and grind meal now, in exile, Remove My veil, strip off (My) skirt; Show My thigh, cross streams, let My labia(3) be publicly shown, My private parts be seen So shall Israel shall have vengeance on Me for My lies of kingship [masculine], For My overthrow by your enemies, And shall encounter no opposition...(4)

For when showers I could not bring, And the late rains did not come, I had the brazenness of a street woman, I refused to be ashamed.(5)

/

Over You, G-d, we bent(6), saying 'For the number of Her sins, dishevel Her hair,' (7) Let Your thighs be uncovered, Your 'heels' violated....(8) Your shame will be exposed to Your face, Showing nations Your nakedness, kingdoms Your labia....(9)

/ or,

My beauty won Me fame among the nations, for it was perfected through the splendor which I set upon you— But haughty with My beauty and fame, I played the harlot: I lavished My favors on your enemies O Israel.... I sullied My beauty and spread My legs to every passerby(10)—I multiplied My harlotries to anger you. For I was jealous of your envy of other nations(11), which you loved more than Me When you bid Me make kings of your children, and cronies of Egypt(12), rather than wrestle Me til dawn And I despised you, when you wished to be a tyrant, As they were once tyrants over you.(13)

....the nations put you to the sword, and took away your finery, and Mine, In exile, because of misery and harsh oppression; When we settled among the nations you found no rest; All your pursuers overtake Me now In the narrow places.(14)

/ or,

Israel, you uncovered your lover's beauty in Egypt; There Her breasts were squeezed, and there Her nipples were handled. Her name was G-d, She became yours, The fierce-wonders and land and laws you desired for-to-live, She placed wide-with-boasting(15) on Her lips and brought you as dowry. But She did not give up the whoring She had begun with the corners of the Earth; For we had lain with Her in Her youth, and we had handled Her virgin nipples and had poured out our lust upon Her.(16) [....] the Babylonians came, and all the Chaldeans, and all the Assyrians with them, all of them handsome young fellows, governors and prefects, officers and warriors, all of them riding on horseback.

They exposed your god and saw how she could be defiled We were roused against you, and came upon you, from all around— /

Further rambling discussion notes and citations:

Marilyn Monroe said, “If they love you that much without knowing you, they can also hate you the same way.” All idealisation is punishing and sadistic.” - jacqueline rose

thoughts on this reversal as something that Reveals -- for the audience i'm writing to it's one that shocks the connotations to something more viscerally s 0 meth1ng/relatable (the way the og was supposed to be for its audience), but more importantly, i'm trying to come up with something more infinitely chewable as a negotiation of fault and interiority-vs-effects, instead of terminating.

but also while my point in rewriting these is about the non-existence of omnipotence, non-existence of omniscience is probably more interesting. because it....reveals.....i guess a parallel to the way ppl talk about Widely Despised Female CharactersTM (both in madonna and whore perfect idealized and evil all-blameful interpretations). as simultaneously incoherently both culpable and agencyless, both agenda-driven and lacking in interiority, threefold responsible: evil for creating the evil of the world, and evil for trying to fix or destroy that evil when she regrets(17) that world, and timelessly still-blamed as evil when she regrets destroying it and admits that she doesn't have the capacity to fix it but promises to never destroy it again(18). (the souring when its clear she's not secretly timelessly omnisciently correct for allowing this evil).

all this entity's choices and preferences are made into a morally-charged one that is a referendum on the moral valence and bestows moral judgment to anyone or anything she likes/doesn’t like or does/doesn’t do. and also those interior feelings, if shown, are open to making her limitlessly blamed for the spurned person’s resulting action. or mysteriously impersonally Morally Right (after those preferences, like liking meat more than grain, are forcibly interpreted as being solely a moral pronouncement that invites and justifies limitless violence and blame)(19). both timelessly nonlinearly unchangingly culpable at each point in a linear sequence of events regardless of what order one shuffles it in, and incapable of having curiosity or ignorances or confusions that make up linear accumulations of knowledge or opinions or back-and-forths that change her mind over time, or that are incomplete without the preexisting elements of the narrative or which have to take place in the context of a dynamic dialogue/tug of war to make sense.

so i think in a similar way to that, but in a way that doesn't...pattern-match....without the pronounflip/husband-wife adultery and shaming flip......people will not think of the full picture of what else entails if one accepts a premise......no allowing for g-d being dumb or irrational or impulsive, or ignorant at earlier periods of time of what consequences will occur later. no allowing It to have the capacity to change Its mind, and therefore no allowing It to make it up to us once the error in thinking or acting has been understood and regretted. no dynamic interiority allowed in It being capricious and poorly-moral or passion-ruled or not having considered what is evil or what isn't, or what is a big deal to humans and what isn't, not omniscient enough to already know this prior to the chance to learn it by observing humans. no considering such a being to be acquiring contradictory ideas over time and It trying to figure out which one should rule in any given moment, struggling with warring impulses and giving into one at one time and another at another time, being stubborn bc It is a person with ideas that contradict too, reaching out in a curiosity or a confusion, putting on an act to try to court and impress and arouse desire in It's mate Israel. eg, people ignoring the implication that a specific method (flood, languages) implies either a limited ability or a specific desire or a specific curiosity, or both (18) (why multiple languages specifically??? why not something way less surmountable if insurmountability was desired? or if timeless omnipotence was available??).

let alone, in some cases the idea of g-d simply being helpless, overcome, raped and despoiled, not omnipotent enough to achieve -- even if It does know what It wishes It could do -- a method that would fix things, stop things.

but apparently a fearsome but vulnerable and morally-heterogenous and linearly evolving/accumulating/learning god with enough raw bursting power do act immorally sometimes, but without omnipotence, is unpalatable. so……idk, the time-collapse of god treatments that mirrors that of misogyny that mirrors that of antisemitism -- no matter what you do or don't, or can or can't, or know or don't know, or think or can't think, it's your fault -- haunts to an un-unseeable extent.

this is all torah/tanakh and jewish thought specific(20), but the bigger issue for me that i have a hard time unseeing after seeing it was like….the classic conception of omnipotence and omniscience is a thought-termination (either as timeless will-always-have-been-morally-right termination, or as infinitely-blamable, uniquely worthy of punishment, betraying anthy-style scapegoat termination, which are just two different sides of the coin).

there is no cognitively nondissonant way to say 'if g-d exists, i am deciding It is shaped in such a way so as to be to blame for everything/should Be Killed/is actively working against our Liberation/must be a concept that is inherently keeping life from snapping back into a happy and suffering-free equilibrium', because if you (like me) are open to the idea of g-d being nonexistent, there is only One excuse for not also being open to the idea of g-d being a non-omnipotent, non-omniscient, dynamic, learning, growing entity, a person who is then subject to whatever limitations a person would have, and also is an-other person whose inner heart, like any other person's you cannot narrow down to the dichotomy of either being the guy you made up in your head, or a deliberate traitor to that guy. It's the same excuse for why a person or group such as the Jews are The Enemy Of All Humanity Who Must Be Killed Or At Least Blamed: laying down one's own interiority as a sentient being, to invent a person who exists to be limitlessly blameable in situations where no one else would be. if you (like me) don't completely believe g-d exists, i suppose we can't hurt It, but i know what it sounds like and who it impacts. i am much more stung about g-d lying to us -- by claiming we could only be destroyed by Them/our own transgressions. ie., lying by claiming other groups of humans totally didn't have the power to exile and genocide us irrespective of our own behavior -- than by the crime of 'not being omnipotent.' lol. but ofc even this too assumes They did actually lie to us at all, and that a more fitting interpretation of the text (let alone reality) isn't just a folie a deux of wishful thinking on one or both of our parts in this lovers affair.(21)

1: Milazzo, G. Tom. “TO AN IMPOTENT GOD: IMAGES OF DIVINE IMPOTENCE IN HEBREW SCRIPTURE.” Shofar 11, no. 2 (1993): 30–49. http://www.jstor.org/stable/42941804.

2: eg, Elie Wiesel, Night:

"I heard [a man] asking: Where is God now? And I heard a voice within me answer him:  ...Here He is—He is hanging here on this gallows."

3: Eslinger, Lyle. “The Infinite in a Finite Organical Perception (Isaiah VI 1-5).” Vetus Testamentum 45, no. 2 (1995): 145–73. http://www.jstor.org/stable/1535129. 4: Isaiah 47:2-3, Ibid

5: Jeremiah 3:3

6: Job 31:10

7: Sotah ritual, see Numbers 5:18

8: Jeremiah 13:22

9: Jeremiah 13:26

10: Ezekiel 16:14-15, 16:25-26

11: 1 Samuel 8:5-20

12: 1 Kings 9:16

13: 2 Samuel 22 throughout, 1 Kings 1-10 throughout

14: Lamentations 1:3

15: Everett Fox translation choice for 1 Samuel 2:1

16: Ezekiel 23 throughout

17: Genesis 6:8, 8:21

18: Genesis 11:6-7

19: Genesis 4:4-6

20: Karasick, Adeena. “Shekhinah: The Speculum That Signs, or ‘The Flaming S/Word That Turn[s] Every Way’ (Genesis 3:24).” Nashim: A Journal of Jewish Women’s Studies & Gender Issues, no. 2 (1999): 114–36. http://www.jstor.org/stable/40326491.

21: Milazzo p. 49:

This is the god which cannot raise the dead. This is not a god which transcends the world in which the drama of life and death is lived. This is a god which, having placed its hands around their heart, stands there with this people [.....] This impotent god walked the road to Babylon and stood among the crematoria at Auschwitz.

[gepgep2]

Any thoughts on Spinoza?

love a monist

few years ago i read most of delueze's book on spinoza which i thought was good at the time, might revisit

Atheist in the Attic is a really good book, and although brief, maybe the most vivid portrait of him ive gotten

david graeber, talking about his book bullshit jobs, offhandedly described part of his framework- centering care/caregiving, freedom, and play rather than terms like production and consumption- as his "spinozan feminist" intervention. he talks about "the Spinozan vitalist tradition, which you could say ultimately sees desire as freedom and play, the expression of life’s full capacities for their own sake" which is probably the most valuable single part of spinoza's influence and legacy for me. apparently he was one of graeber's favorite philosophers, but he doesnt seem to cite him much.

harold bloom's The Book of J is one of my all-time favorite books, and certainly seems to evoke the spirit of spinoza. J's Yahweh surely must be closely tied to spinoza's god, and is maybe the only true link between his disposition and kafka's. in bloom's Jesus and Yahweh, he says

"Baruch Spinoza’s magnificent admonition has haunted me for more than half a century: “It is necessary that we learn to love God without ever expecting that he will love us in return.” Ethically, that has a certain poignance, but is it humanly acceptable? If you substitute Hamlet for God in Spinoza’s observation, then I might understand it far better than I do. The popular Christian definition “God is love” fades away in the aura of Spinoza’s inspired “intoxication,” to use Coleridge’s characterization of the great Jewish moralist as a “God-intoxicated man.” If my reader is God-intoxicated, then she wisely will smile benignly enough at my qualms, but was Spinoza not talking about Yahweh and not Jesus Christ’s God the Father? Spinoza’s family, Iberian Marranos, had returned to Judaism in tolerant Amsterdam, where the synagogue, doubtless motivated by nervousness in regard to its Calvinist hosts, reluctantly excommunicated its best mind for his supposed “pantheism,” in which Yahweh and his creation would not always be distinguished.

It makes little sense to say “Yahweh is love,” or that we must love Yahweh. He just is not, never was, and never will be love. Many, if not most, of us at one time or another fall in love with someone who neither can accept love nor return it, though she or he perhaps demands it anyway, if only as worship or tribute. Until I Chronicles, Yahweh sets the pattern for such destructive role-playings, best exemplified in Shakespeare by Cleopatra—until Act V, when she apparently is transformed in the wake of Antony’s death. Even there, Shakespeare endows her with an equivocal quality that is an endless challenge to actresses: how do you play the part of someone who no longer knows whether or not she is playing herself? When Yahweh, perhaps in love with David, as he may have been with Joseph, David’s precursor, promises that he will be a father to Solomon, can we interpret the promise as other than divine dramatism?

...An unrequited love can be an imaginative benefit to poets, but not to most of us. Spinoza, though cast out by his fellow Jews in Amsterdam, was intoxicated with Yahweh rather than with the Christian God the Father. Love and the fear of Yahweh are one; I cannot recall the New Testament speaking of the fear of God the Father. The Yahwist's God did not create out of love, though his motive was to make a human in his own image. Moses (Deuteronomy 6:5) commands the Hebrews to love God with all their heart, soul, and might but he does not say the love will be reciprocated..."

and in Ruin the Sacred Truths: "The Jewish God is a personality and a subjectivity, and only if He is indeed dead is the death of the subject more than a currently fashionable Gallic trope. We can cite Spinoza's wholly Jewish apothegm: "Wisdom is meditation not on death but on life." Spinoza might have quoted the fundamental Jewish admonition of the rabbi Tarphon, in Pirke Abot: "You are not required to complete the work, but neither are you free to desist from it." The work cannot be completed in time, yet we must work as if there will be time enough to complete it, "to give time to time," as in a Sephardic proverb."

also these all look interesting:

https://tinyurl.com/2w4t54k3

https://repository.ubn.ru.nl/handle/2066/162321

https://www.nytimes.com/2006/06/18/books/review/18bloom.html

[ongolecharles]

DAILY SCRIPTURE READINGS (DSR) 📚 Group, Tue Jan 21st, 2025 ... Tuesday of The Second Week in Ordinary Time, Year C/Memorial of Saint Agnes, Virgin and Martyr

Reading 1

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Hebrews 6:10-20

Brothers and sisters:

God is not unjust so as to overlook your work

and the love you have demonstrated for his name

by having served and continuing to serve the holy ones.

We earnestly desire each of you to demonstrate the same eagerness

for the fulfillment of hope until the end,

so that you may not become sluggish, but imitators of those who,

through faith and patience, are inheriting the promises.

When God made the promise to Abraham,

since he had no one greater by whom to swear, he swore by himself,

and said, I will indeed bless you and multiply you.

And so, after patient waiting, Abraham obtained the promise.

Now, men swear by someone greater than themselves;

for them an oath serves as a guarantee

and puts an end to all argument.

So when God wanted to give the heirs of his promise

an even clearer demonstration of the immutability of his purpose,

he intervened with an oath,

so that by two immutable things,

in which it was impossible for God to lie,

we who have taken refuge might be strongly encouraged

to hold fast to the hope that lies before us.

This we have as an anchor of the soul,

sure and firm, which reaches into the interior behind the veil,

where Jesus has entered on our behalf as forerunner,

becoming high priest forever

according to the order of Melchizedek.

Responsorial Psalm

---------------

Psalm 111:1-2, 4-5, 9, 10c

R.    (5)  The Lord will remember his covenant for ever.

or:

R.    Alleluia.

I will give thanks to the LORD with all my heart

    in the company and assembly of the just.

Great are the works of the LORD,

    exquisite in all their delights.

R.    The Lord will remember his covenant for ever.

or:

R.    Alleluia.

He has won renown for his wondrous deeds;

    gracious and merciful is the LORD.

He has given food to those who fear him;

    he will forever be mindful of his covenant.

R.    The Lord will remember his covenant for ever.

or:

R.    Alleluia.

He has sent deliverance to his people;

    he has ratified his covenant forever;

    holy and awesome is his name.

    His praise endures forever.

R.    The Lord will remember his covenant for ever.

or:

R.    Alleluia.

Alleluia

------------

Ephesians 1:17-18

R. Alleluia, alleluia.

May the Father of our Lord Jesus Christ

enlighten the eyes of our hearts,

that we may know what is the hope

that belongs to our call.

R. Alleluia, alleluia.

Gospel

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Mark 2:23-28

As Jesus was passing through a field of grain on the sabbath,

his disciples began to make a path while picking the heads of grain.

At this the Pharisees said to him,

“Look, why are they doing what is unlawful on the sabbath?”

He said to them,

“Have you never read what David did

when he was in need and he and his companions were hungry?

How he went into the house of God when Abiathar was high priest

and ate the bread of offering that only the priests could lawfully eat,

and shared it with his companions?”

Then he said to them,

“The sabbath was made for man, not man for the sabbath.

That is why the Son of Man is lord even of the sabbath.”

***

FOCUS AND LITURGY OF THE WORD

In the passage from his letter to the Hebrews, Paul encourages believers to remain diligent and faithful in their relationship with God, and to imitate those who have inherited God's promises. These days when hope can sometimes feel fragile or uncertain, I feel that Paul’s message invites me to reflect on both the communal and personal dimensions of faith with an emphasis on God's promises, my responsibility to live out my calling, and the transformative power of hope in the midst of a world characterized by uncertainty and struggle.

In today’s Gospel, Jesus disciples pick grain while walking through a field on the Sabbath. Jesus is confronted by a group of Pharisees who interpret these actions as a willful disregard for the law of God. Jesus responds by arguing that the Sabbath was made for people, not the other way around. If I imagine myself as an onlooker to this Gospel event, I see Jesus as inviting me to reconsider the nature of religious observance. I hear Jesus teaching that God’s laws were not made as impediments, but rather they exist for the betterment of humanity. In this contemplation, I experience a call to better embody the deeper values of my faith: mercy, justice, inclusion, and compassion. In contrast to the legalistic, rule-bound faith of my childhood, I find myself drawn to live out a faith that is centered on the humanity of those around me, particularly the poor, the marginalized, and the oppressed. I am moved to believe that this is the true “sabbatical” rest God desires for us, a rest that restores us to one another and to the heart of God’s loving purpose for the world.

On the day of her memorial, I find myself praying for the intercession of Saint Agnes.

Agnes of Rome, young woman of faith,

You inspire me to live with courage, to speak with integrity, and to love without limitation.

Stand with me as I ask the Lord’s assistance to follow the path of peace, and to remain unwavering in the pursuit of justice, that the Kingdom of God may grow stronger, even in a time of conflict where divisions may seem insurmountable.

Pray with me as I seek the strength to oppose hatred and fear, to stand firm in my convictions without turning against those who disagree, to speak the truth even when it comes with costs, and to act with kindness, as you did when faced with unimaginable trial.

***

SAINT OF THE DAY

Saint Agnes

(d. c. 258)

Saint Agnes’ Story

Almost nothing is known of this saint except that she was very young—12 or 13—when she was martyred in the last half of the third century. Various modes of death have been suggested—beheading, burning, strangling.

Legend has it that Agnes was a beautiful girl whom many young men wanted to marry. Among those she refused, one reported her to the authorities for being a Christian. She was arrested and confined to a house of prostitution. The legend continues that a man who looked upon her lustfully lost his sight and had it restored by her prayer. Agnes was condemned, executed, and buried near Rome in a catacomb that eventually was named after her. The daughter of Constantine built a basilica in her honor.

Reflection

----‐-----

Like that of Maria Goretti in the 20th century, the martyrdom of a virginal young girl made a deep impression on a society enslaved to a materialistic outlook. Also like Agatha, who died in similar circumstances, Agnes is a symbol that holiness does not depend on length of years, experience, or human effort. It is a gift God offers to all.

Saint Agnes is the Patron Saint of:

Girls

Girl Scouts

***

【Build your Faith in Christ Jesus on #dailyscripturereadingsgroup 📚: +256 751 540 524 .. Whatsapp】

[a1220-poetic-witch]

What is NUMEROLOGY?

The principle of numerology is that all of the numbers that somehow relate to your life can be reduced and simplified to one single number, except the numbers eleven and twenty two. I like to think of numerology as the mathematical version of astrology.

For example, instead of being called a “Leo” person, they may call you a number 6 person.

And just like in astrology, where signs and symbols may be repeated in your life; you might also want to pay attention to the numbers that seem to pop up in your life as well. For myself, these repetitive numbers are 1, 6, & 9. The numbers that constantly appear and reappear in your life are not by accident; these can be thought of as your soul’s energy and/or vibration!

Numerology is the study of the numbers inherent in our names, birth dates, and other significant objects or events that surround us; and their meanings and effects. Many people find that numerology provides extremely valid insights into their lives or things that are happening to them. This form of divination attempts to analyze the numerical information around us, and makes a determination of the implications and associations that these numbers have. Numerology uses techniques common in data transmission and cryptography (the art of writing or deciphering messages in code) to derive, from the numbers of your birth date and letters of your name, numbers and structures of numbers that reflect or contain the influences of each individual digit of the base information.

Gematria:

Gematria is another type of numerology.

Coming from Jewish beliefs, Gematria taught that if the numerology of a name determines the meaning and mystical significance of the name, and of the thing it describes, then other things with the same numerological attributes should be comparable in their basic principle.

Here is an article I found on the Britannica website, I feel as though it explains things better than what I can; for the simple fact that I’m not Jewish and I don’t have a lot of first hand knowledge/experience with the Hebrew alphabet.

“Gematria, the substitution of numbers for letters of the Hebrew alphabet, a favorite method of exegesis used by medieval Kabbalists to derive mystical insights into sacred writings or obtain new interpretations of the texts. Some condemned its use as mere toying with numbers, but others considered it a useful tool, especially when difficult or ambiguous texts otherwise failed to yield satisfactory analysis. Genesis 28:12, for example, relates that in a dream Jacob saw a ladder (Hebrew sullam) stretching from earth to heaven. Since the numerical value of the word sullam is 130 (60 + 30 + 40)—the same numerical value of Sinai (60 + 10 + 50 + 10)—exegesis concluded that the Law revealed to Moses on Mount Sinai is man’s means of reaching heaven. Of the 22 letters in the Hebrew alphabet, the first ten are given number values consecutively from one to ten, the next eight from 20 to 90 in intervals of ten, while the final four letters equal 100, 200, 300, and 400, respectively. More complicated methods have been used, such as employing the squares of numbers or making a letter equivalent to its basic value plus all numbers preceding it.” —Britannica, The Editors of Encyclopaedia. "gematria". Encyclopedia Britannica, 20 Jul. 2023, https://www.britannica.com/topic/gematria. Accessed 7 January 2024.