#headphone awards

[taylrswiftbf]

Soundcore by Anker Life Q30 Hybrid Active Noise Cancelling Headphones with Multiple Modes, Hi-Res Sound, Custom EQ via App, 40H Playtime, Comfortable Fit, Bluetooth Headphones, Multipoint Connection

purchase link 🔗 https://amzn.to/3TLvsT1

[unashamedly-enthusiastic]

My niece lost a 5cm by 3cm earbud case in a 3m² ballpit

👏 I 👏 FOUND 👏 IT 👏

[teashadephoenix]

definitely do not listen the ending of ep 8 thru your headphones. definitely do not do that. don’t listen to the way joel’s voice breaks when he calls ellie baby girl. don’t listen to the incoherent traumatised mumbling sobs that ellie is making.

if you value your heart being in one whole piece, don’t do that.

[king-fungus]

[vikingnerd793]

Whooooo was gonna tell me that Heilung performed at The Game Awards for Hellblade II?!

Gaming and one of my favorite bands, nbd

[chiropteracupola]

ANY AND ALL of the people being loud outside of my window should FALL INTO THE RIVER IMMEDIATELY

[headfonics]

And now for some fine dining with our "crème de la crème" of the gear we reviewed in 2024.

Did your favorite make the list? Find out in our 2024 Top Gear Awards feature now published on Headfonics!

[miumiins]

MGA anon again here, I love your Bitter Vacance art sm!! Power move for Mrs to release the song during the winter months where most people are burning out bc of the lack of sun :'D

What's your opinion on MGA 10th Anniversary? Happy and also so jealous of South Korean fans 🥹 - I would also sell my left toe to get to the exhibition where they display props and clothes of previous MVs.

Speaking of which, do you know what the perks of the membership are? I'm new to stanning a group to this level so I'm not sure what happens if I do sign up for one

Once again thank you for your MGA Art you're keeping me sane in this drought and the loneliness of being the only mrs. fan 🤣 sorry for the mrs spams

SDLFKG thank u!! the mv is so much fun and drawing fanart for it is just as fun :’) tho as someone who lives in a place where winter is practically nonexistent, i’m jealous of places with even a smidgen of cold weather LOL

i think all the stuff they have planned for their 10th anniversary is cool!! Of course, not being able to participate in majority of it due to not living in japan as an overseas fan is unfortunate (rattles cage), but being as busy as they are, they planned everything with the idea of how much they can entertain fans :’) i also really wanna go to the exhibition and also see the documentary film...😭

(putting under the cut bc once again this got kinda long lsdkfjdksdgh)

And yeah! I think the biggest perks for the fanclub membership, mainly for jp fans since i think it’s still unavailable for overseas unfortunately, is ticket sales for fanclub seats at their lives and fanclub limited merch 🤔 them having a concert in south korea in february tells me that, while it’s unavailable for now, it could very well be implemented in the future if they eventually do more lives overseas (i am hoping very very much that this is the case). As for merch, the site they use for their online store doesn’t accept overseas card as payment, so while you might be able to use a proxy service to purchase their regular merch (i have done this LOL), you wouldn’t be able to purchase fanclub limited merch (such as their birthday goods) even with a proxy because it prompts to connect to your account with the membership. but again, the fact that they opened up their fc to overseas fans tells me that, while it may not be immediate, they might try to make stuff like this more accessible to overseas fans eventually 🤔 (once again, i am hoping very very much that this is the case sdflgkg)

Other than that, there’s video content where they do a variety of stuff every once in a while (they posted a 2023 demme(?) award video on their yt channel for a limited time which shows clips of the different kinds of stuff they post there that fc members voted for their favorite moments), they have a daily gacha where you pull once a day to get a behind the scenes photo of the members n stuff, a moments thing which is kinda like insta story?, and other member news/photos/reports and stuff that they post on their website under the member's menu. And depending on which annual plan you go with, you get bonus items (a membership card?) if you’re willing to pay a lil extra for shipping (the other annual plan and the monthly plan don't come with the bonus items if you don't want to pay the extra for shipping and have no need for them)

I also have never stanned an artist to this extent ever so this is a very new experience to me too LOL also this is available even without a fc membership but if you download the “bubble for japan” app and sub to one or all of the members, the members will send messages n photos n stuff to you like in a regular messaging app (this is also an experience HFSDKGH). I think each member was abt 500yen a month but iirc, fc members get a slightly discounted price

Thank u for enjoying my mrs content tho bc they are definitely the thing that has kept me sane all year so i’m glad there are others that enjoy my fanart of them 🥹 (also as i type this they are coming out with yet another new song on christmas day omg)

[headphonesthoughts]

2024 World Soundtrack Awards: Second Wave of Nominees Announced!

2024 World Soundtrack Awards: Second Wave of Nominees Announced! I’m excited to share some incredible news for all the film and music lovers out there! The second wave of nominees for the 24th World Soundtrack Awards (WSA) has been announced, and it’s shaping up to be one of the most exciting years yet. The awards will be held as part of the WSA Film Music Days, running from 15 – 17 October…

[dailyworldecho]

[starcurtain]

Teyvat's "Most Down Bad" Award Goes to Alhaitham for a Second Year Running

Seeing everyone making fun of Alhaitham for his "stalkerish" tendencies in this event is funny, because I feel like a lot of people missed that "Be literally everywhere Kaveh is" has been Alhaitham's MO from the day Kaveh appeared in the game.

From only grabbing his house keys after Kaveh returned from the desert (he couldn't have had both sets of keys at the end of the Archon Quest unless he went home and got Kaveh's copy) to ditching conversations to get back to his house only after Kaveh came home, to showing up without any warning or explanation in Kaveh's hangout with some ridiculous excuse about hearing his voice through noise-cancelling headphones... Refusing to offer any help in the Temple of Silence story quest other than staying in the library with Kaveh...

Since when does Alhaitham willingly cover anyone else's duties?

But this trend of "Be everywhere Kaveh is" didn't start when they were adults. It was already in place when they were still Akademiya students--and it's a trend that didn't end even when they had their fight.

Even when they weren't speaking, Alhaitham dogged Kaveh's every step through published responses to Kaveh's research articles in academic journals. He insisted on keeping a line of communication between himself and Kaveh open, even if the only way to do that was through very public ideological clashes. Pulling Kaveh's pigtails to get his attention lolol. It's implied that, for at least the few years between their fight and Kaveh moving in, this was the only communication between them--Alhaitham's refusal to allow their connection to entirely fade away. (And the fact that this is revealed in Kaveh's character stories--through his precious journal that records the moments of his life that had the most impact on him--shows just how deeply he values the fact that Alhaitham didn't give up.)

Another relevant side note: Alhaitham never asked Kaveh to give up his half of their house. Knowing half of it belonged to Kaveh, knowing that Kaveh may one day want to reclaim his part of it, knowing that it was listed as theirs, Alhaitham moved into the house and made zero effort to change its ownership. He was completely fine with living in "his and Kaveh's house." The stories suggest it was only months later (or even longer) that Kaveh even noticed he had the house, and he transferred away ownership of his portion without Alhaitham ever asking him (or even seemingly wanting him) to do so.

Please, let that sink in. Alhaitham actively left his grandmother's (presumably comfortable) house to move into "his and Kaveh's house," with no apparent explanation for why, and after doing so, he made no attempt to change that "his and Kaveh's" label. He moved into the house with no promise that Kaveh wouldn't show up on the doorstep the very next day and move in too. It almost feels like another deliberate provocation--I've moved into our house, are you going to come stop me? LBR, if Alhaitham had had his way, Kaveh would have been living there with him from Day 1...

There's also the fact that Kaveh literally can't write on a single message board anywhere in the entire nation of Sumeru without Alhaitham hunting his messages down and responding to them (which absolutely no one else does, by the way).

"NUH-UH!" "UH-HUH." "NUH-UH!"

Alhaitham's own character stories tell us explicitly that one of Alhaitham's defining character traits is "He is never where you need him to be," yet somehow...

Shot, and chaser:

Any time Kaveh is in the slightest bit of need or danger or just wants Alhaitham near, Alhaitham is "coincidentally" exactly where Kaveh needs him to be, whenever Kaveh needs him to be there.

Alhaitham didn't just "happen" to run into Kaveh in Port Ormos, an entirely different city from where he was supposed to be working. He didn't just "happen" to read the same terrible book as Kaveh when we know he otherwise would not waste a moment of his time on poorly-written literature...

He didn't just "happen" to appear when Kaveh was upset and needed a distraction in the House of Daena during Kaveh's hangout. He didn't just "happen" to be sitting around waiting when Kaveh needed answers after the Archon Quest. He didn't just "happen" to find Kaveh's academic publications and every single message board posting and respond to them at length and in public.

Which is exactly what Kaveh's mother told Kaveh he needed.

What level of down bad is "Abusing your powers as an Akademiya employee to keep tabs on your crush's library loans"? Just asking for a friend.

The only person for whom Alhaitham just "happens" to be available is Kaveh, over and over and over again--because he is very deliberately making himself a constant presence in Kaveh's life.

(Like, out of all things, I think people really underestimate the devs deliberately paralleling the romantic relationship between Kaveh's mother and father with Kaveh and Alhaitham's relationship. If you want to point to one thing that says "These two characters are intentionally queer-coded," it doesn't get any more obvious than this.)

Alhaitham, are you not embarrassed to be this transparent??? 🫣

[eunandonly]

౨ৎ — ni-ki dating idol you

idol!ni-ki x fem. reader | things ni-ki do when he’s dating you as an idol

genre: fluff, est. relationship | wc. 0.6k ♡ a/n: this was a request but i accidentally deleted it helppp. to the anonnie who requested this: i hope you enjoy!

when ni-ki first saw you whilst passing by at a music show, he was SHOCKED.

he couldn’t believe anyone could be this attractive.

let me tell you, he was trying to find a way to impress you without: a. having to talk with you, b. having to meet your eyes and c. being close to you. — more under cut!

he didn’t have to worry. you were into him as soon as you saw his performance.

you were the one who asked him out because he was lowkey too scared (he’d never admit that)

you have no regrets ^^

ni-ki likes to post little things of you on weverse - never enough to let others know your identity but enough to let them know that he has a special someone.

he probably posts mostly blurry empty frames where a bit of your long hair is in shot, or a picture of you two holding hands together.

ni-ki has caused some conversation within his fan base because he’s always wearing your hair tie on his wrist.

it’s sprayed with your perfume and he brings it around EVERYWHERE

ni-ki loves it when you two have a dance challenge together - but he always ends up getting distracted by you and just stares at you dancing whilst wondering how the hell he got so lucky.

ni-ki calls you every night just to hear your voice. he loves falling asleep to your singing.

he’s probably such a menace on twitter holy shit. he argues with your antis and comes crying to you when he gets doxxed.

ni-ki always goes to your concerts to watch you perform, and he knows you recognize him. he gets so excited when you look at him in the eye.

he walks by your waiting room at music bank on purpose in hopes to see you in the halls. (he pretends he’s never walked past.)

ni-ki loves playing games with you during the night on call. he says he’ll win but you end up carrying his ass.

ni-ki is often the person recording your vlogs for you, watching you fondly as you talk to the camera about your day.

he talks about you to his fans A LOT. he thinks he’s being smooth with it but lets be so fr. everyone knows he’s at least got a little crush on you.

people always wonder what music ni-ki listens to with his iconic marshall headphones. the answer? your songs. you songs on loop. all. day. long.

ni-ki loves lending you his hoodies, he thinks you just look so cute in them. you sometimes wear them in your lives, which has caused some words to spread.

ni-ki is always the first one to know if you change your hair colour, and you always know first when he changes his.

ni-ki probably gets so nervous when you get stage outfits that don’t look secure. he’s more worried about your wardrobe malfunction than you.

if he gets a seat close to you in award shows, ni-ki is in heaven. he’s experiencing intense euphoria. what do you mean he gets to stare at the back of your head for hours?

ni-ki’s phone wallpaper is a picture of you, a photo he took himself when you two were out on a rare date amidst both of your busy schedules.

he pretends he isn’t thinking about you every second of the day, but really you’re all he can think about.

ni-ki’s head over heels for you lets be fr.

[starsandsuch]

Taurus Through The Houses: What Things Do You Collect? 💎🎨🛍️

The 2nd house & the archetype of Taurus represents possessions and resources we own. It is the metaphorical storage closet / pantry where we put away and organize our possessions. The house you have Taurus shows the material goods you collect based on the themes of that house.

Taurus 1H: you collect things that make you look or smell good: clothes, perfume, hair products. Having a lot of clothes, makeup, that are limited edition or rare.

Taurus 2H: collecting money, assets, valuable things like art, rare clothing items, rare makeup. When a brand has a limited edition items, you buy them. Likely to have different savings accounts/emergency funds etc. Collecting different forms of currency, having cash, digital currency etc.

Taurus 3H: you collect pieces of media: photographs, magazines, cards, posters, vinyls, etc. This placement reminds me of someone who still has their iPod touch or wire headphones. You collect journals, things you’ve written. You have a lot of pictures in your phone, you have receipts of everything, having screenshots, screen recordings. Collecting stationary. Collecting information. Digital information. Leaving all your old posts up and never deleting them.

Taurus 4H: you collect things that remind you of childhood: books, clothing, posters. You hold on to your items for a long time before letting them go. Collecting home goods: cutlery, dishes, bedding. Having alot of plushies.

Taurus 5H: you collect art, designer items. You collect items that will be valuable in the future. Fond of collecting money and wealth in general. This is someone who enjoys achieving financial milestones: increasing credit score, opening retirement accounts, having investments. Keeping a lot of things from your childhood. If you have kids, you collect their belongings like their first blanket, toys, shoes etc.

Taurus 6H: collecting things that relate to health and healing: tincture’s, oils, rare health foods. If you have pets you collect a lot of things for them: toys, treats, clothes etc. Can collect pets in general.

Taurus 7H: collect stuff you get through relationships. Gifts, money, jewelry, precious items you received. Once you get married, you start collecting things or have the money & space to do so. You collect things on behalf of your partner or you share a collection together.

Taurus 8H: collecting things that were once owned by something else: art, jewelry, clothes. Like how Kim K bought Marilyn Monroe’s dress (Kim is Libra Sun, Taurus is the 8th sign from Libra). You collect things that are taboo or occult, rare occult books or items: crystals, pendulums etc. collecting rare designer items that are vintage. You tend to collect a lot of things and keep them for a long time. Collecting secrets about other people, collecting blackmail.

Taurus 9H: collecting books, magazines, journals. Someone to collect academic titles and degrees. Collecting knowledge and information: through reading, watching documentaries, conversations etc. Prefers “collecting experiences”. Collects things from other countries like souvenirs, flags, spices, perfumes, clothing etc.

Taurus 10H: collecting achievements, accolades, awards. Achieving things then having the physical symbol of it: like the shoes you wore in the first track meet you won, saving medals, trophies, putting them on display.

Taurus 11H: collecting memories from your achievements. Like having your first trophies you won, your cap and gown from graduation. Scrapbooking different memories. Collecting vision boards, Pinterest boards etc. Collecting friends, social connections, followers online.

Taurus 12H: collecting things that are old, ancient or antique. Collecting secrets from other people, collecting their secrets or having blackmail on them. Collecting spiritual tools like tarot cards, crystals, pendulums etc. Collecting spiritual or religious iconography like figurines, posters, statues of different deities.

Divider credit: @uzma-qureshi

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[nab1wuzhere]

Magnetic

“You wouldn’t look at me.”

“I saw plenty.”

“In my eyes.”

“…Does it matter?”

~

summary:

Bakugo Katsuki, No. 3 Hero in the charts, massive amounts of tan girls, always invited to galas, events, and even award shows along side his peers, but he has never once gotten a dating scandal in his whole career. Has never even looked in a woman's direction. So you can be certain he won't change his actions when artist Y/N is invited to sing at a private Christmas Gala hosted for hero's to celebrate the season and a year well done of duties...right?

Singer, artist, model Y/N, has it all. Looks, wealth, awards, friends, family, and boyfriends.. her music revolves around her relationships and past relationships along with her mental health that she speaks about through her music. She gets asked to gigs almost every day but few are lucky to book her, when her team gets a request for the Christmas Hero Gala which is highly exclusive, she immediately agrees to entertaining the hero's, excited for the night she doesn't realize she caught a certain man's attention in the back of the crowd..

• slow burn - secret pining - romance - bold Y/N, shy Katsuki - vice versa - celebrity!y/n x aged up!katsuki

• following contains, eventual smut, mentions of suicide, alcohol, mental illness, heavy party scenes and probably more !

• 18+ only!! this is your warning

• the rest of the celebrities mentioned in this series i do not take credit for, and the songs mentioned all writing ownership belongs to them! i do not take credit except for this fan fiction!

!! just a friendly reminder this is all fake, simply my imagination placed into writing !!

Chapter one

intro

After Kirishima left Katsuki alone in his hotel, Katsuki much to his dismay went through a whole social media dive on Y/N. Research, is what he told himself when he scrolled through her Instagram. Photo dumps from her and her friends, including a few actors Katsuki was familiar with, a picture of her dog, Bell, a candid photo of her in the studio, headphones placed on her head.. 'She's pretty' he thought but quickly brushed it away.

Yeah, Katsuki was extremely private when it came to his love life, so what? Was that a crime? Not at all, he had a disgust for the media and he sure as hell didn't want strangers all up in his personal life, it's how he has always been even from his UA days.

All of a sudden his phone started blowing up from the group chat he had with his friends. Kirishima sent a video from some Hollywood website, headlined "Y/N seen getting off at an airport in Japan". the video showed Y/N in a baseball cap wearing all black and a few bodyguards surrounding her, screams were blasting from his phone, flashes bouncing off her as she walked keeping her head down.

"For fucks sake.." Katuski scowled at the video, where's the humanity in following someone around? God he hated paparazzi.

Buzz Buzz.

Shitty Hair - OH GOD! this was today! she's here in Japan!

Raccoon Eyes - EEEK! I CAN'T WAIT FOR TOMORROW, WHAT DO YOU THINK SHE'LL WEAR?!?!

Bob Head - oh god! that's a lot of pap.. i hope she's okay :(

Nerd - Yeah.. I'm sure someone like her is used to it but, wouldn't that get a little draining?

He hated to admit it, but Deku was right, shit, having people scream your name everywhere you go has got to get tiring.

Shitty Hair - yeah, I'm sure it is tiring, but that's what you get in that industry, hell guys even we get that

Shitty Hair - …but seriously, I think she's gonna wear black

Pump Legs - She's definitely wearing red

Raccoon eyes - I SECOND THAT!!!!!

Shitty Hair - NO?!?

Shitty Hair - Katsuki! what do you think?

- i’m not participating.

Dunce Face - the obvious answer is green

Pump Legs - Wanna bet?

Shitty Hair - KATSUKIIIIIII

- white.

Shitty Hair - WHITE?!

Bob Head - waaaiiiittt cause i can see it..

Aaaand that was Katsuki's queue to exit the group chat, he scoffed to himself and was just about to go shower but curiosity got the best of him. He groaned before googling her name. Pictures and articles popped up of her when one of them caught his eye. "BREAKUP?! Y/N and Cole Malter’s 1 year relationship comes to a CLOSE" Katsuki's interest was peaked and he clicked on the link, scrolling down pictures of Y/N at red carpets were displayed, a tall guy with black hair and a cocky look in his eye was seen standing next to her. A very obvious grip on her waist. Katsuki narrowed his eyes and thought, ‘Who even is this guy?’ before realizing he was an actor on a popular sci-fi show Deku was once talking to Sero about during one of their movie nights. He could tell immediately this Cole guy was an asshole, just by the way his lips curved up into a smug grin and again that tight possessive grip on Y/N's waist. Katuski glanced over at Y/N trying to read her expression but was only met with a bright smile that creased the corner of her eyes a little.

Scrolling down on the article, according to a source Cole's very “open” drug addiction was one of the reasons for the split. A video was attached bellow showing Y/N and Cole late at night in LA by a crosswalk, Cole was clearly drunk out of his mind as he threw himself on her while laughing. Y/N's face was anything but happy. You see her shaking her head at him before turning him as she spoke, Cole throws his arms up in a defensive way, but Y/N keeps at it. She moves her hands in a expressive manner as Cole lights up a cigarette, seconds later he puffs smoke directly in her face..

Y/N stands there no longer speaking and turns back in front of her with a blank expression on her face, Cole laughing, no remorse shown. The video ends there.

Katsuki scrolls to the comments,

user62946: omfg it's so obvious he's high on TOP of being drunk.

y/nforpresident: what an ASS. I would've dumped him too.

maggieisabbi: when I see stuff like this I always think if people were dropped on their head as baby

reply/user72048: LOLLLLLL

kentuckyfriedchicken: didn't he just get out of rehab too??? how long has this been going on

deluluisthesolulu: I feel awful for her, my partner for 3 years was a druggie, by far most draining experience EVER. glad she got out when she did.

Kastuki shut his phone off after reading a couple more comments. A pang of sympathy rushed through him for her, he immediately clocked it and shook his head, he has no relation to her, tomorrow night will be the first and last time they ever crossed paths.

"Why do I even care?"

-

Y/N was awoken by a knock on her door, her manager, Crystal and long time best friend came through after announcing it was her. Y/N groaned dramatically when Crystal pulled the curtains open, the sun stinging her eyes immediately.

"CRYSTALLL."

"Wake up hun, we gotta get you ready for tonight."

Y/N's eyes opened at that, when her team got a request for her performance a month ago she was thrilled to say the least, she loved gala's and being able to have more domestic performances like she was just another girl with a voice.

"Uh?? Hello!! Yes!", was the first thing she said when Crystal pitched the idea to her.

Y/N was a big fan of the heroes and felt like her dreams were coming true when she realized she would meet some of her favorite ones! Not realizing they were just as excited to meet her.

After an hour of hair she was now sat down on a high chair, her makeup team working away their magic, she texted her mom letting her know how the preparations were going. A text came up from Cole, Y/N stared at it her stomach swarming with anxiety, she swiped the text away not even bothering to read what he had texted. With a deep breath she shut her phone off and focused on getting ready.

"Was that Cole?", Crystal asked with a hint of worry.

Y/N shook her head, "Doesn't matter, when I go back to LA I'll deal with him then.."

Cyrstal stayed silent, fiddling with her bracelet, "Just.. be careful? This isn't the first time he's come crawling back and-"

"I've got it handled Crys."

"-No I know it's just.." she sighed looking deeply into Y/N's eyes, "guard yourself, don't succumb back into what he wants."

Y/N extended a hand, holding Crystals hand with a small squeeze, "I won't."

Crystal smiled, “Good, now chop chop people we have to be out the door and on our way to the venue in less than thirty minutes!!”

Y/N smiled, Crystal completely back on manager duty, her mind went back to Cole, thinking about the last in person conversation they had.. Cole was almost on his knees asking her not to leave him, but she was too tired to continue on with him and his actions, she didn’t care about her image, if Cole needed her by his side during his recovery out of his addiction she would, and she was, but he just wasn’t meeting her halfway, and in the end the only person getting hurt was her.

“Hey babes?”, Kelly, her makeup artist spoke up, “I’m intrigued, who are you most excited to meet tonight?”

Y/N was pulled out of her daze and smiled brightly, “Now there’s a question I want to be asked! ..Hmm, honestly? I adore Red Riot, his quirk is so coool!! His whole friend group seems like such sweet people”

Crystal jumped in, “Oh yeah, i read somewhere they all went to the same hero school, UA or something”

Kelly nodded, “Yeah the top 3 hero’s are in that group as well… gonna be completely blunt, that Shoto hero…? Such a good looking guy”

Y/N snickered while Crystal laughed, “Oh my gosh let’s talk about it, that guy you mentioned Y/N, Red Riot? He could do whatever he wanted to me and I’d thank him”

“Haha-! What the hell Crystal?!”

Crystal and Kelly laughed along with some of the other staff working who overheard the girls conversation

After Kelly stopped laughing she asked, “What about you? Who do you find attractive from all the hero’s?”

Y/N shook her head, “No way in hell am i answering that-”

“Awww come onnnn!”

“No!”

“Please?!”

Y/N sighed, a small smile betraying her, “Uhm.. well Dynamight’s pretty cute-”

A squeal from the two girls pierced Y/N’s eardrums, “Oh my god shut up both of you! Aren’t we on a time crunch? I’m still with the same unblended concealer I had five minutes agooo!”

Crystal shook her head grinning before clapping her hands and ordering people around, Y/N smiled as a giggle escaped her and Kelly.

“Isn’t Dynamight the really loud and brash one? I heard he once cussed out a reporter on live television”

Y/N nodded, “Yeahh.. but that reporter did ask him a really stupid, out of the box question, so i think it’s completely valid”

“Yeah but doesn’t he like hate is fans or something? Anytime he’s at fan signs he always look so miserable”

Y/N pressed her lips, “You know he once saved two children from an apartment complex that was on fire and was about to crumble within seconds? He even helped an old lady at the grocery store cross the road because she was afraid to make cars stop for long just so she could go?” she paused for a moment, “Does he sometimes come off as loud? aggravated? mean? yeah, but so do we, that man has seen things and experienced things we couldn’t even imagine,” she ends with a shrug, “I’m just not convinced he’s truly like that”

-

Later into the evening Y/N was behind a secluded corner, preparing herself as she was about to go on stage and sing for the heroes she peaked out a curtain to see everyone gathered around, shes preformed in front of filled to the brim stadiums, always feeling confident beforehand and right about now she needed some of that confidence.

This was a more domestic appearance, they didn’t come here to see her, she came here to be the one to bring on a show for them and bring it well.

“You are 3 minutes till entrance Ms Y/N”, spoke out a tech staff that was helping for the night, she thanked them and noticed they were still lingering, “Is something the matter?”

“Oh! No- no i just- well, could i get a picture?”

Y/N smiled, “Of course!”

She finished up with the staff and began to take deep breaths to ease her stress

Suddenly microphone feedback rang in the air and a rough voice spoke out, it was All Might, one of the greatest hero’s about to make a speech.

“Ahem, hello everyone good evening, it’s good to see everyone here and thriving.” applause erupted, “As you know this year was filled with its challenges, hardships and struggles.. a lot of you have been placed in situations where some of us couldn’t handle. Some were forced to make difficult decisions, some of us easy ones.., but at the end of it we completed what we chose to do, and that was make the world a safer place.” applause filled the room a second time, “Now, it is time to relax, celebrate the holiday season, enjoy friends and old faces we haven’t seen in a while and most of all, pat one another on the back for yet another great year of hero work!!” some heroes let out whistles and cheers

“Now i won’t bore you any longer and skip to the part i know we all.. have been waiting for, ladies and gentlemen! Please give a loud and warm welcome to the woman who is by far the voice of this generation.. Ms Y/N!!”

Y/N’s heart felt like it got squeezed at the lovely compliment given to her, All Might stepped off the stage and the lights going completely off, a few gasps let out, she walked out onto the stage, careful not to trip, standing in front of the mic stand, her iconic jeweled microphone in her hand.

Flash

The lights came back on in an instant revealing Y/N standing in a beautiful while shimmer dress, her curled hair draping down her back, her cheeks rosy, her eye shadow glittering from the lights, a smile peaking out from her glossy lips.

“Heroes how we doing tonight!?”

Applause was not hesitated the minute she spoke. As the music began to play, a familiar christmas chime filling everyone’s ears, Y/N looked around the crowd seeing everyone’s faces and smiling before her eyes locked on dark red ruby ones, the eyes no doubt belonged to him.. Katsuki Bakugo.

authors note:

never in my whole time of being here on tumblr would i ever think i would have the guts to publish something, and when i finally do it received a lot of love and attention! (at least in my eyes)

seriously all the love from the intro made me so happy and i’m glad you all love it!! as requested here is a taglist! comment if you want to be added as well :}

ps. look out for a moodboard i’ll be posting! ;}

@d1orhaz3 @stoned-anime-babe @yjploum @penguinsravioli @mutsu422 @anonymity-222

[hoe4hotchner]

Dust and harmony

Pairing: Aaron Hotchner x Fem!Reader

Word count: 1.2k

CW: Nothing really, except reader using an award as a weapon

Description: Hotch and Rossi catch a glimpse of your concert as you're cleaning the house.

A/N: Send requests here

It was one of those rare, blissful days where everything seemed to fall into place. The morning sun poured through the curtains, casting a warm glow over the living room. The coffee brewing in the pot smelled just right. And with a full day off from work, you decided to tackle the house chores that had been piling up the past couple of weeks amidst your busy lives. Your first mission was to clean up the dust that had gathered on the shelves and surfaces around the house. With Aaron at work, you had the whole place to yourself all day, a perfect opportunity to crank up your favorite playlist and get things done.

After a quick breakfast, you got to work, moving from room to room with a cloth and bowl of warm soapy water in hand. The rhythmic beats of your favorite songs pumped through your headphones, helping you find a rhythm as you dusted every nook and cranny. It kept you focused. As you made your way back to the living room, you felt a little surge of energy, the music pushing you to clean with more enthusiasm than usual. You were lost in the rhythm   Your playlist shifted, and Carrie Underwood’s “Before He Cheats” started playing. A smile spread across your face as you recognized the opening notes, you couldn’t resist the urge to sing along. The song was powerful and full of emotion, and even though its message was far from anything you’d experienced in your relationship with Aaron, you couldn’t help but belt out the lyrics with all your heart.   You worked your way around the room, singing loudly as you dusted off the coffee table, the bookshelves, and the frames on the walls. The lyrics flowed out of you naturally, your voice filling the room as you wiped away the dust. As you sang the chorus, you reached for an award you'd won in your field of work. It was made of glass in the shape of a pyramid. It sat proudly on the mantle, a symbol of your hard work and dedication.

You were completely caught up in the moment, swinging the trophy around as you sang and danced to the beat, your voice echoing through the house. You found yourself fully immersed in the character in the song, even if it was all in good fun. Your eyes were closed, your heart was racing with the music, and you were unaware of anything else - especially the fact that Aaron had just unlocked the front door and come home.   Aaron had wrapped up his day earlier than expected and, as promised, brought David Rossi along with him. Rossi’s old whiskey decanter had been broken during one of the team's poker nights, and as a result, Aaron had offered to give him an extra one he had at home. They stepped into the entrance quietly, Aaron was so used to moving silently after years of working in law enforcement and hunting unsubs. On a regular day, you probably wouldn't even have noticed him.

Instead of a quiet house, they were greeted by the sound of your voice, loudly singing about keying cars and slashing tires. Aaron stopped in his tracks, a mixture of surprise and amusement crossing his face. Rossi, too, was caught off guard, but quickly found himself grinning at the scene.   “Is that…?” Rossi started, but Aaron simply nodded, a small smile playing at the corners of his mouth.   They moved closer, staying just out of sight, watching as you danced around the living room, the trophy raised high like a prize. You were lost in the song, belting out the lyrics with ease. The combination of your unrestrained performance and the contrast of the lyrics with your actual relationship made for an amusing sight, and Aaron couldn’t help but chuckle softly.   “Should I be worried about your car?” Rossi leaned in, his voice low and filled with humor.   “She just likes the music,” Aaron shook his head, still smiling. There was an unmistakable hint of affection in his tone.   As the song reached its climax, you spun around, still holding the trophy, your voice soaring with the final lines. “I might’ve saved a little trouble for the next girl, ’cause the next time that he cheats…”

That’s when you finally noticed them. Aaron and Rossi stood in the doorway, grinning like a couple of kids caught sneaking cookies from the jar in the pantry. For a split second, your heart leaped into your throat, and you let out a startled scream, clutching the trophy in front of you as if it could somehow protect you.   “Easy there! We come in peace.” Rossi raised his hands in mock surrender, laughter rumbling in his chest.   Your face flushed as you quickly pulled off your headphones, letting them drop around your neck. “You scared me half to death!” you exclaimed, trying to recover from the shock.   “Sorry, we didn’t mean to sneak up on you,” he said gently, Aaron’s expression softened as he took a step forward, his eyes sparkling with a mix of amusement and affection.   “So, Hotch, should I assume you’re in trouble? That song choice seems a little… implied.” Rossi glanced between you and Aaron, a teasing grin on his face.   Before you could say anything, Aaron turned to Rossi with a knowing smile. “She has a thing for breakup songs. It’s not about us,” he explained. “Actually, she listens to them because she feels secure in our relationship.”

You huffed, more embarrassed than offended, and quickly put the trophy back on the coffee table. “Don't profile me Aaron!” you whined, your voice taking on a playful edge as you grabbed a pillow from the couch and tossed it at him. It hit him square in the chest, and he caught it easily, his deep, warm laugh filling the room.

“You two are something else,” Rossi watched the exchange with clear amusement, shaking his head as he crossed his arms over his chest, the grin on his face widening. “But seriously, I’m going to need that decanter before I get caught up in your little domestic drama.”   Aaron nodded, still smiling as he set the pillow aside. “I’ll get it for you,” he said, his tone gentle as he turned back to you. “You okay?”   You nodded, letting out a small laugh now that the initial shock had worn off. “Yeah, I’m fine. Just… maybe a little warning next time?”   “I’ll make sure of it,” Aaron promised, his eyes warm as he brushed a strand of hair behind your ear.   “Nice pipes,” Rossi winked in a teasing tone as Aaron walked toward his office to retrieve the decanter.   “Thanks. Just… don’t tell anyone at the BAU, okay?” You couldn’t help but grin.   “Your secret’s safe with me,” Rossi assured you with a chuckle, following Aaron into the office.

Left alone in the living room, you shook your head, a smile still tugging at your lips.

You glanced around, taking in the room, the warm sunlight, the dusty cloth still in your hand, the trophy back in its rightful place on the mantle.   As you finished up the last bit of dusting, you couldn’t help but hum the tune of “Before He Cheats” under your breath, a smile tugging at your lips. Aaron might have caught you off guard today, but you knew he loved every bit of your quirky habits, just as you loved his.

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