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nab1wuzhere · 11 days ago

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Magnetic

“You wouldn’t look at me.”

“I saw plenty.”

“In my eyes.”

“…Does it matter?”

summary:

Bakugo Katsuki, No. 3 Hero in the charts, massive amounts of tan girls, always invited to galas, events, and even award shows along side his peers, but he has never once gotten a dating scandal in his whole career. Has never even looked in a woman's direction. So you can be certain he won't change his actions when artist Y/N is invited to sing at a private Christmas Gala hosted for hero's to celebrate the season and a year well done of duties...right?

Singer, artist, model Y/N, has it all. Looks, wealth, awards, friends, family, and boyfriends.. her music revolves around her relationships and past relationships along with her mental health that she speaks about through her music. She gets asked to gigs almost every day but few are lucky to book her, when her team gets a request for the Christmas Hero Gala which is highly exclusive, she immediately agrees to entertaining the hero's, excited for the night she doesn't realize she caught a certain man's attention in the back of the crowd..

• slow burn - secret pining - romance - bold Y/N, shy Katsuki - vice versa - celebrity!y/n x aged up!katsuki

• following contains, eventual smut, mentions of suicide, alcohol, mental illness, heavy party scenes and probably more !

• 18+ only!! this is your warning

• the rest of the celebrities mentioned in this series i do not take credit for, and the songs mentioned all writing ownership belongs to them! i do not take credit except for this fan fiction!

!! just a friendly reminder this is all fake, simply my imagination placed into writing !!

Chapter one

intro

After Kirishima left Katsuki alone in his hotel, Katsuki much to his dismay went through a whole social media dive on Y/N. Research, is what he told himself when he scrolled through her Instagram. Photo dumps from her and her friends, including a few actors Katsuki was familiar with, a picture of her dog, Bell, a candid photo of her in the studio, headphones placed on her head.. 'She's pretty' he thought but quickly brushed it away.

Yeah, Katsuki was extremely private when it came to his love life, so what? Was that a crime? Not at all, he had a disgust for the media and he sure as hell didn't want strangers all up in his personal life, it's how he has always been even from his UA days.

All of a sudden his phone started blowing up from the group chat he had with his friends. Kirishima sent a video from some Hollywood website, headlined "Y/N seen getting off at an airport in Japan". the video showed Y/N in a baseball cap wearing all black and a few bodyguards surrounding her, screams were blasting from his phone, flashes bouncing off her as she walked keeping her head down.

"For fucks sake.." Katuski scowled at the video, where's the humanity in following someone around? God he hated paparazzi.

Buzz Buzz.

Shitty Hair - OH GOD! this was today! she's here in Japan!

Raccoon Eyes - EEEK! I CAN'T WAIT FOR TOMORROW, WHAT DO YOU THINK SHE'LL WEAR?!?!

Bob Head - oh god! that's a lot of pap.. i hope she's okay :(

Nerd - Yeah.. I'm sure someone like her is used to it but, wouldn't that get a little draining?

He hated to admit it, but Deku was right, shit, having people scream your name everywhere you go has got to get tiring.

Shitty Hair - yeah, I'm sure it is tiring, but that's what you get in that industry, hell guys even we get that

Shitty Hair - …but seriously, I think she's gonna wear black

Pump Legs - She's definitely wearing red

Raccoon eyes - I SECOND THAT!!!!!

Shitty Hair - NO?!?

Shitty Hair - Katsuki! what do you think?

- i’m not participating.

Dunce Face - the obvious answer is green

Pump Legs - Wanna bet?

Shitty Hair - KATSUKIIIIIII

- white.

Shitty Hair - WHITE?!

Bob Head - waaaiiiittt cause i can see it..

Aaaand that was Katsuki's queue to exit the group chat, he scoffed to himself and was just about to go shower but curiosity got the best of him. He groaned before googling her name. Pictures and articles popped up of her when one of them caught his eye. "BREAKUP?! Y/N and Cole Malter’s 1 year relationship comes to a CLOSE" Katsuki's interest was peaked and he clicked on the link, scrolling down pictures of Y/N at red carpets were displayed, a tall guy with black hair and a cocky look in his eye was seen standing next to her. A very obvious grip on her waist. Katsuki narrowed his eyes and thought, ‘Who even is this guy?’ before realizing he was an actor on a popular sci-fi show Deku was once talking to Sero about during one of their movie nights. He could tell immediately this Cole guy was an asshole, just by the way his lips curved up into a smug grin and again that tight possessive grip on Y/N's waist. Katuski glanced over at Y/N trying to read her expression but was only met with a bright smile that creased the corner of her eyes a little.

Scrolling down on the article, according to a source Cole's very “open” drug addiction was one of the reasons for the split. A video was attached bellow showing Y/N and Cole late at night in LA by a crosswalk, Cole was clearly drunk out of his mind as he threw himself on her while laughing. Y/N's face was anything but happy. You see her shaking her head at him before turning him as she spoke, Cole throws his arms up in a defensive way, but Y/N keeps at it. She moves her hands in a expressive manner as Cole lights up a cigarette, seconds later he puffs smoke directly in her face..

Y/N stands there no longer speaking and turns back in front of her with a blank expression on her face, Cole laughing, no remorse shown. The video ends there.

Katsuki scrolls to the comments,

user62946: omfg it's so obvious he's high on TOP of being drunk.

y/nforpresident: what an ASS. I would've dumped him too.

maggieisabbi: when I see stuff like this I always think if people were dropped on their head as baby

reply/user72048: LOLLLLLL

kentuckyfriedchicken: didn't he just get out of rehab too??? how long has this been going on

deluluisthesolulu: I feel awful for her, my partner for 3 years was a druggie, by far most draining experience EVER. glad she got out when she did.

Kastuki shut his phone off after reading a couple more comments. A pang of sympathy rushed through him for her, he immediately clocked it and shook his head, he has no relation to her, tomorrow night will be the first and last time they ever crossed paths.

"Why do I even care?"

Y/N was awoken by a knock on her door, her manager, Crystal and long time best friend came through after announcing it was her. Y/N groaned dramatically when Crystal pulled the curtains open, the sun stinging her eyes immediately.

"CRYSTALLL."

"Wake up hun, we gotta get you ready for tonight."

Y/N's eyes opened at that, when her team got a request for her performance a month ago she was thrilled to say the least, she loved gala's and being able to have more domestic performances like she was just another girl with a voice.

"Uh?? Hello!! Yes!", was the first thing she said when Crystal pitched the idea to her.

Y/N was a big fan of the heroes and felt like her dreams were coming true when she realized she would meet some of her favorite ones! Not realizing they were just as excited to meet her.

After an hour of hair she was now sat down on a high chair, her makeup team working away their magic, she texted her mom letting her know how the preparations were going. A text came up from Cole, Y/N stared at it her stomach swarming with anxiety, she swiped the text away not even bothering to read what he had texted. With a deep breath she shut her phone off and focused on getting ready.

"Was that Cole?", Crystal asked with a hint of worry.

Y/N shook her head, "Doesn't matter, when I go back to LA I'll deal with him then.."

Cyrstal stayed silent, fiddling with her bracelet, "Just.. be careful? This isn't the first time he's come crawling back and-"

"I've got it handled Crys."

"-No I know it's just.." she sighed looking deeply into Y/N's eyes, "guard yourself, don't succumb back into what he wants."

Y/N extended a hand, holding Crystals hand with a small squeeze, "I won't."

Crystal smiled, “Good, now chop chop people we have to be out the door and on our way to the venue in less than thirty minutes!!”

Y/N smiled, Crystal completely back on manager duty, her mind went back to Cole, thinking about the last in person conversation they had.. Cole was almost on his knees asking her not to leave him, but she was too tired to continue on with him and his actions, she didn’t care about her image, if Cole needed her by his side during his recovery out of his addiction she would, and she was, but he just wasn’t meeting her halfway, and in the end the only person getting hurt was her.

“Hey babes?”, Kelly, her makeup artist spoke up, “I’m intrigued, who are you most excited to meet tonight?”

Y/N was pulled out of her daze and smiled brightly, “Now there’s a question I want to be asked! ..Hmm, honestly? I adore Red Riot, his quirk is so coool!! His whole friend group seems like such sweet people”

Crystal jumped in, “Oh yeah, i read somewhere they all went to the same hero school, UA or something”

Kelly nodded, “Yeah the top 3 hero’s are in that group as well… gonna be completely blunt, that Shoto hero…? Such a good looking guy”

Y/N snickered while Crystal laughed, “Oh my gosh let’s talk about it, that guy you mentioned Y/N, Red Riot? He could do whatever he wanted to me and I’d thank him”

“Haha-! What the hell Crystal?!”

Crystal and Kelly laughed along with some of the other staff working who overheard the girls conversation

After Kelly stopped laughing she asked, “What about you? Who do you find attractive from all the hero’s?”

Y/N shook her head, “No way in hell am i answering that-”

“Awww come onnnn!”

“No!”

“Please?!”

Y/N sighed, a small smile betraying her, “Uhm.. well Dynamight’s pretty cute-”

A squeal from the two girls pierced Y/N’s eardrums, “Oh my god shut up both of you! Aren’t we on a time crunch? I’m still with the same unblended concealer I had five minutes agooo!”

Crystal shook her head grinning before clapping her hands and ordering people around, Y/N smiled as a giggle escaped her and Kelly.

“Isn’t Dynamight the really loud and brash one? I heard he once cussed out a reporter on live television”

Y/N nodded, “Yeahh.. but that reporter did ask him a really stupid, out of the box question, so i think it’s completely valid”

“Yeah but doesn’t he like hate is fans or something? Anytime he’s at fan signs he always look so miserable”

Y/N pressed her lips, “You know he once saved two children from an apartment complex that was on fire and was about to crumble within seconds? He even helped an old lady at the grocery store cross the road because she was afraid to make cars stop for long just so she could go?” she paused for a moment, “Does he sometimes come off as loud? aggravated? mean? yeah, but so do we, that man has seen things and experienced things we couldn’t even imagine,” she ends with a shrug, “I’m just not convinced he’s truly like that”

Later into the evening Y/N was behind a secluded corner, preparing herself as she was about to go on stage and sing for the heroes she peaked out a curtain to see everyone gathered around, shes preformed in front of filled to the brim stadiums, always feeling confident beforehand and right about now she needed some of that confidence.

This was a more domestic appearance, they didn’t come here to see her, she came here to be the one to bring on a show for them and bring it well.

“You are 3 minutes till entrance Ms Y/N”, spoke out a tech staff that was helping for the night, she thanked them and noticed they were still lingering, “Is something the matter?”

“Oh! No- no i just- well, could i get a picture?”

Y/N smiled, “Of course!”

She finished up with the staff and began to take deep breaths to ease her stress

Suddenly microphone feedback rang in the air and a rough voice spoke out, it was All Might, one of the greatest hero’s about to make a speech.

“Ahem, hello everyone good evening, it’s good to see everyone here and thriving.” applause erupted, “As you know this year was filled with its challenges, hardships and struggles.. a lot of you have been placed in situations where some of us couldn’t handle. Some were forced to make difficult decisions, some of us easy ones.., but at the end of it we completed what we chose to do, and that was make the world a safer place.” applause filled the room a second time, “Now, it is time to relax, celebrate the holiday season, enjoy friends and old faces we haven’t seen in a while and most of all, pat one another on the back for yet another great year of hero work!!” some heroes let out whistles and cheers

“Now i won’t bore you any longer and skip to the part i know we all.. have been waiting for, ladies and gentlemen! Please give a loud and warm welcome to the woman who is by far the voice of this generation.. Ms Y/N!!”

Y/N’s heart felt like it got squeezed at the lovely compliment given to her, All Might stepped off the stage and the lights going completely off, a few gasps let out, she walked out onto the stage, careful not to trip, standing in front of the mic stand, her iconic jeweled microphone in her hand.

Flash

The lights came back on in an instant revealing Y/N standing in a beautiful while shimmer dress, her curled hair draping down her back, her cheeks rosy, her eye shadow glittering from the lights, a smile peaking out from her glossy lips.

“Heroes how we doing tonight!?”

Applause was not hesitated the minute she spoke. As the music began to play, a familiar christmas chime filling everyone’s ears, Y/N looked around the crowd seeing everyone’s faces and smiling before her eyes locked on dark red ruby ones, the eyes no doubt belonged to him.. Katsuki Bakugo.

authors note:

never in my whole time of being here on tumblr would i ever think i would have the guts to publish something, and when i finally do it received a lot of love and attention! (at least in my eyes)

seriously all the love from the intro made me so happy and i’m glad you all love it!! as requested here is a taglist! comment if you want to be added as well :}

ps. look out for a moodboard i’ll be posting! ;}

@d1orhaz3 @stoned-anime-babe @yjploum @penguinsravioli @mutsu422 @anonymity-222

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badnewswhatsleft · 2 days ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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cheriladycl01 · 1 year ago

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Love in the Fast lane - Max Verstappen x Actress! Reader

Plot: Max Verstappen meeting an Actress who has actively been a F1 fan from before the limelight gets invited to the Monza GP after her recent film debut.

"Can we please stop getting these celebrities in that know absolutely nothing about the sport? Vegas was a ball ache" Max says to Christian they walk through the Monza paddock.

"I think you'll actually enjoy who we have for this race, they're a big sponsor" Christian smiles.

"Yeah they all are ..." Daniel chimes in with a slight laugh.

"No, trust me guys i think you'll really really like her" Christian says as they round the corner. Normally whatever celebrity that sat in any of the garages would immediately be getting photos by both their manager and the Red Bull Team for the publicity on both ends.

However both Daniel and Max immediately saw the celebrity that had been invited. She was in the Red Bull team gear crouched down observing Max's car, she was asking questions to all the engineers before taking her own swing on things.

"That's Y/N Y/L/N" Daniel whispers wide eyed just watching her look so effortlessly normal.

"She's been a motor-sport fan for ages! Since before she was an actress. There's a picture of her at like age 10 at the South Korean Grand Prix. She had her first big movie 3 year later!" he continues as if he'd read an autobiography on her at some point.

"Hey Y/N come meet the drivers!" Christian offers to you, your hair was up in a tight pony tail, your face was natural and free of makeup and if they didn't know who you were apart from your outstanding natural beauty they'd assume you were an actual Red Bull team member.

"Oh my gosh, Hi hello!" you saying coming up to them and shaking there hands. Daniel and Max share a look between them, not believing how this 23 year old, Oscar Award winning actress is being a fan girl over them.

"Hello, its really nice to meet you!" Daniel says, and before you know it your being pulled into a hug.

"So you were asking some detailed questions about our cars, how'd that come about?" Max asks trying to get a judge on this girl.

"Oh! Well apart from the fact I've been a Motorsport fan for ages, I did a degree in Engineering at St Andrews around my career. I graduated last year!"

"Oh woah, that really amazing! Daniel was just telling me about the picture of you at the South Korean Grand Prix in 2010!" he offers, trying to get to know the extremely pretty girl in front of him. You excitedly pull out your phone, going straight into the photos app and to the specific album you had all of your Formula One pictures in.

"Oh i have another one of me and Sebastian Vettel when he won the 2013 Germany Grand Prix, I'd just got back from a movie premiere in London, and i refused to miss it! Oh and here's me, Lewis, Kimi and Sebastian in 2018!" you says showing them the pictures on the phone.

"Well, you had a picture with Seb when he was the Red Bull Golden boy but how about you get one with the current?" Max smirks, and your face reddens.

"Yeah of course! But I want a separate one just for me, not to go on any socials" you smile, you hand your phone to Christian who takes a private one of you and then the media teams come after to take them.

Daniel leaves to talk to his engineer and Christian leaves to set up for the race ahead.

"I'm going to be blunt, I like you. You have a true interest in the sport and if i win this race I want to take you out to dinner" he smirks, looking over at you. He was lent against the wall, his race suit down around his hips.

"Hmmm okay, you've got yourself a deal" you agree.

You watched the race in the Red Bull Garage with the headphones on. You'd been on camera a few times, sometimes when you'd been biting your lip as Max had clipped a corner or didn't break early enough but stopped himself from spinning out. Other times they just caught you with an in awe adoring look at the screen as you watched the cars zoom past.

Max tried as hard as he could but today the Ferrari's just had pace, Charles ended P1, Lando ended P2 and Carlos ended P3, Max unfortunately not being able to go for the overtake in the last sector.

"Everyone in RedBull was celebrating the win of P4 and P5, you came out with the pulling Daniel who had gotten out of his car first into a huge hug.

"Well done Dani that was an amazing race considering the longer pit stop" you admit looking at him and he gives you a massive grin back.

"Max, Max!" you shout as you see him pull himself over the halo of his car. He slams his fist onto the bonnet, and shoves his helmet into the seat of the car.

"Hey, stop you did really well!" you smile at him, holding each wrist of his in your hands, his forehead had started to line with a little bit of sweat, his helmet hair being scraped back now.

"Didn't get the dinner though did i?" he frowns.

"Well what if i tell you that I'm good to go out with you for dinner regardless of a race win..." you smile and he smiles back.

"But that would be going against the offer I originally made" he smirks, leaning forward.

"Fuck the original offer Verstappen" you laugh at him, pulling him in for a kiss that he happily led.

Taglist:

@littlesatanicassholebitch @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @stupidandunnecessary @clayra-g @daemyratwst @honey-belden @moonypixel @lauralarsen @vader-is-hot @ironcowboycopnickel @itsjustkhaos @the-untamed-soul @beebo86 @happylittlereader @ziejustme @lou-larcher5 @thewulf @purplephantomwolf @chasing-liberosis @chillyleclerc @chanthereader @annoyingmoonballoon @summissss @evieepepi08 @havaneseoger08 @celesteblack08 @gulphulp @fandom1ruined2me @celebstories @starfusionsworld

#f1 imagine #f1 x reader #formula 1 x you #formula 1 #formula one #formula one fanfiction #max verstappen #max verstappen x reader #max verstappen x you #max verstappen imagine #max verstappen fanfic

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nwjenz · 1 year ago

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❀YUNJIN AND HER IDOL GF huh yunjin x idol reader

○ genre: idol au, fluff warnings: intentional lower case, swearing

୨୧ you were apart of of aespa, yunjin was pretty familiar with your members but not much with you, she knew that you were known for your visuals and that you were very introverted but she didn’t know you on a “personal” level like she knew the other girls.

୨୧ the day she finally met you and it wasn’t just a small greeting at a award show it was when giselle invited her over to hang out she mentioned that none of her members were at the dorm so they could hang and talk about whatever they want so of course yunjin had to agree and come.

୨୧ yunjin and giselle were sitting on the couch as they gossiped without a care in the world until they heard a loud noise coming from the kitchen both girls screamed so loud you’d think someone was getting killed. they peeked into the kitchen to see giselle’s very introverted member leaning on the counter with a book in her hand, apple headphones over her head and a bungeoppang stuffed in her mouth and a plate of two more beside her.

୨୧ giselle let out a sigh of relief and yunjin just stared at you, she understood why you were so known for your visuals you’re gorgeous.

୨୧ yunjin remembers giselle walking towards you and pulling your headphones off of your head while complaining that you scared the shit out of her while you looked at your older member confused still with one half of the bungeoppang poking out of your mouth and yunjin found it adorable.

୨୧ yunjin heart melted when you muttered a soft hi to her as you followed giselle out of the kitchen and to the living room after being ordered to hang out with them as punishment for scaring them even though yn didn’t even know what giselle was talking about.

୨୧ she couldn’t keep her eyes off of you as her and giselle gossip, your little reactions to what they were talking about were hilarious and your shady side comments when giselle would ask for your opinion about situations were so entertaining.

୨୧ and that was the day yunjin knew she wanted to be your friend or more…

୨୧ and that was the start of yunjin coming to the aespa dorms every other day, you know just to her close friends and you…

୨୧she started making conversation with you anytime she ran into you, she’d even help you with baking after finding out that cooking and baking were your favourite hobbies.

୨୧ and she learned so much more about you. she learned that you were an ice skater for most of your life and even did partner work with someone under her company …

୨୧ which had yunjin side eyeing him in the halls with jealousy.

୨୧ months wen by and yunjin was falling for you harder and harder and so were you… and it didn’t take long until yunjin finally got courage to ask you out on a ice skating date which you agreed to of course.

୨୧ the date was filled with yunjin falling on her butt and you laughing at her as you skated gracefully and it ended with a kiss and you officially being her girlfriend

should I turn this into a series with the other members and their idol gfs??

#le sserafim #lesserafim x reader #huh yunjin #yunjin #huh yunjin x reader #yunjin x reader #lesserafim fluff #Lesserafim headcanons #aespa x reader #girl group imagines

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ihave-atummyache · 3 months ago

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lap up!

Stray Kids Imagine/Blurb

OT8

summary: sometimes you have to lap up, to save space… or just because you can.

mega fluff, SFW

3.1k words

Bang Chan:

When he is especially tired, he has himself wanting you on his lap. If he wants to wake up, you're like an espresso shot for him. If he wants to fall asleep, you're like a warm blanket that he loves.

He finds the most peace when your bodies are pressed against one another. He's a real lover and genuinely can never get enough of you.

If you are just sitting in his lap, he is fidgeting with your clothes or your hair. He might be absentmindedly squeezing and rubbing you. We all know the man can't keep his hands still.

He’s definitely the type to push his hands into the rips of your jeans and squeeze at the the plush of your thighs.

—

You walk into the studio and sit your bag down. Chan seems to sense your presence and pulls the headphones off his ears.

"C'mere," his accent is thick, a sign that he is getting tired. You smile and cross the room to your pretty boyfriend. You step between his open legs and lace your fingers through the unruly curls on the back of his head.

Chan's hands rest on your hips for a moment, thumbs rubbing back and forth before he looks up, his gaze meeting your's.

"Hi," you smile softly down at your boyfriend, your hands grazing down to his jawline, your own thumbs gently caressing his cheekbones. Despite the dark circles under his eyes, you've always thought he looked the (hottest) prettiest when he’s bare face and in producer mode.

He looks at you with a lopsided, sleepy, smile before his hands leave your hips, grazing over your ass. He stops there, giving a quick squeeze, before letting his hands trail to the back of your thighs.

He sits back away from you, pulling you towards him. The motion has you being pulled to straddle his lap. You quickly oblige, wrapping your arms around his neck. His hands wrap around your back, pulling you impossibly closer.

He inhales deeply under you before letting it out, a low and sleepy groan leaving with the breath. His hands loosen for a moment, pushing under your sweatshirt and his hands press against your bare skin, making you jump.

"Mm, cold hands, Channie," you giggle and he lets out a chuckle, pulling you closer anyways.

"Smell so good... ‘S warm. I just need to finish this song and then we can leave and I can have you all to myself," he grumbles, more to himself than to you. You chuckle and run your hand back into his hair, gently scratching his scalp.

"Am I motivating you to hurry up?" You ask and he immediately nods. You laugh again, "Good. That was the whole reason I came in here," you press a kiss to the top if his head.

Lee Know:

Minho pulls you onto his lap whenever he wants and deems it would be fit. Meaning, if someone's gaze is lingering on you a bit too long or if he thinks that you're drawing too much attention to yourself.

It doesn't matter to him what the setting is. It could be at an award show (if you're public), a family gathering, in front of the boys, wherever! He's a possessive little shit and you both know it.

And also his thighs are just soooo sittable. Like you can’t look at his juicy pretty thighs and tell me they’re not BEGGING someone to sit in his lap!!

Also! Chronically cold hand haver!! I believe his hands are cold most of the time. I can’t explain why but it makes sense to me. He’s the type to shove his hands down your pants, not in a sexual way (sometimes), and rest them on your thighs, his cold skin raising goosebumps on your thighs before they eventually warm up.

—

You're sat on the arm chair that Minho is sitting on, your back to him as you indulge in a conversation with some random guy you just met. You're at a work gathering for your boyfriend and you've been getting a lot of attention all night.

Minho talks about you constantly but you had never been able to make it to anything work related for him until now. This is the first time his coworkers and staff are able to meet you, outside of the boys. To their surprise, you're just as charming and beautiful as Minho had described you! They thought he was exaggerating, wearing the rose colored glasses, but you're honestly amazing.

Minho's arm wraps around you, his hand resting on your thigh, playing with the threads hanging from the holes in your jeans, absentmindedly. You let out a laugh at what the man in front of you said, your head tilting back.

The sound of your laughter immediately pulls Minho's attention away from his own conversation to your's instead. What could possibly have been that funny?!

Before you can process it, his hand that was resting on your thigh wraps around your waist and he pulls you into his lap, making a squeak leave your lips at the sudden movement.

You fall back, your legs still resting over the arm of the chair and turn your face towards your boyfriend, his gaze elsewhere in the room.

"You big, jealous baby," you grumble and roll your eyes but adjust yourself anyways in his lap. You wrap your arm around his neck and twist the hair at the base of his skull before leaning in and pressing a quick kiss to his cheekbone.

Changbin:

Like Minho, juicy thighs. So firm but soft at the same time. I also just know that Changbin is one of those people who is always warm. My source? Just trust me.

If you’re especially cold, he’ll pull you into his lap and wrap his big, warm arms around you. I feel like he really likes having you sitting on his lap in general. He feels like he’s protecting you and that natural instinct just takes over. Changbin loves to take care of his baby!

He likes that he can feel you immediately melt into his touch when he wraps his arms around your torso. He has no problem placing you in his lap himself either. He’s quick to pick you up and plop you right into his lap. (strong man. i need him so bad. u dont understand. im tweakin rn)

—

“Gotcha,” Changbin’s voice spooks you and his warm breath against your neck. You let out a squeak when he cups an arm under your knees and the other around your torso before he, quite literally, sweeps you off your feet.

“What are you doing?” You giggle out, your arms instinctively wrapping around his neck. He carries you out of the dining room, where you had been rereading some papers for work, completely oblivious to your surroundings.

“You are to engrossed in your work. You didn’t even hear me come in. I could’ve been an intruder, y’know?” he raises and eyebrow at you as he approaches armchair and sits down, placing you sideways in his lap.

“But I know I had the door locked and was perfectly safe,” you counter, tapping his nose gently with your finger tip. He chases your finger with his teeth, chomping on air when you move just a little faster than him.

“But babyyy,” he whines, his arms wrapping around your waist and his face nuzzling into your neck. You roll your eyes but wrap your arms around his head anyways.

“If you needed a cuddle, you could’ve just said that, bunny,” you tease and he scoffs against your neck, pulling you closer anyways.

Hyunjin:

Hyunjin is a fan of lap sitting but only for a short period of time. He gets hot easily and will get hot even faster with your body heat against him. It usually starts off as you sitting in his lap but eventually evolves to you sitting between his legs.

Whether he is on the couch and you’re on the floor below him or you’re still sitting on furniture, you usually end up with your boyfriend’s legs on either side of your body.

If you do sit in his lap and he knows it’ll be for a while, he prefers for you to be perched on one of his thighs, your legs between his own.

However, Hyunjin has said before that he gets cold easily. Therefore, if you two are at a winter show or an event and it gets cold outside, he just slowly moves closer and closer until you are in his lap, acting as his own personal heated blanket.

—

“I told you to bring a thicker coat, baby,” you scold your boyfriend when he inches closer to you, pulling one of your legs on top of his. You turn your body towards him before swinging your other leg onto his lap as well.

“I know, I know. Don’t scold me,” he grumbles, pulling his beanie further over his ears, which were quite red from the cold nip in the winter air. You turn your attention back to your friend’s daughter’s winter show. They were showing a Christmas classic and you wouldn’t miss it for the world, despite it being on an outdoor stage.

Your attention is drawn back to your dramatic boyfriend when he lets out a whine, pulling you completely into his lap. You roll your eyes but adjust, wrapping you arms around your dramatic boyfriend. He immediately presses his cheek to your chest, his eyes still on the show.

“Such a baby,” you tease him and he shrugs, his eyes never leaving the stage.

“Yeah yeah. You knew what you signed up for when you agreed to date me, angel,” he whispers quietly and you chuckle, returning your gaze to the performance on stage.

Han:

Han loves to be close to you 24/7. You're his personal happy pill and everyone knows it. Whenever he gets into a funk or just feeling down, you have the ability to bring him back to you.

You usually notice that he's going downhill before he even notices. All it takes is you distracting him from whatever has him hyper fixated and feeling down. Usually it is some post or comment on social media or sometimes he just starts to get down for no particular reason (dont we all).

It’s like magic the way you have the power to bring him instant comfort, no matter the circumstances. If he had a nightmare? He pulls you into his lap and you’re basically acting as a weighted, girlfriend shaped, blanket.

—

"Hannie?" You peak your head into the spare room in your house. His back is to you as he's hunched over his computer, headphones on. Chan had texted you and told you that Han had been feeling a bit defeated about a specific song that they had been working on.

He was having the worst writers block ever and you hoped you could pull him away from the screen, his poor eyes probably strained from how long he has been staring at the screen.

You approach, gently closing the door behind you and approach his slumped over frame. You place your hands on his shoulders, rubbing there for a moment before he lets out a deep sigh.

You circle the chair and gently push the headphones around his neck, his big does eyes staring up at you from behind black framed glasses.

"Hi my baby," his voice is hoarse, he clearly hasn't spoken in a while, probably since he sat down at this computer. You push his hair away from his face and lean down, pressing a kiss to his lips before sitting in his lap and leaning your back against his chest.

"Watcha workin' on?" You ask, hoping that if he talks about it, it'll help with his slump. He presses a kiss to the back of your neck before resting his chin on your shoulder. He reaches towards the computer and pulls up the beat he's been working on.

Han pulls the headphones from around his neck and settles them on your own head before pressing play and the pretty melody fills your ears.

"This is really good!" You exclaim, much louder than intended, due to the noise canceling headphones. He lets out a chuckle and pulls the headphones from your head.

He wraps his arms around you tightly, burying his face in the crook of your neck, forcing a giggle from your lips at the feeling of his breath.

"I love you so much, you have no fucking idea," the words that leave his mouth are quiet, almost like he didn't want you to hear his little confession. You reach behind yourself and scratch at his scalp gently.

"I love you more than anything," you confess in return, turning your head to press your lips to his.

Felix:

You often find yourself in Felix's lap but surprisingly enough (not really), he also ends up in your lap!! He never does it in a soft way though. He genuinely uses you like a chair. He's light, and you don't usually mind.

When you sit in his lap, however, it's all wandering hands and gently kisses. He's just a soft little baby and he loves to hold you. If he could crawl into your skin, he quite literally would.

Not that you mind his affections, he was like this even before you two began dating. He has always been down bad for you since he first laid eyes on you.

—

You don't even look up from your phone when you feel your boyfriend sit on your thighs. You're slumped back into the couch and he saw the opportunity so he took it.

He's leaned forward away from you, one hand on your knee between his legs and the other one holding the glass in his hand. He's talking to one of the boys about some new video game and you couldn't care less, opting to scroll through social media instead.

"I love being your personal chair," you chuckle after a few minutes, your eyes never leaving your phone.

"I'm pretty sure you have texted me and said that if you were a chair you would want me to sit on you. Consider this a favor," he replies over his shoulder at you and you roll your eyes, laughing again.

You absentmindedly run your nails up and down his back, making him relax a bit more, more of his weight sinking onto your thighs. You don't even notice yourself doing it, its such a routine for the two of you to be affectionate like this.

Felix has no problems with physical affection or PDA. It might’ve taken some getting used to on your end, but he really is overflowing with genuine love.

Seungmin:

He likes to have you in his lap in private. He wants you to sit facing him and wrap around him like a koala. It makes Seungmin feel so safe and so loved to be completely surrounded by you like that.

He also likes to rest his head in your lap after a hard day. Usually when you're catching up on some shows or reading, he'll come in and not even bother changing his clothes. He'll kick his shoes off and crawl onto the couch next to you, resting his head in your lap.

In front of others, Seungmin has this tsundere personality that he is determined to maintain but when it is just the two of you, he's just a baby. He's babied by his whole family and he's used to this kind of treatment. He likes to be doted on, although he'll pretend he doesn't.

Most the time, if you have guests over, you rest your feet in his lap or your legs over his lap. His hands will absentmindedly stroke your ankles, calves, feet, whatever he can reach.

—

You hear your boyfriend before you lay eyes on him. The door swings open and a sigh that is so characteristically Seungmin meets your ears, making you press pause on your T.V. show.

"Baby?" You call out but you don't get a reply, instead you do hear him kick his shoes off in the doorway. He finally rounds the corner and you lay eyes on him, his broad shoulders slumped and deep bags under his eyes.

"I'm so happy to be home," he mutters before crossing the room and sitting next to you on the couch. He leans down and kicks his feet up on the couch before settling his head in your lap. He lets out another breath, his hand making it's way under your thigh for warmth.

"Long day?" You question, your hands threading through his messy hair, gently scratching at his scalp. He hums in response before letting his eyes fall shut.

"I'll run you a bath when you wake up," you promise and lean down, pressing a kiss to his temple before grabbing the remote and pressing play on your show again.

I.N:

Like Seungmin, Jeongin also isn't too touchy feely in public. However, he loves you sitting in his lap in front of people. He may not be too fond of PDA but the man is still possessive (aquarius king).

He's the type to pat his lap when you lock eyes from across the room, signaling for you to have a seat on your throne! He usually keeps his hands to himself, resting a ring clad hand on your thigh or hip.

But, he has also developed the same habit as you and will absentmindedly play with your fingers or hands. He'll twist your rings around if you have some on or he'll rub your hands.

Because you play with his hands so much, he'll sometimes offer you his hands to rub and play with until your heart is content!

—

You look up from your phone after reading your boyfriend's message, immediately meeting his fox-like gaze. A soft smile creeps onto his lips and he sits up straighter on the couch before gently patting his lap.

You cross the room quickly, squeezing through people and random conversations between all the people that are taking up the practice room. They're rehearsing for a big music show and there's a lot of moving parts going into the performance.

"You looked uncomfortable. You okay?" Jeongin's voice is soft as you approach and you nod before stepped between his open legs and settling on one of his thighs.

"Better now," you let out a sigh of relief before wrapping your arm around his neck and leaning more of your weight into him. He hums in response and places his hand on your thigh, squeezing before turning his hand face up.

"Try to relax, pretty," his voice is quiet, careful to not let the others hear it. You grab his hand and quickly begin cracking his knuckles.

"You know how to calm me down so well," you smile and glance over at his boyfriend, a wide smile on his face as his eye flicker between each of your's.

"It's my job to take care of my future wife," he teases and you immediately feel your face heating up before mumbling a low 'shut up' and avoiding his gaze.

sorry i’ve been down bad lately on changbin if u cant tell

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