#head top

[baddiec0re]

not kendrick dancing outside the louis burgers 🤣😭

[hinamie]

to moving forward

[itsnotafashionstatementitsablog]

when a song has a callback to earlier songs on the same album or even songs from a previous album. that’s the good shit right there

[wingsforthewicked]

Woe, my passion project be upon ye-

And that's it! For Now!!

Thank you so much for reading and i hope it comes in handy for any of your wingies needs :3 This took me... a While, more than it should've, but is finally here! And maybe i've been slacking a little on the tagging for this blog specifically, but i recommend besides reading all of this, to go check my Guides tag, as i'm missing a few little things here and there that i couldn't for the life of me find a way to explain, and i've already re-done this Way too much for my liking o(-(

But you can also just go around this blog to get some inspiration :o I got a Lot of different wing styles here, and again i gotta go back to tagging (and fix my blog web theme, don't worry about it—) but other than that, you're free to explore this lil blog of mine

Two last things—First, i did all of this for free, i want it to reach as many people as possible (which is why soon-ish i'll translate the entirety of it to spanish and add image descriptions to both versions, i need a break....), but if you liked this enough and would like to leave a lil' tip on my kofi (@/rainbowpinyata), i would appreciate it a lot... Second, my inbox is always open if you or someone you know is in need of a more in-dept explanation on any of the parts of this, as i had to resume most of the info, or just needs a little bit of advice. I'm gonna explain wings Much more than i already have on the next part, but that... is going to take a bit, so...

Anyways, many thanks to my friends for always being there for me, i don't think i would've gone past the first draft or the many others after that without their encouragement, suggestions and general help with keeping me going. It means everything to me.

Also, click for better quality pls, the pages are pretty big but... this site....

[max-nicoxfandom]

Me looking at fanart of characters being friends who are also friends in canon: *practically in tears clenching my first over my chest* ouhgg they're so friends

[keferon]

Snow bots au anyone? :D

They're back together a year later because it's snowing again❄️

All right! For context: I imagine them hanging out every winter in some kind of resort (a resort that Blurr owns. Because his bar business has expanded that much over time.)

[lil-vibes]

was sick this whole week so im beaming it straight to narinder

[chloesimaginationthings]

FNAF Movie Mike got mixed signals from Vanessa..

[time-woods]

this goesout to theperson who wanted me todraw him with an even bigger lollypop here it is

[cosmicccowboy0]

Do you guys see the vision

[mariamlovesyou]

tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:

plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."

contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."

on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."

rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."

"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."

"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."

rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."

"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."

"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."

plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."

before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.

on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."

"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."

a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.

she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.

[philsmeatylegss]

If I were Dan and Phil I would never hard launch because it’s so embarrassing that we were right. Like what do you mean you were so in love a bunch of thirteen year old’s clocked it? I would never give that satisfaction.

[forged-in-kaoss]

gomu gomu of your eye

[inspiredrawaw]

I love the plot of Splatoon games because it’s just

“hello Young Child I am a War Veteran, you must help my grandchildren Taylor Swift and Billie Eilish to save our cities only form of energy. A giant fucking Eel. Have this gun.”

[sanatomis]

cw. none except satoru being disgustingly cute (part 2)

satoru isn’t used to people calling him anything other than his surname. gojo-san to most, gojo-sensei to others. it’s simple, and gets the job done.

only a handful of people stick to calling him by his given name. to them, he’s satoru. it’s easy, and rolls of the tongue, and he greatly prefers it over the sound of his surname. it makes him feel like an actual person.

satoru never entertained the possibility of being called anything else other than those two names. he didn’t think it would ever happen.

for once, he was glad to be proven wrong.

“tough day, pretty?” you ask gently, and he sighs with a nod as he throws himself into your opened arms. his body moulds easily into yours, and he lets out a heavy groan as he settles onto the couch with you. the groan is loud, and over-exaggerated.

it’s so satoru.

you have to stifle a giggle.

“everything went horribly wrong,” he grumbles, his voice muffled against the fabric of your shirt. “the higher ups were up my ass again, my students laughed at me again, and when i finally made it to that bakery you liked they were out of your favourite pastries so i couldn’t get them for you—again!”

“oh, my poor baby,” you coo, and gently push his bangs out of his face. he nods in agreement, faking an immense amount of sympathy for himself. “‘s okay, at least you tried, hm? i think that’s very sweet.”

satoru hums, as if he’s deeply thinking about your words. “’m still your baby?” he mumbles, deciding that’s the most important thing right now. his eyes briefly flutter shut, consumed by utter bliss as you play with the hairs on his undercut.

“mhm, still my baby.”

“yeah? what else am i?”

this time you do giggle. he does this sometimes. you aren’t exactly sure why—but on tough days, satoru likes to crawl into your arms and listen to you call him every cheesy nickname under the sun. it’s easily providable and makes him so very happy, so you always indulge him.

“my honey bun.”

“and?”

“my boo bear.”

“mhm.”

“my sweetheart.”

“yes?”

you laugh softly. “my mochi,” you coo, and pinch his cheek. it’s a little squished because he’s laying on your chest, but it emphasises your point.

he grins under your touch. it’s adorable.

“keep them coming, please?” he asks, and you do. you always do, unable to refuse him. especially when he asks so sweetly.

“my sugar cookie.”

“my muffin.”

“my baby cakes.”

“my angel.”

“my love.”

“my husband.”

“h—huh?” satoru stammers, looking up from your chest. he lays his chin on your sternum, baby blue eyes blinking up at you. they’re filled with awe, surprise, and utter glee. “that’s, i’m not. . .”

“just testing the title, baby,” you tell him, and continue playing with his hair. he bathes in your touch and you smile softly as he grabs and kisses the palm of your hand. “what do you think, hm?”

“i think you should call me it again.”

“oh?”

“mhm,” he mumbles.

“my dearest husband.”

“again.”

“my handsome husband.”

“again.”

“my sweet husband.”

“again, please?”

you hum, impressed. “my well-mannered husband.”

satoru chuckles, and lays back down on your chest. his white hair tickles against your skin, and he sighs in content.

“i think i want to be your husband for real.”

“yeah?”

“yeah,” he mumbles and nuzzles further into your hold. “y’ve got the same ring size still, right?”

“i sure do,” you say, a content smile on your lips as you watch him slowly doze off to sleep.

“hm, good to know.”

for satoru, those nicknames make him feel as if he’s something even greater than a person—it makes him feel yours.

he’s not just gojo, the strongest. he’s not just satoru, the at-times somewhat immature adult with the sweet tooth of a child.

he’s yours. your baby. your honey bun. your boo bear. your mochi. your boyfriend. your love. and for satoru, there’s no greater thing in the world than that.

[dogd0m-charlie]

oh man I'm starving....,,, hey bro do you mind if i just. *opens your legs*