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#he's truly one of the best characters and I just love him so much
sukugo · 2 days
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Do you think gojo makes those freaky ass feral expressions while getting dicked down?
YES YES YESSSSSSSSSSS RAAAAAAAAAHHHH THIS IS SOMETHIGN IM PASSIONATE ABOUT OKAY!!!!!!! YES HE DOES
like, pleasure looks such a specific way on satoru. we can see it in the tojigo fight, the hanami/jogo fight and the sukugo fight. they're the only moments where we truly get to see raw pleasure on him and it's that. eyes popping out and manic grin and laughter bubbling in his torso and body charged, and mannerisms especially crude.
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there's something so animalistic about it, his "human" mask slipping from him and showing him in all his monstrous glory, unfiltered and raw and like the freak of nature he truly is
and it's exactly the same thing when it comes to sex. it's all pleasure after all.
#f.ask#however likewise it's only ever when the sex is really good and he is truly engrossed in it and enjoying it fully. the sex HAS to be good.#which is....not something easy to give him. but if u are able to give it to him#then boy u're in for the weirdest (and best) fuck of your life#anon u touched on something about him that i love sooooo much#bc YES. that IS what pleasure looks like on him#and that's how i imagine it to be during sex too#jjk#gojo#gojo satoru#like i DO love satoru who's a subdued mess while getting fucked#but that's bc that's what I'M into#but this is what goes more in line with his character#and what i generally tend to imagine for him is a mixture of both#where there's moments where he's taken by it all and u'll find him toned down into muffled moans and low whimpers#that feel much too small on a being like him#but then. there's a few cracks. the bubbling pleasure gets too much for his body to hold. and it pours out of him with laughter#and a grin that's much too wide and eyes that threaten to swallow u whole.#it's pretty scary if u're not someone who can deal with that haha#but let's be honest. he's only having sex with people who can get that out of him and therefore also weirdos#(tho that's not to say they aren't at least a LITTLE offput by it)#it IS very much creepy after all#gwah! love him so much!!!!!!!!!!!!#the middle right. where he makes a throaty sound and turns to hanami is one of my fave fave moments.#but fuuuuuccck when he gets atop hanami like uuuughghghgfhdgfhgdshf#satoru's fighting style is so very fascinating to me#esp considering what his techniques actually are#and god. he's just so FUN to watch
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linkspooky · 13 hours
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SUKUNA, YOU ARE ME
Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.
I AM YOU
While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.
Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.
Of course we could dig a little deeper on the topic.
How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?
Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.
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Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.
Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.
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The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.
So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.
Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.
Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.
Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.
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The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.
Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.
When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.
Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.
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Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.
Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?
Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.
When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.
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In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.
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Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.
Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."
I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.
If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.
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So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.
What Yuji experiences is basically a prolonged ego-death.
Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.
I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.
He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.
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Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":
In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 
Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.
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Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.
The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.
However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.
Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.
Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.
It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.
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Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.
It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.
It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.
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Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.
His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."
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(I'm keeping the meme panel because it's funny)-
Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.
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Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.
Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?
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Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.
Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.
So what stopped him?
Megumi.
YOU ARE ME.
A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.
It all starts with Higuruma and Yuji's conversation:
Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."
Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.
Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.
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Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.
In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.
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Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.
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Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.
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In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.
After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.
After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.
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Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.
Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.
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Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.
Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.
This is when Yuji finally accepts mortality and fragility as a part of life.
This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.
This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.
Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.
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Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.
Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.
Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.
Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.
They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.
In Buberian terms Sukuna only experiences existence and I and It relationships.
Buber's main proposition is that we may address existence in two ways:
The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.
The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.
Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.
Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.
This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.
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That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.
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The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.
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So Yuji is finally willing to let himself exist outside of a role.
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That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.
Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.
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Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.
Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.
When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.
When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.
It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.
So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.
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chevvy-yates · 3 days
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Sending out kudos to everyone who has shown their love towards Ryder for the past two years.
I love u all very much and every engagement, be it even just a like, means a lot to me.
I've intended to sorta make a cool post of some older vp of him as of today, September 17th, exactly 2 years ago I have created Ryder,— back then as a supposed supportive character for Vijay, very unsure if I would like him as Ry didn't visually turn out as I wanted him to be in the first place and he never went that way either afterwards — yet I find myself writing those lines instead.
I've accepted his look and his imperfection started to grow on me with each picture I took of him. Unlike my other ocs he went his own way leading me along to discover his personality. That's what makes him so different compared to my other blorbos and has me so attached to him.
I did not plan to make him a raver (he was supposed to become an 80s goth punk, a total different style than he's got now) neither that he would end up with a rogue AI controlling him. Only his name, basic info and the toxic family story was planned right from the beginning but that's pretty much it – Ryder showed me the rest of it.
Within the year 2023 I noticed more and more that Ryder has slowly but surly turned out to be my main character.
He turned out to be the most expressive and photogenic one of them all. I don't see him as the prettiest looking either yet he's my most precious and I love every pixel about him.
He's the one thing in my life I am actually truly 100% proud of.
Almost all my ocs exist because of him. They are his support characters. Without him half of them would not even exist. There would be no Thyjs. Even Garnet exists so Ry can live out his passion (that was not really put into the game but exists as lore: Technoise).
I am beyond happy to have created him.
He helps me in a lot of rather personal ways too I do not need to address here.
I got so much to tell about him (also about my other ocs) yet idk if I should continue or not as I find myself stuck with overthinking about it bc of lack of public response literally everywhere (this excludes private chat talks with close friends). Maybe Ryder's too intimidating (not the first time I would read that), his lore gets overlooked easily, or it's to much (confusing) text.
I cannot make anyone force-like him. Tastes are different. Minority is into others oc lore. Less time to read it all. The list is long. I'm aware of it all.
But I cannot underline it enough: do never hesitate to ask me questions about him. He's on my mind 24/7 and my biggest wish is to get this story out and done some day (whenever it will be) and receive some actual feedback on it what was liked.
Just a tiny detail is enough. <3
Another wish I have ever since I joined the CP77 fandom: that people would go back to comment each other more. We all do have little time for it, we all think "oh no so much text to read", we all are in our own bubbles rarley coming out to explore another bubble within this universe. It takes a lot of effort to do. people do seem scared on top to write anything at all for numerous reasons. I have all those problems as well. But I try to sit down and read the one or other lore chunk others wrote down and give a tiny comment as best as I can to make the creator have a smile on their lips. I truly wish we all would do this at least once a week to one person. once a month would be also fine. But if we don't this fandom will be dead soon enough and all thats left is just liking vp with characters on it we know almost nothing about. And maybe even those characters won't have lore anymore bc people stop creating it.
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jacarandaaaas · 2 days
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What you hate about each Encanto character and what you love about each Encanto character?
oh this is such a fun ask! a hard question as I love all the madrigals and the fact they’re so flawed makes them more fun to follow!
alma: i love her commitment, how she vowed to protect all these people even sacrificing her own needs to provide for others, how she promised these people a place of refudge and was always there to provide.
dislike: An obvious one here but I dislike how controlling alma can be, how her need for perfection can blind her and lead her to disregarding her own families feelings as well as her own! Her generally dismissing a lot of the problems of her family like telling pepa to control her emotions or not realizing how hurtful her comments are to mirabel.
pepa: i love how emotional she is! when pepa loves she loves with her entire heart she pours her all into every interaction and she wears her heart on her sleeve! she’s so compassionate! pepa truly is an open book and I love her for it!
dislike: i would probably say how she can get irrational very quickly and cause situations to elevate fast! Although I really can’t blame her for this based on the circumstances!
julieta: i always describe julieta as warm and i feel like no other word can capture her comforting nature and gentleness. I just love her warmth and her soothing energy!
dislike: I would say how she tends to coddle mirabel a lot. I know it comes from a place of love but you can see it doesn’t help mirabel and only makes her feel more insecure because julieta doesn’t understand her.
bruno: for bruno I would say I love how selfless he is. It’s a big thing to sacrifice your own sanity like that for someone else and it’s touching how much he truly cares about mirabel to want to protect her like that.
dislike: i would have to say how he’s timid a lot of the time. It’s sad to see him become so resigned and almost accept his fate and stay in the walls possibly forever. He had no fight left in him.
felix: I adore how felix is just the epitome of life of the party! he’s so uplifting and I love how he never gives out to pepa for her emotions. He’s the best at cheering people up and a sunshine in everyone’s lives!
dislike: about felix? that’s hard to say I feel like we don’t see enough of him for me to really base my answer on anything so I’m just gonna say how he told pepa about the vision at dinner😭 dude that was the worst idea!!
agustín: i love how supportive he is! He continuously supports julieta he runs after luisa when she’s upset and he promises mirabel he would hide the vision to protect her! the fact both he and julieta tried to go after her when she ran for the candle too! He also fiercely stands up for mirabel in such an iconic way and he doesn’t back down!
dislike: I would have to say how he can often hammer in the fact he is also unexceptional to try relate to mirabel but it makes the situation worse.
isabela: I love how loyal isa is. She was doing everything for the sake of the family and was willing to sign her entire life away just to keep them happy. Her loyalty knows no limits and I just feel it’s such a defining trait for her.
dislike: probably how smug she can be at times a key example being the apologize scene! it is funny but it’s also infuriating how smug she was making mirabel apologize for something she didn’t even do. Also how she tells mirabel to shut up and her general rude remarks to her!
dolores: for dolores I would say I love how attentive she is! small scene but how she immediately notices alma needs help and goes to offer her support! She notices the small details even without her super hearing! Like how she points out how mariano talks loud even though she hears everyone’s voice his always stuck out to her <3
dislike: probably how she blurts stuff out without thinking it through! like we know she was trying to be helpful when she told the kids mirabel doesn’t have a gift but she didn’t consider how mirabel would feel about that.
luisa: I love how kind luisa is! she was always willing to lend a hand to the people who need her even when they absolutely could deal with a lot of issues themselves! She’s also very sensitive and soft and I love when she allows herself to be vulnerable!
dislike: this might be unexpected but for dislike i would have to say how she kept ignoring mirabel when she wanted to talk. I understand she was stressed and mirabels being irritating but she could atleast look at her, mirabels already ignored a lot already and all she wanted was to talk to her sister about an issue.
camilo: like how mirabel says in the opening song I love how camilo won’t stop until he makes people smile! whether it be through his humor or his compassion I get the impression he would always be there for people. the scene where he comforts pepa is such a key example of this!
dislike: he can be a bit too blunt at times where it’s definitely not called for! he also has a tendency to exaggerate the truth for dramatic effect!
mirabel: have always said this and always will mirabels core trait is her empathy! Her ability to see others perspectives and empathize with them is so important! I always think of the “I need you” scene as a key example of this. She put aside her own feelings and focused on supporting antonio making sure he’s ok! how when she learns of the other madrigals struggles she tries her best to help them or comfort them! empathy is such a strong defining trait for her!
dislike: when it comes to mirabels negative traits I would have to say her stubbornness is the most prominent. the entire scene in isabelas room is proof of this she would have rathered let that house collapse than apologize or even listen to isabelas struggles the fact she was supportive and empathic to everyone’s issues but isas (at first) she was too stubborn to put aside her issues with isa! but also her recklessness and impulsiveness tie into this as well.
antonio: I love everything about him he’s so sweet and caring and I love how he returns the support mirabel gave to him! he always believed in her and was her biggest supporter and best friend! also how offered his plushie to comfort bruno when he was nervous! antonio is just such a caring kid!
dislike: nothing literally nothing how can u dislike this baby?
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works-of-heart · 3 days
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The fandom is so lucky to have you! We appreciate having you here and all that you contribute to it ❤️❤️
1. What brought you into the fandom?
2. What character(s) do you feel the most connected to and why?
3. Out of all of SJM’s books, which one means the most to you and why?
4. Out of all of the SJM couples (fanon, canon, endgame, etc) which one means the most to you and why?
Keep doing you ❤️
Awww!! Thank you so much! This really warms my heart!
1. I got into ACOTAR in 2020, I am not sure why I delayed so long, I was eyeing the series since 2018, and decided to dive straight in. Since the first book I was hooked and immediately picked up the rest of the series! I loved it so much but there wasn't anyone else I knew to talk about it with. So I found reddit and wanted to share my feelings.
I found some parts of the fandom so polarizing, and many of my thoughts and likes were the unpopular ones, so I retreated for a while. I recently stumbled back into Tumblr when I found that there were quite a lot of people here who enjoyed the books as I did and art and fics to share. I wanted to add to that, to be in this space and contribute my own works that I've been dying to share and geek out with others.
I've met so many incredible people in this fandom, many who are super talented and skilled artists and writers, others who contribute in their own ways, and I have been glad to be here ever since!
2. Honestly? Lucien and Elain.
Lucien because he doesn't ever really fit in. He's made a home for himself in spring yes, but then thar fell apart. He lost everything and is with two others who have been his companions and made their own way. He doesn't think a whole lot of himself, he doesn't believe he's needed, as he said "a whole lot of nothing." I resonate with this so much. I've had friends whole dumped me and left me for their own group, I've known what it's like to be invited into gatherings but feel so utterly alone and unwanted, those moments really sat with me when reading his parts of the story, and so I'm excited to see him find himself and grow into truly valuing who he is, realizing he isn't just some seventh son of a lord.
With Elain, the way she's seen by her family is something infeel all too well. She's the people pleaser, the one who tries to balance out the bad with good. She's the one people think is just simple, plain, and 'pleasant'. People think she's uninteresting because she isn't causing waves, that she just enjoys her hobbies and that's it. No one thinks she's capable of more and generally deny her of trying anything else. This really spoke to me on a personal level.
I resonate a lot with Elain who tries to make the best of every situation, but also has a side of her that many have yet to see.
3. I don't think I particularly have one that means the "most" to me persay. At least not yet. I would say the CC books hold a special place in my heart. My husband bought HOEAB on audio book and during a long road trip we listened to it and he was so into it, that it made me smile. He enjoys the series and eagerly bought HOSAB audio book so we took a long drive to listen to it.
4. This will come as no surprise to anyone that it's Elucien for me! The moment Lucien lunged for Elain to try and stop her from being thrown into the cauldron, I was already shipping them, and him whispering with shock "you're my mate" I was sold!
I don't know what it is about them, but the potential they have, the slow burn, the thought of Lucien having given up on true love after Jesminda, only to be given a mate in Elain??! I want it all! I want to see Elain and Lucien having the most tsundere romance, the kind where she's denying her feelings aloud as if it would assure her that she's totally not falling in love with him. The way we can see how their powers will sync, and find home in each other. Their relationship reminds me so much of my own journey with my husband that I can't wait to see it unfold.
I could go on and on as to why I personally love these two together, but at the end of the day, they bring me so much joy and have been the inspiration to so much of my artwork. ❤️
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minty-trash · 2 days
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Kokichi is NOT a bad person. I can't believe I have to say this
Kokichi's basic fundamentals of morality include the ideal that "killing is wrong, no matter what." Is that flawed? Absolutely. Does it make him a bad person? No.
He wants as many people to survive the killing game as possible. He wants to prevent any murders he possibly can prevent. Is he good at it? Not particularly. But again, that doesn't make him a bad person.
He convinced Gonta to kill Miu. No manipulation was involved in this case - Gonta was willing to do it for the mercy killing, regardless of what Kokichi said. Even if Kokichi himself didn't believe the mercy killing was the best route, he had to get Miu out of the picture because she would kill him otherwise - then she could have hidden how the digital world works and made a truly unsolvable case. Kokichi didn't want that because not only would he die, but everyone else would, too.
He desperately tried to get Gonta to admit to the murder during the trial because if Gonta hadn't remembered committing the crime, then he'd be "innocent" in a sense. An innocent man Kokichi had condemned to death.
He spiraled after the trial - went off the deep end. His life had no value if he couldn't maintain his own morals, and so he became desperate to end the game.
He pretended to be the mastermind and revealed the truth about the outside world so everyone would be too depressed to kill each other. What would be the point if the reward was just escaping from hell into another hell? He took Kaito to ensure that's what would happen - Kaito is the uniting force of the group and without him, it would be harder to get their will to survive back. He didn't account for the real mastermind interfering.
When it was clear either he or Kaito would die, he was quick to sacrifice himself. Why? Because killing is bad, no matter what - and letting somebody die when you could prevent their death would count as killing. Plus Kokichi had a plan to end the killing game and needed Kaito's cooperation. It didn't work, though. It didn't work because he'd underestimated Shuichi. The plan fell through and the game continued, with two fewer contestants.
The clues left in Kokichi's room led to truly ending the killing game, with many fewer survivors than Kokichi would have wanted.
Does Kokichi's character make more sense now? I swear if I change one Kokichi hater's mind with this, then it was worth it. He is not a bad person - just a mischievous little shit put in a terrible situation. I hope you all can see him the same way I do.
Plus I just wanted to take a deeper look at his character because I love him so much
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takethelx3 · 8 months
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Birthday sketch birthday sketch I love him one of the best hangouts 10/10 he carried Inazuma on his back and yet the people slumber on him
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poorly-drawn-mdzs · 11 months
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Gaslighter? I hardly know her!
[First] Prev <–-> Next
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dirtytransmasc · 2 months
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totally don't imagine little Aegon, maybe 7 or 8, playing with his toys while Sunfyre watched on, pouncing on castles carved from stone and gnaws on little wooden soldiers.
don't imagine him play-fighting with his boy. Aegon and his training sword fighting against the merciless beast that is his little golden fledgling, gently attacking playful claws and flapping wings and nipping beak, parrying when the dragon gets too close. or Sunfyre finally tackling his boy, mocking dragonfire when he screeches in his face, before nuzzling his boys cheek.
don't imagine them curling up in the sun, out in the grass or in a windowsill. Sunfyre spreading his wings over his boy to bask in the light, burying his face in the warmth of the crook of Aegon's neck.
don't imagine the hatchling perching on his bonded's shoulder. don't imagine Aegon sneaking to see him when he was sad or angry. don't imagine Sunfyre crying out in distress, restless in his den when he could feel Aegon's distress but could not get to him
don't imagine the fledgling finding his way to Aegon's window, sneaking in and curling up next to the boy as he laid drunk and miserable, coping as he wrapped around him. don't imagine him perching on the roof of Aegon's chambers, crying to him when he got too big to enter.
don't imagine his sweet little chirps and songs. don't imagine Aegon's little giggles and chuckles. don't imagine the nuzzling of white hair or the scratching. don't imagine them being happy
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itsafternoonpast5 · 7 months
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thinking about their friendship so hard
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rmbunnie · 5 months
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Red Hood Characterization
This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.
I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?
This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!
tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.
Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.
#edit: i am so so open to discussion and disagreement on this but please try to have something substantial to say. god bless!#like ofc jason kills but to me it was less “everyone I've ever killed deserves death objectively”#and more “when people are dead they stop doing things like heinous atrocities and trying to kill me"#i don't even think he wanted the joker dead (only) because he thinks he objectively morally deserves death#although the joker is one of the most extreme cases possible and he if does think that he's VERY justified#i really do think it was just about bruce#and wanting bruce to avenge him to show he loved him and he mattered and wanting his dad to give him security#all the killing was about the clown and everything with the clown was about bruce#i've NEVER forgotten the bit in lost days where he has the joker tied up at gunpoint and doesn't kill him#i think if it was only about a moral greater good situation he would have taken him out then and there#if you disagree i'd love to hear why provided you can be civil and not an jerk#also if you disagree PLEASE PLEASE put screenshots and comic issues if possible#i'd love to check them out and form my own stance on them#just know that if you say like. battle for the cowl. or the Tom King batman annual or something i probably won't care too much#comic characterization is ever-changing and inconsistent i truly believe that the best thing to do is just read the important stuff#and try to form your own stances from there#because there's never gonna be 100% of comics involving a character that align with each other perfectly and that's just a given#jason todd#red hood#dc comics
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gen-is-gone · 2 months
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hrgh every time I think I've come close to forgiving lance fucking parkin I skim the gallifrey chronicles. and then I remember the Horrors.
#listen bc when I read through and play around with AHistory I'm inclined to enjoy and respect his work as a curatative fan historian#but his actual prose writing#it. it beggars belief it truly does it's just atrocious#megan whines into the empty abyss of cyberspace#everyone in the EDA discord who thinks father time is the worst of it oh boy babes the worst is absolutely yet to come#like I get *why* they gave him the last book of the line because he does (mostly) know his lore extremely well#so it kind of makes sense that he'd be picked to wrap up all the myriad loose ends#and also he's well liked and afaik pretty personable unlike some fuckers I could name and didn't spend years burning bridges#but oh my god oh my god literally everything to do with Fitz and Trix is just. awful. terrible.#guy who absolutely does not understand or respect any of the three of that team TARDIS but especially Fitz#also The Thing With Sam#never happened fuck you lance#also given just how many asspats he gives himself over his command of the lore he fucking got Sam's middle name wrong?!#also it's soooo obvious how much he loves Anji because she's a Capitalist GirlbossTM#he really does not grasp her character development or personal arcs but he thinks he's killing it#like she *is* a Capitalist GirlbossTM but that's not all she is but he's not actually interested in her interiority at all#he just enjoys that she's a fiscal conservative#god the fact that trading futures is the literal very next book after Anachrophobia#one of the best books in the series that explicitly calls out Anji's pro-capitalism stance using time-war-for-profit played for utter horro#immediately followed by...almost the exact same premise but Zany RompTM#it's not that capitalists misusing time travel for profit is inherently bad it's just *these guys* who suck#no lesson is learned! then you fucking get to the fucking gallifrey chronicles and Fitz actually deciding that this very same scheme#'wasn't perhaps unethical' just because it's Trix and Anji doing it#like yeah sure Anji and Trix can have a little insider trading. as a treat. but that is literally the definition of unethical lol#the only reason time traveling to acquire stock tips isn't massively illegal is because it's not fucking real like??#of-fucking-course it's unethical you walnut#parkin you smug annoying self-obsessed lore-obsessed pregnancy-obsessed just barely-plausibly deniably not homophobic asshole#I'm avoiding even bringing up the actual beef with TGC because first of all everyone fucking knows but also it's just.#it's such a goddamn shit awful trainwreck#if parkin wasn't a Fitz-hating homophobic coward he would've ended the gallifrey chronicles the same way he ended the dying days. wink.
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themyscirah · 2 months
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It's crying about superman hours
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lord-squiggletits · 6 months
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"Rodimus is a better Prime because it didn't hurt for him to bond with the Matrix while for Optimus it did" headcanon/theory my beloathed.
One day I'm literally gonna snap and make a whole post addressing why what's wrong bc I'm tired of the inaccuracy and tired of ppl not understanding the Point TM of IDW and its version of the Matrix/Primacy and even more tired of people putting down Optimus in favor of Rodimus by essentially arguing that being unworthy means you deserve to be punished/put in pain bc you just weren't good enough to hold the Symbol of Ultimate Authority
#it's wrong on so many levels both in terms of lore and as well as like what the general themes of idw1 are#it's just a validation contest using the matrix as some magical symbol to decide who's the most special#which is ironically something that was a plot point in exrid/OP. specifically how stupid of an idea that is ldskjflksd#ppl revealing that they havent read anything besides mtmte/ll as usual#like half the reason ppl think optimus is a bad prime and rodimus is a good prime is literally bc like#optimus was written by an author who was specifically trying to deconstruct him (sometimes to the point of absurdity)#and rodimus was written by an author who takes a more optimistic/idealistic approach. and is also better at writing#but also like am i seriously the only person who thinks that that argument is fucked up?????#like 'OP felt pain which means he's unworthy/not a real prime/not a true leader'#ok so you think that there's a hierarchy of moral goodness in which anyone who falls short of that Moral Ideal should suffer#as a sign of their unworthiness?? like does that not sound dystopian as hell to any of you?? why would you WANT the matrix to work like tha#even if the theory were true (which it isn't) why would you view the matrix as a good authoritative moral judge of character#if its idea of 'moral judgement' is to inflict pain on anyone who's supposedly not truly good/worthy#wasn't the entire point of the ending of LL (including rodimus being a good leader) that everyone is worth it?#like rodimus literally said 'you ARE damn well good enough' or something like that#so what? everyone else in the universe tries their best and that's enough but somehow when OP suffers it's like#a sign that he's not actually a good prime/leader?? we're really going with the punitive perspective purely for One Guy??#swear to god ppl are projecting their authority issues onto Optimus the way they shit on him for things they would excuse#if any other character did it#Optimus is uniquely deserving of pain/being marked as unworthy bc idk he was a cop once and that offends my delicate sensibilities#what's even funnier is how much harm was inflicted by rodimus as a captain sheerly due to his stupidity or ego but everyone forgives him#i guess bc as long as the matrix likes him that means he's valid no matter what he actually does as a person#WHICH IS SOMETHING IDW ITSELF ARGUED AGAINST BC A LOT OF THE PRIMES THAT WERE CHOSEN BY THE MATRIX#WERE DICKS AND THE FACT THEY COULD WIELD THE MATRIX DIDN'T MAKE THEM GOOD PEOPLE#like oh my god stop using the matrix as an arbiter of moral authority in idw1 it literally goes against the themes of the story#including the themes that are embodied in rodimus himself#idw op love
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4giorno · 7 months
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i got the cutscene <3
#its actually crazy that there was even more content i missed that impacted the story this much#like this rlly illustrated how even tho my character and astari0n have both become better people astari0n is still so behind in that#(we know why ofc. hes still acting like a feral cat trying to self preservere with teeth and nail and all until the very end; the ritual)#my character had his most obvious 'shifting point' at the transition from act 2 to act 3#like he fully realized that this is now truly bigger than himself. he has left marks on the lands and he has to go all the way#he has made true friends. one of his best friends is the kindest most compassionate person in the world#and very importantly he loves astari0n and THAT is the reason he now feels this actual compassion towards the other spawn#hes so personally invested in this issue now#and he can say that 'the world can be a wonderful place if you find your home in it astari0n' bc its something he has just recently had#a personal revelation abt#and astari0n deflects it and describes my character as someone who now 'spends their life sorting out other peoples problems'#and it rlly brings it to focus that he just cannot meet him where hes at anymore#just great conflict that feels actually meaningful and perfectly fits into the roleplay storyline ive made for my character#and omg the line 'im doing this for you too you know. to make sure were both safe. forever' from astari0n is just AAAAAAHDJJDJD. CRAZY#bc we know how toxic he becomes towards you if he completes the ritual!!!!!!#HHHHH this character!!!!! hes just MWAH. perfection#i cant wait until i get to doing the szarr palace again bc this added conflict will make the conclusion of this quest even more satisfying#anyway TOTAL tonal shift time. in start of the cutscene astari0n is standing next to the bed my character was sleeping in#so i can now have the hc that some nights they sleep in the same bed <3#(WELL. you know. my character sleeps while he meditates)
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heirbane · 1 year
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S.hadowbringers gaius is held in my heart in the same place as t.lou2 j.oel and I think that explains a lot
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