#he's the embodiment of chaotic energy when he performs

[crustyfloor]

IM SHAKING I'M ROCKING BACK AND FORTH AND HITTING MY HEAD AGAINST THE WALL...

I initially thought round 7 would be something emotional in the sense that it would be more gloomy and depressing, but no--this is literally some crazy ass upbeat techno-disco rave-themed music....in other words, It feels like a concert this time.

The atmosphere is so energetic I WASN'T EXPECTING IT.

It's interesting how they stand on a stage that symbolizes themselves equally in a meshed sort of way, blue and green, in equal distance and on equal footing, unlike round 5 when Luka used elevation to his advantage a lot, it feels different here. Round 7 feels like a mix of their styles; even the song has a soft tempo with a mix of Till's roughness in there, but the idea that they'll fight for the stage feels somewhat pushed here. They both stand on the stage like they own it, and given their nature, Luka's manipulative personality allows him to dominate the stage with his presence, and Till's unwillingness to be overshadowed and made inferior this feels like on the flip side this round will be a real, and intense competition.

Round 7 is very different because, unlike the other rounds, Luka and Till are rivals. They have no chemistry of any sort. The reason why I say round 7 will be a real competition is because all the rounds before weren't, round 1, 2, 3, and 6 focused on the intimacy and relationship between characters, they were telling a story, pouring their hearts out through their songs, while round 7 will be made into a true death match.

In typical fashion, Luka establishes himself with a sense of superiority as he spreads out, fills the arena with his presence, absorbs the energy of the stage, and captivates the aliens' attention. It's because he's confident, at least outwardly. He sets up the illusion of power this way, but truthfully, he is more controlled than ever. The strings on his costume look akin to puppet strings to me. That kind of symbolism has been shown in his other costumes before, but this feels overbearing, and trapping.

Till is more reserved in the teaser, at least in this example, he's hidden in the shadows, and how he's feeling is ambiguous, though obviously, it isn't anything good, given that he was just thrown on the stage while he's mentally unstable and confused I'm sure that's an understatement.

When Vivinos mentions Till's emotional journey...what mindset Till will bring to the stage...this round is gonna be chaotic as hell

To me, Till looks all sorts of things, and anger is most prominent. He's flashy and loud, and the colors he's represented with are his own, Till embodies rebellion, and symbolizes that he's fighting to push the barriers of his cage, while Luka embraces his. after everything he's been through I'm sure his mind is a thunderstorm of mixed emotions, even just the look in his eyes.. so considering that--his side of things will probably be a lot more messy, but there is a good sign here that shows he seems to have regained his fighting spirit he doesn't look like he'll be going down without a fight at all.

And their body language here in the last frame--The lighting in this frame looks intense, like the weight of those lights is gradually bearing down on them, Till looks strangely slouched over like he's out of it (I believe he may have been drugged by the aliens again..) while Luka, for once, isn't even looking at his audience, he's looking to the side, seemingly distracted. It's notable just how detached they look from their performance and the moment. The detached and performative nature of round 7 highlights how this performance is all merely a high-budget spectacle, entertainment for the aliens as it always was. It's a fitting vibe for Luka and Till, who had gone through the most to make it here just to have every aspect of their personalities marketed, and to be paraded around like trophies by their guardians.

(they don't want to be there, basically.)

And now the title--FOUL. Is how i'd describe it based on my reading of it.

"Blink gone" could be connected to the other teaser, "Never come back again" as in --> "blink gone--and never come back again" is maybe a reference to the things (or people) they've lost in their lives, in seemingly the blink of an eye.

In general, blink gone is related to something fast-moving. So how will that sentiment be expressed in round 7 through their perspectives?

And YET AGAIN. I come back to this official art for another more parallel, I have no idea what the bands around Tills arms are about, but these two seem to correlate. (Or they could mean nothing at all. absolutely nothing at all. But fun fact: wearing black bands on your arm can be representative of mourning)

And Luka's design here, Luka still hasn't changed his aesthetic, so nothing noteworthy other than the fact that his outfit just got more revealing, I can probably see why, if there is an alien equivalent of fan service in the universe of Alien stage. There are lines on his chest that I assume are meant to be scarring? Luka has been said to have had surgeries and experiments before so that little detail they included...ughhhh.

And Mizi will seemingly be showing up for another rescue attempt, but as expected, the area is heavily guarded, more so than in round 6, so this may be a little tricky, and I have no idea how they'll pull it off this time with the atmosphere so intense and the aliens so close to them...

(ALSO CAN WE TALK ABOUT TILL'S ARMS- *gets shot*)

[lynetianya]

Harmony in Jeonju [ Karina X Reader ]

Karina and Y/N embark on a charming date. Their day unfolds as they explore traditional shops, don exquisite Hanboks, and receive heartfelt compliments from locals.

GENRE : Fluff

TYPE : One Shot

In the bustling heart of Seoul, amidst the neon-lit streets and the ever-present hum of city life, there existed a love story that transcended boundaries. Karina, a renowned Korean idol known for her captivating performances and charismatic stage presence, was the embodiment of a whirlwind of energy. Her life was a constant whirlwind of rehearsals, interviews, and fan events. Her boyfriend, Y/N, was the calm refuge in her storm, the one who kept her grounded in the midst of her chaotic fame.

Karina and Y/N's love story had been a source of fascination for the public and media alike. They had met in the most unexpected of ways, and their connection had grown stronger with each passing day. Karina's career demanded a hyperactive lifestyle, but when she was with Y/N, she found solace in his tranquility.

One sunny afternoon in Seoul, Karina had a rare day off from her busy schedule, and she was determined to make the most of it. She had been looking forward to spending quality time with Y/N, away from the flashing cameras and screaming fans. She had meticulously planned their day together, wanting to give Y/N a glimpse of her world and, at the same time, escape from it.

As they strolled through the streets of Myeongdong, Karina couldn't help but notice how her presence attracted attention. Fans recognized her, asked for autographs, and snapped pictures. Karina handled it all with grace and a bright smile, but she couldn't wait to find a quieter spot with Y/N.

"Let's go to that cafe I found last week," Karina suggested, her voice filled with excitement.

Y/N nodded, his calm demeanor unwavering. He was used to being in the background, letting Karina shine in the spotlight. Her fame never intimidated him, and he cherished the moments when they could just be themselves.

The cafe was a hidden gem tucked away from the bustling streets. As they entered, a wave of tranquility washed over them. Soft jazz music played in the background, and the aroma of freshly brewed coffee filled the air. Karina and Y/N found a cozy corner table, away from prying eyes.

As they sipped their coffee and shared a piece of blueberry cheesecake, Karina couldn't stop herself from gushing about her latest music video shoot. She described the elaborate choreography, the stunning costumes, and the adrenaline rush of performing in front of thousands of fans.

Y/N listened attentively, his eyes fixed on her as if she were the only star in the world. "You were amazing Jimin," he said with a warm smile. "I'm so proud of everything you've achieved."

Karina's heart swelled with love for Y/N. She knew that he was the reason she could handle the whirlwind of her career with grace and humility. He was her rock, her constant source of support.

After their coffee, they decided to explore Jeonju, known for its traditional Korean art and culture. Karina was eager to share this side of place with Y/N, and he was more than willing to embrace the experience. They visited antique shops, admired intricate paintings, and even tried their hand at traditional calligraphy.

As they wandered through the charming streets of Jeonju, they stumbled upon a traditional Hanbok shop. The vibrant colors and elegant designs of the Hanboks displayed in the window immediately caught Karina's eye, and she couldn't resist pulling Y/N inside.

Inside the shop, they were greeted by a friendly shopkeeper who showed them a variety of Hanboks. Karina's eyes sparkled with excitement as she carefully selected a beautiful, flowing Hanbok in shades of deep red and gold. Y/N chose a more understated but equally handsome Hanbok in muted blue and silver.

Once they had their Hanboks on, they couldn't help but feel transformed. Karina's Hanbok accentuated her grace and beauty, and Y/N looked dashing in his traditional attire. As they admired themselves in the mirror, the shopkeeper couldn't contain her admiration.

"You two make such a lovely couple," the shopkeeper said with a warm smile. "You look like a perfect husband and wife."

Karina blushed at the unexpected compliment, and Y/N couldn't help but chuckle. "Thank you," he replied, feeling a sense of pride standing beside Karina.

The shopkeeper insisted on taking a picture of them in their Hanboks, and she even helped them with traditional accessories to complete their look. Karina's cheeks remained flushed with happiness as they posed for the camera, their smiles radiating the joy of the moment.

After leaving the Hanbok shop, Karina and Y/N continued their exploration of Insadong, hand in hand. The traditional attire made them feel like they had stepped back in time, and they embraced the rich cultural experience. They shared a meal at a traditional Korean restaurant, where they enjoyed a variety of delicious dishes.

As the day in Insadong drew to a close, they made their way to a peaceful park nestled between ancient buildings. Under the soft glow of lanterns, they sat on a bench, the vibrant colors of their Hanboks contrasting with the serene surroundings.

"This has been such a wonderful day," Karina whispered, her eyes filled with gratitude.

Y/N wrapped his arm around her, pulling her close. "I'm so glad we could experience this together, Karina. It's moments like these that make our love even more special."

As they sat there, surrounded by the beauty of Jeonju and the echoes of traditional culture, Karina and Y/N shared a sweet kiss, sealing the memory of their day in Hanboks. In that moment, they felt like a harmonious blend of tradition and modernity, a couple whose love transcended time and place.

Amidst the serene beauty of Jeonju, Y/N and Karina found a sense of peace that was rare in their hectic lives. As they watched the sunset from a quiet park, Karina leaned against Y/N, her head resting on his shoulder.

"Thank you for being my anchor, Y/N," Karina whispered, her voice filled with emotion.

Y/N gently kissed her forehead. "I'll always be here for you, Karina. No matter how crazy life gets, you can count on me."

The sun dipped below the horizon, casting a warm glow over the city of Jeonju. Karina and Y/N shared a silent moment, their hearts entwined in a love that defied the chaos of fame and the calm of ordinary life.

As they walked hand in hand through the streets of Jeonju, the city lights shimmering around them, Karina couldn't help but smile. She knew that their love story was extraordinary, a beautiful harmony in the midst of the vibrant chaos of their lives. In the bustling heart of Jeonju, Karina and Y/N's love was a melody that would play on forever.

END

My Masterlist

[ferie-anon]

Wayv dissection of birth-chart (Big 5 placements)

Note: Wayv’s group synastry is very compatible or balanced in a way, which also makes sense why their teamwork is great and their bond as a family.

Kun: January 1st 1996

Capricorn sun • Taurus moon • Capricorn mercury • Aquarius venus • Capricorn mars

With a capricorn stellium in his big 6, he rlly embodies the discipline and maturity of that energy, him being the leader and also caring for the members like a dad. He is strict yet knows when to have fun or let the members fool around, as his taurus moon paired with his capricorn sun makes him more chill yet draws the line at certain things. The way he conveys himself and leads is evident in his capricorn mercury, as he is responsible and practical. The members trust and rely on Kun for his reliability and sense of responsibility.

Ten: February 27th 1996

Pisces sun • Gemini moon • Aquarius mercury • Aries venus • Pisces mars

Chaotic energy and creativity 100x in his big 6 lol. He has a lot of ideas and creative vision that he can unleash thru projects such as his solo songs, his dance, and on top of that he can draw and etc. He’s also witty, sassy, and can make a killer comeback line, which Ten having all the star quality to capture the public’s attention. He does well on variety shows with tidbits and tea on other members which helps with the comedic timing of things. His placements also make sense for his free-spirited nature, how he follows his heart and has so many creative ideas to go with. He goes with how he feels on how to artistically convey the songs, appeal to the audience, and that makes him a great artist in the idol industry. A strong breeze thru kpop industry is wut Ten is.

Winwin: October 28th 1997

Scorpio sun • Virgo moon • Scorpio mercury • Sagittarius venus • Sagittarius mars

Quiet yet hardworking and sharp, Winwin is adored for how hard he works for what he is passionate for (eg. Acting, performing in nct). Also pretty witty and sarcastic with his wayv members and nct. He wants to show his mature and cool sides a lot but also he is seen as endearing and adorable on the way he practices and tries earnestly. Sagittarius venus and mars individuals are naturally athletic and have a knack for dancing and learning the key points of dance moves, it can explain why winwin is rlly good at dancing and grooving, plus predebut he was in a dance school in china I believe. His sag mars makes sense for why he delves into multiple hobbies or interests, this can be expressed thru his career or as a side-skill he would develop. Its probably why hes interested in acting career too. With his scorpio sun and virgo moon perfectionistic yet passionate nature, he’s able to express his artistic and musical expression and perfect it naturally.

Xiaojun: August 8th 1999

Leo sun • Cancer moon • Cancer mercury • Virgo venus • Scorpio mars

Sensitive yet thoughtful, he is usually the one receiving pranks and jokes from the other members yet he has a high eq (emotional intelligence) and the members usually joke with him becuz he’s quite expressive and they like seeing his reactions. He’s understanding and thinks about things genuinely which is why he can get worked up sometimes but in a endearing way to fans. He cares for his members and is very pure in the sense he does his best with passion and love, performing and singing - he’s good at expressing or getting into emotions (leo sun and cancer moon) which is why he also acted in a c-drama. Since he’s good at expressions and etc, when he’s performing his stage presence and key moves are very eye-catching.

Hendery: September 28th 1999

Libra sun • Taurus moon • Libra mercury • Leo venus • Sagittarius mars

His big 6 screams chaotic energy and expressiveness. He has a lot of fun or ideas in him which he can bring to light on stage and thru other creative endeavors. With his taurus moon paired with his libra sun, he may be grounded depending on his environment as seen between interactions with wayv vs. other nct units. He was more shy or quiet when with the other nct units during make a wish promotions and etc since that was the first the wayv members were introduced to the nct units comebacks. He is understanding and conscious of how to interact and once navigating the waters he’ll adapt and show himself more. His comedic timing is gold with libra mercury + leo venus + sag mars, so making other people laugh and being dramatic is his love language in a way. He is witty, knows when and wut to say, overall the spot of entertainment. He goes with the flow at times and hits up with a comedic line or dialogue that matches up with the situation or mood.

Yangyang: October 10th 2000

Libra sun • Pisces moon • Scorpio mercury • Scorpio venus • Virgo mars

All rounder prankster maknae is wut his big 6 screams. Yangyang being a libra sun with water energy of scorpio and a pisces moon makes him very creative and passionate. His pisces moon makes him sensitive to others reactions or aware of it, he’s understanding and receptive of others reactions and dynamics. His scorpio mercury paired with his pisces moon makes him playful and loves to joke with his loved ones, whether thats thru witty lines or roasting them. His scorpio mercury paired with his sun and moon placement makes him inquisitive and one to get to the bottom of things if he wanted to, which can contrast his duality of being playful and all but then he can be very “sharp” when focused on something. His venus and mars placement would further refute his work ethic with his attention to detail and organized approach paired with passion and drive to complete something when he wants to, whether thats thru solo projects, dance performances, etc. Yangyang puts his all, passion, thru wa lot of things, which is why he can rap, dance, and sing — and works to hone his skills which is why he’s well rounded in most of the skills an idol needs.

[wheredidalltheusersgo]

any ocs idm :) you can tell me about whichever ocs you like, I saw some art of them and I'm interested

—🦣

Well, I guess I'll cover the OCs I've actually posted about! I'm not good at explaining things in general and I do better with answering individual questions, but I'll do my best with these descriptions!

Worlds Collide!

Name: Alita Torren Age: 32 Nationality: German/Scottish Identity: Cis girl, Bisexual as hell Pronouns: She/her Species?: Wolf kemonomimi She's a party animal with a love for all things wild. She currently leads a superhero team called "The Sundown City Guardians." Her team means the world to her. She's got a rough exterior with a great sense of humour and a heart of gold. She's also a loose cannon and a real heavy-hitter. She's known to get riled up really easily, especially in battle. Her weapon of choice is a giant mecha-sledgehammer. Alita still holds on to childhood guilt from her best friend's death, which was the result of a hate crime. Her death is what inspired Alita to become a hero and fight against injustice in the world. She has a boyfriend named Archimedes, he's a dove harpy. She can be a bit vulgar and aggressive at times, but it's all part of her charm.

Name: Keiko Okami Age: 16 Nationality: American/japanese Identity: Girlthing?? Aro/Ace Pronouns: She/they/any tbh Species: Human After her biological parents seemingly disappeared off the face of the earth when she was barely a year old, she was adopted by a family friend and raised as his own. She decided she wanted to learn magic at a young age after witnessing her adoptive father perform a simple spell. He was unsure about letting her learn magic at first, but he eventually gave in to their demands. They were a pretty quick learner, though she's not at her maximum potential yet. She has almost NO friends, your honour. She's too unhinged to hang out with most kids her age, especially since her hijinks could get them hurt. They are THE embodiment of chaotic good. The closest thing they have to a friend is the Russian/Norwegian man in her neighbourhood who has a dark past and almost never leaves his house. They have a love for alternative fashion and art.

I'd write more but I ran out of energy. Might make a follow-up sometime in the next month

[denimbex1986]

'Doctor Who has long been known for its chaotic camp energy and nothing encapsulates this better than the musical numbers scattered throughout the iconic BBC sci-fi series.

Returning showrunner Russell T Davies certainly seems to love ensure that a banging soundtrack accompanies the hit British TV favourite: That was made clear early on in the season one reboot when “Toxic” by Britney Spears and Soft Cell’s “Tainted Love” played as “traditional Earth ballads” while the planet burned in “The End of the World”, set in the year five billion.

In recent years the show has had a particular penchant for including needle drops, dance breaks and powerhouse musical scenes for its characters, especially the villains. At this point, it’s amazing that there hasn’t been a dedicated musical episode as some sci-fi fantasy shows such as Buffy the Vampire Slayer – have famously done.

In a recent interview, Davies explained why he loved giving his Doctor Who antagonists a spectacular musical number as they enact their evil plans.

“In all great pop music, there’s a savagery to it… It’s like in the middle of a song, people are being slaughtered. It’s pure Doctor Who, isn’t it?” he said during the episode commentary for “The Giggle”, the third of three 60th anniversary specials.

“I’m always using pop music like that. There’s a darkness in there somewhere. The relentlessness, that’s the word. There’s a ruthlessness to pop music.”...

5. ‘My Angel Put the Devil in Me’ from ‘Daleks in Manhattan’ (2007)

We feel bad putting the only musical number not performed by one of The Doctor’s enemies at the bottom of this list, but it falls just short in the face of some truly stellar – and villainous – competition.

We also apologise because Tallulah Francis’ dazzling cabaret performance of “My Angel Put the Devil in Me” is a standout moment from the season three episode “Daleks in Manhattan”.

The glittering outfits, the sultry (and gorgeously synchronised) choreography and dreamy encapsulation of 1930s New York all blend together to make this a performance to remember.

Kind-hearted, devilishly smart and supremely talented on stage, is there anything Tallulah “Three ‘l’s and an ‘H'” Francis, played by Miranda Raison, can’t do? We think not. Well, aside from topping this ranking, of course.

2. ‘Spice Up Your Life’ from ‘The Giggle’ (2023)

Placing Neil Patrick Harris’ musical number as The Toymaker in “The Giggle” as runner-up was not an easy choice given that his performance is truly spectacular, high-camp and unnerving in equal measures.

The Toymaker was lip-syncing for his (and everyone in the building’s) life as he went on a tyrannical rampage while dancing to 90s classic “Spice Up Your Life” by the Spice Girls, dressed in a classic toy soldier’s uniform. A murderous musical number for the ages.

1. ‘I Can’t Decide’ from ‘Last of the Time Lords’ (2007)

A controversial pick for the win, but just forcing its way to victory is John Simm’s inspired performance to Scissor Sisters hit “I Can’t Decide” in the season four finale “Last of the Time Lords”.

Put simply, “I Can’t Decide” walked so “Spice Up Your Life” could run, and we would be nowhere without it. The song perfectly captures Simm’s maniacal take on The Master opposite David Tennant’s (aged-up) 10th Doctor.

He’s a Teletubbies lover, king of needle drops (who can forget the moment he blasted Rogue Traders’ “Voodoo Child” while the Earth is being ravaged), and the true embodiment of a crazed villain.

It’s camp and crazy, and, tragically, many Whovians have been criminally deprived of the full scene over the years after it was left out of certain streaming versions. Some may think it is dispensable, but we certainly don’t. This is a John Simm stan page only.'

[themovieblogonline]

In FROM Season 3, AJ Simmons doesn’t just play Randall—he owns the role. The sharp-tongued, lone wolf of the mysterious town has quickly become a fan favorite for his chaotic energy and unpredictable nature. Recently, I had the chance to sit down with AJ Simmons, and let me tell you, the man behind Randall is just as fascinating as the character he portrays. From Dancing to Acting: AJ’s Journey AJ’s road to acting wasn’t exactly conventional. Growing up in the UK, he started with dancing as a way to stay out of trouble. But when his mother nudged him into a local production of Bugsy Malone, everything changed. AJ found himself hooked on performing—not just moving but speaking. “I didn’t want to do it,” he laughed. “But once I got on stage, something clicked. I realized how much I loved using both my body and my voice to tell a story.” That love for storytelling eventually brought him to the chaotic world of FROM. Randall: Hero, Villain, or Just Misunderstood? Randall isn’t your typical hero, and that’s precisely why fans are obsessed. AJ explained how he approaches playing a character with such a tough exterior: “Randall’s not evil, but he’s not your ‘trust-fall’ kind of guy either,” AJ said. “He’s pragmatic, self-reliant, and deeply skeptical. Honestly, if I were thrown into that town, I’d probably react the same way—thinking everyone’s nuts and refusing to trust anyone.” Randall’s journey through Season 3 has been intense, from battling inner demons to clashing with other characters. AJ shared how the bleak Nova Scotia filming location helped him embody Randall’s paranoia. “It’s rugged, remote, and just... harsh,” AJ said. “Perfect for getting into the mindset of someone who feels completely isolated.” Fan Theories and the Mystery of FROM Fans of FROM love to speculate, and Randall is often at the center of wild theories. One popular idea? That Randall is somehow tied to the mysterious “man in yellow.” AJ laughed when I brought it up. “I’ve heard everything. Randall’s the man in yellow. Randall’s Martin. It’s wild, but honestly? I don’t know any more than you do!” Despite the secrecy surrounding the show, AJ admitted that not knowing the full story helps him stay authentic in his performance. What’s Next for AJ Simmons? When AJ isn’t busy portraying Randall, he’s working on a personal project—a short film he wrote and directed. The semi-autobiographical story about two tap-dancing brothers showcases his passion for creating his own narratives. “It’s been a labor of love,” AJ said. “I’m excited to see where it goes during the festival circuit.” As for FROM, fans can rest assured that AJ Simmons is ready for whatever chaos Season 4 brings. Why You Should Watch This Interview AJ Simmons doesn’t just play Randall—he gets to the heart of what makes him tick. Whether you’re a die-hard FROM fan or new to the series, AJ’s insights will deepen your appreciation for the show. So, what are you waiting for? Dive into the full interview and uncover the mystery of Randall, the man in yellow, and AJ Simmons himself. Read the full article

[evolvegt8]

Evolve GT’s Top Racing Legends: A Look at Our Star Riders

At Evolve GT, we don’t just build high-performance motorcycles; we also cultivate and support some of the most talented riders in the world of motorcycle racing. These athletes are more than just competitors — they’re legends in the making. Each one brings a unique blend of skill, grit, and passion to the track, pushing the boundaries of what’s possible on two wheels. As a company committed to advancing the sport, we take great pride in the success and achievements of our riders, whose dedication and determination have helped shape Evolve GT’s identity.

The Heart of the Team: Our Riders

When you think of Evolve GT, you think of not just top-tier engineering and cutting-edge technology, but also the heart and soul of our team — the riders who fearlessly push our bikes to their limits. These riders are the embodiment of the racing spirit: bold, fearless, and always striving for excellence. Through their partnership with Evolve GT, they’ve reached new heights in their careers, while also helping us refine our motorcycles to meet the rigorous demands of the track.

One rider who has become a standout star in the world of sport bike racing is Maximilian “Max” Fischer, a name that resonates with both seasoned fans and newcomers alike. Fischer’s career trajectory is a testament to his relentless pursuit of victory. Starting from local competitions, Max quickly made a name for himself with his razor-sharp focus, natural ability to read the track, and unmatched determination. His rise to prominence in the racing world was marked by several key victories, particularly in high-profile events where his consistency and precision under pressure set him apart from the competition. His partnership with Evolve GT came at a pivotal moment in both his career and the company’s evolution, allowing him to compete at the highest level with the very best motorcycles on the market.

A Rising Star: Emily “Thunder” Tran

Another rider who has captured the attention of the racing community is Emily Tran, affectionately known as “Thunder” for her explosive speed and aggressive riding style. Tran’s journey to the top wasn’t an easy one, but her unrelenting drive to prove herself has made her one of the most exciting riders to watch in the sport. As one of the few women in the competitive world of motorcycle racing, Tran’s success has been an inspiration to countless aspiring riders. Her partnership with Evolve GT has helped push both her and the company toward new technological advancements, especially in aerodynamics and suspension systems. With each race, she continues to redefine what’s possible for female riders, breaking barriers and setting new records.

The Veteran Legend: Antonio “The Bull” Delgado

No discussion about Evolve GT’s star riders would be complete without mentioning Antonio “The Bull” Delgado, a true veteran of the sport. With over two decades of racing experience, Delgado has seen the evolution of the sport firsthand. His calm, strategic approach to racing is a stark contrast to the often chaotic energy of the track, and it’s one of the reasons why he’s consistently able to outmaneuver competitors. Delgado’s legacy includes multiple national championships, countless podium finishes, and a reputation for being one of the most reliable and skilled riders in the world. His experience and insights have been invaluable in the development of Evolve GT’s racing motorcycles, helping the company refine every aspect of their design, from engine performance to ergonomics. Despite his success, Delgado remains humble, always looking for ways to improve and to help the next generation of riders reach their full potential.

The Future of Evolve GT Racing

These riders — Max Fischer, Emily Tran, and Antonio Delgado — represent the core values of Evolve GT: innovation, dedication, and a passion for pushing the limits of what’s possible. Each rider brings their own style and strengths to the team, but they share a common goal: to race at the highest level and to inspire the next generation of riders. The lessons they’ve taught us about performance, perseverance, and teamwork have shaped Evolve GT’s commitment to excellence both on and off the track.

As Evolve GT continues to grow and evolve, we remain committed to supporting our riders as they chase greatness. Our star riders are not just ambassadors for our brand; they are the driving force behind our pursuit of excellence. Their achievements fuel our passion to innovate, and we’re excited to see what the future holds for them — and for Evolve GT — as we continue to make history together.

Conclusion: Racing Beyond Boundaries

At the end of the day, the sport of motorcycle racing is about more than just speed. It’s about pushing beyond boundaries, taking risks, and testing the limits of human performance. With riders like Fischer, Tran, and Delgado, Evolve GT is not only at the forefront of innovation, but also in the business of crafting legends. These riders have redefined what it means to be a true champion, and we’re proud to have them as part of our journey. As they continue to dominate the track and break new records, we know that Evolve GT’s legacy will live on through them.

You may visit here:https://evolvegt.com/professional-motorcycle-racing-legends-to-motivate-yourself

[withleeknow]

oml I'm glad you had the best timee - the COLOURS, the ENERGY, it looks so pretty 😭✨️ the way I would've started bawling at my universe, you're a stronger soldier than I am 🫡

igwym abt heeseung - I literally tagged one of my posts “the embodiment of hot girl summer” (but really he's also the biggest dork and gives major 🥟 vibes. exhibit a: https://tinyurl.com/258ywev7 oh his smile:')) oh and that hair colour? he fckn owns it and I want it immortalised, like how our felix is now a natural blonde 🐥

also my algorithm was on one today: https://tinyurl.com/mr28ua3e - idk if you've seen how pretty the concept is for enha's new album package (I've yet to press the “preorder” button but it's so v tempting) and to be completely honest I'm battling with the contrast of emotions I'm feeling towards their cb vs. skz's 😟 confession time: I started stanning just before the run-up to their 5-star era and the energy was unparalleled; as fun as this teaser was and knowing how hard the boys tirelessly work to produce the content they do for stays, my heart's just not in this season's lead-up in the same way. your thoughts? ♡ it's a massive ick I can't just ignore sorry for the vibes here, have our resident dumb and dumber's single braincell as tax https://tinyurl.com/3nu5m8dk 🩷🩷

have my universe !! it was one of my favorite things that they performed that night and also one of the only two performances that i filmed from start to finish !! god it was just so amazing, truly an unforgettable experience and i'm still not over it. please excuse the shaky camerawork lol i was trying to contain myself 😂

heeseung really does own that hair color !! and especially when it's styled ?? OOOOF my guy chill 😭😭😭 yesterday i came across a jayke video (wish i could attach here but i lost it alsjjdjs) and it made me wanna start en-o'clock so bad just to witness their chaotic asses

ooooh i didn't know that enha is having a comeback soon! i LOVEEE anything that has to do with (love) letters sign me up 😩

honestly i get you. i usually don't get that excited about album releases anyway - bc there's still a chance that i won't like it when it comes out so in that case the excitement would be for nothing yk? but yeah with the upcoming skz comeback i'm feeling some type of way about it. i still feel a little out of place on skzblr (even though it'll be one year for me in october) and there are things that i feel like i'm not entitled to have an opinion on, but i did sort of fall out of them a little bit after the met and the [redacted] collab. it was starting to get better again but then after the cb announcement and the reminder that the collab will likely be on the album, i'm feeling 🥴 again. it's weird idk, i just hope it comes and goes quickly so we can put it behind us for good lol

HIS LAUGHHH i am obsessed with his stupid laugh 😭 hyunjin's laugh is one of my favorite sounds fr :((((( god they really are our dumb and dumber

[rainydawgradioblog]

A. Savage showed me I can write a decent song (I’m delusional)

My first major purchase after arriving in Copenhagen last summer was a ticket to see Andrew Savage’s European tour in February. The legendary Parquet Courts co-frontman played Ideal Bar in Vesterbro with his band Midnight Stew to a crowd of me and 99 tall mustachioed film bro-looking Danish lads in their 20s and 30s. I fit right in wearing my artsy new A. Savage “Riding Cobbles” t-shirt, as Andrew convinced me with his lovely little tunes to write a song of my own.

Andrew’s visual aesthetic had me straight to Ticketmaster before his latest album Several Songs About Fire even dropped. Everything he rolled out in promo shoots, cover art, and concert merch was drenched in David Hockney meets “The Adventures of Tintin” meets the doodles on the back of my middle school binder. 

Paired perfectly with the cartoony visuals, the music of Sevel Songs About Fire boils down melodies to a uniquely simple formula. Nothing is overcomplicated, leaving plenty of room to feel every chord change and focus on his glorious rusty voice, which is down-to-earth but also smooth enough to make me think he could burn the house down singing Frank Sinatra hits if he wanted. Andrew’s style makes great songwriting feel like something that anyone with a shitty guitar can do, and that’s not meant to sound shady. 

Another major draw to Andrew’s music is his lighthearted pessimistic humor that he throws all over his lyrics. It’s the same humor that my dad’s college buddies who never had kids embody. You can tell he’s got a weird whimsical take on the world in the way he phrases his feelings. “My weekly dinner of popcorn and Coke / Every Friday, like communion that I took as a joke” in the intro “Hurtin’ or Healed” is objectively a bit bleak but you can’t help but smirk and hope you're as witty as him at age almost 40.

I can thank Andrew and his band Parquet Courts for my appreciation of art punk and a lot of the politically charged folk rock I obsess over today like early Courtney Barnett and Fontaines DC. The band’s pop art aesthetic and funky yet punky take on indie rock recontextualized a lot of harsh punk aesthetics into something that made a lot more sense to me when I was first getting into music. Album’s like Wide Awake and Human Performance were palatable but gritty enough to slap some taste into my teenage brain.

Where Andrew’s solo work deviates from Parquet Courts is his more laid back take on songwriting, packed full of energy without doing the most. He’s got a handful of chords and progressions that are standard but still sound so uniquely his own. Hearing a song like “Le Ballon” or his latest single “Black Holes, the Stars and You” put Andrew’s skill at building tension and emotion with just a few particular chords and subtle melodies on full display.

Most of the emotion conveyed on Sevel Songs About Fire is rooted in finding comfort in simple pleasures and observations in a life far from a sense of home. Living all the way in Denmark, I listen to “Riding Cobbles” bumping down the cobbled Copenhagen streets, “My New Green Coat” while wrapped in my new thrifted Bob Dylan jacket, and “Mountain Time” watching the geese fly in Vs like they do in the Cascades back home. 

To me, the album is music to ramble to– it’s the music you listen to with your thumb out on the side of the road with a knapsack tied to a stick over your shoulder. I listened to the new album for the first time while waiting for trains between Berlin and Copenhagen, anticipating a long bus ride to Stockholm the next day. Being on exchange often felt chaotic, trying to experience as many new things as I could without a lot of regard to my ability to settle down, and Sevel Songs About Fire is exactly that. Andrew mentioned during his set that he loves touring because he has the unique ability of finding a sense of home in a lot of places, something I wish I was better at.

After Andrew’s show, I picked up my very own $35 guitar from the charity shop down the street and started thinking about tiny observations or inanimate objects that made me feel any kind of something. However insignificant these things seemed, they were unique to me which is exactly why Andrew’s music is so important. Several Songs About Fire was never about reinventing the wheel but more about a unique perspective and personality using the bread and butter of what makes a great song. 

I beg of you please listen to Several Songs About Fire and after you’ve realized it’s your favorite album ever I’d give his debut album Thawing Dawn a listen. For more political indie rock stuff I’d listen to Parquet Court’s Wide Awake and if you like it even punkier, try Light Up Gold. 

You’re welcome!

Mead Gill

[charlesbarnett]

Rock to Prose - The Evolution of a Guitarist Turned Teacher

Every musician's journey is a magnificent symphony of personal growth and artistic development. It begins with the first awkward yet determined plucking of guitar strings, evolving into captivating solos that illuminate the stage. However, for a select few, this journey takes an unexpected turn, transitioning from the spotlight of rock performances to the warm glow of a classroom. Their mission? To ignite a passion for music and bestow their exceptional guitar prowess upon the next generation of music enthusiasts. Charles Barnett Wade Hampton, a seasoned guitarist and esteemed music educator, embodies this transformation. His career serves as a testament to the harmonious fusion of performance and education, as he has shared his talents with renowned bands like Josh Dockins and The Dark Lady, Rumor Jenkins, The Falls, and The Sheriff's Daughter. Moreover, he has dedicated 13 enriching years to mentoring young talents at D.R. Hill Middle School in Spartanburg County, South Carolina.

Every musician, no matter how legendary they may become, has an origin story. It's that pivotal moment when the magic of music first enchants their soul. For our protagonist, who shall remain nameless, this transformative moment arrived during their teenage years. The seductive allure of rock music, with its raw energy and unbridled power, struck a deep chord within, igniting a fervent passion that would become a lifelong calling. As the years went by, the guitar became an inseparable part of their identity, a means of expression, a conduit for their emotions and experiences. Through relentless practice, they honed their skills, joined a band, and began performing in smoky bars and intimate venues. The thrill of performing live, the intoxicating rush of adrenaline, and the electrifying roar of the crowd all fueled their unquenchable passion for rock music. Charlie Barnett Greenville SC

Charles Barnett's rock 'n' roll days were undeniably legendary, leaving an indelible mark on the timeline of music history. The leather jackets, majestic guitar riffs, and unforgettable performances painted on the vibrant canvas of his youth defined a thrilling, adrenaline-fueled lifestyle. While this exhilirating allure captivated many, for Barnett, it served as a stepping stone. Amid the chaotic bliss of his music career, a profound transformation began to take shape within him, resonating with a different rhythm - the rhythm of teaching. This quietly growing passion sought to give back to the world of music that had gifted him so much. Guided by this desire, he dedicated himself to inspiring and nurturing the talents of budding guitarists, lighting up their individual musical journeys. This commitment would ultimately shape his lasting legacy, not just as a celebrated musician, but also as an influential mentor.

Alongside his former bandmate Brooks, Charles Barnett transformed his Lyman-based studio into a safe haven of musical exploration. It was more than just a teaching space; it was a vibrant hub where he could impart his love for music to individuals across all walks of life. From young beginners finding their rhythm to seasoned musicians seeking to refine their craft, all were welcomed to experience the transformative power of music. For Barnett, the joy of teaching went beyond fundamental guitar techniques and music theory. It was about sparking a lifelong passion for music in his students, cultivating a space where creativity and self-expression could flourish. His commitment to his students and his love for music continue to cement his legacy as an influential figure in the world of music education.

Teaching guitar, he soon realized, was not a one-size-fits-all endeavor. Each student possessed a unique learning style and specific aspirations. Tailoring lessons to suit the individual needs and goals of their diverse students became imperative. It wasn't just about imparting technical proficiency; it was also about nurturing a deep appreciation for the art and encouraging exploration across various musical genres. They endeavored to inspire his students by sharing the stories and history of legendary guitarists. By doing so, he hoped to ignite a passion for music that transcended mere technical proficiency. His classroom became more than just a place of instruction; it evolved into a sanctuary for personal growth, creativity, and self-expression.

Charles Barnett's influence transcends the boundaries of his music studio in Spartanburg County. His genuine passion for teaching and unique approach to music education have made a profound impact on countless lives. His students, many of whom have embarked on their own musical journeys, continue to carry forward the invaluable lessons they learned from him. Beyond just chords and melodies, they understand the transformative power of music for self-expression and personal growth. The legacy of Charles resounds in every strum, every note, and every song his students play, a testament to his unwavering dedication and profound love for music.

The journey of a guitarist turned teacher serves as a poignant reminder of the transformation that is intrinsic to the life of a creative soul. It's a transition from the dazzling lights and adoring fans of the stage to the quieter moments of enlightenment in the classroom. It's a process of passing on the torch of passion and knowledge to the next generation, igniting their love for music, and assisting them in discovering their unique voices through the strings of a guitar.

The life and career of Charles Barnett exemplify the transformative power of music and education. His journey from rockstar to esteemed teacher highlights the profound impact that can be made when passion is combined with a purpose greater than oneself. Today, his influence echoes through the walls of his Lyman studio, resonates in the melodies played by his students, and resides in the heart of Spartanburg County's music community. This enduring legacy is a testament to his unwavering dedication, boundless inspiration, and deep love for music, destined to inspire generations to come.

[struggle-but-its-all-ocean-floor]

I do think he toned it down for karmy. Just like Jimin when he altered his choreo. I personally don't really like the korean dancers :/ The performance just felt too technical while the American dancers feel like they actually embody the song. I'm jungkooks #1 hype person but this performance was meh to me. It just doesn't compare to the times square performance.

What has been your favorite SNTY performance (excluding iheart)?

Tbh, I also thought he toned it down, but maybe he didn't? Watching his recent performances, they're less precise in general. But maybe he was more subtle about the crotch grabbing, which I appreciate. I have to agree with you about the backup dancers actually, despite what I said. The Korean dancers are more coordinated, but I also found myself missing the more chaotic performance. I wouldn't say the American dancers embody the song though.

Ironically, I think MCountdown's SNTY performance has become my favorite performance after iHeart, and maybe TSX? I like that JK sang more at MCountdown and his outfit was great. I actually love the performance that didn't air the most. But the NY performance has his real, unedited vocals, and the energy is great...

Thanks for the ask!

[niuniente]

Looking at Joon, I just realized he’s exactly like the characters I got to play when I was acting in my early 20′s.

I spent around 10+ years without really speaking to anyone unless I was spoken to - which happened so rarely I still remember every single moment someone spoke to me in those 10+ years. Why? I was so badly traumatized I was more like a ghost than a human being. Completely shut off from people and life. Even at the theater with the group I acted with, I was a mute ghost.

Yet, when I got on the stage, it was a completely different story. No one had as much confidence, fire and this chaotic riot energy as I did when it came to acting. I got all the villain roles, crazy roles, aggressive roles, loud roles. If it needed chaos, Niu was directors choice lol. The very first time I stepped on the stage in a practice to take a place of a missing actress in a very aggressive role and pulled that through without no hesitation bitch, the WHOLE FUCKING THEATER GROUP WAS SO QUIET AND SHOCKED YOU COULD HEAR A PIN DROP.

When Joon appeared suddenly, I thought to myself that he’s not my kind of a character, how interesting that he appears.

Now I get that we have a lot more in common than I realized lol.  He’s like my actor side. Only see on stage (and whenever I riot against injustice which I have done since I was a kid lol).

Ah, I miss playing chaotic heartless villains. I’m really good at those roles.

[svtgg]

Edyth's Relationship With Maknae Line (Seventeen 16th Member)

Edyth is the 16th member of Seventeen. She is a 97liner and the main vocal of the female subunit Quartz. Here is a basic description of her relationships with the members. This post includes 97, 98, 99, and 00liners.

Seokmin: Angel and Devil duo. They have the same amount of energy and are incredibly naïve, it's just that Edyth intentionally causes chaos, and Dk doesn’t. Their vocals omg, they have multiple duets (OST’s) and they always go viral. They are always trying to one up each other, whether it’s a tricky vocal run or who can reach the highest note, they are actually very competitive. They bicker a lot and it is their trademark. Edyth will protect Seokmin whenever she can, he is very emotional and Edyth will never make fun of him for crying or anything like that.

Mingyu: Mingyu is Edyth’s for-lifer. She tells him all of her secrets, goes to him if she’s having a bad day, and vice-versa. Mingyu is actually the human embodiment of a golden retriever, and Edyth is the human embodiment of a a husky (over dramatic, loud, and sometimes dumb) so they really are such a cute pair. They get very giggly around each other… and it annoys Seungkwan lol. Edyth is very close with all the 97 liners (in SVT and friends), but Mingyu holds a special place in her heart. Also musically an interesting duo, Mingyu is trying to get Edyth to rap but she refuses, saying she sounds like a kid.

Minghao: They are literally “dumbass” and “oh my god, they're MY dumbass.” but they're also “chaos” and “chaos enabler.” And it’s great because they get to switch rolls. Edyth can always get the8 to have fun and relax. Minghao is like in love with her omg, it's one of the most popular ships in the fandom, since they are always talking about each other, praising each other's work, going on lunch dates together, heart eyes toward the other one. They go to all of the 97’ liner hang outs together. Jun and Edyth jokingly fight over Minghao and he likes the attention lol.

Seungkwan: Make fun of each other so much. And they argue A LOT. On screen, they play this chaotic duo that bickers but off screen they are very lovey-dovey. When they bicker, Mingyu often has to play the role of peace-keeper, coining them as an iconic trio. Edyth and Seungkwan would do Vlives where they just sing karaoke for hours on end and it was so cute,, so many iconic moments. All of this being said, there is a lot of respect for each other. Edyth gets the least amount of lines among the main vocals, getting even less than most of the members and Seungkwan is always pushing for Edyth’s vocals to be properly showcased. In case either of them miss a schedule, they sing/perform the other person's part.

Vernon: They bond over their very similar childhoods. Both have one English-speaking parent and one Korean parent. Both were child actors. They are not seen on camera together very often, but if so, they have one of two interactions: constantly teasing one another, or sitting together in radio silence (usually watching some sort of movie or tv show together). Musically they are a very interesting pair because of how different their styles are, Carats think this is an underrated duo and are pushing to get more content of the two of them.

Dino: Dino didn’t like Edyth at first. He thought she was too girly and didn’t really fit Seventeen’s concept. This was until he woke up one day at 3 am and realized that she wasn't in bed. He looked around the door, only to find her silently practicing with earbuds in their living room. Dino offered to help her, and they practiced outside to not bother anyone. That is the exact moment that Dino gained respect for her and after that he saw all of her talent that he was neglecting to acknowledge because he had been so close minded. He is always in awe of her vocal range.

Yun: Soulmate energy. They instantly clicked. Edyth had a reputation of being quiet and shy but when she met Yun, they immediately got along. It shocked everyone around them. Edyth is logical and pushy, this gets Yun going and Yun is energetic and warm enough that Edyth is comfortable being herself around her. There are fan made compilations of the two of them holding hands and Yun dragging Edyth behind, both with smiles on their faces. They have strengths in diff things (Yun in dance and Edyth in singing) so they always help each other out. Edyth often needs help with learning and memorizing choreography and Yun always offers it. Since they love each other so much, they can always count on the other to be honest about any situation.

[nclkafilms]

When all leaves are lost

(Review of ‘The Father’)

*Warning: contains minor spoilers*

Having just lost my grandmother, who suffered with increasing dementia throughout her last years, it was with a mix of excitement and grief that I pressed play on Florian Zeller’s ‘The Father’. Zeller has adapted his own play ‘Le Père’ from 2012. The language and location has been changed to English and London, and apparently this was because Zeller always has had his eyes set on Anthony Hopkins to play the lead in the film version. Seeing the film, you understand why; Hopkins is at the heart of this experimenting and brutally honest depiction of dementia and what this disease does to both loved ones and especially the person, who suffers from it. Add to that, that Zeller succeeds in what neither ‘Ma Rainey’s Black Bottom’ nor ‘One Night in Miami’ fully did: releasing itself from its theatrical ancestry and becoming a full-blown cinematic experience.

At this point in my reviews, I typically go through the main plot lines of the film, but that is neither easy nor meaningful when it comes to ‘The Father’. Florian Zeller uses Hopkins’ Anthony (named after the actor to underline Zeller’s determination to get him onboard) as an unreliable narrator. A narration style that can be both confusing and annoying but also compelling and fascinating. Here it ends up being both and I am absolutely certain that this is deliberate from Zeller, who uses the narration style to give us an experience of the frustrations, confusion and anxiety caused by dementia. Slightly spoiling the experience, I have to applaud Zeller for his daring choices of not only scrambling the order of the scenes but also switching the actors from scene to scene. At first it mainly frustrates as you struggle to realise what is going on and what is reality, but the deeper we get into the film (and, thus, into the mind and mental state of Anthony), it also broadens our perspectives and heightens the film experience. 

This is - perhaps more than anything - thanks to a tour de force performance from the British veteran, Hopkins, who at the age of 83 feels more alive and better than ever. He infuses Anthony with life and a realism, which - having just experienced the disease intimately - was breathtaking in the word’s truest form. I have to admit that the range showed by Hopkins during the little more than 90 minutes shocked me. He manages to capture both the relieving moments of humour and gratitude, the sudden bursts of resentment and subtle, yet hurtful comments, and the vulnerability of losing track of every single aspect of your existence, with devastating precision and heart. While I am full of appreciation for Riz Ahmed’s work in ‘Sound of Metal’ and Chadwick Boseman’s in ‘Ma Rainey’ in particular, I have to say that Anthony Hopkins gives the performance of the year for me - without close competition. This is a master at work and it will be hard to find a better performance from Hopkins when looking back at his glorious filmography. He captivated me for 85 minutes before releasing me in the final minutes of the film, where I admittedly burst into tears not only moved by his heartbreaking performance but also as he had me reminiscing the last years with my grandmother.

The supporting cast is small (one remnant from its theatrical source) and confusing due to the fact that we are never really fully certain what their roles and relations to Anthony are. The one, who shines brightest is the ever so talented Olivia Colman as Anthony’s daughter, who despite caring immensely for her father is struggling with finding the surplus energy to keep looking after him. Colman always guarantees top quality acting and as Anne she makes no exception. Where she surprised Hollywood with her showy and over-the-top performance as Queen Anne in 2018′s ‘The Favourite’ securing her a well-deserved Oscar, she is much more quiet, subtle and timid here. She embodies the emotions of love, hurt and despondency as someone who can only observe the slow disappearance of a loved one. What she does here is the exact opposite of showy acting, but it is nonetheless of the highest order adding another perspective to Anthony’s disease and its influence on the people surrounding him. In further supporting roles Mark Gatiss and Rufus Sewell creates an appalling yet understandable male character who slides in and out of Anthony’s conscience, while Olivia Williams and especially Imogen Poots as Anthony’s newest helper adds further emotional power to the story.

One of the main reasons why Zeller succeeds so well in transforming his play into a cinematic experience is the masterful production design. While limited to more or less one location, the art directors and set designers have managed to create a clever, intricate labyrinth constantly changing the layout and interior design of the flat. This stroke of genius not only creates an interesting visual experience but also adds to the confusion caused by the unreliable narrator. The cinematography and editing also play important parts in this process by framing the locations in the same ways and structuring the chaotic story line respectively. I reckon that the technical aspects of the film will be overshadowed by both other films and the majestic nature of Hopkins’ performance, but with a less imaginative production design, a less observing cinematography and a less daring editing style, I am positive that the theatricality of the film would have taken something away from the experience.

At the helm of it all stands Florian Zeller, who not only debuts as a film director but also as a feature film screenplay writer. His vision is both clear and daring, and I have to applaud the way in which he manages to create a film that respects both its subject and his loved ones equally. It would have been easy to end up with an unlikeable lead due to the often unfiltered and biting nature of people suffering from dementia. Instead, Zeller opens up Anthony’s world and invites us inside by frustrating and confusing us as viewers. Not to fully grasp  the incomprehensible but to give us a glimpse of it, a realisation of the many emotions of losing touch with where you are, what things are and ultimately who you are yourself. Thus, revealing the powerlessness felt by everyone affected by dementia either personally or through a loved one. Here are no easy solutions, no short cuts and no Hollywood ending. Instead we are given a ruthless film about a ruthless disease.

4,5/5

[shinsorokiri]

UA Idol | Chapter Ten

Hitoshi Shinsou x Reader

Word Count: 2,417

Warnings: Language

A/N: And we’re at Hell Week! Sorry this chapter took a little longer to get out, I was driving back from my parents house to my apartment and it was all very chaotic and hectic, but I hope you enjoy it nonetheless! What do you think everyone’s gonna sing next week >:)

───────────────────────────────────

Arriving at the hotel was... intimidating. It’s very fancy, and you are a college student. Mina, on the other hand, was thriving. “Oh my GOD (Y/n), we have a MINI FRIDGE!”

“LOOK AT THE BALCONY!!”

“Do you think Zendaya has ever been here? I would sell my soul to know if she stayed in this room.”

All of her little outbursts were intensely amusing, but you were too busy deciding on what you should wear to the first day of Hell Week. Luckily, the flight landed at six in the morning Los Angeles time, and since you had slept for almost the whole flight, you felt good to go. Also, if you would get to live shows, this is probably something you’re gonna need to get used to. “Okay, so this black, or this slightly blue tinted black?” you ask, holding up a few articles of clothing. Mina sighs, shaking her head before walking over to you. “(Y/n), sweetie, just wear whatever you want! You’re going to look good regardless.”

“But we’ll be on television, Mina, not everyone can look as effortlessly perfect as you can,” you say, sighing. “You’re right, there’s only a few people who are at my level. Luckily, you’re one of them. Just wear the outfit you planned to wear before we even got to LA. It’s cute as hell and it captures your personality perfectly.” She picks up the clothes you’d planned to wear and tosses them at you. She was right, you did look great in that outfit, and you don’t even know why you worried in the first place. Overthinking at its finest, you guess. “Oh, but if you need help with any other outfit, you know damn well I will help you. Now, let’s go! Time for Hell Week, bitch!”

She grabs your arm and basically drags you down to the lobby, where you two run into Shinsou and Denki. “Are you guys excited?!” Denki basically shrieks, and Mina, in return, also screams. You and Shinsou glance at each other, the pure exhaustion radiating off of you two. You both have an unspoken conversation of “How the hell do we do this” This causes both of you to break out into a grin. How cute. “Shinsou, (Y/n), hurry! We need to get to the theater!” Mina screams, grabbing both of your arms and dragging you outside of the hotel to the cars waiting to take the contestants away. The four of you pile into one of them where you find two other people. There’s a red head with an infectious smile and a blonde guy with an infectious frown. Interesting. “Hi! I’m Kirishima Eijirou!” the red-head takes no time in introducing himself as the car starts to drive to your next location. “Kaminari Denki, but you can just call me Denki.”

“Oh, and I’m Mina!”

“Uh… just Mina?” Kirishima asks, and she nods. “Well I mean my family name is Ashido, but I go by Mina. And this is (Y/f/n) and that’s Shinsou Hitoshi!” Mina introduces the two of you where wave. “Awesome! This is my boyfriend Ba-“

“Bakugo Katsuki. Shut up, shitty hair, you know you’ve had a scratchy throat for the past two days don’t fuck your chances before you even get there, dumbass,” the blonde growls, reprimanding Kirishima. Though his words are harsh, Kirishima just smiles. “Awww look at you. Worrying about me.”

“OI! I SAID SHUT UP!”

“You said… boyfriends? Are you sure, Bakugo seems more like an angry… mom?” Denki says, and Kirishima laughs while basically holding Bakugo back in his seat. Weird dynamic. Cute dynamic, but weird dynamic. Mina and Denki engage in conversation with Kirishima, and you and Shinsou give your input every once and a while but you let them just talk to each other. Bakugo keeps screaming about Kirishima needs to rest his voice, and eventually Kirishima says Bakugo needs to rest his voice because of all the unnecessary damn screaming he’s been doing. You feel your phone buzz in your pocket, and when you look at it you realize it’s a text from Shinsou. “i’m not saying we should have gotten in a different car to get some peace and quiet, but i’m saying we should have gotten in a different car to get some peace and quiet”

You smile to yourself before shooting back a quick, “you’re right, we sabotaged ourselves how tragic” to which you see Shinsou grin at before looking back at you. “Hey wait! You didn’t tell me y’all were a couple!” you hear Kirishima’s voice interrupt whatever little moment the two of you were having, and you both immediately turn red. You start stuttering out an explanation to him. “What? we aren’t…”

“Yeah, no we’re just-”

“Friends!”

“Yeah, friends!” Shinsou says, clearing his throat and awkwardly looking out the window. “Yeah right. And Kirishima and I didn’t join the mile-high club on our flight here,” Bakugo grumbles, and it’s Kirishima’s turn to turn as red as his hair. “Katsuki!”

“Oh, wow would you look at that?! We’re here!” Shinsou, uncharacteristically, screams when you pull up to the theater where you’ll all be performing. You and Shinsou get out of the car, speed-walking away from all the relationship talk. “Sorry about them,” Mina says to Kirishima, who looks genuinely confused. “They both just hate the idea of relationships even though, you know, they’re cute as hell together,” Denki explains and Kirishima slowly nods. “Well... I am willing to help them realize they actually like each other.”

“Wait, seriously?” Mina smiles, already excited when Kirishima nods, grinning just as big as she is. “Oh my god HELL YES!”

“Stop screaming Raccoon Eyes! Anyone ever tell you to let up on the eyeliner. We need to go inside,” Bakugo grabs Kirishima’s arm and starts dragging him in. “Oh my god, Denki, I’m in, he gave me a mean nickname,” Mina whispers to Denki excitedly before chasing after the two guys they just became fast friends with. Well friends with Kirishima. Bakugo is... still undetermined.

When they get inside, they find the two of you sitting next to each other in the corner of the many chairs set up in the theater lobby avoiding everyone else. “You know, I really thought some of my social skills would rub off on him. Tragic,” Denki says as they all make their way over to you. You glance up from your phone to see them walking over and you give a small wave. “A wave? That’s all we get after you literally sprinted away from us like we had an infectious disease?” Mina says, and you shrug. “Sprinted away from you guys? I have no recollection of that.”

“And I’m sure Tosh has no idea either,” Denki says, and Shinsou grins at him, shaking his head no. Denki and Mina groan, sitting next to you along with Kirishima and Bakugo. Of course, Bakugo was complaining that they were sitting next to you “extras” and Kirishima kept laughing it off and saying he was all bark and no bite. For some reason, you didn’t believe he was all bark and no bite. In fact, you think he was mostly bite and the bark came as a warning beforehand, but Kirishima was his owner and as long as he was around, he wouldn’t actually hurt anyone. Thanks, Kirishima. You watched as people from all around piled into the room. Some, you could tell, were California natives or had at least lived there for a long enough time to put off that energy. Others were definitely from other places all around the world, and it was really interesting to see. Also, terrifying. There were a lot of people here. And they were all after the same thing you were. It would take a miracle to actually get through Hell Week and onto the live shows. You feel your phone buzz again, and you look down at it. ‘don’t worry kitten you’re gonna kill it.’

You glance over at Shinsou who gives you a quick little wink before sending a thumbs up and smiley face to you. You can’t help but smile at that. Crazy how he knew how to cheer you up so fast. Especially since y’all didn’t meet that long ago. Guess you were just meant to be best friends.

“Oh, it looks like everyone is here,” Mina says, glancing around. Sure enough, the entire room was full. All the empty seats you saw when you came in were occupied with other people now. And that’s when a producer comes out and tells everyone to quiet down because the judges would be out soon. And cue everyone getting excited and nervous again. “I can’t wait to see what Midnight is wearing. She always looks so good,” Mina says, and Kirishima nods. “I know! It’s always so funny to see what she’s wearing compared to Aizawa.”

“Yeah if there was anyone who embodied not giving a fuck, it is Aizawa Shouta that’s for sure,” Denki says and Mina and Kirishima laugh. “Don’t you idiots think it’s a bad idea to talk about the judges when they could hear you,” Bakugo snaps and Kirishima pats his hand. “It’s okay, Katsu, I think Aizawa would take it as a compliment.” Bakugo rolls his eyes but doesn’t say anything else. That’s when the four judges walk out, and everyone goes quiet. That is of course until Present Mic starts yelling into the camera and doing his job as the best MC in entertainment. He goes on his welcome to Hell Week rant as the UA Idol makeup artists touch up the judges. Even Aizawa gets some make-up put on him, and no. No, he does not look like he enjoys that at all. “And here come the judges to let our contestants know just what is happening this year during Hell Week,” PM finishes out his, well, monologue, basically, and the cameras all turn to the judges. “Hi everyone!” Midnight says, waving to everyone. Mina was right. She does look pretty damn good. I mean it’s hard to not look good when you look like her, especially since she’s wearing an all-black bodysuit that accentuates every curve. As expected, Aizawa is also wearing all black but it’s literally a baggy long sleeve shirt and baggy black jeans. Of course, Toshinori is wearing a suit, and Keigo is wearing quite possibly the most stylish lazy outfit you could ever see. Icons, honestly. “So, welcome to Hell Week, as you know it’s called Hell Week for a reason. The reason being it always changes. The only constant being the group challenge. Other than that, you all have no idea what is about to come,” Aizawa says, and Toshinori sighs. “Aizawa why do you insist on scaring them?”

“They need to know fear. No recording artist would be anything without fear.”

“Whatever you say you absolute sadist. Anyways, we’re here to tell you the first part of Hell Week, which will be starting in about,” Keigo glances at his phone and smiles. “Twenty minutes.”

“Twenty minutes?!” you hear Mina whisper to herself, and sure enough a lot of the other people in the room are taken aback as well. You’re not too surprised, they don’t call it Hell Week for nothing. “The first challenge is what we like to call the genre challenge. If you remember, when you signed up to audition in your respective cities, you also signed up for a specific genre. We had the options of pop, rock, hip hop, r&b, country, and singer-songwriter. You’ll be reminded which one you put, and if you believe your style has drastically changed, you can switch to a new genre. You have to pick a song and put your own twist on it, show us your style shine through even in your specific genre. Oh, and if you’d want to show us some original songs... I guess that would be okay, too,” Keigo explains, and shoots a glance over at you and Shinsou. The two of you look at each other, and grin. Originals? Easy.

“Right, so pop is first since there’s so many people who are signed up for that genre. We’ll give you all about ten minutes to gather yourselves, then everyone will go into the theater. You’ll also be watching everyone, time for you all to scope out your competition,” Aizawa says as he begins to walk into the theater. “Remember though, you all made it here for a reason! Even if you don’t make it through, you all have potential to be stars!” Toshinori adds, trying to make this entire situation a little less stressful. You really wish it worked. The judges enter into the theater, and then the assigned genre you signed up for is sent to you in a text message. Singer-songwriter. Still the same. “Damnit, (Y/n), why couldn’t I have put singer-songwriter like you! There has to be so many people in the pop genre...” Mina says, frowning. “Yeah there’s a lot, but none of them are quite like you,” you reassure her, and she smiles at you. “You’re the best even though you hate me most of the time.”

“Hey Kirishima, what genre are you?” Denki asks and he grins sheepishly. “I’m pop, too.”

“Told you you should have gone into rock with me, dumbass.”

“I don’t have the voice for that like you do Katsuki, that would be wrong on so many levels,” Kirishima pouts and Bakugo sighs, wrapping his arm around him. “Listen, idiot. You’re just as good if not better than everyone else in this room. You have nothing to worry about.” This caused Kirishima to smile and kiss his boyfriend’s cheek. Wow so Bakugo did have the ability to be supportive and cute. Who would have thought?

“Well hey, you, me, and Mina are about to kill this, dude. What song are you thinking of singing?” Denki asks as you all walk into the theater. “I’m not totally sure.”

“Well you know what I say, when in doubt look to Harry Styles.”

“Thank you for that wise statement, Denki,” Shinsou says sarcastically, and Denki gives him finger guns. “Well, good luck you guys. We’ll be over here where all the singer-songwriters are,” you say, grabbing Shinsou’s arm and going to your assigned section in the theater. “Time to scope out the competition,” Shinsou says after you both sit down. “Yeah. Luckily singer-songwriters go last, so let’s just sit back and observe,” you say. This is gonna be fun.

[themovieblogonline]

In FROM Season 3, AJ Simmons doesn’t just play Randall—he owns the role. The sharp-tongued, lone wolf of the mysterious town has quickly become a fan favorite for his chaotic energy and unpredictable nature. Recently, I had the chance to sit down with AJ Simmons, and let me tell you, the man behind Randall is just as fascinating as the character he portrays. From Dancing to Acting: AJ’s Journey AJ’s road to acting wasn’t exactly conventional. Growing up in the UK, he started with dancing as a way to stay out of trouble. But when his mother nudged him into a local production of Bugsy Malone, everything changed. AJ found himself hooked on performing—not just moving but speaking. “I didn’t want to do it,” he laughed. “But once I got on stage, something clicked. I realized how much I loved using both my body and my voice to tell a story.” That love for storytelling eventually brought him to the chaotic world of FROM. Randall: Hero, Villain, or Just Misunderstood? Randall isn’t your typical hero, and that’s precisely why fans are obsessed. AJ explained how he approaches playing a character with such a tough exterior: “Randall’s not evil, but he’s not your ‘trust-fall’ kind of guy either,” AJ said. “He’s pragmatic, self-reliant, and deeply skeptical. Honestly, if I were thrown into that town, I’d probably react the same way—thinking everyone’s nuts and refusing to trust anyone.” Randall’s journey through Season 3 has been intense, from battling inner demons to clashing with other characters. AJ shared how the bleak Nova Scotia filming location helped him embody Randall’s paranoia. “It’s rugged, remote, and just... harsh,” AJ said. “Perfect for getting into the mindset of someone who feels completely isolated.” Fan Theories and the Mystery of FROM Fans of FROM love to speculate, and Randall is often at the center of wild theories. One popular idea? That Randall is somehow tied to the mysterious “man in yellow.” AJ laughed when I brought it up. “I’ve heard everything. Randall’s the man in yellow. Randall’s Martin. It’s wild, but honestly? I don’t know any more than you do!” Despite the secrecy surrounding the show, AJ admitted that not knowing the full story helps him stay authentic in his performance. What’s Next for AJ Simmons? When AJ isn’t busy portraying Randall, he’s working on a personal project—a short film he wrote and directed. The semi-autobiographical story about two tap-dancing brothers showcases his passion for creating his own narratives. “It’s been a labor of love,” AJ said. “I’m excited to see where it goes during the festival circuit.” As for FROM, fans can rest assured that AJ Simmons is ready for whatever chaos Season 4 brings. Why You Should Watch This Interview AJ Simmons doesn’t just play Randall—he gets to the heart of what makes him tick. Whether you’re a die-hard FROM fan or new to the series, AJ’s insights will deepen your appreciation for the show. So, what are you waiting for? Dive into the full interview and uncover the mystery of Randall, the man in yellow, and AJ Simmons himself. Read the full article