I can't believe Satoru's approach to teach Sukuna about love was to just fight him and make jokes and just hope he understands asfkvsksgdh
he's like those girls that don't know how to flirt so they just sit there and be pretty and hope their crush notices them somehow lmao
And what's crazy is that Sukuna actually UNDERSTOOD
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"here's your orange juice, bitch."
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re-watching the second episode of leverage and wondering, for the first time, how much of a revelation nathan ford's crusade was for eliot spencer.
did he have any plan, before then? any path forward that brought him closer to where he wanted to be? or was he stuck in a holding pattern, figuring that retrieval work for rich people who weren't damien moreau was as close to becoming a better man as he could ever reach?
how much did it mean to him, do you think, to be given the opportunity to do some good in the world again?
obviously he's of the opinion he'll never be redeemed, and he's not wrong, per se. but I'm suddenly curious about the internal journey there, for him, in the early days. do you think it was like a gentle dawn finally breaking? do you think it was a relief? or was it terrifying? realizing that he could actually do better, that what he chose to do next actually mattered?
no wonder eliot never abandoned nathan ford, despite all possible provocation. how could he ever betray or desert the man who gave him a hand up out of the darkness, who showed him there was still a path forward?
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i really like the headcanon that aventurine texts like a boomer because he doesn't spend time with teenagers and mostly uses tech for work purposes and dr ratio has picked up some slang from his students
that being said i can't stop laughing at the idea aventurine discovering stickers on microsoft teams and whatsapp good morning gifs and texting like this as a result
vs ratio 😭
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a doodle to save my soul from art block (i love passive so much)
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special operatives
(silly interaction beneath read more)
[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]
[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]
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