#he's making history

[dinosaurwithablog]

At this point in Aaron Judge's career, the highest OPS achieved by Yankees players at the same time in their careers goes as follows... Lou Gehrig, Aaron Judge, Mickey Mantle, and Joe DiMaggio. That's some great company. Only Lou Gehrig has done better than Aaron Judge in slugging and getting on base at this point in his career in all of Yankees history. That's an amazing achievement!! He's one of the best players for sure and the best all around player ever to have graced a baseball diamond in my humble opinion. He's still relatively young, and he's gonna keep getting better and breaking records!! I love this photo because the impish grin on Aaron's face makes me think that he is realizing all the great things he's gonna do for himself, the Yankees, and the game of baseball as a whole. It's gonna be a wild ride!! I can't wait to see what happens!!😊😍😁🤗 you go, Aaron!!! Do your thang! Let's go Yankees!!!!!

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[babacontainsmultitudes]

He's a used car salesman. He has a heart of gold. He can't parallel park. He has two gay witch italian dads. He chops the wood. He has a magical talking cat mom. He's an assassin. He isn't an assassin. He's actually the cat from earlier. He's trans (female cat to male human). He's been shot through the heart. He was in Dewar. He was not in the war. He was in Dewar. He's on his last of nine lives. He just had a marble shoved down his throat. He's even bisexual. I didn't say his name, but he popped into your head, didn't he?

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[dungeonrabbits]

"chilchucks a real hater"-wrong! chilchucks a lover!!

[casscainmainly]

It's interesting how Batfanon tends to weaponise anger against characters of colour. Damian is either always unjustifiably angry ('feral', 'demon', etc.), or his anger is consistently trivialised as childish/cute. Duke and Cass are on the other end of the spectrum, where they're not even allowed to be angry. They are 'perfect good children', who are perpetually soft and kind. In canon, all three have been justifiably and unjustifiably angry; they've been irrational, they've been righteously mad; and (aside from racist Damian writing) they are angry without being villainised. If our conception of Damian, Cass, or Duke strips them of their right to be angry, then we need to reconsider the way we view characters of colour. Anger is a human emotion - by removing it, or by demonising characters for feeling it, we are dehumanising them.

[sharliexth]

to me it is so, so important that the Pale King loves. That the Pale King loved. That we don’t forget that it wasn’t just the Hollow Knight that turned to look to him, but the Pale King who turned to look to the Hollow Knight. His one surviving child.

it is so important to me that he has canonical powers of foresight. Meaning the Hollow Knight’s downfall was at best inevitable and at worst the result of constant denial. Or perhaps, his powers weren’t all that far in the future at all, which begs the question: how late was it until he realized all his efforts were futile?

A universe where the Pale King did not care for his children I find dull. Uninteresting. The story becomes a heartless king who does heartless things. Bland. Expected. I find it so much more compelling to imagine that the Pale King did care. After all, how much could it really mean that there’s “no cost too great” if what he committed cost nothing to him?

I think the guilt of his sealed children ate away at him, much as he tried to keep his mind off of them.

I think he loved the Hollow Knight, much as he tried to make his heart hollow and likewise theirs.

I think as much as he tried, when even the Hollow Knight failed, he fled. The guilt of his children, of the Hollow Knight, of failing his subjects was too great.

The Pale King is noble, wise, selfless. The Pale King is prideful, in denial, cowardly. He is many things but he definitely loved. At least I choose to believe so

[puppetmaster13u]

Prompt 162

“So,” Danny drawled from where he was sitting, legs kicking slightly. Really, what a fun reincarnation. A world with heroes and villains where he didn’t have to do shit in and could just vibe with Ellie. 

“So,” Tim responded from where he was typing on his computer, mostly in civilian clothes save for his gauntlets and boots. The Red Robin outfit was haphazardly dropped across the couch and his pole leaning against the end. 

“Technically there’s proper procedures for clones…” Danny motioned to both himself and Ellie from where they sat on the counter, snacking on a plateful of scones. From Alfred, he was certain. 

“Technically, yes… but do we want to actually do that?” 

All three of them smiled, something almost feral in the motion. Of course not. They all had the same memories after all, and Bruce had just returned from the past, from exactly where and when Tim had said he was. Despite no one believing him, hence why they were in his boathouse, and not in the apartment or manor. 

“Think we can pull it off?” Ellie took a sip of tea, mischief swirling in her eyes. 

“Of course we can.” Both Danny and Tim spoke at once, one pulling up a new doc and the other pulling the whiteboard out from under a curtain. 

[ashleyloob]

I randomly got dragged to Mormon church and met the illustrator for A Series of Unfortunate Events who is apparently a bishop at the church, and now we are Instagram mutuals. today was so bizarre

[viviarts-c]

Lie to me

Ritual Self Torture Masterpost

[quiddie]

Someone warn Lily Du - there’s a coupe d’état (pun absolutely intended) coming 😈

[slightlyartist]

Quick sketch of Fiddleford if he got to grow old normally because he makes me so so so sad :(((

[s0fter-sin]

kneeling is a broad term for what ghost does with price

surrendering is slightly more accurate but even that doesn’t hope to touch the sheer desperation in the way he clutches at him; his body bowed low at his feet, his legs latched around one of his, hugging it so tightly to his chest his arms shake as he digs his face into his thigh

it’s only here that he can finally give in to the screaming; to the distant voice he strangles into silence every day of his life. the one who begs him to make himself as small as possible; do everything he can to hide from the ever encroaching demons growling and salivating at his heels

it’s only here, in the dark of price’s barracks, hidden by a bed at his back and a wall to his front, that he finally lets himself stop running; only between solid combat boots and worn fatigues does he let himself tremble and admit to the choking fear

he’d break open price’s chest if he could; crawl past his gushing viscera and curl up under his ribs, hidden in the warm dark

ghost clawed his way out of the grave with broken nails and gritted teeth but he wouldn’t mind being buried again if it meant being cradled in the safety of price’s insides. his warm blood and soft lungs would blanket him, mask the stench of his rotten flesh until he could even convince himself that, maybe, he too was still alive

he shifts, unnerved by his own longing, and price runs his hand over the crown of his mask the same way he’d card it through his hair until he settles once more

he grounds him over the long hours it takes for his white-knuckled grip to relax into a loose hold; for his face to stop grinding into the meat of his thigh and simply rest in his lap, his bracketing legs the only thing holding his lax body up as he floats, untethered by fear

[artist-issues]

I also would like people to give more appreciation to the great thematic unity in all of The Lord of the Rings. The idea is “do what good you can with what you are given.” Usually your abilities and your chances seem horribly small, even though your responsibility is so enormous. The minutes, the little decisions, the days, the small towns, the small characters, matter the most. The fate of the whole big world of good and evil and languages and races and heroes and villains all hangs on what’s done by a little scholar and his gardener.