#he's just so SPICY

[gcdwinged]

@speedchasing : liked for a starter

𝐄𝐀𝐂𝐇 𝐂𝐄𝐋𝐋 𝐈𝐒 an extension of himself, each subject a tool he can pick up and use with ease. after his enduring odyssey, sephiroth is now the largest single concentration of jenova cells. the son has surpassed the mother. her powers have become his. and he knows when pieces of him have been awakened.

𝐇𝐄 𝐂𝐀𝐍 𝐅𝐄𝐄𝐋 the desires of this new puppet; oh so similar to his own. cloud. he wants cloud. it's an easy wish to grant for someone like him. " burn, " the god whispers, his presence so real that the little soldier can feel his breath on the shell of his ear. " burn brightly and he will notice. you need not fear rejection any longer. i am with you now. "

[starcurtain]

Fact Checking Some Myths About Aventurine and the IPC

Especially in light of Jade's new myriad celestia trailer and the reveal of the other Stonehearts, I've seen a ton of wild claims about Aventurine--particularly how he's an unwilling member of the Stonehearts and needs to be saved from the IPC--that just aren't sitting right with me because they're based significantly more on the fanon take that Aventurine is an "innocent victim" than any actual evidence displayed in the game. So I wanted to take the time to collect some in-game evidence to see if we can sort out what Aventurine's actual relationship to the IPC is. Time to do some fact checking--this is a long one, buckle up!

Claim #1: Aventurine was sentenced to die by the IPC.

Verdict: There's no actual evidence that Aventurine was ever sentenced to anything.

This entire idea that Aventurine was actually successfully sentenced to die by the IPC comes from two pieces of "evidence" in the game. First, the scene with Dr. Ratio where those words are stated:

Leaving aside whether the IPC legally has the right to sentence anyone to anything by themselves (they're a corporation, not an actual governing body), this is the exact line that Dr. Ratio fans have been bending over backward to prove is "just an act" and that Ratio would never actually mean this (because if he actually meant this, it would make him pretty racist). So if we've already busted our asses to prove this line isn't true and was just Ratio and Aventurine acting... why would we be using this line as evidence that Aventurine was actually sentenced to anything?

We can't say "This entire scene was an act because Sunday/the Family was listening in!" and then go "Okay, but this one part is definitely true (despite there not being any other evidence in game to corroborate the statement)." Either this scene is acting, and this line isn't true--or the line is true, and Ratio's kind of a racist. Make up your minds, people. 😂

Actually, I can help make up your mind. We can prove that this line is likely a strong part of Aventurine and Ratio's deliberate act because Ratio's comment (which took place in 2.0) doesn't actually make any sense once Aventurine's story is fully revealed (in 2.1).

Ratio relates Aventurine's slave brand to the IPC, suggesting that the brand is proof that Aventurine is "doomed" and "sentenced to die by the IPC." Ratio even goes so far to say "Or was it from the Amber Lord himself?"

But from 2.1, we know that Aventurine's brand had nothing to do with the IPC, and his former slave owner was definitely not an IPC employee (as he refers to the IPC the same as Aventurine's sister did, "the guys in black").

Aventurine's brand came from being owned by a non-IPC-affiliated slaver--it had nothing to do with the Stonehearts or even Oswaldo Schneider.

So Ratio's entire comment linking the brand to the IPC makes no sense, and therefore his statement that the brand marks Aventurine as a "doomed Sigonian thrall sentenced to die by the IPC" also makes no sense.

Instead, I would argue that this line is a perfect example of the kind of exaggerated acting that Ratio and Aventurine were doing specifically to make the eavesdropping Family see Aventurine as an easy target. With this line, Ratio is emphasizing that Aventurine is a sitting duck without his Cornerstone, that he'll be weak and helpless--and that no one in the IPC will come help him, because they've already sentenced him to die. This is Ratio deliberately baiting Sunday into thinking that Aventurine will be easy, isolated prey without his Cornerstone--which is exactly what Aventurine wanted Sunday to think.

This line, which comes from a scene that we've already established is a deliberate act to mislead someone, cannot be used as evidence of Aventurine's real situation within the IPC.

"But then what about the trial scene with Jade?!" I already hear people saying. "Aventurine was definitely going to be sentenced to death!"

I'm not arguing that death wasn't a possible option for Kakavasha initially; it's clear that committing severe enough crimes can earn you the death penalty in Star Rail's universe. But I think we need to take another good look at this scene and see what really happened here.

First, we need to clarify that this scene with Jade was not an actual trial. The scene begins with a broadcast which clarifies that the suspect in the "Egyhazo-Aventurine Fraud Case" was just caught, and the IPC are conducting investigations into the "motive of the suspect."

So Jade's scene with Aventurine is not an actual trial (I mean... Jade's not even legally a judge!); it's an investigation with the goal of determining why Kakavasha would have tried to scam the Intelligentsia Guild and IPC at Egyhazo.

We can confirm that this scene with Jade is not an actual trial because she is even says "We haven't been able to find you any defense [lawyer], so you perhaps will have to defend yourself."

To which Aventurine responds that he easily could defend himself from the charges--but that it's pointless to do so. Why? Because he never intends to get to a trial in the first place.

He's there to gamble with Diamond (who he asks to see right on the spot, indicating that he's done his research in advance and knows who the head honcho he needs to talk to is). Instead, Jade says that he'll have to gamble with her, to which he agrees, and lays down his terms.

(He even says "I bet you won't send me to the gallows." We know that Kakavasha always wins his bets--he bet she won't send him off to a trial to be executed, and he once again won his bet!)

Jade, known for picking out "unpolished stones with great potential" and promoting them into positions of power to extract their value, agrees immediately, and literally tells Kakavasha to go change his clothes right then and there. She really said "I like your confidence; you're hired on the spot."

So... This was not a trial, Kakavasha never went on trial, and because he never went on trial, we have zero evidence in-game that he was ever sentenced to anything.

The IPC doesn't give a shit about the murder of some no-name slaver (I mean come on, think of how many other murders they've covered up at this point--do you really think they're holding one past murder of a no-name NPC over Aventurine's head years later?).

They might give a shit about the money they lost on Kakavasha's schemes, but Jade's entire schtick is one of equivalence--having Kakavasha join the IPC as a Stoneheart means he will ultimately generate infinitely more wealth for them than his schemes ever cost them in the first place, and that's the central piece of Jade's statement in this scene:

Is Aventurine's whole role in the Stonehearts exploitative, focused on his endless ability to win bets and generate profit? YUP. But that's ALL the Stonehearts' goal at this point--he's not unique in being "exploited" for his value. One look at Topaz confirms that.

So, ultimately, we have no evidence that Kakavasha was ever sentenced for his crimes, let alone that he was sentenced to die specifically by the IPC.

Claim #2: The Stonehearts will execute Aventurine if he tries to leave or fails his mission(s).

Verdict: There's no actual evidence for this either, beyond the obvious that most people in a powerful enough position in an evil corporation probably can't just up and quit their jobs without consequences.

I've seen this idea that the Stonehearts are planning to execute Aventurine--either for his past crimes, for failing a mission, or for trying to leave the IPC--many, many places, and unfortunately, I really think people are reaching this conclusion strictly on "The IPC is evil" vibes alone.

The IPC is evil; they coerce nice people like Topaz to buying into lifelong contracts; they're colonizers and exploitative capitalists, so of course they would threaten to execute poor innocent Aventurine!

Look, I won't defend the IPC. They are evil. But post hoc, ergo proctor hoc--just because one thing is true, doesn't mean the other statement naturally follows.

Just because the IPC is evil and exploitative (and probably does kill people to shut them up) does not automatically mean they're out to execute Aventurine for the slightest mishap.

I've seen many people say "He was going to be executed for his past crimes, so what do you think will happen if he tries to leave the Stonehearts?" But A) We just established he never went to trial for those past crimes in the first place, so we have no idea if he would have actually been sentenced to death anyway, and B) We have no evidence in-game that any of Kakavasha's past crimes would be back on the table if he were to try to quit the IPC. This is literally just fanon, based on the vibes of the IPC being evil alone. Probably informed by Topaz's "lifelong contract" situation giving people the impression that everyone who works for the IPC has to have a lifelong contract.

What evidence do we have that Aventurine is not at-risk of being executed for screwing up a mission? I mean, Aventurine himself says it. When Jade first states that Aventurine might be punished for destroying a Cornerstone, the only two possible punishments he states are:

If execution was on the table, wouldn't that have been the first punishment Aventurine listed?

And Jade's myriad celestia trailer also states that the only punishment on the table is whether Aventurine will be expelled from the Stonehearts:

And the biggest proof that execution isn't on the table?

The fact that Diamond himself agrees that Aventurine should not be punished even for the serious act of willingly breaking a Cornerstone. If Aventurine can do something as serious as breaking part of Qlipoth's will and body, something he was told to treasure more than his own life, and still get away with it... You can bet the IPC really does not give a shit about his old schemes anymore. Aventurine is way too valuable alive for them to be constantly threatening to kill him.

(But then what about Obsidian's statement that she wants a "bloodbath"? Surely that's evidence that he would have died if they voted against him?

First of all, "bloodbath" is a pretty common metaphorical term. I don't know about you, but any time people get into big drama at my work, this term comes up ["They were all talking shit; it was a total bloodbath"]. "Bloodbath" can mean any intense struggle; it's often not literal death.

However, I'm inclined in this case to say that the real reason Hoyo threw in this "bloodbath" line was just to double down on Obsidian's obvious vampire aesthetic. She's a "vampire." Duh, of course she needs to say something about blood. I think this line speaks more to establishing Obsidian's character as a violent, self-centered person than anything to do with Aventurine's actual situation.)

So, there is no actual evidence in the game that Aventurine is still being held accountable for his past crimes, or that the IPC is planning to execute him for messing up on a mission.

In fact, there are several pieces of evidence in the story suggesting the opposite, that multiple people, including the other Stonehearts, think he's kind of crazy for trying to get himself killed every mission he goes on.

When Aventurine was affected by the Harmony's power, the "future" Aventurine asks him this directly.

"Why does every one of your schemes put your own life at risk?" And players are told the answer to that isn't because of the IPC--it's not because the Stonehearts are out here forcing Aventurine to gamble with his life. When the "Future" Aventurine suggests Aventurine might be taking these risks because of the IPC, real Aventurine flat out says "You don't know me at all." He's not taking the risks for the IPC--he's taking them for himself.

Later, "Future" Aventurine even says that if Aventurine just used tactics like Opal's--which he claims Aventurine could easily do--then he would have been able to claim Penacony for the IPC without putting himself at risk at all. But Aventurine chose not to do that; he chose "death."

Because Aventurine is actually, at least slightly, suicidal. I don't personally think Aventurine would ever have turned a fully-loaded gun on himself and pulled the trigger, but he was actively seeking opportunities to die. Before Penacony ended, he was deliberately putting himself into situations where his life was at risk, taking unnecessary gambles with his life on the line--because then he would win either way. If he won the gamble, he would get whatever prize was promised, and if he lost the gamble, then he would have the "freedom" of death, to be reunited with his family. (It's important to note that the only time the word "freedom" is used in Aventurine's story through 2.1 is in direct reference to death--it is never used in reference to getting "free" from the IPC.)

Aventurine's plans were not self-destructive because of the IPC. They were self-destructive because he was self-destructive. And, in fact, multiple other members of the Stonehearts call out this behavior as a bad thing.

Jade describes Aventurine's ploy in Penacony as "overplaying his hand."

Topaz describes Aventurine's work habits as:

Then there's even Sugilite, who clocks Aventurine's suicidal tendency directly by stating that Aventurine's "death" scheme in Penacony wasn't for the IPC at all--it was entirely for himself.

If the Stonehearts were holding execution over Aventurine's head at all times, why would death be an "unnecessary [personal] extravagance"?

The takeaway from all the other Stonehearts' dialogue about Aventurine is that they actually think he goes too far and that his methods are more risky with his own life than they need to be.

Does that sound like a group of people who are planning to kill him on the drop of the hat?

Okay, okay, I can hear you saying "But that still doesn't mean he can leave the Stonehearts without consequences. They would kill him if he tried to leave."

To that I say: A) There's no actual in-game evidence for that statement; it's literally just "IPC is evil so they definitely would do this" vibes, but B) Is that statement really unique to Aventurine? Do you think Topaz could leave the Stonehearts without consequences? Do you think Jade could just fuck off and leave the IPC if she got the desire to?

It's pretty typical, I would think, that anyone who achieves a high-ranking in a stereotypical "evil capitalist mega-corporation" is not free to just abandon their high up position without consequences. The phrase "You know too much" comes to mind.

I'd argue that people are probably right--Aventurine probably could not leave the Stonehearts without something severe happening, at the very least a memory wipe--but that this is probably true of all the Stonehearts. They're too far up the chain. They know too much about the inner-workings of the literal planet-destroying world-domination company. They've had too much access to insider info to easily leave their positions.

Not being able to easily leave the position has nothing to do with Aventurine personally or his past crimes. It's just (at least likely) a basic fact of being too high up in the morally-grey-at-best super organization. (Well, then again, apparently no one even knows if Agate is dead or not, so maybe they actually don't even care lol.)

Claim #3: Aventurine didn't want to join the IPC; he's working with the IPC only because he's forced to.

Verdict: The game suggests in several places that Aventurine joined the IPC of his own free will. Whether he's still loyal to them is not 100% clear.

I think this is the biggest question mark I'm left with when reading other people's posts about Aventurine--this enduring idea that Aventurine never wanted to join the IPC and was only forced to do so because he was captured and death was his only other option.

But that is literally not what the game is telling us at all. The game tells us--in multiple places--that Aventurine orchestrated his own circumstances so that he could gain an audience with Diamond and win a position within the Stonehearts by his own gambles.

First, let's re-examine that scene with Jade. One of the first things Jade says is "What kind of person would come up with a scheme [the Egyhazo fraud] that doesn't benefit them in any way?"

The takeaway from this is that Kakavasha did not actually stand to gain anything from scamming the Intelligentsia Guild into digging for Tayzzyronth's remains in the desert at Egyhazo. All he achieved with this fraud was putting himself at risk of being caught by the IPC.

Does that sound like Aventurine to you? The guy whose mantra is literally:

So obviously, Aventurine stood to gain something from scamming the IPC at Egyhazo. What could he possibly have wanted to achieve by creating a scheme that seemingly didn't directly benefit him? Well, he says it himself:

Aventurine wanted to be brought before the IPC. He got caught on purpose. He once again gambled with his own life, betting that, instead of being put on trial for all his past crimes, he could convince Diamond (though it ended up being Jade) to invest in him. The game literally tells you, in multiple places, that Aventurine was taking another one of his stereotypically crazy, potentially self-destructive gambles to try to achieve something:

Aventurine wanted the IPC to invest in him. He wanted in on their power and wealth. No one in the IPC forced him to target their organization not once but twice with his "desert-digging schemes" when it is clear that Aventurine could easily make money elsewhere. No one forced him to suggest this gamble with Jade to convince the IPC to invest in him. No one forced him to, in the words of the game itself, "seek a Cornerstone."

Aventurine's character stories are the only indications we have (for now) about what his motivations for joining the IPC might have been:

They suggest he joined with the intention of gaining wealth and power to help his people and others who aided him in the past--only to find out that that was no longer possible, invalidating his original reason for joining and likely leaving him without motivation or will to really even stay in the powerful position he had worked to get into. Part of his suicidality is likely linked to this--that he set himself a massive, unbelievable goal in an attempt to gain power and wealth to finally help his people--only to be entirely too late. But in any case, these character stories make it clear that he did personally seek to join the IPC of his own free will.

(And I mean, hello? The whole point of Jade as a character is being the one who sees people's desires and then grants them--ergo, Aventurine's desire was, in fact, to join the IPC himself.)

If we needed any more corroborating evidence for this, just consider everything post-Penacony, when Aventurine has decided that he does actually value his life now and wants to live. Aventurine would have had so many chances to "escape" the IPC if he so chose. First, he could easily have pretended to actually die within the Nihility. He could have entirely fucked off with Argenti's help, created a new identity, and made himself a pile of independent wealth from gambles, all without the IPC ever knowing where he went. But he didn't.

Then, he had a second chance to betray the IPC and fuck off again with Boothill's help. Boothill had already knocked out Aventurine's bodyguards at the door--there was literally no one else around. A little blood on the floor and no one would have doubted that the IPC-hating, wanted vigilante Boothill had done away with Aventurine.

Hell, Aventurine knows the Trailblazer. One word to the Trailblazer, and Aventurine could board the Astral Express and be whisked off to the other side of the universe.

But none of those things happened. Aventurine made no effort to remove himself from the IPC--even though he knew he had broken a Cornerstone and would be facing possible punishment. He didn't even make a single mention of trying to "escape" the IPC at all.

Because he isn't trying to.

(And edit, an addendum, because I kept seeing this on Twitter too: A bunch of people were claiming that because Aventurine wasn't smiling when he got his Cornerstone back, that was evidence that he hates the IPC and doesn't want to be there:

Like... did they forget that every single time Aventurine makes his major gambles, he has such anxiety that he can never convince himself to believe he'll actually win, to the point that the "Future" Aventurine accuses him of clenching his trembling hand beneath the table? Is it really that surprising that someone who never actually believes he's going to win would have a shocked face when he does win here, especially after witnessing the literal power of an aeon restore something he thought was broken forever? Come on now...)

Would the guy who always wins his gambles bet that he would get a promotion if he absolutely didn't want his job?

People really, really seem to struggle with this aspect of Aventurine's character, going out of their way to ignore the game's text and suggest that he definitely absolutely would never, ever have joined the IPC of his own free will. People really hate the idea that Aventurine is a morally-grey character who makes choices that are actively harmful to himself, like willingly joining an organization that is exploiting him.

Knowing that the IPC played a part in the Avgin extinction, people literally cannot fathom that Aventurine would willingly join them.

But I think that denying this part of Aventurine's character is bad. There's no need to reduce Aventurine to an innocent, helpless victim who is being exploited against his will and who would never do a single evil thing himself. That's not who the game is telling us he is.

The game tells us, repeatedly, that Aventurine is a survivor who will do whatever it takes to succeed at whatever he sets his mind to--even up to murdering innocent people to survive himself. Up to willingly joining the IPC to seek wealth and power. He's not a 100% good person who is still being forced through an existence he has no control over.

He's a self-destructive gambler who makes terrible choices with his own life, and willingly joining the IPC to let the Stonehearts exploit his abilities is one of the most obvious indications of that in the game.

Please stop denying Aventurine his complex, three-dimensional character writing to make him your pure, innocent trauma woobie. I'm begging people.

Claim #4: Aventurine wants revenge on Oswaldo Schneider.

Verdict: There's no evidence in the game (yet) that Aventurine is even aware of Oswaldo Schneider's role in the Avgin extinction, let alone actively trying to seek revenge for it.

Personally, this one hurts me the most, because this is where I'd like to see the story going. I want it to be that Aventurine was partially motivated to join the IPC specifically to orchestrate an inside job and get the Avgins' revenge on Oswaldo Schneider.

But even I have to admit that there's currently no evidence for this at all in the story.

For one, we have no confirmation in-game that Aventurine actually knows Schneider's direct role in the Avgin extinction. Aventurine clearly knows that the IPC could have intervened (he was there; he saw they didn't do anything), but we have no actual confirmation in the game's text that Aventurine knows Schneider told his people not to get involved, leading to the massacre. The only reason we players know of this is relic text, which isn't available canonically to characters in the game.

It is very likely that Aventurine is smart enough to figure this out or do the research to learn it, but as of right now, we don't have that confirmation in game.

Similarly, we players are given no access to Aventurine's actual conversations with Boothill. We have no idea what they talked about other than this one statement:

It seems likely, based on this, that Aventurine did say something to Boothill about being willing to go after Oswaldo Schneider, but we won't know for sure until the game reveals more.

What we do know is that even if Aventurine does give Boothill information on Oswaldo, it might not really be because Aventurine wants personal revenge.

Oswaldo's Marketing Development Department is basically the sworn enemy of the Stonehearts' Strategic Investment Department. The two groups are in an internal cold war, vying for "votes" from the seven board members who are actually leading the IPC.

So even if we see Aventurine taking actions against Oswaldo, it might not be because of a personal grudge, but because literally Aventurine's entire department hates Oswaldo Schneider's guts on principle in the first place.

So it's very difficult to say what is going on with Aventurine and Oswaldo Schneider at this point, and in the end, we just need to wait for more information.

Phew, all right! That was definitely long enough. I've gotten it all off my chest. I hope I've managed to give people some more canon material to chew on for another look at Aventurine's character, which is rich and complex and definitely cannot be reduced to simply "pure innocent victim babygirl."

Maybe now I'll be a little less salty when I see misinformation spreading like a wildfire again on Twitter.

Maybe.

Ha ha, who am I kidding.

[peachsukii]

Oh to interrupt Kirishima’s game time with the bakusquad by creeping up behind him, soft kisses to his neck with a hand sneaking up his shirt to tease his nipples while watching him struggle to keep his composure. To slip a hand into his shorts and stroke him long and slow, fingers getting stickier by the minute until he can’t take it anymore, tossing his headset off and pinning you to the mattress.

You can hear “Goddammit Red! Turn the fuckin’ mic off!” from his headset on the floor.

[habken]

Have you ever thought about how bakugo would act on Hot Ones (the game show with the hot wings)? I fear he would be their ideal interviewee.

The calmest the public has ever seen him, he enjoys the wings so much and answers all the questions with beautiful thoughtful answers. They even let him take some hot sauce home

[queenie-ofthe-void]

The Spicy Six Drink Challenge:

(Based on that viral TikTok challenge where everyone adds a bit of something to the King's Cup, they mix it up and take shots)

Hi, I'm Nancy, and I'm going to add Sprite because I feel like everyone's just going to add liquor.

Hi, I'm Jonathan. I'm going to add orange juice because I heard Eddie say he's going to add half a bottle of Vodka.

Hey everyone, Argyle here. I'm just gonna add a little bit of lemonade because Eddie said he's going to add some Malibu.

Steve here, setting sail on this nasty bullshit of flavor we're making. I'm going to add all of the Coke we have because Eddie told me he's adding, like, a pint of Jack and I don't want to have to carry my boyfriend home.

I'm Eddie. I'm adding a can of Monster because I told each person here that I'm adding different types of alcohol so they'd make the ultimate master mix of flavors, and I'm forcing them to reap what they've sown.

Robin: *adds half of a bottle of gin*

Robin: *takes a shot* I'm gonna kiss Nancy tonight

[clownsuu]

FINALLY!! someone who will draw howdy!!! he's criminally underappreciated </3 he's just a big green jelly bean

The big large jolly bean who will give you the world for a mere silly

[sableeira]

sure ango may have betrayed every organization under the sun but tachihara put in the effort to build up the perfect stereotypical gangstersona and act his silly little heart out for the perfect plot twist so we all know who deserves the award for best port mafia betrayal

[j00stkl31n]

Omg my poor hiccuping boy 😭😭

[pixlokita]

Lil guy screaming at 4 am outside because there’s that storm in Texas =w= we already have 10 cats so we can’t keep him >>; hopefully the mom and siblings are ok :’v he was by himself

[inazumass]

Lost in the Fire || Tamaki Amajiki x Reader

This is a sneak peek of one of the drafts I've been working on these days. I've started a couple other things as well because my squirrel brain has way too many ideas at once. No warnings apply for this blurb, just a cute little makeout sesh

----------------------------------------------------------

Shaky hands gripped at your hips, squeezing gently as he leaned into your touch. Soft lips melded against yours, your thighs on either side of his waist. With a hand on his chest you could feel the way his pulse quickened at the kiss, his cheeks radiating heat with the fierceness of his blush. Your hands moved to his hair, lightly gripping the fluffy indigo locks as he melted into you.

He whimpered when you broke the kiss, cringing internally at his shameless whines. His eyes were screwed shut, a wobbly little pout on his pretty pink lips. He wanted more, but you knew he wouldn’t be the one to cave first. The honey coloured glow of the sunrise filtering in through your bedroom window cast long shadows across the room and bathed his pretty face in its glow. You let out a sigh at the sight, your palm pressing lightly against his rose coloured cheeks.

“You’re so pretty like this, Tamaki.” You breathed out, earning another whine from your roommate.

“Stop torturing me,” He huffed out, daring to peek up at you from beneath his dark eyelashes.

It was a mistake to do that, he wasn’t sure his heart could take it. The sight of you, thighs splayed open across his lap, cooing praises at him, it had his breath catching high in his throat. His fingers twitched against your skin and earned a smug little smile from you, your soft gaze never wavering from his face. 

“Is that your way of saying you want more?”

[dna-repo]

froot loops

[this-should-do]

Jalapeno Help

[hcnnibal]

bet you’re completely surprised to find me in your inbox again—

how do the boys behave when they’re captured? like a2 fully gives stoic and silent unsettle them by taking everything with a straight face but i feel like a1 could either swing that way or just like blatantly antagonize his captors. he gives sarcastic belligerence vibes like “my mom hit me harder than that when i was a toddler”

yeah uve got it pretty much spot on

a2 doesnt really respond to torture, mostly bc it doesnt really feel like anything

and a1 is just like yeah u cannot do anything to me my mother has not done already. and also im not four anymore lmao. also ur going to be in so much trouble when my boyfriend gets here

[johnslittlespoon]

plsssss can we talk about bucky getting his revenge and edging gale

gale edging john post | yes we cannnnn !! eta: ykw. i need to just turn this into a proper oneshot since this ended up being over 1k words. new wip created </3

john may be a man of little self control, but after that incident, he decides he can be at least a tiny bit patient so he can catch gale off guard with it when he gets his revenge. because the next few times they're fooling around, gale's expecting a retaliation, john can see it in the way he tenses up and glances at his face before he comes like he's waiting for it, but john never follows through with it. he wants gale to let his guard down, and that he does.

so a week or so later when john's kissing him and feeling him up and asks ever so sweetly if he can tie gale's wrists behind his back, gale doesn't think anything of it. john likes to take control occasionally and gale sometimes likes the feeling of not having to worry about making decisions, getting to let john call the shots, and john always puts extra time and effort into the way he touches gale when he's restrained because he likes to watch his darling blondie squirm.

john has him sit in his lap facing him, letting gale lean against his shoulder to take the pressure off his legs while john works him open on his fingers, already riled up from the pretty gasps gale's making against his neck but reigning himself in because he's gonna need to have some self control for once.

he sweet–talks gale through it, telling him how good he sounds, how well he's doing as he sinks down on his cock, guiding him with hands on his hips so he doesn't unbalance himself without the use of his own hands where they're tied behind his back with a belt. he stays still at first, letting gale ride him slowly, keeping his hands loosely on his waist while praising him and talking him into that foggy needy headspace until gale's thighs are trembling and john takes pity on him (and frankly is so hard he doesn't have the patience to keep his own hips still anymore).

so he runs his hands down from gale's waist to his ass to hold him in place while he rolls his hips up into him, watching the way gale's eyebrows pinch and his pretty lips fall open in a silent oh as john angles himself in a way gale couldn't with his own movements. lets his mouth run as he slowly picks up his pace, all the coos of "so pretty", "you're taking me so well", "you feel so fucking good", loving how reactive gale is to every word and every thrust.

he moves his hands to gale's hips to get a better grip, can tell gale's getting close because he gets noisier, losing his filter and letting out breathy little "fuck"s and "john"s, head rolling back on his shoulders to bare his neck, rocking his hips down to meet john every time he fucks up into him. and then just as he gets the warning of "close", he pulls gale down by his hips to bury himself deep in him and stops moving completely.

the whine of desperation that tears out of gale's throat when he lifts his head has john knocking his skull back against the wall, cock twitching hard enough inside gale that he's sure the blond can feel it. he watches gale's biceps flex when he instinctively tries to get his hands free, feels his hips try to squirm out of his hands to keep moving, but he keeps him pinned firmly down, dizzy at the way he clenches down around him.

a plaintive "john" pulls a groan from him, but he composes himself, lifts his gaze back up to gale's face and lets the corners of his lips quirk up, purrs out a "yeah, sweetheart? something wrong?"

laughs at the way gale cusses him out, a rare sight of his little spitfire with a mouth on him, though the effect is a lot closer to being hissed at by a kitty than actually being convinced to move. john lets him run his mouth, murmurs a "cute" once gale's done, and then promptly hammers his hips up into him just once, swearing under his breath at the way it punches an open–mouthed moan from gale. rocks his hips up into him a few times before going back to a quick and rough pace, the sound of skin on skin getting both of them flushed.

it only takes a minute before gale's hips are twitching into his hands and whispered pleas are falling from his mouth and john thinks he's never had to use as much self restraint in his life as he does when he forces himself to stop moving again, once again yanking gale down against him, holding him still in his lap.

gale really fights it this time, enough so that it's a merciful distraction for john from how close he himself is (trust his idea to backfire as he ends up edging himself along with gale, he thinks) when he has to use proper strength to keep him in place. any blood that might've still been lurking around his brain rushes south the moment he sees gale's eyes getting shiny with frustration, cheeks all pink and lips red and flushed from biting down on them.

"not so fun, is it?" john taunts, but his voice comes out a bit more raspy than he would've liked, evident how much the stop and start is getting to him too. it's probably karma, because he knows he's being more mean than gale was to him, but he can't help it; those blue eyes look so pretty when tears are threatening to spill over when he's desperate and needy like this.

gale wriggles in his lap the best he can, still furiously chasing his orgasm, head finally falling back in frustration before he lifts it again, looking john in the eyes, pulling his bottom lip between his teeth and letting it go. he whines quietly and whimpers out the sweetest "please, johnny," almost crying in his impatience, and fuck.

john doesn't mean for his hips to twitch up at that, but they do, hard. gale sobs out a broken sound at the way john's cock hits just where he needs it to in his accidental movement, and gale spills over his stomach completely untouched, just like that. john swears and drives his hips up into him in an attempt to quickly amend his slip up, moaning loud at the wrecked noises that immediately start bubbling up out of gale as he fucks him through his orgasm.

he tips over the edge himself from the desperate sounds the blond starts to make as he crosses the line into overstimulation, feeling gale's hips jerk frantically in his hands, fighting to get away from the incessant rhythm of his cock inside him as john shudders through his own orgasm, fingers digging into gale's sides.

he slows down to a gentle grind of his hips when gale collapses against his chest, face pressed to his neck, shivering at the slow drag inside him and whining pitifully when john eventually pulls out, settling him down on his thighs while he reaches around to undo the belt and free his hands. his heart bursts at the way gale instantly wraps his arms around him, clinging to him as they both catch their breath, john petting his hair and showering him with praise.

he eventually huffs out a laugh, murmuring a "sorry buck. payback's a bitch, but that was an accident, i swear." gale groans against him in complaint, lightly nipping at his shoulder in retaliation, too tired to fight back, but john's sure he'll pay for it eventually.

it's confirmed with the "better watch your back, darling" that he gets when they're both pulling their clothes back on, but to john, that sounds less like a threat and more like a good time, and he shoots gale a crooked grin to let him know as much.

[sodafrog13]

*announcer voice* IN COMES MYSTERY SKULLS ANIMATED WITH THE STEEL CHAIR!!

missed these guys. take some doodles + a silly hlm au that i'm not gonna do anything with <3

[sefynarose]

Bound - A Short Sylus Story

(Loosely based off of Sylus’s dialogue if you don’t login for 30 days (based off the tiktok I saw, I could never leave him for a DAY let alone a month but I wanted some angst) Side note this ends abruptly because I stop writing when I lose inspiration so this is just me getting out the little scenario that played in my head :<).

TW: Mentions of blood, death, sadistic sylus, hurt mc, dom!sylus (?), etc.

(Let me know if I need any other tw's. I haven't had to do this on tumblr in forever!)

Mʏ ʙʀᴇᴀᴛʜ ʜɪᴛᴄʜᴇᴅ ᴀs I ғᴜᴍʙʟᴇᴅ ᴡɪᴛʜ ᴛʜᴇ ʙᴀɴᴅᴀɢᴇs, ᴍʏ ғɪɴɢᴇʀs ᴛʀᴇᴍʙʟɪɴɢ ғʀᴏᴍ ᴛʜᴇ ᴘᴀɪɴ. Tʜᴇ ᴍɪssɪᴏɴ ʜᴀᴅ ʙᴇᴇɴ ʟᴏɴɢ ᴀɴᴅ ʙʀᴜᴛᴀʟ, ᴀɴᴅ I ʙᴀʀᴇʟʏ ᴍᴀɴᴀɢᴇᴅ ᴛᴏ ᴅʀᴀɢ ᴍʏsᴇʟғ ʙᴀᴄᴋ ᴛᴏ ᴍʏ ᴀᴘᴀʀᴛᴍᴇɴᴛ ʙᴇғᴏʀᴇ ᴄᴏʟʟᴀᴘsɪɴɢ.

Mʏ ʙᴏᴅʏ ᴡᴀs ʟɪᴛᴛᴇʀᴇᴅ ᴡɪᴛʜ ʙʀᴜɪsᴇs ᴀɴᴅ ғʀᴇsʜ sᴄᴀʀs, sᴏᴍᴇ sᴛɪʟʟ ʙʟᴇᴇᴅɪɴɢ, ᴀɴᴅ I ᴡᴀs ᴀʟᴍᴏsᴛ ᴄᴇʀᴛᴀɪɴ I ʜᴀᴅ ᴀ ʜᴀɪʀʟɪɴᴇ ғʀᴀᴄᴛᴜʀᴇ ɪɴ ᴍʏ ʀɪʙ. Iᴛ ᴡᴀsɴ’ᴛ ᴀ ᴄᴏᴍᴘʟᴇᴛᴇ ʙʀᴇᴀᴋ, ʙᴜᴛ ᴇᴠᴇʀʏ ʙʀᴇᴀᴛʜ sᴇɴᴛ ᴀ sʜᴀʀᴘ ʀᴇᴍɪɴᴅᴇʀ ᴏғ ʜᴏᴡ ғʀᴀɢɪʟᴇ ᴍʏ ʙᴏɴᴇs ғᴇʟᴛ. I’ᴅ ʜᴀᴠᴇ ᴛᴏ ᴠɪsɪᴛ ᴛʜᴇ ʜᴏsᴘɪᴛᴀʟ ᴛᴏᴍᴏʀʀᴏᴡ, ʙᴜᴛ ғᴏʀ ɴᴏᴡ, I sᴛʀᴜɢɢʟᴇᴅ ᴛᴏ ᴡʀᴀᴘ ᴍʏ ᴡᴏᴜɴᴅs, ᴡɪɴᴄɪɴɢ ᴀs I ᴅᴀʙʙᴇᴅ ᴀɴᴛɪsᴇᴘᴛɪᴄ ᴏɴᴛᴏ ᴀ ᴅᴇᴇᴘ ɢᴀsʜ ʀᴜɴɴɪɴɢ ᴀʟᴏɴɢ ᴍʏ ᴀʀᴍ.

I sɪɢʜᴇᴅ, ᴄʟᴏsɪɴɢ ᴍʏ ᴇʏᴇs ғᴏʀ ᴀ ᴍᴏᴍᴇɴᴛ, ᴛʀʏɪɴɢ ᴛᴏ ᴘᴜsʜ ᴛʜᴇ ᴘᴀɪɴ ᴀsɪᴅᴇ. Tʜᴇ ʀᴏᴏᴍ ᴡᴀs ǫᴜɪᴇᴛ, sᴀᴠᴇ ғᴏʀ ᴛʜᴇ sᴏғᴛ ʀᴜsᴛʟᴇ ᴏғ ᴛʜᴇ ғɪʀsᴛ ᴀɪᴅ ᴋɪᴛ.

I ʜᴀᴅɴ’ᴛ ᴛᴏʟᴅ ᴀɴʏᴏɴᴇ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴍɪssɪᴏɴ—ɴᴏᴛ ᴇᴠᴇɴ ʜɪᴍ.

Mʏ sᴛᴏᴍᴀᴄʜ ᴛᴡɪsᴛᴇᴅ ᴀᴛ ᴛʜᴇ ᴛʜᴏᴜɢʜᴛ. Iᴛ ᴡᴀs ʙᴇᴄᴀᴜsᴇ ᴏғ ʜɪᴍ, ʀᴇᴀʟʟʏ. Wᴇ ʜᴀᴅ ғᴏᴜɢʜᴛ. Nᴏᴛ ᴊᴜsᴛ ᴀɴʏ ғɪɢʜᴛ, ʙᴜᴛ ᴛʜᴇ ᴋɪɴᴅ ᴛʜᴀᴛ ʟᴇғᴛ ᴡᴏʀᴅs ʟɪɴɢᴇʀɪɴɢ ɪɴ ᴛʜᴇ ᴀɪʀ ʟɪᴋᴇ ᴡᴏᴜɴᴅs ᴛʜᴀᴛ ᴄᴏᴜʟᴅɴ’ᴛ ʜᴇᴀʟ. I ʜᴀᴅ sᴛᴏʀᴍᴇᴅ ᴏᴜᴛ ᴏғ ᴛʜᴇ N109 ᴢᴏɴᴇ ɪɴ ᴀ ʙʟɪɴᴅ ғᴜʀʏ, ɴᴇᴇᴅɪɴɢ ᴛᴏ ᴇsᴄᴀᴘᴇ ᴛʜᴇ sᴜғғᴏᴄᴀᴛɪɴɢ ᴛᴇɴsɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴜs. Tʜᴇ ᴄᴏᴍᴍɪssɪᴏɴ ғᴏʀ ᴛʜᴇ ᴍɪssɪᴏɴ ʜᴀᴅ ᴄᴏᴍᴇ ᴀᴛ ᴛʜᴇ ᴘᴇʀғᴇᴄᴛ ᴛɪᴍᴇ, sᴏ I ᴛᴏᴏᴋ ɪᴛ ᴡɪᴛʜᴏᴜᴛ ᴀ sᴇᴄᴏɴᴅ ᴛʜᴏᴜɢʜᴛ. I ᴅɪᴅɴ’ᴛ ᴛᴇʟʟ ʜɪᴍ ʙᴇᴄᴀᴜsᴇ I ᴅɪᴅɴ’ᴛ ᴡᴀɴᴛ ᴛᴏ ᴅᴇᴀʟ ᴡɪᴛʜ ʜɪᴍ. I ᴅɪᴅɴ’ᴛ ᴡᴀɴᴛ ᴛᴏ ʜᴇᴀʀ ᴛʜᴇ ʙɪᴛɪɴɢ ᴡᴏʀᴅs ᴏʀ ᴛʜᴇ ᴄᴏʟᴅ ᴅɪsᴀᴘᴘʀᴏᴠᴀʟ ɪɴ ʜɪs ᴠᴏɪᴄᴇ.

I ʟᴇғᴛ ᴍʏ ᴘʜᴏɴᴇ ʙᴇʜɪɴᴅ ᴏɴ ᴘᴜʀᴘᴏsᴇ. Tʜᴇ ��ʜᴏᴜɢʜᴛ ᴏғ ʜɪᴍ ᴍᴇssᴀɢɪɴɢ ᴏʀ ᴄᴀʟʟɪɴɢ, ᴋɴᴏᴡɪɴɢ ᴇxᴀᴄᴛʟʏ ᴡʜᴇʀᴇ I ᴡᴀs, ᴍᴀᴅᴇ ᴍʏ sᴋɪɴ ᴄʀᴀᴡʟ. I ʜᴀᴅɴ’ᴛ ᴄʜᴇᴄᴋᴇᴅ ɪᴛ sɪɴᴄᴇ. Iᴛ sᴀᴛ ᴀᴄʀᴏss ᴛʜᴇ ʀᴏᴏᴍ ᴏɴ ᴍʏ ᴅᴇsᴋ, sɪʟᴇɴᴛ, ɪᴛs sᴄʀᴇᴇɴ ᴅᴀʀᴋ ᴀɴᴅ ᴏᴍɪɴᴏᴜs. I ʜᴀᴅɴ’ᴛ ᴅᴀʀᴇᴅ ᴛᴏ ᴘɪᴄᴋ ɪᴛ ᴜᴘ, ᴛʀᴇᴀᴛɪɴɢ ɪᴛ ʟɪᴋᴇ ᴀ ʙᴏᴍʙ ᴡᴀɪᴛɪɴɢ ᴛᴏ ᴇxᴘʟᴏᴅᴇ. I ᴡᴀsɴ’ᴛ sᴜʀᴇ ɪғ ʜᴇ ᴇᴠᴇɴ ɴᴏᴛɪᴄᴇᴅ I ᴡᴀs ɢᴏɴᴇ. Bᴜᴛ ᴅᴇᴇᴘ ᴅᴏᴡɴ, I ᴡᴀs ᴛᴇʀʀɪғɪᴇᴅ ᴏғ ᴛʜᴇ ᴀʟᴛᴇʀɴᴀᴛɪᴠᴇ—ᴛʜᴀᴛ ʜᴇ ᴅɪᴅ ɴᴏᴛɪᴄᴇ. Aɴᴅ ɪғ I ʜᴀᴅ sᴜᴄᴄᴇᴇᴅᴇᴅ ɪɴ ᴘɪssɪɴɢ ʜɪᴍ ᴏғғ… I ᴅɪᴅɴ’ᴛ ᴡᴀɴᴛ ᴛᴏ ᴋɴᴏᴡ ᴡʜᴀᴛ I’ᴅ ғɪɴᴅ.

I ᴅᴇʟɪʙᴇʀᴀᴛᴇʟʏ ᴀᴠᴏɪᴅᴇᴅ ʟᴏᴏᴋɪɴɢ ᴀᴛ ɪᴛ, ғᴏᴄᴜsɪɴɢ ɪɴsᴛᴇᴀᴅ ᴏɴ ᴛʜᴇ ᴛᴀsᴋ ᴀᴛ ʜᴀɴᴅ. Wʜʏ ᴡᴏᴜʟᴅ I ᴘᴏᴋᴇ ᴀ sʟᴇᴇᴘɪɴɢ ʙᴇᴀsᴛ?

I ʜᴀᴅɴ’ᴛ ᴍᴀᴅᴇ ɪᴛ ʜᴀʟғᴡᴀʏ ᴛʜʀᴏᴜɢʜ ᴘᴀᴛᴄʜɪɴɢ ᴍʏsᴇʟғ ᴜᴘ ᴡʜᴇɴ ᴛʜᴇ ʟɪɢʜᴛs ғʟɪᴄᴋᴇʀᴇᴅ. I ɢʟᴀɴᴄᴇᴅ ᴜᴘ ᴀᴛ ᴛʜᴇ ᴅɪᴍᴍɪɴɢ ᴄʜᴀɴᴅᴇʟɪᴇʀ, ᴀ ғᴀᴍɪʟɪᴀʀ ᴄʜɪʟʟ ᴄʀᴀᴡʟɪɴɢ ᴜᴘ ᴍʏ sᴘɪɴᴇ, ᴍᴀᴋɪɴɢ ᴍʏ ʜᴇᴀʀᴛ ʜᴀᴍᴍᴇʀ ɪɴ ᴍʏ ᴄʜᴇsᴛ. I ғᴇʟᴛ ғᴏᴏʟɪsʜ. I sʜᴏᴜʟᴅ’ᴠᴇ ᴋɴᴏᴡɴ ʜᴇ ᴡᴏᴜʟᴅ ғɪɴᴅ ᴏᴜᴛ ᴛʜᴇ sᴇᴄᴏɴᴅ I ʀᴇᴛᴜʀɴᴇᴅ, ᴡʜᴇᴛʜᴇʀ I ᴄᴀʟʟᴇᴅ ʜɪᴍ ᴏʀ ɴᴏᴛ.

I ʜᴀᴅ ʙᴇᴇɴ ɢᴏɴᴇ ᴛᴏᴏ ʟᴏɴɢ. I ʜᴀᴅɴ’ᴛ ᴛᴏʟᴅ ʜɪᴍ.

Tʜᴇ ʟɪɢʜᴛ sᴘᴜᴛᴛᴇʀᴇᴅ, ᴛʜᴇɴ ᴅɪᴇᴅ ᴏᴜᴛ ᴄᴏᴍᴘʟᴇᴛᴇʟʏ. Dᴀʀᴋɴᴇss ᴅᴇsᴄᴇɴᴅᴇᴅ, ᴛʜɪᴄᴋ ᴀɴᴅ sᴜғғᴏᴄᴀᴛɪɴɢ, ᴀs ɪғ ᴛʜᴇ ᴀɪʀ ɪᴛsᴇʟғ ᴡᴀs ᴡᴀɪᴛɪɴɢ ғᴏʀ ʜɪs ᴀʀʀɪᴠᴀʟ. Eᴀᴄʜ ʙʀᴇᴀᴛʜ ɢʀᴇᴡ ʜᴇᴀᴠɪᴇʀ, ᴀɴᴅ ᴛʜᴇ ᴛᴇɴsɪᴏɴ ɪɴ ᴛʜᴇ ʀᴏᴏᴍ ᴛʜɪᴄᴋᴇɴᴇᴅ. A ғᴇᴀᴛʜᴇʀ, ʙʟᴀᴄᴋ ᴀs ᴍɪᴅɴɪɢʜᴛ, ғʟᴏᴀᴛᴇᴅ ɢᴇɴᴛʟʏ ᴘᴀsᴛ ᴍʏ ғᴀᴄᴇ. Tʜᴇɴ ᴀɴᴏᴛʜᴇʀ. Aɴᴅ ᴀɴᴏᴛʜᴇʀ.

Mʏ ᴘᴜʟsᴇ ǫᴜɪᴄᴋᴇɴᴇᴅ. Tʜᴇ ᴀɪʀ ᴛᴜʀɴᴇᴅ ғʀɪɢɪᴅ, ᴀɴᴅ ғʀᴏᴍ ᴛʜᴇ ᴛʜɪᴄᴋᴇɴɪɴɢ sʜᴀᴅᴏᴡs, ᴄʀɪᴍsᴏɴ ᴇʏᴇs ʙʟᴀᴢᴇᴅ ᴛᴏ ʟɪғᴇ, sᴇᴀʀɪɴɢ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ʙʟᴀᴄᴋɴᴇss ʟɪᴋᴇ ᴇᴍʙᴇʀs.

“Y/N,” ᴀ ʟᴏᴡ, ᴍᴇɴᴀᴄɪɴɢ ɢʀᴏᴡʟ ғɪʟʟᴇᴅ ᴛʜᴇ ʀᴏᴏᴍ. Hɪs ᴠᴏɪᴄᴇ ᴡᴀs ᴜɴᴍɪsᴛᴀᴋᴀʙʟᴇ.

Mʏ ʙʟᴏᴏᴅ ᴛᴜʀɴᴇᴅ ᴛᴏ ɪᴄᴇ. Tʜᴇ ғᴇᴀʀ I ᴛʀɪᴇᴅ sᴏ ʜᴀʀᴅ ᴛᴏ ʙᴜʀʏ sᴜʀɢᴇᴅ ᴜᴘ, ʙᴜᴛ ᴍɪxᴇᴅ ᴡɪᴛʜ ɪᴛ ᴡᴀs sᴏᴍᴇᴛʜɪɴɢ ᴇᴠᴇɴ ᴍᴏʀᴇ ᴅᴀɴɢᴇʀᴏᴜs—ᴀ ᴘᴜʟʟ, sᴏᴍᴇᴛʜɪɴɢ ᴅᴇᴇᴘ ᴀɴᴅ ɪɴsᴛɪɴᴄᴛᴜᴀʟ ᴛʜᴀᴛ I ᴄᴏᴜʟᴅ ɴᴇᴠᴇʀ ғᴜʟʟʏ ᴇxᴘʟᴀɪɴ. I ᴛʀɪᴇᴅ ᴛᴏ sᴛᴇᴇʟ ᴍʏsᴇʟғ, ᴛᴏ ᴘᴜsʜ ʙᴀᴄᴋ, ʙᴜᴛ ᴍʏ ʙᴏᴅʏ ʙᴇᴛʀᴀʏᴇᴅ ᴍᴇ—ᴍʏ ʜᴀɴᴅs ᴛʀᴇᴍʙʟɪɴɢ, ᴍʏ ᴘᴜʟsᴇ ᴇʀʀᴀᴛɪᴄ. Tʜᴇ ғɪʀsᴛ ᴀɪᴅ ᴋɪᴛ sʟɪᴘᴘᴇᴅ ғʀᴏᴍ ᴍʏ ɢʀᴀsᴘ, ʜɪᴛᴛɪɴɢ ᴛʜᴇ ғʟᴏᴏʀ ᴡɪᴛʜ ᴀ sʜᴀʀᴘ ᴄʟᴀᴛᴛᴇʀ ᴛʜᴀᴛ sʜᴀᴛᴛᴇʀᴇᴅ ᴛʜᴇ sɪʟᴇɴᴄᴇ.

Hᴇ sᴛᴇᴘᴘᴇᴅ ᴏᴜᴛ ғʀᴏᴍ ᴛʜᴇ ᴠᴏɪᴅ; ᴛᴀʟʟ, ᴍᴇɴᴀᴄɪɴɢ, ᴀɴᴅ ʙʀᴇᴀᴛʜᴛᴀᴋɪɴɢʟʏ ɢᴏʀɢᴇᴏᴜs, ʜɪs ᴇᴠᴇʀʏ ᴍᴏᴠᴇᴍᴇɴᴛ ᴘʀᴇᴅᴀᴛᴏʀʏ. Mʏ ᴠᴇʀʏ ᴏᴡɴ ᴀɴɢᴇʟ ᴏғ ᴅᴀʀᴋɴᴇss, ᴄᴏᴍᴇ ᴛᴏ ᴄᴏʟʟᴇᴄᴛ ᴡʜᴀᴛ ᴡᴀs ʜɪs. Hɪs ɢᴀᴢᴇ ʟᴏᴄᴋᴇᴅ ᴏɴᴛᴏ ᴍɪɴᴇ, ᴀɴᴅ ᴛʜᴇ sʜᴇᴇʀ ɪɴᴛᴇɴsɪᴛʏ ɪɴ ʜɪs ᴇʏᴇs ʟᴇғᴛ ᴍᴇ ғᴇᴇʟɪɴɢ ᴄᴏʀɴᴇʀᴇᴅ, ʟɪᴋᴇ ᴘʀᴇʏ ᴄᴀᴜɢʜᴛ ɪɴ ᴛʜᴇ ᴊᴀᴡs ᴏғ ᴀ ʙᴇᴀsᴛ. Hɪs ᴍᴇʀᴇ ᴘʀᴇsᴇɴᴄᴇ ғɪʟʟᴇᴅ ᴛʜᴇ ʀᴏᴏᴍ, sᴜᴄᴋɪɴɢ ᴀʟʟ ᴛʜᴇ ᴀɪʀ ғʀᴏᴍ ᴍʏ ʟᴜɴɢs, ᴀɴᴅ ᴡɪᴛʜ ᴇᴀᴄʜ ᴘᴀssɪɴɢ sᴇᴄᴏɴᴅ, ᴛʜᴇ ᴛʜʀᴇᴀᴅ ᴏғ ʜɪs ᴄᴏɴᴛʀᴏʟ ғʀᴀʏᴇᴅ ғᴜʀᴛʜᴇʀ.

I ᴄᴏᴜʟᴅ sᴇᴇ ᴛʜᴇ ғᴀɪɴᴛ ᴛᴇɴᴅʀɪʟs ᴏғ ʜɪs ᴇᴠᴏʟ ᴄᴏɪʟɪɴɢ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ᴀɪʀ, ᴄʀɪᴍsᴏɴ sᴡɪʀʟs ғʟɪᴄᴋᴇʀɪɴɢ ʟɪᴋᴇ ʟɪᴠɪɴɢ sʜᴀᴅᴏᴡs. Tʜᴇʏ ᴡʀᴀᴘᴘᴇᴅ ᴀʀᴏᴜɴᴅ ʜɪᴍ, ᴘᴜʟsɪɴɢ ᴀs ɪғ ᴛʜᴇʏ, ᴛᴏᴏ, ʜᴜɴɢᴇʀᴇᴅ. Hᴜɴɢᴇʀᴇᴅ ғᴏʀ ʀᴇᴛʀɪʙᴜᴛɪᴏɴ. Fᴏʀ ᴄᴏɴᴛʀᴏʟ.

“Yᴏᴜ ᴛʜɪɴᴋ ʏᴏᴜ ᴄᴀɴ ᴊᴜsᴛ ᴅɪsᴀᴘᴘᴇᴀʀ?” Hɪs ᴠᴏɪᴄᴇ ᴡᴀs ʟᴏᴡ, ᴇᴀᴄʜ ᴡᴏʀᴅ ᴄᴜᴛᴛɪɴɢ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ᴀɪʀ ᴡɪᴛʜ ʙᴀʀᴇʟʏ ʀᴇsᴛʀᴀɪɴᴇᴅ ғᴜʀʏ.

Hᴇ ᴛᴏᴏᴋ ᴀ sɪɴɢʟᴇ sᴛᴇᴘ ғᴏʀᴡᴀʀᴅ, ᴀɴᴅ ᴇᴠᴇʀʏ ᴍᴜsᴄʟᴇ ɪɴ ᴍʏ ʙᴏᴅʏ ᴛᴇɴsᴇᴅ. Mʏ ғɪɢʜᴛ ᴏʀ ғʟɪɢʜᴛ ɪɴsᴛɪɴᴄᴛ sᴄʀᴇᴀᴍᴇᴅ ᴀᴛ ᴍᴇ ᴛᴏ ᴍᴏᴠᴇ, ᴛᴏ ᴅᴏ sᴏᴍᴇᴛʜɪɴɢ, ʙᴜᴛ I ᴡᴀs ᴘᴀʀᴀʟʏᴢᴇᴅ ʙʏ ᴛʜᴇ ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ ᴘʀᴇsᴇɴᴄᴇ ᴏғ ʜɪᴍ—ʜɪs ʀᴀɢᴇ, ʜɪs ᴘᴏssᴇssɪᴠᴇɴᴇss, ᴀɴᴅ ᴛʜᴀᴛ ᴅᴇsᴘᴇʀᴀᴛᴇ, ᴅᴀɴɢᴇʀᴏᴜs ɴᴇᴇᴅ ʜᴇ ᴀʟᴡᴀʏs sᴇᴇᴍᴇᴅ ᴛᴏ ʜᴀʀʙᴏʀ ғᴏʀ ᴍᴇ.

I sᴡᴀʟʟᴏᴡᴇᴅ ʜᴀʀᴅ, ᴍʏ ᴛʜᴏᴜɢʜᴛs sᴄᴀᴛᴛᴇʀɪɴɢ ɪɴ ᴛʜᴇ ᴄʜᴀᴏs ᴏғ ᴇᴍᴏᴛɪᴏɴs ᴛʜᴀᴛ ᴡᴀʀʀᴇᴅ ɪɴsɪᴅᴇ ᴍᴇ. Hɪs ᴘʀᴇsᴇɴᴄᴇ ᴡᴀs sᴜғғᴏᴄᴀᴛɪɴɢ, ᴘᴜʟʟɪɴɢ ᴍᴇ ᴜɴᴅᴇʀ. Fᴇᴀʀ, ᴅᴇsɪʀᴇ, ᴀɴᴅ ᴛʜᴀᴛ ɪɴᴇsᴄᴀᴘᴀʙʟᴇ, ᴅᴀɴɢᴇʀᴏᴜs ᴄᴏɴɴᴇᴄᴛɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴜs sᴡɪʀʟᴇᴅ ᴛᴏɢᴇᴛʜᴇʀ, ʟᴇᴀᴠɪɴɢ ᴍᴇ ᴅʀᴏᴡɴɪɴɢ ɪɴ ᴀ ᴛɪᴅᴇ ᴏғ ᴄᴏɴғʟɪᴄᴛɪɴɢ ғᴇᴇʟɪɴɢs.

“Yᴏᴜ’ᴠᴇ ɢᴏᴛᴛᴇɴ ʙᴇᴛᴛᴇʀ,” ʜᴇ ᴍᴜʀᴍᴜʀᴇᴅ ᴀs ʜᴇ sᴛʀᴏᴅᴇ ғᴏʀᴡᴀʀᴅ, ʜɪs ᴛᴏɴᴇ ᴍᴏᴄᴋɪɴɢʟʏ ʟɪɢʜᴛ, ᴛʜᴏᴜɢʜ ʜɪs ɢᴀᴢᴇ ᴡᴀs ᴀɴʏᴛʜɪɴɢ ʙᴜᴛ. Hɪs ᴇʏᴇs ᴡᴇʀᴇ sʜᴀʀᴘ, ᴡɪʟᴅ. “Yᴏᴜ ᴄᴀɴ ʜɪᴅᴇ ɪɴ ᴘʟᴀᴄᴇs ᴇᴠᴇɴ I ᴄᴀɴ’ᴛ ғɪɴᴅ.”

Iɴ ᴀ ғʟᴀsʜ, ʜᴇ ᴡᴀs ɪɴ ғʀᴏɴᴛ ᴏғ ᴍᴇ, ʜɪs ʜᴀɴᴅ ɢʀɪᴘᴘɪɴɢ ᴍʏ ᴄʜɪɴ ᴡɪᴛʜ ᴀ ғᴏʀᴄᴇ ᴛʜᴀᴛ ᴍᴀᴅᴇ ᴍᴇ ᴡɪɴᴄᴇ. Hɪs ᴏᴛʜᴇʀ ʜᴀɴᴅ sᴋɪᴍᴍᴇᴅ ᴛʜᴇ ᴇᴅɢᴇ ᴏғ ᴛʜᴇ ᴡᴏᴜɴᴅ ᴏɴ ᴍʏ ᴀʀᴍ, ɴᴏᴛ ᴡɪᴛʜ ᴛᴇɴᴅᴇʀɴᴇss, ʙᴜᴛ ᴡɪᴛʜ ᴀ ᴘᴏssᴇssɪᴠᴇɴᴇss ᴛʜᴀᴛ sᴇɴᴛ sʜɪᴠᴇʀs ᴅᴏᴡɴ ᴍʏ sᴘɪɴᴇ. I ᴄᴏᴜʟᴅɴ’ᴛ sᴛᴏᴘ ᴛʜᴇ ᴡʜɪᴍᴘᴇʀ ᴛʜᴀᴛ ᴇsᴄᴀᴘᴇᴅ ᴍʏ ʟɪᴘs, ᴛᴇᴀʀs ᴘʀɪᴄᴋɪɴɢ ᴀᴛ ᴛʜᴇ ᴄᴏʀɴᴇʀs ᴏғ ᴍʏ ᴇʏᴇs.

“Sʏʟᴜs, I—”

I ᴛʀɪᴇᴅ ᴛᴏ sᴘᴇᴀᴋ, ʙᴜᴛ ʜɪs ғɪɴɢᴇʀs ᴛɪɢʜᴛᴇɴᴇᴅ ᴏɴ ᴍʏ ᴄʜɪɴ, sɪʟᴇɴᴄɪɴɢ ᴍᴇ. Hɪs ᴇʏᴇs ᴅᴇᴠᴏᴜʀᴇᴅ ᴍᴇ, ʟɪɴɢᴇʀɪɴɢ ᴏᴠᴇʀ ᴇᴠᴇʀʏ ʙʀᴜɪsᴇ, ᴇᴠᴇʀʏ ᴄᴜᴛ, ᴀɴᴅ I ᴄᴏᴜʟᴅ ғᴇᴇʟ ʜɪs ʀᴀɢᴇ sᴡᴇʟʟ, ғᴇᴇᴅɪɴɢ ᴏғғ ᴇᴀᴄʜ ɪɴᴊᴜʀʏ ʟɪᴋᴇ ғᴜᴇʟ ᴛᴏ ᴀ ғɪʀᴇ.

“I ᴡᴀs ᴀғʀᴀɪᴅ ᴍʏ ᴋɪᴛᴛᴇɴ ɢᴏᴛ ʜᴜʀᴛ ᴡɪᴛʜᴏᴜᴛ ᴍᴇ ᴋɴᴏᴡɪɴɢ.” Hɪs ᴠᴏɪᴄᴇ ᴅʀᴏᴘᴘᴇᴅ ᴛᴏ ᴀ ᴠᴇɴᴏᴍᴏᴜs ɢʀᴏᴡʟ. “Sᴇᴇᴍs sʜᴇ ᴡᴀs ʜɪᴅɪɴɢ ɪɴ ᴀ ᴄᴏʀɴᴇʀ ᴛᴏ ʟɪᴄᴋ ʜᴇʀ ᴡᴏᴜɴᴅs.”

Hɪs ʙʀᴇᴀᴛʜ ᴡᴀs ʜᴏᴛ ᴀɢᴀɪɴsᴛ ᴍʏ sᴋɪɴ ᴀs ʜᴇ ʟᴇᴀɴᴇᴅ ɪɴ, ʜɪs ᴄʀɪᴍsᴏɴ ᴇʏᴇs ʙʟᴀᴢɪɴɢ ᴡɪᴛʜ ᴜɴʙʀɪᴅʟᴇᴅ ᴇᴍᴏᴛɪᴏɴ. Tʜɪs ᴡᴀsɴ'ᴛ ᴛʜᴇ Sʏʟᴜs I ᴡᴀs ᴜsᴇᴅ ᴛᴏ. Hᴇ ᴡᴀs ᴀʟᴡᴀʏs ᴄᴏᴍᴘᴏsᴇᴅ, ᴇᴠᴇɴ ɪɴ ᴀɴɢᴇʀ. Tʜᴇʀᴇ ᴡᴀs sᴏᴍᴇᴛʜɪɴɢ ᴀʟᴍᴏsᴛ ɢʀᴀᴄᴇғᴜʟ ᴀʙᴏᴜᴛ ɪᴛ—ɢʀᴀᴄᴇғᴜʟ, ʙᴜᴛ ᴜɴʙᴇᴀʀᴀʙʟʏ ʟᴏɴᴇʟʏ. Bᴜᴛ ɴᴏᴡ, ʜᴇ sᴇᴇᴍᴇᴅ ᴛᴏ ʙᴇ ᴄʀᴀᴄᴋɪɴɢ. Yᴇs, ᴛʜᴇ ᴍɪssɪᴏɴ ʜᴀᴅ ᴛᴀᴋᴇɴ ᴏᴠᴇʀ ᴀ ᴍᴏɴᴛʜ, ᴀɴᴅ ʏᴇs I ʜᴀᴅ ɪɢɴᴏʀᴇᴅ ʜɪᴍ ᴀɴᴅ ɴᴏᴛ ᴛᴏʟᴅ ʜɪᴍ ᴀɴʏᴛʜɪɴɢ ʙᴇғᴏʀᴇ ᴅɪsᴀᴘᴘᴇᴀʀɪɴɢ, ʙᴜᴛ ᴛʜɪs ʀᴇᴀᴄᴛɪᴏɴ ᴡᴀs ғᴀʀ ғʀᴏᴍ ᴡʜᴀᴛ I ᴇxᴘᴇᴄᴛᴇᴅ, ʟᴇᴀsᴛ ᴏғ ᴀʟʟ ғʀᴏᴍ ʜɪᴍ.

“Dɪᴅ ʏᴏᴜ ᴛʜɪɴᴋ ʏᴏᴜ ᴄᴏᴜʟᴅ ᴅᴏ ᴡʜᴀᴛᴇᴠᴇʀ ʏᴏᴜ ᴘʟᴇᴀsᴇ? Nᴏᴡ ᴛʜᴀᴛ I’ᴠᴇ ᴇɴsɴᴀʀᴇᴅ ʏᴏᴜ?” Hɪs ᴠᴏɪᴄᴇ ᴡᴀᴠᴇʀᴇᴅ, ᴛʜᴇ ғᴜʀʏ ᴜɴᴅᴇʀᴄᴜᴛ ʙʏ sᴏᴍᴇᴛʜɪɴɢ ᴍᴏʀᴇ ᴅᴀɴɢᴇʀᴏᴜs—ᴅᴇsᴘᴇʀᴀᴛɪᴏɴ. 

“Yᴏᴜ’ʀᴇ ᴍɪɴᴇ.”

Hɪs ᴡᴏʀᴅs, ᴀs ᴀʟᴡᴀʏs, sᴛʀᴜᴄᴋ ᴀ ᴄʜᴏʀᴅ ᴡɪᴛʜɪɴ ᴍᴇ, ʙᴜᴛ ᴛʜɪs ᴛɪᴍᴇ, ᴛʜᴇʏ ғᴇʟᴛ ᴍᴏʀᴇ ᴘɪᴇʀᴄɪɴɢ. Hᴇ ʜᴀᴅ sᴀɪᴅ ɪᴛ ʙᴇғᴏʀᴇ, ᴛʜᴀᴛ I ᴡᴀs ʜɪs, ʙᴜᴛ ᴡʜᴀᴛ ᴅɪᴅ ʜᴇ ᴛʀᴜʟʏ ᴍᴇᴀɴ? Oᴜʀ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘ ᴡᴀs ᴀɴʏᴛʜɪɴɢ ʙᴜᴛ ᴅᴇғɪɴᴇᴅ. Iᴛ ғᴇʟᴛ ᴍᴏʀᴇ ʟɪᴋᴇ ᴀ ʙᴀᴛᴛʟᴇғɪᴇʟᴅ ᴛʜᴀɴ ᴀ ᴘᴀʀᴛɴᴇʀsʜɪᴘ—ʟɪᴋᴇ ᴡᴇ ᴡᴇʀᴇ ᴇɴᴇᴍɪᴇs ᴍᴏʀᴇ ᴏғᴛᴇɴ ᴛʜᴀɴ ғʀɪᴇɴᴅs ᴏʀ ᴇᴠᴇɴ ᴀʟʟɪᴇs. Aɴᴅ ʏᴇᴛ, ᴛʜᴇʀᴇ ᴡᴀs ᴛʜɪs sᴛʀᴀɴɢᴇ, ɪɴᴇxᴘʟɪᴄᴀʙʟᴇ ᴄᴏɴɴᴇᴄᴛɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴜs ᴛʜᴀᴛ ɴᴇɪᴛʜᴇʀ ᴏғ ᴜs ᴄᴏᴜʟᴅ ɪɢɴᴏʀᴇ.

Dᴇsᴘɪᴛᴇ ᴛʜᴇ ʜᴀʀsʜɴᴇss ᴏғ ʜɪs ᴡᴏʀᴅs ᴀɴᴅ ᴛʜᴇ ɪɴᴛᴇɴsɪᴛʏ ᴏғ ʜɪs ɢᴀᴢᴇ, ᴛʜᴇʀᴇ ᴡᴀs sᴏᴍᴇᴛʜɪɴɢ ᴇʟsᴇ ʟᴜʀᴋɪɴɢ ʙᴇɴᴇᴀᴛʜ ɪᴛ ᴀʟʟ. Sᴏᴍᴇᴛʜɪɴɢ I ᴄᴏᴜʟᴅɴ’ᴛ ǫᴜɪᴛᴇ ɢʀᴀsᴘ. I ғᴇʟᴛ ᴀs ᴛʜᴏᴜɢʜ I ᴡᴀs ᴄᴀᴜɢʜᴛ ɪɴ ᴀ ᴡᴇʙ ᴏғ ᴇᴍᴏᴛɪᴏɴs ᴀɴᴅ ᴍᴏᴛɪᴠᴇs ᴛʜᴀᴛ ɴᴇɪᴛʜᴇʀ ᴏғ ᴜs ʜᴀᴅ ғᴜʟʟʏ ᴜɴʀᴀᴠᴇʟᴇᴅ. Hɪs ᴄʟᴀɪᴍ ᴏɴ ᴍᴇ—ᴛʜɪs ᴄᴏɴsᴛᴀɴᴛ ᴅᴇᴄʟᴀʀᴀᴛɪᴏɴ ᴛʜᴀᴛ I ᴡᴀs ʜɪs—ʜᴀᴅ ᴀʟᴡᴀʏs ʙᴇᴇɴ ᴀ ᴍʏsᴛᴇʀʏ. I ᴅɪᴅɴ’ᴛ ᴜɴᴅᴇʀsᴛᴀɴᴅ ᴡʜᴀᴛ ʜᴇ ᴡᴀɴᴛᴇᴅ ғʀᴏᴍ ᴍᴇ, ᴏʀ ᴡʜʏ I ᴄᴏᴜʟᴅɴ’ᴛ sᴇᴇᴍ ᴛᴏ ᴇsᴄᴀᴘᴇ ᴛʜɪs ᴘᴜʟʟ ʙᴇᴛᴡᴇᴇɴ ᴜs.

Iᴛ ᴡᴀs ᴛʀᴜᴇ ᴛʜᴀᴛ ᴛʜᴇʀᴇ ᴡᴀs ᴀ ᴄᴏɴɴᴇᴄᴛɪᴏɴ ʙᴇʏᴏɴᴅ ᴏᴜʀ ᴇᴠᴏʟ-ʟɪɴᴋs, sᴏᴍᴇᴛʜɪɴɢ ᴅᴇᴇᴘᴇʀ ᴀɴᴅ ᴍᴏʀᴇ ᴘʀɪᴍᴀʟ. Iᴛ ᴅʀᴇᴡ ᴜs ᴛᴏɢᴇᴛʜᴇʀ ᴡɪᴛʜ ᴀ ғᴏʀᴄᴇ ᴛʜᴀᴛ ғᴇʟᴛ ʙᴏᴛʜ ᴍᴀɢɴᴇᴛɪᴄ ᴀɴᴅ ᴍᴀᴅᴅᴇɴɪɴɢ. Mᴏsᴛ ᴏғ ᴛʜᴇ ᴛɪᴍᴇ I ғᴇʟᴛ ᴘᴏᴡᴇʀʟᴇss ᴀɢᴀɪɴsᴛ ɪᴛ, ᴀɴᴅ ɴᴏᴡ ᴡᴀs ᴅᴇғɪɴɪᴛᴇʟʏ ᴏɴᴇ ᴏғ ᴛʜᴏsᴇ ᴛɪᴍᴇs.

As ʜᴇ ᴘᴜʟʟᴇᴅ ᴍᴇ ᴄʟᴏsᴇʀ, ʜɪs ʜᴀɴᴅ sʟɪᴅɪɴɢ ᴛᴏ ᴛʜᴇ ʙᴀᴄᴋ ᴏғ ᴍʏ ɴᴇᴄᴋ ɪɴ ᴀ ᴘᴏssᴇssɪᴠᴇ ʜᴏʟᴅ, I ғᴇʟᴛ ʜɪs ғɪɴɢᴇʀs ᴅɪɢ ɪɴᴛᴏ ᴍʏ sᴋɪɴ, ɢʀᴏᴜɴᴅɪɴɢ ᴍᴇ ɪɴ ʜɪs ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ ᴘʀᴇsᴇɴᴄᴇ. Hɪs ᴏᴛʜᴇʀ ᴀʀᴍ sɴᴀᴋᴇᴅ ᴀʀᴏᴜɴᴅ ᴍʏ ᴡᴀɪsᴛ, ᴘʀᴇssɪɴɢ ᴀɢᴀɪɴsᴛ ᴍʏ ʀɪʙs ᴡɪᴛʜ ᴊᴜsᴛ ᴇɴᴏᴜɢʜ ғᴏʀᴄᴇ ᴛᴏ sᴇɴᴅ ᴀ sʜᴀʀᴘ ᴊᴏʟᴛ ᴏғ ᴘᴀɪɴ ᴛʜʀᴏᴜɢʜ ᴍᴇ. I ɢᴀsᴘᴇᴅ, ᴀ ᴄʀʏ ᴇsᴄᴀᴘɪɴɢ ʙᴇғᴏʀᴇ I ᴄᴏᴜʟᴅ sᴛᴏᴘ ɪᴛ.

Sʏʟᴜs ғʀᴏᴢᴇ, ʜɪs ᴇʏᴇs ᴡɪᴅᴇɴɪɴɢ ᴀs ᴛʜᴇʏ ғʟɪᴄᴋᴇᴅ ᴅᴏᴡɴ ᴛᴏ ᴍʏ ʙᴀᴛᴛᴇʀᴇᴅ ʜᴜɴᴛᴇʀ’s ᴜɴɪғᴏʀᴍ. Hᴇ sᴇᴇᴍᴇᴅ ᴛᴏ sᴇɴsᴇ ᴛʜᴇ ᴇxᴛᴇɴᴛ ᴏғ ᴍʏ ɪɴᴊᴜʀɪᴇs ᴀʟʟ ᴀᴛ ᴏɴᴄᴇ, ʜɪs ɢᴀᴢᴇ ᴅᴀʀᴋᴇɴɪɴɢ ᴡɪᴛʜ ᴀ ᴍɪx ᴏғ ᴀɴɢᴇʀ ᴀɴᴅ sᴏᴍᴇᴛʜɪɴɢ ᴍᴏʀᴇ ᴘʀɪᴍᴀʟ.

"Tᴀᴋᴇ ᴛʜɪs ᴏғғ. Nᴏᴡ." Hɪs ᴠᴏɪᴄᴇ ᴡᴀs ᴀ ᴄᴏᴍᴍᴀɴᴅ, ᴄᴏʟᴅ ᴀɴᴅ ᴜɴʏɪᴇʟᴅɪɴɢ. 

Tʀᴇᴍʙʟɪɴɢ, I ғᴏʀᴄᴇᴅ ᴍʏsᴇʟғ ᴛᴏ sᴛᴀɴᴅ, ᴛʜᴇ ᴘᴀɪɴ ᴍᴀᴋɪɴɢ ᴇᴀᴄʜ ᴍᴏᴠᴇᴍᴇɴᴛ ᴇxᴄʀᴜᴄɪᴀᴛɪɴɢ ᴀs I ᴘᴀɪɴsᴛᴀᴋɪɴɢʟʏ ʀᴇᴍᴏᴠᴇᴅ ᴍʏ ᴄʟᴏᴛʜᴇs. Mʏ sᴋɪɴ ғʟᴜsʜᴇᴅ ᴜɴᴅᴇʀ ʜɪs ɪɴᴛᴇɴsᴇ sᴄʀᴜᴛɪɴʏ, ᴀɴᴅ ᴀs ᴛʜᴇ ʟᴀsᴛ ᴘɪᴇᴄᴇ ғᴇʟʟ ᴀᴡᴀʏ, ʜɪs ᴇʏᴇs ʀᴏᴠᴇᴅ ᴏᴠᴇʀ ᴍᴇ, ʜɪs ᴇxᴘʀᴇssɪᴏɴ ᴜɴʀᴇᴀᴅᴀʙʟᴇ.

“Cᴏᴍᴇ ʜᴇʀᴇ. Lᴇᴛ ᴍᴇ ɢᴇᴛ ᴀ ɢᴏᴏᴅ ʟᴏᴏᴋ ᴀᴛ ʏᴏᴜ.”

Mʏ ᴋɴᴇᴇs ᴡᴏʙʙʟᴇᴅ ᴀs I sᴛᴇᴘᴘᴇᴅ ғᴏʀᴡᴀʀᴅ, ᴍʏ ʙᴏᴅʏ ᴘʀᴏᴛᴇsᴛɪɴɢ ᴡɪᴛʜ ᴇᴠᴇʀʏ ᴍᴏᴠᴇᴍᴇɴᴛ. Hɪs ʜᴀɴᴅs—ᴍᴏʀᴇ ᴄᴀʀᴇғᴜʟ ɴᴏᴡ—ɢʀᴀsᴘᴇᴅ ᴀᴛ ᴍʏ ʜɪᴘs, ʜɪs ғɪɴɢᴇʀs ʙʀᴜsʜɪɴɢ ᴏᴠᴇʀ ᴛʜᴇ ʙʀᴜɪsᴇs ᴀɴᴅ ᴄᴜᴛs ᴛʜᴀᴛ ʟɪᴛᴛᴇʀᴇᴅ ᴍʏ sᴋɪɴ. Gʀᴏᴛᴇsǫᴜᴇ ʙᴏᴜǫᴜᴇᴛs ᴏғ ʙʟᴜᴇ, ᴘᴜʀᴘʟᴇ, ᴀɴᴅ ʙʟᴀᴄᴋ ʙʟᴏᴏᴍᴇᴅ ᴀᴄʀᴏss ᴍʏ ʀɪʙs, ᴍᴏʀᴇ ʙʀᴜɪsᴇs ᴍᴀʀᴋɪɴɢ ᴍʏ ᴛʜɪɢʜs ᴀɴᴅ ᴄᴀʟᴠᴇs. A ғᴇᴡ ᴍᴏʀᴇ ɢᴀsʜᴇs ᴅᴏᴛᴛᴇᴅ ᴍʏ ʙᴏᴅʏ, ʙᴜᴛ ɴᴏɴᴇ ᴀs ʙᴀᴅ ᴀs ᴛʜᴇ ɢᴀsʜ ᴏɴ ᴍʏ ᴀʀᴍ.

I ʜᴀᴅ ʙᴇᴇɴ ᴛʜʀᴏᴡɴ ᴀʀᴏᴜɴᴅ ʙʏ ᴀ Wᴀɴᴅᴇʀᴇʀ ɪɴ ᴛʜᴇ ʀᴜɪɴs ᴏғ ᴛʜᴇ ᴄɪᴛʏ, ᴀɴᴅ ɪᴛ ᴛᴜʀɴᴇᴅ ᴏᴜᴛ ᴛʜᴀᴛ ʀᴜʙʙʟᴇ ᴅɪᴅɴ'ᴛ ᴀɢʀᴇᴇ ᴡɪᴛʜ ᴍᴇ ʙᴇɪɴɢ sʟᴀᴍᴍᴇᴅ ᴀɢᴀɪɴsᴛ ɪᴛ.

Sʏʟᴜs ᴛᴜʀɴᴇᴅ ᴍᴇ ɪɴ ʜɪs ɢʀᴀsᴘ, ʜɪs ᴄᴏʟᴅ, ᴄᴀʟᴄᴜʟᴀᴛɪɴɢ ɢᴀᴢᴇ ɪɴsᴘᴇᴄᴛɪɴɢ ᴇᴠᴇʀʏ ɪɴᴄʜ ᴏғ ᴍᴇ. Hɪs ғɪɴɢᴇʀs ᴛʀᴀᴄᴇᴅ ᴛʜᴇ ᴏᴜᴛʟɪɴᴇ ᴏғ ᴇᴀᴄʜ ʙʀᴜɪsᴇ, ᴀɴᴅ ʜɪs ᴛᴏᴜᴄʜ, ᴛʜᴏᴜɢʜ ᴛᴇɴᴅᴇʀ, sᴇɴᴛ ɪɴᴠᴏʟᴜɴᴛᴀʀʏ sʜɪᴠᴇʀs ᴛʜʀᴏᴜɢʜ ᴍᴇ. Hɪs ʟɪᴘs ᴛᴡɪsᴛᴇᴅ ɪɴᴛᴏ ᴀ ɢʀɪᴍ ᴇxᴘʀᴇssɪᴏɴ, ᴄᴀᴜɢʜᴛ sᴏᴍᴇᴡʜᴇʀᴇ ʙᴇᴛᴡᴇᴇɴ ᴀᴍᴜsᴇᴍᴇɴᴛ ᴀɴᴅ ғᴜʀʏ.

"Yᴏᴜ ᴅɪsᴀᴘᴘᴇᴀʀ ᴡɪᴛʜᴏᴜᴛ ᴛᴇʟʟɪɴɢ ᴍᴇ, ᴅᴏɴ’ᴛ ᴋᴇᴇᴘ ɪɴ ᴛᴏᴜᴄʜ, ᴀɴᴅ ᴛʜᴇɴ ᴄᴏᴍᴇ ʙᴀᴄᴋ ɪɴ ᴛᴀᴛᴛᴇʀs, ᴋɪᴛᴛᴇɴ."

"I'ᴍ sᴏʀʀʏ," I ᴍᴀɴᴀɢᴇᴅ ᴛᴏ ᴄʀᴏᴀᴋ, ᴍʏ ᴠᴏɪᴄᴇ ʜᴏᴀʀsᴇ ᴀɴᴅ ᴛʀᴇᴍʙʟɪɴɢ. Gᴏᴏsᴇʙᴜᴍᴘs ʀᴏsᴇ ᴏɴ ᴍʏ sᴋɪɴ ᴀs ʜɪs ғɪɴɢᴇʀᴛɪᴘs ɢʜᴏsᴛᴇᴅ ᴏᴠᴇʀ ᴍʏ ɪɴᴊᴜʀɪᴇs. Tʜᴇʀᴇ ᴡᴀs ɴᴏᴛʜɪɴɢ ᴋɪɴᴅ ɪɴ ʜɪs ɢᴀᴢᴇ ᴀs ʜᴇ ʟᴏᴏᴋᴇᴅ ᴜᴘ ᴀᴛ ᴍᴇ ғʀᴏᴍ ᴡʜᴇʀᴇ ʜᴇ sᴀᴛ ᴏɴ ᴛʜᴇ ᴇᴅɢᴇ ᴏғ ᴛʜᴇ ʙᴇᴅ. Hɪs ʜᴀɴᴅ ᴛɪɢʜᴛᴇɴᴇᴅ ᴀʀᴏᴜɴᴅ ᴍʏ ᴀʀᴍ, ᴀɴᴅ ᴡɪᴛʜ ᴀ sᴜᴅᴅᴇɴ, ʀᴏᴜɢʜ ᴍᴏᴛɪᴏɴ, ʜᴇ ʏᴀɴᴋᴇᴅ ᴍᴇ ᴅᴏᴡɴ. I ᴄʀɪᴇᴅ ᴏᴜᴛ ᴀs ʜᴇ ᴇᴀsɪʟʏ ғʟɪᴘᴘᴇᴅ ᴍᴇ ᴏɴᴛᴏ ᴍʏ ʙᴀᴄᴋ, ʜɪs ʟᴀʀɢᴇʀ ғʀᴀᴍᴇ ʟᴏᴏᴍɪɴɢ ᴏᴠᴇʀ ᴍᴇ, ᴘɪɴɴɪɴɢ ᴍᴇ ᴅᴏᴡɴ.

Hᴇ ʟᴇᴀɴᴇᴅ ɪɴ ᴄʟᴏsᴇ, ʜɪs ʟɪᴘs ʜᴏᴠᴇʀɪɴɢ ᴅᴀɴɢᴇʀᴏᴜsʟʏ ɴᴇᴀʀ ᴛʜᴇ ʜᴏʟʟᴏᴡ ᴏғ ᴍʏ ɴᴇᴄᴋ. “Yᴏᴜʀ ᴀᴘᴏʟᴏɢɪᴇs ᴀʀᴇ ᴡᴏʀᴛʜʟᴇss ᴛᴏ ᴍᴇ,” ʜᴇ sᴀɪᴅ, ʜɪs ᴠᴏɪᴄᴇ ᴛʜɪᴄᴋ ᴡɪᴛʜ ᴀɴ ᴀɴɢᴇʀ ᴛʜᴀᴛ sᴇᴇᴍᴇᴅ ᴀʟᴍᴏsᴛ ᴘᴀʟᴘᴀʙʟᴇ. I ᴄᴏᴜʟᴅɴ’ᴛ sᴇᴇ ʜɪs ᴇxᴘʀᴇssɪᴏɴ, ʙᴜᴛ ᴛʜᴇ ɪɴᴛᴇɴsɪᴛʏ ᴏғ ʜɪs ʀᴀɢᴇ ᴡᴀs ᴜɴᴅᴇɴɪᴀʙʟᴇ, ʀᴀᴅɪᴀᴛɪɴɢ ғʀᴏᴍ ʜɪᴍ ʟɪᴋᴇ ᴀ ᴛᴀɴɢɪʙʟᴇ ғᴏʀᴄᴇ. I ᴡᴀs ᴘᴀʀᴀʟʏᴢᴇᴅ ᴡɪᴛʜ ғᴇᴀʀ, ᴛᴏᴏ ᴛᴇʀʀɪғɪᴇᴅ ᴛᴏ ᴍᴏᴠᴇ ᴏʀ sᴘᴇᴀᴋ. Hɪs ᴜɴᴘʀᴇᴅɪᴄᴛᴀʙɪʟɪᴛʏ ᴡᴀs ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ, ᴀɴᴅ I ᴋɴᴇᴡ I sᴛᴏᴏᴅ ɴᴏ ᴄʜᴀɴᴄᴇ ᴏғ ᴏᴠᴇʀᴘᴏᴡᴇʀɪɴɢ ʜɪᴍ, ᴇᴠᴇɴ ɪғ I ᴡᴇʀᴇɴ’ᴛ ɪɴᴊᴜʀᴇᴅ.

“Aɴʏᴛʜɪɴɢ ᴄᴏᴜʟᴅ ʜᴀᴠᴇ ʜᴀᴘᴘᴇɴᴇᴅ ᴛᴏ ʏᴏᴜ.” Hɪs ʜᴀɴᴅ ᴍᴏᴠᴇᴅ ᴡɪᴛʜ ᴘᴜʀᴘᴏsᴇ, ɢʟɪᴅɪɴɢ ᴜᴘ ᴍʏ ʙᴏᴅʏ ᴜɴᴛɪʟ ʜɪs ғɪɴɢᴇʀs ᴄᴜʀʟᴇᴅ ᴘᴏssᴇssɪᴠᴇʟʏ ᴀʀᴏᴜɴᴅ ᴍʏ ᴛʜʀᴏᴀᴛ, ʜɪs ɢʀɪᴘ ғɪʀᴍ ʙᴜᴛ ɴᴏᴛ sᴜғғᴏᴄᴀᴛɪɴɢ. “Yᴏᴜ ᴄᴏᴜʟᴅ ʜᴀᴠᴇ ᴅɪᴇᴅ,” ʜᴇ ʜɪssᴇᴅ, ʜɪs ʟɪᴘs ɴᴏᴡ ʜᴏᴠᴇʀɪɴɢ ᴊᴜsᴛ ᴀʙᴏᴠᴇ ᴍʏ ᴇᴀʀ. “Aᴡᴀʏ ғʀᴏᴍ ᴍᴇ. Bᴇʏᴏɴᴅ ᴍʏ ʀᴇᴀᴄʜ.” Hɪs ᴠᴏɪᴄᴇ ᴅʀᴏᴘᴘᴇᴅ ᴛᴏ ᴀ ᴡʜɪsᴘᴇʀ, ᴀ ᴄᴏʟᴅ, ᴛᴇʀʀɪғʏɪɴɢ ᴘʀᴏᴍɪsᴇ. “Tʜᴀᴛ ᴡɪʟʟ ɴᴇᴠᴇʀ ʜᴀᴘᴘᴇɴ ᴀɢᴀɪɴ.”

Hɪs ʙʀᴇᴀᴛʜ ᴡᴀs ʜᴏᴛ ᴀɢᴀɪɴsᴛ ᴍʏ sᴋɪɴ, ʜɪs ʙᴏᴅʏ ᴘʀᴇssɪɴɢ ɪɴᴛᴏ ᴍɪɴᴇ ᴡɪᴛʜ ᴀ ғᴏʀᴄᴇ ᴛʜᴀᴛ ᴡᴀs ʙᴏᴛʜ sᴜғғᴏᴄᴀᴛɪɴɢ ᴀɴᴅ ᴄᴏɴsᴜᴍɪɴɢ. Tʜᴇ ᴘʀᴏᴍɪsᴇ ɪɴ ʜɪs ᴠᴏɪᴄᴇ ᴡᴀs ᴀs sʜᴀʀᴘ ᴀɴᴅ ᴜɴʏɪᴇʟᴅɪɴɢ ᴀs ʜɪs ɢʀɪᴘ, ᴀɴᴅ I ᴄᴏᴜʟᴅ ғᴇᴇʟ ᴛʜᴇ ғᴜʟʟ ᴡᴇɪɢʜᴛ ᴏғ ʜɪs ᴇᴍᴏᴛɪᴏɴs ᴘʀᴇssɪɴɢ ᴅᴏᴡɴ ᴏɴ ᴍᴇ. Iᴛ ᴡᴀs ᴄʟᴇᴀʀ ᴛʜᴀᴛ ᴍʏ ᴅᴇғɪᴀɴᴄᴇ, ᴍʏ ᴀʙsᴇɴᴄᴇ, ʜᴀᴅ sᴘᴀʀᴋᴇᴅ ᴀ sᴛᴏʀᴍ ᴡɪᴛʜɪɴ ʜɪᴍ—ᴏɴᴇ ᴛʜᴀᴛ I ᴡᴀs ɴᴏᴡ ᴛʀᴀᴘᴘᴇᴅ ɪɴ, ᴡɪᴛʜ ɴᴏ ᴄʟᴇᴀʀ ᴡᴀʏ ᴏᴜᴛ.