#he’s suppose to be dead!!!

[shallanandpattern]

Wait…thaidakar is called the lord of scars…. Is it really him? Is Kelsier somehow alive?!?

[technically-human]

Bisexual crisis Crystal edition

[poorly-drawn-mdzs]

News spreads fast.

[First] Prev <–-> Next

[sweetlullabyebye]

Made way too many posts about jealous Charles so here is Charles actually smiling for a change

[benevolenterrancy]

honestly. if you decided to create giant fucking corpse-head-spiders to populate your world with then this is exactly what you deserve.

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[edwinisms]

not to take away from charles’ well deserved spotlight in ep3, but man. imagining the devlin house from edwin’s perspective is pretty damn rough in its own right. but in a way he doesn’t even seem to realize or process. like specifically, mainly, the fact that he stands there, unfazed, watching this family get cut up with an axe over and over and over. you know who else got cut up and torn apart and killed over and over and over? you know who else was stuck in a seemingly unending cycle feeling the pain of dying every single time? oh yeah

[wigglebox]

Supernatural September - Day 4 | Glitch

Canonically, Dean never said Cas’ name after the fake phone call in 15.19. Canonically, while Bobby said Cas “Helped” revamp Heaven into a Heaven that Dean “deserved,” Cas never showed up. Canonically, Dean left that heaven, which contained his family, to go “find family.”

There is a glitch that is Cas-shaped, and Dean knows it.

[justaz]

a spell is cast on camelot that thins the veil enough for ghosts to appear. the catch? the ghosts that appear are spirits of people that were killed by the person they’re haunting. the knights have a good amount of bandits/raiders/whatever that they took down in battle, maybe a few shady knights have genuinely innocent people that they murdered and got away with. the executioner’s killings are transferred to the king since he was simply acting out the king’s commands. arthur has quite a few. uther has hundreds of sorcerers in various states of gore and horror. those who were hanged have perpetually bent necks, those who were beheaded have either no head or just a head floating a bit above their body, and those who were burnt are more charred remains (the most grisly of them all). merlin has more than anyone expected (which was zero) and all of them keep calling out for arthur/uther’s death and camelot’s downfall while also turning to merlin and calling him a traitor.

[anintroverteddarling]

I was gonna try drawing smth cute but ended up drawing these two again help--

[abovesn4kes]

I’m undone already.

[nebulousbren]

BG3 Companions Part 1!

Had fun playing around with giving everyone distinct heights/body types. I plan on drawing the rest of the recruitable companions (Halsin, Minthara, Jaheira and Minsc) and maybe even a few fan fave npcs, but was excited to post these guys first.

[technically-human]

Hello! I absolutely adore your art it’s lovely 💙

Could I request Edwin reading to Charles to comfort him after a difficult case? It’s my favorite trope and I’d love to see your take on it :) have a wonderful day!

I have actually made a similar drawing before here but it's never too much comfort for Charles!

Ko-Fi

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[tubbytarchia]

gg buddy am I right (ethubs doodle that I don't know what to do with)

[shanastoryteller]

Meg is the first choice, of course, but she’s not suited to this type of long term mission and they all know it. The problem is, almost none of them are. The nature of the beast, she supposes.

That’s why it ends up being her, in the end. Well, it’s almost Ruby, but there’s one thing she has that Ruby doesn’t.

How she ended up here in the first place.

She thought Clyde loved her. She thought he’d take her away, from her father and her terrible life, and so when he died too young, before he could fulfill any of his promises, she’d sold her soul to bring him back.

But he hadn’t kept a single promise. She’d died in her father’s house.

“You remember being in love, don’t you?” he asks, cruel in his callousness, which is different than his other types of cruelty. It’s all he has, shining out in a thousand different ways. “You’ll be better at faking it.”

All she does is fake it.

“Yes,” she says.

This mission gets her topside. It’s worth it for that alone.

~

She slips into a pretty blonde named Rebecca first but by the end of the day, the girl’s screaming has given her a headache, and she slips right back out. She’ll probably just think she had a bad trip.

He’d offered to arrange something for her, but she wanted to pick herself, and she’s not interested in having someone crying and moaning in the back of her mind. But it’s not like there are a lot of options.

She could kill one, of course. But she’s never – she hasn’t been topside, before. Everything she’s killed before had already been dead. So she hovers for the next week, looking for some sort of opportunity, for something she can use that’s not going to scream at her.

The day before she’s going to have to either pick someone or risk being sent back, there’s a car accident.

The girl’s heart is still and her body’s warm, blood pooling down her head, but that’s nothing she can’t fix. She settles into the body, jumpstarting the heart and can feel the skin on her head knitting back together. It’s also blessedly, thankfully silent, with her the only one inside this body. The driver who hit her is dead and people are crowding in, a crying girl pulling her free. “Anne! Anne, are you okay, oh my god, I can’t believe that happened-”

She wrinkles her nose before smoothing out her expression.

The name will have to go. She’ll say she’s reinventing herself after tragedy, or something, but she’s not going to walk around responding to Anne. That’s not her name.

Anne’s a sophomore, which isn’t ideal, but she’s beautiful and doesn’t have that many friends and barely talks to her family, so she’s actually perfect.

She’s also blonde.

She’d been blonde before too.

~

All the demons who had run these sort of missions before give her advice, tell her things that will help her. Some of their assignments had lasted months, but no one’s tried to do it for as long as she’s supposed to.

He likes smart girls.

Be confident. Be flirty. He’s shyer than he looks.

He never had a mother. He likes it when girls take care of him.

He likes to take care of girls too. He wants to feel useful.

She’d had dreams, before, of all the ways she’d could escape her father. It wasn’t common for girls to get more than a basic education, but she’d been smart. She could read and do complicated sums and enjoyed the quiet evenings when she balanced her father’s books. She’d thought she might like an advanced education, thought it could get her out of her life, but hadn’t known how to manage it.

Clyde had seemed easier. More attainable. More realistic.

She’d sold her soul for nothing in the end. She hadn’t even got the full ten years of her bargain.

She doesn’t know how much of their advice she can take.

She can be smart, but considering the school they’re at, all the girls will be smart. She hadn’t been confident or flirty, which is maybe why she’d latched onto the first boy who smiled at her. She never had a mother herself and doesn’t know to act like one.

She’s never been taken care of and doesn’t know how to do that either.

There’s no way for her to do this. She’s going to be replaced and sent back below and he’ll be angry at her and she hates hates hates when he’s angry at her, what he does to her.

“Are you okay?”

She looks up, something cold on her tongue, but falters.

He’s standing there, warm hazel eyes and long dark hair, hunching to try and make himself smaller, and a smile on his face that does nothing to hide his concern.

“Do you ever feel like,” she starts, her dead stolen heart beating too quickly, “everything is falling apart around you and you have no idea what you’re doing and like maybe your whole life is one huge mistake?”

Well, fuck. She’s definitely being replaced now.

Except Azazel’s favorite throws back his head and laughs, smile stretching into a grin. “Every day of my life, more or less.”

“How do you deal with it?” she asks, scrubbing a hand over her face.

He shrugs. “Well, my brother would say women and liquor.” He seems to realize how that sounds a moment later and he pales, “Um, not that I’m – I’m not saying, I wasn’t trying to. He’s just sort of a cad, and – I wasn’t trying to, with you, uh.”

She feels herself softening in spite of herself. “So you’re not one to apply that method yourself?”

“No,” he says firmly, eyes wide. “God, I’m just – I’m sorry. I – I’m Sam.”

“Hi Sam,” she returns, with a smile she doesn’t have to fake. “I’m Jess.”

~

She’s not supposed to fall in love with him.

She’s to worm his way to his side. She’s to keep him from running back to his family, to keep him from rebuilding the bridges he’s burned. She’s to keep him distracted and focused on her until his powers activate and then she’s to guide him into using them, to be supportive and loving and to push him straight into Azazel’s arms.

Sam loves his family so much.

He talks of his brother all the time. His father less, the emotions there more tangled, but love no less fierce.

She nudges him away from it, talks to him about how it’s normal for families to grow apart, to say that they’ll understand when he graduates, that he’ll show them they type of man that he is.

By the time he graduates, his powers will start manifesting, and he’ll avoid his family without her prodding. He knows what they’ll think of him, then, and Jess tells herself that she’s helping him. That this is for Sam’s own good.

If he’s with her, then he’s safe. His father won’t kill him while he’s safe at school. He can’t kill Sam for powers that he’ll never know about.

It’s easy to dig into the anger for his father, to use his last words to Sam as a way to hold him at her side. His brother is more difficult. Jess doesn’t do much with that, in the end, tells herself that it would be too complicated, too suspicious, and as long Dean is sticking with their father it amounts to same thing anyway.

The truth is more complicated.

His father will kill Sam if he has to.

She doesn’t think that his brother will. She thinks that maybe he’d choose to protect Sam, over their father’s wishes, over everything he’d been taught, no matter the consequences.

She fears that she and Dean have a lot in common.

She invites Sam over for holidays, makes summer plans with him, holds as much of his attention as she can manage.

She studies and makes friends and laughs and spends so much time with him, but not all of it. It has to be believable after all, has to be constant, in a way that it didn’t have to be with all the other demons sent to take care of him.

Jess lives a life that had been denied to her and tries to do what she was sent to do and does the one thing she was definitely not supposed to do, which is fall in love with Sam Winchester.

~

His brother shows up in their apartment and she knows that she’s going to lose him.

Sam tries to act angry, but she knows him too well. He’s moving around his brother like a flower following the sun and she asks him not to go, tries to find the words to keep him here, but they all get caught in her throat. If she begged, if she threw a fit, if she demanded it of him, he would stay. He’d tell his brother he’s sorry but he’d stay with her and not help him and burn their relationship for good. He loves her enough to do that for her. She knows it.

She loves him enough not to make him.

He kisses her and she knows it’ll be the last time. He doesn’t.

“What did that take, five minutes?” Azazel is right there, breath on the back of her neck, and his anger fury rage pressing down on her even closer. “Over three years at his side and you lost him in five minutes. What a waste.”

“I kept him for over three years,” she says, tries to keep her voice steady, but knows she fails.

She had him for over three years.

“Not good enough,” he whispers, lips on the shell of her ear. “Guess I’ll have to send Meg in after all.”

Pain erupts hot across her stomach and her screams mix with his laughter.

~

Love always burns her in the end.