#he’s moved beyond just her

[biasomnia]

Just had a stupid dumb idea that I have to put into the world bc it’s too late and I don’t want to forget it.

What if Kuina (Zoro’s childhood friend) faked her death bc her father is a misogynistic shitbag that won’t teach her any more and she goes to sail to find a new mentor. And somewhere along the way runs into Dracule “Greatest Swordsman” Mihawk who decides to mentor this small girl with skill and spite (reasons unclear rn bc again it is late I’m spitballing quickly here). So when Zoro is paw-pawed away to goth island (I don’t remember it’s actual name) not only does he have his “wtf” we see but also eventually bumps into Kuina again and has to go “HUH??” They get to bicker & whatnot and after Mihawk agrees to train Zoro she will NOT stop holding it over his head that she met the greatest swordsman first and is learning his techniques. Kuina would also get along great with Perona.

Maybe will draw some silly comics of this idea tomorrow.

^pic of Kuina bc I can’t blame people for forgetting stuff one piece has a lot in it and is. long

[butterflysnowflake]

man can I just say how adorable Wolf's interaction with Delia in the wedding scene is? When she's explaining her situation he gives her the most understanding looks and it's because they both effectively had the same cause of death. Delia turned her mourning of Charles into part of her performance art, and died from being scammed with asps who were NOT defanged. Wolf wanted to deliver the most authentic performance possible and died from presumably a negligent armorer who didn't bother to check if the grenade was live or not before shooting. both of them were quite literally killed by their art (not by their own faults to be fair but from someone else's irresponsibility). and it's kind of lovely Delia got such a sympathetic escort back to the netherworld who knows her situation firsthand probably better than anyone else

it's weirdly wholesome and empathetic even as their situations were both played for morbid laughs, and if Delia didn't have eyes only for Charles (what's left of him) and Wolf wasn't in a committed relationship with Janet I'd even say I could have seen things going somewhere between them

[sleepynegress]

A COMPREHENSIVE & AUTHENTIC UHURA LOVE/HISTORY POST

The above is where Roddenberry 1st employed Nichelle Nichols [click to watch the full clip]. It was a military show based on Roddenberry's own experiences, the episode is called To Set it Right (I highly suggest reading the wiki article about it).

You should note two other actors, whom he later pegged for Star Trek are in the episode.

They dated briefly and then became good friends way before Trek came about.

Miss Nichols was already an accomplished singer and dancer who performed regularly w/ Billy Eckstine and Duke Ellington

Roddenberry's 1st show, The Lieutenant, was canceled/pulled from the air before these scenes bluntly dealing with racism could air (there's blackface as punishment for the racists at the end of the show, in a case of 'he 'a little confused but got the spirit' for the times, so tw)

He created Star Trek to try to soften the blow of all the social messaging he wanted to insert from his military experience. Star Trek was basically, a submarine drama placed in a sci-fi setting. He made it diverse on purpose because the military helped him travel and serve with all kinds of people. Roddenberry was inspired by that.

Uhura was the first person to read for Spock and in fact, helped to shape the character with her reading and based many of the traits of Uhura (formerly Uhuru) on Spock.

She was basically a glorified secretary. She played the part with poise, joy, and the 60's style womanism she got to play out for those times... Everything from her mini-skirt (which Nichelle herself called very comfortable) to her smile, and teasing lines, and quips were about her playing "big" in a small role. She made every moment, every look, every line, and movement count:

Roddenberry cracked jokes about the fact that the network never figured out that Uhura was fourth in command.

Nichelle was the only main cast member who was not salaried. She was paid by the hour. This attempt at marginalization actually resulted in her being the highest paid at times, because of the long hours.

Nichelle was not let in the front entrance at times, her fan-mail was kept from her, and she grew frustrated with the constant cutting of her scenes, lines and storylines. This is why she justifiably attempted to leave. The bigots in production did not like her being there (and if we're being real, were it not for Janice Rand's actress Grace Lee Whitney having gone through so much and thus losing her job in the 1st season...Uhura might have had even LESS presence)

The lost context in MLK convincing her to stay was that YES she was minimized and could make more money and be more fulfilled on broadway, but her symbolism and presence meant so much at a time when Black women weren't on TV unless as a racist caricature cleaning a house, and even that was rare...that she stayed.

One of her best allies was DeForest Kelly, who threatened to quit if they fired Nichelle. George Takei was her absolute best friend on the show and in life (she served as his Best Woman at his wedding).

There was an unfilmed episode in which Uhura and Deforest would have played reverse roles in "racial dynamics" on a planet they visit

Spock and Uhura were originally supposed to kiss in the alien mind control episode, but Shatner demanded to do so for the publiicity.

Her work to recruit marginalized people as astronauts, as in personally going to colleges and talking to candidates after the show is a staggering achievement that arguably is the most potent of any castmember in any of the Trek series post-show. Sally Ride, Guy Bluford (she personally recruited the 1st woman and 1st black astronaut), Mae Jemison (the 1st black woman credits her for inspiring her to become an astronaut).

Uhura did finally command the ship in the animated series. She would not have gotten to voice the role, but for Leonard Nimoy making it an obligation that all the original actors voice their parts for him to come on.

Scotty and Uhura in the film was definitely a pair the spares situation, in which both were the leftover senior citizens with the writers just going "why not?"

it was beyond insulting and she did protest about the scene where she's bumbling through a giant translation book to speak to klingons for laughs in trek 5 ...but her best moment IMO is her pulling a gun on the young ensign in the transporter room in Trek 3...sadly her ONLY scene in the damn movie.

Miss Saldana got to play to MANY corrections in JJ Abrams rebooted Trek, from being amazing at languages to having an actual life & love, to confidently turning down Kirk at every turn.

FUN FACT!! Both JJ and Bob Orci both expressed disappointed shock that the love story between Spock & Uhura got more hatred from fans than BLOWING UP PLANET VULCAN.

another FUN FACT!! The love story between Spock & Uhura is what grabbed the old school Star Wars fan (JJ Abrams) enough to come aboard to direct. Yep. JJ ships Spock & Uhura.

Zoe's iteration became the 1st version of Uhura to speak confidently in Klingon

Celia Rose Gooding becoming Uhura brings around a lot of Uhura's qualities full circle, IMO. As she is also from theatre (like Nichelle) and has a beautiful singing voice as well as the charm. Zoe's iteration was sharper, and much more protective, professional, & mature, about her life and love.

Celia Rose has the youthful curiousity and stars in her eyes and had vulnerability from her first intro... I loved the eagerness the crew showed to being in her orbit, seeing the glow of her talent and being drawn to that, to have a part in nurturing that.

As I've said... Celia IMO has the most dazzling smile, giant warm brown eyes, fantastic curves, and an energy that feels essentially Uhura, & that is all light, joy, a bit of uncertainty, -from the light singing (!) and the growth to her joy in discovery... I'd love to see her writing move away from serving and be more about her wants needs and growing in friendships/loves.

But Celia is a gift and is perfectly cast.

Essentially Uhura = femininity, graceful carriage, gorgeous smile, excellence in engineering and translation (canon!), ability to sing and play the Vulcan lyre, sharp womanist wit, love for her U.S. of African-Kenyan culture and being beloved by all crew...

When Miss Celia hummed those gorgeous notes to the alien entity on that comet?? That Solidified that she IS Uhura IMO.

I 100% think they fucked up by killing Hemmer, because that mentor-mentee relationship was giving marginalized coming together and bonding over everybody else's bullshit and I was here for it...it was giving me Data and Geordi updated...and since then, IMO they've lost track and given us the same kinda backwards wingwoman role BS, that people who like to pretend to be her fan shoehorn her into.

...but I have high hopes that they'll course-correct.

All this to say ALL OF THE ABOVE is Uhura and anyone calling her ugly, bossy, pushy, annoying, whatever is just sad little hater who doesn't know wtf they are talking about.

[wavesoutbeingtossed]

All I’m going to say I think now that my brain remembered part of what it was thinking is that Taylor and Joe went through a lot together (good and bad) and regardless of how it ended or what led to it they both seem to be determined to keep that private and not throw each other under the bus and in the end they’re just two very, very different people whose outlooks in the long term were just never going to align and never has that been clearer.

[whenthegoldrays]

also I think it’s time for a little Elly Lore Update because I feel like I mention so many people on here and y’all need to understand who I’m taking about when you attend the virtual sleepovers 😌

[fusionsprunt]

dang.. so bee spent all this time getting back to her "home" (as you siad is not really her home) just to never feel anything again? to realize that the pepole she cared about and loved on fusionsprunt and on that planet and the happness she felt while being a robot/ humaniod being she would never feel again..

and she didn't know that reaching the point of becoming the comet again she would feel this way? this is so sad to me. if she cant think anything. if shes just there, like an infinite object, AND SHE CAN NEVER GO BACK EVEN IF SHE WANTED TO? 'PFJBKNSLGPDOJLVDSFJ (MB for the rant starbs, sorry if this makes no sense i panicked)

.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[theladyfae]

i think human nature/family of blood is a really good two parter in how it manages to show how full of shit ten is 🫶

[coconut530]

GET HIM GIRLY!!!!!

[age-of-moonknight]

“Vengeance Never Dies,” Moon Knight: City of the Dead (Vol. 1/2023), #5.

Writer: David Pepose; Penciler: Marcelo Ferreira; Inker: Jay Leisten; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[jackass-jones]

Yeah the mouthwash game is pretty good

[ducktollers]

chat im really starting to fear that spiderman 4 wont have peter be nearly as sad as i need him to be. nothing at all has happened to indicate that but i just got a bad feeling. im almost completely expecting disappointment atp im just like mj fr

[theloveinc]

give your cat to someone who will keep them indoors

this is funny bc its my mom who lets him out so technically I AM the person who will keep him indoors

[moonlight-at-dawn]

Waugh the ff fandom is doing it again, acting like 7 was the first... "this ship is the blueprint to all ships" c'mon, it's just another Cecil x Rosa copy, let's not kid ourselves. And 4 is just the earliest one I'm familiar with, if 1-3 have another lead x healer/ lead x childhood friend then they'd be the so called blueprint.

[piduai]

tsuruwilk being so painfully one-sided is so funny... wilk came into tsurumi's life and squished it with his index finger like some bothersome bug, doomed him to a life of hatred, loneliness and unbelonging, and then tied himself to tsurumi metaphorically... all of this completely obliviously, of course.

tsurumi comments on it once being like "heh, so you appeared in my life again" before pocketing wilk's peeled off face skin (did he steal it from the burial site/evidence room after the incident happened? there was an investigation and everything) and tanning it and keeping it on himself at all times (supposedly). even the last panel in the manga depicts the coins wilk made and tsurumi stole, he let go of his precious bones but not of wilk's memory, wilk has been haunting him until the very end. tsurumi called his dead family, his own little grief but a weed at the side of the important road but you know that wilk was the cloudy sky above it, watching him like a specter, following him, mocking him.

meanwhile wilk was like ah yes hasegawa-san he taught me japanese and how to eat dirt :) nice guy. however i have actually important things to worry about. like he never even learnt tsurumi's real name

[werewolfetone]

Lying on my bed giggling kicking my legs thinking abt the changes I just made to my oc lore