#he’s just the most attractive ever

[show-us-kaidenshenandoah]

every time i watch anything with him in it (admittingly, predominantly from the Dropout app), i am reminded that Lou Wilson is the most handsome man to have ever lived. like, objectively. he just is. i will hear no arguments for any other person to be ranked higher. Lou Wilson: whose face single-handedly shows humanity can go no higher in beauty. he is THE most attractive man in the world. argue with the wall lmao

[ivibells]

maybe i'm swinging a bat at a hornet's nest here but as an aroace person, i think it's kind of messed up to say that levi is canonically aroace now

yes, he said that he doesn't care about people and that concepts like empathy, compassion, and love are unfamiliar to him. but attraction is not the same as any of those words. i get that people may want to headcanon him as aroace (especially since we don't get a whole lot of representation in the first place), but to insist that it's canon feeds into stereotypes about people with low empathy and aroace people alike

[uncanny-tranny]

I just have to say that it's so weird reading how transphobes think of trans bodies as mutilated and gross when they never would have thought my body pre-transition was worthy. The "argument" of mutilated beauty that transphobes have tossed around is just a fear mongering tactic, because they don't tend to actually love or appreciate and see value in bodies that don't "neatly" fit into male and female, with no overlap and no nuances.

[ssaseaprince]

Can we talk about how Derek obviously has a type because Spencer and Penelope are so similar.

[ryllen]

I MISSED THE WAY YUU RAISED HER VOICE TBHHH she is very sweet when she does that and gets mad~

[daily-hanamura]

[dukeofthomas]

Jason Todd's the aroace guy who doesn't realize he's aroace but is also not oblivious to how big a driving force sexual attraction is for other people. He's the type to dislike and judge men for thinking with their dicks so much and kind of think himself better than them because of the fact that he doesn't

[trentcrimminallybeautiful]

it would be really funny if ted's internal monologue actually has a lot of swearing he just almost never says any of it out loud bc like, he's a polite midwestern dad

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[puhpandas]

Just re-reading ggy and I completely forgot Tony basically called Gregory’s haircut mid 💀 he’s broke and trans Tony leave him alone 😭

tony will say Gregory's haircut is ugly then call him cute in the same sentence

[polysyndetonaddictsupportgroup]

Shirayuki: some spineless bitch doubted my moral conviction and tried to use my lack of title to manipulate you so I immediately threw myself off the building to prove a point

Obi: I jumped off after her no context no questions asked

Zen: I have to kiss someone on the mouth about this immediately

[frnkiebby]

some of the tummy pics i had on my old phone. you’re welcome 🫡🫡🫡

HOW DID I NOT HAVE THAT MIDDLE ONE????????~🎃

[thelien-art]

Smiling Gimli cuz we all need that sometimes

[kenobion]

Andrew Garfield for Vanity Fair

[gunslinginnhogtyin]

Honestly, just feeling super grateful for the people I’ve come across in the rpc since creating this blog for my silly lil cowboy. I’ve had ups and downs when it comes to roleplay since starting back in the day but never have I ever put a character of my own out there and that was something that scared me for a long time, being aware of the way that the rpc used to view OC’s. I’ve always been a big fan of OC’s, even when I played canon characters! It was my favorite part about building relationships and dynamics between muses, having canons interact with OC’s. So many interesting things could come of it! I met so many good friends this way! Now here I am, seeing things from the other side—things have gotten so much better obviously! And I’ve been having the time of my life sharing my boy with you all. It thrills me that people can get just as hyped over him as I can!!

I have so many threads going on but it doesn’t even overwhelm me anymore because I’m excited to always have something to reply to whenever I get to it. I’ve met so many lovely people so far and had the privilege to have my fella interact with so many different muses in both positive and negative ways (both are welcome bc they yield interesting results everytime). I’m so thankful for those who give him attention, those who admire him from afar, and those who reach out to me (even if I’m not always that responsive!!!) so we can just casually chat about things.

Super thankful also for the folks who reblogged my commission post and to those who sent me commissions as well, it’s been super helpful and it’s made me realize that my art is actually worth more than I initially was chalking it up to be due to me being super hard on myself as an artist lmfao. So thank yall for boosting my confidence with my art and my son here, truly it means the world to me!

[pitconfirm]

I think I genuinely do really like max and I do really like Charles but the exaggerated fanfic personas of them being like… super stoic mafia boss and sweet little quiet femme bottom sub baby makes it impossible for me to engage with either fandom 😭😭