#he was literally created to be pure evil

[jemichi90]

Now that there is no question about it - the homemade version of the story is way more interesting and fun than what we got in "canon" - I kind of want to get myself a few of these and put this alternate reality on display.

While I'm at it, you can also get these (and some other SW Rebels / Thrawn goodies) from my Redbubble store: https://www.redbubble.com/people/jemichi/shop

[inbarfink]

Okay, so I already wrote a bunch of stuff about how that scene, although it is really sweet, is also kind of a Bad Sign for Simon - how he refuses to learn the Obvious Lesson from the Winterworld adventure (that being the Ice King again is probably a really really bad idea). But I want to talk about it also a little more about what it means for Fionna’s character as well. 

Because while sitting around and wallowing in self-loathing is probably bad for Fionna, especially after being told that she shouldn't be allowed to exist, and Simon is right to try and get her out of her funk. It's also still worthwhile for Fionna to have some introspection about the Consequences of Her Actions. Because she and Cake really did not consider them at all at first. They have a sense of morality and an instinct towards heroism, but they also tend to kinda forget the fantastical worlds they visit don’t exist entirely for their fantasy and have kind of a Protagonist-Centered-Morality fallacy. 

Most obviously you can see it in the market in Ooo. How Cake, in her excitement, damaged and hurt and even killed

A bunch of innocent marketgoers without even noticing. And then Fionna immediately jumped to Cake’s defense against these ‘weirdos’, who were actually just normal kinda-righteously-angry Oooian citizens.

It’s actually very similar to the whole Winterworld situation. Fionna’s assumption that she’s automatically the hero and protagonist of the story and black-and-white view of the situation and her tendency to kick ass first and ask questions later meant that she just recklessly injured a lot of innocent people.

(It might’ve been worse actually cause at least in Winterworld she was at least manipulated by an evil Wizard)

Fionna and Cake clearly have a great potential for heroism, but they do need to be a bit more considerate of the situation and people around them. And it does make sense considering that from their perspective - they’ve been living a very ordinary life up until now (and Cake was literally an animal. A very clever animal, but still not bound by the same standards of morality as the talking animals in Ooo). Action and adventure and fantasy stuff has been purely the realm of daydream and video games for them - and Fionna literally speaks about it in these terms.

(also, Fionna's Main Character Syndrome was undoubtedly validated when God literally told her that she was created to be the main character of her universe)

So yeah, it takes them some time to really process how to be heroes - they need to grapple with questions that Finn and Jake already kinda dealt with seventeen years ago. And actually a lot of those; how to resolve a situation without necessarily using violence, when does a 'villain' actually deserve sympathy and kindness, the importance of the larger context of any given conflict... their confrontations with Ice King all played a big part in that. It was never just him, but he was still a very major part.

And for Fionna and Cake right now, learning these lessons require some amount of personal introspection. So while it was a sweet attempt at comforting, I dunno if Simon’s little ‘the only problem with that universe is that this Alternative Me was terrible because he didn’t even acknowledge or remember Betty as the love of our life and the light of my entire universe’ thing is actually Good. 

I’m not quite sure Simon is the best person to teach Fionna and Cake heroism 101, because he is so focused on the Crown Quest as the thing that brings back Meaning to his life, and because his fatherly instincts just kinda go “Sad Young Person???? MUST GIVE COMFORT!” and also on account of the kidnapping.

I’m sure Fionna is going to become the heroine she dreams about eventually, it’s just going to be a bumpy ride. The best we can hope for is that they accept Simon’s comfort, that she doesn't start believing that she is nothing but an Error for the entire universe like the Scarab claims, but don’t necessarily listen to all of Simon's his words either.

[celaenaeiln]

Robin Dick Grayson Characterization

I'm not sure how or where this started but there's been a rampant misunderstanding of Dick Grayson as Robin.

For some reason there have been posts upon posts that dick was some kind of angry robin and I don't know where this is coming from because in every single comic Dick is said to be the happy one. It seems to be a Covid craze because such defamation was not even in existance before 2020. Every one of the comics - Justice League, Batman, Detective Comics, Nightwing Comics, Jason's comics, Tim's comics, all of them! Talk about Dick being the happiest of the robins.

Some people say that he wanted to avenge his parents death by killing Tony Zucco. However Dick could never do that. John and Mary raised their son better than that.

Batman: Legends of the Dark Knight Issue #100

Where do you see a raging blood-soaked boy fanon makes him out to be?

The biggest supporter of happy Dick comes from Alfred so if you're going around claiming Dick was angry, you're literally spitting on his grave because Alfred ADORED Dick. He thought of Dick as the sole reason for Bruce's happiness which made him love Dick even more.

Alfred is Dick's biggest advocator. When Bruce is hesitant in his initial days of Robin - Alfred says

Detective Comics (2016) Issue #1000

"They will be easier than they ever were for you."

Detective Comics (2016) Issue #1000

"He will see excitement and adventure...and he will help you see it, too."

Detective Comics (2016) Issue #1000

"He's gotten a taste for it, Master Bruce. He has the natural skill and talent. Do you really think you could stop him at this point?"

"He could make you better. He could BE better."

"A hero forged in the LIGHT."

And Dick feels this too.

Detective Comics (2016) Issue #1000

"Then WE help them find the better path. Together."

Detective Comics (2016) Issue #1000

"Let's show them how to do it right."

Calling Dick an angry robin - that's an insult to Dick, Bruce, and Alfred. It's an insult to who they are as characters and it's an insult to the very creation of robin.

Dick wasn't made for vengeance. He was made for the light.

Dick is the embodiment of hope and a brighter future. He's what people look forward to on their darkest days, their shining light. He's the hero of all heroes that came after him. There is no one like him.

There are tons of comics on Dick's journey as Robin but here's a clear one as to his thoughts before he became Robin.

Robin & Batman Issue #3

Dick wasn't angry. He's was sad, lonely, and scared.

But.

This good boy doesn't deserve what you call him. This small loving child. Don't you dare push your evil agenda onto him.

"I don't need to be the next batman. I can be something else. Something better."

"And you know the best part?"

"Now I know I don't need to be alone. And I don't have to be the dark."

"I can be the light."

"I can be Robin."

Batman (1940) Issue #687

Dick was an excitable, brilliant, and over-excelling child. He was a ball of sunshine and happiness who loved laughing, playing games, and being crazy. He was a hypercompetent, crazy child who lived for the love of living and adventure.

It's the loss of the original dynamic duo that Alfred grieves over.

Batman (1940) Issue #687

Just look at this adorable baby!!!

Batman/Superman (2019) Issue #16

"Hey, Batman! You took down one of 'em and I took down three! I told ya I've been practicing!"

"Good work, Robin."

What the heck you cute adorable baby.

"Holy--! Is this a warden's office of a museum of horrors? Look at that old rocket ship!"

"Ew. There's a skeleton inside!"

LOOK AT THAT BABY FACE!! THE PURE ENTHUSIAM IN THE WAY HE TALKS - HE'S JUST A HAPPY BABY BOY!!

Batman/Superman (2019) Issue #17

IT'S A CRIME TO CALL HIM ANGRY.

Love this sweet, adorable child.

Another issue with the “Dick Grayson was an angry Robin” take. It’s not just a different perspective, it’s just blatantly wrong.

How wrong?

In order to fight the Batman who laughs, Bruce creates a machine that will emulate the joy of the happiest person he has ever known-who?

Robin Dick Grayson.

"Happiness is seeing the world though the eyes of children."

The Batman Who Laughs Issue #4

"Dick was the first robin. He had the happiest eyes. Circus eyes. Weightless - leaping, never falling."

Bruce drives himself insane from the joy he feels by looking at the world through Robin Dick's eyes.

Every comic. In every. single. comic. All of them talk about how Dick was a happy child and a happy robin. Dick's talk about it, Jason's talk about it, Tim's talk about it, the Justice League's talk about it, the Batman's especially - all the batman comics - talk about.

I would've actually added about 50 more panels but I ran out of image space because posts only have a 30 image limit.

I'm not kidding when I say it's IMPOSSIBLE. ABSOLUTELY, INCONCEIVABLY IMPOSSIBLE to say that Dick was angry Robin. Dick, Jason, Bruce, Tim, Damian, Alfred, Barbara, the JL, the titans, the Gotham villains - they all talk about Dick was a symbol of hope, joy, and light to Bruce and Gotham.

Not only that but if you read the comics, you would know that Dick was a happy robin because all the following robins had a cascade effect on their personality based solely on the fact that Dick was a happy robin. Jason's personality was the result of Dick being charcterized as happy, and Tim's personality was based off Dick's being happy.

But you know what the biggest piece of evidence against this blasphemy that Dick was angry robin is?

Secret Origins (2014) Issue #8

"...Becoming a much needed FOIL to the batman, whose own grim obsession with revenge could easily have caused him to cross the line..."

Explain something to me. It canonically states the Dick was a foil to Bruce Wayne who used to be revenge obsessed and grim. A foil in literature means a character who contrasts with another character to highlight the differences between them.

So if Bruce was dark, gloomy, angry, and revenge filled and Dick was the foil, then how on earth is it possible Dick to also be dark, gloomy, angry, and revenge filled?

On top of this impossibility of Dick being angry and full of hatred, can we take a step back for a minute and think about Dick's position in all this? Dick is the very first child hero, the one countless heroes after him look up to because he, Robin, was the embodiment of light and goodness. He single-handedly dragged Bruce out of his pit of self-destruction merely by existing because of his charming and playful demeanor. How, then, is it possible for every single character in the entirety of DCU along with every single writer who has ever written a comic - to be wrong?

Let's be clear. Bruce's personality, is written to be the opposite of Dick's personality. And Dick's personality is the opposite of Bruce's. Furthermore, Jason and Tim's personality were written to be a response to Dick's. There's also Alfred waving a massive banner about how Dick is a literal godsend front and center. So. If you still believe, that Dick was not a happy robin, then you have effectively mischaracterized every single person in the entire batfamily aside from Kate.

Congratulations. It's truly an accomplishment to be so wrong.

So no, Dick was not in fact, ever, the angry robin.

Dick was a happy robin and that is the FOUNDATION of understanding the batfamily.

[ibelievewhatyousaid]

The Sinner’s assigned Abnormalities in L. Corp are very intriguing to me, as not being a general “resonance,” that Limbus uses with its current day Ego. But! They were assigned that for a given reason, even if only on a meta level, so I’d like to put my two cents into it as I love the Lobcorp Abnos so much. These are simplified summaries of the Abnormalities and speculation on how they fit said Sinner.

Faust - Forsaken Murderer

I do not believe she has an Ego Gift adored to her except the one for this Abno, so we can focus in on this purely; all being of Forsaken Murderer. (On this note, although I am not talking about the realization Ruina Egos, Meursault has Ego for this Abno as well) Forsaken Murderer in his original logs was said to have been a murderer in federal prison to have been sentenced to death. Before that could take place, a bunch of researchers decided to experiment on him. They wanted to prove an innate “evil,” existed and on a further level, they wanted to “cure,” him, although unclear what it really was they wanted to cure. Their experiments twisted out all of his penitence for violence, turning him docile, until he came to this belief of ringing in his head, that his head itself had became metal, leading to self harm against himself. Eventually a fatal accident happens, the researchers jump the ship and decide to simply dissect his brain, until the end he muttered, “ends, begins, ends, begins, end.”

NOW, this is hard to shape into Faust’s story, given how little we know about her on a deeper level, but, I think there’s already (shallow-ish) connections we can make. Faust has a lot of implications of science experiment (Child in a Flask, Telepole) whether we take this ‘literally,�� it’s safe to say either way Faustcord keeps her on a tight leash as being an “experiment” of a Faust who is willing to take a gamble. A lot of Forsaken Murderer focuses on the fact he is chained and tied up but “free as any other man,” we could take this as Faust’s expectation of being a skilled scientist and genius who is bound by those around her, to fulfill that role, yet “free,” at the sake of being all knowing. Faust is “omnipresent,” yet she is just another in a chain of command. In TKT she mentions to Vergilius that both of them “know their place,” despite how great she is, how “free,” of knowing she is, she is just another chain, in both the City and Dante’s contract to the sinners. We can also go deeper with this concept of “inevitably,” of the city, given to her by a predestined plan of fates, in every mirror world, how it all will end has already been put into motion. To know of how tied you are to fate surely must be a token of freedom as well, can’t it? He also seems to have a bit of an ego, a Ruina line of his being, “Don’t look at me with those eyes. You’re the most pitiful one here.” Which, fits Faust’s need to be above others, such as “Faust is brilliant, smart, Yi Sang is a genius.” An implication that Yi Sang had a cap on how brilliant he can be, something he must’ve lucked into, Faust was born to be great. Even if she is regrettably pitiful in every other aspect. An inability to connect to others or form meaningful attachments, this especially rears its head in events were her intelligence creates gaps between her and others, all of MotWE or Dante’s brush off of her in Canto 6 when she cannot given them an answer, or, even earlier, Sinclair accusing Faust and Limbus using the Sinners as compasses to boughs. In all situations it leaves her isolated and awkward, unable to answer, creating a larger, pitiful wedge between her and others, despite how great she is. She is still a thing to be “studied,” whether from an actual scientist or to other versions of her, or those around her, she is a spectacle.

Outis - Der Freishütz / Bloodbath

The story of Der Freischütz in Lobcorp was of a marksman making a deal with the devil, the devil proposed that the gun could shoot anyone, on the last bullet it would pierce the person the marksman loved, in return, the devil would gain the marksman soul in hell. The marksman thus went through all his bullets, killing off all his loved ones. The marksman traveled, simply doing good and bad deeds in impulse, no sign of an actual moral code. Eventually, he realized that the devil had long since stopped following him. He realizes that the contract had long been fulfilled, since the very beginning of him giving up his loved ones, did he fall to hell. And so, now a devil as well, the marksman continued to shoot anyone he wanted, forever.

Again, another sinner we’re left out in the cold for. But, to tap into Outis’ source, The Odyssey, the story follows Odysseus’ desperation to finally reach home, to his family. As the stories play out the more Odysseus gives up his morals. To sacrificing his men to no mercy, a king who was once gentle and kind, gives up all people around him to succeed in arriving home. Of course, from the start, Odysseus had given up his family, a mother who died alone, a wife left waiting for over a decade, a son who had never known him. Odysseus also makes many deals with Gods around him, something he pays greatly later for. Of course, none of this is a one for one, but I think it is to mimic Odysseus, or here, Outis’ slower decent into someone who hurts those who she loves (or should’ve) by her cruelty, once Odysseus had set off to war was the moment he was bound to lose everything. Which, is very similar to how Der Freishütz is, he had lost his humanity the moment he made the deal.

Bloodbath is a Abno based overtly on Carmen, but, to ease it into a more general baseless story, the Abnormality represents: “the pain of all those who couldn’t take their sorrow in stride.” A huge focus on Bloodbath is the guilt of love, of unable to achieve success, using “scars” as marks of failure. The bath mocks the person peering in with hands reaching out desperately, as if begging to be saved, or joined, in this misery. It’s a sign of endless despair, unable to ever reach the climax of this, the only outcome is to accept this wave of despair and let yourself accept it.

So, arguably this fits Outis really well just on the bases of the line: “Many hands float in the bath. They are the hands of the people I once loved.” This once again, is more of a line of thinking born from her source, but a lot of Odysseus’ guilt is haunting to him, specifically that of Penelope, but overall, he gives up many men, including people very close to him, to never truly “succeed,” I feel like this one is easier to connect to, given what I said of the previous Abno to Outis, so.

Don Quixote - Meat Lantern / Void Dream / Fragment of the Universe

Meat Lantern is quite.. obtuse, in its logs, both in Lobcorp and LoR most is left obscure. Which is terribly fitting. Meat Lantern, by your guess, is obviously not a tiny little flower. The logs say that it is gigantic, underneath the entire facility, always waiting, it lures people in, in L. Corp’s lens, it lures in employees by being a lantern, something shiny, full of hope, they haven’t seen stuck underground for so long. Any nature, any lights, something that wasn’t horrific or artificial has long since been lost to everyone there. It’s easy to feel it calling to them, to reach out, to touch, but it’s all a ploy to devour and eat whoever trusts it.

So, Donqui’s Abnos are actually what made me originally want to write about them. I had written out my analysis of hers a few months before, but it was too hinged on my own reading of her that it felt easy to write off as me sounding insane. But! With the reveal of MotWE.. this seems, pretty obvious. (Glad to know I’m not too crazy) Don Quixote wears a mask, one of “hope” something born from really just being .. silly, of something rare in the City. Someone who genuinely believes in good? In hope? Here? As “Don Quixote” stands as an ideal, a concept, “too good to be true.” and beneath that is a “reality,” no one’s has “really ever seen.” (as the log says about the “real body” of Meat Lantern) and then “devours” people. Yeah. I bet.

Void Dream’s logs follow someone who has Void Dream eat all their nightmares, giving them the best dream they could have imagined, the person they love had returned, even working in such a horrible company that is L. Corp was good. Everything was so, so amazing, a perfect ideal world for the dreamer. When waking up, the person was crushed by reality, when forced to confront the truth they became despaired. They tried to find those dreams again, in an obsession, but, they never did come back. The employee comes to the realization that Void Dream’s deal was too good to be true, that from the start, the Abno had set them up. And they had lost, unable to enjoy either sides of reality or dreams, they find their way back to Void Dream and beg them to eat all their dreams. Stealing away all their dreams, nightmares, hopes and despairs, virtually leaving them empty. When Void Dream is accused of leading people on, it brushes off the person, insisting it just wishes the best for others. The line, “a demon must change its shape to deceive others.”

Originally, I had read this purely as Don Quixote being put into the victim’s prospective, someone who “wakes up” from a perfect dream to be crushed by reality. And, I don’t actually disagree, I think this still 100% fits. But I think her fitting “as” the Abnormality makes perfect sense, too. Obviously, the whole “deceiving others,” line fits. To change one’s shape, a “demon” a Bloodfiend, to deceive others into seeing it as innocent, pure, true to the ideals it preaches. But, and this is a bit speculation on what we know very little of, “Don Quixote,” was given, or is a dream herself that a Bloodfiend wishes to dream, that Bloodfiend must’ve spun this tale, this “perfect” dream is an “act of kindness,” despite not being kind at all. Despite giving out this dream, not only to herself, but to others around her, does it lead to destruction and a harsher fall to reality itself.

Fragment of the Universe.. actually isn’t an Abnormality. At least, not traditionally, if the logs are true. The log mentions how it let itself be caught and studied, and through studying they declared it “intelligent enough” to communicate via language, thus, it learned more and more of humans and humanity. It became endeared and loved people. It reflected what it saw, leading to it looking like a kid’s drawings of hearts. When asked why it had came to interact with humans, it said it wanted to spread messages. One being its song, a song of the universe that drove people crazy, but also let them “finally see the stars,” and also to inform everyone that “there are no coincidences in the universe.”

FotU is really intertwined to its love of humanity, even its design is rooted in this love for the species. Its aim to spread its song is to “relieve” people, as well, even if misguided or unable to be understood. I think Don Quixote, as a concept, is so terribly human. She’s overly emotional, she’s quick to action, strong morals, she’s clumsy and brave and fearful and determined. She is so very human that it backfires. Given Cassetti’s lines, “we are so, so hideous behind the mask.” and his dedication as well as other Bloodfiends to “run” from being monsters and Elena’s lines of her wondering if she was desperate enough to “chase after being an ordinary human again.” I think the Bloodfiend behind Don Quixote genuinely loves humans, and, most likely, wants to “be” one. And “reflects” what she sees, which is a habit Donqui has, mirroring Merusault in TKT, or wishing to “copy” other sinners from Outis’ wristwatch. Donqui also has a huge tie to stars, so, so many of her IDs have her mentioning them, not to mention her tagline. I think an Abno who knows far more than it lets on, powerful, letting itself into humanity, coming to love them, but never being one, is dreadfully fitting.

Yi Sang - Funeral of the Dead Butterflies

FotDB is an Abnormality born from the pain and suffering of.. Lobotomy Corporation, actually! It’s a mourner who is rumored to wandering the halls of the facility with a coffin for those who are bound to be lost, an early mourning for those who are destined to die, and an incomplete sorrow for those already gone, the coffin too small to fit them all, unable to fall asleep or escape. The ending of the log decides that there is no escape, these butterflies are damned to wait, because there “must be an end to every world.”

I think, just like with Gregor’s case, although the original Abnormality is directly tied to L. Corp, in a more general definition, it is about the pain and sorrow of those inevitable deaths born from things such as K corp, or the Smoke War. Cases of people’s lives being thrown away and devalued, not given proper burials, no home to escape to, a fate to dying here, leaving the mourning to the others in the same situation who simply “lucked out.” In Yi Sang’s case, an “ending for every world,” feels very deliberate to the “world,” in which he was locked up in a cage, passively awaiting the days for it to end, one way or another, only to realize he was able to walk out, that the door was never locked. Yi Sang’s grief and attachment to the League of Nine, the only person who seems to grieve over those loses, alone, carrying that pain wherever he goes. In that sense, “an ending to every world,” could also be turned into a guaranteed ending of things he loved as well. There is more to be said, but this one seems very obvious.

Ryōshū - Spider Bud / One sin and Hundreds of Good Deeds / Scorched Girl / Bloodbath / Big and Will be Bad Wolf

(Oh my God girl. Do you need that many???)

Spider Bud is an Abno that is deeply protective of her babies, quite literally her alternative name being “brood mother,” she reacts negatively and violent if an Agent hurts or steps on her children

Ryōshū has gotten this Abno thrice now. It’s gotta be important, and yeah, it is! This is born purely from her Source, but Yoshihide’s tragedy is losing his daughter, Spider Bud’s entire gimmick is being peaceful (as an Abno can be) unless someone hurts her children, she stalks and watches and exacts revenge against those people. I didn’t want to bring in Uptie stories, but Ryōshū’s uncharacteristic gentleness to the spiderlings who nip at her is really.. striking. Once again, this one feels kind of.. duh, so I won’t go much deeper into it.

One Sin is an Abnormality with the purpose of being confessed to, to relieve one of their sins, it’s tied to religion to Hell’s screen gimmick of.. Hell.. feels, yes, but I feel as though this is more general and disingenuous from One Sin’s connection to Christianity while Hell’s screen is about Buddhism’s hell. Instead this felt more interlined to Parallel Gebura. A lot of people have jumped on this for power scaling fun, but! I think it’s important to realize why Carmen would’ve said “At least similar in this regard,” my take is that a huge aspect of Gebura’s woes in Lobcorp was her unable to protect those she loved. Given Yoshihide’s tragedy here, unable to protect his daughter. I think that is the aim that makes the most sense right now with how very little we have about Ryōshū.

Scorched Girl is another Abnormality she’s already gotten, all in all, SG lives on a sense of angered revenge and self destruction. Her logs depict her to be torn in two from her desire of affection to one of wishing harm on others.

Her attempt at hurting others involves hurting herself, which lines up with Yoshihide’s ending, of his natural self destructiveness, how he makes his art and his death. Her rage also lines up with Ryōshū’s, a want to have back warmth, love she’s lost, but only able to be a match of destruction.

Bloodbath, we already covered this in Outis’ section! I think Outis and Ryōshū naturally align similarly, (Hong Lu, Mr. “Horrific family” isn’t ever the one getting cold or aloof to mentions of family or parents or children, it’s only ever these two!) A guilt of unable to succeed despite how much you gave up and sacrificed, including others And to lose those you love, the hands in the water being everyone you’ve ever loved, by your own faults.

Finally, Big and Will be Bad Wolf! The Abnormality is about being set up from birth being one way. From the way society sees you, you will always be what they depict you as. The Abnormality doesn’t feel remorse over the violence it causes, because it was “inevitable” he’d turn out this way. Who is he to blame nature? Regardless of nurture.

This one is the most hard to really fit without going “well, just a hunch.” I think this could be in regards to Yoshihide’s further and further acts of violence and pain to others around him, but unable to feel that remorse (until it is too late) because he was born with this way. He was “born” an “artist.” Who is he to defy things sacrificed for art? He is unable to be anything but cruel and vindictive, and he doesn’t try to be.

Well, that’s everything I could remember off the top of my head! Apologies if it starts to get a little weaker by the end, I’ve been typing for hours. In general, there’s more I could say or conclude, but, because of how loose Abnos are in concept, as well as how most of these Sinners (everyone but Yi Sang…) haven’t had their cantos yet, it leaves a lot of assumptions built upon their sources and short behavior ticks we’ve seen them display. I won’t say these are confirmed or sure fire takes but more so a jumping off point in fathoming these choices.

[zeroducks-2]

What's up with batman and the erasing of queer history? Sry I try to interact with fanon as little as possible

There is no simple or short answer to this but to try and not make it a wall of text - Batman/Robin has always been a staple of the queer community, so much so that to this day there are "brudick" graffiti in big cities and lots of older gay couples have been using them as a reference for solid partnership which endures in spite of adversity.

Originally there was no indication anywhere that Bruce and Dick were in the roles of father and son, rather they were partners against crime, one the shadow of the other, and they would share everything both when it came to crime fighting and in their everyday lives. They're shown sleeping together, going on lake trips together, finishing each other's sentences and Dick being viciously jealous every time Bruce would "replace" him with any of the women he used to have flings with such as Talia or Selina.

Did DC mean for them to be read as a queer couple? No, of course not. Bob Kane and others wrote a partnership, an unbreakable bond which would allow these two men to overcome any obstacle together, and queer people read into it as queer people always do.

Someone else read into it though: Frederick Wertham, who called Batman a pederast and used Batman and Robin as an example of how the evil comics would corrupt young minds to send them on the way of perdition and sin. He wrote all of this and many more infuriating shit in his book Seduction of the Innocents, which was then the major influence in creating the Hayes Code, which is the reason why we never had queer characters in comicbooks and movies and anything really for decades (and we're still struggling today).

Wertham and the Hayes Code did not stop the queer community from loving Batman and Robin though, therefore what started happening was the more subtle shift towards Bruce and Dick having a father and son relationship rather than a partnership. You can see this clearly with Jason Todd for the first time: Bruce takes Jason in and treats him as his own son, the narrative calls them father and son, and there is no doubt in the mind of who's reading that Bruce perceives Jason as his child. It all went steadily downhill from there.

Nowadays, writers have Dick say character assassinating things like "I love you dad" to Bruce, Tim saying "we will save our dad" to Damian, and everyone in the fandom acting like this has always been the case and actually you're weird and you should be sent death threats for shipping Brudick, because "UMMM that is literally his son?!??!?!?". DC has been pushing the idea that these folks are a nuclear family for a while now, but whoever has actually read the comics knows it's not the case, and it used to be very different before.

Brudick, among queer people, used to be entirely uncontroversial. While Wertham raged about how it corrupted the minds of young men and the Hayes Code prevented queerness to be anything but vaguely hinted and coded in the text, queer folks didn't care and kept having matching Batman and Robin shirts.

Today queer people will call you a pedophile and a groomer and try to doxx you for posting Brudick art because apparently they're doing the fascists' job for them, either because they are genuinely misguided or because they think that if they're enough morally pure they will have a spot among the chosen ones, hell if I know. What I know is that they'd suck Wertham's cock and balls if he wrote Seduction of the Innocents today, and it's DC's fault too with their erasure of every found family dynamic among the batclan, and the way they've been pushing the idea of a "batfamily" instead, in which everyone has a strict role of son or brother or father, and shipping them makes you the antichrist.

[loo-nuh-tik]

All the little details that make people think AW2 Tom Zane is AWAN Mr. Scratch:

The Happy Song

This one is pretty obvious. It's Mr. Scratch's "theme song" in AWAN. But we can also hear it in AW2, when Alan meets Zane in Room 665.

The dance

Zane and Mr. Scratch do the same dance during that song.

General similarity of manners

These are just a few small details, but they really make you question things and give you a sense of déjà vu.

They also both do "Are you not entertained?" pose quite often. 😅

The ring

They both have a wedding ring. And I'm not sure if Zane and Barbara were actually married. In game they just say that Barbara and him were a couple, or that she was his partner/muse, but I don't think anyone calls her his wife (?) 🤔 (Correct me if I'm wrong, I still haven't done a proper research on this).

Writing abilities (this one is purely my opinion)

It's heavily implied that AWAN's Mr. Scratch can't write. He took "all the best parts" of Alan aka all his negative personality traits, so it would make sense that writing ability wasn't part of the package. 😁 We don't see him writing... or talking about writing. And he literally kidnaps Sam Lake to do all the dirty work for him. 👌

The same can be applied to AW2 Zane. If the real Zane brought back evil Barbara, helped Alan (with his writing) in the first game, created Mr. Scratch… Then why does he need Alan or Scratch to finish Return? This also brings us to There are multiple Zanes theory...

The glitching

Every time Alan mentions Mr. Scratch, Zane is visibly "glitching" and then subtly avoids the subject.

Zane being sus

He knows too much. Literally. He seems to know everything and, more importantly, remembers everything. We can see a few moments were Zane's mask is slipping...

P.s. this post was created for entertainment purposes. ✌️ I'm not actually saying I believe this theory 100%, but there is definitely something wrong with AW2 Zane.

[tobiasdrake]

By the way, while we're talking about Gohan, Piccolo, and that moment, I want to take a moment to focus in on what he says here. Because it's fascinating to really stop and think about.

In his dying moments, Piccolo says this to Gohan.

"You were the only one who ever really talked to me."

Piccolo's existence is so complicated at this point that there's some ambiguity here. The first person ever to really talk to him. That's a bold statement. What does he mean by that?

What does Piccolo mean when he says "ever"? Let's stop to really think about that.

The first interpretation is that he's referring to this incarnation of himself. Going back to the day he was "born" anew.

I love how he was born wearing clothes apparently. Maybe he popped out of that egg and immediately used his signature Clothes Beam, an obscure technique but a valuable one.

For real, Piccolo's ability to create matter from ki is probably the most underutilized ability in Dragon Ball. This is, like, the one and only time we ever see it. It is never explained. Even Cell wound up having to create his arena from existing resources nearby.

But I digress.

Piccolo was reborn to finish the work he'd started: Kill Son Goku and take over the world. The 23rd Tenkaichi Budokai was his opportunity to do just that.

So. When Piccolo says "ever", he's talking about this, right? He talks to attendees at the tournament but their interactions are strictly hostile. He's here to kill Goku; He's not interested in socializing.

This is the closest thing to a friendly chat that this incarnation of Piccolo ever had prior to Gohan's training. So it's easy to hear him say "You were the only one who ever really talked to me," and go, "Yeah, that checks out." Though that's not really their fault.

But. Hang on. Piccolo's sense of self goes back further than that.

"Majunior" is always referred to and always refers to himself as though he and Piccolo-Daimao were one and the same. He is not Piccolo's son. He's a copy, splintered off from the Daimao and given a new body.

Kami explains it like this.

Effectively, Daimao split himself in two. One piece of him created the egg and sent it across the horizon for the other piece to escape inside, and that piece hatched into "Majunior".

It's a popular fanon to treat Piccolo Jr. like he's a totally newborn baby saddled with the Sins of the Father, but this is never how the source material treats him. Piccolo is Piccolo is Piccolo; the two are one and the same. Except one's a Mazoku and the other is not.

A revelation that comes at the cost of Goku and Raditz's lives.

So when he says "You were the only one who ever really talked to me," he's probably not talking about this incarnation. He's probably reaching all the way back to the birth of Piccolo as an entity.

When the Nameless Namekian ascended to the throne of God, he had to purge himself of the evil that had accumulated in his soul. That evil took form and shape, and it became Piccolo.

Given the description of Piccolo having "escaped", it sounds like they tried to imprison him moments after he first came into being. Makes sense; He's literally evil incarnate. A half-person Mazoku formed of pure evil, incapable of moral agency. Why would you want to let that loose?

But they failed. Piccolo got free and descended from Heaven into the human realm to wreak untold havoc upon humanity.

So. Y'know. Nobody's out there having civil chats with that.

...

But. Hang on. Piccolo's sense of self goes back even further than that, doesn't it? After all. As much as "Majunior" is a fragment of Piccolo-Daimao, Piccolo-Daimao too is a fragment of the Nameless Namekian, and he retains that knowledge, memory, and experience as well.

When Piccolo and God begin to speak candidly with one another in the ring, they don't speak Japanese. Instead, they're speaking their own language. A language not of this Earth. With courtesy translation for the audience.

They are speaking the Namekian language. A language from a race neither Piccolo nor God even knows exists. This is confirmed by Bulma and Popo, when they discover the Nameless Namekian's spacecraft.

This was the first language Piccolo ever knew, in the very first incarnation of himself.

This isn't God's history he's sharing. It's theirs, his and Piccolo's together.

Because Piccolo is pure evil. But he isn't. Like. The concept of evil. He is Nameless's evil. The corruption, the bitterness and resentment and fear and anger and uncertainty and despair that's cultivated in his heart over a lifetime of loneliness and isolation.

A Ryuzoku Namekian, child of Katatsu, sent to Earth to escape a climate catastrophe that destroyed their planet and killed their entire race, but two. An orphaned child landing in a deserted wasteland with nothing but an empty promise from a parent who would never make the trip.

We don't know what happened between then and his ascension to Godhood. All we know is that these days were spent alone. And a worm of evil grew in his heart.

This, it should be noted, is not standard procedure for becoming God. When Dende took the throne, he did not have to do anything to purify himself.

That's basically the entire vetting procedure for Dende's ascension.

The way God describes the process, creating Piccolo was something unique to his experience, because his predecessor had noticed a growing darkness unworthy of God inside of him.

I legitimately wonder if God spit Piccolo out as an egg, the way he later spit out the egg of his copy.

In the Namekian language, the word "Piccolo" means "Another world".

It's a word that Nameless knew intimately. Not just because it's from the first spoken language he ever knew. But because that voice command opened and closed his home.

Every day of his lonely life, waiting for a parent that would never come, this is how he came and went. Piccolo as he goes out and Piccolo again once he steps outside. Piccolo on his return and Piccolo once he's safe inside the only home he knows. Piccolo, Piccolo. Piccolo, Piccolo. This word defined his childhood.

This word was the only parent he had.

When he fractured, breaking off the darkness in his soul and externalizing it into a new body, that body took Piccolo as his name.

This has been his existence, since before he could remember. The life of a Namekian whose name has been lost to time. The man who became the man who became Piccolo. God, in his temple in heaven, has Popo by his side to offer companionship and assistance. But for the life he lived before that and for the part of him that fractured off, not once in this long and winding 300-year journey has he ever had a friend.

So when you really stop and take a look at where not just the original Piccolo but the original came from, at the foundation of where Piccolo truly began, those words take on a bit of a different meaning, don't they?

When Piccolo says, "You were the only one who ever really talked to me," that cuts a little deeper when you stop to really think about it.

[inamindfarfaraway]

Hnnng dehumanisation in Spies are Forever. Curt's not a man, he's "property of the United States government". Tatiana wasn't a child, she was an “instrument of war”, a “killing machine". It’s particularly poignant that Barb calls Curt property of their government, a cog in the machine, because she knows that she’s in the same boat, and in fact socially inferior to him as both a woman and a support worker to his more prestigious career. She herself has always seen and valued him as a person and is constantly trying to make him reciprocate. But he initially views her as just a cool gadget dispenser. Technology appears to be her only means of asserting her worth and earning people’s attention, which might be why she’s working on a global information network, essentially the internet - the ultimate technological platform for human connection and collaboration. Cynthia is so committed to overcoming her human vulnerability in order to be the best tool her country could possibly ask for that she poisons herself every day to build up an immunity. One of the villains is a literal Nazi who uses a literal puppet. And the other is Owen.

Owen's evil vision is "turning everyone into a spy", aka property. Instruments for him to conduct. Creating a global surveillance network, because the internet has as much power to distance and isolate people as to unite them. The machine failed him when he was a cog in it, so he aims to replace it with a more efficient one and control it this time; he cannot comprehend of any ethical improvement to or dismantling of the machine itself. His problem with spies is that they contaminate the ruthless political mechanisms with messy, fallible humanity... and vice versa. Agent Mega messed up the mission because he was human; Curt left his boyfriend for dead because he was a spy. You can’t be both. Person or tool. So Owen chooses the one that can’t be hurt. He willingly becomes a tool of CHIMERA, a living weapon. He kills and tortures hundreds of people, considers himself an actor in a story and others expendable characters, does everything he can to detach himself from ideas of personhood. “Who needs spies when a box in a room can do your job in seconds?" Humanity is worthless. Obsolete.

Except no, it isn't. Curt and his allies proves it. After the prologue, Curt simultaneously makes Owen’s mistake of binary thinking. First he wants to be purely a man, and an absolute wreck of one; then he wants to be purely the greatest spy ever, with no sentimental weaknesses. But he can’t maintain that divide. He has to be both. The team win with their skills, training and expertise and by being human - social, irrational animals, working together, loving each for the sake of it, acting spontaneously. They aren’t tools that Owen can perfectly predict and manipulate. Curt surprises him. And Owen, for all his icy calculations and grand talk, cannot escape his humanity any more than he can destroy Curt’s, as his last scene makes painfully clear. He lowers his gun like a person. His voice breaks like one. He bleeds like one. Meanwhile, Barb is a genius engineer and Tatiana is a master assassin. You’d think that their climactic moment of triumph would demonstrate Barb’s amazing technology or Tatiana’s combat skills, but instead the focus is on them simply talking to each other and even Mrs Mega. Human connection and collaboration. Human error that doesn’t negate their victory. “You can break a computer box, but you can’t break the will of a man.” That’s what Curt is. Not property. A man. He is a gay, unemployed man; Barb is a woman in STEM; Tatiana is a female ex-KGB Russian immigrant; all in the United States of America in the 1960s, a very bad time and place to be all of those things. Yet they will survive. They are not alone and they will endure. Spies are forever because they are people.

And the narrative consistently emphasises that everybody is a person! It mocks the Nazis, obviously, but even then Baron von Nazi isn’t a one-dimensional monster, he has emotions and cognitive biases and a backstory and fondness for cheeseburgers. Sergio isn’t just an interchangeable criminal, he’s a devoted family man awkwardly trying to lighten his work atmosphere. Richard Big isn’t just a crass parody, he has moral principles. We hear all kind of characters’ thoughts and feelings: the Informant, Barb’s fellow scientists, the waiter at the casino, the guests at the gala. This affirmation that everyone has a inner life means that yes, anyone can be a spy.

[winterarmyy]

Never Lie To Me

A series of random Bucky Drabbles that I can't let go but don't have the brain to make the whole complete plot of.

Summary: In which Y/N's sinful thoughts towards the Asset is reciprocated.

Pairing: winter soldier!bucky x hydra agent!female!reader

Words: 3.4k++

Warnings: 18+ content, no minors allowed, nsfw, purely smut and lack of plot, honestly. messy writing and lack of dialogue, sorry for that. Others may include probably incorrect russian due to the use of google translate, marking kink (if you squint), metal hand kink, finger-fucking, clit spanking, unprotected sex, creampie, soldat doesn't talk much, i figured he is more reserved but that doesn't mean his actions are (*wink wink*) he is kinda rough but the reader highkey loves it, just bunch of horny pent-up mfs getting some action for once, y'know.

Inspiration: "Cause I can see you waiting down the hall for me and I can see you up against the wall with me." – I Can See You (From The Vault) by Taylor Swift.

Read my other works here: Masterlist

Y/N didn't understand why was she sent to this field mission. There were literally dozens of others that were much suitable to do it and yet they chose her of all people? Considering her much leisure job for the past months, which basically just to guard a lab, Hydra seemed to forgot that her body have been lack of combat practice.

She hated this. This mission. This organization. All of it.

Y/N was one of those kids that Hydra stole from the orphanages for their Phantom program; it is where they train, or accurately brainwash, the kids into highly skilled assassin. And she was one of the top 5 out of the program in her batch.

But after a certain incident in one of the mission in Peru, she was temporarily relocated to Siberia to, as they say, "recover" before they can assign get into another mission. There, she was given a much lenient task, which was to guard the lab where the Winter Soldiers were created.

Those few months was both heaven and hell for her; heaven was that she didn't need to be soaked in the blood of the innocent lives and hell was that she had to be a bystander to the cruelty of the dehumanizing process of the Winter Soldier program.

Sure, everything Hydra does to its "followers" are, by nature, imbrute. I mean, she was trained like a dog since she was but a child, but this. This was just another level of evil. Such vile and merciless thing to do to another human being. The muzzles that Hydra shoved in their mouth doesn't really help to reduce the excruciating noises that they made.

Though, while she was physically forced to witness the atrociousness, there was one constant thing that kept her mind off from it all.

They call him the Asset. In fact he was the first one. But she'd rather think of him simply as a man sleeping in a cryo chamber.

Y/N had heard of this "monster", the rumours were terrible as they come and go, but she find it hard to believe that when the soldat had such a calm and kind expression on his face, even if his features were frozen in ice. That was her first impression of him; then day by day, and what felt like ages, she watched him.

Her curiosity got the best of her when she started to think of scenarios and possibilities that the man had quickly became her escape from the horrid reality around her.

Though she spend most of her time trying not to feel it, but the other times, well... the thoughts went a little wild. At one point, they got too personal even for her own mind to comprehend.

After a month of reporting at the new post, she heard the whispers of "thawing the asset" from other agents and scientists around the lab. And surely enough, one of those day, the soldat was brought back from his slumber.

It didn't cross her mind before, of what color laid behind those closed lids. But when she saw his eyes for the first time, she was in complete awe. They were blue as the vast ocean she once jet-skied over; but they were as cold like when she stepped foot at this snow covered facility.

The contrast of his dark hair and tanned skin only makes his bright eyes to become the most prominent feature on his face. And Y/N just couldn't tear her gaze away, especially when the Hydra agent that supposed to retrieve him was making such a big fuss over how slow the soldat was reacting to their commands.

What do they expect? He was literally frozen for lord knows how long just a few seconds ago. Everything must be dissociating for him. So of course, the man's mind and body needs time to adjust.

The soldat abruptly fell on his knees after exiting the chamber, causing one of the guards to strike a kick across his face, "вставай, паршивая собака! (Get up, you lousy dog!)"

And that was it, Y/N had enough of it, "Hey!" she shouted as her stomped towards the guards. The duo quickly stood straight and showed their respect to her; knowing that those who graduated from Phantom program has higher ranking than them.

The moment Y/N found her footing in front of him, the palm of her hand landed harshly across his face, "Do you realized what you just did?" She asked as the taller regained to his prior composure.

"That man!" She pointed at the soldat who was obediently sitting on the floor, "Is Hydra's most prized asset. He alone is worth thousands of you useless scumbags. And you had the audacity to lay your hands on him?!" She roared and the lab fell into silent.

The two guards can only bite on their own tongue knowing what she said was true. The soldat was in fact the Hydra's precious weapon, as for now that he was the only one who successfully weilded the super soldier serum in his veins.

Y/N walked around and stood in front of the soldat, "Are you hurt, soldat?" she asked as her gaze fell on him. His head was hanging low as he bored his empty eyes into the shine of Y/N's black boots; he shook his head and replied, "No, ma'am"

She knew he was lying, especially when she saw the drips of blood on his pants, "Look at me." She ordered in which the soldat complied. And there it was, the source of the mess, the red cut on the corner of his lips. Her frown only deepened when the bruises were slowly forming on his cheek bones.

Y/N crouched to his level, as her hand reaching for his cheeks. His body halted and stiffened when she approached, but only to be surprised by the soft carress of her fingers on his face, "If you're not injured, then what's this?" She whispered lowly; a tone where just the two of them can hear.

The soldat's empty eyes almost melt in hers; he never saw her before, who is she? Why was there so much kindness in her eyes? And why was she holding him so gently?

He let her careful thumb wiped the blood from his chin before whispered again, "Never lie to me, soldat. Do you understand?"  The soldat obediently nodded as a spiral of indescribable emotions stirred within him. His eyes lingered at the way her lips formed into a soft smile, "Good." She praised.

Since then, the soldat's gaze had remain on her almost all the time. From the moment she threatened the two guards, to the time she looked away from the tortured candidates of the Winter Soldier program, to this very second as she undresses every part of her suit.

Though the mission was a success however, their plane was utterly wrecked by an unforeseen mini gun. So they were forced to walk through the snow storm and find shelter at one of Hydra's safe house.

It was not rare for the soldat to be paired with other agents on a mission but never with a woman. Much less the pretty little bunny that he had been obsessing over. Ever since that incident, the soldat often think of her. And he really tried too keep everything professional but something within him changed lately.

One particularly distinct moment that he experienced that made it clear to him; it was when he was waiting in the hall for his handlers to drag him around the facilities, and she happen to walk towards him from the opposite side. And when he brushed pass her, he noticed how his hands was itching to grab her by the neck and push her up against the wall.

As if there was this strong urge to claim her, mark her, fuck her. That was when he realized. The soldat wanted her. He wanted ruin her for everyone else. He wanted her to be his. But, he knew they keep watchful eyes on him. On both of them. And he can't risk that.

But now that she was standing right in front of him, in her underwear no less, how was he supposed to control himself?

Y/N turned her attention towards the soldat, he stood absolutely still that she almost thought he was literally frozen, "Why are you not stripping? Even with that super soldier serum in you, I doubt that you don't feel cold from those snow-soaked clothes."

Maybe it was the dim-lit room, but she swore that the soldat eyes darkened when she walk towards him. Especially when his eyes ranked the way her wet undergarments stick onto her skin.

How many times did she fantasize about the way he was looking at her. How many times did she made herself cum from the thoughts on grinding her cunt into his metal fingers.

Too many to count.

Especially when, in her head, she could see him in his suit with his knives, she could see him throwing his black mask on the floor, she could see him bending her over to his will, she could see him make her want him, crave him, need him.

And whenever their eyes met, she often think of the what-ifs between them. Like, what would he do if she went to touch him now? What would he do if Hydra never found them out? What would he do if they never made a sound?

What would he think if she made him her own personal addiction? Then will he entertain her fantasies by making her his own secret mission?

"Remember what I told you, soldat?" She asked as her hands reached for his mask.

Without hesitation, the soldat replied, "Never lie to you." as his face was bare for her to see.

Y/N took a step forward, so close that he could almost feel her skin on him, "Now tell me, what do you want?" Her eyes found his diluted ones as he lifted his gaze from her cleavage to meet hers.

His cock was rather truthful even from the beginning; now more than before when it twitched painfully in the confinement of his pants. The soldat hissed to the feel of it before he confessed, "I want you."

Y/N couldn't help but to smile, "Then, have me, soldat."

That was all he needed to hear. Her permission to have her, to own her. Then, very next second, he had her body pinned firmly against the wall, his lips on her soft ones, his wet tongue exploring in her mouth.

The soldat had his metal hand gripping the back of her neck, not wanting that pretty head of hers to hit the wall; while the other hand unabashedly teared the bra off from her body.

Breaking the kiss, the soldat's lustful gaze watched how her breasts became bare for him. So pretty and perky. His cock twitched madly as if it was ordering him to touch them, suck on them. And he did just that.

The soldat took her right nipple into his hot mouth while his free hand pawed on the other. Y/N moaned lewdly at roughness of his hand and mouth. When she threw her head back, that was when she saw it. At the corner of the room, she noticed a CCTV camera directly situated towards their direction

She grabbed a handful of his long hair, and lightly tugged him back but he refused to stop sucking on her. Y/N huffed when she whispered, "They're watching us."

That was when the soldat quickly released her from his mouth and quickly hovered his huge body over her, he growled possessively as his quick eyes scanned for all the nearby camera.

Y/N chuckled amusingly at his reaction, "Do you not like it when they watch us?" She teased. The soldat growled again as he pulled her closer, her nipples perked even more now that they touched the cold fabric of his clothes, "Mine. Mine alone." He declared.

Y/N looked up at him with a pair of seductive eyes, "Then, what are you going to do about it?" She taunted. The soldat swiftly pulled his knives out from his thigh strap and threw it directly at the lens of each camera in the room. Now no one would have a chance witness her divine body, or see what her face looks like when he make her cum.

There weren't much of intelligible words that came out of his mouth after that, besides the grumble noises of the word "mine".

The soldat latched her mouth onto her skin, particulary around her neck, collarbone and the valley of her breast. He kissed and licked and sucked to leave his mark on her as his metal hand dug into her hips.

Meanwhile, the flesh of his right hand slide right into her panties. He fingers trailed the outer slit of her cunt; as if he was purposely teasing her, "Зайка (bunny)" he groaned against her neck when he felt how wet she was. She squirmed needily under his hand, when his middle finger poked her entrance while his thumb grazed across her clit.

"So wet, all for me?" He purred as his finger slowly dug into her hole. Y/N whined and grabbed his wrist before he could go any further, "Want your metal fingers, soldat." she slurred deliriously; already drunk with his touches.

It took all his might to not fuck her right there and then when she let him have her. The soldat wanted to treat her gently, prepare her sweetly. Now that she had confessed such sinful desire, something in him just snapped.

He pulled his hand out, and effortlessly ripped her panties from her body before lifting one of her legs up, pushing her thighs towards her body. She yelped at the sudden roughness, embarrassment crept across her spine when the soldat licked his lips at the sight of her cunt, wide open for him.

"Want my metal fingers huh,  Зайка (bunny)?" He trailed his metal fingers along her wet hole, "You got it." He abruptly shoved two of his digits into her, causing her to let out a loud gasp at the sudden intrusion.

The soldat didn't give her time to adjust, he simply pulled his fingers out to the very tip and thrust it back into her. And he does it again, and again and again. Until the pain turn into sheer pleasure.

When her eyes rolled back and shut close, the soldat growled disapprovingly, "No. Don't close your eyes. Look. Look down. Watch how your wet little hole take my metal fingers. That's it. Look at you. Fuck. Look. At. You." His pace didn't lose its rhythm when he fucked his fingers hard and fast; he curled them just right every time he hit that deep spot inside her.

His metal fingers was better that she had ever imagine, and the sight that she was looking at was so lewd that she was already so overstimulated from it, then when his thumb circled her clit, she thought she was seeing actual stars.

Streams of fluid was squelching everytime he shoved his fingers knuckles deep into her, that it trickled down his hand. It was so messy and the soldat loves it. He want her to be this messy all the time. He wanted to clean her up with his tongue. Lick every drip of her sweet fluid, swollow it like he was thristy and she was water.

At the this point, he would be willing to stay on his knees if it means that he get to have her cunt on his mouth always.

The soldat growled at the way she moaned so shamelessly at how harsh his fingers was violating her sweet pussy. He kept on rubbing on her clit and watched her body shuddered when he slap on it. Seeing her reaction, he continued to spank her clit and he fucked her harder; one, two, three, four, until she cried out a long moan and her pussy gushed with her creamy cum.

And seeing how her body trembled, her cream dripping out onto his hand, the soldat almost combust in his pants. Though apart of him wanted to feel her sweaty skin on his own, another just wanted to feel her warm pussy.

So, instead of wasting more of his time undressing himself, the soldat hurriedly unzipped his pants to release his aching cock out. He pulled his finger out and licked her cum clean while his other hand lazily pumped his leaking length, "Taste so good, Зайка (bunny). Bet you feel good too."

Y/N whined at his action, he looked so hot and bothered. And something about him fully clothed while pumping his needy cock for her; it just drives her to near feral. She let out an exasperated gasp when the soldat maneuvered her legs to cling around his waist, while his hand gripped on her hips. Her voice then stuck on her throat when he thrust his cock deep inside in one stroke.

His size was stretching her out so much that it burned, a good type of burn; in fact, the best type. The soldat on the other hand almost burst his cum the moment he entered her. She felt so good. Better that his rough hands when he jerked off to the though of her. But he was determined to make her cum on his dick before he get his own high.

So without letting her adjust to his size, he slowly pulled out and harshly slammed right back into her; fuck does it feel so good. And her mewling so needily for him does not help the situation at all. He repeated the same thing over and over until he managed to suck up his need to cum, then fasten his pace. And the sound of her wetness rubbing against his cock when he pounded into her was so damned and sinful, that never wanted to forget.

Her back repeatedly hit the wall from the force of his thrust that she needed to hold on his shoulders for support. His pace was fast and deep, almost erratic. Her moans broken when she felt the tip of her cock ramming at her womb, her walls clenching in delight to welcome such huge and hot length inside her. Every stroke was perfect and if she had no self-control she would be cumming each time the soldat forced his cock into her.

His hips slapped against her and she eagerly followed his every thrust, desperate to meet his skin as much as he was for her. And when she looked up to him, the soldat was looking directly into her. His ocean blues dove into her soul as his grunts tangled with her cries.

His breathing stuttered and his pace flatter. She could tell he was getting close. But, the soldat refused to; not until she cum first.

In and out. In and out. His pace became brutally delicious. Her nerves were stretching so good that her toes curled and that was when she felt the coil forming. Short needy pants left her lips, each one was a sign that she was getting closer to ecstacy, "I'm cumming, soldat. Please,, don't stop."

The soldat groaned, "Don't hold back." He pounded into her impossibly harder; and the delicious drag of his cock continued to punish her into pure ecstasy, forcing her cum to leak out and lather around his throbbing length, "That’s it, Cum for me, Зайка (bunny). Cum for your soldat,, ahh fuck so tight, i'm cumming too, ahh." The soldat chased his own release as continued to thrust inside her clenching hole.

"Fuckkkk i'm cumming inside you, Зайка (bunny). Will mark you mine with my cum. Ahhh ahhh fuckk", the soldat moaned to the addictive feel of her cunt milking him, and soon after when it hits him, his cock throbbed wildly as his cream leaked from the tip, endlessly filling her womb full with his warm cum.

Y/N whined to the amount of warm fluid spreading inside her. And when she thought his slowed thrust was a sign of an end, she couldn't be wrong. The soldat slowly pulled his cock out to the very tip, just pound it back into her. He groaned at the sight of his creamy cum spilling out, circling where his cock was stuffing her. Then he does it again, and again.

Until she started to moan for him, "hmmm,, s-soldat?" She hoped that he would explain himself.

His dark eyes only glint with lust and greed when a small smiled curved on his lips, "Oh, Зайка (bunny), I'm not done with you until I mark every part of you as mine."

End.

Read my other works here: Masterlist

A/N: This scene has been played out in my head the whole day when Speak Now (TV) came out. Anyway, hope you enjoyed this short read! Drop some thought behind for me would you?

[hauntingofhouses]

I just keep obsessing over how Mizu is so many things. She truly is water, so deep and unfathomable and complex, ever-changing, ever-adapting, fluid and mysterious, she fits into every shape you pour her into, she is gentle yet vicious, soft-hearted yet callous, stoic and quiet yet still sarcastic and playful.

She is Japanese and white and both and neither, she is woman and man and both and neither, she is human and demon, she is ronin and bride and Onryo and phoenix.

She is also a sword; Mizu and her sword are one.

"The sword is the soul of the samurai."

"I am... made of mixed metal. No amount of hammering can remove my impurity."

"What is a sword? [...] It is a line. On one side of the line is life. The other, death. The edge we forge cuts the line between life and death."

Mizu's soul is thus represented by her blade, but Mizu is also

the metal: beautiful, strong, sharp, and precise, but ultimately neutral, neither good nor evil, as metal can be used to craft both weapons of death, or knives for cooking and nourishment;

the maker: artistic and passionate, the maker creates;

and the one to wield it: deadly and swift, the swordsman destroys.

In the first episode, we don't even see her blade for much of it, only mentions of it, as she doesn't even deign to fight someone like Hachiman the Flesh-Trader in Ringo's noodle shop.

Most people don't even deserve to see her blade. And who is the first person in the show whom the sword is even shown to? Well...

Taigen: "Are you afraid to fight with steel?" Mizu: "Thank you. No one has yet deserved my blade."

And then, more crucially, who does she actually allow to wield her blade? The first person she spars with? It is none other than Mikio, her husband.

She literally passes him her sword, letting him wield it for the rest of their fight, taking his naginata in exchange. Not purely a crossing of blades, but an exchange of it. Mizu is literally baring her soul to him and putting it in his hands.

In the whole show, the only other time we actually see someone besides Mizu holding her sword is after Mizu kills the Four Fangs and passes out from her wounds. Ringo picks the unconscious Mizu up, and in the process, her sword slips from her hand.

And then, resisting his selfish quest to reclaim his honour, Taigen tells Ringo a safe place for Mizu to recover and follows them both there, but not before he takes Mizu's sword, and also Chiaki's broken blade.

It is brief, but he does hold it, and the shot focusing on his hand picking it up places further emphasis on this fact.

Now, about the broken blade, @saessenach told me something very interesting, which is that when Mizu had helped craft this sword, it was made for the man she believed Chiaki was. And who exactly is that again? Let's go over the cover story he related to Master Eiji:

"I am not a swordsman. I bind books. I was taught my trade by... my father. He was killed by a drunk ronin, who cut my father down for splashing him with his cart. This ronin is a drunk, but he is skilled as I am not. He will kill me. I know this. But with a sword from you, Master, I can take his life as he takes mine. And die avenged."

So, as @saessenach so aptly put it, the broken blade "was made for a man who wanted to regain his honour from a stronger swordsman. He doesn't expect to survive the duel, but would just like to die with honour."

And doesn't that sound familiar? Like Taigen, a man who would also like to regain his honour by duelling a swordsman stronger than himself? Taigen, who had also come from nothing, who was raised not to be a samurai, but a humble fisherman, by his father who is now dead?

So of course that's why, when Taigen wields that broken blade, despite not even knowing the story behind it, Ringo unwittingly glimpses it anyway, and says this:

"Master Eiji's broken blade is a good fit for him."

Mizu just shrugs and frowns, refusing to accept it, because the sword isn't just bearing Master Eiji's signature, but also hers. A part of her is in this sword, just as a part of her is in all the blades she makes (though none of them are her soul, which is represented only by her meteorite sword).

But then later, after fighting together and barely making it out from the chasm of arrows alive, after seeing each other's skills, only then does she admit to Taigen:

"The broken blade fits well in your hand."

Which is why she (after knocking Taigen out and leaving him lying in the snow LMAO) leaves him with the broken blade, and again comments on how it "so well fits his hand."

Also, on the topic of the broken blade, why did it break again? Well, Mizu is one of the sword's makers, signing her name on it, thus putting a little of her soul into it as I already mentioned. According to Master Eiji, this process of the soul entering the sword occurs during the yaki-ire:

"The yaki-ire is when metal is reborn, and the soul enters the sword. All must be pure for the sword to be pure. The metal, the maker, the one to wield it."

As this process unfolds, this conversation happens:

Eiji: "Mizu. Is your mind clear?" Mizu: "It is." Eiji: "Mizu. Is your soul at rest?" Mizu: "It is."

However, after Master Eiji presents Mizu with the finished sword, it breaks, much to Mizu's disheartenment.

Chiaki: [About the blade being broken] "How could this happen?" Eiji: [...] "An unexpected element entered the blade." [...] Mizu: "The fault is mine. The element is me."

Mizu is right; she is "the unexpected element" that broke the blade, but not because of her race, nor her gender, but because her mind is not clear, and her soul is not at rest.

Why? Because the yaki-ire takes place right after she binds for the first time; she is in pain both physically and mentally, ashamed of who and what she is, hiding her true self, trying to smother an inherent part of her identity.

Then, about Bloodsoaked Chiaki wielding a sword which is broken, Master Eiji says this,

"A soul like that is drowned in blood. There is no stopping them. They will always find their broken blade."

This parallels Mizu breaking her blade after her rampage through the nine levels of Shindo and Fowler's fortress, after she gets literally soaked in blood.

After storming the fortress, her blade, too, is broken, and she is unable to melt it down and repair it.

Master Eiji: "Your sword broke because the blend was wrong." Mizu: "It was perfect." Master Eiji: "It was too pure. Your metal wants to be blended with new steel."

The sword, as, Mizu's soul, houses all the rage that has festered over the years. The purity of its meteorite steel represents her single-minded, hate-driven goal for vengeance.

On that note, it's interesting to remember that the meteor fell in front of Mizu during her confrontation with Taigen and his gang of bullies. That encounter was the beginning of her rage, the moment she stopped running and hiding, and instead fought back, clawing and throwing herself at the people who mistreated her. The meteorite thus represents her anger, her fighting spirit, her resistance.

Over time, she crafts her sword--her soul--purely out of this anger, and sets off on her revenge quest.

Of course, she then meets her mother, gets married to Mikio, and after their betrayals, Mizu once again resumes her quest.

But after her journey seeking Fowler, after meeting Ringo and Taigen and Akemi, Mizu's soul no longer feels singularly bound to her hate. She's made friends, she's starting to let people in, but she still suppresses those feelings, still insisting that she is just an Onryo, that she has no room for love or friendship or weakness, despite the fact that those are things her soul craves and needs deep down. She needs gentleness and respite, she needs to allow herself to be vulnerable and allow herself to love again, because she's not a demon--or at least not completely.

"There may be a demon in you..."

When Master Eiji says this to Mizu, he's not insulting her; by demon here, what he is referencing is the part of Mizu that is capable of great wrath and violence. Just like a demon is.

"...But there is more."

Mizu is still a human being. And she should let herself be one, should allow herself to feel more than just rage, but also joy, grief, love, and even pain.

"If you do not invite the whole, the demon takes two chairs."

So that's when she finally allows herself to start "allowing the whole"; she stands in front of the fire completely naked, no longer suppressing her true self, and melts the metal of those she collected, which are, in order,

the broken blade that now represents Taigen;

Akemi's knife;

Ringo's bell;

and Master Eiji's tongs.

These are people whom she cares about, who compel her to open herself up and see beyond her hate, who make her feel like she is capable of being more than just a demon.

By blending their steel into her future sword, she is accepting them, and the lessons and values they had taught her along the way, into her soul.

But as it stands now, Mizu does not have that sword. Not yet, for it's yet to be forged, as she gives the blended metal to Master Eiji.

Mizu: "If I succeed [to kill Fowler] and am still alive, I will return. And you can determine if I am worthy of a sword of this metal, made by your hand."

Which is why, in the finale, Mizu only fights with a random assortment of weapons she picks up (a sword, a naginata, a gun--but never shoots it--and the dagger Fowler stabs her with).

And then of course, Fowler drops the big reveals about Skeffington and Routeley; about her birth mother having been killed by one of the white men; about her Mama actually being a maid who was paid to keep her hidden.

With all this, there is so much she's still yet to know about who she is, who her parents are, and her identity is left hanging. So she leaves Japan not only to kill the remaining white men, but also to discover more about herself and her heritage--her white half. And this also mirrors the way she looks at the very end:

her hair grown out, her bangs identical to how she looked as a child; no longer wearing a scarf around her neck, no longer covering a part of herself.

Thus, Mizu will eventually receive her new sword that matches the new state of her soul, made of steel that "could kill a god."

But for now, she needs to understand who she really is, to discover the full breadth and complexities of the metal that made her, and the hidden depths within herself. In doing so, she must also learn to accept her anger as a tool, but cannot let it control her lest she become a demon; thus, she must allow herself to love as much as she hates, and most of all, simply let herself be.

Only then, can she claim her sword--her soul.

[kanansdume]

What's crazy and really shows off how impeccably awful this show managed to be is how DIFFERENT Anakin feels between the Kenobi show and the Ahsoka show, despite the fact that he's being played by the same actor probably within a year of each other if that.

And it's so clearly not the fault of the performer, Hayden Christensen is doing the absolute MOST to give an authentic and familiar performance of Anakin in the Ahsoka show and on a STRICTLY acting standpoint, I think he succeeds. People have pointed out that the Anakin that Hayden is playing in the flashbacks, despite being in the TCW costumes, does not at all feel like TCW Anakin. There's nothing suave or charming about him. When he tries to joke and Ahsoka pushes back against it, he immediately gets defensive, which is perhaps one of the most in-characters thing about the entire performance. And obviously his performance as Sith Anakin is pure perfection.

But it's not just the performance that creates a character. It's the way other people discuss the character, it's the way that character impacts the world around them, it's what we as the audience are allowed to see of them.

In the Obi-Wan show, Anakin at his best is still a whiny little asshole. In the flashback scene, he's arrogant, he's overconfident, he's a little bit of a bully, he's stubborn, and he's a sore loser. It's left a little ambiguous as to whether this scene was a true flashback or something Else, but the dialogue of the scene and who is currently "winning" the match clearly are intended to parallel what's going on in the actual plot between Obi-Wan and Anakin. Which means you can just as easily interpret this as saying that the whiny little asshole you remember from the prequels is still the person behind that mask. Yes, he's got a vocoder changing his voice into something more menacing, his expressions hidden behind an emotionless mask, but that whiny teenager is still calling the shots here. That's precisely what motivates him. Even if it's intended as a more legitimate flashback, that's supposed to be Anakin at his BEST and he's... whiny. He's arrogant. You can say he can grow out of it at this point and that's clearly what Obi-Wan believes in the moment, but the best he's got is... still this.

And he never grew out of it, he never left that arrogance and entitlement behind. He decided to let it define him instead. He might've had promise if he'd chosen to outgrow his more negative traits, but he didn't. He just stayed forever in the mindset of that annoying little 19 year old asshole.

And at his worst, Anakin's a literal unhinged MONSTER. He's casually walking by and murdering innocents just to get Obi-Wan's attention, he's stabbing Reva just because he can, he's ripping open ships, he's burning Obi-Wan alive out of vengeance. His face when that mask comes off has a manic GLEE as he talks about having "killed" himself just to try to manipulate Obi-Wan and the way he screams Obi-Wan's name at the end is so intensely disturbing. So many people saw that moment as Anakin having this moment of mindfulness, but I didn't see or hear a single sane moment in the entire scene. The whole thing is off-kilter and it feels pretty intentionally off-kilter, both in the writing and the acting and directing. Anakin's made his choice. This is it.

In the Kenobi show, Anakin might've once had promise. But he also had immense potential for monstrous evil, that was ALSO there as well. And whatever promise used to be there is now squandered in favor of the arrogance and cruelty and entitlement, which means that it's not worth Obi-Wan's time and effort and energy continuing to wonder what if about it. Because, quite honestly, it doesn't MATTER. Obi-Wan isn't fighting for Anakin anymore by the end. He's not fighting to destroy Anakin, but he's not fighting to save him, either. And the whole point of his relationships with Luke and Leia is that he has to learn to care about them for who THEY are rather than because he cared about their biological parents. He has to see them for who they've become and allow them to grow without worrying about how much like Anakin or Padme they might end up being. They're not Anakin and Padme, they're Luke and Leia, and his relationship with them is ultimately better for letting go of seeing them as anything other than who they actually are.

The people who were in charge of the Kenobi show clearly understood that in order for Obi-Wan to stand on his own as a main character of his own story, they needed to clearly differentiate him from Anakin and FREE him from Anakin. Yes, Obi-Wan is built to be Anakin's narrative foil and has been since day 1. Yes, Obi-Wan's story is very tied up in Anakin's. But this was OBI-WAN'S story and just for this one moment, they could let Obi-Wan be more than just someone who revolves around Anakin. He's his own person who makes his own connections and relationships that have nothing to do with Anakin and he only truly starts to feel like himself again when he walks away from Anakin and leaves him behind and accepts that Anakin has chosen to be someone that Obi-Wan cannot change. No one writing the Kenobi show wanted Obi-Wan to be more IMPORTANT to the narrative than Anakin, but they were able to allow Anakin to take a back seat so that Obi-Wan could actually grow and develop into his own character.

The same cannot be said for the Ahsoka show.

In the Ahsoka show, Anakin is portrayed IMMENSELY positively. At his best, Anakin is a wise powerful sage watching over someone he cares about and pushing her to be better. At his worst, he's... pushing her a little? They MENTION he's intense, and we see visions of him as a Sith, sure, but if that was Anakin at all, then it leaves you with the impression that he only pushed Ahsoka because he cared about her and she needed it and he was ultimately right to do so anyway. Was it tough? I guess, but nothing that would ultimately truly hurt her at all. Anakin's worst sins aren't touched on at all. Anakin is constantly remembered as someone who was GOOD without really acknowledging that while he might've been good at times, he wasn't always. Even when Ahsoka remembers him as a good master, he was still someone who believed in fascism and had massacred an entire village down to the last child. That person Ahsoka remembers was still a bad person and this show desperately wants you to forget that any of that is true about him.

And via proxies like Sabine and Ahsoka herself, this show DEFENDS Anakin's choices across the board. It's not even just that he was a good master, but that he ultimately did the RIGHT THING by choosing Padme over the galaxy because he did it out of "love," turning the genocide of the Jedi into something that was caused by their OWN failures instead of Anakin's failures.

There's zero recognition that Anakin was, ultimately, a failure. He was a failure as a Jedi, a failure as a master, a failure as a husband and a father, and a failure just as a generally good person. Anakin was a bad person who did bad things. Maybe he wasn't always, maybe he had his moments, fine, but overall? What's the legacy he leaves? What are people going to truly remember him for most? Despite his choice to save Luke in his last moments, his impact upon the galaxy is still a net negative.

And Ahsoka can have good memories of him and still recognize that Anakin's impact upon the galaxy was a bad one. She can choose to focus on the good memories she has without pretending like he was in actuality a good master who did nothing wrong. It's not like those two things can't co-exist and that is, in essence, exactly what Obi-Wan has to do. It's why he can say honestly and genuinely tell Leia at the end of the show that her father was "passionate, fearless, and forthright" even though just a day or so ago he'd accepted that Anakin himself had chosen to be an evil person now. He can remember Anakin as the friend he'd cared for AND recognize that the person Anakin is now is not that person anymore. Anakin NOW is evil, Anakin NOW doesn't deserve Obi-Wan's time or focus or grief, Anakin NOW needs to just be let go of. They aren't two separate people, obviously, but people do grow and change, and Obi-Wan once loved Anakin, but the boy Obi-Wan loved is gone because Anakin has chosen not to be that kind of person anymore. He's not kind, he's not compassionate, he's not merciful, or thoughtful or any of the good qualities he used to have. The Kenobi show forces both Obi-Wan and the audience to recognize that no matter how good someone might once have been, it's important to recognize when they're not acting like that person anymore and it's better to let them go and walk away.

And the reason Ahsoka can't do that is because the writers can't. The people in charge of writing Anakin in this show see him so differently than the people who wrote Kenobi. The the writers of the Ahsoka show, Anakin is "the greatest of all of the Jedi," not even just for raw power reasons, but because he understood what love was all about and felt it so deeply. So instead of that love twisting him and being in so many ways his greatest flaw, it turned into his greatest strength, something the Jedi just didn't understand. They're coming at Anakin from a WILDLY opposite direction here and so the way he gets depicted and spoken about comes across so unnervingly different.

You CAN see it as Ahsoka just... viewing Anakin differently. Obi-Wan knew Anakin as a child and was a Jedi Master before the betrayal, so he is more capable of viewing Anakin as the whole of what he was and letting him go. Whereas Ahsoka was a lot younger, she barely got any training before the betrayal, so her perspective on him is intensely skewed by this. She can't truly conceive of Anakin as both the good master she remembers AND the nightmare monster she knows he became, so she just... picks one. She chooses to see him as a good master and that's it. Nothing else he ever did matters. She never has to think about the genocide, the murders, the enslavement, the betrayals. He was a good master, and that's the end of the story. This is the best way she can learn to cope with this particular trauma is to just... ignore it and decide it didn't happen and so her version of Anakin is the ONLY version of Anakin.

But the narrative itself sort-of presents this as the honest truth of Anakin rather than just Ahsoka's perspective on the matter. It's not that Ahsoka just can't cope any other way, it's that this is, legitimately, who Anakin was. Anakin WAS a good master and the fact that he abandoned Ahsoka to die and tried to kill her and genocided her people and desecrated her home apparently doesn't change that at all. Because he did all of it for love. And the fact that Anakin was the "greatest of all the Jedi" because of this means that Ahsoka gets exalted even more so because of that.

But Obi-Wan doesn't need that. He doesn't need to be exalted as better than everyone else, he doesn't need to be made important by manipulating the narrative. He already IS important and the people writing his story know that. He's not important because he's better than Anakin, he's important just because he is. He's baked into this story and can't be removed from it without completely undoing it and telling a totally new story. Obi-Wan and Ahsoka are, in some ways, total opposites. Obi-Wan is a massively important character to the narrative who's never been the main character of his own story before the Kenobi show, while Ahsoka spent a long time as the main character of her story but has never and will never be that important to the narrative. She can be added to it and give some extra dimension to it, but she can be pretty easily removed from it, too.

And their relationships to Anakin in their respective shows seem to reflect the way the writers feel about those facts and their understanding of the characters themselves.

[i-smoke-chapstick]

Okay so like as I’m writing this, tomorrow is my birthday (I’m gonna be 19 😭) and I was wondering if I could get some birthday headcanons with the legion of horribles (poly but platonic) + (separately) zsasz?🥺

You don’t have to finish this on my birthday so I understand if it will take time but if you can do it that would be wonderful! Don’t feel pressured though!

Thank you so much Cupid!^^🫂

'400 LUX,

-GOTHAM!VILLIANS X READER-

⋆ Characters ↬ Oswald Cobblepot, Jerome Valeska, Bridgit Pike, Jervis Tetch, Jonathan Crane, Victor Fries, Victor Zsasz

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ; Birthday HCs with the Legion of Horribles! (+ romantic zsasz)

⋆ tags/warnings. GOTHAM!villains x female reader. PURE FLUFF! They adore reader so so so much! Reader turning 19 :> Age gap for Zsasz! All seven of these idiots. Good luck reader, you will need it!! Suggestive parts in Zsasz's. Reader probably drinking too much tea to be healthy. Also sorry I'm a little late with this, hectic week but happy late bday adal <3 love ya!

𝛰𝑆𝑊𝐴𝐿𝐷 𝐶𝛰𝐵𝐵𝐿𝐸𝑃𝛰𝑇

♫ “We're never done with killing time, can I kill it with you?” 400 Lux by Lorde

Number one spoiler!

No seriously, good luck. You are basically Martin #2. He's buying the most extravagant gifts, and hosting the birthday party. He's getting mad at Jervis and Jerome (anyone who can't keep there mouth shut for the surprise.)

Hectically organizing this whole mess. To his best ability. Eventually he gives up under the stress and you'll notice. Just have a little sit down with him, and he'll HAPPILY celebrate your birthday far away from everyone else.

Once you two have a minute alone, he's making you his mothers tea, telling you all about his birthdays and how she used to celebrate them with him. He really just wants to make this the best day for you possible.

Have a small little laugh with him on the couch, look at baby pictures of him around the mansion, watch him get red in the face and scowl just a teeny tiny bit.

He'll also scroll through your phone (he's horrible with technology) and look at your baby pictures too. You two end up having a good laugh and a semi-serious talk about childhood memories <3

He'll end up giving you his most personal gift when you two are alone, away from the "cretins outside" in his words.

𝐽𝐸𝑅𝛰𝑀𝐸 𝑉𝐴𝐿𝐸𝑆𝐾𝐴

♫ “We might be hollow but we're brave.” 400 Lux by Lorde

The only time he's 100 percent serious is when he's busy with the sheer EFFORT he's putting into this celebration.

Him and Oswald have conflicting ideas. Oswald wants something extravagant, royal, fit for you, like a coming of age. Jerome still wants to throw you a ball, but more like a child's dream chucky-cheese type birthday.

What do you mean he can't get a bunch of arcade machines and a ball pit delivered to the mansion? He's pouting.

He'll be DAMNED if he doesn't book the entertainment and a GIANT cake, though.

Will get Jervis to hypnotize some poor sap to dance for you. You know, if you're into that. Might kill him too if you're a little evil like him. If you aren't into that, he'll let him live. That's your gift :>

Did i say a GIANT cake? Yeah. It's massive. FUCKING MASSIVE. He probably ends up eating more of it then you guys, to be honest.

Makes sure it's your favorite flavor too.

Makes everyone sit down when it's time for cake and candles, if anyone tries to get up he's screaming at the top of his lungs.

Remember that "USE THE TONGS, CARL!" Yeah, he's channeling that energy to the hypnotized people cutting the cake and setting the table.

Fully looks at you like a successor (and like, his only real friend) so he's a bit pushy for this to go well. Not as much as Oswald, but still set on making this a good day for you. He just isn't as overt.

𝐵𝑅𝐼𝐷𝐺𝐼𝑇 𝑃𝐼𝐾𝐸

♫ “And the heating comes on.” 400 Lux by Lorde

Poor baby has never seen, attended, or had a birthday party in her life. It's new for her, it's intriguing. She loves this little strange family you guys have created.

You are LITERALLY her little sister, the only sibling she truly sees as her own!

It's obligatory for her to light the birthday candles (and almost burn the mansion down, chaos ensues)

Similar to Oswald, she gives you one intimate gift. Something she knows you'll love, something personal. You're favorite flowers, gems, or even a nod to an inside joke.

Arguing with Victor (Fries) about who has the better gift and who you like more.

When the day is nearing it's end, she volunteers to clean up to have some time alone with you. Everyone else is winding down, but you and her will get to talk like two best friends.

It's the only time she feels like a normal teenage girl. Just gossiping with you while putting Jerome's confetti in trash bags.

You'll probably have a little slumber party with her in the living room, eating left-over snacks and watching TV, throwing popcorn at each other. Speaking of popcorn....

"Hey, watch this!" She's nudging you, getting you to watch her make her own popcorn kernels with her flamethrower, signature smile on her face :>

𝐽𝐸𝑅𝑉𝐼𝑆 𝑇𝐸𝑇𝐶𝐻

♫ “You drape your wrists over the steering wheel.” 400 Lux by Lorde

He was fighting tooth and nail for this to be a tea party. Still upset it's not. Ended up still hypnotizing someone to make tea for you all. Ah, Small victories.

Also? We saw him in that chauffer outfit. He will gladly be the designated driver.

Similar to the rest of them, he wants some time alone with you. So, he's hypnotizing a limo and pulling up and practically stealing you away.

Takes you on a little shopping spree. Anywhere you want to go, he'll take you there! Even if he doesn't particularly enjoy it. (cough cough, convince stores, cough cough)

Wants to take you to the tea shoppes and bakeries.

He is LITERALLY the most BUSY bee out of EVERYONE. Everyone is so obsessed with planning and whatnot, but he actually has to do EVERYTHING by himself.

Whose hypnotizing the cake maker, the gifts, the decorations, the people, the waiters? Ah, the list goes on and on. He's a bit tuckered out by the time you too are done shopping and he's off his list of errands.

Have a cup of tea with him after <3 he will be infinitely grateful to wind down with you if you find the time during the day.

Sings happy birthday obnoxiously loud for you. He also insists everyone has perfect table manners and etiquette. (Looking at you, Jerome.)

𝐽𝛰𝑁𝐴𝑇𝐻𝐴𝑁 𝐶𝑅𝐴𝑁𝐸

♫ “I can tell that you're tired.” 400 Lux by Lorde

Silent, for the most part. Will refuse to sing happy birthday, and will truly only participate if it's the two of you alone. He...doesn't work well in groups.

He's getting a slap on the wrist from everyone because of it.

He'd MUCH rather steal you away periodically through the day, to just talk to you about your childhood. Congratulate you. He's happy for you, but he's a little scared you're getting older.

Very protective. Always. No matter what.

You might hear him laugh a bit, joke around with you, just simply checking the surroundings and chaos from Jerome.

If you are someone who prefers things more lowkey, you'll find yourself spending the majority of the day with Jonathan. Eventually you two will just pass by each other every now and then, and share a brief respite from the bustling outside.

You are TRULY his best friend. He wants to make this day as good for you as everyone else does. He just doesn't know where to start.

He'll probably end up giving you your favorite gift out of EVERYONE.

Doesn't matter what it is. He'll know. It will be intimate, genuine, and a very heartfelt message on the bottom of a card attached.

"Love you, Y/N." -Jonathan

Okay, not SUPER heartfelt at first look, but for him? It's as close as you'll get to him being vulnerable.

𝑉𝐼𝐶𝑇𝛰𝑅 𝐹𝑅𝐼𝐸𝑆

♫ “We're getting good at this.” 400 Lux by Lorde

Jerome puts him on ice-cream duty and he's reasonably grumpy.

No, but genuinely, this is a VERY special day for him. He's a VERY proud dad!

Always wanted to have kids with Nora. Never got a chance. You really are his second chance at happiness, and he loves you so much. He gets to live out everything he thought he'd never be able too.

Wants to get more involved, but gets a little pushed out between Jerome and Oz.

Jerome probably makes him make ice sculptures. Or Ozzie asks him to freeze the body of your enemies. Perfect gift!

Similar to Jonathan, likes to keep things more lowkey. He'll sneak in a pseudo father daughter bonding moment, even if you don't know.

"So, uh, you're staying out trouble, right?"

He's asking, nudging you when you two finally get a moment alone. His voice comes out in a mumble, obviously not very experienced in this role of being a father. But he can't help it.

Overprotective dad scowling at Zsasz, you know, to get the point across. Zsasz staring riiiiiiight back.

"Just so you know...if you break her heart, I'm freezing yours." Victor #1 says, with a clicking sound, and a raise of his gun.

Victor #2 raises a non-existent eyebrow, and lifts his own gun in return. "Of course..." He drawls. The idle threats are there.

𝑉𝐼𝐶𝑇𝛰𝑅 𝑍𝑆𝐴𝑆𝑍

♫ “You pick me up and take me home again / We're hollow like the bottles that we drain.” 400 Lux by Lorde

He's a loving boyfriend, you just have to get through his layers throughout the day!

Of course, he's your ride to and from the mansion. Driving with him, his hand on your thigh, disco music. Waking you up with kisses and birthday sex

He's grumbling just a bit everyone else wants to steal you away. Que him being a sassy boyfriend, rolling his eyes.

He ends up just standing around the mansion most of the day, sneaking bites of pastries or making idle conversation with the terrified waiters, while you are out with Jervis. He doesn't mind. It's your day. He is more then happy, this is his element. A whole day dedicated to his girl, and free food? Sign him up.

In contrast to everyone, he's the only person to give you a gag gift. Surprisingly, Jerome takes this too seriously to give you one. Victor doesn't, though. He'll give you a whole bunch of small gag gifts, just to see that beautiful smile on your face.

He'll end up getting you a real gift though. Something precious, gorgeous, elegant. Something absolutely killer. Black onyx necklace? Yes. You'll feel the leather of his gloves on your neck while he puts it on you.

Doesn't care if ANYONE looks at the two of you weirdly for the age gap. In fact, he'll become even MORE affectionate. Y'know, just to piss people off.

Speaking of age, he doesn't care you aren't 21 just yet. He's 100% sneaking the two of you some alcohol to drink. (Not without teasing you, of course, for being a downright horrible criminal!)

Oswald, Victor Fries, and Jervis don't appreciate you drinking. They are too protective. But Zsasz doesn't gaf what they say :>

[mikuni14]

There are three things I particularly like about Jake and Joker:

1) how obviously the actors and creators - but especially the actors and especially War - are having fun making this series. While skillfully avoiding the impression that it's just pretend, just 🤡fun, winking at the audience, haha. No. They're having fun AND they're fully invested. War is believable in every versionof Joke and Joker, in every persona: the real one and the fake one, and he puts the same amount of effort into each one. Each of these characters, whether playing a serious scene or a comedic one, is great.

2) the fact that Joke went to the police, confessed to save Jack, and served his sentence. And all he could think about was apologizing and making it up to Jack. (I know I'm boring bringing up DFF all the time 😉, but that's something none of those boys would do, even though they felt guilty, none of them caused themselves even the slightest inconvenience). And that he is again creating a board with evidence of his actions, like 4 years ago 🤔

3) the surprisingly serious social commentary - and they don't fuck around. How poverty and debt affect the lives of individuals and entire communities. That if it weren't for the lack of money, people would be happy to help each other, create art, do something good for others, develop. Joke is very intelligent and creative, he could literally be anyone, Jack is very strong mentally, he wants to help his family, the children, the local community, Tattoo has technical skills… These young people could do so much good for themselves and others, but poverty, cirmustances, situation at home forces them to break the law. And not only that - it also kills good instincts in them. As the mother from this poor family says in the movie Parasite: that if she were rich, she would be nice too (like the rich woman in this movie). Tattoo would probably never have left Joke in other circumstances, and you can see that he clearly feels bad about it. But these are such circumstances and he makes such a decision. You can also see how small, minor good deeds fade in the face of systemic evil. This is a really good question for Jack: isn't he tired? He's fighting it all by himself, and yet in this episode it all seems irrelevant, because the boss knows about it, one of the debtors is dying, the problems just pile up. That's why Jack and Joke make such a great impression - both supposedly criminals, but STILL dreamers and idealists, they keep fighting.. They still don't give up and they keep trying to "keep their souls pure". 🥺 And that's beautiful. They're beautiful. And I really like them 😊

This moment righ here 💘

[aroaceleovaldez]

i desperately need the fandom to do more with the fact that Percy’s attitude/emotions/physical state are directly influenced by the water around him even if he’s not directly interacting with it.

Every time we see Percy in the winter he’s notably more cold and snappier and easily annoyed, or generally is more serious when he’s in a cold environment. He gets more aggressive and prone to violence when by the rivers of the Underworld. He literally becomes toxic when Achlys brings out her poisons. He gets more mellow and generally more confident or at ease when by the Pacific, and gets even more mellow/goofy when in the Mediterranean. He gets overwhelmingly fatigued in the evil aquarium when all the tanks have sedatives in them, even though he doesn’t directly interact with the water at all. He also gets stronger when it rains. But also can create rain. Don’t think about that part too much, that’s really OP. Also his eyes (and Sally’s!) change color to match the water around him. Our “standard” for Percy is in the summer and next to the Atlantic (specifically in either Manhattan or Long Island. Does this change things significantly? Idk, up to you, but they have been cleaning up the Hudson a lot in recent years). This is his “default.” Every other scenario he’s going to start leaning to match the weather or water.

So where’s all the content of Percy going to different places and just shenanigans of how this affects him. Percy goes to a salt flat and is just so snarky the entire time (and his eyes look like mirrors). Percy getting grumpy in the desert or landlocked states. Percy going to Devils Hole in Death Valley and just gets really scary for .2 seconds. Percy going to Grand Prismatic Spring in Yellowstone and his eyes just turn rainbow. Percy at the grocery store walking by the lobsters and he just has a whole breakdown cause they’re so stressed it fucks him up, or he walks by the betta isle in a pet store and nearly dies instantly cause all the little betta cups are just pure ammonia. Someone uses one of those water flavor things in their drink and Percy’s eyes turn the same color for a minute. Percy somehow just walks by the Fountain of Salmacis and is just really confused by the directions his thoughts go in for the all of like two minutes he spends within radius of it. Come on people, we have options.

[buriedknight]

maybe it's an unpleasant opinion but i'm very tired of people describing other characters (especially miquella) via griffith. i kinda get that soulsborne games were inspired by berserk etc etc big influence on fantasy genre and so on, but they are a separate piece of fiction on their own

miura wasn't the one who created dramatic blondes. whatever your opinion on miquella is (him being the literal angel with no bad thought, a pure unalloyed evil, or anything in-between), he is NOT griffith. neither are characters, except for, surprisingly, griffith

honorable mention of lady oscar who was created MUCH earlier and still gets comparisons like 'french griffith'

[bitethedevil]

How do you think your take on Raphael differs from other fandom favourites? What is your “brand of Raphael?”

Oooh interesting question. I don’t really know how he’s different from other writers’ version of him. I try my hardest not to compare my own writing too much to others. I can say how I interpret him though. I’ll go through a couple of points of how I see him:

Soft!Raphael or Dark!Raphael

I get a lot of Soft!Raphael recommendations in my inbox. There’s nothing wrong with that. I love reading Soft!Raphael, but it just doesn’t fit my own personal interpretation of him. I have written countless of character analyses on this man and my brand of Raphael just isn’t that soft. I think he is capable of being soft, but it’s performative and there is always a purpose with it or a goal to achieve.

He does not love. He wants someone to love him, but he cannot give it in the way that we understand it. He can obsess though. His love is that feeling when your crush finally gives you positive attention. That thrill that you can almost get high on that you want to seek again and again. That thought that there is a chance that they will one day be yours, that need for them to one day be yours. That's him.

The feeling of laying in bed, looking at someone and feeling that warmth inside you and the feeling of wanting to protect them at any cost, is not him. He might want to protect his ‘loved one’ but it will be for purely selfish reasons. It is more akin to wanting to protect an asset of yours so others can’t take it from you.

It’s ownership, it’s obsession. There is also a game behind it. He wants to see how much he can push someone to see how loyal they are, and he does not care that he might hurt the other person in the process.

He can imitate love though! He can create the perfect picture of a loving relationship if he wants to, but it is a façade to keep you as his. He is a Venus flytrap, that lures you in with its sweet petals and when you fall for it, they close around you so he can devour you. He is capable of being romantic and doing loving gestures, but it is not instinct for him and there is always a goal behind it.  

Good/Evil

I don’t believe he is evil (hear me out). I don’t believe anyone is evil ‘just because’. I don’t really believe in evil characters in media, not when I consume media and not when I write it. I’m not blind and I know he is a Literal Devil, but I am just not wired that way. I grew up with theater. There are no evil characters, just characters who might have a fucked-up motivations for whatever reasons.

Raphael does do things that are morally considered evil, there is absolutely no doubt about it. However, when analyzing him and writing him, I try to refrain from writing him as such. The fact that he is considered evil without question in that universe is always taken into consideration though.

Raphael needs to fit into the Hells, and he is already on the back foot when it comes to that, because he is a cambion. I’m not saying he doesn’t enjoy doing what he does, he obviously does, I’m just saying that there is a reason for it.

Even those who are fully devils literally thinks they are doing the right thing. They think that they are protecting the rest of the realms from demons through the Blood War, and they will do everything to do so. That includes doing a lot of straight up heinous shit.

I’m just saying that judging him from ‘mortal’ standards is a bit of a lost battle. He isn’t a mortal. He isn’t quite a devil either, though that is the role he definitely prefers between the two. I just think a lot of nuances are lost if you just boil it down to “well he does (insert thing that is morally wrong from human standards) so he is evil”.

I think that is also generally why I usually refrain from the ‘opposites attract’ trope, because it very often is the typical metaphorical angel/classic hero vs literal devil/classic villain. Those stories are fun! I love to read them, but I don’t like writing them. It doesn’t interest me.

It is much more interesting for me to put him with someone ‘normal’ or morally grey, because there is something so deliciously fucked by a person slowly realizing that they actually have a lot in common with someone who is considered the embodiment of evil. They might also begin to understand his motivations and why he is as he is, and that’s almost even worse because that means the evil can be rationalized and understood (understood being the keyword, not forgiven, which is important to point out). Then it becomes a dance between humanizing him and demonizing him for how he really is.

There are humanizing qualities to be found in him, and there are definitely demonizing qualities to be found in him as well, which I find interesting. It’s a ‘what’s normal to a spider is chaos for the fly’-kind of thing for me, if that even makes sense? There is purpose to his ‘evil’ and yes, he does enjoy it, but there is much more to it.

“The Game”/His performativity

Everything is a performance, and though he never lies, it is difficult to know what he is actually thinking behind that wall of theatrics. It’s one big game to him of making you believe in the performance, and I think that is where he really thrives.

Though what is interesting is what hides behind the performance and the few times one might catch him in a moment of being genuine. That is what I love to work with when I write him. Because he keeps a diary, and we know from that diary that there are definitely some insecurities that he would never reveal to anyone (such as his nightmare about Tav and gang).

He is an arrogant bastard, but I truly think he is hiding mountains of insecurities behind it (and of course. Why wouldn’t he be? As a cambion, he isn’t really accepted by neither devils nor mortals, though he is both). Though you would never know it from how he acts, this man is no stranger to fear. It also makes perfect sense. He would not have survived in the Hells as a cambion, if he did not have a good sense of self-preservation.

‘He only ever sleeps with himself’, yes, well, doesn’t that also seem wonderfully safe and known? There is more behind his selfishness and ego. He does not let people in if he can avoid it. Cambions are often solitary by nature. I’ve mentioned this before. He might make deals with people, and he sees other people constantly, but never anyone he lets in, and he does not let them get too close.

Haarlep says he can’t deny them anything, but I don’t even truly believe that he has let Haarlep in completely. The man keeps his cards so close to his chest and one of the reasons for that is to not show weaknesses, because that is what he has had to do to survive and succeed.

What a lonely existence that must be, when one considers that there might be a human part of him that longs for that acceptance and closeness. He might not be able to love in the way that we do, but devils can long for it. Even more so when a part of him is human.

(Thank you for the ask <3 really cool question)