#he needs to fuck me and get fucked by sokka

[mushyposts]

TUMBLR PLEAAASE LET ME POST THIS NOW PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE.

OF COURSE!!! This is the sort of analysis I could honestly talk about for hours, and if you have ANY more thoughts on my fic, please please PLEASE dont be scared to message me and hash it out!! I absolutely love the chance to think critically and analytically about my work.

You are absolutely not projecting, and even if you were, that would be entirely valid!! Creativity exists as a vessel for us as humans to feel, and if my writing at all helps you process any feelings you have around the themes I explore in it then I think i have more then succeeded in my task as a writer! : D

I also think that as a writer, I can put as much intent as I physically can into my writing. I can spend hours working to make sure a certain theme is perceived the specific way I want it to be, but if someone takes it a different way then I cant change that! I can take it as it is, and from there move and try to approach the theme in a different way, but people all have different live experiences that will make them see what i write differently. My experiences with parental figures, their presence, lack of, and their affection towards me will always be different to yours for example, and that means you will see how I write the parental dynamics in my writing different to how I do! Does that make sense?

Okay onto the actual analysis LMAO!! I think that people get caught up in this idea of "The choice was made for the greater good, so he should be absolved." and although yes, there is merit to understanding Hakoda didn't want to leave and was doing what he thought was the best choice for his kids and the future of his tribe its also SUPER important to understand that there were other ways.

A few things when considering the argument of Hakoda taking ALL the men, is firstly that we don't actually know how many people were in the "fleet" and there is some defence to the idea of them needing every working hand they can get, however I also think that alongside this argument is if Hakoda was doing this to protect his tribe it would have made sense to at LEAST leave enough men to defend them, or train Sokka and the other younger boys to have some form of defence.

I think the closest we get at seeing how many are in the fleet is pre-black sun, when they all meet up, and even then those numbers are skewed because of the involvement of other groups of people. EG: The swamp benders, the earthbenders and then the people who took residence at the northern airtemple. I do, however, personally believe that there should have been some men left behind to defend.

Another thing to consider is the canon timeline for when Kya dies and then when Hakoda leaves and then to canon actually is kind of inconsistent? We can assume Hakoda left around when Sokka was 13, but during the flashback of Kya's death along with the flashbacks in Bato of the water tribe where we see Hakoda leave, Sokka actually looks a lot younger. As far as I'm aware, as a show only watcher who doesnt actively intend on reading the comics, we dont really know how long the time between Kyas death and Hakoda leaving is. I even say at the start of my fic that I fucked with the canon timeline a bit to make it line up a bit better.

I think the show acknowledges Hakoda's abandonment and the complex ways thats hurt both Sokka and Katara in subtle ways. Katara very outwardly displaying her upset, albeit initially passive aggressively, she does eventually burst out, telling him "we needed you." and Hakoda apologises. Sokka is more internal, he obsesses over his ability to explain his plans, how he's perceived by his peers, an obsession with masculinity and what it means to be a man when you were never truly taught it in the first place.

I also think something that people tend to get mixed up with when it comes to critiquing Hakoda as a father, is they often equate being a bad dad, to being an abuser.

Hakoda, at least in my interpretations and I never intend for him to come off as so, isnt an abusive father. He is not a perfect father, he has made many choices that led to the long lasting hurt of his children. Speaking in the development of my own fic and how i've worked with Hakoda's character, he is an absent figure who was faced with an impossible choice and should have thought through it in more depth. He made a choice, and although its hard to fully say without a doubt he chose wrong, it had severely negative ramifications on the mental well being of his children.

Theres a lot to be said on the nuance of abuse, neglect, absent parental figures, especially fathers, and I don't want to speak TOO heavily on this because again, its such a nuanced and complex topic that I think I couldn't even begin to unwrap in tumblr reblogs. Theres some incredible fics out there exploring this with Hakoda and Sokka's dynamic, and I even have a one shot in the making all about this stuff in the canon universe seperate from my writing, but I just REALLY want to emphasise that I am so aware of how Zuko will come off to Sokka as a replacement.

I think in Zukka fics, or any fic with their dynamic, Sokka is often used as a tool for Zuko's healing, and his own trauma and negative experiences are put on the backburner in turn for Zuko's more outwardly present trauma. This is never something I want to do in my writing, I want to give a stage to each characters trauma, experiences and lives and try to show that things arent always as clean cut as they seem.

Hakoda abandoned Sokka and Katara. he left Sokka to be a man, without truly giving him the tools to do so.

Hakoda saved Zuko from death, and gave him a chance at life again.

These are two things that can exist at once, and the existence of one does not negate the other. People are a mess of good, bad, neutral, and its so hard to untangle it. Sometimes it doesnt even need to be untangled, sometimes you just need to hold the mess that people are and know it isnt a slight on you. You didnt cause the tangle, some tangles just are, yknow??

I also do personally believe in canon there are a lot of gaps that dont fully make sense in reference to Hakoda's character, and I think he honestly could have been executed a lot better in canon, so thats also something I like to consider whenever I am thinking too hard abt Hakodas character!!

I hope this made ANY sense at all. I usually have to sift through my writing like, a hundred times to get any kind of sense out of it, but truly this has been such a pleasure to write about!! : D Ur thoughts are so well written, and its incredible, as i said before, to see people picking up on the more nuanced things I'm trying to set up for future chapters!! it helps keep my steam for writing this honestly WAY bigger fic then I intended going!! : D I am MORE then happy to indulge!!!! If anything, this is indulging for ME! So thank YOU!!!

(Also, to answer ur tags, it isnt bad ur a bit mad at Hakoda!! He's flawed, thats okay! He's made mistakes just like anyone does. His just have more ramifications since he's the adult. I am a HUGE Hakoda stan and I do love him, but trying to work around canon and make him be a good father... A bit tricky!!)

I already put this on ao3 in a comment but you made me cry so you have to see it twice now. I know this entire story is Zuko-centric but I literally can't stop thinking about what this au means for Sokka.

Ok I just have to say I felt so heartbroken for Sokka here. All I could think about was how all of a sudden there's a boy in the place he's supposed to be. HE should be travelling with the men, HE should've been with them for the last three years, HE should be trusted enough with all this important stuff he should know if he is the next chief/acting chief.

He is being told this new kid has seen and done things the most skilled of warriors couldn't have done, like he is this almost untouchable standard Sokka can't reach. Then to be told he's taken Sokka's place in the tribe as Hakoda's and Batos' adopted child, teaching him how to be a man over the three years Sokka didn't even know his father, never a letter, never knowing when they would come home. Then being told by that same kid that he was only playing war. not to mention the piercings and jewellery he's adorned with.

Sokka has been the leader of the remnants of the Southern Water Tribe for three years, and due to the strict gender divides, had no one to teach him how to lead in the way a chief would. He has been the one hunting, defending, in charge of the future of their civilisation, the education of the children, which is really important in their culture. the memories of his father would be so twisted to the memories Hadoka has of Sokka. Sokka, in the months before he left, lost his mother, protecting his little sister. he then saw his father fall deep into depression, becoming very detached, and from what is described, angry and violent, not towards him, but that his still scary behaviour to witness. Then, his father left, and he was told he couldn't come, and that he was in charge of the village. Even though it was probably to boost his ego at the time more than anything, the impact on Sokka in that moment, combined into quite literally what his job becoming.

Just imagine when he finds out the secrets Zuko's hiding and how his father and Bato knew and didn't tell him. Sokka has struggled with feeling like he isn't important, as a non-bender and his relations with his sister, her being a prodigy + a bender, and his father, always feeling like he wasn't enough for his dad, not good enough, not smart enough, not needed, but the Zuko's good enough, Hakoda loves him.

Zuko, who has had an incredibly traumatic and difficult childhood, the last three years of his life is where he has found and made a spot for himself in a positive community that loves him and supports him, Sokka has become increasingly more and more isolated, and his sense of self has changed even more dramatically in the last few weeks.

Sorry for the long rant, but I could just feel Sokka's fears and insecurities screaming at me throughout the chapter. Love this work though, just cried for Sokka <3

HIII OH YOU SO GET IT!! OH YOU SOOOO GET IT!! The fic is for SURE Zuko-centric, but I have been intentionally layering on the potential for his arc to align with Sokka's in completely the opposing way. Zuko has everything Sokka wants, he has a space with the crew, the warriors. he spent the last three years with his father and Bato, bonding, developing his identity as a person alongside the tribe, welcomed in, he has gotten to be everything that Sokka has always wanted. Meanwhile, Sokka has everything that Zuko wants. Sokka was home, somewhere safe with people who cared for him and looked up to him, with his sister, away from his parents and in a position where he was in charge of his own life. Its such a twisted, complex situation where the two crave, desperately, what the other has without thinking about the context. Without thinking of what got the other to the point of having what they wanted, both in turn. IM SOOO happy to see someone talking about Sokka ohhhughhh im so fucking happy. I think a lot of people have focused on Sokka's initial attitude towards Zuko, without thinking about every single thing you've brought up in this beautifully constructed comment, of which I am really excited to eventually flesh out when I am back from hiatus. Sokka, more than anything, wants to be a warrior alongside his father. For Zuko, he doesn't think Sokka fully understands the gravity of what that would look like, especially after having experienced such a heavy loss as he had recently. (RIP king im sorry) but for Sokka, he see's a replacement. he doesnt know the nuances, not for lack of intelligence but he just literally hasnt been told and although he is owed explanation he isn't owed Zuko's story in its full, of what led Hakoda and Bato to the decision of keeping him on board. I firmly believe if Zuko had have been older, or had have been a child from any other nation, Hakoda and Bato would have not kept him. I actually go over this a lot in the early chapters where they're deciding wtf to do. It genuinely ended up being a problem of "well. No matter where we put him he's gonna get killed. How fucked up is that, safest place for this kid is LITERALLY on a warship of the enemy. great." I also think acknowledging the fact that Zuko HAS had a lot of support and comfort in the last three years whereas Sokka has not is a super important point to be made! Despite the current circumstances, and the ones that led Zuko to being in the position he is/was, Zuko did have support which Sokka lacked. TBH, if I hadve had more wiggle room and decided to fuck with canon more then I already had, I would have left a good amount of the warriors in the SWT, unlike in canon. Or had Hakoda go back to leave soldiers there when he realised they were going to be gone for longer then what I am assuming was initially planned. However I was more then aware that would SIGNIFICANTLY change the circumstances of Sokka's experiences and how it aligns with Zuko's, in canon and in the fic, so i chose against it. This is such a sporadic messy reply I am just so happy to get a comment picking up on all the stone I've been laying for a big discussion on the details of Sokka's own trauma and how its going to clash with Zuko's.

All this to say, Sokka will absolutely be getting his turn to hash out everything you've said here and I can promise you no stone will be left unturned when it comes to his trauma and life experiences!! I think a big thing I am most excited for is having the two hash it out and realise where their lives overlap, where their feelings and experiences align and managing to acknowledge that each others traumas dont cancel each other out. Zuko's experiences do not cancel out Sokka's, and Sokka's do not cancel out Zuko's.

[friedchickenluver]

ugh, i gotta write smut…

[ssreeder]

I am so bored and ive been meaning to find a way to harass you so consider this harassment ❤️❤️

This made me laugh until my side hurt. Great job 10/10 no notes

[theotherpacman]

OH AND ANOTHER THING ABOUT THE ATLA REBOOT

the sexism thing??? we all know it's fucking stupid and purely performative to take out sokka's feminism arc, but can we talk about the fact that He Is Still Sexist????? he still thinks that what he does (running the village's defenses, which they've never needed) is vastly more important than what she does (wash the clothes, cook, etc). and yk what?? the live action reboot AGREES with him. it doesn't show or even mention katara doing any work around the village. all we see katara doing is practice waterbending - the only interesting thing that original episode 1 sokka seems to think katara ever does.

the live action show depicts sokka "doing all the work", fulfilling his traditionally masculine role of warrior/protector, and COMPLETELY DISMISSES whatever "women's work" katara does, as if she does nothing. seems pretty clear to me that the showrunners would love to absolve themselves of sexism by not talking about sexism, while in actuality being pretty sexist themselves

and don't even get me started on sokka not wearing the dress/makeup of the kyoshi warriors' uniform

[bouncybongfairy]

First off, I love your writing and I can’t get enough really. I’ve been obsessed with your atla stuff and I was wondering if you’d be down to write for Sokka. Any smut really but like something like, you’re traveling with the gaang and there’s tons of tension with him. If not no hard feelings whatsoever, just a suggestion.

Do You?

Sokka x Fem Reader Smut

Summary: There's been a lot of tension between you and Sokka for the past couple of weeks. After and heated argument, Anng send both of you to get some air. Sokka finds you in a tavern after a couple of drinks and both your feelings come to the surface.

Word Count: 1.0k+

TW: Smut

<3<3<3<3<3<3<3<3<3

Appa had been sick for the past couple days, meaning you guys were basically stranded until he was better. It didn’t help that you and Sokka had been going at it lately. You weren’t really sure why but everything he did drove you crazy. Anng paired the two of you up to skin the fish for tonight's dinner. The entire time he was criticizing you about how you were descaling it. Bragging about back home he could prepare a fish faster than anyone.

“Oh so since you’re the best and can do it ‘fAsTeR tHaN aNyOnE’ you can do this on your own,” you said, standing up and wiping your hands. 

“Sloppy help is better than no help,” he huffed. 

“Whatever, I'll go help Katara,” you said. 

“Wait no- okay I’ll chill with the critiques. Let me teach you,” he said, reaching his hand out. 

Without saying anything, you walked back over and sat on your knees. He sat behind you, his knees on the outside of your hips and thighs. Giving you the knife and securing your grip with his own. Holding onto the outsides of your hands as he instructed. As he talked, you could feel his breath against the back of your neck. Due to him being so close to your ear, he lowered his voice. Speaking with a soft and gentle tone, making your ears burn slightly. You began unknowingly letting yourself enjoy this. The way you could feel his chest rising and falling against your back. Liking the feeling of his body against yours and his smell engulfing your nose. 

“See,even you can do it!” he said in an extremely patronizing way. 

“Fuck off,” you said, feeling overwhelmed by how much you were enjoying his touch. Also not appreciating his poking fun at you even more. 

“Ugh you’re exhausting, even when I try being nice you push me away. Can't you see that I like -ahem- that I’m like, trying to make an effort!” he said, cheeks flushing red. 

“That’s it! I’m tired of hearing the two bickering none stop. Both of you need space from each other! Sokka you go that way, y/n you go that way. I don’t care what you do, but don’t come back until you figure out why both of you are so insufferable!” Anng yelled, slamming his glider onto the ground. 

The two of you made intense eye contact before walking away. Luckily for you, he sent you in the direction of a local market in the village. The walk gave you a lot of time to think; when he was helping you skin the fish, it felt like he had underlying feelings. Like he was purposely finding an excuse to be close to you. The tone in his voice was different, you never heard him talk like that to anyone else.​​ The way he slid his hands along your arms before grabbing your hands. It was becoming evident that the frustration and tension you’ve been feeling wasn’t caused by anger. 

You finally reached a tavern, it wasn’t much but it was cozy. Drunk men singing and goofing off with each other. A group of women gossiping with each other adjacent to a group of men playing Pai Sho. Immediately feeling out of place, you walk up to the barmaid and ask for whatever she recommended. Which ended up being some type of fermented wine. One of the young men comes up to you, trying to engage in conversation. 

“Are you new to town? I’ve been coming here for a couple years but I've never seen you,” he says, smiling while holding his drink. 

“Oh um, yeah I’m just staying in town for a couple days,” you explain, finishing off your drink and ordering another one. 

“Aww that’s a shame, I bet I could convince you to stay for a little longer,” he said, which made you giggle. 

You were now polishing off your third drink, watching the game. Enjoying the music, making conversation with the other patrons. Dancing with the group of young women from earlier. You didn’t realize Sokka was watching you from the wooden doors. Eventually the young gentlemen who you were speaking with earlier, starts to dance with you. Sokka was visibly getting more irritated, watching his hand travel down your back. Once the guy wrapped his arms around you, pressing himself against you from behind, he couldn’t control himself. Stomping over and pulling you out of the dude's grip. Your heart sank once your eyes fell onto him. Like you’d been caught doing something wrong, looking you up and down with such disappointment.

“We're leaving,” Sokka growled, grabbing you by the upper arm gently. 

“Does she want to leave with you,” the guy asked. 

“Do you?” Sokka asked, looking down at you. Feeling quite tipsy it made you nervous to speak. Like if you opened your mouth, only stupidness would come out. He was looking at you with such intensity and jealousy, you nodded your head in agreement. Leading you out of the building, into an alley behind the building. Giving you two some privacy while waiting for him to talk. 

“Are you mad?” you asked. 

“I feel like I've dropped all the hits I can. I don’t know if this is like… your way of making me just admit it but I like you. If you keep pushing me away every time I come onto you then I just won’t anymore. I can’t take it,” he said, walking over to the river bank. Letting his hair free from its pony tail out of frustration. Falling onto his knees and splashing some cool water onto his face. Seeing how disappointed he was in your actions made you feel stupid. Like you were blind to all his advances and playful teasing and it was too late to let your feelings known. However, you were drunk enough to at least give it a shot. Walking over to him and joining where he sat in the grass. 

“I think I was just nervous -hiccup- to tell you how I felt. Then because I was holding all my feelings inside, I became standoffish. I’m sorry,” you said, brushing the partially wet hair off his face before continuing, “Please don’t think I’m only saying this because I drank. Drunk thoughts are sober words… or is it sober words are drunk thoughts,” you begin making him laugh. 

“Are you gonna make me ask for a kiss?” you asked, he took your offer and smashed his lips against yours. 

Lips melting together as you straddle his lap. He sucked your bottom lip into his mouth, running his tongue over it. Moaning as you started grinding down on his dick print. The alcohol in your system was making you more ballsy, desperately grinding yourself against him. Enjoying the friction against your clit. Sokka’s mouth hung open as bucked his hips up. Gripping your hips tightly, helping work you on him. He was sitting up, back against the back wall of the tavern. You were holding his face in your hands, moaning and panting against his lips. Pressing his forehead against your chest as he started to cum. His hips spasming from underneath, you could feel his length spasm against your core, sending you into climax. Time slowed while fire was pooling in your lower abdomen and you frantically rubbed yourself against him. Letting your head fall towards, letting him support your weight while cooling down. Both of you walking hand and hand, his giving you a piggy back ride once you became too tired. 

“Great, see sometimes a little space does people good. Glad you guys worked it out,” Anng said as the two of you walked to separate tents. 

“Oh trust me, we really worked through our problems,” Sokka remarked before everyone turned in.

[elitesheepi]

No, Zuko did not lead Katara down a "Dark Path" in The Southern Raiders

Watching Southern Raiders again, and it's bizarre to me that people read that episode as, "Zuko leading Katara down a dark path." Zuko just wants her forgiveness. He fucked up with her severely and to a level that's different from the others. She feels betrayed by him--she was betrayed by him. She trusted him and he all but spat that back in her face so yeah, she's mad. Is it selfish using her desire for justice, closure, maybe revenge to get her to stop being mad at him? Idk perhaps, if you read it that way.

But the way I read it, I read it as him using his resources to give her what she wants most, and that's her mother's killer. Since he was the face of the enemy, since he lost her trust, let him earn that trust back by taking her to the real face of her enemy.

It's the literal least he can do.

Then he steps back. Zuko let's Katara lead the mission, let's her defend herself against Aang and sadly Sokka too while only playing support. Zuko got a comment in there or two, but for the most part it's Katara doing all the talking.

Also something important people forget is that, neither Katara nor Zuko brought up revenge, that was all Aang accusing them(meant to type her, but saying them fits more) of seeking revenge. Maybe that was her unconscious motivation, but Aang was the one who brought it to the forefront of their minds. Zuko states that this is about Justice and closure, Aang was the one who made this about revenge.

After all that back and forth is said and done, Zuko is largely quiet the rest of the episode save for like 3 lines, none of them involving him telling Katara what to do or what she should do.

Katara leads the mission, Katara makes the choice to bloodbend even when Zuko was already facing the SR general on the boat. He didn't tell her to do that, he wasn't in a pinch so she would've needed to do that, hell she didn't even have to do any of that at all considering there was still water on the ground.

These were all Katara's decisions, all Zuko did was stand by her side.

This isn't me trying to say that Katara's making bad decisions. Far from it actually, I heavily agree with Katara's decisions. This isn't even a "supporting woman's wrongs" scenario either. Katara's completely in the right in my mind.

This is a mission involving finding the man who killed her mother. Not kidnapped like Appa (comparison courtesy of Aang), not whatever the hell the comics are doing with Ursa, murdered. Kya is never coming back and it's because of Yon Ra. Little Katara had to see her mother's dead body after the act was done and has to live with the pain and guilt of it all knowing Kya died to protect her. She's traumatized, she's hurt, so she's very much justified in wanting revenge and it's disquieting how so many people make this about Zuko leading her down some dark path for saying "I want to find the man who killed my mother and took her away from me." Bryke included.

Again, Zuko stands back, adds support in the fight when needed, but ultimately is there as her backup and sources.

And yet, people see all of this as Zuko leading her down a dark path. Because he dared to stand back and not talk Katara down from wanting to merc the man who took her mother away from her. What a villain, she said sarcastically.

Realistically, why would he stop her?

If anything, the fact that Zuko was the only one in her corner for this says a lot because of everyone there, he gets it. Sokka should've gotten it too, but that's a separate point for separate post.

He too lost his mother to the Fire Nation. Whether she's dead or missing, the Fire Nation and, namely his Father to put a face to it, took his mother away from him. He lost her and he believed that she was never coming back. Katara and Zuko are the same in that regard. Something he verbally empathizes with her in the Crossroads of Destiny episode.

He knows she needs this because he's been there, is there, and very much wants to have done that. If facing the Fire Lord wasnt Aang's destiny (and this wasn't a kids show, along with other in meta perspective) it doesn't feel to far to say Zuko probably would've killed Ozai.

Revenge for his mother is a side goal, but it's out of reach as of this moment. He has no information on what happened to her or where she is, so he can't do a thing. He sees Katara, someone who badly wants to regain trust with, with a similar goal and mindset and he actually has the means of helping her. Of course he takes it, but this is her mission, not his. He just provides the information and helps her getting there. That's all, everything after the fact comes down to Katara's choices.

When the moment of revenge happens and Katara decides to not kill him, does Zuko say anything? Does he asks her "what are you doing? He's right there, get revenge!" No. He doesn't say anything. He lets her leave, stares down Yon Ra for a second and follows after her in silence. You cant apply headcannon like "maybe he tried to convince her after the fact," because that can easily be countered with the head canon of him comforting her telling her she did the right thing. Going soley off what we saw in canon, on screen, Zuko watches Katara spare him from skewering the man with ice.

He does have a shocked expression in the background but that can either be read as "wow she didn't do it," or "holy shit she probably could've killed me 10 times over." Again, nothing verbal from him, only expressions, so it's hard to say firmly what he's thinking.

I got away from my main point for a second, but I'm coming back to it to say, none of this is Zuko's doing. Zuko didn't lead Katara down any path, he didn't encourage her to enact a bloody revenge, what Katara does was all her own actions, all he did was point in the right direction. Kinda shit how by making it seem like Zuko's manipulating her, it takes away from Katara's agency in the situation. She made her decisions and no man influenced her.

The only who actively tried to was her brother and Aang into forgiving their mother's murderer for some insane reason that I still can't fathom. Maybe from doing something she'd regret, possibly, but the in canon reason we get is, "don't do it. It's a dark path, you should forgive him for your own sake. Insert the Appa comparison" I bring that up again, because Appa was kidnapped, and then found again and they were all reunited. Yet Aang compared that to Kya being murdered and left for her daughter and husband to find. There's a stark difference.

Aang's pain in that regard is understandable and dare I say more supported by the fandom and show, while Katara is pratically being told by everyone save for Zuko to sit down and forgive for some inane reason that rings hollow, feels insensitive at the absolute best and takes away her agency by turning it all on Zuko as him making her choices for her.

It's shit, and an absolute misread of what the episode showed us, something Bryke somehow missed too.

I'm gonna conclude this with a quick summary of the end of the episode. Katara doesn't forgive Yon Ra, yet spares his life because he's just pathetic. Aang's weirdly giddy telling her that he's glad she forgave Yon Ra, and Katara having to shut that shit down and tell him that no, she didn't forgive her mother's killer, she never will, and she's conflicted on letting him live. Then Katara gets a soft look and smile for the first time in a good long while in the episode as she tells Zuko that she does forgive him. We get a Zutara hug (iconic) and the episode ends on a happy-ish, bittersweet note for her. Zuko does tell Aang that he's right and violence isn't what she needed (an admittedly weird line considering seconds before she just said she doesn't know if she was too weak to kill him or too strong too, implying she probably would've gone through with killing him, but whatever) but that's when Katara is out of earshot.

Zuko didn't lead her down any dark path, he left himself be lead by her and was willing to let it happen. It being whatever Katara's decision was going to be. Good, bad, middle, whatever would have happened would have all been Katara's decision and her agency shouldn't be ignored because of a bad-take misread of a pretty clear cut episode with very little ambiguity.

[panther-os]

I see a lot of "oh this was an accidental proposal and katara continuing to wear it is an on purpose acceptance"

I don't think that's accurate and the ship is really not my thing anymore anyways but you know what would be absolutely hilarious?

katara tells her family about this and then fast forward to a post-war zukka relationship where zuko's for real proposing and is asking Hakoda and Bato - who love chaos as much as they love their children and son-in-law - for permission as a courtesy and they're just like "we cannot in good conscience allow this while you're still betrothed to our daughter" and Zuko's just like "WHAT" and it turns into a comedy of zuko doing more and more absolutely fucking weird and outlandish things to "break the engagement to katara" so he can marry sokka. just 100% a twelve labours type thing except they're actually achievable because there's no need to repeat that trauma (although maybe the final task is "bring me the avatar" and that's when he realizes he's being fucked with)

katara gets roped in and is having a blast. sokka however is blissfully unaware until the final moments - or if angst is more your thing, he's wondering if the reason zuko is always busy lately is because he's getting ready to break up with him, maybe throw in zuko spending more time around katara and sokka's "guy with a boomerang" insecurities for shits and giggles

[victorianbatman]

ATLA/LOK incorrect quotes

F, M & GN reader | every scenario without the readers gender being specified is Gender Neutral.

Bolin, on the phone with Mako: Mako, I need you to come pick me up.

Mako: Why?

Bolin: Y/n is busy passive-aggressively doing the dishes they asked me to do 6 hours ago.

Bolin: This house is not safe anymore.

-

Mako: Hey, whats for dinner?

Bolin: I cant tell you, its a soup-rise.

Mako: Is it soup?

Y/n: We soup-ose is could be.

Mako: Enough with the soup puns you two.

Bolin: Aww, you never soup-port our jokes.

[Five minutes later]

Mako: It was fucking tacos.

-

Mako: The stars look really pretty tonight.

Y/n: Yeah, they do.

Mako: You know who else looks pretty tonight?

Y/n: Asami.

Mako, at the same time: Korra.

Y/n: What?

Mako: What?

-

Toph: Do you do anything other than whine like a little bitch?

Y/n: Sometimes I whine like a BIG bitch.

-

Mako, not looking up from his book: What did she(Kuvira) do now?

Y/n: SHE SMILED!

Mako: At you?

Y/n: No, at her dumb friends, but she looks like an angel.

Mako: Go away, Y/n.

Y/n: Shut up, I watched you pine after Korra while in a relationship with Asami.

Mako: Go on.

-

Korra: We can bake these cookies at 400 degrees for 10 minutes or 4,000 degrees for 1 minute.

Lin: That’s not how you make cookies.

Y/n: FLOOR IT!

Bolin: How about 4,000,000 degrees for 1 second?

Lin: yOURE GONNA BURN THE HOUSE DOWN!!

Korra: IM GONNA HARVEST THE POWER OF THE FUCKING SUN TO MAKE COOKIES!!

Y/n&Bolin: DO IT!

Lin: NO-

-

Korra: I’m small, but knowing.

Tall!Y/n: You dont be knowing what the top of a shelf looks like though.

Korra: …

Tall!Y/n: …

Korra: Bitch.

-

Bolin and Mako watching Y/n from a distance chase a squirrel.

Bolin: Thats the person I see myself married to in the future.

Bolin: Thoughts?

Mako: …

Bolin: …

Mako: ..and prayers, bro.

-

Y/n: My autistic friend(book 1 zuko) is my favourite person on the planet. I asked if he would still be friends with me if I got a mullet and without looking up he said “we are not friends” like ok bestie.

-

Korra: Theres only one thing worse than losing.

[Tips over paper saying ‘losing Y/n’]

Y/n: Me.

Korra: No-

-

Y/n: Are you sure you’re ok?

Zuko, crying: Yeah, it’s just these onions, man.

Y/n: …

Zuko: …

Y/n: Those are potatoes.

-

[Asami, puts on chapstick]

Y/n: What flavour is that?

Asami: oh its [chapstick flavour].

Y/n: Lemme taste.

Asami: Sure.

[hands chapstick]

Y/n, kisses Asami

Y/n: Shit it does actually taste like [Chapstick flavour].

[Asami blushing like crazy]

-

Y/n: Aang, why do good people die young?

Aang: When you are in a garden full of flowers, which one do you pick?

Y/n: The ugly ones.

Aang: Exactly- wait wait what, why?

Y/n: Because ugly bitches dont belong in my garden.

-

Toph: Hi, im your doctor today, I’ll be drawing your blood as soon as I’m done with my capri sun.

[Misses the hole four times before finally getting the straw in]

[Y/n, sweats profusely]

-

Sokka: I have the sharpest memory, name one time I forgot something.

Y/n: You forgot me and Suki back in the fire nation 3 weeks ago.

Sokka: I did that on purpose, try again.

-

Y/n: Listen to me, love is a scam.

Bolin: You’re making a valentines card for Mako right now.

Y/n, points glue gun at him: You’re on thin fuckin ice.

-

Zuko: Whats with the napkin on the glass door?

Y/n: Aang keeps walking into the glass door, so I thought this might help.

Aang: Oh cool, a floating napkin!

[Walks into glass door]

[sokkagatekeeper]

sokka & katara are soo funny bc katara is always like sokka is SO fucking boring and lame and lazy he doesn't understand the value of waterbending and he is HEARTLESS he must be plotting his next move to sabotage my rebellion against industrialization and colonialism & the search for my destiny of becoming a master waterbender at this very moment . meanwhile sokka's like soo i have the avatar to take care of now so i guess i need to prepare for an invasion to the fn at some point? i should start thinking of building an army, make a list of allies, look for food and save as much money as i can, go after whoever ran away from the group this week, is that weird ponytail guy not giving up yet? sharpen my boomerang, stopping katara's weekly revolution from getting all of us killed, what else.... i wonder if i can train with my sword today. i'll put it in my schedule right between taking lice out of momo's hair at 2pm and evading another capture/assasination attempt at 5pm. are you proud of me, father? [girlfriend dying flashbacks playing in the background] god i wish to read a book

[zutarawasrobbed]

ALTA Live Action Season 1 Initial Thoughts (Spoilers)

I just finished the season, and holy shit!

Quick things that need to be addressed/debunked:

“Sokka is no longer sexist”

I dont know what people were talking about when they talked about Sokka’s “sexism” being removed. It’s still there! But not in the overly exaggerated comical way it was in the original.

In fact, it’s more in line with ancient practices of indigenous tribes where men are seen as protectors and providers while women are expected to nurture. It’s not the same “boys are better than girls” narrative in the original.

Additionally, Suki still beats the fuck out of Sokka and humbled him really quick. They’re super cute by the way. And I love Suki’s “I like my men a little stupid” vibe. She’s great.

“Aang doesn’t run away like the original!”

That is not true. He does run away, but not because he’s trying to get away from the temple but instead to get some air because he feels overwhelmed. He’s more like taking a quick break and planning to come back. It’s not exactly the same, but almost. It also is done in a way where his guilt feels more justified.

“Katara doesn’t talk about her mom anymore like the original”

This is true… BECAUSE THEY SHOW INSTEAD OF TELL. I was honestly not prepared to see the death Kya in such graphic detail and how Katara was in the room hiding when it happened. It’s honestly really sad and more heartbreaking.

Plot:

The timeline seems to be ambiguous compared to the original series where it was “end of current year.” In fact, they repeat “three years” a few times, which makes me think if the series get greenlit for more seasons, it would be over a three year period.

Jet is still villainized but given more nuance and not a simple "good v bad" way like the original.

Zuko’s story about how he got his scar has additional lore that makes him come across as even more selfless and compassionate. The additional context of the platoon he advocated for in the war meeting, becoming his current crew, really added to the story.

Eradicated the nepotism baby plot point with Pakku only training Katara when he finds out he used to date her grandma. Instead, Katara proves herself and ends up teaching the other male fighters the techniques she learned from watching other benders use their elements and mimics them.

This season doesn’t have Aang learning any waterbending, but rather facing his trauma and the consequences of his actions. He get roasted by all his past lives. Which is an interesting choice, but I think it works well in how they executed it.

This season seems to actually be Katara focused and her journey of learning waterbending which I honestly loved because it really hits home the element of “water” being the story of an untrained waterbender learning her element. But, I do think Aang could’ve learned a little bending. It felt a little off.

Katara ends up advocating for all waterbending women and ends up leading an army of both men and women during the siege. She’s really bad ass and is given the title of master without being formally trained by Pakku. She made herself a master.

I think the timeline is a little wonky because of how much they had to fit in with the limited episodes they had.

Kuruk is given respect! I loved that.

June actually seems into Iroh which I thought was a funny but cool way to flip the script from the original.

The relationship between Zuko and Iroh is really beautifully executed. I love the depth they added with flashback scenes and their bond prior to the Agni Kai. It also wasn’t as frustrating watching Iroh and Zuko’s dynamic because Iroh communicated with Zuko in a way he could understand with straight answers rather than seeming to actively sabotage him with cryptic puns and shenanigans like the original.

They changed the love triangle with Yue Hahn and Sokka to be very healthy. They gave Yue autonomy and a choice in her relationship- which- again- is much more in line with indigenous cultures. Also, Hahn and Sokka’s relationship is really supportive and full of respect and no ill will.

They way they handled grief and the realities of war with the loss of life was very well done and really drove home the point that this is a war and these are child soldiers.

There’s a lot more but these are my initial thoughts. Will probably post more later.

Shipping:

Kataang is all but removed. Literally DOA. There is no indication of a crust on either side. It’s painted like a sibling relationship, which is like the original, but this time everyone seems to be on the same page. But, I swear the writers had to have read ZK fics because damn.

They canonized a popular Zutara theory/hc about the cave of two lovers and how the crystals would light up once it went completely dark instead of a “kiss” activating the crystal glow.

Speaking of the Cave of two lovers. They keep the Oma and Shu story with red and blue coloring. Making it come across more as foreshadowing than a direct link to the present tunnel story.

Sokka is put in Aang’s place with Katara in the tunnels and turned it into a story about the love of family and sibling bonds. Aang wasn’t even present.

Zuko and Katara share a meaningful look when they first see each other and continue to have a Katara centric scene followed by a Zuko centric scene and vice versa.

The scarf scene. I will not be elaborating further. If you know, you know.

Zuko and Katara fight scene in the North is epic. He still taunts her with almost the exact same dialogue but it’s so sassy- I love the banter.

Suki and Sokka were really cute and the actors had great chemistry. I think Yue and Sokka was really rushed and didn’t really feel anything about them, honestly. But I attribute that to lack of episodes to develop all that plot.

[erisenyo]

"could you please come and get me?" I'm BEGGING🙏🙏🙏

For this prompt game! (And also this one!) (Andthis one too lol)

(Can be read as a follow-up to this)

“…and, like, everyone goes through phases!”

Hakoda hastily unfolds from his very undignified stretch at the muffled sound of Sokka’s voice, wincing at the protest of his sore back. Bato keeps saying he’s eventually going to value his posterior chain enough to stop taking red eyes no matter how cheap they are, and one day Hakoda is actually going to listen instead of making jokes about posteriors.

“—and sisters, you know? They never let go of anything no matter how old you all get, and they always take things too far—”

Hakoda glances again around the dim lit, tidy shop as if maybe the angle of the sunlight will have changed, vaguely pleased and surprised that Sokka is here so early as the faint jangle of the admittedly-huge keyring filters through the door.

It’s hours past when they usually open, of course, but judging by the timing of Sokka’s late-night-scarfing-down-dinner phone calls, he’s been working plenty past when they usually close.

“—not in a creepy way or anything, obviously. Just a joke. A bad one!”

Not that Hakoda was really worried. And he was right to now really worry! There’s nothing blown up, no scorch marks or tools missing because Sokka really needed a good shearing weapon for his robot-killing robot, no half-deconstructed engines and piling-up repairs because Sokka is sure he’s figured out a way to get more efficiency out of the whole system.

“—and that one is totally new, anyway. I had no idea it was even there! And so, um. High definition.”

Those this Audi sitting in the middle out of the shop, which is very out of place for Wolf Cove to begin with, let alone in Hakoda’s shop…

“And I mean, you know how sisters are!”

Hakoda does have some questions about that.

That Jesk kid better not be involved, or whatever his name was...

“Or—right?” Sokka’s voice is suddenly clear as he finally finds the right key to unlock the office door. “You—maybe? I mean—you—or—”

“Yeah,” a husky, raspy voice cuts in, faintly amused, and Hakoda pauses in surprise as he realizes Sokka isn’t on the phone. “I have a sister.”

Hakoda glances curiously through the office window as Sokka flicks the lights on, bright light illuminating the office and the break room and the car bays one by one, revealing his son—dressed for work, not starving, not injured, good—and the lean, black-on-black clad boy behind him, and Hakoda feels his eyebrow jump up in surprise.

Ah. He recognizes a pretentiously pre-worn designer leather jacket when he sees one. That would be where the car came from, then.

“And,” Sokka hurries on, darting nervously around the office as he wakes up the computer and sets down his coffee and Hakoda’s other eyebrow slides up to join the first. He can recognize Sokka’s cover-his-ass voice anywhere. “It’s not like I would recognize you out of context anyway without, you know. Or with, or—and so, like, it's not like I was being weird or anything, or like, trying to lock you in the basement or something, or—fuck.” Sokka scrubs his hands over his face before pasting on a bright, game smile and marching toward the car bays. “Yeah, I’m just going to stop talki—Dad!”  

“Sokka,” Hakoda greets him, giving the other boy—not a boy, Sokka hates being called a boy, he reminds himself—a curious look. “And…?”

“Oh,” the boy blinks, freezing a little. “Uh—”

“I didn’t realize you were coming back,” Sokka hops in, hurrying over. “Is everything okay?”

“Yeah, I just wanted to grab a few things from the house, see you and Katara a bit,” Hakoda assures him, reaching out to give Sokka’s shoulder a squeeze and offering a smile to the other boy as he trails Sokka after a moment across the shop floor. “Who’s this?”

“How’s Gran Gran?” Sokka asks as the boy hesitates, mouth half-open.

“She’s doing well, things are coming along,” Hakoda says, cocking his head to get a better look at the boy. He’s definitely familiar—not surprising, with those nearly-gold eyes and scar and the kind of cheekbones that Sokka loves to trip over—but Hakoda can’t quite place… “Are you one of Sokka’s college friends?” Shit, Hakoda should know those. He at least knows it isn’t…what was his name, Tamu? It’s definitely not him…

“Ah, no,” the boy says, shifting on his feet and flicking a quick look to Sokka. “Wh—"

“How long are you back for!” Sokka says over top of him, eyes wide with interest and that’s definitely his cover-his-ass voice again…

“Just a few days,” Hakoda says absently. Is it one of Sokka’s high school band buddies? They used to always be hanging around the basement and crowding into the kitchen. “I haven’t seen around town,” he says slowly, the sense that he knows this kid niggling at the edge of his thoughts.

“…No,” the kid agrees after a beat, equally slow.

“Yeah,” Sokka says quickly, voice coming out high. “He’s not from around here!”  

“This is your car?” Hakoda asks, because the kid might not look much like a trombone players but he does look like a speed demon.

“Uh, yeah,” the kid says, glancing at the sleek red lines where Sokka’s set the Audi out with pride of place dead center in the middle of the shop. “Sorry?”

“Sorry?” Hakoda blinks, momentarily distracted from the nagging familiarity of the kid.

“I broke down,” the kid shrugs, apologetic, and Hakoda can only give him a bemused look.

“It’s what we’re here for,” he says. And they’re certainly going to charge him for it, with a car like that—and Hakoda will be making sure he’s charged. He recognizes that look on Sokka’s face…

“Right!” Sokka says, overly bright. “Car repair!”

“A full-service operation,” the kid murmurs, cutting Sokka a sideways look.

“We strive to be,” Hakoda says proudly, giving Sokka his own curious look as his son chokes a little, blushing. Oh yeah. Hakoda is definitely making sure this kid gets charged.

“Car repairs!” Sokka says loudly, clearly powering through…whatever is going on. “We’ve had a lot of those! Want to—” he glances quickly around. “—the books! Want to see them? Or the—I can get you up to speed?” he suggests half-desperately. “On everything?”

Hakoda makes a vaguely affirming noise, listening with half an ear and mostly watching the kid who is in turn watching Sokka, looking faintly bemused by and more than a little curious about Sokka’s immediate, exhaustive, relieved, highly detailed account of the past month.

Maybe he’s a new teacher in one of Sokka’s art classes? He thought they were all old men by Sokka’s description, but this one seems like an artsy type. Though why he’d be here and not back in Republic City…

The kid gives Sokka another sidelong look through his lashes that really isn’t all that subtle to anyone other than Sokka, and ah, that could be a reason.

And he can tell Sokka likes his friend back from the fidgety, half-nervous, half-hyper way he’s shifting his weight and playing with his bracelets and rings and he better be fucking taking those off before work, Hakoda’s not trying to have anyone lose a damn body part inside an engine. At least the earrings are out…

Hakoda thinks, though, that he really would have heard of the kid if he’s following Sokka cross-country to keep him company. But then, maybe that’s why he has the persistent, nagging sense that he’s met or at least seen this kid befo—

“Oh!” Hakoda suddenly exclaims, snapping his fingers as realization hits. “I know you!”

“You—!” Sokka trips a little as the kid startles, giving Hakoda a half-surprised, half-cagey look. “You should really hear about theorderthatPakkutriedto—”

“You’re the boy from the poster over Sokka’s bed!” Hakoda says, triumphant and Sokka cuts off with a high, strangled noise, the kid opening his mouth and nothing coming out.

“The one where’s he’s all shirtless and oiled up?” Hakoda prompts when Sokka doesn’t say anything, pleased to have placed it. “Remember, you got that fancy photo editing program for it? So you could cut him out of the full shot and enlarge the size? And Bato took you to that special print shop in Whale Harbor to get it done out on the special poster paper?”

The kid slowly transfers his stare from Hakoda to Sokka, who is looking more and more like a deer trying to freeze to avoid the notice of an oncoming car.

“You know, for your eighteenth birthday?” Hakoda reminds him, concern fluttering in his chest when Sokka doesn’t immediately latch onto the topic like he always does. “Because you couldn’t find any magazines big enough to see from that far away?” He definitely isn't misremembering, he knows he isn't...right?

The kid slowly closes his mouth, eyebrow inching up higher and higher.

“And you’d filled up all your wall space, so you needed to move to other surfaces? And Katara said you weren’t allowed to put anything up in the shower?” No, he's definitely right. Hakoda had been quietly and intensely relieved by the shower edict enough to be sure.

“I,” Sokka finally says, mouth working, “I, uh.”

“Didn’t you recognize him?” Hakoda frowns, reaching out to feel Sokka’s forehead.

“Yeah, Sokka,” the kid—shit, Hakoda still doesn’t know his name though—says, pointed, “Didn’t you recognize me?”

“I…need to go now,” Sokka announces, suddenly fumbling in his pockets.

“What?” Hakoda blinks, confusion threading alongside his pleasure at finally placing the face.

“What?” the kid half-laughs, startled.

But Sokka just whips out his phone, already marching away, his face crimson and voice echoing off the high ceilings, “Katara? Yeah, I’m—yeah, I’m still in town. Yes, I know that you're on nights, I—yes, I—look, could you please come and get me?” A pause. “No, I—actually, yes. I need to go die now, please. Not here.”

Hakoda stares after Sokka as he finally shuts the office door behind him, bemused, scratching the back of his head and shifting his attention to the kid who looks like he doesn’t know whether to worry or laugh again.

“Well, I’m Hakoda,” he eventually offers, extending his hand and biting the bullet that it’s okay to not know this one’s name, they probably haven't actually met before, “I’m his father.”

“Zuko,” the kid says after a beat, accepting his handshake—strong grip, callouses, no eye contact but that’s okay considering he’s looking after Sokka. “I’m, uh. The guy from the ceiling?”

Hakoda huffs, half-amused and giving him another quick look—and then his hand a slightly harder squeeze. “Grown up a bit, have you?” A lot less oil, too. And a lot more clothes.

Same cheekbones, though.

“Uh—so has he? Since then?” Zuko hazards, glancing toward the office where Sokka is…screaming into a pillow, by the looks of it.

“One could say that," Hakoda says after a beat, thinking of Sokka’s last trip to Whale Harbor and the poster tube he’d come back with happily cradled in his arms. “But maybe not as much as you’d think.”

[aangarchy]

My little cousin (15) finished season 2 of atla, here are her opinions of the characters after the s2 finale

Aang: "adorable and he better not be fucking dead"

Katara: "i hope she gets vengeance in season 3." Me: "vengeance on who?" Her: "the world."

Sokka: "he needs a girlfriend, every girl he's met has either died or left him... are you sure he's not into guys at all?" Me: "the fandom thinks so." Her: "they're right."

Toph: "she reminds me of a feral little dog most of the time"

Zuko: "get that traitor out of my face"

Azula: "if i speak."

Uncle iroh: "if he needs to die for zuko to finally get some character development so fucking be it"

Mai: "knife wife"

Ty Lee: "she's so me coded"

Suki and the Kyoshi Warriors: *hums who run the world girls by Beyoncé*

Jet: "dead. at least i think."

The Earthking: "oh that loser"

Long Feng: "who?" *gets shown a picture* "imagine being half bald and losing your whole army to a teenage girl"

Joo Dee: "she's innocent"

[ladyemberswrites]

For a guy that's supposed to be sympathetic and all knowing and knows exactly what it feels like to have your childhood ripped away from you and lose your loved ones. Aang was certainly written to be very ambivalent towards the agony Katara was going through. Even Sokka seem whatever about his mother's killer running lose and this the same guy that attacked Aang for burning Katara that one time and literally broke into an impregnable, high security prison to save his father and girlfriend. Lost his shit when Azula taunted him about Suki. I understand that Sokka didn't remember much of his mom, but you'd think that would make him angrier. That whatever relationships he could have with her was literally stolen away from him, leaving him to grow up with his mother or his father around.

But anyways, but Aang going up to Katara and telling her how proud he is of her for forgiving the man that slaughtered her mother in cold blood and was responsible for robbing her of her childhood. 🥹 It makes it so much worse because Katara probably found her body too.

And Katara is literally like: the fuck I did? He's lucky he was too pathetic to be bothered.

Like this kind of further emphases that Aang is like 12. He may be the avatar and act as though he is all knowing, but lacks maturity and experience. Zuko was obviously aware of what Katara needed, he wen through a similar situation with his father, confronting him to find some sense of closure with an absusive authority figure.

I know people are gonna get at me about he's 12! I know, but judging from what little we are given about Aang as dad - um, well😅

[wilcze-kudly]

The Gaang being 'bad parents' didn't ruin their characters.

I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.

Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.

Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.

I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.

Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)

Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?

There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.

Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.

Like, do you know how easy it is to fuck up a child?

Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.

Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.

And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.

I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.

Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)

TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.

Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.

But just loving your children doesn't always make you a good parent.

I think these flaws only add to them as characters. It makes them feel more real.

It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'

The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.

[mal3vol3nt]

Hi. You’re probably tired of seeing me dump stuff like this. (I’ll try to make this the last time). But I have to vent to someone. Because I see this one guy, claim to not hate Aang, only to villainize him to a ridiculous extent, acting like he’s unempathetic, forcing Katara to tend to his emotional needs and this user completely downplays Aang’s genocidal trauma. Not to be rude, but how much of a heartless prick do you have to be to invalidate genocide and the trauma it can cause. These fake fans should honestly keep their mouths shut about this show, they clearly don’t understand it.

the southern raiders episode needs to be freed from the zutara fandom i swear. i’m fully convinced they never actually watched that episode cause it literally ends with katara saying she still didn’t forgive yon rha and aang accepting that. he literally says “im proud of you”. it was never her anger at the man that aang disagreed with, it was the action she planned on doing—murder—that he wanted to talk her down from. not for yon rha’s sake, but for her’s. so even though she didn’t forgive him, aang respected that and was able to recognize the strength and validity in her decision. i’m so tired of repeating this rebuttal to this stupid as fuck argument

aang doesn’t force her to do anything in the entire series. katara has her own agency and free will to do as she pleases and not a single character has ever taken that away from her, and the one time where her freedom was threatened (by pakku), she fought for it and ensured she got her way. when yall say aang takes her agency away from her, you’re also ignoring the core traits of katara: her fierceness, her determination, her ability to recognize what’s right for herself, and her sense of justice

she never blindly follows or takes direction from anyone. when aang tried telling her and sokka to stay put while he made the trip to see roku in the fire nation, katara (and sokka) put her foot down and refused to listen. she demanded that they go with him, and he accepted them making that choice for themselves. when sokka tried convincing her to leave after she met up with haru and they had the chance to escape from the fire nation ship, she refused and said she wasn’t abandoning the rest of the earthbenders. her decision was respected by both aang and sokka. in fact, there are so many instances of her making her own decisions regardless of what anyone else says that it would be impossible for me to list them all. she never succumbs to what aang or anyone else wants, and she always makes her genuine thoughts on an important decision known. katara does not need anyone to tell her what to do nor does she allow anyone to tell her what to do. this is the same girl who single handedly changed the “no girls allowed” rule in the northern water tribe after having been told “you can’t do that”. yall think she would let aang walk all over her??? please put some respect on her name

now this may be a controversial take but i don’t care it’s the truth: comparing sokka and katara losing their mom to aang losing his entire culture and people is actually insane and insensitive but not for the reason zutaras think. its because absolutely nothing any other character went through can compare to what aang did, and to diminish his tragedy by saying katara’s trauma surrounding her mom’s death is somehow worse is actual insanity and i need yall to go to prison LMAO

katara did not witness her mom get murdered. that only happened in natla and i refuse to acknowledge that. she ran out of the tent to go tell her dad that a fire nation soldier was with their mom and when she came back, the man was gone and kya was dead. still insanely traumatic, but she was not literally standing there watching as kya burned to death

that’s literally what happened with aang. from his perspective, he had just seen gyatso only a few hours ago. gyatso was alive literally moments ago in his mind and then he was greeted with his decayed skeleton among the bodies of unwelcome fire nation soldiers. just like katara experienced insane whiplash from that heartbreaking change, to see someone alive only to come back to them gone, aang went through roughly the same thing

the only difference is aang didn’t just lose gyatso, he lost all his friends and mentors as well. and he didn’t just lose all his friends and mentors, he lost every single person who looked like him. and he didn’t just lose every single person who looked like him, he lost everyone he had grown close to and seen from the other nations. and he didn’t just lose everyone he had grown close to and seen from the other nations, he lost the animals native to the airbending temples. and he didn’t just lose the animals native to the airbending temples, he lost the native plants as well. and he didn’t just lose the native plants, he lost the structural beauty and integrity of the air temples. and he didn’t just lose the structural beauty and integrity of the air temples, he lost the ability to practice his cultural customs with others. and he didn’t just lose the ability to practice his cultural customs with others, he lost the ability to bend his native element with others. and he didn’t just lose the ability to bend his native element with others, he lost the time to mourn for all that he lost

i’m sorry to those of you who wanna believe your favs have suffered more than anyone else in the series, but none of their tragedies compare to aang’s. and i don’t believe in downplaying what the others went through to support a fandom narrative, but this is literally just me acknowledging the severity of aang’s story. to suggest any one else has gone through more is to be ignorant and nothing anyone can say will ever convince me otherwise

only reason yall think zuko or katara or sokka or toph or azula or whoever the fuck else is more tragic than aang is because all of their traumas are more relatable to the everyday person whereas aang’s is something that most people can’t even comprehend

[bouncybongfairy]

Hiii, could you please do a live action jet x reader smut? Where the reader is a water bender and he meets her when he meets sokka and Katara, she knows hes kind of a bad person but she can't help being into him. You don't have to do exactly that, just a idea!

Rude Boy

Jett x Fem Reader Smut

Summary: Needing to take a break from travel, your group stops to rest in the Earth Kingdom village of Gaipan. After meeting Jett and the Freedom Fighters, you can't help but be charmed by his bad boy persona. He invites you out to the city for a wild night.

Word Count: 1.0k+

Ref Account: @kaionyx

TW: Rough Smut.

<3<3<3<3<3<3<3<3<3<3

You guys had been flying for hours and the sun was starting to go down. Anng decided that they would find somewhere to set up camp for the night. Appa was getting tired so they needed somewhere soon and Gaipan was the nearest village. Nothing seemed off at first, Katara and Sokka were arguing about the most efficient way to set up their tent. Anng made sure Appa was comfortable when Jett and the Freedom Fighters made their appearance. After they explained their disposition, they joined you around the fire. Jett was sitting right next to you, telling these lavish stories of glory and riches. Katara wasn’t impressed by his show boating and was disappointed you weren’t seeing it. After he was out of ear shot, all she could talk about was how he was a bad guy and not to be trusted. 

It wasn’t that you didn’t see the signs that he was up to no good. You just didn’t give a fuck. His dominant personality was quite charming. How he didn’t tolerate anything he was unhappy with. You loved everyone in the group and have grown to be like family. However, being happy-go lucky and optimistic all the time was emotionally taxing. As Katara used her water bending to put out the fire, Jett pulled you aside. 

“Hey I was wondering if maybe you wanted to come into town with me later tonight?” He asked. 

“Oh uh- yeah I think I would be able to sneak away,” you said, looking over to see if anyone was watching. 

“Great, I'll meet you here, in an hour or two,” he says while catching up with his group. 

You were practically snaking with excitement. For so long, you’d been surrounded with morality and sunshine. You were excited to break away from that, do something that made you feel alive. Laying on your back in the tent, waiting until you felt everyone was actually asleep. Your heart was racing, trying to avoid anything on the ground that could make noise. Jett was waiting for you where he said, resting his hands on the handles of his hook swords. He smiled once he saw you, joking about how he was starting to think you bailed. 

“No, not at all! I’m really looking forward to seeing the night life in the city,” you explained. 

“Well, I’m excited to show you.” he said, holding his hand out for you to take. 

It wasn’t long before the two of you reached the night market he was intent on visiting. It was really nice, several food stands that were making your mouth water. He pulled out a large bag of coins, and made your eyes widen a little. You couldn’t remember the last time you saw that much money in one place. Never giving you a straight answer when you asked how he acquired the money. The mysteriousness was only adding to his bravado. After walking the full length of the market, he took you to a really scenic spot. At the top of a hill, overlooking all the lights in the city. Laying on a bed of soft grass while enjoying the view. 

“So how did you really get all that money?” you asked, laying your head against his shoulder; admiring his side profile. 

“The less you know the better,” he chuckled. 

“It’s okay if it’s bad. I know the group I'm with isn’t the most open minded but the Fire Nation made the world like this. Impossible to survive so why can’t we break a few rules to withstand their wrath you know?” you explained. 

“Finally, someone that gets it,” he said, turning to face you.

Your lips were only a couple inches from his. Smelling the alcohol on his breath from a drink he’d gotten earlier that night. Everything about him was just so unacceptable, his attitude, outlook on life and his moral compass was so wrong. You were tired of trying to figure out why that was so intriguing. Shamelessly giving in to your temptations. Wanting to test the waters slowly, you brush your bottom lip against his. In return he melts his mouth into yours. Running his tongue over your lip, grabbing your face with his hands. Breathing hard out your nose, trying to get air in when you could. He rolled on top of you, pressing his pelvis into yours. Starting to kiss and nip at your neck as the two of you rock your hips together. He sits up abruptly, your lips separating with a wet pop sound. Now on his knees, he pulls out his hook swords and tosses them to the side. 

For the few seconds he was hovering over you with the blades, your skin prickles with goosebumps. He looked so powerful and menacing, it made you feel hazy. Dropping back down, his hands coming down hard on either side of your head. You flinched a little, which made him chuckle before pulling your top off. Of course, you eagerly help him remove it. Your back arched off the ground as he took one of your nipples into his mouth. Swirling and flicking his tongue while pinching and pulling at the other. Your head falling back against the grass, both mind and body fully engulfed with pleasure. Your clit was aching and feeling yourself getting wetter wasn’t helping. 

“Can I ride you?” you asked. 

“No, I wanna fuck you until you’re braindead,” he says, flipping you onto your stomach. 

Pushing your ass up and grinding against his leaking member. Spreading his pre-cum all over your skin before focusing his tip on your entrance. Teasing for a few moments before burying himself inside your heat. He started rocking his hips slowly, pulling out fully before sliding back in. Biting and sucking hickies on your shoulder. Trying his best not to animalistically pound you into the ground. Moaning every time he fully pressed his cock inside you; his head kissing your cervix every time he snapped his hips. Your head was turned to the side, perfect angle for him to shove two fingers into your mouth. Massaging your tongue and prodding down your throat. Letting out a moaning as you gagged and drooled. Wet slapping sounds came from how hard he was thrusting. Taking his hand out of your mouth and brushing the hair out of your face so he could see your expressions. Spreading your drool all over your face in the process, while making patronizing cooing noises at you. Your body went limp, barely audible uh-uh-uh’s coming out of your mouth. Seeing you turned into a fucked out pile of need was steering him closer to climax. Having no remorse and using your body for pleasure was his only goal. Pounding away at you with such force, your skin was becoming sore and reddened. Pressing his full body weight into you, pulling your hair to expose your neck and biting down as he came. Snapping his hips into you every time he shoots thick ropes of cum into your belly. Grunting and growling into your neck as he rode out his high. He got the two of you semi dressed before passing out where you two laid in the grass. Too fucked out to care about the repercussions and responsibilities that tomorrow holds.