#he left him again

[cool-thymus]

~Oh.. I see

(the eng dub receives a "good job" certificate from me for Kakashi's voiceover in this scene)

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[srfiv]

this is never getting finished

[the-palelady]

i need to know if anyone else thinks of this specific screenshot because i think about it 8 million times a fucking day. why is he so big i need him to look down at me that way i need him to throw me across the room i beggeth like don't even joke with me lad

i can take him and ghost. decipher that how you will

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[bluerosefox]

Kidnapped Persephone Style

Me: *tossing prompt idea up and down in the air before chucking it into the Void we call the internet*

Jason is dating Ghost Prince (not yet King) Danny and goes on a really awesome and romantic date on his day off. He forgot to tell the fam though. So when Red Robin comes to give Jason an update on some entil, he watches in muted horror as Jason is 'kidnapped' by a glowing entity in black armor and a nightmare looking horse (Danny is a bit busy doing paperwork, so he had his Fright Knight pick Jason up) off of a Gotham rooftop and into a green portal, while the knight had proclaimed Jason as their future Kings 'intended'..

No one on coms is ready for Tim to yell out

"I THINK JASON JUST GOT KIDNAPPED PERSEPHONE STYLE!!"

[lotus-pear]

mourning black and the death of ideals

[soosoosoup]

treasure planet au, last of the batch (Poppy & Floyd)

[shushmal]

okay but a like post-series fic i want that's like: steve harrington being the only man left in hawkins fighting monsters

and not like a 'everyone died, last man standing' way but just. they beat it back, the story ends, nice little tie-up and neatly concluded, eleven loses her powers because their world is completely cut from the other. and life goes on. eddie (yes, eddie lives au don't fight me) goes off with his band, robin-nancy-jargyle off to separate cities for college. the kids go to high school, graduate high school, and scatter across the country. joyce and hop buy a beach house far-far-far away from goddamn hawkins indiana.

steve though. steve stays. he does it too without comment, takes all their calls telling him all these amazing things. the years pass. the calls are fewer and far between. he's mostly in contact with only dustin and robin. except robin's out of country doing some crazy temp job in some remote country, she never catches him at home right now so just leaves him messages. and it takes a couple of weeks for dustin to realize he hasn't gotten steve on the phone.

frantically he calls around "have you heard from steve???" except the most people talk to steve anymore is like phone calls during holidays and holy shit what could have happened??

and what if it's back?

cue everyone who can in that moment, rushing back. eddie hopping on a flight from fucking london direct to indianapolis somehow, heart in his throat. he manages to meet hopper in the airport and they pick up max and dustin at the bus station.

they get to hawkins that is even more different that what they left. a smaller town, a town that shuts down completely when the sun sets. it's creepy and deserted.

except for the fucking upside down monsters of course.

and they're in their stupid little rental in front of this demogorgon and they're screaming but then the thing just goes splat on the concrete and steve fucking harrington is blinking owlishly at them.

"Oh, hey guys!" he calls jogging up to the driver's side window. "Wow, what brought you back down this way? You should have told me, I would have told you about the curfew!"

turns out steve just forgot to pay his phone bill that month, didn't even realize he was missing calls and he's been fighting monsters the entire time because actually they WEREN'T cut off from the upside down at all and he's just been casually fighting monsters for the remaining hawkins residence—the whole town knows now and steve's the guy you call when you have a monster problem

sidebar: WAYNE still lives in hawkins, and he and steve are best friends, eddie munson you are gonna LOSE YOUR MIND

[tagerrkix]

rage.

[meidui]

aragorn and legolas at each other's sides at helm's deep ♡

[noxcheshire]

Back at it again with my Danny is mom coded au’s, but this time it’s because of Clockwork that he suddenly has a whole ass teenage kid.

Clockwork had been bored or maybe he was playing a game against an opponent, or even lost a bet, whatever it was, he stepped in right as Jason was searching for his biological mother.

The DNA that would have registered itself as one Sheila Haywood, confirming Jason’s mother, glitched a terrible green across the screens of the batcomputer.

In those few moments of chaos Jason’s heart beat rapidly as he tried to figure out why the computer wasn’t working, wondering if his only chance to find his mom — his blood mom — would never find success.

Then as suddenly as things went wrong the DNA settled and pinged.

Jason watched, his chest tight, as one Danny C. Works, formerly Danny Fenton appeared onto the big screen.

Danny looked a lot like Jason, short cut black hair more straight than the subtle curls of Jason’s own; deep blue eyes, tired in a way that spoke of long days and nights, but with a warm happiness that made the familiar smile — the one Jason would see on himself every time he looked into the mirror — even more striking.

Jason didn’t linger too long on the male identifying gender, nor the fact his mom leaned more towards a masculine name or clothing.

There were plenty of male to female, and female to male leaning individuals that lived in Crime Alley. He had seen it enough to not even bat an eye at it, even now. After all, in Gotham you minded your business least you find yourself in business you can’t leave.

On a different monitor information of Danny C. Works piled for Jason to quickly browse through.

Danny was a senior engineer, no intimate relationships, and with no close connections to family outside of the tentative calls from Jasmine Fenton.

Danny was estranged from Jack and Madeline Fenton, a falling out that had occurred just a little before Danny’s high school graduation. If Jason calculated it correctly that would have been — around the season Jason himself would have been born.

Okay, so no grandparents then but I might have a maybe aunt. Jason scrolled further and stilled.

Twin toddlers: Dante and Danielle Works.

Jason had baby siblings.

He doesn’t let the sting of younger siblings consume him, doesn’t allow the whispering thoughts of why he had been given up when his younger siblings had been kept and so very obviously loved.

Jason took deep breathes, he didn’t have time to linger here. He had a family to get to, and a family he would get to.

It took almost all night to reach, the starlight night sky slowly and surely fading into cloudy wine as the sun rose, but Jason made it.

And when the door opened to his hesitant but firm knock, Jason was unable to speak. His mom — dad, maybe? Did they want to be mom or dad? — stood in the doorway, brows furrowed in confusion.

It was when Danny spoke his vigilante name did Jason only just realize that he was still dressed to the nine’s in his Robin costume.

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[thegunslingerletmedrop]

[canisalbus]

Ok ok hear me out: it could end in tragedy,, AND have a happy ending. The attempt(s) on Machete’s life force him to flee, he doesn’t even have the chance to find Vasco. Cue gay longing for at least a few years while Machete despairs over the loss of his love, his life, his status. He and Vasco only reunite (again) in their later years. Their relationship is forever flavored with loss and loneliness, but that only means they savor every moment that much more

I also I would like to see them as old men. Vasco would be so droopy :)

You gave me such old dog brainworms.