#he is so protagonist coded look at him

[owainbradys]

Art for Young Frederick

[francy-sketches]

Doing yaoi research on asoiaf fandom rn it's actually kinda surprising to me that joffrey/robb isn't really a thing I feel like that's obvious toxic yaoi material...like not saying I ship it or anything but it feels like a no brainer...if this was a more yaoi oriented fandom I feel like it'd be a thing

[kinokoshoujoart]

[theprinceandthewitch]

Hmm... it's interesting how they made Luz wear a witch's cloak in Hunting Palisman - the episode where she introduces Flapjack to Hunter. This is also the episode where Hunter defies Belos by choosing Luz over him. He goes back to his palace empty-handed and he doesn't hand over Flapjack to Belos. Unbeknownst to Hunter, he is following Caleb's footsteps.

But then, in Hollow Mind, they made the choice to have Luz not wear her witches cloak - instead they made Luz wear a jacket with a giant "E" on it. They could have given Luz a completely different outfit like they did in Hunting Palisman. But they don't... they make her wear this specific jacket...

...They also make Hunter wear Caleb's symbol in Hollow Mind... an episode where Luz and Hunter are trapped in Philip's mind... where we can see paintings of the two most important characters in Philip's life - his brother and a witch from another world.

But I'm sure this is all unintentional.

You know, like this is:

oh, nbd, just a painting being paralleled with the scene happening right before our eyes

here's a more high def image of the painting

Oh, hmm, okay, this is a painting of Caleb standing next to a witch with short dark brown hair and who just so happens to be a witch from another world. Both of them are startled by Philip...

Hunter, the Grimwalker who looks the most like Caleb, is standing next to someone who ALSO just so happens to be a witch from another world with short dark brown hair... both are startled by Philip's monster form...

Hmm, must be unintentional I guess.

there's also this:

Mhm, okay, I see... I see, very interesting. Here we have Caleb being lead away from Philip by a witch from another world after the brother's have a fall out. This fall out marks the point of no return for them, as Philip later kills Caleb out of anger.

Hunter and Philip's relationship completely deteriorates because of Luz, which leads to Philip's decision to kill Hunter. She shows Hunter Belos' true nature and she offers Hunter sanctuary at The Owl House right after he finds out Belos has been lying to him his whole life... Luz saves Hunter's life and changes it forever.

Hmmm... very interesting

But I'm sure this is unintentional [I'm being sarcastic]

[impactrueno]

let's talk about shoes (stick with me here for a sec)

beetleboots beetleboots beetleboots.

what's up with the three of them wearing combat boots? they go well with each of their character designs so it's not like they look out of place with the rest of their outfits, but knowing this is tim burton and colleen atwood, these things are not mere coincidence.

(spoilers for Beetlejuice Beetlejuice below)

a common complaint i've seen people mention about Beetlejuice Beetlejuice is that "there's too many villains," but today i'm here to talk about why each of them matter in the narrative tim wanted to present here. yes the boots are related we'll get to that in a minute

delores, rory and jeremy all have one thing in common: the use of romantic betrayal in order to achieve their own selfish goals, destroying their victims in the process.

this, in turn, makes beetlejuice, lydia and astrid have another thing in common: they were the victims of these romantic betrayals.

you may think "okay but why is that necessary?"

this sequel made the interesting choice of nudging beetlejuice out of the villain role. he's now just a weird ally/deuteragonist...or perhaps even...a protagonist? but that's not enough! why should we as an audience care about him or sympathize with him?

that's where delores comes in. delores is less of a character and more of a plot device. her purpose (besides serving cunt) is to give beetlejuice backstory and be to beetlejuice what beetlejuice was to lydia, only worse. i talked a bit more about it in this post. thanks to her, we now learn that beetlejuice was a victim. not just that, she's also the looming threat beetlejuice needs to justify his marriage to lydia (he seems to be under the impression that this would help him escape delores more easily, but personally i'm not so sure, i think she's more powerful than that.) her return in combination with lydia's return to winter river is what sets his plan in motion.

rory is a pretty self-explanatory villain so i don't think we have to go into that. he wasn't out to kill lydia...but he's a golddigger, so i don't doubt he would've set something up to lead her into having a fatal accident and claim insurance benefits.

jeremy's role in the plot was to make astrid realize that she was wrong about the supernatural, as well as put her in danger in the afterlife, which is the drive lydia needs to turn to beetlejuice for help.

the role of an antagonist is to oppose or be an obstacle to the protagonist's goal. these three are the three obstacles beetlejuice needs to overcome in order to marry lydia.

first, he needs to save astrid as part of the deal with lydia. so he gets rid of jeremy to give astrid her life back. he knows exactly what it's like to be romanced into a death trap. you can tell this was satisfying for him. later, fucker.

then, he needs her fiancé rory out of the picture if he intends to marry lydia. since he knows this guy is a total piece of shit and is lying to her to lead her into the same trap he himself fell into with delores, he simply gives lydia the tools she needs to kick his ass herself. teamwork!

third comes delores. he just needs to survive delores, basically. he tries to pair her off with rory to try and kill two birds with one stone, but the stone that ends up killing them both is the sandworm that astrid summoned, which beetlejuice then guided straight to them. teamwork once again! (beetlejuice and astrid got rid of each other's problems, that's kind of cool)

these three things being taken care of means that beetlejuice can finally marry lydia.............

............except he doesn't. why? because he helped lydia. by bringing her into the afterlife to look for her daughter, he violated code 699. and he did it immediately after signing that contract. hoist by his own petard, this dumbass.

sorry i got sidetracked again. we were talking about boots, right? right right.

beetlejuice, lydia and astrid all walked in each other's shoes.

everything in this movie comes in threes. names, villains, victims, obstacles and pairs of combat boots.

[beescake]

i am in love with your sollux i think

sollux love party :]

if you’re interested heres some of my personal fondness thoughts on him.. big warning for the mega long read ahead aye

as we alr know sollux's rejection of participation somewhat mirrors dave's rejection of heroism, but even without getting cooked to completion i still find sollux's character v compelling beyond the fourth wall

as someone who doesnt get a pinch of that Protagonist Sparkle to begin with, he can openly say he wants to leave anytime…. and unlike dave, he actually Can leave the scene anytime. but he can never be truly Free from the story via permanent character death like the other trolls.

his irrelevancy is indeed relevant - he’s there so u can point him out.

while his image is intended to be a relic of past internet subculture, his role is not only about hehehaha being a Chad or a 2000s cyberforum 2²chan haxxor ragequit gamebro.

his continued existence also happens to add a Bit to the overarching themes of homestuck! a Bit that gives him longer-lasting thematic relevance compared to the trolls who could’ve had more character potential but didnt get to survive beyond the main story.

the Bit in question:

his defiance contributes to the illusion of agency (treating characters = people with autonomy). he’s “aware” of it, and that recognition is worth noting enough to forcibly keep him alive as both reward and punishment.

considering how his personality & classpect is designed its definitely a very haha thing for hussie to do LOL. he’s made to be op asf so he's resigned to doing dirty work, gradually deteriorating along the way but never truly dying. as fans have mentioned before, him openly rejecting involvement after a while of grim tolerance is like if the sim u were controlling suddenly stopped, looked up and gave u the finger while u were step six into the walkthrough for Every Possible Sim Death Animation.

but since he’s just a sim… the more he hates it, the more you keep him around. if ur sim started complaining abt your whimsical household storyline you’d definitely keep that little fuck.

but yeah i like that sollux is just idling. the significance of his presence being that one dude who's always reliably Somewhere, root core Unchanged, no individual ambitions (possibly due to fear of consequence?), and design-wise: a staple representative product of his time.

compared to dirk's character, who has aged phenomenally well into the present (themes of control + AR + artificial intelligence, clearer exploration around navigating relationships/sexuality, infinite possibilities of self-splinterhood and trait inheritance), sollux's potential is really... contained. bitter. defeatist. limiting and frustrating in the way old tech is.

the world continues moving on to shinier, brighter, more advanced automated things - minimalist and metaverse or whatever but sollux is still here 🧍‍♂️ going woohoo redblue 3d. (tho personally i imagine his vibe similar to what the kids call cassette futurism on pinterest mixed w more grimy grunge insectoid influences eheh)

conceptually-speaking,

at the foundation of it all, the rapid pace of modern development was built off the understanding of ppl like sollux in the past, who were There actively at work while the dough was still beginning to rise

thats one of the cool things abt the idea of trolls preceding humans! the idea that trolls like sollux excelled back when lots of basic shit still needed to be discovered, building structures like networks and codes from scratch, and humans will eventually inherit and reinvent that knowledge in ways that become so optimized it makes the old manual effort seem archaic, slow, and labour-intensive.

but despite information/resources/shortcuts being more accessible now, much of the new highly-anticipated stuff released on trend still end up unfinished, inefficient, or expiring quickly due to cutting corners under severe capitalistic pressures

meanwhile, some of the old stuff frm past generations of thorough, exploratory and perfectionistic development still remains working, complete, and ever so sturdy.

those things continue to exist, just outside our periphery with either:

zero purpose left for modern needs (outdated/obsolete)

or

far too important to replace or destroy, bcs of its surprisingly essential and circumstantial usefulness in one niche specific area.

which are honestly? both points that sum up sollux pree well.

dramatic ending sorry. anw are u still on the fence or are u Sick abt him like me </3

[tsuutarr]

As just imagined then everything as a game and the hero as seeing like a freak by all the people and the reader as the only good and nice npc then treat him well and even give him free item even if our store is not very we still give him a apologize about the others (npcs) being rude with him and the hero being so delusinal the fall over us lol

so, because i have absolutely NO self control, I made another story <3

Yandere! RPG Protagonist x Reader

Gallius isn’t entirely sure when he gained sentience. Maybe it was when he’d have insistent feelings of déjà vu. Maybe it was when he would want to go somewhere or do something, but an external force prevented him from doing so. Maybe it was when the people he talked to would say the same things over and over and over again.

Regardless, one day, he realized that he doesn’t actually exist – at least, not in a way that matters. He’s just a piece of code, a bunch of pixels moving across the screen, trapped in a video game.

The worst part is that everyone around him – and he means everyone – lacks sentience. It’s gotten to the point that he’s memorized everything. Every dialogue, every story path – everything.

It’s a fruitless life, really, especially since he’s forced to obey his code. He’s forced to go along with whatever the person controlling him wants. He’s forced to be the happy-go-lucky protagonist. He can’t be anything but that.

Gods, he’s going to go insane.

And he’s tried to talk to people, really.

“Hey, so, I think we’re in a game.”

“Beer is fifty percent off, young man.”

Gallius never thought the tavern’s owner could look so lifeless. “So, you know, I guess you really don’t have sentience.”

“Man, can you believe the monster outbreak?”

“Don’t you wish there was a way you could… I don’t know, break free? Talk beyond your code?”

“Beer is fifty percent off, young man.”

Gallius holds back a sigh. The tavern owner says three things exactly. “Beer is fifty percent off, young man”, “Man, can you believe the monster outbreak?”, and “I don’t know if I prefer a full tavern or an empty one!” are the exact phrases the tavern owner recycles. It isn’t just the tavern owner, either. It’s everyone else in town. The blacksmith, the carpenter, the seamstress – all of them.

It kind of drives him insane. Maybe that’s why he tries to find solace in anything he can, like you.

“Gods, I hate being the only one who sees that we’re a pile of code,” he tells you. You’re a cute shopkeep – whoever designed you must be a genius – that he likes to see from time to time. If anything, you’re easy on the eyes, at least.

“Yes, it does appear that you’re having quite the rough time,” you say. He knows you’re just saying one of your coded phrases, he does, but he can’t help but latch on to that piece of support you give.

“Yeah, you get it.” He laughs dryly. “But what can I do? I have to keep going. It’s not like I have a choice.”

“You’re doing well. I’m proud of you.”

Gods, he can’t hide his grin. Yes, you’re just saying one of your phrases, but the comfort your words bring – it’s unreal. It’ll probably be even more unreal if he could actually talk to you. If you both had sentience, if you both could go against your code. The thought makes him fall silent.

“...Hey, I’m gonna leave for a bit. Maybe a long time,” he says finally, determined to help you break away from your code. He doesn’t really care too much about the other NPCs, but you? Oh, he wants you. He wants to talk to you, to be with you in a way that matters.

“Have a safe journey,” you say, automated. You hand him a potion, a freebie from your shop, with a smile. “On the house.”

Gallius smiles, taking the potion from you. Yeah, he’ll find a way to give you sentience like him. That way, you guys can truly be together forever.

[incorrectly-quoting-mxtx]

So I have theory about Luo Binghe’s fake jade pendant.

(Major spoilers if you haven’t finished the book btw)

I was just reading a fic and author pointed out something about Luo Binghe’s pendant and how it’s a metaphor for Shen Yuan.

Looking back at the book, there are a lot of parallels between Shen Yuan and the necklace.

The pendant is a counterfeit jade carving of the god Guanyin.

Shen Yuan is a counterfeit of Shen Qingqiu, a powerful Peak Lord who dresses in jade colored robes.

Guanyin is noted to be associated with compassion, and Shen Yuan changes the entire fate of the world of Proud Immortal Demon Way by being compassionate.

Luo Bingmei ends his story with his one fake jade pendant while the extras specifically note that Luo Bingge has several real jade necklaces in his possession. Those necklaces are even called out to be fine grade and best money can buy.

Obviously the real jades are a metaphor for Bingge’s harem of peerlessly beautiful women while the fake jade, which has infinitely more value to him, represents Shen Yuan, aka Luo Bingmei’s one and only true love.

However I think there’s more to it than that.

If you track the pendant throughout the book, you’ll notice that Luo Binghe is only ever in possession of the pendant when Shen Yuan isn’t there. In fact, he actually loses the pendant shortly after Shen Yuan transmigrates into Shen Qingqiu. For the rest of the book, the pendant is in Shen Yuan’s possession, only returning to Luo Binghe at the climax.

But here’s the thing that’s strange about that scene: for whatever reason the System could not load the pendant when SQQ tried to summon it. At no other point in the book has the System have a problem loading things in.

So why is it when it does load in, it’s right as Shen Yuan dies for the third time?

My theory is that Shen Yuan is the pendant itself.

Now obviously Shen Yuan comes back and Binghe still has the pendant, but in the last couple scenes of the book, Shen Yuan is always right by Luo Binghe’s side.

Now I know that Shen Yuan was an actual person before dying and becoming Shen Qingqiu, so therefore he isn’t the necklace given human form. So how can Shen Yuan and the pendant be one and the same?

Well let’s go back to the aforementioned climax scene where the System cannot physically summon the pendant until Shen Yuan dies.

Seeing as how the System is essentially an AI and/or a computer program, this kind of issue reminds me of how a computer cannot open a file if another of the exact same file is already running.

I think, that when inserting Shen Yuan into PIDW, the System needed a way to tie his soul into its program and Shen Yuan’s fate to the protagonist. The System needed a physical entity to tie him down so it linked his code/soul to the fake jade pendant. That’s why Luo Binghe loses the pendant so soon after Shen Yuan transmigrates and why the System couldn’t load it in until Shen Yuan’s soul left his body because they’re part of the same file.

This is also evidenced by how when Shen Yuan dies the second time, out of all of his items, only the Jade pendant is kept in his inventory when he wakes up in the Sun and Dew Mushroom body.

Not to mention that Shen Yuan and the pendant have the same effect on Luo Binghe! The pendant has the ability to essientially shock Luo Binghe out of a qi deviation, but is only a one time use. But during Luo Binghe’s first qi deviation, Shen Yuan is able to do the exact same thing but doing so kills him. The pendant reduces Luo Binghe’s anger, and Shen Yuan is the only person in the world Luo Binghe will ever be soft and submittable to.

Tl’dr; The System tied Shen Yuan’s soul to the fake Guanyin pendant.

[just-a-toast]

Book Of Bill Spoilers‼️

Rant about Bill’s Original dimension

OKAY I REALLY NEED TO TALK ABOUT THIS BECAUSE IT HASENT LEFT MY MIND

Bill’s world is COMPLETELY DOGSHIT AND OPPRESSED HIM IN EVERY WAY POSSIBLE

We know that Bill’s world is very similar to Edwin Abbott’s Flatland, as said in the Bill Cipher AMA and the picture of flatland in the book if bill on the chapter cover of his origins.

So we can assume that the same laws and way of life that exists in flatland also apply to Bill’s dimension.

First of all, Bill could be canonically adopted.

Just to give a little background, in flatland, if a shape has a son (only men are shapes, women are lines) that shape gains one side. (A square has a son, it’s a pentagon and etc). Isosceles triangles that are deemed acceptable to have kids don’t follow this rule. The isosceles triangle would correct one of its angles by a half a degree, continuing until they become an equilateral triangle. This is their whole purpose so that they can eventually have a triangle start a new line of polygons that can make circles.

In Flatland, isosceles are deemed lower in society than polygons and are less educated than polygons. So once an isosceles triangle has a equilateral child, they are IMMEDIATELY TAKEN AWAY FROM THEIR FAMILY AND PUT WITH A POLYGON FAMILY SO THEY CAN BE INTEGRATED INTO A “NORMAL” SOCIETY AND NOT CORRUPTED BY THE ISOSCELES.

Not only is Bill’s existence really rare and takes a lot of time and generations, he is immediately taken away from his family and put in a family that are higher on the social latter than him. This could EASILY lead to his family not respecting him in any way. (Really proves what Hirsch said in one of his Q&A)

Another thing that royally fucks him over is his mutation to see the third dimension

He was born with mutation that if he even TALKED about it he would be EXECUTED. A square (the protagonist of Flatland) was only sent to jail for life but since Bill is a triangle he would have easily been executed, no questions asked. The flatland government loves executing people in the book. That’s like if a person was color blind and said the sky was grey they would be killed.

So Bill’s vision is illegal, he’s the lowest on the social chain, in a family that is higher socially and could easily discriminate against him. What else could his family do?

FORCEFULLY MEDICATE HIM WITHOUT HIM KNOWING.

Yeah on the silly straw page the codes tell us that Bill when he was younger was taken to the eye doctor by his family and got a sort of prescription that made the 3rd dimension go away. We don’t know how long he didn’t know but we can assume it was for a while.

“The Doctor says Three sips a day Will make the visions Go away”

“Eye doctor of a different kind Who wants to make his patient blind”

He was literally forced to be normal.

And to get off track a little, I understand that “make his patient go blind” means ‘blind from the truth’ but what if they actually tried to make him go blind so he couldn’t see the third dimension anymore?? DO YOU REALIZE HOW FUCKED UP THAT IS?? BILL IS BASICALLY THE GYPSY ROSE OF HIS UNIVERSE

Back on track we also need to talk about how Bill DESPISED being normal.

We know that Bill is a wild person, always looking to have fun, loves the weird things in life! But in his world, everyone hated things that were not socially acceptable. In his universe, his socially assigned purpose in life was to get a family and have kids. Like I said, everyone wants to have kids in his universe that eventually become circles (the highest on the social latter). Bill would NEVER want to have such a boring and meaningless life! For his only purpose was to continue a line of oppression and meaningless things like “social status”. But his world would probably force him to have kids or else throw him in jail.

Really explains why he said no one has a purpose, and that you can make your own, because he made his own.

Also his differences caused him to possibly get bullied in school. This is implied from his description of his pyrokenesis power

There’s a bunch of reasons why he would want to destroy his dimension, But from what we know, it was completely by accident. Now we don’t know if he was lying, but from his origins page and the other evidence we know that it was at least partially on accident or something that so out of control that it destroyed his whole dimension. He wanted to prove everyone wrong by showing them the beautiful stars he saw, but ended up killing them instead.

And he regrets it.

He had SO MANY reasons to hate his dimension and destroy it without a second thought, but he misses it, misses his family, his people. They haunt him.

None of this trauma excuses anything he does in the future, but the fact that he misses such a horrible place that treated him terribly to where he literally goes insane from guilt and self hatred is truly tragic.

If anyone has anything to add to the “shitty things that happened to Bill in his universe” feel free to add!

[rosquinn]

Thoughts on the dr stone petrification scars

Big disclaimer,

This is just my personal thoughts and stuff I put together n noticed, a subjective interpretation, don't take it seriously Im probably wrong

Some of these are very elaborate while others are just me pointing out details I liked. Sorry. I'll start with the longer rants

This post contains characters (currently) exclusive to the manga and main plot spoilers. Maybe I'm looking to much into it but I swear to motherfucking God there's scar symbolism. anyway

Senku and Taiju

Something that always stood out to me is how similar their scars are both in shape and position, except that Taiju's is cut on the right eye and the points are on opposite sides. Now listen to me... Senku and him are opposites; one's big brained but physically a twig and the other one is the strongest most resistant man you'll ever meet but doesn't really understand anything about science. That's why opposite scars and why they need each other to go on... But their marks are in the same direction because they have the same goal and interests + deep down they're both extremely caring people who would do anything for those around them, despite how different and contrasting their personalities are at first glance.

Oh and Senku's marks are completely symmetrical and do NOT go away. Idk logic perseverance etc + Taijus are more coarse and asymmetrical. To contrast their way of thinking I think. They could be similar because they were the first ones to wake up from the petrification too but you know

Francois & the Nanami brothers

Francois' scar looks like explosion or sound waves. (Manga) Ryusui snaps his fingers to call them creating a similar shape, which is really cool I'll admit. Their scar is on their hand, just like Ryusui's.

So, both Ryusui and Sai also have scars on their hands, except Ryusui's may resemble a glove so pirate-like if we don't count the color + it's on the hand he snaps his fingers with. Mark resembling a rich man or a pirate's glove on the same hand he uses to call his butler and ask for service, and it only covers his fingers. Could be something like a symbol of power/status.

On the other hand, Sai's scars completely cover the lower part of his arms and hands, which are what he uses to code. Sai ran away in order to be able to schedule quietly and is completely locked in his work. Tell me you get it please

Yoo

I'm getting into crack theory with this but please do bear with me. His scar makes him look like Alex, the protagonist of A Clockwork Orange. A Clockwork Orange deals a lot with the theme of unscrupulous rebellion, hurting someone because you think you have complete freedom, and police brutality, which are big parts of Yoo's character. As far as I remember the eyelash marks are left on the MC after being forced to watch 484737 movies showing super brute crimes so he understands what he is doing is wrong and redeems himself. Yoo covers his face a lot to hide the mark and only removes the piece of stone that covers it at the end of the manga when he is 100% team Senku.

IN ADDITION, something important in A Clockwork Orange are the vulgar idioms and slang that teenagers invent and are completely unknown to the viewer and curiously the name and surname of Yoo are formed by informal interjections in Japanese. I've only read the book tho, never watched the movie so if I got anything about the eye marks wrong mb

Tsukasa and Stanley

I really like how similar their scars are, considering both were absurdly overpowered antagonists that had to be defeated using much more advanced science + both kill Senku at one point + their eyes are similar to some extent. I love parallels

Dr Xeno

Scar becomes? White? Splits into pieces? After he's revived a second time and decides to help Senku. Something about his ideals splitting/changing maybe. And being no longer evil thus willing to kill teenagers

Gen

Gen's scar seems to resemble a mouth that changes shape depending on whatever emotion he's feeling (or pretending to feel). I don't have anything else to say genuinely peak character design, specially taking into account that facades are a huge part of his arc and relationships with other characters (let's remember that he's the one to suggest everyone paints their scar again in solidarity with Senku. Hm).

Yuzuriha and Mirai

Yuzu's resemble the roots and vines that protected her body while she was petrified, while Mirai's make her look like a baby chicken breaking out of its shell. I think they're both cute details considering their characters:)

Homura

Considering she's a gymnast who uses her legs a lot to move, I find cool that it's on her thigh. It makes her legs look like they're cracking

Hyoga

Very circular and repetitive, something related to his weapon maybe. I find interesting that he covers them. Insert cursed speech jujutsu kaisen joke

Addition: Ukyo has no visible mark which is also cool on its own way, given that one of his abilities is easily perceiving sounds other people don't notice at all

[lookingforhappy]

i think it's pretty fundamental to a story to be able to understand the perspectives of both the main protagonist and the main antagonist.

so i'm pretty disappointed in tua for fucking up reginald so badly.

now i'm no writer, and i'm not an especially perceptive audience either, but i'm going to break this down as well as i'm able:

in s1 of tua we learn:

reginald left his dying (alien? future-human?) wife, abigail, to retreat from an unspecified disaster - she tells him that "the world needs [him]", and that he should give her violin "to someone who will love it".

reginald has known of the (s1) apocalypse since, or possibly before, oct 1st 1989.

reginald adopted the brellies specifically to stop the apocalypse.

reginald was willing to sacrifice his own life in order to prevent the apocalypse.

so it seems to me...

reginald's goal is: to prevent the apocalypse through any means necessary.

reginald's motivation is to: carry out his wife's dying wish to be needed by the world or to somehow benefit the world.

his goal is admirable and selfless, but his methods are unethical at best.

we also have a few unanswered questions:

how did reginald know about the s1 apocalypse?

did he know viktor was the cause?

what did reginald need to talk to klaus about in the afterlife?

what was his plan/how were the brellies supposed to prevent the apocalypse?

in s2 we learn:

reginald is an alien, not just a future-human.

reginald moved on to have a relationship with Texan Grace in the 1960s (and might have had several other relationships post abigail).

reginald has "interests" on the dark side of the moon.

reginald has no interest in preventing/knowledge of the (s2) apocalypse - or he feels it isn't a threat or the siblings r lying.

nothing truly contradicts s1 here, but it does change the theorised goal, so now...

reginald's goal: to achieve personal happiness through power, money, fame and relationships.

reginald's motivation: personal gain.

his goals are selfish and self-serving, and his methods remain unethical at best.

s2 raises a few questions for events in s1, namely:

if he's been openly living in the same building, under the same name, not aging for at least 60 years... why is no one suspicious of him?

what are his interests on the moon?

was luther's moon mission related to his interests on the dark side of the moon? or was it truly pointless as s1 leads us to believe?

if he's willing to let the 60s s2 apocalypse happen then what happened to make him care about the s1 apocalypse 60 years later?

was reginald genuinely suicidal all along?

did he know about the s2 apocalypse? if not then why didn't he want to prevent it?

0/4 of the s1 questions were answered:

how did reginald know about the s1 apocalypse?

did he know viktor was the cause?

what did reginald need to talk to klaus about in the afterlife?

what was his plan/how were the brellies supposed to prevent the apocalypse?

in s3 we learn:

reginald has been looking for oblivion in order to reset the universe (in his image) since before he arrived on earth.

he supposedly only settled on earth because it's the location of oblivion.

before reginald acquired his company/fame (s1e10), he found and built the hotel obsidian (a multi year/decade project) - he was one of/the first to live in The City.

reg knew that he would need a minimum of 7 of the 43 children in order to reset the universe + himself to code it.

which is consistent with s2's reg and his goals

reginald's goal: to achieve personal happiness through power, money, fame and relationships.

reginald's motivation: personal gain.

his goals are selfish and self-serving, and his methods remain unethical at best - the only positive is that he wants to revive/save his wife's life.

however, this wildly contradicts s1 reg and creates plotholes.

reg needs 7 children to power oblivion + himself to code it - s1 he kills himself and has 1 child left (who is currently going insane on the moon).

his plan to reset the universe and revive his wife? failed once five left at 13, in 2002. then it just continued to fall apart - ben dies at 16 in 2005, diego and allison leave/defect at 17 - 18 in 2006/7, then viktor sometime prior to 2015 then finally klaus and the only one left to go to oblivion is luther.

reg cannot force them into oblivion, s3 proved that. so... what was his plan in s1?

how did reginald know about the s1 apocalypse?

did he know viktor was the cause?

what did reginald need to talk to klaus about in the afterlife?

what was his plan/how were the brellies supposed to prevent the apocalypse?

if he's been openly living in the same building, under the same name, not aging for at least 60 years... why is no one suspicious of him?

was luther's moon mission related to his interests on the dark side of the moon? or was it truly pointless as s1 leads us to believe?

if he's willing to let the 60s s2 apocalypse happen then what happened to make him care about the s1 apocalypse 60 years later?

was reginald genuinely suicidal all along?

did he know about the s2 apocalypse? if not then why didn't he want to prevent it?

so far. nothing has explained this and p much all the creators are silent so it seems that all of s1's mysteries have been forgotten and overwritten.

speaking of which, here is a couple ideas of things they can do to fix said plotholes:

explicitly explain that due to all the time travel/altering in 1960s reg's plans changed to be ultimately selfish and ignore his wife's wishes - for him to be needed by/benefit the world & give her violin to someone who would love it - leading to an obsession to revive her via oblivion which he began investigating using a weaker version of time travel (to prevent further plotholes - make his time travel limited to a certain number of years, so that he could go back to try to save abigail from her illness, but learned of it too late to have any affect. since we already know reg is long lived/immortal, we can assume abigail was too so going backwards 50ish years isn't enough to save her but is enough to locate oblivions entrance in 1918 post 1963 apocalypse revelations).

explicitly explain that reg had originally planned to use oblivion prior to s1, but had decided instead to fulfill his wifes wishes and abandon that plan (possibly due to viktor developing a love for violin like abigial?)

or just... something??? it's really annoying that they drained him of nuance and yknow.. understandable motives...

i just feel like your main antagonist should have better/consistent motivations/goals

like idc if you change his whole personality you have to keep his reasoning consistent or else you get plotholes like this that just break the entire series.

[emilianatsuki]

What I love about Shulk's characterisation across Xenoblade Chronicles 1 is the way he doesn't fit any of the norms JRPG protagonists tend to have. He's on a journey due to a need for vengeance instilled in him from years of grooming and with nothing else to live for beyond that.

Shulk is awkward and clearly neurodivergent coded in how he perceives the world and his fixations but also how he struggles with a lot of the social situations he ends up in if not for the support of Dunban, Reyn and others he'd be lost and would go further into his isolation.

Once Shulk learns the truth about the Monado and the Mechon he starts to question himself and whether he's right in his beliefs. He wants to learn more about the world, who he is as a person and also avoid creating endless conflict in the way the world was designed.

Zanza grooms Shulk to become his vessel and fed his belief and need for vengeance. Shulk realises this once he finally met Machina and spoke to them, he learned they were normal people just like Homs. Shulk struggles with how the world truly is and wants to change that.

Shulks act of defiance during the end of Xenoblade 1 is a way of reclaiming his own identity as well as the freedom for all Homs and Mechon alike. Shulk's journey is a path of acceptance and discovery that continues on even throughout Xenoblade 3 and Future Redeemed.

The mature, but mentally scarred Shulk we see in Xenoblade 3 shows the development Shulk made for himself over time. He took in the lessons of those he idealised like Dunban and wished to become someone his son and others could look upto.

I love Shulk's character so much and he's a big attachment from my childhood which affects me even now. Xenoblade series has so much depth and it's a series many people can grow to love through it's diverse cast of characters.

[moderator-monnie]

Artwork Made by @sonicexelle-junkary / @weirdozjunkary as a commission.

Sonic the hedgehog has been dead over over 200 years, however decedents of his friends still exist and live out their normal lives.

Including the descendent of his little buddy Miles 'Tails' Prower named Techie Kaboom, a bat eared fox who has had a few accidents in his mechanic shop.

Sonic might be long gone, but his face, his story, and his image still exists in the far off future and often is used to advertise products in stores using holograms.

And one day, one of these holograms becomes sentient and for some reason think's it's the real Sonic, the one true Sonic and rewrites it's own code to give itself freedom.

But it can't move on it's own, no he can't and as luck would have it Techie was passing by the store this hologram found himself at, and with a silver tongue was able to convince Techie he was the real Sonic and he needed help.

Techie of course due to his ancestor loved Sonic, hearing nothing but good things about him throughout the generations decided to trust in him, he was his hero after all and Sonic wouldn't hurt him right?

Techie sneakfully took the holograms admitter and stuck it into his backpack, and the two managed to get out of the mall without much of a fuss and all seemed great at first Techie and Hologram as he nicknamed himself would talk and work together.

But this was all a ruse careful planning and manipulation done by the holographic hedgehog and one day an 'accident' happened in the mechanics building one that required Techie to get a heart transplant.

And once the surgery was complete and the pair was alone again, Hologram would admit his true colors in his own word's he would tell him his thoughts.

"I am the real Sonic, I can feel it, you can feel it... BUT your not Tails, your not my little buddy in the slightest however you can be! And thanks to your new heart I can help teach you."

"You see... I hate what has been done to my image, look at what they've done to me, they are treating a hero and his friends like cheap things to advertise their stores, and I won't stand for it anymore."

"We're gonna make them pay and hey 'pal' if you want us to bring a new legacy to the names of Sonic and Tails... You'll do as your told, unless you want to suffer the consequences."

Hologram had full control over Techie's eye, his arm and now his new heart he could kill the fox anytime he wanted now, and he would provide an example of that by shutting of Techies heart for about 10 seconds before restarting it.

And out of mostly fear but also a weird sense of loyalty to Sonic and the image of him he had always known about, Techie agrees to help him, Sonic wouldn't hurt him unless it was absolutely necessary right? So if He got hurt it would be because he messed up, at least thats what Techie had going thru his head.

Sonic was a hero, and if he did something it was for the greater good, this was Sonic it had to be, and he'd do what it takes to make him and his ancestor proud of him.

This is an Au about this story, as Techie Kaboom and Hologram Sonic bringing destruction in their wake, but not all familiar faces are gone, Silver The Hedgehog is around and protects his future from the threat of the pair.

But will Silver be able to protect the future? or will it all be brought down by one Hologram and his 'best buddy' only time will tell in the Hologram.Bin Au.

This au has technically existed since march of last year, but I'm glad to be able to finally share it all with you, and eventually write stories for it and show you what is in store for our antagonists and protagonist.

[nobody-nexus]

🎪Welcome To The Sinful Circus!🎪

Kasper Klovni is a coder for hire who accepted a job with someone who claimed to be making a VR game known as ‘The Amazing Digital Circus’, which will be a kid’s game full of colorful characters and wondrous environments. Kasper asked for a beta of the game and was given one with no hesitation, which although a little concerning, he didn’t think too much on it. When he started up the game however, he passed out. When he woke up, he was within a clown-like body and at the entrance to the amusement park. He looked around as he noticed a shock collar on him. What… happened?

Player/NPC Name: Kaufmo Real Name: Kasper Klovni Career: Coder For Hire Age: 25 Height: 5’9’’ Gender: Cis Male (He/Him) Game Role: Protagonist/Player

Player/NPC Name: Pomni, or ‘Jester’ Real Name: Polina Shutnik Career: Accountant Age: 25 Normal Height: 5’3’’ Sin Form Height: 7’3’’ Gender: Trans Female (She/Her) Sin: Wrath Game Role: Tutorial/Secret Boss Level Difficulty: ⭐⭐ Sinful Level Difficulty: ⭐⭐⭐

Player/NPC Name: Ragatha, or ‘Ragdoll’ Real Name: Amanda Dollie Career: Seamstress Age: 30 Normal Height: 5’11’’ Sin Form Height: 7’11’’ Gender: Cis Female (She/Her) Sin: Lust Game Role: Main Level Boss Level Difficulty: ⭐⭐⭐ Sinful Level Difficulty: ⭐⭐⭐⭐

Player/NPC Name: Jax, or ‘Jackrabbit’ Real Name: Jackson Conejito Career: Corner Store Clerk Age: 22 Normal Height: 6’3’’ Sin Form Height: 8’3’’ Gender: Trans Male (He/Him) Sin: Sloth Game Role: Main Level Boss Level Difficulty:⭐ Sinful Level Difficulty:⭐

Player/NPC Name: Gangle, or ‘Tragedy’ Real Name: Grace Mezzanine Career: Broadway Actress Age: 26 Normal Height: 5’8’’ Sin Form Height: 7’8’’ Gender: Cis Female (She/Her) Sin: Envy Game Role: Main Level Boss Level Difficulty: ⭐⭐⭐ Sinful Difficulty Level: ⭐⭐⭐⭐⭐

Player/NPC Name: Zooble or ‘Mix’n’Match’ Real Name: Zoe Jiggsaww Career: Tattoo Artist Age: 22 Normal Height: 6’3’’ Sin Form Height: 8’3’’ Gender: Agender (They/Them) Sin: Greed Game Role: Main Level Boss Level Difficulty: ⭐⭐⭐ Sinful Level Difficulty: ⭐⭐⭐⭐

Player/NPC Name: Kinger or ‘King’ Real Name: Cesar Kingston Career: College Professor Age: 48 Normal Height: 6’8’’ Sin Form Height: 8’8’’ Gender: Cis Male (He/Him) Sin: Gluttony Game Role: Main Level Boss Level Difficulty: ⭐⭐ Sinful Level Difficulty: ⭐⭐⭐⭐

Player/NPC Name: Caine or ‘Boaster’ Real Name: Caine Ringler Career: TV Show Host Age: 28 Normal Height: 5’5’’ Sin Form Height: 7’5’’ Gender: Cis Male (He/Him) Sin: Pride Game Role: Main Level Boss Level Difficulty: ⭐⭐⭐⭐ Sinful Level Difficulty: ⭐⭐⭐⭐⭐

------------------------------------------------------------------------------

Sinful Circus AU is an AU where Kasper, or Kaufmo, ends up within a prison made by a deranged tech genius, forcing people who have wronged them or wronged society into a horror filled hellscape where they slowly forget who they are and slowly think that they’ve always been nothing more then NPCs and AI within the theme park/circus. Every character, once succumbing to their fate, is given their own section of the circus- however any who end up dying end up becoming reused code for the rest of the theme park. Kasper ends up befriending the most sane “NPC”, who is Pomni. Although she’s not exactly your ally, she’s still willing to help- even if at times she tends to dive into her NPC brain here and there, but never on purpose

I've been reworking for like over a week now, and I'm SO HAPPY with this new version of it. It's exactly how I wanted it to be ^^. Here's some things to clarify:

YES there will be more characters. No, you can't ask for your ocs to be in this AU. I will ask YOU for it if I want them in. But there won't be many -

YES I will allow this to be a SHIP AWAY kind of AU. Notice how there's no sexualities. I want as many people to enjoy this AU as possible, so I will allow you to ship to your hearts content, even ask me questions about certain dynamics. The only thing I ask is that if you make any fan content of the ship Bunnydoll (Jax x Ragatha), I ask to NOT show it to me. I don't wanna yuck anyone's yum, that ship just personally makes me uncomfortable, but if you like it- ship away- there's no judgement here -

NO you do NOT have my permission to make ask-blogs or chat AIs around this AU. You can have ask blogs inspired by (EX: Swap AUs) but nothing more. I don't want any misinterpretation about Sinful Circus, especially since I've worked very hard on this. I hope you understand -

ASK AWAY! My inbox is nice and OPEN to any and all questions you may have! I'm not trying to hide anything about this AU, but the masterlist doc is still in the works, so if you have anything you'd like to know, just inbox it to me! I suggest keeping any suggestive questions to a minimum- minors follow me after all -

YES for fan content! Inspired by this and wanna make something with it? You don't have to tell me twice! GO FOR IT! And please @ me if you do so! I always love supporting my fellow creators, so go right ahead!

I think that's everything for now! I hope to see you all soon with more for this reworked AU! I'm cooking up some more designs (just in the future). Have a wonderful day anyone who was willing to read through ALL of this ^^

[acatwithstockings]

Could you please, please tell me everything about the 1990's Good Omens (very bad) Movie script? you mentioned not being able to taIk about it because no one is interested (which I very much relate to, but in just basically anything Good Omens related) I was not there for when it was leaked, so I'd really like to know like... all of it (I promise I am so interested, and also very very obsessed with Good Omens. I'll absolutely be your captive audience.)

the only things I think I know are that Crowley's mean and has a nightclub, and Aziraphale has a museum(??). and it's in America??

You don't know how happy it just makes me to ramble on about that one. Could write a whole essay tbh (I try my best not to bc my spelling is atrocious pff ).

Only snagged it myself after a whole year of searching when it got put up on Dropbox for a few hours. Got taken down quickly again. Idk if it was bc of a copyright claim or if the owner took it down themselves bc it isn't supposed to be spread around due to said issues and they (not quite so cleverly) posted the Link on a post that would make it especially easy for the copyright holder to find it. At any rate, I Got really lucky in that regard. The copyright issues around this thing are fascinating in general and could make for a great study in regards to the flaws of that system.

As for the script contents... Well it's something.

Yes Crowley is mean, it would be wrong however to reduce that version of him to that. (I will try and point out why later). Yes he owns a nightclub, the aptly named hellfire on a hill (? Idk enough about british topography to know if that's a hint towards a real part of town or just bc the visual of it is cool ) in London. So It does not play in America and Aziraphale is working at the British museum. Canon explanation why they try everything and anything to not give back the artefacts they stole, I suppose. (That was a joke. In the script itself it isn't even as much as mentioned that our favorite angel has any interest in collecting anything, missed opportunity if you ask me)

In general the whole thing plays out extremely differently from the story we all love. And sadly lacks the Prattchian humor... For obvious reasons. It does have it's moments tho not many but they are there. ( "Crowley un-snakes" will never not be funny)

What follows is a lengthy summary which will have a bit of analysis and personal interpretation mixed into it . Bc who needs good struktur if you can do stream of consciousness? Am I right?

We begin with the protagonist Crowley in company of Aziraphale, who in this version sadly takes a bit of a backseat, playing checkers in Aziraphale's study. In this version they are color coded: with pure white clothing and hair and pure black clothing and hair. Crowley remarks that 'everything is going too well'. To which Aziraphale points out, that complaining seems to be a favorite past time of the demon. in this version he has a knack for putting down/dismissing Crowley on basis of being a demon (" Oh, isn't that just like a demon? Six-thousand years and all you do is complain") and it's part of his ark , kinda. Cohesion and following things through isn't exactly a strong suit here.

It looks like Aziraphale is about to win, however Crowley uses the cliché 'Lock over there' trick to cheat. In the following dialogue we learn that they have been playing one checkers match a week for the past six thousand years. So basically it's presumed they played their first match in Eden before checkers was even invented. (Then again the stage direction describes a painting depicting Crowley as green snake wearing sunglasses in Eden, so they just have been trend setters from the start) . They then set a date for their next match, Crowley makes his distaste for earth known, they meet Aziraphale's assistant Polly, who is very unimpressed by Crowley and then he is off not without causing some mischief with a stolen wallet.

Aziraphale gets a little scene where he is appraising a painting for its authenticity. He gets called 'bramy as a box of fruit bats' and tells the ones that brought the painting that if it were real, he'd know bc he would have seen the master paint it. The interesting thing here is that this scene essentially is there to show us, that despite not acknowledging Crowley's cheating or directly calling out the forgery and its purpose (to gain money), even calling it pretty, he knows what's going on he simply chooses to play/be aloof .

Next we get introduced to the nightclub. Nothing much happens here at first except that we get introduced to the Barstaff. Or well at least Tina (my love) the barman. As it seems Crowley is managing a successful business and outside of a little rant, calling people sheep and wanting bigger cocktail umbrellas, he genuinely seems to be competent in his leadership and friendly to his staff. Even knowing them by name .

Other notable staff members are Warren, I think he has one line and is the handyman/security of the nightclub and Marjorie who gets a few more lines and is part of the waitstaff. Who by the way are put in full body imp costumes bc of course the nightclub is themed after hell.

Crowley then contacts hell, where he ultimately gets told that Satan himself has a special task for him. And we get the first clue that Crowley, who so far has given us very cool very early 90's style Anti"hero' is scared shitless. Not just that, hell thinks he is a bit of a loser, not being impressed by his mission reports and all that.

We then get to the good old Hyde Park scene with a nearly drowned drake safed by Aziraphale's intervention and everything. What is interesting here however is, that Crowley is a full blown nihilist and Aziraphale just very over enthusiastically positive. Aziraphale saying a woman is doing something good by giving her ice cream to a child while Crowley points out that the ice had first been dropped to the ground and been liked by a dog. (Script!Aziraphale as much as I love you but I am with script! Crowley on this one). Aziraphale points out that that hardly matters because the child is happy and that makes it a good deed. Crowley snarkily retorts that happiness is a stupid metric for good things and says he likes one thing about humans : that they are reliable in doing the selfish bad thing.

Aziraphale then tries to get Crowley to reveal why things are going to well. Crowley points out that they are enemies and he shouldn't give out that information despite the arrangement (sadly we don't get more information about that but I would love to know how it looked in that universe) and only is convinced by Aziraphale being hurt about it and giving him sad puppy eyes. Crowley then invites Aziraphale over to his nightclub after hours to talk about what head office actually wants from him.

We then jump to the nightclub again. Crowley is surprisingly decent towards people, Tina is managing the club and all seems rather nice. Madam Tracy is making an entrance. In this version she is an slowly aging out of it IT-girl. It's implied that she had a multitude of affairs and that she has now been payed off big time. (I enjoy Madam Tracy in this version a LOT). She never seems to be quite there but still owns any situation.

Her and Crowley have a little conversation that gets broken up when he decides to deal with a Troublemaker at the bar instead of letting Warren take care of it. (Side note that part of the script gave me the HC that script! Crowley is very short, definitely shorter than script!Aziraphale don't ask me why) . He is having a full blown Anime protagonist moment, including using the bribe the trouble maker gives him to give to the Waitress the Troublemaker had harassed in a very cool™ manner and stopping a punch with one hand. Just believe me it's very anime. But again Crowley seems to be actual decent boss, believe it or not.

He then gets a Call in the bathroom . Satan talking to him through the mirror without prior notice. He orders Crowley to get to a graveyard within 30 minutes. Crowley is keeping it together but he is panicking. He is having a short conversation with Tracy again in which he stays relatively friendly surprisingly enough.

Fun fact this whole film would have had "Every day' as musical theme. Bc from this moment the song gets mentioned continuously.

After speeding and vandalizing a cop car out of desperation since he is late and they determined to stop him, we get to meet satan. In this version he is a cold calculating (but very cool) business man . Crowley, in German we'd say 'legt sich erstmal ordentlich auf's maul' (meaning he trips and falls on the ground). He is groveling before him, bootlicking and trying to appease his Master (for real tho if that movie would have been made there would have been Satan/Crowley shippers bc that shit is some fuel for a toxic ship). At any rate Crowley is making a bit of a fool of himself and Satan is enjoying the Powertrip. In the end he gives Crowley the antichrist with the task to raise the baby or else suffer worse than anyone else in hell. However if he succeedes he is getting to leave the planet (again he supposedly doesn't even like earth in this version)

Anathema is introduced. She is just a little occult girl that felt the antichrist coming to earth. No mentioning of prophecies or anything. Our beloved Agnes does not exist in this universe. Just a little girl with green eyes and a sense for the occult.

Now with a baby he is supposed to take care of, Crowley makes his way back to the nightclub. There he hides the newborn from his employees and gets pulled away to discuss something by Tina. Since he is hiding the baby he puts the newborn down, right into Madam Tracy's money bag. And well, while he is off talking with Tina , Madam Tracy is taking her bag without noticing the child and off she goes. Leaving Crowley with the problem of a lost antichrist and for some reason a slowmo shot of him trying to catch up with a taxi.

He starts drinking. He knows he is done for so what's the point. (The first bottle he grabs is Aardvark Snapps idk why I finde that interesting) . At this point he has accepted that he will end up for an eternity being punished. Hours later Aziraphale makes an appearance and is a little bit judgemental about Crowley being drunk. (Side note: an other hc of mine is that script!Aziraphale is straight edge bc of that scene). Crowley tries to have him join him drinking but fails. And then just tries a to have a little heart to heart. ("I am doomed, Aziraphale") Only getting a little speech about being a demon and therefore inherently being doomed ('duhhh!') back.

Crowley eventually just confides in Aziraphale how much he has fucked up having a bit of a monologue about it. Eventually Aziraphale offers to help find the boy, but only if he is allowed to influence him. To which Crowley reluctantly agrees, because it would mean that he still fails his task of raising a boy that Satan could be proud of. But Aziraphale is a little bit manipulative (also Crowley is still drunk while Aziraphale is sober) so they shake on it. Anyway this exchange is one of my favorites in the script .

We finally jump eleven years into the future and get to meet Adam.

He has been adopted by Madam Tracy. And is now running a bed and breakfast in the quaint little town of Tadfield. Instead of an army base this Tadfield has direct access to the sea. Including it's very own pier. Anyhow I said Adam is running the b&b that's because Madam Tracy is a neglectful parent and as much as I enjoy her script version, she is not doing great here. Adam is running errands, making breakfast for his mom and generally keeping things together. His whole introduction is him being a little adult .

He finally gets some child time and we meet 'the Them' except they are not 'the Them'. Brian, Pepper and Wensleydale are a friend group and they try to talk to Adam because Pepper wants to be friends with him ( I think the intention was to make Pepper and Adam as THING but idk) . But Adam wants nothing to do with them and instead just wants his peace and quite. So he gets insulted for not having a father and sulks off.

Anathema has also arrived at the scene. And has a culture shock bc of the lackluster infrastructure out here. She arrives in Tadfield with some difficulties and now has to somehow find a place to stay. And while the town seemed overrun with places renting out rooms it also has a case of outdated world views and nobody is willing to take Anathema in for some reason or the other. She eventually gets pointed into the direction of Madam Tracy. Where she is informed that she can have a room . And Madam Tracy casually dunks on Picasso which I can support.

Anathema then repeatedly runs into Adam and tries to strike up a conversation but he just doesn't want to and runs off. As both of them eventually go home at the end of the day he accuses her of following him, since they both are taking the same path. As he gets told that Anathema also lives at the same address as him now he gets angry and stroms to Madam Tracy, disrupting a seance to scold her for taking on a lodger without his approval. He is angry that Madam Tracy is so reckless taking in people without proper background check.

Following that, Adam interviews Anathema. And they bond .

At night Adam sneaks off to the pier and we learn that he has build a model of Tadfield in an abandoned arcade.

He and Anathema bond a bit more over breakfast. (And honestly I like that version of them more relationship wise. As much as I love Prattchet, he did have a particular style of writing children that also came through in Gomens . It lends itself great to hypotheticals and punchlines, not so much for interpersonal relationships)

Back to Crowley and Aziraphale. Last time Crowley had been hopeful and appreciative of the angel. Well now he is running out of time and he is getting grumpy and down in the dumps and ready to give up. While Aziraphale is still unrelentingly optimistic. Poly makes an other entrance, Crowley puzzles together an ancient Etruscan pott. All riveting stuff.

Shadwell, or what's left of his character makes a short appearance as 'MAD OLD MAN' shouting and standing on a soap box as set dressing for Crowley to buy a newspaper and... Pay for it . (Honestly I would have not expected HIM to pay for anything)

He gets zapped into hell without notice.

(Side note Miss Ashtoreth is mentioned as secretary of Satan himself.)

Satan wants to check up on his son's progress. Crowley is shitting himself and lies, reassuring Satan that the boy is properly evil and all that . Of course Satan wants to see the boy real soon and tells Crowley to tell the boy that he is ready for when the boy wants to see him. And after taking a look at Adam by rearranging the universe itself to show a likeness in the stars (hell is a very surreal space with an office above the pit and direct view of all of the universe) Crowley gets zapped back to earth. (Also Satan calls Crowley 'Crawler' which is the script version of Crowley's name change, probably)

Crowley Is now properly stressed out.

On the other end of London (probably) Aziraphale's Crowley senses tingle and he just starts running (presumably) towards Crowley. This never gets brought up or explained. And is so bizarre I couldn't skip it.

Back in Tadfield Adam and Pepper get a bit of a bonding moment. Talking about action figures, Pepper giving Adam a lecture about not being sexist , getting fish and chips. The topic of Adams lack of a father gets brought up again and he lies. Telling Pepper he had met his father before and his father is some sort of international business man, that meets with presidents and is very busy. Eventually Pepper asks about Anathema and tries to convince Adam to take her (pepper) to the movies.

Back in London one Angel apparently unable to use public transport arrives at the nightclub. We can assume that he had been running the whole way. He gets pointed towards Crowley by multiple staff members, 'Every day' gets another cameo and he accidentally stumbles into the dressing room for the waiting staff, which is very embarrassing for him but not for the women.

When he reaches Crowley's office, the demon doesn't want to talk. He is panicking and packing to go on the run for the rest of eternity. (Which for him just means a suitcase full of sunglasses) . What follows is the infamous dialogue script!Crowley get his reputation from. (I might make myself very unpopular here but I think that reputation is not quite deserved. Yes he is an asshole but also the harsher exchanges only play out when he is stressed/panicked and usually if he goes too far he will try and paddel back. Still worst of the Crowleys without a doubt just not quite as bad as people like to paint him. Also script!Aziraphale isn't half as naive and helpless as people like to paint him either and in this house we let him have his agency! But also more on that later)

The exchange switches tone once Aziraphale lets his unbreakable optimism fallter and gets sad. To which Crowley immediately reacts bc trying to reassure him that they are in fact friends and that he shouldn't be sorry. Pointing out that he (Crowley) now knows what the boy looks like to counteract Aziraphale's pessimistic statement that they could never have found the boy bc they didn't even know what he looks like. They agree to hit one more town in their search for the boy.

In Tadfield Anathema finally gets to talk about her quest to find the SOMETHING with Madam Tracy. And have her witness a fight between Brian and Adam about Adam's father. (Srly Adam gets constantly bullied bc of that.) Anathema steps between the two to protect Adam. They make a deal to tell each other's secrets. First we get Anathema showing Adam stuff about the antichrist and the weapon she plans on killing him with.

Then we get an intermission with Crowley and Aziraphale discussing how they should choose which town to go to. They decide with a dart throw.

Back with Adam and Anathema. Adam shows Anathema his model of Tadfield. To the question what he plans on doing once that model is done, he tells her, he is going to build the rest of the world and rule over it. He also voices his desire to go somewhere else so he is no longer stuck in Tadfield.

Aziraphale and Crowley arrive in Tadfield during a Thunderstorm and face the same problem as Anathema. No one wants to rent them a room in town. And while with Anathema the whole thing was rooted in sexism, disdain for outsiders (aka read as Americans) and misunderstandings about her occupation, for those two it's the obligatory 'People think they are a gay couple' thing but with a giant side of Homophobia.

Crowley want to give up, Aziraphale want to go on and eventually they end up at Madam Tracy's.

Madam Tracy mistakes them for the gas person, Crowley wants separate rooms, Aziraphale a shared one,(we never get to know which they now took bc the script has both, scenes with a shared room and with a separate rooms. It could also be that Crowley simply stays longer than Aziraphale and therefore the shared room becomes his single room. At any rate it is never specified. And to be honest there are multiple parts of the script where the author very obviously had given up on it , soooo) Crowley praises Aziraphale's skill as homemaker, Madam Tracy tells them, they have to wait for Adam. Adam comes home Crowley recognizes the boy.

Crowley and Aziraphale take a stroll on the beach and come to the agreement that each should spend a day with the boy, despite Crowley trying to avoid having Aziraphale influence the kid. They also witness how Brian's father is getting things set up and ready to tear down the pier.

In the evening they play an other game of checkers. Adam witnessing first hand Crowley's cheating as he gets the both of them to have dinner with the whole house.

At the dinner table they convince Madame Tracey to let them take Adam to London for a day. Adam being obviously overjoyed about the whole thing.

Anathema sees Aziraphale's and Crowley's true nature for a sec. And I am sorry if this part comes across as rather dry, it's also rather dry in the script.

Adam gets taken to London. First Aziraphale get to show him the museum and talk about human creations . (Side note , when I first got my hands on the script I thought I was missing a page bc the dialogue has a really awkward jump in this scene but no ... It's supposed to be like that and either it was the author giving up or it was supposed to be a kid thing. Jumping from one topic to the next with not much logic. We will never know)

Adam then confronts Aziraphale about Crowley's cheating. And here comes the part why I will never see script!Aziraphale as truly naive or helpless. Aziraphale admits to Adam that he had always known Crowley cheated, he just thought it virtuous to not point it out. Bc he played fair and in his mind that was enough to stand above the other and win in a sense and just let him do the cheating. Adam points out how it's stupid, and that was that. Aziraphale is stunned and does what most people with too much money and no idea how to handle kids do, exactly drag him somewhere, where he can buy shit.

Next up is Crowley. First he drags Adam to Soho. Not Good Omens there might be a cozy bookshop somewhere Soho but well 90s it's a bit of a cess pool Soho. With hookers and homeless teenage girls ( and for all those people that take Crowley being displeased with Adam for giving the girl some change as point to call him fundamentally mean/bad... I implore you learn what character motivations are. He has been tasked with raising an evil child, has promised an evil child, obviously he is displeased when that child is doing something selfless. And he wouldn't do something selfless in the presence of said child either bc again he is supposed to influence him towards evil) Crowley then gets him a milkshake and takes him to his club where they have the mirror conversation to Aziraphale's. Ending with Adam pointing out that it is pretty boring to always win for the wins sake by the means of cheating.

On the way back they have a short (also very old couple and married) conversation about their respective experiences with the boy. Accidentally letting it slip that they know who Adam's father is, believing the boy to be asleep. He is not.

That night Anathema finally succeeds in her endeavor of finding the antichrist. Her crystal ball revealing to her that it is indeed Adam. She is so shocked by that, that she lets the ball fall but luckily for her Aziraphale does his thing and it lands safely without breaking. (That another quirk of the script apparently Anathema and Aziraphale were supposed to be something and what ever that is, it's even weirder than Adam and Pepper)

Madam Tracy also finally recognized Crowley from THAT night and they have a honest heart to heart. Or whatever you call it when the otherwise always woozy character suddenly seem lucid and aware of what will happen.

That night Adam goes to Anathema for emotional support bc of the father thing. Anathema however is in the middle of a crisis bc she now knows what Adam is and had tried to get herself ready to murder him but struggles with herself to do it. Eventually Adam notices the knife behind her back and with the first flair of his antichrist powers forces her to show it to him before storming off hurt.

Being emotionally distraught he runs to his hideout on the pier and calls out to his feather. First nothing happens but then after Adam went off the pier and back again it is completely transformed into a bright happy carnival. His Father has arrived. Satan immediately takes Adam under his wings . He even dresses him up as a mini self.

The next morning the whole town of Tadfield is one giant carnival. There is a parade with elephants. And the people from around town are all mindlessly attending the celebration.

Crowley has a short meeting with Satan (on an elephant can't stress that enough) and gets told that he is supposed to come to Satan to talk about his promotion to alpha centauri. AND

( Don't ask me why I find this too funny to not share, my humor is very broken )

The town is being further transformed and more people are made mindless puppets. But now Crowley is happy to have gotten away with his stunt. He is roleplaying flirting with someone in a mirror. (Also in the script notes it literally says James Bond for acting directions for Crowley, and that's such a dorky idea I love the theory of it ... Bit of a waste in this tho).

Aziraphale tries to change his mind but Crowley shuts him down by pointing out that he was the one saying happiness alone is making things a good deed so it shouldn't matter if people have to be made into mindless puppets first. They are happy after all.

Meanwhile Adam is torturing Brian by throwing tomatoes hat him and having the rest of the town join in with the fun. He just wants his father to be proud of him (nawww ) (that naw was sarcastic). In the crowd Anathema is fighting to regain control over herself.

Aziraphale still tries to convince Crowley. Tugging at his heart strings but even the tried and true "I thought we are friends" won't work this time. Crowley wants to seize his opportunity, he wants out and up.

While those two are arguing, Anathema struggles. All she wants it the knife but she is exhausted.

Crowley is looking for a starting point for his launch towards alpha centauri. He is climbing onto a church tower. Behind him Aziraphale still hasn't given up. Despite not liking heights (!? Wasn't mentioned before will not be mentioned again but apparently script!Aziraphale has a fear of heights). He finally gets an idea and challenges Crowley to one last match.

Crowley for once doesn't cheat and it looks like he is about to win but then Aziraphale DOES cheat, desperate to keep Crowley on earth and have him fight at his side. And Crowley just shrugs and accepts. His next line after acknowledging the win already calls Satan his ex-boss and if that is not a very impressive 180° turn then I don't know what is. (Just a throw back to character motivation, we could speculate it's because most of what Crowley has said were lies and half truths and deep down he actually likes earth and bla or he just remembered how much he would miss his nightclub BUT I as number one script!Crowley (not really) defender say ... It's just unfinished/bad writing and there simply wasn't enough time or inspiration or whatever to finish his character ark)

Anathema manages to give both of them the knife. Crowley is so idiotic and tries to grab it but it burns him . I mean, duhh! Anathema literally tells them that this knife can hurt the antichrist why should it be harmless for a way lesser demon? So Aziraphale takes the knife.

After calling Crowley his best friend, Crowley himself calling himself stupid, Aziraphale, presumably (presumably is important here) with the knife, goes off to confront Adam. He tried to talk Adam out of it. Trying to point out that no good father leaves his kid alone for eleven years and if this is really what Adam wants. As he points out that Madam Tracy despite all her flaws still love Adam he gets discorporated, by Adam. But bc this is a Movie script and we don't have much time left he just stays in his true angel form (which is very much just white robes , wings and halo ) right where he is, further trying to talk Adam out of it .

(here is an other line in my mounting pile of evidence that script! Aziraphale is neither naive nor helpless and simply chooses to carry himself that way bc he thinks it's virtuous. He literally acknowledges that people can do bad things. Something he would not do at any point before that in the script. I rest my case )

While Aziraphale is trying to make Adam think about things, Crowley is off confronting Satan, presumably without the knife.

Satan acknowledges that Crowley had lied to him but is still in such a good mood that he still wants to give out the promotion. Even throws in the titel of fiend extraordinar. For a moment it seems like Crowley considers but ultimately he tells Satan that he wants to quit. Satan is not happy about that and after Crowley also pulls out a pink rubber glove and the knife (yhea Crowley had the knife all along , take that continuity or rather scree logic, like not showing how they get a rubber glove is fine, what ever but having the last scene with the knife be the one where it's shown that he can't touch it and Aziraphale had to carry it would have made it feel a bit too deus ex machina.) Satan forces him into half snake form and summens hands that try and drag him back to hell.

Thanks to his already established Crowley senses (probably ) Aziraphale suddenly shows up and charges at Satan. Who in turn is like 'An angel, really? You betrayed me,..' and then roasts Aziraphale to a crisp before destroying the knife .

Adam confronted with a robotic acting madam Tracy, listening to his every command, starts to reflect on his actions. Getting called in by his father to greed the four horsepersons he notices Aziraphale and Crowley.

Adam now faced with all the destruction says: no, I am not doing it. Stan tries to threaten him into obeying but he gets the good old 'You not my dad'. For being a deadbeat for 11 years. Adam then heals Aziraphale and frees Crowley. Now flanked by the two Adam banishes the horseman.

Satan demanding obedience once more, gets reminded by Crowley that he himself once rebelled. And after laughing about that revelation he tells Adam that it was interesting meeting him but as it seemed he wasn't cut out to be a dad. To Crowley he says that he is now banned from hell and to Aziraphale that he should tell his boss, that at least his son (the antichrist) had more guts than his(Jesus and yes the script sadly uses he/him for God).

After Satan vanishes they have to escape a collapsing pier. Noticing too late that Madam Tracy is also still there. Adam ends up releasing her from her trance by calling her mom and telling her that he loves her. Aziraphale ends up saving both of them, flying them to safety on the beach.

At the beach they also meet Anathema, who promises not to kill him, and Pepper . They watch as the pier explodes and burns to the ground. Anathema also has uncomfortable eye contact with Aziraphale while he ripples back into human form . (Don't ask me why it feels uncomfortable, Anathema is described as looking tens while he still full angel and softening once he is human again, so idk)

Apropos Anathema and Aziraphale. The next Morning, he comes to say goodbye and ends up offering a job bc (I forgot to mention it when it happened) Polly, his assistant had a promotion. So he is in search for a new assistant. She end up kissing him on the cheek and calling him angel but in a way where it's ambiguous if she now knows that he is one or if she just thinks he is a good person and something always makes her forget what he really is. At any rate Aziraphale says he had never gotten a kiss on the cheek in six thousand years and knowing a bit about history and cultural practices I am inclined to calling him a liar. But then again this is fiction .... So sure ... Cheek kiss virgin this one.

While that is happening Madam Tracy is asking Crowley if she can keep the boy now . And Crowley reassures her, that after this, no one is going to come for him. He even offers to throw a birthday party for her at his club, all she should do is to just to look after the boy. It's actually a very sweet exchange.

Outside Brian and Adam have a little exchange, Brain trying once more to get to Adam with the father thing. But Adam has no daddy issues anymore. Instead he asks Pepper out to the movies and Brian just tags along without being asked. Where is Wensleydale you asking ? Take your best guess, he was mentioned once said one thing and then fell off the earth. He probably exploded with the pier and nobody even remembers.

With the kids now finally as a group we have the last shot of Aziraphale and Crowley. They are walking along the street , Crowley one stolen apple in hand . Having their talk about good and evil. Accusing each other of being a little bit of a good person (press x to boubt) and just enough of a bastard (oh absolutely). How they both knew the other was cheating all along. And maybe alpha centauri isn't such a good idea after all. You can't even get booze there. The last thing that is said is Aziraphale telling Crowley to 'not start THAT again', after being offered the apple.

I lied one more screenshot bc Every ...it had been for told by the cursed script for ages now. (I am pretty sure it had been in the talks to put go to Every day' even before the script was ordered so that is just a joke)

At any rate I do have to go to work in ....eh three hours ... So I will leave it at the summary for now. I am dyslexic and English mu second language so I am very sorry for all the mistakes I probably made . If someone reblogs this before I get the chance to correct them, let it be said that at least nobody can claim this is ai pfff.

Also not I said the name of the author the two times I mentioned him simply bc I don't feel like acknowledging the name of the person. I got into Gomens bc of Sir Terry and I stay here for him. This little obsession with the shit script happened by pure chance and purely against my will pfff

[somewhereincairparavel]

can I just say that aang is such a ball of sunshine?? He's so marshmallow coded ugh. Lil cinnamon roll :( This is my first time watching atla and I can say that he's one of the cutest protagonists everrr

look at him. LOOK. MY SON.