#he has my entire living heart

[illiana-mystery]

I finally saw Beetlejuice Beetlejuice! I loved it and I had to go see it in style. 😉

[ruporas]

need to exist in your warmth (id in alt)

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[jasontoddenthusiastt]

Honorary appreciation post for this mentally exhausted sweetheart.

[peachyutdr]

i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D

[hoperays-song]

Tiny Details I Noticed During My Brand Search of Sing 2

There are several posters throughout both cities with the words "Love, Respect, Protect" next to what looks like a jaguar or an ocelot on them.

Johnny's nails appear to be painted the entire time (shiny and reflective when they are matte in the first movie).

In the background of the scene right before the piglets come in, you can see Johnny and Meena talking. Johnny says something towards Rosita, she turns and throws a pillow at him, and they all burst out laughing and smiling. Which is just down right adorable.

THERE ARE THREE HIDDEN MIKE POSTERS. THREE. TWO IN THE CRYSTAL THEATRE AND ONE BY THE MOON THEATRE.

The advertisements outside Moon Theatre are frames from the first movie.

In the scene where the giraffes coming out of the elevator slip due to the troupe mopping as a disguise, Ryan appears to start smiling/laughing in the corner.

There is an award shaped like Nana herself on her bedroom fireplace mantle.

Every time something big is proposed or annouced and we get to see the troupe's immediate reaction, Johnny and Meena do the "are you hearing this?" best friend glance and its so cute. I'm not kidding, every time.

The plan to go to Redshore.

2. The disguise plan.

3. Rosita being fine with being replaced.

What appears to be a yoga studio chain advertises in both Calatonia and Redshore and has the tag line "Be Pawsitive".

[carefulfears]

one of the few moments between them where they threaten to break the act down.

he knows the answer to the first question; do you believe that? have you ever believed that? all she can do is stare at the floor, almost like she’s been caught. because she doesn’t. and he knows she doesn’t.

her role in this thing that they do is to not believe in aliens. she answered him on that first day, does she believe in the existence of extraterrestrials? she had to say no.

she can’t answer him this time, though. she stares at the floor. but he knows.

he knows the answer to the second question too, though. what do you think happened to her?

scully can stand in front of him and tell him that he’s just being emotional all she wants. tell him that it’s manipulation, that it’s impossible.

but her role in this thing is that she is the rational one, and he knows what the rational thing to think about 8 year old girls who disappear from their homes and don’t come back is.

even if it’s not this killer, even if it’s not this man, the rational thing to think is that it’s another.

so after four years of seeking and chasing and following after as he walks into the same room every day, as he wants to believe, what does she believe? what is she really saying when she says no, she doesn’t believe in the existence of extraterrestrials?

and can they keep the act up, when this is what it means?

[moeblob]

Demyx (my beloved)

[aroaceleovaldez]

Every description about Nico (especially the canon ones) describing him as “cold” can personally fight me. Nico is jaded, yes, and often closed-off and sometimes stand-offish and defensive but he is not "cold”. He cares SO SO SO MUCH about EVERYONE. He loves and cares with his entire heart constantly and that is a core part of his character. He doesn’t often make public shows of his affection but he takes care to be kind when it matters and doesn’t hide that he does care (usually, the only exception really being him being in the closet, but even then he only hid his crush specifically and not the fact that Percy is important to him). He fine with hugging his friends in front of a crowd and will sit with strangers at a campfire just so they’re not alone. I mean, heck, he’s an extrovert! We know this! He actively seeks out people and gets lonely very quickly and easily! If he can’t talk to living people he will chat with the dead! That’s how much he thrives on being social!

The only time Nico has ever been actively “cold” was the couple of months between TTC and BoTL when he was actively mourning Bianca. Nico is not “cold.” He loves so much and he does show it, just in his own way.

[nerosdayinanime]

"BECAUSE YOURE WORTH SOMETHING!" "THEN I DONT WANT TO BE WORTH SOMETHING! AND ESPECIALLY NOT TO YOU!" "WHATS THAT SUPPOSED TO MEAN!?" "EXACTLY WHAT I FUCKING SAID!" Giyuu stared down at him, contempt rising in his expression- but Sabito could feel the hurt behind the anger, both boiling over into a moment of shock. Pain bloomed on his cheek as his head was knocked sideways, he snarled and struck back- yelling vaguely filled his ears aside the pounding of his own heart. His throat hurt though he couldnt hear his own screaming over the adrenaline and tension, it-  ..it hurt. His cheek, forehead, he could taste blood- but what hurt the most was seeing the same on Giyuu. That he was inflicting. The same pain in his eyes he knew his own echoed. All of it a desperate plea, their bared teeth and glares wavering for a moment.

--

"What happened to Tomioka-san and Urokodaki-san?" "They got in a fight." "They did..? Why are they holding hands?" "They get upset when they fight." "Uwaa.... Thats so cute!" "I dont think Urokodaki-san's busted lip is very cute, nor Tomioka's black eye, Kanroji-san." "Ah!! I didn't mean it like that!-" 

(Sabito gently smoothed his thumb over previously bloodied knuckles, since patched up and cleaned. He felt Giyuu's hand tighten around his own, resolved and firm. He huffed a sigh and rested his head in his other hand, the ache subsiding.)

[desolate-skies]

stacy warner continues house md’s rich history of supporting milf rights, but also feels exactly like the “other girl” written into dramas to threaten the main couple? this can’t be a coincidence…

every romantic move made between her and house is countered by some tender eye contact/quiet moment of emotional intimacy/“to be loved is to be known”/fond, exasperated gayass little moment between house and wilson…no one does queerbaiting like tv show writers on the cusp of a recession

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[lloydfrontera]

if i think too long about the ending making lloyd leave the home he worked so hard to save behind along with the new found family he sacrificed his life for so he can move to a place he has no emotional connection to where he only knows two people (one of which is actually following him from the aforementioned home) in order to make him get a standard "have a wife and children" 'happy' ending i start wanting to bite people not gonna lie

[steakout-05]

ahhh fucked up little six-nippled snake-handed spiritual dude covered in buffalo fur with heterochromia and a bird beak nose my beloved

oh YEAH? you only got ONE PEENEYE????

[idiotwithoutagoodname]

YOUR HONOR THEY ARE EACH OTHERS REASON AND PURPOSE

[star-mum]

Okay OP nation I have some (maybe controversial) statements about the Straw Hats and I need y’all to listEN FIRST OKAY- HEAR ME OUT

Boyfriend: Zoro and Franky

Husband: Usopp and Sanji

Girlfriend: Nami

Wife: Robin

Luffy: Aroace king