[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
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i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot
There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.
So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)
He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.
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Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.
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Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.
I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.
He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.
Danny likes climbing things. This causes Problems For Everyone Else.
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Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.
This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.
He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.
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Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.
Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"
It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.
This is likely what leads to the "Danyal" conversation.
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maybe I'm reading too much into it but I do like how Aura's logic behind choosing Miles as prosecutor changes with the revelation that you're actually defending Athena, not Simon. when you think you're defending Simon, Aura deciding that Miles should be the prosecutor makes sense because she knows that he's on Simon's side and wants him to be innocent. when the twist that Athena is actually the one on trial happens, it becomes much more sinister. of course the justification of "she was just a little kid" means nothing to Edgeworth, and you should know why, Phoenix. Aura has to know this too. Edgeworth doesn't hesitate and he doesn't sugarcoat because it was hesitation- and a desire to hide from the truth- that messed him up so badly in the first place. He's probably genuinely trying to help Athena, in a messed up way, but he's failing to recognize how their circumstances are different. Aura chooses Miles because she knows he can empathize with Athena and she knows that, because of that empathy, he will show her no mercy.
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@dire-kumori MMMM. EVIL. pure, unadulterated evil you have brought unto my dash, I love it.
Just. Evan trying so hard to reconcile the image of this stranger covered in blood beside him in the next loop, except the memory is so hazy he doesn't know what to make of it. At first he wants to hope that he was wrong and this stranger isn't actually working alongside the animatronics, but the more Ev tries to remember that cycle, the hazier the memory gets. And Evan can't stop thinking about how the very next thing that happened after he saw the stranger bleeding beside him, was getting attacked by the monsters. He opened his eyes and saw the stranger beside him-- just lying there, not even PRETENDING to be trying to help him anymore; the stranger killed himself just to get away from Evan, and he just left Ev alone to die.
When Evan wakes in the next loop, he can't even muster the energy to get out of bed. He knows the monsters will drag him out of bed if he doesn't get up, even without the stranger yelling that particular fact at him, but he can't help but just lay there.
The stranger tries keeping the doors shut alone, apparently having decided to keep pretending to help. Evan still can't get out of bed. He only has the effort to sob: "I can't do this anymore. I don't want to do this anymore. Please just stop!"
Maybe, eventually, Mikey gives up and curls up next to Evan in the bed with his arms wrapped protectively around his little brother. Or Maybe Michael scoops Evan up and tries running them both out of the house. Either way, Evan doesn't have the energy to fight against the stranger's hands on him. Either way, they both end up dead.
And speaking of Evan’s memories being confusing jumbles. Before Mikey tries revealing himself, back when Evan still thinks of Mikey as some stranger, maybe Michael has to listen to Evan beg for "Mikey" to come save him.
Evan doesn't remember who this "Mikey" that he is screaming for is anymore. When Evan was alive, he thought of his big brother Mike as being the adult he was supposed to be able to turn to for help, the person who would make everything okay. Now, dead and stuck in this nightmare, Evan has the vague sense that there was a Mikey in his life, someone who was supposed to be there for him and make everything better. Evan holds onto that single memory, that one vague hope that his mysterious Mikey might help him.
It encourages Mike to risk telling Evan the truth in one cycle, except when Evan learns that the Mikey he's been begging for help from and the cruel Foxy-mask boy in his memories are one and the same...
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Evan is *outraged.* He's dealt with a lot of pain and suffering and betrayal, but THIS?
Evan is in the middle of screaming at Mike thay he can try to be a good person all he wants but will NEVER make up for what he did when one of the animatronics gets past their defenses. Evan doesn't even notice at first; he's still mid-sentence screaming at Michael as the animatronic tears him apart.
Then Evan dies, and the cycle restarts, and Evan Forgets. Except, Michael can't help but notice that Evan never screams for "Mikey" to save him ever again.
And don't get me started on THIS.
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After getting so offended at me calling you a monster, I offer you the chance for a happy ending where Mikey and Evan resolve their issues and move on, and you teAR IT TO PIECES?? FOR SHAME
i mean, don't get me wrong, it's a beautifully horrific ending and i love it, but holy heck. I am going to need 3-5 business days to emotionally recover!!!
Michael slowly fading as he is FORCED to realize he can't save Evan after all. Evan’s hope of finally being at peace savagely crushed, as he is forced to remain stuck in the simulation until the software and hardware his spirit is attached to slowly crumbles with time and too much use.
And the idea of him (and Mike) getting recorded onto Help Wanted is PHENOMENAL.
I'm just imagining Evan cowering inside the Night Terrors/Fnaf 4 section of the game. Despite the lifetimes worth of awful memories he has inside that room, it's the first familiar place that Evan stumbles across, and he craves the comfort of the familiarity of his prison. He much prefers it to the unknown, and he's been stuck in this room for so long that the outside world (or, well, the other virtual recreations of the various games) are too big, too scary, too overwhelming. Besides, Evan has learned from his father’s simulation that bad things happen when he tries leaving this room.
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I am super curious what would you have for de au canon once/if you come up with what you want for it. No pressure tho, it is your fun au.
Idk. I thought Wade and NWB could be a thing in which case it was probably something that NS was initially okay about but then it really drove him up the wall. He probably wanted to tell NWB but also couldn't bring himself to think about Wade or consider even a possibility of meeting him again. Or alternatively he didn't know, he just knew Wade was dating someone. And was completely blown up when he found out during current timeline.
The question is Wade's parents and how did they react to NWB. Harry ends up in police since it was upward mobility for him and Dora and them encouraged him towards this. I am not sure it would be a same situation here since, idk, I think they would hate NWB since let go.
like i said before wade and nwb arent a thing in the disco elysium au because that’s just not what their dynamic is supposed to be. yes i’m well aware that harry/dora is a romantic relationship but i’m not going to make this au 100% accurate to the game, like i’ve already changed the kim & harry dynamic for ns & nwb (because in the game kim & harry are cool with eachother, meanwhile ns & nwb aren’t) so i’m also changing the whole thing about dora into something less romantic but just as mentally ill if not more👍
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