#he has kind of a whole existential crisis about it after getting his memories back

[bestworstcase]

@cryptidblues tumblr ate this one too, maybe drop tumblr support a line to check if you’ve been erroneously shadowbanned 

Oscar is dying! He’s dying! We’re getting the full weight and crisis of the merge in volume 10 I NEED IT. The image of him collapsed on the sand as the sunrises with his back to the long memory OOUGH just like Ruby and crescent rose after she drank the tea, before the tree took her. The reversal on “I don’t want to be me anymore” / please let me stay myself. The lad is being eaten alive! From the inside out! By an unstoppable brain parasite that will kill him! And Replace Him! I Need the slow build up of horror from Oscar and everyone involved. “And Oscar…just isn’t himself” they’re place setting. Getting the table ready. Ooh yknow he’s hiding those merge episodes/attacks from his friends. I NEED the existential terror and dread! BUT I NEED THE CATHARSIS OF OSCAR BEING KNOWN, SEEN & SAVED TOO ;-;

NOT to make a post oscar about ozma instead but the thing that is really, really pulling the hinges off for me is the implication that this is happening because oz started actively fighting the merge. as long as oscar resisted and oz kept up the drumbeat of “this is inevitable, there is nothing either of us can do,” the curse kept on quietly eroding oscar as the boundary became thinner and thinner between them. it was, for lack of a better term, stable. 

the moment oz tries to resist, the curse starts trying to rip him forward. to force him to take over, inflicting what seems to be torturous amounts of pain on both of them. the subtle, silent, invisible violence that was inflicted on oscar before explodes outward to attack both of them. 

how many times have i said this curse is specifically designed to make it impossible for ozma to change? that the whole point is to prevent ozma from ever changing his mind or defying the god of light? never doubt me. the literal fucking instant ozma tries to break free, the curse becomes YOU DO NOT HAVE A CHOICE. 

the curse had a failsafe the whole time.

/ozma tangent

oscar though. this poor kid. like the greatest burden on his shoulders in the last four volumes has always been that no one wants to openly acknowledge what’s happening to him and the nature of the merge’s violence being so completely internal means that no one has to look at it except him. and he’s been so isolated in that existential dread but he’s also grown so accustomed to being treated like just. the next ozpin. that when the violence abruptly becomes externalized in reaction to oz’s resistance, oscar… hides it. keeps it to himself. somewhere deep down the idea that it doesn’t matter to anyone what happens to him got lodged in his brain so deeply that he keeps it hidden!!

and i’m obsessed with the emotional complexity the layers of what he’s feeling with regard to ruby, because it’s not as simple as that he misses her and aspires to her optimism; there’s also some underlying resentment there (“you were always so sure that everything would work out…right up until the moment it didn’t” <- paraphrasing) because she was wrong and he wishes he could borrow her certainty but she was wrong. she fell. she was wrong. 

BUT AT THE SAME TIME, everyone else believes that they’re gone forever. that they’re dead. oscar doesn’t. he’s thinking about it in terms of where they might have gone, what might have happened to them, he’s doing research because deep down, there’s a teeny tiny spark of hope that hasn’t been extinguished yet. so there’s this subtext of i wish i had your certainty. even though you were wrong. i’m still trying to find you. we’re still fighting this. you always saw me for who i really was. i don’t know who i am anymore.—there’s this tension throughout the monologue between bitterness and hope, and i don’t know if oscar is even capable of seeing that he is still hopeful or that he does have, if not ruby’s kind of certainty, something of his own that rhymes. he’s feeling this bleak about everything and still trying to figure out where they are because he doesn’t believe they’re dead. 

it was oscar’s idea to put the memorial where the portal had been. it’s taller than a person and shaped like a door. it’s a memorial but it’s also a symbol; the portal is gone, but they were inside it still, we should build our own door so they can find their way home. and then they do, according to the context given. the blacksmith gave them a doorway that went right through their memorial.  ETA: never mind, misremembered

ruby confronting and facing his mortality after running away from it for three volumes to galvanize her to really try to save him vs oscar doing whatever he can think of to somehow save her while roiling in all these complicated painful feelings about how no one cares to know how he’s suffering because it isn’t like there’s any real hope for him. tasty!

[blakemcntgomery]

[BLAKE MONTGOMERY. 32. CIS MALE. HE/HIM] is here! They’ve lived in Asbury Park for [32 YEARS] and are originally from [ASBURY PARK, NEW JERSEY]. They are a [FRONT DESK CLERK AT ROSE MOTEL] and in their downtime love [TAX/IDENTITY FRAUD] and [DEEP RESEARCH]. They look a lot like [DAVID CORENSWET] and live in/on [OAKDALE]. The song that makes people think of them the most is [DEVIL’S ADVOCATE BY THE NEIGHBOURHOOD]. 

��� playlist. ☆ pinterest. ☆ muse. ☆ connections.

━━ ⟢ the basics  full name → blake theodore montgomery birthday → 03/24/1992 big three  → aries sun, sagittarius moon, leo rising 🔥🔥🔥 height  → 6'4" mbti  → entj sexual orientation  → he's not picky 😔 hometown → asbury park, new jersey 

━━ ⟢ personality tidbits - in a nutshell, he's chaos - his emotions overrun his whole life, and it shows - also kinda has a mentality of if he wants to be something he can be without a degree because in the wider sense it's all bullshit and did the dinosaurs have college degrees in business  - that being said, he never sticks with anything long enough to see it through or be dedicated to it, he thinks there's too many options - unfortunately he does fall in love with strangers without knowing them knowing them, and once he does he gets very disappointed and is like “wow how did i miss such a big red flag” meanwhile he's over here looking like a 🚩himself - once a girl he was dating told him he always called people immature or that they were acting like a baby, but really it was him all along who was the immature baby, and that impact it had on him he spent everyday after that proving to himself that wasn't true - he's all about the hustle of getting money, no matter the means  - deep down he's always wondering what his real life purpose is, or if he even has one. he's always combatting himself internally  - he will randomly drop his own lore on people without them asking or saying - he struggles with existential crisis on a daily basis, but mostly about god because he's going back and forth on what the fuck is going on in the universe  - he lacks a filter, or says what everyone's thinking and thinks he's righteous for that  - he may ruin his relationships with everyone, but the one sacred thing in his life is his pets!!!! he loves dogs and cats, and he would die for them or kill for them, no questions asked - he dropped out because he thought he was smarter than his professor - he does what he can to get by because obviously working for a motel front desk doesn't pay all of the bills - whether that's aiding people in tax fraud, or any kind of fraud, intimidation tactics the list runs endlessly - most of the fraud he commits is from the people who check into the motel and it's more or less the skeevy people he can tell aren't the best individuals  - he thinks he wants to be in love, but when he gets into a relationship he's like oh no what the fuck have i done  - thrives when he's living in his own individuality and independence  - screws over a lot of people who were nothing but good to him, friends, relationships, family - deep down he struggles with thinking he's a loser, and he does think about everyone he's ever done wrong, even if he never talks to them about it, or apologizes for what he's done, let alone admit he's done anything wrong - but also he never takes anything super seriously he's like okay calm down we're literally on a floating rock and he disguises his pain with jokes

━━ ⟢ go deeper tw: fire, death, drugs - one of his first core memories is having his feelings invalidated and laughed at by his entire family, from that point on he started to hide his raw emotions.  - he was born into a family of mostly sisters  - i would say he's the black sheep of his family, and the family disappointment wrapped up in one - his family is well off, but they disowned blake when he dropped out of college and he scrapes by because he refuses to go and beg for their help  - his mom and dad are well known psychotherapists and authors, but unfortunately they based most of their writing off of blake  - his parents treated him more like a case study than their child  - they would do things to trigger his reaction, get rid of his pets without so much a warning  - the one time he thought he was having a genuine moment with his dad, he hadn't realized his dad bugged the room to record it and analyze it for data  - after his family cut him off of money, he recklessly broke into their house, robbed them of everything, and set the house on fire, including their cars, etc.  - he hadn't known his sister was inside the house, he purposefully waited outside until he thought everyone was out of the house  - his parents tried to save her as soon as they got back home from dinner, it resulted in his parents being trapped in a room after a beam fell and blocked the door resulting in third degree burns on various parts of their body.  - blake didn't go see them in the hospital, he ran, he laid low for awhile and waited for it all to pass. he paid someone for an alibi, he destroyed any evidence tying it back to him - the following day when his parents and siblings were trying to get ahold of him, he ignored it. he took the money he stole from them and spent it on drugs in a club to try and forget all about it.  - what he didn't know is they were trying to tell him his sister had died from the fire - he didn't go to her funeral, instead he spiraled into what he already knew everyone else thought of him anyway. 

━━ ⟢ connections like i said on sunny's!!! i want all the connections, old classmates, exes, crushes, people he's scammed, people he's worked for to do illegal things for, friends, foes, enemies, people he's robbed, neighbors, people who've checked into the motel, cousins, co workers, situationships, etc etc etc i need it all !!!

[picnokinesis]

What angsty topic/scenario would you think is interesting to put Campervan!Thirteen into?

I am SO sorry it's taken me a hot minute to reply to this one - I was on holiday in Wales and walked a looooong way and ended up very tired rip me (it was great though!!). But I have been thinking about this and HMMM

In general, when I come up with angsty scenarios, a lot of what I'm thinking about is like...'what would be worst for this character in particular' - trying to tap into their specific fears, that sort of thing. I always like to give characters a particular fear, be it something very specific and tangible or more vague and general (or both at the same time!), and then at some point in the story, I'm going to want them to face that fear, OR make that fear drive them to do something they wouldn't normally do otherwise, or maybe make them cause problems for themselves and the plot in some other way. And I also want to know what the ROOT of that fear is, and dig into that too. For example, I've got a character rattling around in my brain for an original script concept, who can see the future and has a maaaaassive complex about not being believed, because as a kid everyone thought their 'visions' were some kind of psychological disorder. Which drives them, as an adult, to collect evidence for EVERYTHING - which is great for their job, which is an investigative role, but less so for their relationships lmao. But their fear is not just in not being believed, or being considered insane (though that is definitely a thing), but also not being able to act on the things that they see and make things happen differently. They have this gift and they're terrified of the possibility that they can see something horrific and not be able to do ANYTHING about it, because the future is already written (or is it? I don't actually know lol) - making the whole thing futile. It's a little existential haha

ANYWAY. All of that to say - with the Doctor in campervan au, there are a few things that she's really terrified of at the moment:

Losing the people she cares about (and her fault in that) - as you know from the series, she is VERY aware of the danger that she actively puts herself and other people in, and the fact that she always seems to come out of these situations alive and relatively untouched, whereas her friends get killed or injured or whatever. Half of her fear of vulnerability and her attempt to keep her distance from everyone comes from this - because if she leaves before anything bad happens, it'll hurt less (and she believes the hurt is inevitable at some point, due to her lifestyle - and, to be fair, she isn't completely wrong lol). But she is also desperately lonely and desperately wants to BELONG, which is why she clings on despite that. One of her biggest fears at the moment is that she's going to get Graham, Yaz, Ryan and/or Grace killed.

Her past and all the things she doesn't remember - basically everything that Koschei embodies - that void in the back of her mind, where she DOES NOT KNOW what used to be there. The fact that Koschei is, well, the way that he is, but also that part of her RECOGNISES THAT, but has no real memory of that (until the end of part 6 ofc, where things are starting to creep in) is terrifying. In part 6, you see the existential crisis that she's having about the whole thing. If a man is the sum of his memories, what does it mean if he loses them? Is it possible to have two separate lives, one before the amnesia, and one after? What happens when the wounds of the past bleed into the present?

Fear of vulnerability - touched on this already, but there's another element to this, because fundamentally the Doctor believes that if she's completely open and honest about things that are hurting and scaring her, then there will be awful consequences. This is an irrational and subconscious fear that runs so deep, it kicked in even when she had no memories at all. If you've read the extra oneshot with Bill, you might find it interesting to note that Bill is probably the first/only person she BEGAN to open up to about things, whilst sitting on that bathroom floor - but then Bill died. Horrifically. And, again, irrationally, it only solidified this fear of vulnerability linking with bad things that happen around her that the Doctor already had. There are other reasons that she feels this way, but obviously that's spoiler territory

Lack of control - this is a big one too, but literally so much about what the Doctor (and Koschei, DEFINITELY Koschei) does is about trying to have a sense of control over things, because feeling like she has no control over what's happening to her is so terrifying to her. She's also desperate to FIX things as a solution, and the idea of not being able to fix something is also horrible to her. Again, there are reasons for all of this!

So then, an angsty scenario that I would find interesting would invoke either one or several of these - and not necessarily head on, either. It's more emotional, and these various things bleed in everywhere, into everything that she does and every decision that she makes. That said, I definitely do explore some of these things in a more literal way - Ziptie AU is like, 'campervan, but make it worse' HAHAH because it starts off with Koschei not giving the fam that keycard at the end, which means that they never escape the lab and thus die in the explosion (number 1, check). But ALSO, the Doctor is captured by the Judoon and co along with Koschei by the end of that night, and ends up being locked up in a lot of rooms and having all her choices stripped from her (number 4, check) - and then, even when she DOES escape, she's ziptied to Koschei and I take great pains to ensure that the plot prevents them from getting access to scissors for at least 24 hours, and even THEN they're still tied together in a more emotional sense, and so she's forced to face him and all that he represents (number 2, check), aaaaaaaaand then she has to deal with being in this awful situation and, eventually, other people coming in and trying to HELP but actually they're making it worse for reasons she can't really explain without sounding NUTS, and it all circles around Koschei, the guy who killed her unofficially adoptive family, who she also can't bear to be a part from because of, well, everything. So, if you squint, that's number 3.

And then, of course, a LOT of this stuff is going to come into part 7 too, when I can finally get my butt into gear and write it. But, for me, the angstiest stuff is going to come in parts 8 and 9 - where she gets the truth of the past revealed to her, and then has to deal with the consequences. One of the true tragedies of this story is that she is never going to magically get all of her memories back, and there is a HUGE AMOUNT of her childhood friendship with Koschei - something that he's defined his entire life of - that she is just never going to remember. There's this uncrossable void between them, and there are things that will never be resolved because they just can't be. No one has the information anymore. On the flip side, in anterograde au, the Doctor COULD have these conversations and actually heal from what happened........only, she can never remember that she had the conversation in the first place. Time heals, but she can't feel time anymore. She's always going to be scared and out of control. (Only, actually, in the end she learns that it's less about her keeping control over EVERYTHING, and more about feeling safe, and clawing back as much independence as she can whilst being able to lean on others and have a support network. And THAT is something that she can and does achieve). It's interesting, I think, because all of these stories dig into the same fears, but in different ways - ziptie is hard feral angst, rancid and bloody, whereas anterograde is softer but still hurts a lot. With campervan au, I'm sort of aiming for somewhere in between those extremes.

[owltypical]

super long dump post about various irl things

a coworker of mine passed away at the beginning of the week. he’d actually left the company back in september, so i hadn’t seen him in several months, and i wouldn’t say we were super close, but. he was on my team, and we saw each other and talked and interacted and spent time together at work hangouts pretty much constantly over several years.

he was only 29. not sure how it happened, just that we heard from his family that it had, and his memorial page and viewing/funeral times were shared with us. it was definitely a great shock to us, i hid myself in the bathroom for a bit and cried. hadn’t cried properly in a long time due to my brain meds, so i had a sadness headache for a couple days.

he was a very pleasant, polite, and nice young dude. politics rarely come up at work though i knew he came from a religious catholic conservative background, but he was pretty socially conscious and angry/disillusioned about a lot of the shit he saw going on; i saw him grow from those roots over that time and i wonder how he’d turn out in the end if he’d been given proper time to finish growing. one of the kindest, most patient phone voices i ever heard.

it sucks so extra hard when somebody suddenly dies young like that. technically he was already out of my life when it happened, but that’s the closest to someone’s death i’ve been in ages, possibly ever, other than i suppose my cousin who passed away a few years ago. i’ve never been to a funeral, the few deaths i’ve encountered have been very distant and slightly unreal, even with family. but this was someone i knew and saw irl and who was part of my everyday life for quite a while; now he’s just suddenly gone, he’s ceased to exist. just memories and pictures.

literally the next morning after that another of our team members had some sort of medical episode at work; paramedics came and took her away in an ambulance. not sure what happened, she seems to be fine now thank god, but it was very scary at the time. that one-two punch in less than 24 hours made for a very mentally and emotionally strained week for us; so far 2023 for me has been kind of muted and spent grieving.

speaking of brain meds: started a new mixed dosage of stuff just today. the previous prescription was helping, but not enough, and had side effects that i felt were hampering my progress elsewhere. hopefully this new combo works out! i want more energy during the day, i want to sleep better at night, i want to have this dumb brain in a more orderly shape. i want to feel artistic and draw again.

not sure what i’ll do if i start feeling better about art again, though. i keep fretting that i just don’t have it in me to do big detailed print-ready longform comic stories, and never really have, despite how many times i’ve tried over the years. maybe i really do just need a partner to work with, i don’t know. i’m also second-guesing myself about the overall setting of outliers. i was always very tickled by weird/background stuff in comic book superhero settings since my youth, but the last few years i’ve completely soured on exactly that; the absolute glut of comic book movies and tv series have been overwhelming and tiring and obnoxious, it’s made me very jaded about the whole thing. and i don’t want to be seen as part of riding on that particular bandwagon either.

kind of trying to figure out what the hell to do in general. i make enough to survive just fine, but not enough to actually grow or go anywhere or make any real changes. affordable housing is nonexistent these days, absolutely everywhere, not just the places i would actually be interested in moving to. wages suck, everything costs way more now, good luck getting where you’d like to go without selling a few organs and cramming into some hole with three other equally desperate roommates. i’d donate plasma but apparently one of my arms has bad invisible veins so i got told to go away.

it’s real existential crisis times over here, i guess. i’m less than two years away from 40 now; i thought i had more time to figure some things out but an injury and good ol’ covid stole a large chunk of my prime 30s away from me. i want to move and improve my station in life, but how? i want a partner, but dating’s hard, especially the older you get and especially when you’re ace. i want to draw, but i worry that i don’t truly have the stamina and time to do everything i want to do, and that i’m running out of time in general. it’s stupid, i know it’s just youth-oriented culture and the world’s aggressive ageism messing with me, but it’s hard to feel like the countdown to 40 isn’t some sort of doomsday clock terror. too late for love, too late for family, too late for careers and making something of myself artistically. brains are stupid.

well. here’s to the brain in question getting better via updated meds, and here’s to 2023 having something good happen during it, i suppose. i hope.

[words-writ-in-starlight]

modern reincarnated song lan/xiao xingchen first meeting with both their memories back 👀

KIDS IT’S BEEN A WHILE SINCE I WROTE A FIC TO PROVE IT (I’mso sorry Les Mis fandom) BUT REINCARNATION FICS ARE STILL MY JAM and oh boy amI ever going to make it the Songxiao fandom’s problem.  It’s also been a while since I postedsomething for that five headcanons meme, but I’m on lockdown and except for goingto the grocery store a week ago I literally haven’t left my apartment in goingon five weeks, so like, I’m officially still doing that meme.  Not QUITE the prompt, but a cousin of theprompt, and it’s 3:18 AM so you’re not my boss.

ONE

Song Lan remembers the very first time he sees XiaoXingchen.  Xingchen is eighteen, a yearolder than he was when they met before, wearing a white shirt and a messy bun, andSong Lan takes one look at him in a grocery store and almost knocks over adisplay of oranges.  It’s—a lot to takein.  Xingchen looks exactly like himself,like Song Lan remembers him from—from before. He’s talking with a store employee, a basket in one hand and the otherholding up an apple.  He looks apologetic,with the mild smile that he always wore when he felt like he was imposing onsomeone’s time, and he’s saying something about being sorry, but please couldhe have some help choosing.

Song Lan’s ears are still ringing and his chest is still aching andhis hands are still shaking, but his voice is clear and steady when he hearshimself say, “I can give you a hand.”

Xingchen turns toward him, a startled look on his beautifulface, and Song Lan’s throat threatens to close up on him, because Xingchen’seyes are a clear light brown more familiar than anything in the world, and theydo not focus on him.  He has a white canetucked into the corner of his arm—blind, still.

“I couldn’t impose,” Xingchen demurs immediately, and Song Lanshakes his head.

“It’s no imposition.  I—I don’thave anywhere else to be.”  Song Lan castsaround a little desperately for an excuse, a good reason for Xingchen to lethim help, let him stay under the light of that smile, and says, “I’m supposedto be studying for an exam and if I didn’t get out of the apartment I was goingto tear up my textbook.  You’d be savingme three hundred and fifty dollars.”

Xingchen laughs, then, and Song Lan doesn’t know what hisface does, but the employee gives him a mildly pitying glance.

“Well, I suppose I had better, then,” Xingchen says, warm andamused.  “I normally come with one of myroommates, but one of them is sick.”  Heholds up the apple to Song Lan and says, “I’m Xiao Xingchen.”

I know,Song Lan almost says.  He doesn’t.  He takes the apple and says, “This one isbruised.  I’m Song Lan.”

TWO

Xiao Xingchen, for his part, doesn’t remember for three weeks.  It’s a piling up of little things that weardown the wall hiding the past, for him, but the last straw, the crack that bringsthe dam down, is nothing at all: his roommates are usually good about makingsure to keep all the silverware in their assigned places, so that Xingchen canfind them, but that day, one of them, a study-abroad student named Morgan,forgets, and he slices open his palm on a knife.  She’s horrified and sorry and he has to talkher down from calling an ambulance, and she still insists on bandaging his handfor him, which he appreciates.  It hurtsand pulls all evening, and when he goes to sleep, he has a terrible nightmare.

This is nothing new.  XiaoXingchen has had terrible nightmares all his life.  Sometimes he even sees in them, which hewould find academically interesting if it were happening to anyone else—all thecolors are right, every line detailed and familiar.  He can’t read characters, but he knows theengravings on the swords.

It’s not a seeing dream that night.  It’s a dream about darkness and lies anddying, and there’s blood drying sticky and hot on his hand and sleeve when he sobshimself awake, from where his hand is clenched into such a tight fist that itseeped through the bandages.  His handfeels like someone’s laid a match to the cut, and he has a headache likenothing he’s ever felt, a bone-deep spike of pain behind his eyes, and he needs—

His hands shake as he grabs his phone and manages to pull upSong Lan’s number.

THREE

Song Lan has the gift of waking up to a vibrating phone—which isto say, he worked in retail for three years before he got into teaching school,and still has anxiety about it.  Thephone is already at his ear and he’s saying “This is Song Lan” before he’s evenawake.

“Zichen?”

“Xingchen?”  Song Lan issitting up and doesn’t really remember how that happened, and he’s staringwide-eyed at his desk through the dim city-twilight creeping around his darkcurtains, and Xingchen’s voice sounds ravaged on the other end of theline.  “What’s wrong?”

“I—please, Zichen, I—”

“Are you hurt?” Song Lan demands, and he’s already on his feet,the phone pinned between his cheek and his shoulder as he grabs whateverclothes are near at hand.  

“No,” Xingchen says faintly. “Wait—yes.  My hands—no.  Just my right hand.”  He makes a noise that sounds like it might,theoretically, be a laugh, if he stopped crying.  “I cut it on a knife, Zichen.”

Song Lan thinks about the world-ending feeling of remembering XiaoXingchen, and tries not to love the sound of Xingchen’s voice saying Zichenagain, and that moment, when he’s already dragging on socks with his keys inhis hand, is when he finally, finally catches up.

He stops cold, one shoe on. “Xingchen—do you remember me?”

“Yes,” Xingchen whispers. “I remember everything.”

Song Lan shuts his eyes for a moment and really, really hatesXue Yang.  “I’m coming over.”

FOUR

Xingchen’s roommates are not going to appreciate him having his “weirdfriend with the scary face” show up at three in the morning and waking them upby knocking on the door, but on the other hand, Xingchen knows he probablylooks…bad.  He knows he has blood leakingfrom his hand, and he can feel that the cut is probably worse than he thought,and he can hear one of them make an alarmed sound as he wavers on his feet inhis bedroom door, but then Song Lan stops knocking politely and startshammering on the door with the side of his fist.  Xingchen makes a helpless gesture with his bleedinghand, and hears someone fumble the lock open and immediately scramble back toget out of the way.  They’re scared ofSong Lan for some reason.  

Xingchen can’t imagine being scared of Song Lan.

“Xingchen,” Song Lan says, Zichen says, and Xiao Xingchenknows, like he knows his own name, that Song Lan doesn’t like to be touched,but he can’t stop himself from reaching out. He stops when he can feel the warmth of a body beyond his fingertips anddoesn’t go any further.

“Zichen.”

Song Lan’s hand closes around his bare wrist without hesitation,and he forces Xingchen’s hand palm up, and says, “You’re bleeding.”

“Yes,” Xingchen says, starting to laugh.  He’s not sure why he’s laughing.  He thinks he might still be crying.  But Song Lan is here, touching Xingchen inthe measured, intentional way he always did, and it seems obscurely hilariousthat he expects Xingchen to care about something as petty as bleeding.  “Yes, I am.”

“All right,” Song Lan says softly, like he’s answering aquestion that hasn’t been asked.  “Comeon, Xingchen.  Let’s get a look at yourhand.”

Xingchen hates to be led around by the hand, like a child, buthe goes easily when Song Lan pulls him toward the bathroom.  Song Lan lets him rest his head against SongLan’s hip, while those familiar hands dab blood from his skin and peel away thesoaked bandages, and Xingchen listens to Zichen’s low voice, and tries tobreathe.

FIVE

So, Song Lan isn’t going to class tomorrow.  He send the emails from the emergency roomwaiting area, on his phone, with Xingchen sitting beside him and holding asmall pile of gauze to his palm.  Xingchenhas been quiet since Song Lan announced that they were going to the hospital,but he went without a fight, admitted that the laceration was worse than it hadbeen before—from the clench of his fist in his nightmare, apparently.  His hair is tied back into a braid that curlsover his shoulder, and he forgot his cane, and Song Lan washed the smearedblood from his face and didn’t throw up at the memory of watching Xue Yang dothe same, and—

“I missed you,” Song Lan says quietly, and Xingchen turns towardhim.  All at once, all the things thatSong Lan planned and imagined and dreamed of saying are piled up behind histeeth, trying to force their way out in a rush. “I’m—so sorry, Xingchen. Everything—it was all my fault, I was so cruel to you.”

“Zichen,” Xingchen says, and he sounds so tired.  His head tips toward Song Lan’s shoulder, buthe stops, just like he did before, just like he always has, a little distancefrom touching.  Xingchen always lets SongLan be the one to close that last gap, always lets him choose how and when andwhere he’s willing to be touched.  Hedidn’t need it explained to him when they first met and doesn’t need it thistime.  Song Lan has missed him so much.

“I’m not—I never had your gift with words,” Song Lan goes on, somefeeling rising in his chest that he can’t name, something nearly frantic,because he’s not Xingchen, has never been Xingchen, has never had the rightwords at the right time even when he needed them most desperately.  He wrote so many versions of thisconversation in his head, before, that he can’t pick one now.  “But I—I am so sorry, Xingchen.  I should have done better by you, I was—I wasthoughtless, and you suffered for it--”

“Zichen,” Xingchen says again, weary, and Song Lan shuts up.  “I only regretted being blind when it killedyou,” he says, in a low murmur.  “When itkilled all those—and that—that was not your fault.”

“But—”

“Enough,” Xingchen says.  “You’reforgiven.  You were always forgiven,Zichen.”  He smiles a little.  “Besides, I should be the one apologizing.”

“I won’t listen,” Song Lan says, trying for humor.  He never did have the talent for being funnywhen he meant to be, but Xingchen smiles a little more.

“I missed you too.  Allthe time.”

Song Lan thinks briefly about kissing him.  Maybe later. Instead he reaches up and tips Xingchen’s head onto his shoulder, andsays, “Keep pressure on your hand.”

“It’s not bleeding anymore.”

“Good.  Keep pressure onit.”

AndXingchen laughs, with his cheek resting on Song Lan’s shoulder, and Song Lansmiles a little himself.

[mandos-sluts]

The Escort

The Mandolorian x Fem!Reader

Rating: Explicit

Wordcount: 2.8k

Warnings: Smut, rough sex, mentions of sex work, daddy kink, sharing a bed trope

Summary: You are introduced to Mando, who has been hired to escort you through the outer rim. You recall the one other time you had met him before.

It was around seven months ago that the incident occured. You had been training under Jedi Knight Luke Skywalker for years. But leading up to your escape, you had begun feeling resentment toward your master and the entire Jedi order. You were having an existential crisis and questioning everything you had learned and were supposed to preach. One day, you and Luke were in a particularly bad argument, and you snapped. You packed your bags and decided to abandon the Jedi order.

You were only gone for a week. Luke managed to track you down on some underdeveloped planet, and by that time, you had cooled off and were thinking clearly. You and Luke returned and resumed your training.

The week that you went rogue was pretty uneventful. You seeked refuge in this small mining town and figured you needed to get a job. Unsurprisingly, it was very slim pickings, and your best option ended up being sex work. This was a fine work placement; the job paid relatively well and the owner of the brothel was a sweet old woman who protected the sex workers. Again, the week was fairly mundane and you only serviced a few clients.

**********************************

You had been assigned a diplomatic mission which required you to travel to some planet in the outer rim. You were all ready to go and were walking toward your ship when Luke approached you with some Mandalorian.

“Y/n, I would like to introduce you to Mando.” Luke said. You and Mando shook hands.

“Nice to meet you.” You said with a straight face. The Mandalorian seemed really familiar to you, but you couldn’t figure out why.

“He will be escorting you to the system.” Luke said with slight hesitation, already knowing how you’ll react.

“What!?” You said with confusion and slight offence. “Why would I need an escort? I’ve traveled solo to dozens of planets on dozens of missions.”

“I know, y/n.” Luke said, taking in a breath. “But the Jedi council thinks that it is best to err on the side of caution right now. The outer rim is dangerous and the Empire is growing. And we’ve seen their desperate interest in capturing young force-sensitive beings.”

You cross your arms and turn to look at the Mandalorian. He hasn’t taken his eyes off of you since you shook his hand.

“Why aren’t you just coming with me?” You say turning back to Luke. “What makes this random Mandalorian more capable than me? Why should I trust him?”

“I have other duties to respond to.” Luke says. “But y/n, Mando is the one who saved Grogu and delivered him to us. The Jedi council trusts him completely. He’s fought off the Empire– Moff Gideon, most notably– several times. He is the best one to have at your side if something goes wrong.”

Let out a breath, signalling your annoyance and you turn again to look into Mando’s visor. “Does he speak?” You say sarcastically while maintaining your stare at him.

“Not often.” Mando returns in a deep modulated voice. That voice, you recognize it. You have met him before, you know it. But where? Where could you have met him– then it hits you. The brothel. He was one of your few clients a couple months back when you were a sex worker!

A flood of memories come pouring in as your face gets red. You remember the one thing that made that week exciting, and it was the Mandalorian. He fucked you like no one else ever had. You were sore for days after. He gave you the best pleasure you had ever felt.

You try your best to gather your composure and act like nothing has happened. “So….so he’s just gonna co pilot on my way there?” You ask with your cheeks still slightly flush.

“Well...no.” Luke says. “You two will be traveling in Mando’s ship. The Razor Crest is essentially undetectable, and again, we think it’s best that your whereabouts remain unknown.” Mando visor is still glued on you. You look down and fidget with your fingers.

Luke senses your unease. “Listen, I know you’re not crazy about this arrangement, but you’ll be in good hands with Mando. Alright?” He says putting his hand on your shoulder.

“Okay.” You say back with a nervous half smile.

You and Mando walk in silence to the Crest and make your way up to the cockpit. You feel so unbelievably awkward. Does he remember you? He must. But he didn’t seem at all caught off guard when he was introduced to you?

The Crest departs and you two sit in deafening silence. All you can think about is how the last time you met, he was fucking you senseless over a dresser and wispering the dirtiest things in your ear.

Finally, you gain the courage and turn to him. “So...Do you remember me?” You say.

“Yes.” Mando returns looking straight ahead. He turns his head and looks at you. “Do the Jedi know that you’re a former whore?” He says casually.

“Yes.” You say, somewhat angered by the insulting insinuation. “Of course they know. But I’m not a former sex worker, per se. I only worked there for a week. Consider it a sabbatical from my Jedi training.”

“Interesting choice for a sabbatical.” Mando says.

You didn’t feel like explaining the actual reason for your working at the brothel. He was kind of rude and you owed him no explanation. At the same time, however, his shortness and nonchalant demeanor were kind of hot (actually very hot). He was so confident and sure of himself. He also smelled so good and his muscles were evident even under the beskar.

The trip is about two standard days, and since the Crest only had one sleeping area, you and Mando stopped off at some planet for the night to sleep and eat.

It was already dark by the time you and Mando made your way into town. Just walking down the street, people would move aside or step back for Mando. Nobody wanted to upset a Mandalorian, and you found it incredibly hot that he was so feared.

It was a very small town with only one tiny inn. You and Mando walked up to the front desk. “I need two adjacent rooms.” Mando says, throwing more than enough credits on the desk.

“I– I’m sorry sir, but we only have one vacancy tonight.” The woman at the front desk stutters.

You turn to Mando. “I can stay here and you can sleep on the Crest?” You offer as a solution.

“No.” Mando says. “I’m not leaving you alone. The whole reason I’m here is to protect you.”

Mando turns to the woman. “Does the room have two beds?”

“I’m sorry, but the room only has one bed sir.” The woman says apologetically.

Mando lets out a sigh. “Fine.” He says shortly. “We’ll take it.”

The room is pretty small, as is the bed. You wash up in the fresher and change into your sleep wear, which consists of a snug tank top and some loose cotton shorts. After you're done, Mando uses the fresher as you get in the bed.

Mando exists and sits on a chair in the corner of the room. He crosses his arms, stretches his legs out and puts his head back. “Get some sleep, we’re leaving early tomorrow.” Mando says.

You sit up in the bed. “Mando, we can both fit in the bed.” You say flatly.

“I’m fine.” He abruptly replies without lifting his head.

“Seriously, Mando, I don’t care. I’m gonna feel bad if you sleep on a chair. Come on.” You say.

Mando lets out a breath. “Fine.” He says as he gets up and walks towards the bed.

You scoot over as close to the wall as you can and face the wall. Mando strips off all of his armour except for his helmet and removes his gloves. He gets in the bed next to you, also facing the wall. There’s a good four inches between the two of you, and Mando made a point not to use the blanket.

You’re so glad he got in the bed with you. You want nothing more than for him to fuck you like he did before, and you can’t think of a better way to make that happen than sharing a bed with him. Slowly, you inch your way backwards until your butt is against his crotch. You remain still for a few minutes, but then slightly adjust your position so as to rub your ass into his groin.

Mando twitches at the feeling of you grinding against him and turns around so that you are back to back, trying his best to avoid an erection. But then, realizing he is too close to falling off the bed facing away from you, he turns back around. You shift once again, rubbing your ass against his hardening cock. Mando can’t tell if you are innocently trying to get comfortable or you are trying to tease him. Either way, this is a job for him, so he figures things should remain professional. You, however, were not relenting. Pretending to be drifting asleep, you again roll your ass over this now hard member.

Mando grunts and gets out of the bed and goes to the fresher. He turns on the faucet, takes off his helmet, and releases his long thick cock from the confines of his pants. Spitting into his hand, he gets right into it, taking his length and stroking it fast. He puts his free hand against the wall and puts his head down. He thinks about your tight pussy squeezing his cock as he jerks himself off, trying to get rid of his boner. He grunts as quietly as he can and stifles his moans. Thinking back to that day at the brothel, he thinks of you calling him daddy, begging for his cum; he imagines that your throat is between his large hand and the wall. He comes and lets out a deep breath.

You lie in bed, knowing and just barely hearing what he is doing in there. You are upset; you feel kind of rejected. But you’re not yet discouraged– you got him hard, why should you not reap the rewards? You decide to just double down and do it again, assuming that he won’t take a second trip to the fresher to jerk off.

Mando gets back in the bed, relieved that he had dealt with his erection and hoping you were asleep. But not any sooner did you start back up again. You move and rub your ass against his groin and let out the faintest moan. And just like that, you feel his cock grow hard against your butt.

He let out a hard sigh.

“Stop” he commanded, not bothering to whisper.

“Stop what?” You reply.

“You know what you’re doing.”

“Oh?” You say continuing to grind your ass against his bulge.

“And if you don’t stop, you’re the one whose going to be taking care of it this time.” He said as he lightly grabbed your throat.

Your arousal shoots up at his words and actions, and you can feel it in your pussy.

“Would that be such a bad thing?” You purr.

“What a fuckin tease you are.” He said shoving his bulge against your ass and tightening his grip on your throat.

“Mmmm, don’t act like you don’t like it, Mando.” You say. You pause for a moment and close your eyes. “I would finger myself every night thinking about the time you fucked me. I could feel you in between my legs for weeks after you left.”

Mando hums a sound of approval. “That’s right, pretty girl. No one will ever be able to fuck you the way I can.” He says slipping his hand into your shorts. His fingers glide along your soaking wet folds and you let out a whine.

“What a needy little thing you are, so fuckin desperate for me to fill your hole.” Mando starts pumping his middle finger in and out of you as his thumb rubs your clit.

“Fuck.” Mando growls. “I forgot just how tight this little cunt of yours is.”

Your moans get louder and your mouth opens wider as he picks up the pace. Mando moves his other hand from your throat to your mouth and pushes two fingers into your mouth. You suck them while continuing to moan.

“I went back to the brothel a week later, but they said you had left. I’ve fucked so many other whores since then but none were as good at you baby girl.” Mando says as he adds another finger.

Mando drives his fingers in you at an ungodly pace, hitting your G-spot over and over again. His thumb rubbing vigorously over your swollen nub.

“Fuck, I- I’m gonna cum.” You manage to say.

“Do it.” Mando commands and he grips your throat even tighter.

Your back arches and you grab Mando’s arm that’s fucking you with both your hands, digging your nails into his skin as your orgasm falls over you. You scream out his name and try to pull his hand out of your pussy, the overstimulation pushing you over the edge. But Mando nevertheless continues to rub your clit and finger you hard.

“Ohh, no, little girl. Try to push me away and I’ll just fuck you harder.” Mando says.

Your climax reaches its peak and Mando can feel his fingers getting clenched by your cunt. He finally slows down and pulls his fingers out of you, his grip on your neck loosening as well.

Mando unbuttons his pants and pulls out his throbbing erection. The feeling of it against your butt makes you jump. He yanks your shorts down. He rubs his head through your folds a few times before slowly beginning to enter you. You gasp and grab the sheets of the bed. Your mouth opens as wide as possible as you feel your cunt being impossibly stretched.

Mando lifts his head to watch your reaction. He loved the fact that just a third of his length completely destroyed you. Mando does a few slow thrusts with only half his cock to ready you for the rest. Just when it’s shifting from pain to pleasure, Mando shoves the rest of his length into you as hard as possible. You quite  literally scream at the top of your lungs. Mando knew exactly what he was doing, making you think he was going to ease you into it, before unapologetically thrusting all the way into your hole without any warning.

“Ahhh.” Mando grunts. “You’re the perfect little cocksleve for me.”

He trusts in and out of you while breathing heavily. The bed is banging against the wall every time he slams into you. The room next door is sure to hear but neither of you care.

Mando grunts and props himself up to lean on his elbow. He grabs your thigh and hooks it around his arm, getting a better angle and letting him fuck you faster and deeper. Your moans become outright screams as his unbelievably large cock rips you open. Anyone listening would surely think you were being tortured.

“Fu— fuck! Fuck yes daddy!” You manage to say between thrusts. Mando growls at your calling him daddy.

“You want me to cum inside your pretty little cunt?” Mando says.

You could barely speak, your mouth was wide open and your eyes had rolled to the back of your head. You’re able to muster out a “Y-yes.”

“Beg me.” Mando says as he grips your leg even harder. “Beg for my cum you little slut.”

“Please daddy, I– I want you to fill me up with– with your cum. Until it’s dri– dripping out of my pussy.” You say.

Mando moans and you can feel his cock tightening inside of you and his ropes of his cum coat your insides.

“Fuckkk.” Mando says pulling out of you.

You let out a high-pitched breath at the loss of his member. Mando puts his length back in his pants and sits up on his knees. He grabs one of your legs and swiftly slides you down the bed so he is on his knees in between your legs.

He aggressively pushes your legs further apart, looking down at your abused hole. His white juices are leaking out of it.

“Your pussy looks so pretty overflowing with my cum.” Mando says. He takes his middle finger and traces the lips of your cunt, then shoves it as far into you as it can go. You let out a yelp and your back arches at the pressure. “And I don’t want you wasting a single drop.” He repeats his action, plunging his finger into you. Pulling it out, he brings it to your lips and shoves it in your mouth. You swirl your tongue around it before he pulls it out.

“Mmmm I forgot how good you taste.” You say.

Mando leans over and grabs your shorts, and you pull them back on. Both you and Mando fall asleep quickly.

**********************************

“I should escort you on more of your missions.” Mando says slapping your ass as you walk out of the inn.

You look up at him. “I’ll make sure to tell Luke how pleased I was with your services.”

**********************************

Masterlist

[devildomimagines]

For shit’s and giggles, let’s have the Brothers react to a pregnant MC. She’s 5 months and showing so when they see her groaning in pain from landing badly from the portal, they notice her covering her stomach and she’s like “I could’ve hurt my baby, asshole!”. Let’s say the dad’s not in the picture but MC just wanted a kid and didn’t expect to deal with Overlords of hell while she’s gonna go through a rollercoaster of emotions and cravings. (I also wanna see em lose it when she goes into labor a couple months while they’re at one of Diavolo’s parties cuz I love chaos and just wanna see everyone but Barb panic)

Hi Anon! Thanks for your patience while I worked on this!

This was a little tough for me since I’ve never been pregnant 🤣 I hope this is some of what you were looking for!

Edit: I wrote some of this for the formerly Undateables, check it out here.

Belphegor

*Existential Crisis Ensues*

After the events of Chapter 16…. Oof.

He didn’t know but damn does that stoke his grief to be red hot and blistering once again.

When he recovers enough to pledge himself to caring for you, he builds the best nest to sleep in. 

You never have a restless night with him making sure there are enough pillows to support your stomach or under your back and blankets for whether you are hot or cold.

Going into labor: For once not sleepy. He is a demon on a mission. Once he gets you to where you need to be, he collapses for some rest and earns a bed next to yours.

Beelzebub

“Baby?” 

He was not aware, he innocently thought the weight was just because you were eating with him more.

He went to Lucifer first to get some guidance, he’s already starting to worry.

He’s very gentle with you from then on, offering a helping hand wherever you may be going. You’d have to remind him that you’re still sturdy enough to walk otherwise he would carry you everywhere.

The best at dealing with food cravings because he has them too! He even opens your eyes to weird food combinations that surprisingly work well.

Going into labor: Poor baby, and not the one coming out of you. He loses his appetite as you tell him what’s happening.

Asmodeus

“Baby!?”

He didn’t know but he’s excited!? A baby ‘you’ would be so cute!

He definitely knows all the tricks for moisturizing to minimize stretch marks, massages to relieve tension, and foot rubs for swollen feet.

Almost immediately starts buying baby clothes and planning baby photoshoots.

You do have to tell him a few times that what he’s doing is too much and you’re too tired. He respects that but he won’t stop trying.

Going into labor: I feel like Asmo would have a bullhorn ready to go yelling at people to get out of your way. It’s much more embarrassing but he’s doing his best.

Satan

You know the surprised face he makes with a hand on his chest, yeah that.

He has a vague idea about human pregnancy and labor, I can’t imagine it didn’t come up in any of his readings but he looks into it further now.

Surprisingly, he handles the mood swings the best, probably because he’s been through it with his anger. He gets it.

Satan is very thoughtful and considerate. Orders you decaf tea when you go out to his favorite coffee shop and offers to pay for any baby books if you express a need.

You absolutely change his world when you let him feel the baby kicking. That’s when it took a whole new meaning to him, this was life.

Going into labor: You probably told him your birth plan so he knows where to take you and what you need just from memory. 

Leviathan

Frozen in place until it finally registers, “What?”

Really awkward around you for the rest of the day.

Furiously does research that night, scouring the internet for as much as he can digest about humans’ pregnancy and babies. He finds some really obscure complications and issues and then he’s scared for you.

The next day he’s watching you nonstop. You ask him what’s wrong, he says nothing but continues staring.

With his Akuzon account, anything you could need he can get in less than a day, just say the word.

Going into labor: Probably running away, I’m sorry if you thought he was going to be helpful with that.

Mammon

“B-b-b-b-baby?”

Whether you two have been intimate or not, he’s still sweating and counting on his fingers to try to figure out if he’s somehow the father.

He goes to Lucifer, “Hey! Did ya know about this?” And just motions to the whole of MC.

He steals borrows a baby book from Satan and starts spouting random facts to prove he’s knowledgeable. “A woman’s uterus will expand about 500 times its original size during pregnancy.” Thanks, Mammon.

Was he attached to your hip before? Yes. Is he even more so now? Also yes.

Going into labor: Confused but he got the spirit. He definitely thought the baby was going to be born right there if you pushed it out so he’s yelling “Don’t push MC! Keep it in!”

Lucifer

The only one of the brothers that actually knew you were pregnant as it was in your file/application for the exchange program.

Still kind of offended you took that tone with him but may start to worry about you more.

He already has a soft spot for you so you could ask him for anything and he’d do or get whatever you need.

I think he would know the most about human pregnancy since he probably had to prepare in advance to present the idea to Diavolo.

If you want a special treat, definitely have him feel the kicking baby. The warmth and love on his face is 100% worth it.

Going into labor: Obviously, the most together to handle the situation but the flashes of worry and concern in his movements and reminds you that he’s not unmoved and even the Avatar of Pride can get flustered.

[stxleslyds]

LET’S TALK ABOUT BATMAN AND ROBIN #20 (2011).

And the issues that followed that story (Batman and Robin vol.2 #34-37)

DC and the fandom really let Bruce get away with what he did to Jason in that issue. DC because they had Jason go back to Bruce a few issues later to finish their story and the fandom because this moment in comics isn’t talked about enough which has led people to believe that the the concept of “batfamily” as it is in fandom belongs in canon.

This type of moments in stories should make a bigger impact on comic relationships and fandom’s perception of said relationships. From where I am standing Bruce’s actions in that issue are right on the edge of unforgivable and they could have used them as a key moment for Jason to finally move on from all Bat related bullshit without thinking that he had to stay and finish the job (of getting Damian back).

Making Jason move on so easily from that situation really makes it look like if Batman is physically, emotionally, or mentally abusive to his children then it’s not that much of a big deal, it’s just a subplot to a bigger story.

And that is something that happens repeatedly in current comics and it’s disgusting.

Anyway, now that I am done with my rambling, I will start talking about the issues that I mentioned.

Batman and Robin (2011) #20 – Written by Peter Tomasi.

For a little context, this issue is set after Damian’s death and Bruce is looking for ways to resurrect him.

And in this particular issue of this run, Batman recruits Jason Todd between the events of RHatO vol. 1 #18 and #19, that’s why in the cover of the issue the name of the run is changed to ‘Batman and Red Hood’.

A bit more context is that in issue #18 Jason finally recovers from the injuries that he got when the trap that Joker had put on his helmet detonated, and Jason was also having an existential crisis after the Joker convinced him that he was always present in Jason’s life and that he shaped the man that Jason had become (If you want to read more about that and the times' Joker has played with Jason’s mind, I have this post in which I talk all about that).

Good, now I can finally talk about this hellish issue.

Bruce asks for Jason’s help because he wants to take down some marksmen and women that are based in Ethiopia that might or might not have been the same people who took on the job of looking for Damian when his mother had put a bounty on his head.

One would imagine that Bruce calling Jason for this job means that he would let Jason kill some people, bounty-hunters that are money-driven enough to kill children seem to be the kind of people Jason would have in his black list, but Jason is smart and he knows that Batman won’t let him kill so he asks why is Bruce asking him of all people to join him on this mission, Batman replies with “Because I am seeing red”.

If you, like me, don’t understand why Batman would ask the Red Hood to stop him from killing some very shady people then don’t worry, Batman was lying, he didn’t ask Jason to go with him to beat some bounty-hunters, he has ulterior motives.

I will give it to Tomasi, he wrote Jason as the smart cookie that he is because Jason doesn’t stop picking up on the weird technicalities of the mission, and I will go as far as to say that Jason never truly believed that Bruce was being honest about the true nature of their mission. Smart Chonky, I miss you and love you.

Once they get to Ethiopia Bruce starts setting the rules of engagement (don’t shoot to kill, only hands, knees, and elbows), and off they go. Bruce even makes a comment about how it “feels like old times” and Jason is all happy and warm that Bruce invited him to beat some baddies and he also brings up the fact that Bruce stayed by his side while he was recovering from his injuries, very lovely stuff that will soon mean nothing (and that should have meant nothing because Bruce and his lies had resulted in Joker knowing all of their secret identities and messing with all of them in horrible ways, but the Bat can get away with that too).

Here is part of Bruce’s speech about trust and his lies, “You don’t ever need to thank me, Red Hood, for a family always looks out for each other” to which Jason says, “Yeah but a family also needs to earn each other’s trust” and Bruce continues his speech with, “comes a time when having to keep earning someone’s trust stops and you hope the people you’ve put your faith in will always have your back no matter what”.

Batman, everyone, master detective and master manipulator.

As Batman is talking manipulating Jason he beats every bounty hunter almost effortlessly because he had brought some bat-gadgets that were going to make the fight really easy. And as the fight is over in what looks like a minute Batman and Red Hood get on the Batmobile ready to leave Ethiopia… or not.

Jason is very aware that Batman didn’t need him for that so-called mission so he starts to ask more and more firmly about the real reason as to why Batman brought him to this place.

Batman brought Jason back to Ethiopia, but most importantly back to the Magdala Valley because he wants to see if Jason going back to the place where he died will make him remember how he was resurrected.

Yep, talk about having messed-up parents. Bruce is positively the worst at this moment, but it gets worse.

Jason is rightfully pissed off, he says, “You lied to me, this wasn’t about taking down those mercenaries. You wanted to bring me here, to the worst place in the world and here I was starting to believe all your crap about trust and faith...”

To which Bruce says, “I thought bringing you here could jog your memory, maybe retrieve a detail buried deep in your subconscious that could help piece together how you came back to life so I…”

And my man Jason really continues his thought process only to later tell him how much of a piece of shit he truly is (I love this Chonky, go Jason show this man that he ain’t shit).

“…could apply it to getting Damian back. Yeah, I get it. Did it ever occur to you I might like keeping whatever the hell happened to me buried deep? If you cared about me, you wouldn’t want me to dredge up the one thing I’ve been trying to forget. I don’t want to remember the most horrific day of my life all right? You may like wallowing in your tragedies, Bruce, but I’m done looking back!”

Jason, bravo, tell him exactly how you feel! Any sort of good human being would surely accept that they crossed a massive line and that they should ask for forgiveness next, right?... Right?

No. And that’s because Bruce is a horrible human being, I am sorry but it had to be said, this man has zero empathy for Jason and he proves it when he says the following.

“If you cared about me and what I’ve lost, you’d want to dredge this up! Don’t you see, there is a chance you can help me erase one of the worst days of MY life, Jason! You can give me the greatest gift of all and help me figure out how to bring my son back”

Fuck Bruce Wayne. This man has no right whatsoever to talk this way to Jason, no matter how you see this situation, the whole thing is fucked up. Bruce puts his needs above Jason’s feelings and he diminishes Jason’s position as his son because Bruce only refers to Damian as his son. This whole thing is incredibly nasty.

Here we should have had the point of no return for Jason and Bruce’s relationship, although if you are like me, you might think that the point of no return happened way back in Batman (1940) #650 when Bruce decided that saving the Joker by throwing a batarang at Jason’s neck (how did he know that Jason would survive that, I have no idea, maybe Bruce can see the future) was a better option compared to Jason finally killing the clown. Because that’s the thing, Jason was going to kill the clown but Bruce didn’t let him because he didn’t want more blood in Jason’s hands, I laugh until this day about how stupid Bruce’s thinking was there.

Anyway, the point I was trying to make is that Jason should have said bye-bye to Batman and all related Batman crap from this moment on. It would have been perfect but DC can’t help themselves and Lobdell’s self-insert-Jason really wants to be part of this amazing family so, no luck for Jason or us.

If you have read my latest post about Joker getting under Jason’s skin or read issue #18 of RHatO you know the context of what Jason says next.

“Yeah, and how about me? How about the gift of not knowing that the Joker manipulated my entire life, huh? The clown tainted everything, the good, the bad, hell my life’s even been tainted by you!”

Yup, Jason was going through it, and he had talked about these feelings with Bruce previously in issue #17 of RHatO, he had asked Bruce if he thought that Joker had created him and Bruce said, “No Jason, He didn’t make you, I never did either. You made you” and Jason was extremely thankful for that. And now, here we are, these feelings are being brought up again but in a very different situation.

Them arguing becomes a physical fight and after Jason asks Bruce “why are you making me stand in the exact same spot he beat me to death?” He replies this “Because I want to watch Damian grow up damn it! Damian earned that right! And I want to give it to him!”

This conversation only gets worse and Bruce’s most horrible side comes to light, like, I understand that Bruce wants Damian to be alive and all that but he is saying all the wrong stuff to Jason. I feel like as the reader I am being told that Bruce values Damian more than he ever did Jason because he is willing to put Jason through his own personal hell for Damian but refuses to see the reasons as to why Jason doesn’t want to do it. Bruce is being incredibly selfish and he is not caring enough about Jason to notice that he is hurting him. He even doesn’t notice after Jason says, “I was ready to stand by your side and you’ve thrown it all away!”

It is incredibly sad but it's also a bit of a look into what Bruce will do to Dick in Nightwing vol. 3 #30. It has the exact same vibe in both issues, Bruce going completely berserk on his children and telling them that he “trained them to be better”.

This issue ends with Jason punching Bruce several times and Bruce taunting Jason by telling him that he might as well continue because he is “still standing”. The levels of manipulation that Bruce had going on here weren’t as high as the ones in Nightwing #30 but he sure was a little bitch every step of the way.

Jason, being smart, doesn’t take the bait and tells Bruce that he is leaving and he is taking the car.

Wouldn’t this have been an amazing moment for Jason to finally rid himself of all Batman-related events and bullshit? How did DC miss this amazing opportunity to make Jason Todd/Red Hood a character that can stand on his own and with his own rules?

The potential that was wasted when they made Jason go back to Bruce and help him get Damian back in issues 33 to 37 of this same run is immeasurable. And just like Joker being able to get under Jason’s skin, him going back to Bruce and the “family” for plot purposes harmed Jason’s characterization greatly.

Batman and Robin (2011) #34-37 – Written by Peter Tomasi.

Whatever kind of respect I held for Tomasi because of the way he wrote Jason in #20 is now gone. Issues 34 to 37 have Jason fighting alongside Batman and him being all buddy-buddy with him.

Now, let me make something clear, Bruce wanting to bring Damian back to life/from Apokolips is absolutely fine with me, a father fighting for his son’s life can always make a good story, the thing is that at this point in time not only the events of Batman and Robin #20 have happened but so have the events of Nightwing #30.

So, Bruce going through all of this for one of his kids (that keeps being brought up as if he were his only son) after he emotionally manipulated Jason and Dick makes this story very bitter.

But I understand what DC is doing, you know? Here is how they manage to make this story as bitter-sweet as possible. In issue 34 of this run, Dick shows up in his Spyral get-up and offers his help in getting Damian back, because the kid meant a lot to him but Bruce can’t have Dick helping him out along with Barbara and Tim because Bruce has everyone convinced that Dick is dead. So, DC was like “here is this big brain idea, let’s have Jason, Barbara, and Tim helping Bruce get Damian back”. And that’s exactly what they did.

They dragged Jason back to Batman-related crap after he was manipulated, insulted, and punched by the man that is supposed to be his father. And this issue is also happening after Jason had such an immense existential crisis that he decided to have his memory wiped so he could cleanse himself on any doubt that the Joker had manipulated his free will.

How on earth are we supposed to believe that Jason is dumb enough to go back to Batman after all that? Does DC and its writers read their own material? Do they check if the characters that they are planning on using have contradicting narratives?

It’s so messy, the opportunity that DC, Tynion, Tomasi, and Lobdell got to make Jason his own man and his own character was completely wasted, just for a Batman event!

And it isn’t like Jason’s participation in getting Damian back was crucial, it really wasn’t, if I am planning on taking a team of heroes to Apokolips for a rescue mission, Jason, Barbara and Tim wouldn’t be my first options. Jason was put in that book only so they could have someone making snarky comments and for Jason to be like “Bruce we are family, we will always have each other’s backs” I mean, who is Jason supposed to be, Dom Toretto?

Here are some of the moments that seemed the most out of touch for Jason in these issues.

Batman and Robin #34

In issue 34 Bruce gives a long speech about him not wanting to hide things anymore from them (like he did during the events of Death of the Family) and that he wants a new start because they “have been broken long enough” so from that moment forward “good or bad, the truth rules”.

The audacity of this man, my god, how dense can Bruce be? “we’ve been broken long enough”? YOU have broken your relationship with these people time and time again! As you are standing there talking about the truth you are hiding the fact that Dick is alive and well somewhere far away because YOU sent him on a very dangerous mission after he died and you manipulated him.

THE AUDACITY OF THIS PIECE OF SHIT! Am I becoming an anti-Batman blog? I think I am and quite honestly, I am having the time of my life. Fuck this guy.

But back to the issue, after Bruce says that the truth is all that goes now, Barbara basically says that she doesn’t believe him, that all it takes for Bruce to go back to lying is “another situation that justifies you going dark on us in more ways than one” HA! You go, girl! But he is already hiding something from all of you.

Jason being himself supplies a situation like the ones where Batman lies to them in order to get them to work for him, he says, “or bringing me to Magdala Valley on a sightseeing trip to reminisce about the good old days of crowbars and explosions”, ah yes, sure, Bruce did all that back in issue 20 and now it is brought up as an afterthought… how wonderful.

Bruce, of course, lies to their faces when he says “I promise that nothing gets held back. We speak our mind no matter what the cost” to which Jason says “Unconditional truth now and forever, Bruce, otherwise this is all a load of crap”.

AND IT IS! IT IS ALL A LOAD OF CRAP CHONKY! RUN, RUN LIKE THE WIND!

Man, what a mess, poor Dick. He had to wait there and watch his father lie his ass off. And he really wanted to help Bruce get Damian back. Even after Bruce told Dick (as well as Barbara, Tim, and Jason) that he had to go to Apokolips alone Dick still helped Bruce in other ways, Dick really is the MVP, what a man, I love him so much!

(I really needed to show my love for Dick right then and there, sometimes you just have to do it. Dick Grayson is, after all, the greatest comic character to have ever been created).

Batman and Robin #36

First of all, seeing Jason and Barbara wearing the Robin symbol really makes me laugh. It’s just weird to see Barbara wear it, it almost feels like it’s something that shouldn’t have happened and in Jason’s case, well, the last time he wore it he died and it’s kinda funny to see beefy and tall Red Hood wearing a Robin symbol, it’s just funny not a critique.

What I am going to critique from this issue is that after they (Jason, Barbara, and Tim) go to Apokolips and find Bruce they say, “You’re here in this hellish place for your son, Bruce” and Jason continues that with, “And we’re here for you”.

Ah, the irony. Of all people, having Jason say that to Bruce is wild. This man has done nothing for Jason and here Jason is, in Apokolips, of all places, to help a man that does not deserve it. This is proof that Jason is a good man but its also proof that he is an idiot in the New 52, I am sorry but come on, writing Jason this way after what Bruce did to him in issue 20 seems like DC is confirming the fact that even though Batman does the most horrible stuff to his kids, he can still get away with it because his kids still love him all the same.

I understand, loving your parents when they are flawed but Bruce had been written at this time like an abusive father, and he was written like that towards Jason and Dick, so it is not a good look. Bruce saying that he promises that he won’t do it anymore isn’t enough DC, make the man pay for being that way, make his kids stay away from him for a while (or forever).

And here is the other thing, I say that Bruce is Jason and Dick’s father but DC doesn’t, they only acknowledge Damian as Bruce’s son and they do it because the New 52 timeline is non-existent. After all, they deleted a lot of history from these characters, I think it’s fair to assume that Bruce never adopted Dick or Jason and that both of them were Robin for a very short time. What I am trying to say with this is that not only is Bruce getting away with being abusive but he is also getting away with being an abusive father. Because Bruce is their father, at least I see it that way, he isn’t just his friend/mentor/tutor he is their father. He used to be before New 52 and that’s not something that we as the readers are ready or want to let go of.

All in all, Jason didn’t do much in these issues thus confirming (to me, at least) that the only reason he was invited to the party was because they couldn’t use Dick. And that’s an insult to Jason’s character, it would have been better if Jason didn’t appear in this story and he actually had the chance to do something else, like go back to being the proper Red Hood, an anti-hero that does what Batman won’t do for Gotham and its people.

[practicalmagicintuitions]

“The fates lead the willing and drag the unwilling”

I was thinking about that last MT podcast HC had when he mentioned stoicism and a book I have but I haven’t read yet. So I decided to deep dive in a little bit because I studied philosophy at the university at a very basic level but I always wanted to know more, so this seems a good occasion. I am also interested in what HC could see in this philosophy school. I think we all know at this point he is interested in things that interest his people, not necessarily him or he is dropping ideas, new things fast. So one part of this will be a summary of stoicism because I feel many people have misconceptions or don’t know what is this just saying this is sh*t even don’t have the slightest idea about it. The other part will be a little HC armchair analysis by me throughout this topic. And I also decided to read the book he mentioned - Viktor E. Frankl Man's Search for Meaning - and maybe I will walk through it or give you a summary if you interested. 

Bare with me, because this turned out to be long, but I had to get out his from my system.

Not soon after the pandemic and the lockdown started in 2020 Penguin Random House said the print sales of Marcus Antonius’s Meditations are up 28% for the first quarter of 2020 vs 2019, while print sales of Letters from a Stoic are up 42% for the same period. The ebook sales rose by 356% . This boom was because of the pandemic but the popularity of modern stoicism has been an upcoming thing for a while especially since people like Bill Gates or Warren Buffet allegedly used stoicism in their business and Thomas Kaplan is supporting a Stoicism Course at Brown University. But unfortunately, modern stoicism has become kind of a ready-made lifehack, a self-helping method, that’s why books like Ryan Holiday’s one could be published and becomes a success. This is where I see modern stoicism’s faults. 

Stoicism seems a good school to support or to follow in the pandemic because this is about we have to accept the things we have no control over. Probably that’s why the sales went up. This is about don’t letting uncontrollable things or events messing with your judgment and clarity. Fear, screams, panic, rages don’t help. And I think we can agree this is true. Aurelius wrote his Meditations in the middle of a battle when his men were dying not just because of the fights but because of a pox epidemic and top of that he was an Emperor. So to maintain his sanity he had become a stoic. He didn’t have an influence on the epidemic so he just accept it and didn’t spend his energy raging about it. 

Stoicism was founded by Zenon around 300 BC. And it was a thriving and popular school without huge wars or pandemics or anything. Back then it was not a reaction to something but a preparation for something. More directly prepare yourself the thing you cannot be prepared for. And probably this is the OG stoicism most valuable teaching that there are events in this world we simply cannot control. What we can control however how we react to those events. Are we remain calm or think this is a catastrophe. Let see a very basic example. We are mortals, we will die no matter what. This is a sure event we have no control over. What we can control that our view on this. Will we panic? Refuse to even talk about death or refuse to make a will because “OMG I will die then!!” Like spoiler alert, it will happen, will or no will. Or we understand our time is limited and try to enjoy it and not see smaller inconveniences are tragedies. I am sure we all know people who think if they spill themselves over with coffee or the handle of the grocery’s bag comes off it’s a pure tragedy and they are capable of thinking about this all day as something it is happening with them always an exclusively. 

Until this, I think it’s all good we can use this in our daily life. What is dangerous in the OG stoicism is that the stricter wing of it thought emotions as a whole or almost all of it cause confusion so you basically should eliminate emotions to have that clarity on life. That’s why Diogenes wrote that the wise is emotionless. And this is the main and very valid criticism again stoics, that with taking away the emotions they basically ripping of humans from something very unique valuable, important, because our emotions make us humans. And because living totally emotionless is kinda impossible this goal is not realistic, so it causes many frustrations ( oh my... even more emotions!) Because think about it, who are described as emotionless? Psychopaths. 

You have cases, events, when your emotions, even overflowing ones are right and acceptable and suppressing them, could be dangerous. Because realistic or not Marcus Aurelius and Seneca and the other stoics idea was not just watching the world and letting things happen, shrugging a shoulder and say nothing, no! Their philosophy and aim were to eliminate the bothering things which not let you think calmly. And since we are talking about philosophy the reality of this in practice is secondary. Critics also think ( and maybe the modern stoicism is going in this direction) that a hardcore stoics care only about themself and their egos while Seneca says friendships are important and in general most stoics accepted positive feelings (to a certain extent).

Stoicism comes back to life mostly in psychotherapy around 1900 by Paul Dubois ( before him there was another new wave of stoicism in the 16th century) and that’s where Victor E Frankle is connected to this topic. I haven’t read his book yet but I know his method is called logotherapy (logos= meaning) and this was born in the deepest existential crisis when his whole family was killed in a concentration camp and he felt he had remained only one personal freedom, the way how he reacts to the circumstances. Frankle invented his own method so he is not just planted some ancient in the modern world but he in fact thought Socrates and his philosophy is his inspiration. I won’t talk about this more until I read his book. 

* I wanted to listen to the whole podcast again, but I couldn’t so I just went to the part we care about now.

So they are talking about morning routines and he mention that one of his teachers in primary school said to him “Always expect the unexpected” This is pure stoicism and while I am not suggesting he is lying I noticed he likes to blend his current interest with his childhood memories like when he said at the WitcherCon how they had to build a fantasy castle in the school (or something) and this was such good preparation for him because he has a fantasy series now. Convenient right?

So he mentioned the teacher and a little later hinting that he is into stoicism lately. Question is, which comes first? The teacher with the stoic idea or the stoicism as a new interest somehow repainted his childhood memories? 

Then he again is talking about the stoic’s way of control. Or does he? 

“ focusing on the thing you can control and make yourself better to control them” 

This was never part of the OG philosophy because that is not about being a control freak. It is actually the opposite. If you cannot control something let it go, not force things to go on your way and if you failed then you let go. 

The next part it’s not about this topic but I have to mention it because I kinda overlooked it when I listed this at the first time.

He is asked about the fitness industry’s mistakes and he said

“I wouldn’t be the kinda person to point my finger at anyone and say there is a big mistake there…. I wouldn’t ever want to point to finger at anyone saying there is a mistake “

So… should I insert the FO post here? And I know the question and the answer was about fitness but he clearly has no problem pointing fingers at people. 

This leads to us again to the control topic. His FO post is creaming about controlling. “ You don’t like the way I am dating? You don’t like I have a covid romance? Then I will tell you what to do and how to behave because I need to have control over my fandom”

When the host asked him about overcoming obstacles he mention the book - Victor E. Frankl Man's Search for Meaning. (he also said it’s difficult to give advice…)

While he is talking about the book (and for me, it’s clear that the host doesn’t give a damn about this) so HC’s whole tone is changed. Just compare when he is talking about MT and training and so on, he is so irritating and unlistenable but here he is calmer, doesn’t use his voice so expressively, doesn’t emphasise that much in a sentence etc. This to me shows he is actually craving after something more, something deeper, something serious. Not just talking about his ties and blueberry smoothies. I don’t think is dumb (I think he has dumb choices thought) I think he could be more both as an actor both as an individual because when he was talking about the book I felt he has a true, genuine interest and it was a one-second opportunity to talk about something interesting not just fart powder.  

I feel his interest in stoicism is an attempt to validate why he is oppressing his feelings. I am sure he does this because he is uncomfortable with his feelings, past and present. For example, I think instead of the bullying his main trauma is being sent away from home to a boarding school and experiencing cold treatment from his mom (the infamous stop calling story). But he oppressing this because I guess all of his brothers he is looking up to loves their mom and he feels he needs to be a good son but questioning his mom means he is a bad one. So instead of admitting that he is hurt and damaged by it he is saying the bullying was his worst experience. 

This means to me he doesn’t understand stoicism, ancient or modern he just wants and moreover, he needs something he can hold and cling to, something that gave himself meaning. As a book’s title says: Man’s search for meaning. And I feel HC does this maybe a little bit desperately. Searching for the answers and this moment he thinks stoicism is the key to finding what he is looking for while in reality, the main problem is he doesn’t ask the right questions. And without them, he won’t find any answer. Or meaning. 

Title quote from Seneca

[ladyyatexel]

I Went On A Manga Binge

So you don't have to

For those of you who have wisely avoided the shreds of it I've left around the blog thus-far, I had some weird notion to go re-experience Yu-Gi-Oh uuuuuh a week ago? We'll go with that. Time is meaningless.

I'd been able to read a good portion of the early manga at the end of highschool, and somewhere in my stacks and stacks of paper is fanart from this dark time, so you know I cared. I also still own a Dark Magician action figure somehow, so. I'd also watched a large portion of the anime with my brother because it had been laced with some kind of crack and we couldn't look away? I remember when we both were just like shit, wait, don't change the channel, I can't stop looking at it. And the next thing we knew we were waiting for new episodes and I was doing research on the Japanese original because I was that kid.

Anyway, unnecessary backstory out of the way, here are some... let's call them Observations and Consequences of having read somewhere in the neighborhood of 300 chapters (and growing) of a manga primarily hinged on card games from a spectrum of sources ranging from boringly lawful to sketchy as fuck.

Surprise actual character that develops in typical shounen fashion being Jounouchi. My limited experiences with the 4Kids dub and only early manga had not painted him in a particularly good light. I don't know if episodes were being aired out of order or if I had just missed the ones that established that he was making shit up as he was going along, but Wow I liked him a lot more going through the manga than I ever did watching the (dubbed, heavily edited and censored and thrown into a slurry machine) anime. I'd managed to come out with the impression that he was just as reasonably experienced with the game as Yugi back in the day. Wild.

I'm now reading every single comic-style post on Tumblr backwards.

Striking inverse to first point, wow, I don't like Seto Kaiba. Though he gets points for his general philosophy of the future, and the line I read in my sketchy online combo of scans and scanlations in which he said, "If God is in your way, you run him down," was Metal As Fuck. I somewhat shame-facedly admit to enjoying him a lot more as an Abridged Series character. (I watched Abridged as it came out back in the day! The experience of watching the anime with my brother had been so fresh that I got all the in jokes about the way things were edited and dubbed, it was great. Series remains influential part of my life to this day, which is hella weird.)

I almost understand how Duel Monsters works now. I don't want this.

That said, wow a lot of the decisions made in the anime made everything a lot more ridiculous than the admittedly already ridiculous original. I got the distinct feeling in the manga that the Duelist Kingdom stuff we were seeing was designed to be used and exploited in ways that don't make sense in an actual cardgame just played on a table like a normal person and this was part of testing everyone to think higher, differently. Maybe this is obvious to everyone already, I don't know. I had always liked that it was very, 'Not so fast, I'm going to blow up the moon to change the tides,' but I'm not really sure the anime gave enough explanation that this was an extra layer added to things for that event? You can see people actively getting used to it in the books, and people who aren't considering the real or 3D nature of it getting owned, but my memory of anime version is everyone just like, 'oh, shucks, fuck me, I forgot to consider the phase of the moon before i played this card, can't believe I forgot.' No one calls Yugi on any of this stuff because it's valid play in that situation. Plus Yami Yugi had mad trickster energy in the beginning and it suited him to think of ways to do things inside these little simulation boxes the way it suited him to set perverts on fire. I imagine the real card game trying to emulate this element as something that would be to its detriment, but I neither know nor particular care haha

Ryou Bakura.

Really, though. I think he became kind of casualty of 'wow, we have a lot of characters who really aren't able to do anything in this story anymore,' despite the fact that his whole inner life could have been as interesting as Yugi's. I always like thinking about the possibilities of stories in which main character falls into magical world and is given magical item and told they're the hero and then they find out they've been the bad guy the whole time. The first several volumes of manga were about the quiet weirdo kid that no one talked to who was always blacking out and turning into a fucked up version of himsef because he was so attached to his ancient Egyptian jewelry, so like, Bakura could have much the same shit going on. I want to know what's happening with him so much. He clearly doesn't love being possessed, but he's also so drawn to the ring. Despite it having stabbed him at least twice and him knowing it's a danger to him and his friends, he keeps being pulled back into it. You see so much more of him being like, 'Oooh, a creepy thing, I love that! :D' in the manga than ever in the anime, which I'm all about. Also more blood. I'm very about that as well. Though my memory of the anime also made it look very much like normal regular daily Bakura was just a weird facade in places before he ever would have been. I think that was it trying to compensate for what people didn't see from the Toei anime, but okay whatever, that I love everything about this guy is not news, I don't need to talk about Bakura excessively here, I'm pretty sure that's gonna show up on my blog by itself

On a related note though, damn, more of these people need to talk to each other. Can we have some existential crisis support clubs or something. Can we get like some apologies or something? "I respect you as a duelist." "Cool, but you literally built a tower designed to specifically assassinate me and my friends? You were supposed to get Better after I retaliated by putting you in a coma, but you kinda didn't." "Why would the coma have made it better" "I just told you it didn't" ---- "Sorry I went along with the plan of your evil parasite stabbing you, misled you, and then also jumped in and took up some real estate in your head too." "I understand, I also have an evil thing inside me that does things while I'm blacked out." "...no, I was conscious for all of that." "Oh." "..." "..." "..." "Do you like Ouija Boards?" "sure okay" ETC. Like damn we are reading shounen manga because no one is talking extensively about their feelings here and I'm tapping my foot angrily.

Holy shit there are so many mythologies happening at once. The ancient family guarding the Egyptian Pharaoh has a surname that's a Mesopotamian goddess. None of the god cards make any Egyptian sense except Ra, and just like. Baaarrrrely. Somewhere either Evil Ring Bakura or Mar/lik makes a reference to cremation and spirits being taken to heaven with smoke which several things, but definitely not Ancient Egyptian. Marik/Malik meanwhile is clearly trying to head Arabic, along with Rishid, but then, hey, our sister is just Isis. Goddess McGoddess. Sometimes they're the same goddess! Her name could be Isis Isis or Ishtar Ishtar. Meanwhile, all the obviously 'occult because Christians think it is freaky' stuff. ~ancient egyptian pentagrams~~~This isn't a complaint, I guess so much as a 'Wow, I can kind of see the cultural spot the author was coming from and where he was aiming' kind of thing.

Wonder where things would have gone if the card games had not been latched onto the way they were.

Managed to forget how gross the pre-cardgames stuff was on the sexual harassment front. I'm glad there was a sort of explanation of everyone drifting away from being dick heads and that that decision was made. It got way more comfortable to read after no one was bringing Yugi p*rn on VHS.

Yugi looks better with a nose, glad we got that upgrade.

Interesting to watch the series style shift as it goes away from being horror to being over the top cardgames and friendship (with blood!). The first picture of Mokuba is fucking Jarring. Also noticed that the nicer a character is, the less their teeth are defined.

Glad manga did not go as completely off the fucking the rails about Marik's face. I never got as far as seeing him back in the day because college occurred, but I remember seeing pictures and stuff and being like, "what in the Fuck happened to that dude, I think the house style has collapsed in on itself"

Things the author Really Likes: motorcycles, belts, SHOES, holy shit the shoes. These are some of the most lovingly rendered sneakers I've ever seen. All the detail on his characters goes straight to their feet and then it's stretched upward until it forms stiff peaks. Gently fold in 3000 years of trauma and bake face down in a crumb coat of scattered mythology. Remove when you roll two zeros.

Where the fuck am I going to put the extremely large omnibus volumes of this comic I purchased in order to balance out how much I would be reading for free on the internet. I should have grasped that a three in one edition would be Thick and yet somehow I was still :O when it arrived. Have I strategically purchased volumes that contain my favorite parts, maybe, what's it to you will i eventually get the whole thing because incomplete book series gnaw on my soul? yes

Wish the transition from "I've murdered several people in delightfully karmic ways" to "all you need is friendship in your heart and cards in your hand" Yami Yugi/Pharaoh had been discussed more/transitioned better. Buddy, where did you get this approved for television high horse? Please go back to strangling people with yo-yos or at least tell me why you stopped.

I still can't tell anything that looks like a big robotic monster apart from any other big robotic monster. My dude, I can't tell cars apart, all these monsters look the same.

Yami Yugi fascinated me way more in highschool? Maybe because it was still super early and the anime was like 'we need to torture you about his origins WeEkLy. Now I'm just like 'wait hold on, can we go back to Bakura and Marik for a minute, there's some extreme unpacking to do here?' Those two are paying so much more in baggage fees here my guy wow

Violently uninterested in any of the spinoff media

[vagrantblvrd]

¯\_(ツ)_/¯ Late-night and also half-assed AU idea times?

The one where Luke gets sent back in time (Because Reasons) to Clone Wars era shenanigans.

Also Because Reasons Obi-Wan is put in charge of keeping an eye on this kid, idk, Biggs Antilles because everyone is so hapless in the Star Wars universe when under pressure, like seriously.

Anyway.

Obi-Wan is suspicious like a suspicious person and so is Anakin and Luke is kind of losing his mind because he never knew (suspected, but never had proof) that old Ben was a goddamned menace and all his lectures to Luke about same are like, wow, dude, wow.

Oh, and also his dad.

And Ahsoka?

And all the clones and everyone else and he’s like, ;____________________; at what could have been, you know?

But also not sure if he’ll ever get back to his time - he really hopes so because there’s this Mandalorian with an adorable kid - and oh, God, he needs to check on Grogu in this time stat, but yes.

Shenanigans in which Luke desperately tries to hide his real identity because everyone’s iike “He feels like Anakin,how strange, and Luke in the corner like “Hahaha, yes, STRANGE. :DDDDDD

And then adventures in which he ends up having to save Obi-Wan more than he ever expected to when he woke up twenty-something years in the past, and oh dear God is that his mom? (Leia looks so much like her. Mostly the angry part right now, because Anakin and recklessly endangering his life and uh, oops, he didn’t mean to eavesdrop???

But like. Luke is kind of bleeding again (he,too, recklessly endangered his life alongside his father and Obi-Wan) and thought medbay was this way and -

Wait, why are you looking at him like that?

Anaking and Padme worried Luke’s going to at them out to, idk, the Jedi council or whatever about their ~forbidden love, and Luke is just.

“What.”

So then the thing about attachments and how they’re bad because emotions is explained to him and Luke looks at his father who clearly loves his mother so much. Thinks about the nonsense about attachment and how scared it would make someone like Anakin, and Obi-Wan -

Luke loves him, but the man’s made mistakes. (And, like. Luke gets it, he does. Some adventure with Obi-Wan and sharing of past loves because they weren’t sure they’d make it out alive and why not share this thing with someone kind of friend-shaped, and anyway,)

Luke is like, okay, wow.

Because one, the thing about attachments is bullshit - show him one Jedi master who isn’t attached to their padawan for starters - and anyway.

Not his business who they love, an then he scurries off to medbay before he bleeds out in hallway or wherever, which is where Obi-Wan finds him and is like  >:((((( at the bleeding thing and :| about the attachment thing but also *SIGH* because Luke reminds him of this padawan he had once, what was his name???

Anyway.

Yes

Also, though, also.

Them taking Luke to Coruscant to meet with the Jedi council because they have no idea where he came from - Luke floated the possibility of time travel being real to Obi-Wan once, but as a hypothetical and really, never mind him - and anyway.

Luke being like ¯\_(ツ)_/¯ as they ~question (interrogate) him because he has read up on the Jedi Order and their rules and whatnot. And where he might have been in awe of getting to meet all these Jedi masters once, now he just feels. Pity. He feels pity for them.

It shows, a little, and they call it arrogance for someone so young to think they know better than the entirety of the Jedi council and yet?

Luke doesn’t care.

Which kind of makes him a threat in their eyes, this incredibly powerful Jedi who appeared out of nowhere and shows so little - if any, really - respect for their Order.

And, they realize, who both Obi-Wan and Anakin like.

Ahsoka too, but she’s a padawan, young and such, doesn’t know better.

But also, also, after all the fun-times had with the Jedi council Luke walks out to find Palpatine talking to his father and his mother while Obi-Wan stands by and chips in with a comment or observation every so often and he is like !!! because he never expected this???

Somehow after hearing stories from people, he just. Didn’t expect the fall of the old Jedi Order to take place in a tastefully appointed waiting area, potted plants and chairs and such Maybe one of those little fountains you see in an office sometime for the soothing sound of moving water and whatnot.

Anyway.

Maybe it’s his own personal experience with the man in the throne room on the second Death Star with the dramatic lighting and so on, but it’s a wee bit jarring.

He has one of those “episodes” as the others call them, and gets hustled out of there posthaste while Palpatine is all, “Oh, dear, I do hope he feels better,” and Luke does all the meditating exercises so as not to blurt out that hey, so, that sith lord everyone’s trying to find? RIGHT THERE.

Because lack of evidence and such.

And it’s like.

After seeing what things were like, he’s just. He’s stuck here, probably, right? So. Maybe he can fix things, even a little.

(Right the wrongs that Palpatine wrought and so on.)

And while he’s doing that it occurs to him that Din, okay, Din is alive in this time. And he told Luke about the attack that killed his parents, about being rescued by Mandalorians, and is like.

Can he change that too? Should he? Searches everything he can only to realize he’s too late to do anything about it. That the attack happened before Luke arrived in this time and he has this.

This little breakdown in a library or some such somewhere, because all that fretting and whatnot he did about whether or not he should intervene was for nothing, a moot point because he was too late, and it’s like.

Existential crisis time because if he changes things more than he has, will he even exists in the future? Will Leia?

Will any of their friends exist, and on his way back to the quarters he’s been given he runs into Padme - perhaps sneaking out from visiting Anakin - and she’s surprised to see him, maybe a little worried too.

(She knows his views on the whole attachment thing, yes, but her and Anakin have kept their relationship a secret for a long time now and old habits)

Still, she notices he’s obviously not doing well and they talk for a bit, Luke asking her a hypothetical, like if she could go back in time to  change something to save someone she loved from suffering, would she?

And of course she is like. No, because doing so negates their choices and how would it affect others and so on?

Luke is just, right, of course.

But then she goes on and says, as a person, not a politician, a leader, she absolutely would.

Luke is like, oh, because of course that makes sense, doesn’t it.

Good of the many and so on and anyway.

He goes to his quarters and thinks on it for a bit and realizes, yes okay, the thing with Din was mostly selfish - he wants to say he wouldn’t have done it, but he still doesn’t know  - but Palpatine, okay, Palpatine.

How many million, billions, maybe more, lives was he responsible for? (Luke has his own count for the dead, and monstrously high it may be, but Palpatine is at the heart of all of it.)

So.

He he starts laying the groundwork to expose Palpatine, or maybe just build up, idk, say a Rebel Alliance to oppose him - and discovers that oh, would you look at that.

Because Padme and Bail and their closet conspirators who know something is coming, that Palpatine is surely part of it, but they don’t know the full scope of things.

And honestly, even Luke doesn’t, but.

They think he’s a spy or whatever, and there are all these shenanigans in the meantime, and Luke doing what he can to prove that he’s really on their side, and anyway, anyway.

He plants seeds here and there, everything Leia taight him, everything he picked up, and goes to Obi-Wan for help because his former master and watchdog, and anyway.

Before Luke gets to see if anything he’s done in the past pays off he gets booted back to his time.

Or a version of it.

Ripped back to his time and this moment where he’s sure he’s dead - in the middle of a space battle or collapsing temple somewhere and glowy doohickey, something like that, or, okay, Palpatine trying to kill hi again for the first time - and anyway.

Super disorienting.

Especially when he opens his eyes and Obi-Wan is there along with his father and is that Ahsoka?

But, like.

Older.

Also, though, Din.

And Grogu and Luke is very confused?

But there’s no time for that, as Padme and Leia run in and tell them the Imperials found them, did you get him? Yes, oh, good, and now with the running???

In which they do the running to a familiar ship Luke knows well, and also a few others he likewise knows, and anyway.

They escape just in time because an Imperial fleet was looking for them, and anyway.

Luke is super confused, but that’s okay because exposition time in which he finds out all those seeds he planted worked.

Palpatine was exposed, but didn’t matter because he had contingency plans, you know?

Order 66 never went into effect because someone - Obi-wan was prompted to go back to Kamino and ask after the clones, any...special features that may have been added and anyway.

Palpatine never got his clone army, but he made up for it with battle droids and conscripts and the Empire didn’t win? But neither did the Alliance.

Not yet, anyway, and they’ve been fighting for years at that point. No Death Star - at least not a completed one - and anyway, yes.

Alderaan’s still there, Leia doesn’t have to pretend she can see it in the night sky, and anyway.

A lot has changed but so much is still the same, and everyone, okay, everyone thinks Luke an idiot.

(They’re also not surprised by that, because Skywalker, but yes.)

This whole thing of Luke’s original memories clashing with this new timeline - he keeps his old ones, but it makes for a confusing time, you know? Some point where Luke gets this faraway look and turns to someone - maybe they were dead in that original timeline - and tells them how different everything is.

If they’re feeling brave enough, and honestly most people in Luke’s life are that brave, they ask what he was thinking about to get that look on his face and he’ll tell them about terrible future that didn’t come to pass.

One he feels a little guilty for missing sometimes because those other versions of the people he knew, loved, are gone and he’s the only one who remembers them? But then he’ll see one of them, or someone who was dead in that other timeline and realizes it’s not as simple as that.

Looks at the life he knew before and the one he’s learning now and can’t decide if what he did was the right thing?

But then he’ll catch his parents on a balcony somewhere lost in on another’s eyes and these soft smiles and the love between them that’s grown over the years. Or see Obi-Wan walking about with Cody, and soft smiles and quiet laughter and hundred dozen little moments like that and thinks, selfishly, he doesn’t truly regret it if these people he’s come to love get something like that, you know?

And, then, of course, then Din finds him, or maybe Luke goes back to their quarters on whatever ship or base they’re at then, and he’ll be waiting for him.

They were on the cusp of something when Luke got thrown back in time, but things changed once he got back.

Slow, awkward, because different timelines and experiences, but something new and good, and anyway, anyway.

Din’s there and Luke is being a little (lot) selfish in wanting to keep whatever the two of them are building between them, and Din seems to want the same, and anyway.

Yes????

[gretchensinister]

Little Souls and Careless Gods: An Exploration of Worldbuilding in Toy Story

Sid did nothing wrong.

Or, let me clarify. The things Sid did wrong were: taking his sister’s toys and modifying them without her permission. That’s it.

Hi, my name is gretchensinister and I have a lot of thoughts about the worldbuilding in Toy Story.

I should admit at this point that I haven’t seen Toy Story 4, only talked about it with someone who has, so if some of my questions are answered by that movie or if it torpedoes some of my speculations, that’s just—that’s just an imperfection of this essay.

I barely know where to begin, but, I started with Sid, so I’ll keep going with Sid. Sid is a kid. Sid is a jerk to his younger sister, but she’s freely yelling across the house tattling on him, so it doesn’t seem like she’s suffering irreparable damage from this. Other things Sid does: wins a squeaky toy for his dog in a claw machine game, blows up toys with fireworks, takes toys apart and joins them to other toys to make new toys. Burns a toy with a magnifying glass.

None of these things is an immoral action, for a person who, through all lived experience (until the toy attack) understands that toys are objects. It’s not bad to give your dog an object to chew on. It’s not bad (morally) to blow up an object with a firework. It’s not bad to take objects (that are yours) and make them into new, different objects. It’s not bad to burn an object with a magnifying glass. From the toys’ perspective, Sid is a sadistic mad scientist type, but from everything he could possibly know, his “torture” of Woody is messing around with an object! His object! That he got from a claw machine! The pretend torture as a choice of play is worth questioning, but it’s not so uncommon as a media trope that an average kid would never have seen anything like that in an action-adventure context. And it doesn’t predict how Sid will treat actual living beings!

(As an aside, I’m firmly of the belief that if you own an object, you should feel free to do whatever you want with it. Set it on fire, take it apart to see how it works, use it as raw materials in a craft project, etc. And yeah I would make exceptions to this rule for like, privately owned culturally significant art or scientifically significant artifacts…but if they’re that significant…they shouldn’t be privately owned.)

So yeah. Sid gets traumatized because he treats objects like objects, and the objects don’t like that. Because they’re actually alive and have now promised to constantly surveil him.

And let’s be clear: Andy doesn’t know toys are alive, either. He never does. He just has a different play style than Sid, and more of an interest in keeping his toys intact. Andy has no empathy with Woody and Buzz, because he is not aware that they are beings that he could empathize with.

All right. Beyond Sid, what I really want to talk about is the nature of a toy’s mind/soul in the Toy Story universe. I will call this the toy’s animus. Much like with the soul and mind of a human being, the animus raises several questions. How is the animus created? Where does the animus reside? Is the animus a tabula rasa, or does it possess innate knowledge? Where does this innate knowledge come from, if so? Is the animus mortal or immortal?

The Toy Story universe offers various pieces of evidence to answer these questions, and they are all extremely worrying if toys and humans are both morally significant beings, though humans do not know this about toys.

Is a toy mortal or immortal?

In the Toy Story movies it is clear that toys believe they can die. Sufficient destruction of the body would cause a toy’s death. Sid’s plan to blow up Buzz Lightyear with a firework threatens his life. In Toy Story 3, the toys in the trash incinerator clearly believe that burning/melting will kill them. But, short of catastrophic destruction of the body, toys are immortal. Jessie suffers, but does not die, from withdrawal of her owner’s love. Stinky Pete was never played with by a child, and he’s alive as any other toy. Additionally, human-mimicking toys are not killed even when damaged in ways that would kill a human, though this does affect their ability to communicate. In the tea party scene in Toy Story, the headless dolls wave when they are referred to. (This raises more questions—how does a headless doll experience the world? They can still hear, but how? Also, why doesn’t the headless teddy bear move? Perhaps they simply don’t want to get involved in whatever’s going on with Woody and Buzz.)

I think, according to what we see in the movies, the animus is divisible, and each part of the divided animus contains only a portion of the cognitive ability of the whole. Moreover, the animus is not centered in the head, but rather dispersed throughout the body. I would further argue that splitting the body/splitting the animus, is traumatic, even when reversible. Consider that Buzz’s mental breakdown coincides with the detachment of his arm.

What does this mean for Sid’s creations? Well, it would explain why they don’t talk. The baby-doll head with the spiderlike erector-set body (aside: is this a reference to The Thing (1982)?) really has no reason to be mute, if a toy simply must have a mouth to speak. Its form is unconventional, but, I would say, still “complete.” But if the head only carries an incomplete animus, and the erector set parts carry no animus of their own (an assumption which will be questioned later) then the whole toy would not have enough animus for verbal communication.

Janie the doll and the pterodactyl, with their switched heads, suffer significant disruption of their animi. Would their fractured animi eventually merge to form a new animus for each new body, with a different personality than Janie or pterodactyl? What part of the “Barbie” personality lingers in the animus of the toy crane with Barbie legs?

There is an exception to the concept of the fractured animus, however, and that is Mr. Potato Head. Mr. Potato Head exists in several parts to begin with, and mere separation does not fracture the animus. Curiously, though, some parts of Mr. Potato Head do not appear to contain any part of his animus, such as his plastic potato body. He retains all of his personality and ability to communicate when he has to put his features on a tortilla (?—don’t remember this part well) even though he is from an era of Mr. Potato Heads where his features are only meant to be put in the plastic potato body, not random foodstuffs. (Another question here: what would happen if an even amount of Mrs. Potato Head and Mr. Potato Head features were put on one plastic potato body? Do both animi retain coherence?) It is impossible not to wonder how far apart the features of Mr. Potato Head could be spread and the animus remain whole. At least as far apart as different buildings, as shown in Toy Story 3, but how much farther?

Creation of the animus and innate knowledge.

We are now about to embark on the specific topic that fills my thoughts now when I think about the Toy Story universe. I believe I will first fix myself a vodka cranberry (note: not just vodka and cranberry juice. To make it properly you must also add a splash each of orange juice and lime juice) and read a synopsis of Toy Story 4. Forky’s creation is a deep source of trouble here, and I must fortify myself to face it.

Where do I even begin? Okay. Bonnie, a kindergartner, creates Forky from items salvaged from the trash and names him. He comes to life after being named. According to the synopsis Forky then suffers an existential crisis because he believes he his trash and not a toy. So in this case, the animus appears to arrive after naming, and the animus is not a tabula rasa. The history of the materials appears to have some effect on the animus? (What this might mean for Rex or the plastic army men is especially concerning here.) It doesn’t make sense for Bonnie to think of Forky as trash, so this conviction has entered Forky’s animus from somewhere other than his creator. Also Bonnie has created sentient life without being aware of doing so, probably before being able to write a full sentence.

That’s troubling enough, because, to the eyes of adults or even older children, Forky is garbage. I project Forky’s lifespan of play to be that of months. And he won’t get passed onto other children. Depending on how Bonnie’s community disposes of trash, he may linger with an intact animus, at a landfill, for longer than Bonnie’s own life. It boggles the mind. (And invites hoarding in the empathetic.) However, despite all this, I would be cool with it if this was the only way toys became animate: being owned/named/played with by a child. That could be a complete worldbuilding conceit.

But that’s NOT how animi are generally formed in the Toy Story universe. Let’s back up to Toy Story. Buzz Lightyear has a personality and memories of his history as a space ranger right out of his box. And as we see in Toy Story 2, every Buzz Lightyear comes with that same initial personality. A commercial in Toy Story shows aisles upon aisles of Buzz Lightyears. Something has enabled the creation of thousands, if not millions, of identical animi. There is no direction this can go that isn’t kind of batshit.

Buzz Lightyear and the story that forms his memories were designed and created by adults. It was someone’s (and probably a team’s) job to design a toy that would be popular for a specific demographic, with (if I remember correctly) a cartoon that elaborates on the story and can basically serve as a long-running commercial for the toy. There were probably team meetings, and focus groups, and brand analysis to come up with the name “Buzz Lightyear.” And in such an endeavor, while I would like to imagine that there were some truly creative people involved who cared about the design and story, the people involved would not be the ones playing with the toys as toys want to be played with. And this is where every Buzz Lightyear animus comes from? But how? A manager or director approves the name and then…what? Is there a wellspring of animus that forms? Is it tied to the prototype? The factory workers in Taiwan don’t care about Buzz Lightyear the way Bonnie cares about Forky, and yet their actions in completing Buzz Lightyears call the animi to the plastic bodies. (And the animi are there, without a child’s touch. Stinky Pete was aware in his unopened box. Other toys opened a new Buzz Lightyear and got a living Buzz Lightyear.) And even leaving aside how the animi get into the Buzz Lightyears, the fact is that with millions of Buzz Lightyears out there, we have to conclude that the process that created his animus/animi is orders of magnitude more powerful than what Bonnie did to make Forky. Even assuming some personal care held by Buzz’s designers towards their design, it gets weird. The imaginations of adult toy designers are that much more powerful than a little girl creating and naming her own toy? NOT the way I would expect such a story-world to be set up, but the evidence is there.

And what if the designers of Buzz Lightyear weren’t particularly passionate? What if their boss just said “space is popular now, make me a space toy” and that’s the only reason why they did? That could very well be the case for a different type of toy in the series: the claw machine aliens. Those toys were not designed as a soulful passion project. I’m trying to write this to not be mean to designers who work in not-so-great places, but seriously. We have all seen generic toys in claw machine games before. They were not made to be immortally loved. (And yet! This is what the animus of a toy inherently desires!) Now, the claw machine aliens do seem to have much less backstory than Buzz Lightyear, and have personalities (or maybe just personality)/culture based on the nature of the claw machine. That makes sense, since they wouldn’t have been given a backstory with creation. The point is, though, that they still have animi. In the process of creating these cheap, cheap toys, by the dozens and hundreds and thousands, somehow their bodies were invested with full, identical animi. Adult, corporate creation somehow gives more life to toys than individual, child-led creation.

There are more questions to ask. If adults still have the power (and MASSIVELY MORE power) to invest toys with animi that they also possessed as children, then what can be invested with an animus? What are the limits of toy-ness in the Toy Story universe? Is it the name? I don’t think it’s the face, because there’s Woody merchandise in Toy Story 2 with Woody’s face on it that doesn’t talk. And I think that some faceless toys are shown to move independently/have an animus (possibly including things like LEGO—are the bricks a hivemind? Do the minifigs live inside sentient structures? Can they communicate with these structures? Also, if so, the erector set legs on Sid’s spider baby toy should have added to its total animus. But that’s not the corporate intent, so they’re still voiceless.). Christine (1983) could fit into this universe if the name is of primary importance (movie backstory for Christine, not book). But this would also mean that literally every boat and ship was sentient, but secretly so.*

If the name isn’t the important thing, is it the intent that the object be played with as a toy? In this case, that would mean that Bo Peep’s animus was not mass-produced, as she was originally part of a lamp if I remember correctly. Child-created animi would therefore be more common among non-toy objects than manufactured toys. I also want to bring The Brave Little Toaster (1987) up at this point. In this movie a group of appliances behave similarly to Toy Story toys in some ways, including being played with by their owner and then missing his attention to a high degree when he goes to college. However in this film all appliances and cars have animi, and I personally do not want my vacuum cleaner to feel any kind of way about me, or ever think I have played with it, because I hate vacuuming and would neglect it to death if feasible. (That being said…roombas in the Toy Story universe can hardly avoid being invested with animi, I imagine, no matter the details of the worldbuilding structure.) I bring this up, though, because Wikipedia notes that the original members of Pixar worked on The Brave Little Toaster. Toy Story was released in 1995 and was Pixar’s first feature length film. There is a connection, is what I am trying to say.

I think I have to go with: intent of the object to be a toy and/or being played with as a toy invests a toy with an animus. If it was the naming, then many, many public statues would be as alive as Woody and Buzz, and the people of Denver I’m sure have enough to worry about without Blucifer (Jiménez, 2008) galloping around. Bizarre to say that the least troubling option places mass production on a higher level of investing power than a child’s imagination. And I mean what I say about the mass produced animi being somehow more powerful than child-created animi.

Let’s go back to Sid’s creations. What is wrong with them? Why aren’t they able to communicate like Forky? Possibility 1: Sid just doesn’t have the creative power that Bonnie does. I don’t like this because, as I said at the beginning, Sid is not doing anything wrong by making these chimera toys. He’s treating objects as objects, and the difference between Sid’s chimera toys and Forky is that Forky’s component parts were not originally part of mass-produced toys. So, (from a worldbuilding/Watsonian perspective), I have to go with possibility 2, which goes like this: mass-produced toys are imbued with animi because they are toys. Sid’s chimera toys suffer from their animi being fractured when he alters them. But these fractured, mass-produced animi retain enough coherence and power that Sid, a child, cannot replace the fractured animus with whatever he imagines for his new creations. He’s an imaginative kid! But the corporate animus cannot be expelled. The factory animus is the underlying animus and cannot be removed once the toy is a toy. It can develop with memory and experience, but it will always be the toy making corporation that brought the spark of life, not the child that actually plays with the toy.

And this actually corresponds to Sid’s toys’ decision to rebel and help Woody and Buzz. Their animi are more loyal to the corporate intent that first created them. Sid made them into something new, presumably plays with them, and yet they are not Sid’s. They are meant to be read as broken and tortured (Sid has changed them from their factory-created wholeness), not as new beings. A factory-created, owned object, is meant to be held with the same level of care and maintenance of coherence as a living being in the Toy Story universe. What a child imagines about their own toys has less creative power than a distant designer who’s been told to come up with something appealing to put in a claw machine. Children only have animating power for their toys when they make them out of raw materials.

On the one hand, it’s tempting to say that of course the toys aren’t Sid’s, they’re their own people—isn’t that what having an animus means? But Woody, for example, find it very important that he’s Andy’s toy—a possession—“a child’s plaything.” Andy writes his name on him and this is very important to Woody, enough a part of his identity that when Andy’s name is painted over by the restorer in Toy Story 2 the scene reads as an erasure of something important to him, not as a restoration of his autonomy. Time and again we see that toys want to be owned by children.

This is another place where things get weird. First, I raise the question: What do toys need to keep animus and body together? Not much—only a certain baseline of bodily coherency. They don’t need to take in anything from their environment. More interesting, though, is that they don’t need anything from the children they bond to. Shelved, boxed, and forgotten toys suffer, but they don’t die from these states. No toy will ever find a toy’s corpse the way a human could find a human corpse—whole in every way except for the absence of the animating spirit.

So: toys as entities need little. The next question is then, what do toys want? Toys want to be owned and played with by a child (I say child and not children, because the communal state of the daycare in Toy Story 3 is clearly not desirable to the toys). Woody relishes his place as favorite and most played with toy at the beginning of Toy Story. In Toy Story 2 Jessie grieves when her child outgrows her. Stinky Pete was ignored by children for years, causing him to develop the abnormal belief that it would be better for the Woody’s Roundup toys to be preserved in a museum.

(At this point, I spot another thread to follow. It seems that for a toy, the most important relationship in their existence is meant to be toy + owner. In Toy Story Woody is very invested in making Buzz understand that Buzz is a toy and not a space ranger—Buzz is supposed to stay with Andy. In Toy Story 2 the consequences of not being owned by a child are grief and violence. But at the end Woody tells Buzz he’s not worried about Andy outgrowing him, since they’ll always have each other. Now, Toy Story 3 builds up Buzz/Jessie and in Toy Story 4 Bo Peep returns and Woody leaves Buzz and the other group of Andy’s toys for a life with her, but Woody also leaves the toy + owner life to be with Bo. Toys aren’t made to have an independent existence, yet this is how they end up, also acting as matchmakers to help lost toys find new owners and enter into new toy + owner relationships? THERE IS A WHOLE OTHER ESSAY HERE.)

To stay within just one rabbit hole here, however, I must focus on this: Toys want to be owned and played with by a child. They bond with child owners who do not deliberately alter their bodies (I add this because again, Sid’s toys do not appear to be bonded with him). But within this framework, there must be essential pain within a toy’s existence. Toys are immortal unless destroyed. Toys will experience actual play with a child for, let’s say, ten years, maximum, and that’s if the toy is given to the child when the child is very young and the toy is more classic/versatile than most. That’s way shorter than the best human friendships and familial relationships, and at least human beings can often reasonably hope to have lifespans that are of comparable lengths. Oh yeah, and among human beings people are usually AWARE of the relationship that’s taking place. So toys want to form deep bonds with their children and want to have these relationships last. But the relationships can’t last. I’ll gladly state that play, in some form, is necessary for humans to thrive throughout their lives, but the kind of play that the toys in Toy Story find ideal is a childhood phase of play that that most people naturally outgrow. And even if a human did engage in play ideal for toys throughout their entire life, toys are immortal unless destroyed. All toys will lose their owners, and usually after a pretty short handful of years.

The aftermath of the owner + toy relationship is always painful for the toy. What are the options? To remain owned, but not played with: perhaps the “best” option, but it still leaves the toy with only a memory of a full life. Is a shelf life really a life? This is what was facing Woody, I believe, if Andy had taken him with him to college. Another option: to be outgrown and forgotten. This is what happens to Jessie, and it is a deeply, deeply painful experience for her. She develops claustrophobia from being stored in a box. To be donated or sold at a garage sale: also a source of trauma and panic for the toys, but still better than the worst fate, to be thrown out. But toys that have been separated from their previous owners are so often grieving and/or bitter in the Toy Story series.

This is troubling, to say the least, but it also loops back to questions about the animus and memory. Toys are not tabula rasa. Buzz has a strong personality and memory set from his unboxing. Mr. and Mrs. Potato Head do not need to court each other. Tour Guide Barbie will act as a tour guide in the absence of children. But with time, and accumulation of true memories as a toy, the toys will develop their own personalities, even if the animus starting point can often remain a strong influence. In Toy Story 3, however, we learn that certain toys, such as Buzz Lightyear, can be returned to the original animus state through a factory reset. I hardly know what to do with this. It wasn’t a permanent reset; Buzz’s memories and the personality he’s developed do come back. (But now he also has access to a “Spanish mode” that is…sexier (can such a word apply?) to Jessie than his English mode. Also other toys can put him into his mode against his will. There are so many worms in this can. Sexualization of Latinx people, can a toy expect bodily autonomy from other toys, etc.?) But not every toy has a reset button. Woody doesn’t. Slinky Dog, Rex, Mr. Potato Head, etc. don’t. Does the threat of a reset only affect toys with bodily components that could be considered brain analogues, i.e., microchips? But the animus is not the “brain” and neither does the “brain” store memories/personality. I really, really don’t know what to do with this, except it seems once again to assert the ultimate strength of the adult/corporate-created animus.

The point is, toys can lose their memories, but when we see that in the movies, it leads the toy to go back to their earliest state.

Now: a mystery. In Toy Story, Woody has developed enough memory and personality that he is well aware of being a toy and is involved with the life of Andy’s room in ways that neither his sheriff role or Andy’s imagination reasonably encompasses. (Consider the “Plastic Corrosion Awareness Meeting.”) All right. This would be of no concern if Woody was a generic wild west doll, but he’s not. He was made to represent a character on the Woody’s Roundup TV show in the 1950s. He would have had an animus strongly imprinted with that backstory just like Buzz Lightyear had his strongly imprinted space ranger backstory. Well, then maybe this means that Woody just never lost his memory. That would be the best explanation. That’s why he has a personality mostly free from this imprinted backstory, having been Andy’s favorite toy for some time. But Woody has lost his memory. In Toy Story 2, Woody learns (learns!) that he’s a representation of a TV character. He meets Jessie and Bullseye and Stinky Pete without knowing who they are at all. Woody has somehow completely forgotten his origins. He experienced memory loss that brought him farther away from his animus starting point.

Okay, so there are multiple kinds of amnesia for toys; I was wrong in my earlier assertion that memory loss tends to the origin animus. But I want to keep poking at Woody’s memory issues because of something else that Woody’s timeline leads me to conclude: Andy is not Woody’s first owner, OR Woody was boxed up and forgotten for DECADES before Andy. Actually, he’s probably spent a significant amount of time in storage or on a shelf regardless of whether Andy is his first owner or not.

Toy Story was released in 1995. If the story is set in the present, then Andy is very close to my age. Now, Woody is “an old family toy” according to Toy Story 2, and Al, as a toy collector, was so thrilled and astonished to find a Woody at a garage sale that he stole him when he learned he wasn’t actually for sale. This leads me to the conclusion that Woody toys aren’t in continuous production. Woody was probably only manufactured during the height of Woody’s Roundup’s popularity, in the 1950s. So there’s two options for Woody’s ownership history. I’m also going to presume in both cases that Andy’s father was the parent that previously owned him, though there’s no reason why his mother couldn’t have been the owner.

So, option one: the young parents/young grandparents option. If Andy’s grandparents had his father when they were about twenty, and then Andy’s parents had Andy when they were about twenty, then Andy’s grandfather could have gotten Woody at ideal playing age and then later passed him down to Andy’s father and then Andy’s father would have passed him to Andy. I don’t think this is the case, though, because Woody still has his incredibly rare hat and a functional voice box. If Woody had been played with by a child at ideal playing age at the height of the popularity of his character’s show, I think it’s likely that he would have gotten played with so much (and taken to places so much) that he would have lost his hat and his voice box would have worn out. Woody didn’t start off life as a collectible, and play causes wear and tear on toys. And if Woody was originally the grandfather’s toy, then he would have gone through another round of play with Andy’s father. Woody’s condition is too good for that. Unless, that is, Andy’s whole family is made up of people who are unusually careful with their toys? That’s sort of an intriguing idea, since it means that Sid’s actions look even more horrifying by contrast, and generations of “ideal owners” for Woody obscure the bizarre nature of the life of a thinking, feeling toy. However, the Toy Story universe keeps raising questions in Toy Story 2-4 about what it means to be a toy, so there doesn’t seem to be a motivation in the series for such obscuring. This is despite the fact that Woody’s amnesia does obscure some things about the nature of a toy’s life, at least in the original Toy Story. (I know the Doylist perspective answers all this easily—this isn’t what the audience is meant to think about, Woody’s backstory as a toy from a 1950s TV show isn’t important in Toy Story, and in fact this backstory didn’t exist until Toy Story 2 was created.)

Regardless, I don’t think the young parents/young grandparents option is the right one. Instead, I choose option 2: the slightly older parents option. Woody’s Roundup is a TV show from the 1950s. It was popular enough to lead to a lot of merchandise, not just the dolls of the main characters. Brief research shows that in the 1950s television Westerns were incredibly popular, and there were Westerns made for kids and Westerns made for adults. The question I’m trying to get at here is trying to figure out how Andy’s grandparents would have known about a kid’s Western show. But, it’s really not that difficult. In this timeline I’m building now, Andy’s father would have been born in the 1950s, making him in his early-mid thirties when he became Andy’s father. Given this timeline, it’s overwhelmingly likely that Andy’s father has siblings, including older siblings, that might already watch Woody’s Roundup. Or, even if Andy’s father was the oldest child, it’s also overwhelmingly likely that Andy’s grandparents’ friends had plenty of kids of their own and probably talked among themselves about what kids liked. The significant thing in this timeline is that Woody would have been given to Andy’s father when Andy’s father was very young. Perhaps too young for a Woody doll, but perhaps also with the assumption that Andy’s father would grow into the doll. So Woody is unboxed and waits on a shelf for a couple years while Andy’s father grows a little. My theory is that Woody’s Roundup was no longer on television by the time Andy’s father was at the right age to start playing with a doll of Woody’s type. This would have two consequences. One: Andy’s father would have been unguided by the TV show in regard of how to play with Woody, meaning that Woody would have formed many memories unrelated to his original animus in this early stage of his life. Two: even though Woody was played with, he never was Andy’s father’s favorite toy, which is why he was able to be passed down to Andy in good condition (and still with his hat).

In this option 2, which I feel is more likely, Woody has probably spent at least 25 years on a shelf or in storage. So why is this important? I think it’s important because Woody doesn’t act like he’s been through the decades-in-storage experience, or the experience of having an owner outgrow him. He sympathizes with Jessie after learning her story, but he says nothing about having experienced anything like it himself. And as far as the movies are concerned, his worries about Andy outgrowing him are new worries. But they can’t be new! He’s already been outgrown at least once before! I mean, with Andy he’s a favorite toy, so that’s a unique owner + toy relationship status that he (probably) didn’t have before. Maybe that amplifies what he’s going through this time?

But there’s another aspect to Woody’s experiences that I want to touch on. All the other toys he would have known as Andy’s father’s toy are gone. There are no other “heirloom” toys in Andy’s room, or at least there is no evidence of this. All of Andy’s other toys seem to have been purchased just for Andy, and purchased new. There is no reference to garage sale trauma, previous owners, or anything like that. And as we’ve seen from other toys throughout the series, toys remember that kind of thing! But Woody doesn’t. His animus is one that shows years of experience building over his character backstory, but he never acts like he’s experienced being outgrown or losing all his toy friends.

Or at least he never says anything about such experiences.

I think it makes sense to read Woody’s amnesia as genuine. But I also think it would be reasonable to read his character as one that has undergone traumatic experiences and has responded by burying them so deep within his mind that he has no conscious access to them, even though they influence his current personality and life. (It’s impossible to know, but do toys in every household respond to birthdays and Christmas with such intense monitoring—with the desire for even the slightest early warning of replacement? Woody is the one who worries most about these celebrations, extremely anxious of his own status as favorite toy.) That the ending of Toy Story 4 removes him from the cycle of ownership and outgrowing can’t be ignored. Better to not have an owner than to experience losing an owner again, and again, and again?

But I do think there is one other possibility: Andy’s ownership of Woody caused him to lose all his memories of Andy’s father. A child may not be able to give a manufactured toy a new animus, but by possessing a toy in a play relationship (as opposed to a collector relationship) a child may be able to overwrite any memories of the toy’s previous owner. The process doesn’t happen instantaneously, as Andy’s toys don’t immediately forget him upon being transferred to Bonnie, but it would certainly explain why Woody makes no reference ever to a previous owner, even though he was most likely manufactured at least 35 years before coming into Andy’s possession. However, Jessie’s story argues against this. While she is happy among Andy’s toys, there’s nothing to show that she is forgetting her own past.

The possibility of a new child owner driving out all thoughts of the previous one is interesting, as it puts some degree of power over the toy’s animus back with the child. However, in the Toy Story universe, it’s clear that if this is the case, it’s not an instantaneous process. And if it’s not an instantaneous process, then it becomes overly complex. What memories would be driven out? For toys less adventurous than the main characters of the Toy Story movies, their whole lives are centered on their owners. They live in their child’s room/house. Anything that took place there would have to be forgotten to not bring up thoughts of the previous owner, including conversations with other toys that were friends of that first toy. At this point we approach a state of complete memory loss before the claim by a new owner. A gradual process would at least allow continuity of personality, since new memories under the new owner would be continually being made. But then, some new memories would have to fade, also. For wouldn’t a toy talk about their past while they could still remember it? And wouldn’t their new friends maybe bring up their past in conversation sometimes? They might even talk about the process of forgetting. That process would be noticed and known among toys. No, after thinking about it, I would say that there is no inherent forgetting process. Memories will mostly tend to stay, with whatever pain and joy they bring. And there will never be any transition process that is easy for the toy.

Woody’s amnesia remains his own, and remains his best defense against the trauma of being outgrown and shelved or stored for many years.

Toys have a strange and painful lot in life, semi-immortals being made to be silent companions to the briefest stage of a mortal lifespan. They live because they are made for children, but for most, in this world of mass production, children do not create them. Their animi are the spawn of creators who have no intent to create thinking, feeling beings. Escaping the stamp of such thoughtless creation means living long enough to know the deepest loss a toy can experience. Sometimes the only way to move forward from such loss is to forget. And yet, there is little will for most toys to move beyond this cycle. Toys overwhelmingly retain their roles as objects. I’d like to say that maybe this means that play is worth it, that temporary joy is worth it. But maybe it’s just the nature of being a toy. After all, if there’s any intent in their creation, there was the intent that they should be objects.

*I would never leave a dangling asterisk. My previous point was about ships and boats, but, if seagoing vehicles live because they are named, then there’s no reason why land vehicles would not do the same. It might be possible to argue that the Cars universe came about after some cataclysm wiped out humans and left only named vehicles behind.

Other avenues of investigation that were beyond the scope of this essay:

1) The situation between the Diamonds and every other gem in Steven Universe is highly analogous to the situation between humans and toys in the Toy Story universe, save for the crucial difference that the Diamonds have no excuse to not know that the other gems are complete feeling, thinking beings and to treat them as such. It was actually parallels I saw between Spinel + Pink Diamond and Jessie + her owner that got me thinking about aspects of the Toy Story universe in ways that I know are meant to be ignored. Also Pink Diamond bringing all those little pebble people to life just by crying on them. That’s a lot of responsibility coming from a solitary expression of emotion!

2) I’d be curious to know if a hugely popular series based on the agency of objects has had an effect on fan culture at all. Or it might at least be a way to examine actions taken on behalf of characters. Fictional characters, after all, don’t feel any kind of way about the situations and relationships people envision them in. They’re mental objects like toys are physical objects. In the real world is anyone going to argue that putting the faces of dolls or action figures together and making kissing noises is something to worry about? Is anything about putting a naked Barbie on top of a naked Ken a harmful act? In the real world I would say no. Also, with full awareness that this is a can of worms, what is the impact of such things in the Toy Story universe? Obviously this wouldn’t be addressed in any canon. But the Toy Story universe is supposed to be like reality with one big secret so there are kids that are definitely using their toys to play out love stories and stories including a vague understanding of sex. And another aspect to all this…if you’ve seen Booksmart, consider one of the characters’ uses of her childhood stuffed animal. I understand that this is not uncommon.

All right. I think I’m done now. And that I will probably go get another drink.

(I had a few baby dolls as a child that included their own toys as accessories. H—how would THAT work?)

[rcyharper]

hii I just wanted to ask if you know how donna and Roy broke up and if you think they're gonna get back together

in titans 99, their relationship was kind of doomed because they were in different pages about it? donna had recently come back to life from wally's memories, she was having a sort of existential crisis about her identity, so she got with roy to like. try to discover a wild side she wasn't sure if she had or not? so for her, it was never supposed to be a long term relationship from the start. i think roy didn't quite understand that was the case, which is why he was surprised when she suggested they'd eventually break up. their relationship was also kind of an open one, but i think both of them were secretly unhappy with that. donna was pretty unhappy at how roy threw everything away to chase after and help jade in the tartarus and trial arcs, and roy seemed pretty threatened in the issue when kyle was there, though they got over that by the end of that issue. then again, donna did kiss kyle after that, but i don't think roy ever knew about that. again, it was an open relationship, which i guess was fine for them when it came to flirting with random ppl, but not for anything more meaningful.

titans 99 is also like. the only time they were ever in a relationship as adults? if you're interested in why they broke up as teens, it mainly just boils down to their drifting apart whenever the titans broke up as a whole, unless you wanna count omens of deathly futures.

i don't think they're gonna get back together. roy is in teen titans academy right now but (i'm hoping) he won't be there for much longer. they're kind of at different points atm bc roy has his whole thing with lian and black lantern prophecies and all, whereas donna is soon gonna be off to deal with amazon stuff. the only place a relationship can realistically happen again is if they were both in a titans book again together but like. they both need to move past that book so desperately lmao

[ahkaahshi]

some things take time [sakusa kiyoomi x reader]

pairing: sakusa kiyoomi x fem reader

genre: fluff with ever so slight angst

warning(s): n/a

word count: 1k

overview: you learn that unreciprocated feelings don’t have to mean the end of a relationship.

notes: bc my brain just went 🥺 sakusa 🥺 as it usually does.

Sakusa’s heart is racing so fast he thinks he’s quite possibly on the brink of passing out right where he’s sitting on the concrete wall separating the beach from the sidewalks.

There’s nothing happening around him to elicit such a reaction from him. In fact, his surroundings are rather serene. 

In front of him, the gentle waves of the ocean kiss the sandy shoreline, making it shimmer with light emanating from the stars, moon, and cityscape. Around him, the sounds of the city blend together to form a peaceful bath of white noise that’s soft enough not to irritate or bother him. Beside him, you sit quietly, basking in the comfortable silence surrounding you as you gaze upwards at the constellations in the nighttime sky.

Little does he know that your heart is also thumping erratically in your chest, in spite of the calmness you’re exuding. The twinkling stars are just a distraction from the thoughts that linger in your mind whenever it’s idle. In the darkness of the sky above, you can envision a moment that never fails to leave you feeling as if you’ve had the wind completely knocked out of you.

About three months ago, you’d told Sakusa that you loved him. And, about three months ago, he’d told you that he wasn’t there yet.

But, here he sat beside you, truly a man of his word intent on sticking to what he’d told you that day: “I still care about you a lot, (f/n), and our relationship isn’t over. Give me some time. I want to get there with you.”

And while that memory was reassuring in some aspects, since it was a constant reminder that he wanted to be with you, it haunted you. Far too many times, you’d caught yourself mentally digging your own grave. Telling yourself that his hesitation was a sign that he just wasn’t into you, and that you’d probably scared him by confessing so soon. In your experience, talk of commitment had led to cold feet.

But Sakusa was different. You just knew he was.

You wanted so desperately to give him the time and the space to feel comfortable and certain of his decision, but you couldn’t deny that waiting for him to say the words you wanted to hear more than anything was getting more and more challenging as the days wore on. Oh, how you hoped he wasn’t going to waste your time like all the others had.

“(F/n).”

The sound of your name leaving his lips in that smooth voice of his rouses you from your borderline existential crisis of a moment, and you slowly turn your (e/c) gaze to meet his the darkest shade of midnight. Every time you look into his eyes, you can feel yourself getting lost in them.

“Yeah?” you wonder softly, turning your lips upwards to form a small smile.

A pause that seems to last a lifetime ensues between the two of you as he regards you in a way that makes you think he’s looking for an answer or reassurance in your features. One of his hands slowly moves over your own, giving it a gentle squeeze. He’s far from a romantic person, so any act of affection from him is enough to spread warmth over every inch of your skin. When the other makes its way towards your face, brushing a few stray strands of hair away from your eyes before coming to rest on the side of your head, your heart rate suddenly skyrockets.

This whole time, you’ve been so focused on his touch that you’re not even fully aware of how close his face has gotten to yours until you can feel his warm breath fanning across your skin. In an instant, his lips are on yours, prompting you to pull him in closer by placing your unoccupied hand on the back of his head and sinking your fingers into his black sea of waves. The kiss you share isn’t particularly long or passionate, but it’s also not as short and fleeting as usual, which you’re grateful for.

After a few moments, he pulls away, but not enough to keep distance between your mouths. With his lips brushing against yours, as if he’s worried that creating more space will dull the effects of his words, the promise that you’ve been waiting to hear him say for the past few months finally reaches your ears in a soft tone.

“I love you.”

Despite feeling nervous earlier, he’s able to say these words with a kind of ease that settles his previously racing heart and fills him with relief. Though it took him a few months to utter this statement, he’s absolutely sure of what he’s saying and the commitment he’s making to you by saying it. He had been right, and those pessimistic sides that lived within each of you, spurned and defensive from many years of negative experiences, had been wrong instead of the other way around, for once.

As the two of you take a moment to let his words sink in, your foreheads pressed together while you bask in the warmth radiating from one another, you finally realize that some things take time--and that time wasn’t always a force that weakened. In the instance of Sakusa’s adoration towards you, it had the power to strengthen.

Now, your heart’s brimming with joy not just because of his confession, but because you’re finally able to respond, “I love you too, Kiyoomi.”

[fireinmywoods]

You've mentioned before that Bones pretty much never calls Jim anything but "Jim." Do you think it's significant that at his birthday party, Bones has everyone toast to "Captain James T. Kirk," and not to "Jim"?

Well, he’s not “Jim” to all those folks, is he?

Sure, during informal downtime like this or a Meaningful Moment while on duty, one of the captain’s inner circle might occasionally call him by his given name - but Leonard knows at the party that he’s speaking to a room full of people who look at James Tiberius Kirk and see their captain first.

Oh, granted, he’s their much adored captain: the captain who traded his life for theirs, the captain they’d gladly follow into hell because he’s proven that he has what it takes to get them out the other side. Any one of the people in that room would jump in front of a phaser blast for him. (In fact, Uhura effectively did just that earlier in the movie.) They admire him; they trust him with their lives; they are fiercely devoted to him. They love him, each in their own way - the senior crew especially - and they know that he loves them in return.

But none of them love Jim the way Leonard does.

They couldn’t if they wanted to, because none of them know Jim like Leonard does. The crew has been through a whole hell of a lot with their revered captain, but Leonard is the one who’s seen him at his worst, at his weirdest, at his lowest and loneliest and most unguarded. He alone has scraped Jim off bar floors and put him to bed on the couch under his granny’s quilt to sleep it off and been awoken the next morning by the melodious sound of hangover puking in the head. He alone has stuck steadfastly by Jim’s side since the day he met the already disreputable bar brawler on the shuttle, took in the busted face and the bloodstained shirt and the small empty smile that didn’t reach those absurdly blue eyes, and decided they were two of a kind. He alone devoted himself to Jim long before that was a popular or even justifiable thing to do, before Jim had proven himself to Starfleet or his peers, before it became unmistakably clear that Jim Kirk was going to Be Somebody.

Leonard loves Jim in a different way than his fellow crew members do, shares a different kind of bond with him, and he’s a touch protective of that love and that bond. I wrote recently that Jim mostly refers to Leonard as Dr. McCoy to the rest of the crew because Bones isn’t really for anyone else. Well, the same holds true in the other direction. Leonard sees only Jim when he looks at him, always, no matter the situation, but he’s not necessarily eager to share him with the rest of the class. The crew can have Captain James T. Kirk, so long as Leonard never loses Jim.

+

Consider this: Jim’s birthday isn’t exactly a secret. Everyone on the Enterprise knows that Jim was born the same day as his father’s famously heroic sacrifice, the same day as an historic event they literally study at the Academy. Every idiot in Starfleet knows that date, at least in the abstract. But Leonard is the only one who understands Jim’s complex relationship with his father’s memory, because Leonard is the only one Jim’s ever been willing to open up to about it. So it’s Leonard who makes a point of acknowledging Jim’s birthday even though he knows from all their years of shared history that Jim would have him ignore it, and it’s Leonard to whom Jim ruminates on what it means for him to be turning 30, and it’s Leonard who says to him: “You spent all this time trying to be George Kirk, and now you’re wondering just what it means to be Jim.”

Leonard cares more than anyone else on the crew about Jim finding the answer to that question, because it’s always been Jim he’s concerned with first and foremost. He’d follow him anywhere - hell, death itself, or even (shudder) New Vulcan - not so much because he trusts him as a captain, but because he wants to be where Jim is. If Jim were to decide to leave the great Captain Kirk behind and instead take on the role of a vice-admiral or an Academy instructor or a goddamn pig farmer, Leonard would be right behind him, grumbling the whole way and death-glaring anyone who suggested he didn’t actually have to follow Jim’s lead if he was so aggrieved about it.

Not that that’s likely to happen any time soon. Jim is an outstanding starship captain: it’s a role perfectly suited to his strengths and passions, and (outside of the odd existential crisis) it’s deeply fulfilling and gives him both the community and the sense of purpose he’s been chasing his whole life. Leonard understands that even better than Jim does; thus the party. But at the end of the day, captaincy is only a role, a means to an end, and Leonard is far more devoted to the man than to the chair. He just wants Jim to be happy - and to be happy, he just wants Jim.

+

I want to be clear that in no way am I seeking to devalue the relationships Jim has with all the other folks at the party. The Enterprise crew is a textbook case of found family, and Jim and Leonard both have incredibly rich and meaningful relationships with many other people. And at the end of the day, they are a family which exists because they are a crew, because they’re stuck with each other for (at minimum) five long, crazy, claustrophobic years, because they have been through no end of shit together, because their bonds and sense of shared identity are what keep them alive and sane and kicking ass as the very finest crew in the Fleet.

And, like many families, they will change, grow, and scatter over the years. Alone or in pairs, crew members will take promotions, accept new assignments, or retire from active starship duty. Many of them will prioritize remaining with these people on this ship for as long as they can, but eventually even Captain Kirk himself will leave the command chair, and life and duty for his hundreds of former crew will go on. The core group will almost certainly come back together occasionally, professionally and otherwise, but in the times between, their bonds be stretched across lightyears, a little muted and faded by the immediacy of daily life. Everyone is the hero of their own story, after all, and those stories will take them through new places and new adventures and new relationships and, yes, new families too.

Jim and Leonard are a different kind of family. They became that for each other long before they came onboard the Enterprise, and the essence of their relationship is unaffected by pesky details of rank or mission. Leonard will never accept reassignment or seek advancement if it means going somewhere without Jim. He’s a doctor, not a ladder-climber, and he’s never been especially passionate about Starfleet or its mandate. He’ll stay on the Enterprise as long as Jim does, and when Jim leaves, he’ll follow him wherever he goes next. Simple as that.

(I have a...complicated...relationship with the comics, but I’d be remiss not to note here that of all Jim’s tight-knit and loyal crew, Leonard is the one who ships out with him on the Endeavour in the Boldly Go comics - even taking a demotion to do so - not long after the birthday party in question.)

+

You may have noticed that I haven’t even touched on the capital-L Love aspect of things. The birthday party is pre-paradigm shift, by my reckoning, and I honestly believe that all of the above holds true whether or not you imagine that they are inevitably headed toward romance. Leonard and Jim’s relationship is just different in AOS. Their friendship is older and deeper and more exclusive than in the original timeline. They’ve grown together in every way, become more integral to each other’s sense of self. They are simply different people than their TOS counterparts, Jim especially, and I’d argue that Jim being a different person has made Leonard a different person along the way.

But, as I so often say, that’s a post for another day.

[hyper-fixate]

you wouldn’t believe the dream I just had about you and me

[The other night, during a 3 am feed, I saw a post about soulmate prompts (I found it!) and saw this one (paraphrased):

20. They recognize their soulmate because they’ve heard their laughter in their dreams.

And today, those immortal husbands wouldn’t let me leave it be. Title from Some Nights by Fun.]

updated with AO3 version.

------- Yusuf remembered when his older brother, Hamza, had gotten married to a shy dress maker from the village over. She looked beautiful. She had hand stitched a beautiful pattern across the skirt of her simple tunic, with looping branches and leaves. A tree, the joining of two families to make one. Yusuf had been intrigued by it, choosing to sit by his new sister’s knee and gently traced his fingers along it. Something in the soft blue-green thread intrigued him. He knew he would sketch it in the hearth this evening, as he lay watching the fire dwindle to embers. His mother tried to shoo him away, admonishing him for touching the precious dress with his sticky fingers but Karima gently placed her hand on the nape of his neck and smiled at him beneath her veil.

‘Are you happy to be married to my brother?’ Yusuf asked breathlessly. Only seven, but already his mind was filled with the glory of love. The romance he still saw in his parents eyes as they brushed gentle fingers against each other’s cheeks and arms. He knew his parent’s love story and it warmed him to know that they were blessed with so many long, happy years together. He fell asleep with the same fervent prayer on his lips: let me have a soulmate too.

‘Yes, little brother.’ Karima glanced at Hamza in a way that was so tender and loving, Yusuf blushed as though he had intruded on something intimate. ‘From the moment I heard his laugh, it was as if a great weight was lifted from me.’ 

‘Then I heard hers, and she snorts. Like a boar.’ Hamza had come over to them, grasping one of Karima’s hands in his and drawing it to his lips. She swatted at him with her free hand, but she did laugh. And it did end in a small snort, a joyous noise that seemed to escape her against her will. 

‘How did you know, then,’ Yusuf considered his words carefully, ‘that it was dreams of your soulmate and not a boar?’

That drew a great laugh from Hamza. He laughed with his whole body, throwing his head back and even Karima giggled lightly.

‘Little brother, your mind is a treasure.’ Hamza gently ran his thumb over Karima’s knuckles and they exchanged that look again. ‘I must continue to check on our guests? Do you need anything?’

‘No, our little brother is taking good care of me.’ Karima said and Yusuf felt the tops of his ears heat at the easy nature in which she accepted him. Hamza kissed her hand again and, with a whispered endearment, left them. Karima looked down into Yusuf’s shining eyes. 

‘Do you wish to know a secret?’ She looked at him conspiratorially, and he nodded. ‘You must not say anything.’ Yusuf held his finger over his lips, to mime his silence. ‘But a part of me was so glad that my soul was bound to one so handsome and I was instantly ashamed. To be gifted a soulmate so close and so easy to find and to be concerned with his looks?’ She sighed, leaning back into her chair. ‘But what has been the greatest blessing is getting to hear your brother’s laugh at all hours of the day, not just in my dreams.’ 

She had a hazy smile on her lips, one Yusuf knew well from watching his parents. He had tried to capture that smile in drawings. Tried to imagine it on his own face when he caught his reflection in still water. To imagine the contentment of knowing you had found the other half of your soul, that you were finally on the path you had been destined to tread. He swallowed painfully.

For Yusuf had a secret. A dark, terrible secret, that felt so heavy in his young heart.

Yusuf was not certain he had a soulmate. 

He knew how it worked. That when your soulmate laughed, you would hear it that night in your dreams. His father, Ibrahim, had spoken of the joy he had, growing up and hearing his mother’s light laugh every night. How happy he’d been, knowing his future partner was so carefree and easy to laugh. How he’d felt his heart would explode when he’d heard that laugh, outloud, that fateful day in the market. How it had speared him through his heart. And Yusuf had sighed at the romanticism of it.

But Yusuf didn’t hear laughter in his dreams. Not really. Sometimes he thought he heard small huffs, little sighs of sound. But never laughter. Not the type that seemed to ring in his family home at all times of the day. When Ibrahim caught Mariam in his arms and swung her. When Hamza told stories of the men at the docks, trying to haggle for the wares. When Karima brought him sweets from the market.

When Hamza and Karima announced that there would be even more laughter to look forward to, their intertwined hands splayed over her flat stomach.

He was nearly thirteen when Yusuf woke suddenly, spilling the papers he had been sketching on before he’d fallen asleep. He couldn’t remember falling asleep, but he knew what had woken him. A deep noise that sounded warm and joyful, but still so restrained. As he chased the dream, the noise seemed to slip through his memory and he couldn’t hold it. But a small giggle bubbled from his own lips.

It had been a laugh. 

He had a soulmate.

A more painful thought occurred to him, then. His soulmate had had so very little opportunity to laugh that it had taken nearly thirteen years to hear it properly. He did not think discovering he had a soulmate would have made his heart heavier. But the ache in his chest when he realised that there was someone out there for him, but that this person did not have the joy Yusuf had? That cut him deeply. He scrambled out of bed and folded his body into the familiar shape of prayer. He swore, as solemnly as he could, to bring such joy to his partner that he would know that dreamy contentment Karima had shared with him all those years ago, on her wedding day. I will hear your laugh at all hours of the day, to make up for years worth of missed dreams. 

Yusuf, like any good romantic, was also predisposed to fits of melancholy. He was not sure what he had done to upset Allah. He had had a good childhood, his silent existential crisis about not having a soulmate not withstanding. He had enjoyed his work with his father and brother, travelling by land and sea to trade their goods. Some part of him kept his feet moving. He seemed to know, deep down, that his quiet, solemn soulmate would not be found in the next village over. So he had travelled happily, easily charming those he met with a sharp wit and an easy wink. At every new market, new town, new inn, he wondered if this would be the moment he heard it. Heard the laugh that would begin his life anew.

Then that damned Frankish pope had called his holy war and everything had changed.

There was no laughter anywhere, not anymore. Not when Yusuf’s days were spent trudging through endless sands with this damned man. He’s not sure what made him offer his hand in peace after the last time they woke up. Honestly, it was more fatigue than any sort of mercy. He was covered in sand, his own blood, the Frank’s (Nicolo, his mind unhelpfully supplied) blood. There was bone and gore in his hair, caked under his nails and in his mouth. Surely anything would be better than this. Even walking with his once enemy who was trapped in this living hell with him.

It took many weeks for them to realise they shared a common language. It took them months to accept that whatever curse they both suffered had held and that perhaps, they should stop trying to kill one another and at least be civil. 

Nicolo’s Greek was slow and halting, half remembered from when he was a boy and before he had been promised to the church. Yusuf’s years of travelling made languages easier for him and between Greek and exaggerated hand movements, he had begun to pick up bits and pieces of Nicolo’s mother tongue. Nicolo still tripped over Arabic hopelessly, but was a dedicated student. He asked constantly for the names of things and spent hours repeating them to himself, to try and imprint them on his tongue.

Yusuf watched his hopeless companion and decided that perhaps he had not angered Allah that badly. Though their meeting had been so violent, he had seen a kindness under the layers of doctrine and faith, an eagerness to learn and experience this new world. Nicolo was distractedly oiling his long sword whilst clumsily rolling the strange Arabic consonants and vowels around his tongue. He misprounounced every word.

His companion was amusing if nothing else. And a fairly good cook. 

And that’s why you don’t tempt fate. Yusuf thought a moment later, as his musings were cut short by the sharp pain in his neck and he barely had time to see Nicolo jump to his feet as his world tilted sideways and went dark.

Yusuf awoke with a violent gasp. He sat up, his hands scrambling to his neck. His fingers found nothing but tacky blood. Nicolo was watching him, his eyes oddly bright in the dying light.

‘What happened?’ Yusuf asked, his voice rasping. He put his hands on his thighs, trying to ground himself. Nicolo moved back slowly, sitting down in front of Yusuf.

‘Bandits.’ Nicolo jutted his chin towards his right. Yusuf saw two bodies laying in pools of dark blood. ‘They shot you with an arrow.’ A small movement out of the corner of his eye drew Yusuf’s gaze back to Nicolo. He was holding an arrow bolt in his hand. ‘You did not wake up.’ Nicolo said, swallowing hard. ‘Not until I pulled out the arrow. I had thought-’ There was a half strangled sound from the Genoan. ‘I was wondering if your stubborn refusal to die was just at my hand.’ Nicolo said it so quietly, Yusuf’s tired brain took a moment to make sense of it.

It was easier to understand Nicolo’s tone in zeneize, his mother tongue. But Yusuf could hear fear in this man’s voice in any language. Anger and fear had been their first shared language, after all. Yusuf tore his eyes from the arrow, the arrow Nicolo had to tear from his neck, and back at his companion and saw the other man’s tunic was covered in blood. 

‘Are you well?’ Yusuf reached out, his hand poised in the air between him. Nicolo didn’t move away, but stared at Yusuf’s hand as one would a snake about to strike. ‘Did they hurt you?’ Yusuf tried to make the return of his hand seem casual and not stilted, but the tension still hung in the air.

‘This is mostly yours.’ Nicolo said, waving to his chest. ‘It sprouted out of you like a fountain when I pulled this out.’ He rubbed a hand across his cheek, smearing more blood. He grimaced when his hands came away tacky. ‘How bad is it?’ 

‘For you? It’s an improvement.’ Yusuf said in perfect zeneize and in such a deadpan manner that it startled a laugh out of his companion.

Yusuf froze. 

For a full moment, he wondered distantly if his heart had actually stopped and he was in the liminal space between their deaths and their gasping rebirth.

Nicolo laughed. Nicolo laughed.

And Yusuf knew that laugh.

He moved almost as a blur, reaching for Nicolo before the other man could react. Yusuf’s hands caught Nicolo’s face and the force of his movement knocked the paler man back, wedged uncomfortably, half on his knees and half on his pack. Nicolo squawked indignantly, trying to move away, his hands searching for a weapon on instinct. But it was too far away and the manner in which Yusuf had pinned him made it impossible to lever himself off his feet. Yusuf shushed him, softly, gently. Trying to convey that he meant no harm as one hand slid Nicolo’s hair away from his face and Yusuf searched those damned beautiful eyes for something. 

‘What are you doing?’ Nicolo, extremely confused and uncomfortable, stumbled out in slightly mispronounced Arabic, following it with a small huff at the manic look on Yusuf’s face. And it speared Yusuf right through the heart.

He knew that sound too. And his heart flew and broke and started thumping in his chest as if it wished to escape his flesh. Something had to escape, so Yusuf threw his head back and laughed. Nicolo went still under him, his eyes blown wide.

‘Mio Dio.’ Nicolo gasped under him and Yusuf couldn’t help himself. 

He laughed again.

(Prologue, of sorts)

‘And I kept my promise, I have tried every day to make him laugh. If only I’d known as a boy, so unsure of my dreams, how those small noises of joy would make my heart soar. How drawing a full bodied laugh from this quiet, thoughtful priest would make my blood boil in a very different way then when we met-’ Joe says

‘Yes, yes. We get it. You’re still disgustingly sweet.’ Andy sits down, her hands curled around a vodka bottle and offers it to Nile. Nile shakes her head. Andy takes a swig straight from the top.

‘Wait, so you didn’t laugh around each other for months?’ Nile looks slightly dazed. 

Nicky shrugs. ‘We were too busy trying to kill each other.’

Joe laughs.

Nicolo’s point of view here.